Songs Of Leonard Cohen

A very fine album!

3.5⭐

A solid folk album. I already knew "Suzanne" and "So Long, Marianne" and love both of them. They're still far and away the two highlights for me, but the other songs by and large didn't disappoint. That said, "Hey, That's No Way to Say Goodbye" sounds much too similar to "Suzanne". I know Cohen is more of a poet than a musician, but I'll be honest, I didn't dissect the lyrics of every song. I might explore them in more detail in the future. Fav tracks: Suzanne, Master Song, The Stranger Song, So Long Marianne

Great!

6/10 Best track: "So Long, Marianne“

Much prefer his early years. Does he really stand out and above others of his era? Probably not but it's a good listen.

Good songwriting but it does feel repetitive about 4 tracks in. The arrangements and background vocals work nicely with Cohens singing.

Reminded me a lot of Bob Dylan. It was fine but I'm not going to relisten.

I really like Leonard Cohen and this was one of the better of his albums.

debut album from this legendary artist. he often utilizes the “sing-speaking” style of vocals. good listen, although some of the songs seemed a little too long.

Terrific record. Another reason to love 1967!

One long play song. Dreary.

A great debut album from a songwriting legend. A couple of duds but all in all an impressive album.

Excellent. Very good songwriting. The music is a bit the same. But overall very nice.

Absolute poetry set to pleasant music. One of Canada's finest. My only EXTREMELY MINOR gripe is the songs all sound about the same. But it's a nice sound.

unauffällig

I like Leonard Cohen but I'm not going to pretend I love his songs with all my heart, like a wannabe intellectual.

un poco rollo pero melancólico

4.5★. Ever since I heard The Stranger Song (and some other songs from this album) in McCabe & Mrs. Miller Leonard Cohen has been one of my favorite artist (and that song one of my absolute favorites). Though I didn’t like the surrounding songs as much when I listened to the album the first few times, but it has grown on me over time and now I more or less thoroughly adore it.

Amazing folk classics. I will be relistening many a time. I also didn’t realize one of us cannot be wrong was a cover so that was exciting. Such a good song. His lyricism feels like a journal of different characters the whole time.

Giving Gregory Alan Isokov and I am HERE FOR IT. OH MY GOSH BECAUSE IT IS!!! ONE OF US CANNOT BE WRONG IS A COVER!!! THIS IS CRAZY REVELATION MY WORLD IS CHANGED WHO IS THIS MAN I NEED HIM IN MY LIFE!!! BRO AND THIS IS THE GUY WHO WROTE FRICKIN HALLELUJAH!!?! Leonard Cohen you are my new favorite man. Okay actual review time. It’s probably worth noting that I am already quite predisposed to folk, a wee bit biased toward it, so needless to say I’ve listened to this album over 6 times now (in addition to some of his other works) since getting it for my album of the day. It deserves every one of those listens, and I will continue to listen to this album til the day I die. I mean the lyrics are some of the most poetic I have ever had the pleasure of hearing. His soft and quaint voice matches with his gentle guitar and it all just comes together to form some of the most calming, comforting, and nostalgic music I have ever heard in my entire life despite the fact I’ve never heard this album before let alone any Leonard Cohen. These songs sound like I may as well have known them my whole life. But these songs are so much more than that. There is an element of dark humor expressed in his vivid imagery and poetic writing, the irony of One Of Us Cannot Be Wrong comes to mind, a humor and irony that is so beautifully paralleled to the juxtaposition of the humorous lyrics and yet solemn guitar. You want to laugh and yet you can’t. This is the mastery of Leonard’s abilities. In doing so he permits us to recognize the humor of the scene he has laid out in front of us, and yet restrains our ability to mock it. This allows us as the listener to internalize and reflect upon the deeper meanings and applications of his words. Every joke has an ounce of truth to it. It’s an unbelievable combination of musical prowess and lyrical expertise that is just astounding. Through his debut, Leonard pushes the boundaries of folk, music, and even art. Thank you 1001 albums for introducing me to this folk king, you are truly doing god’s work 🙏

Lyrical poetry. And yet so boring at the same time

Had heard the name but never any of his music. Highly enjoyable

Favourite Track: Winter Lady Honourable Mention: Hey, That's No Way to Say Goodbye An atmospheric, soft album that prioritizes lyrics over musical complexity. I definitely need to be in the right mood for this one (i.e. A cozy bookstore nestled in a quaint neighbourhood during the fall season). Cohen's whispery, conversational vocal style is definitely an acquired taste too.

I get why Leonard Cohen is highly regarded, but to me, he's like Dylan but more boring.

Started off interested by the stories weaved by Cohen, but then he sounded bored of singing them so I got bored

Pretty great. Gets a little boring after a few songs especially since I wasn’t paying close enough attention to the lyrics. But he has a such a vibe

one of us cannot be bothered to listen closely to this album

Cohen may be the goat songwriter. Despite being born as raised in Montreal, that is something I didn’t grasp until starting this project. Songs of Leonard Cohen is a masterpiece. A word I probably use too often but in this case, it’s real. Suzanne, So Long Marianne both deserve the title, but Hey, That’s No Way to Say Goodbye is the highlight for me. The vivid pictures he paints from start to finish are one of a kind. 9.2/10

This gets a 4 because of So Long, Marianne. The rest are ok

Probably the sad lads best work. Helped that So Long, Marianne is a superb. Simpsons: Yes

Glad I gave it 2 listens, appreciated it more the 2nd time. Solid 4 stars nice slow sad stuff.

It was ok, forgotten most of this already, but I did like So Long, Marianne.

Good stuff, I like this Cohen geezer.

The best tracks are sublime, the worst tracks are great. Sisters of Mercy onwards is flawless.

Ja mooi

unparalleled, imitable, stunning

This is #day207 of my #1001albumsyoumusthearbeforeyoudie challenge, and… this turns out to be my first ever listen of a Leonard Cohen album. By chance, it’s his debut. What can I say? I find the whole thing rather inoffensive, though it’s easy to lose track of the narrative, and I guess that's typical of the folk-rock and singer-songwriter genre. As a result, I can’t tell the songs apart. I'm quite unlikely to revisit this record anytime soon, if ever. The Album Explorer feature here says there are 4 more albums of Cohen down the road. Oh well... This is a 3 out of 5. Looking forward to #day208.

I think the reportedly deserved punch in the face from Nico was worth it all things considered for One Of Us Cannot Be Wrong. It's one of the most mordantly hilarious things ever written. Listen in close to Len, he is one of the funniest songwriters ever.

I've only heard a small sample of Leonard Cohen, but this album was pretty much what I expected. I dug about half of this album, but the other half all kind of sounded the same to me. Not a bad album but probably nothing I'll want to relisten to.

Today I learned that I never need to listen to Leonard Cohen again.

Depressing and I feel like I would really dislike him as a person. I do love sad music though so I guess 3 stars.

I bailed after 5 songs. I have always DESPISED that damn Hallelujah song, and now I can fucking hate Leonard Cohen too. This album is a slow moving, monotonous, bummer. I can’t believe this sleepy time cunt is in the Rock & Roll Hall of Fame but Iron Maiden isn’t 🙄

I really liked this. The sparse arrangements really give his voice that much more impact. A lot of the lyrics seem a bit cryptic - I'd like to spin it again and listen more intently.....but didn't have the desire to replay immediately. 4.5 stars.

The deep voice and the gentle guitar mar for a nostalgic and tranquil album.overall,a very cohesive album but one major element I disliked would be the boatload of relegious references.

I really enjoy Leonard’s deep rumbling voice, slightly offbeat handling of the music but most of all, how poetic the works are.

Very kind of mellow album, pretty inoffensive music for most of it but feel like it just falls a little flat some of the time.

Some pretty good songs on here. Very enjoyable!

I loved this album and I love how Leonard Cohen has a very distinctive sound from any other artist who sings and plays an acoustic guitar. I feel that this album is not as eerie as 'Songs of Love and Hate', but it does present more of the beautiful melodies while having the same type of obscure lyrics (from what I could understand) Really good album

I'm not huge on Cohen, but he's a great song writer and lyricist. His very late stuff is incredible.

I’m more familiar with Songs From A Room, but this album’s really got the songs. I don’t know how anyone could write anything as good as Stranger Song. We truly didn’t deserve Leonard Cohen.

It must be Canadia week here at the 1001 Albums Generator. I got Alanis Morissette and Leonard Cohen twice this week alone. I liked this album a lot more than Songs From a Room. This guy gets the folk thing down pat. Not much to say, other than I wish he sang with more emotion like fellow Canadian folk singer/songwrite Joni Mitchell. 3.5/5 which means 4/5

Faves: Suzanne, Winter Lady, The Stranger Song, So Long Marianne

Very much not his best work, but it’s ok. Nothing more than middling.

Beautiful poetry after beautiful poetry. I don’t know why I had never really checked out Leonard Cohen before today but it was absolutely worth it. The Stranger Song and Teachers were absolutely beautiful compositions of dancing guitars and Leonard’s fantastic story telling.

Gobsmacked listening to this one. I thought You Want It Darker was good, but this one completely blew me away.

Ok

goeie

Prima album Ik kan niet kiezen tussen Sisters of Mercy & So Long, Marianne welke van deze twee mijn favoriet is

Topp

Look, Leonard is a great songwriter but the album is very slow. Some of my favorites of his are on this one and we're highlights in the never ending song that is this album

Nice nice songs to have on while you do stuff. Favourite: so long marianne

Favorite Track: Master Song

Surprised that l liked this and would listen again, apparently i love weird melancholy. Low 4. Faves: the stranger song, sisters of mercy, one of us cannot be wrong.

Such a wonderful songwriter. I still put this on from time to time.

Slow, but interesting musical elements/lyrics

1/5

I have other Leonard Cohen albums but not this one. I really like it! Will be adding it to my library.

Bob Dylan for wannabe intellectuals

I was gonna give it a 4 but then he started loudly moaning at the end.

not into the creepy undercurrent

7,58

Has a lot of great ballads, some uplifting and some depressing. I wouldnt downplay his songwriting. 3/5, as it's memorable but only with a few listens in the bank.

Thoroughly enjoyed and will be listening again

Maybe not the most exciting music, but a masterpiece of poetry and mood.

This is fine. I'm not really that into folk other than a few artists like Nick Drake, probably because it usually emphasises lyrics and I've never paid particularly close attention to lyrics (I should probably pay more attention to them). The album felt pretty samey throughout because of that. For example, I'm sure the vocal melodies on Hey, That's No Way To Say Goodbye are almost directly lifted from earlier in the album I also find some of the swells in Cohen's voice mildly annoying but I can't really explain why, like with Suzanne Vega Not bad, but not that amazing either. 2.5 Highlights: Master Song, So Long Marianne

I went in with fairly high expectations, and I have to say, I didnt really care for it. I think there was a certain sound/style that balladeers went for in the late 60s that doesnt gel with me. It was definitely technically proficient and he has a distinct voice, but I didnt find anything on the album that stuck with me.

Ooh boy. Boring music and introspective, esoteric lyrics. I felt like I was stuck in a tavern of olde, trapped listening to a travelling minstrel play, and the tavern was out of ale.

Good

He has one note that he really likes singing

Songs Of Leonard Cohen was a pretty good album. The music here did it's job pretty well and even had some cool elements like the little parade like instruments in Sisters of Mercy traveling throughout the audio channels. The songwriting here is also very solid. The main issue i have with this album is the fact that since this is Lenny's first album, It falls into the traps of one as in he didn't have a fully established style yet meaning that the songs here all sound like typical folk songs rather than sounding like Leonard Cohen songs. I still think that this album is good and has it's moments, i just think the later albums are better due to having Lenny's established sound. Best Song: Sisters of Mercy Worst Song: Teachers

This was a tough listen.

Has the best of Leonard Cohen from what I have heard so far

Might like Cohen eventually ! I enjoyed this one, nice songs, lyrics and ballads

I love the melancholy of Leonard Cohen, always gives me such a sweet sad atmosphere to listen to :)

Decent solid album

This is the 3rd Leonard Cohen album I've had. The others I rated a 2 - because his voice was that bad. So I fully expected the same from this album To my surprise, his voice isn't as bad here at all! Songs were alright, nothing that stood out massively 3 ⭐️

About 15 years ago, I almost got into a fist fight with a guy outside of a bar. I recognized him from another city. Dude sold poems on the street for a dollar a piece. I appreciate hustle so I bought a few. They were not particularly good, but art is relative I guess. I later saw him in this other town and said, "Heeeeey, I recognize you" and made the poetry connection. He was super rude and basically said who gives a f**k. In retaliation, I told him his poems weren't worth the dollar I paid him and should reconsider his business model. He proceeds to tell me that I was full of it, and that he was on par with Leonard Cohen. I took great umbrage to this (had been drinking) and the situation escalated to near fisticuffs as I tried to make him see the error of his ways. Anyways, there was no street fight that night and the issue remains unresolved. This is a solid record and I do enjoy the poetry and lyricism from one of the best Canadian artists of the genre/era, though though some of the faith content doesn't really resonate. The busy finger picking on several tracks is also pretty dope.

Initially it was all a bit too "samey-samey", however as the album progressed, the tracks started to differentiate themselves. Definitely a mood. I enjoyed the listen and would go back to the well again. Maybe I should start smoking… Highlight: Teachers Lowlight: The Stranger Song

Beautiful. Makes me feel things. Maybe too many things. That rare album that gets better and more engaging as it goes on too.

Nigdy nie posądzałem się o to, że męskie singer-songwriter mogą mi się podobać. Nie jest to gatunek, którego słucham. A tu nagle świetne noty dla Casha, Springsteena, a teraz dla Cohena. Słuchałem tego kilka razy i nie ukrywam, że cała płyta trochę się dla mnie zlewa, przez to, że utwory brzmią bardzo podobnie do siebie, niemal w pełni skupione na głosie Cohena (choć nie brakuje ładnych instrumentali, jak chociażby "Winter Lady", które akurat teraz leci, kiedy to piszę). A mimo to jest to album, do którego będę wracał. Nie tak często, jak do moich ulubionych odkryć z tej listy, ale na pewno raz na jakiś czas przypomnę sobie o piosenkach Leonarda Cohena i puszczę sobie w spokojny, ciepły wieczór taki, jak dzisiaj.

Somehow this is one of the best albums of Mr Leonard even if this is his debut. I love it.

To rate this I needed to think about the comparable music of the late 60's as it does seem dated to me now. Still it is good enough for 3 stars or C+.

I do not like that I'd given SONGS OF LOVE AND DEATH a 2. To this day, honestly, I feel kind of bad about that. Y'know, 'coz I was so down on that album right after I'd been so glowing about IF YOU WANT IT DARKER... I understand that this is me overthinking things, and that I don't really think this, and that it's really not that deep, but, like... I'unno. With the way I remember framing those reviews, I feel like I was saying that his music is as good as its proximity to his passing. That just does not feel like a right thing to believe, whether I'm talking about a legend of Canadian music or not. And, y'know, of course that's not the real problem. No matter how I worry that I subconsciously or unintentionally think it is or whatever, I'd never be so callous. No, the real problem is that SONGS OF LOVE AND DEATH is 60's/70's singer-songwriter folk. And I **do not** mess with 60's/70's singer-songwriter folk. Like I explained back in my SOLID AIR review, singer-songwriters of this era come across to me to the effect of poets pretending to be musicians. The words are what they put all their effort into, and then also they know how to plonk along on an acoustic guitar or whatever. And for me, no matter how good the words are, poetry is simply not what I come to music for — and acoustic plonking isn't enough melody to keep me entertained. Even if Leonard Cohen was actually, like, **really good** at acoustic plonking, from what I remember. So... Gosh, I put off actually listening to the album for so long. Even that intro I wrote down was part of my procrastination. It's just because I had this worry in the back of my head that I'd end up feeling the same about this album as I did SONGS OF LOVE AND DEATH. The last thing I need is another 2 to feel bad about. No matter how much I know it doesn't mean anything... Dang it, that's just the way I am, y'know? And, well... It's slightly better than I'd worried? Or it started that way, anyway. I mean, it's still Cohen picking away at his guitar while he kind of boringly sings his poetry, but there is actually a **tiny** bit more going to hold my attention. It's ultimately not too much, but damn it, "any port in a storm" and all that. The orchestral parts that show up are neat. The strings sound kinda pretty. And the female backing vocals that there are sometimes? Yeah, I'm down for those, too. That's all good stuff. They're just... Not enough for me, honestly. They're almost enough, but they just can't fully mask up that this is music I don't typically enjoy listening to. Doesn't help that "The Stranger Song" doesn't have anything else going on for it besides this endless loop of fingerpicking. Goodness, at least "Teachers" has more than one instrument... In the end, I feel like the most I can give this album is that it kind of manages to surpass my initial assumption. This isn't just "poetry where music happens to be there"; there's clearly a bit more intention going on hre. But all the same, it's still poetry first and first. And I just do not have the attention span to comprehend them on a first listen, nor even the smarts to understand what I do manage to catch. And I feel like, if you're not able to pick up on the lyrics, well... Maybe this music just isn't for you. And it's damn sure not for me. I was hoping to avoid giving Leonard another 2. Like, if my feelings about this album fell out that way, sure, fine; there's nothing I can do about that. But I was just hoping, hoping, **hoping** there would be enough here to at minimum justify bumping it up a point. And there wasn't. Just barely, there was not. So... Yeah. Another 2. Jus'... I'unno. I hope my group doesn't get another singer-songwriter album for a long time.

Simple folk, done simply well. 4.5 bumped up to 5.

I’m at a 5. No big allegories relating this to an art museum or anything like that; it’s just excellent poetry put into musical form, and I really, REALLY enjoyed it. I’ve dabbled in poetry before; I’m not great at it, but sometimes I’d like to think I do alright. This is masterful poetry – Leonard Cohen has always done a good job of pulling out emotions from something in his songs, whether it’s his older wistful vocals & biblical allegories on “You Want it Darker” or the immensely dreary heartbreak present on most of “Songs of Love & Hate”, and this album proves no different. This is thankfully a much brighter album, or at least not painted as darkly – a lot of these tracks are drenched in the more mysterious & painfully confusing moments of one’s life, but they usually have something sunshine-y scattered throughout, to keep the imagery rich & hopeful, even while acknowledging the sadness of it all. Honestly, most of that sunshine comes in the instrumentation, which is more varied & “musical” than what I can remember on the other two Leonard Cohen albums we’ve gotten. Once again, I will fully understand someone giving this a 3, or a 2, or even a 1 – if you’re not big on lyricism, or you find his voice bland, or you just want something truly bright & happy & poppy, this isn’t it. You have to be in the right mood (and arguably the right timeframe, it’s a night album imo) to get it, but I think what’s here is significantly more digestible & “gettable” than the other two albums, which still feel drenched in life experiences I may never truly feel or understand. This feels like poetry you can analyze without having to go layers deep; it’s remarkably vivid, and his songwriting still shines. I really truly enjoyed this – it’s a 5 for me; not a high end 5, but a 5 nonetheless. “So Long, Marianne” rules, by the way.

It’s pretty and great for a rainy day.

suzanne- 9 or 10. hurts so good master song- 6 winter lady- 7 or 8 the stranger song- 6 or 7 sisters of mercy- 8 or 9 so long marianne- 9 or 10 😭 hey thats no way to say goodbye- 10 😭 🔫 stories of the street- 6 teachers-6 one of us cannot be wrong- 6 thank you leonard. shout out lucy and eri fr fr 🕊

A truly wonderful songwriter, but definitely more "vocal stylist" than "singer" as a performer. :-)

I understand his lyrics are great. But this is really not my genre and the music is not that enjoyable

Good guitar work and a nice voice. But the lyrics seem pretentious and wordy. Not terribly interesting. It's Bob Dylan, but worse.

Leonard Cohen twice in a week is a lot of Leonard Cohen for me. This isn't as dark a record as Songs of Love and Hate, but still one has to wonder if Canadians are okay, or if we should bring over a lasagna or something.

I hate the way this guy says perfect body, and I do not have to explain myself.

Classic album by the Canadian songwriting storyteller. Highlight song: Suzanne.

I know the songs, but, man, this whole album is pretty great! Hard to believe this was his first effort, it’s so mature and emotionally and melodically intelligent and unapologetically sex-informed. This has me going back through his cannon and putting together my Cohen playlist - now I’d only I could go back to 3rd year university armed with that…

This really is a stunning debut. Every song is beautiful and immersive. This was the soundtrack to my late teenage years- when I thought I understood it all. Listening again bring me right back to that time and the music has aged so well. This was one of the first albums my father bought when he moved to Montreal from Egypt and because of this always heldna special place in our family. There are many cohen albums that I love, but this may just be my favourite.

Obvious why he is so revered as a poet and songsmith. The Canadian Dylan

There’s no denying he’s one of the GOAT storytellers, but I just personally like some more song-to-song variation on an album. It’s a weird one where I just didn’t connect with it, but I can see why it’d be a favorite for a lot of people.

The Songs of Leonard Cohen is Cohen's debut, which lead to his remarkably fast path to stardom. He was a well established, famous novelist and poet before he stepped into music, and his poetic talents were central element of his successful musical career. Cohen's songs are somber, introspective stories, delivered in Cohen's deep monotone. The album opens with "Suzanne," one of the songs that helped make Cohen famous. Judy Collins included the song on her album, My Life, and encouraged Cohen to start performing.

Mesmerizing lyrics, stripped down production. I liked it a lot but a little too heady for me personally.

The Good: The title of the album is pretty straightforward, no room for doubt! The Bad: One could have opted for the alternative title “snooze-fest after about 3 minutes” The Ugly: Keep your sharp objects far away and hidden, for if not… Mr Cohen is, undoubtedly, a great song-writer. One of the best of his generation, potentially of a century. I know some great stand-up artist who never should have starred in a movie… Till today, I had never had to sit through an entire album by Leonard Cohen, and I think that, after today, I am uncertain I will want to repeat the experience—haven’t checked to see if he has more albums on this list. I can understand that there are people who are great fans of his, but his voice is boring for me, and his guitar playing starts pounding my head like a bad hangover… So, All the Sisters of Mercy, They are Not Departed or Gone, They are Waiting for Me When I Thought That I just Can’t Go ON… 2*

My first full listen of the album!

Gostei, uma vibe boa e um folk divertido

Lyrically this is actually fantastic - i don't overly love the instrumentation. But his lyrics are absolutely incredible which really pumps the value up here. He doesn't get the love for Hallelujah(not on here) probably because of the Rufus Wainwright, and more importantly, Jeff Buckley renditions. But I think a Lenny Cohen, Neil Young collab could've been really cool(if that exists i might not be aware of it) Overall solid

Geen banaan op de cover, dat is natuurlijk al jammer en een puntje in mindering! Wel fijn; de diepe stem waar Leo toch bekend om staat. Zijn zang, die eigenlijk geen zang is maar voordragen van z'n teksten en de vrij minimale instrumenten op de achtergrond. Ik kan er wel van genieten, alle albums van Leo ademen sfeer! Moet wel zeggen dat ik de nieuwere Leo albums beter vind. Dit is zn debuut album en dat hoor je ook wel een beetje. Hier kun je het nog een beetje zingen noemen wat hij doet, en zn stem is nog niet zo diep en duister zoals op latere albums. Wat wel nu al opvalt; zn teksten. Deze man draagt voor wat er gebeurt en je word meegezogen in zn wereld. Maar eerlijk; hij probeert op dit album meer te zingen, en dat moet ie gewoon niet doen. Ik wil een veel te diepe stem die me vertelt wat de fuck er aan de hand is terwijl er op de achtergrond zachtjes een piano speelt ofzo. So long, Marianne is wat mij betreft een dieptepunt. Veel te hard aan het proberen te zingen, man práát gewoon! Uiteindelijk vind ik het geen vervelend album om te luisteren. De sfeer druipt er van af en nog steeds is de stem van Leo prettig om naar te luisteren. Wel is het duidelijk zn debuut en is hij nog zoekende qua sound. FAVO: Suzanne, The Stranger Song,

3.5

Leonard Cohen's debut album is as boring as its cover and its voice. Vocally speaking, Cohen seems so stoned that instead of singing, he just reads the lyrics, as if he doesn't feel what he's singing. Honestly, besides seeming to have been recorded with bad intentions, it's quite dull. A real waste of time.

could there be American Chanson? a genre that i've always wanted to get into but with a clear barrier for entry -- knowing how to speak French -- i find myself unable to get what other people (read: the French) do from the style. chanson is more than just a personality singing alone, it's someone singing truths from themselves, affecting the audience not just in sound but in meaning. i want to be affected, i want to feel that tear in my soul. it's just hidden behind a language that i never bothered to learn the rules of. so i need to settle for American chanson. the closest you can get to that, as far as i know, is Leonard Cohen. i've heard his slicker, almost parodically synthetic work on I'm Your Man and liked it. here, we find ourselves at the tonal opposite, with "tenderness" being the word in mind here. the sparseness of the arrangements do away with the dramatic and end up leaving me feeling something at the end of each song. raw emotion delivered slowly and beautifully. i have a beat up copy of this, rescued from the ARC Thrift Store in Fort Collins, and i'm glad its with me, even if it's been chewed by a dog and forgotten. feels appropriate. i don't care if he was yours to begin with, Canada. you can't take him from us. he made these songs in New York. he's our boy.

This album had most of the songs I liked from the best of Leonard Cohen. It can be a bit samey and the religious imagery is overdone, but I liked it.

- It took me awhile to come around to Dylan. This is a bridge too far. - A lot here is not working for me: Cohen's monotonous delivery. Boring, often simplistic arrangements. Dated accompaniment. I felt my hand hovering over the "skip" button on almost every track. - The only plus side I see is the lyrics. But A) that is typically the last thing I focus on with music and B) if the only thing to pull from this are the words, make a book of poetry rather than an album.

as que são boas são boas e as que não são tão boas são muito, muito longas

All great

Could only make it through 2 songs. Not for me

Honestly kind of loved it. It was lovely.

Love this looooove it

Super chill listen. Not something I’d reach for all the time, but i wouldn't turn it off if I was like at a dinner party with my in laws or my parents, and we were having like some charcuterie. 3⭐️

He is the man of the power spoken word album.

Really struggled to get through this one. It wasn’t bad per se, I just found it boring.

bob dylannnnnnnnnn sure why the hell not

I was a bit floored by this album. Starting to realize just how much I like folk music - particularly stuff like this with really deep emotions tied to the themes throughout. Reminds me of a combination between Bob Dylan / Nick Drake / and The Van. Fantastic album that is going to push me into listening to maybe his entire catelog. I loved every single track and imagine that this album only gets better with each listen. 9/10

3/5

10/10 fucking love this man. Suzanne never stops giving me the chills. 1-22-2025

Very sombre

A lot of song writers are called poets, and Leonard Cohen might be the most deserving of that title.

3/1089 - Voice is nice, not a fan of the lip smacking though. The yelling on the final song at the end was bizarre. Other than that, very nice guitar playing with tasteful orchestration sketches throughout. Overall an enjoyable experience.

Plaintive soundtrack.... early gold

Was already one of my favorite albums! Life-changing!

Too much Leonard Cohen.

Leonard Cohen is just so captivating and distinctive. I love his poetry and his delivery. The music is fairly simple and serves, basically, to present his words, which are always interesting. The Biblical allusions may largely escape me but the sense that his work rewards close listening does not.

eh.

Leonard Cohen is just not my vibe. I definitely know him and have heard of him but just not my vibe. Will give him 3 stars for an average rating.

This one was just ok to my tastes. I don’t enjoy him nearly as much as Bob Dylan.

Kind of blows my mind that this album came at me immediately after a Kanye album. Everything is the polar opposite here. Bombast is replaced by understatement. Vulgarity is replaced by poetry. This will be hard to get through for a lot of people, it offers so little sonically. Its success hinges almost entirely on the poetry of the lyrics, and to a lesser degree on the delivery. "So Long, Marianne" comes across as the only song approaching pop, with some extra production flourishes, but it goes on for five and a half minutes. Take THAT, pop radio! Suzanne, Masters Song, Marianne, and especially Sisters of Mercy do it for me. I'll take that as an EP and feel content. "If your life is a leaf That the seasons tear off and condemn They will bind you with love That is graceful and green as a stem" Nobody's proclaiming the glory of their big black balls. Hallelujah for that.

The music made for a chilled listening session, but the vocals were underwhelming at times, and didn't captivate my attention. "So Long, Marianne" was the best song on the album. I feel like I could've got more out of the album had I paid more attention to the lyrics, but for a first listen, I'd say 2/5.

Nothing special musically but good lyrics and also relaxing which i like

Back in the mid-70s when I was a student and just embarking on a life of listening to records, Leonard Cohen was always touted as this depressing figure. But really his music is so much more than that. Not so much to my taste, but this is a cracking debut album.

Oblique poetry accompanied by an acoustic guitar. I'm sure someone wrote a dissertation interpreting the lyrics. Not feeling it today.

Well, it took long enough, but I finally got a Leonard Cohen album for the project! He has quite a few on here, so I've been very curious to hear what his albums are like. Fortunately, I'm starting now with his debut album, which is probably the best place to start. Not only is it a great starting point because of the fact that it's at the beginning of his discography, it's also just an amazing album all throughout. Songs of Leonard Cohen is simply excellent. The fact that this is his debut is astonishing given the masterful artistry at play here. The instrumentation is simple but very effective. It serves as the perfect backdrop for the star of the show... the lyricism. See, before getting started with his music career, Leonard Cohen had experience with poetry and other writings and it shows. This album is filled to the brim with some of the best storytelling I've heard in an album. There's something about songs like "Suzanne" and "So Long, Marianne" that really strikes a chord with me. I love it. Leonard Cohen's singing is very fitting of these songs. It's nice. I like it. There is not a single bad song on here. The tone is very consistent, but it works because the style is so good. This is probably one of the finest debut albums I've ever heard. 5/5.

First surprise on this challenge. This album was unbelievable for 1967 , great folk and variety of singer songwriter. Big fan already

Leonard Cohen is like is Bob Dylan was actually good. “So Long, Marianne” is one of my all time favorite songs, but there’s some other good stuff here.

Haven't listened to this whole album in a few years. "Suzanne", "Sisters of Mercy", "So Long, Marianne" are classics. Appreciated "The Stranger Song" and "Teachers" this go around. Listening to these songs back to back in an album does make them sound "samey" although that is a great sound- of Leonard Cohen's poetry and acoustic guitar. Just wished there was a little more instrumental variation throughout.

Very poetic and biblical album. Somber throughout. I feel like I could get something more out of it if I sat down and analyzed the lyrics, but most of it was lost on my on a first listen. The singing itself was pretty unsatisfying, so I didn't get much out of this one on this listen.

That's my man 😌

Slow, simple, folk tunes like a man strumming a guitar by the creekside - Cohen has a great voice which is the standout element from the album - Quite monotonous as songs all generally sound the same, instrumentals are quite boring

Bob Dylan but better

Beautiful album with songs that I don’t know that I could listen to often. The instrumentals were absolutely lovely.

This has been the best of the Leonard Cohen albums I’ve generated… doesn’t say too much though. After 4 songs or so, his voice becomes grating.

Lenny always was a sad and old huh. This has all the charm of Dylan, with none of the nasally voice, so he's good in my books.

не мое

I liked this more than You Want it Darker

Mellan 4 och 5.

He’s good at what he does and lyrics etc just not my thing

Nope.

People sleep in this

Reminds animals

I have heard Leonard Cohens name throughout the years and I have heard Hallelujah sung by him but before this album that's about it. He has a nice voice and the slow tempo songs creates a mood in a great way. If I were in that particular mood I can see this album being the perfect thing to play in the background while reading for example. That being said its definitely not an every-day listening album for me.

Excellent

very chill, and Leonard Cohen definitely has a very calming voice to listen to, but every song felt veeery samey, with what felt like the same guitar tempos and chords throughout. the calming effect really carries this one.

It's a fine album, but no single song jumped out at me and it goes on a bit

Acoustic guitar is very nice and he has a great voice but getting a little bored.

beautiful, poetic music. very country ish

Great songwriting and storytelling

Even when you don’t feel like it, you can’t help but be moved by the words and different chords

I have to say that musically, every song on this album is strikingly similar. Yes, I only had one listen through, but it difficult to distinguish between tracks. 'Teachers' was probably the best one as it was a bit different sounding and the guitar throughout does sound quite cool I must admit. It was all very nice and pleasant, but nothing stood out to me and no particular track felt special because they were all very alike. Also a word on Cohen's vocals. Also nothing particularly special and on some tracks I actually thought that it was a very weird middle ground between soft singing and talking. It sounded very low effort from him. In places it sounded like it was building to something, like it was going to get out of first gear but never did. Overall I think I would be alright listening to the whole album ever so often, maybe pick out a few select tracks that stand out after more listens, but I didn't think it was a necessary listen and I didn't need to hear this before I die.

2 out of 5. Leonard has a good voice voice, but this album isn't for me.

I would categorize this as folk music with complex lyrics. Enjoyable to hear what Leonard has to say in each of his compositions.

Lenny, we meet again! This is so old it sounds like Simon and Garfunkel. Very peaceful. Not a top album cover. Also not my favorite Leonard Cohen era, apparently, although maybe I'd change my mind if I listened a few more times. But as of now, it's a little bit boring, I fear. Highlights: 'Sisters of Mercy' (a bit like I'm playing a 90s RPG), 'So Long, Marianne' (classic)

I can't fault it. The production is intimate and sounds so raw and live. You can lose yourself in the lyrics and let it the music wash over you in endless tides. He makes despair sound uplifting and love sound like hell itself. Beautiful

I love Leonard Cohen. He's like Dylan's less sophisticated uncle who may just be holding back to spare you some additional angst. I could listen to him for hours.

a sweet calm listen

This is one of my all time favourites. When I listened to it for the first time it blew my mind and it still does. The lyrics are among the best I have ever heard.

Amazing songwriting.

не удивлен, что в ключевых словах на странице этого альбома есть BORING

Driving through the English countryside as I am right now must be the perfect vibe for this album as it hit… This is the debut studio album from Leonard Cohen, writer of jazz police. And the final album of his I have to review. But it’s a sad feeling honestly because I love his music. Other than songs for a room they were all easy 5/5’s. Suzanne and master song together is a powerful way to start a career and those songs are great ways to represent the early album. Then I think so long Marianne on side two complements these opening two songs, so if you accidentally started on the wrong side you still get a similar experience, like really similar with hey that’s no way to say goodbye, like that’s very similar to Suzanne, The ‘I’m just a station on the way’ line on winter lady got me. The album honestly reminds me of the first Simon and Garfunkel with its religious theming with the stranger song and sisters of mercy. It’s not as prevalent as on that album but existent nonetheless. Stories of the street is alright I wouldn’t call it super notable but I liked it. Teachers I liked for the whole ‘teach our hearts to break’ stuff. And yeah one of us cannot be wrong just fits as a closer, he’s get better at finale’s but it’s still great. 5/5

Just a great voice and sound. Didn't have as much time as I would've liked to give it a second listen.

Ahh I lost my review. It was some thing like this. His voice cuts through much like his piercing stare on the cover. This is a debut album?! Hey, That's No Way To Say Goodbye - this track has great melodies. The production isn't polish perfect but I kind of like that. Pretty close to a 5

Not my favorite but definitely worth an occasional listen. I do live many Cohen songs though.

Not for me. Not very instrumental, slow.

Great list of songs by a classic word smith

Found it a bit samey across the whole album but I like the vibe - quite recognisable

Morose, but beautiful.

I'm not crying, you're crying

Calm; great lyrics; beautiful but not really my style. 4/5

Imperecedero, odiado según los años y las circunstancias. Fundamental

ily mr cohen

not my style

Never heard this before. There's a lot of Bob Dylan songs I don't like, and none of them are as bad as the songs on this album.

Not as bad as the other Leonard Cohen albums. Still not my favorite, but a few decent songs.

I like Leonard Cohen less and less with each album. He wears you down.

Nothing more to say here: still just off key, rambling, nothing catchy or engaging.

Can't figure out how to describe this, but would never willingly listen to it.

Not my favorite

Enjoyed the meandering tunes and quirky lyrics

i might just be really tired already but this album is genuinely putting me to sleep.

Shite

The kind of album I’d want to read the lyrics along to while drinking a beer on my porch on a rainy day.

Defiantly one of the best; easy call.

Boring

Didn’t mind this one at all. Very poetic. Didn’t even have hallelujah on it.

World’s most serious man competition winner 1967. And it was tough sledding back then. You had nothing but serious fellas. Look at this guy though. Depressed? Check. Looks to be disgruntled? Check. Stressed about a multitude of things?? Check again. Whether you incorrectly call him Leonard Nimoy or you just call him the guy that wrote the second most famous shrek song, I call him, a friend. Let’s get on with it you zany old Canadian. Welp. I mean I knew that this would be the general tone. The lyrics are interesting if not a little cringeworthy at times. This does feel LIGHTYEARS ahead of its time. Really in its own world, which earns some points, but the melody isn’t slaying me. The melodies are not meshing just yet. Two odd, rudimentary song structures that don’t fully appeal, BUT this song is still pretty cool. The lyrics are worth a second pass which this will probably get, and the odd instrumental makes this song a good experience overall. I am keen to see if we get some songs that can keep up with the poetry and atmosphere. Winter Lady probably takes the best swing at what could be considered a conventional song. Short and sweet. Pretty song. More spoken word, which typically may irk me, it the instruments are varied and bare. They create an excellent atmosphere and a backing for the stark poetics of the Canadian eccentric. Is “poetics” a word? I like it, either way. I’m just a Joseph looking for a manger pal. This album is super cool so far. Another interesting song. Mouth clicks forgiven. I absolve you Lenny. Drink some water though. While kinda cool, I don’t know how I feel about the circus instrumental break. This one is not as much for me. Not bad by any means, but not as gripping. Is fatigue setting in? Is my feeble brain struggling against the weight of poetry?? I suppose we’ll never know. Suzanne??? Marianne?? Lenny is plowing through these Anne based names. The lively female backing vocals are nice here. Create a very folk feel and add a ton of energy. A little “godfather in Italy” near the end, but not a bad track. Pretty enjoyable actually. Hmm. This has to be the same as another song we’ve heard. A rare lowlight. Stench Town USA. I trust Lenny Co more than anybody to regale me with tales of the street. Buddy has been up and down the blocks and posts up regular on corners from the mean streets of Ottawa to the tumultuous avenues of Mississauga. This song is fine. “One hand on a hexagram, one hand on a girl.” Math teachers are flooding to MySpace to post that lyric. This one is kind of frantic. Interesting, but again, we struggle a little bit from bad melody syndrome. Not terrible. A little same-y once again. He doesn’t have much variation in range. The shrieking outro is pretty interesting. Well Leonard. You did it again. With what is essentially a spoken word album, sometimes the music can take a backseat. The bare guitars along with Cohen’s soulful vocal delivery create an enjoyable musical experience in amongst the poetry slam. While not resonating with every line, the poetry is intriguing and worth revisiting while the music takes me along for the ride. The songs themselves range from excellent to middling and some repetition lets down what is a super cool listen that feels fresh to this day. Combine these lyrics and atmosphere with a better songwriter and you’ve got yourself a classic. The songs of Leonard Cohen delivers in the end despite its shortcomings. 3-3.5 HIGHLIGHTS: Master Song, Winter Lady, The Stranger Song

I loved this album. Admittedly, it can get exhausting to hold the emotional space it demands, but when it hits… it hits. Simple, pretentious, heartfelt, cold, poetic, lonely and celebratory.

Leonard Cohen - another guy I heard of often but know nothing about. Is he a broadway show writer? Or is he just a folk singer? Why is Dustin Hoffmans picture on the cover? Ok he is like a cross between Bob Dylan and Nick Drake. I like it. Actually he may have been on this list already. Must not have left an impression. Update confirmed first time on this list. Three stars. Final answer.

not bad, but not my thing at all...

I don't understand the fascination with Leonard Cohen. He's a poet who shouldn't sing, but does anyway, just like Bob Dylan, but somehow worse. I didn't hate this one, but I'm not entirely sure I can justify this with a 3/5 rating. It's not a 1/5, but there's a good chance it'll get the deuce.

I'm sure the poetry/lyrics resonate for a lot of people, but I'm just not one of them. The music is also nothing special and typical of the time it was released. This album was just completely uninteresting to me.

Creo que prácticamente no se puede decir nada sobre Leonard Cohen que ya no se haya dicho. Sus letras son perfectas, pero eso se lo podemos atribuir a su carrera como escritor. Su talento para la guitarra, sencillo, pero eficaz, es destacable considerando que no es un artista que nació como tal. Songs of Leonard Cohen podrá no ser el mejor trabajo del crooner, pero definitivamente es una forma espectacular de comenzar una carrera icónica que inspiró a cientos de otros artistas similares.

not my cup of tea really can appreciate the poetry of it, but the slowness doesn’t do it for me 3/4 out of 10

Hey that’s no way to say goodbye is very good. And Suzanne

I think these songs need someone to actually sing them, not just speak the lyrics. The precise pronunciation is off-putting, even the song titles are proper. It's, "One of Us Cannot Be Wrong," instead of using "Can't (and speaking of this song, the weird sing/yelling at the end seems very out of place on this album). I'm staring at this album cover and I can't decide if it looks like a headshot for Ray Romano or Dustin Hoffman, and that is confusing my brain because I can't reconcile his voice to this picture. Oh, I just heard a mouth harp, cool.

Have to be in the right mood to enjoy this. It’s fine. Good songwriting.

Loved Marianne, the rest is pretty meh. 2.5

My opinion of Leonard Cohen went from neutral to negative after hearing his albums on this challenge. This one was particularly terrible. I played it while my assistant and I worked, but we had to stop listening. It was putting me in a bad mood, and it was making her sleepy. I hope this is the last of him. I think we've listened to four of his album, and I've had enough.

Started well. Good background music. Became a little samey after a few songs melody-wise. SOme songs were good though

This album feels like a series of lullabies, softly whisking me away to sleep. The lyrics are well-written and conjure vivid imagery. It's not bad, but it does start to blend all together and I doubt I'm going to revisit any of the tracks on it.

The beauty of this one is in the lyrics. The arrangements are simple, intrumentally there is not much going on. But Cohen has a way with words that even if you don't understand them, they take you by the hand and drag you along.

goated stuff

Listened to before, a bit too quiet but the texts are beautiful

Leonard Cohen? More like peepeepoopoo.

Repetitive but in a nice, calm Sunday morning kind of way

Bob Dylan-esque but a little less annoying. Still pretty one dimensional though

The most enjoyable (for me) Leonard Cohen thus far. Probably 2.5

I just still don't get Leonard Cohen...

Sounds like a boring version of Bob Dylan: a poetry audiobook with background guitar.

Less is more would have this album under it, it's very simple guitar and vocals with some extra accompaniments here and there but what really sells this album for me is just how well Leonard can carry a song simply through its narrative. I think that's what makes his albums so especial

Cohen is always enjoyable. His songs can sound very same-y sometimes, but it's more about the lyrics with him than the tunes.

God damn Leonard, lighten up a bit x

Never listened to Leonard Cohen before aside from Hallelujah. This is a first listen Suzanne is fuckin beautiful. Beautiful lyrics and beautiful arrangement with strings and backing vocals Master song is alright. Nice upright bass, brass, and some electric guitar. Lyrics are pretty cryptic. Is it about an ex lover? Also it’s a bit too long Winter Lady is also pretty good. Nice flutes. Also pretty good lyrics. The Stranger Song is also alright. Seems like it’s about a relationship and it compares the guy to a card dealer in a poker game. I thought it was a reference to a drug dealer at first. I like that lyric about “some Joseph looking for a manger”. Kinda funny cuz it’s almost Christmas now. Sisters of Mercy is next. Very beautiful with accordion in the background. I’d say it sounds like a good band name but then I found out apparently a goth band from the 80s took it lmao. I like it a lot! Now here’s So Long Marriane. Another highlight of the album. This one has a full rock band backing him. Seems like he knew this was gonna be the big hit of the album. It’s real catchy. Reminds me of Fairytale of New York by the Pogues. Or In the Airplane Over the Sea by Neutral Mill Hotel. Next is Hey That No Way to Say Goodbye. Another good song! Also I think there’s some weird middle eastern instrument or a Jaw Harp in the background. And there’s the female backing vocalist again! She has a pretty voice Stories of the Street is next, and it’s about living in New York City. He doesn’t seem to like it that much. “Take me to the slaughterhouse, I’ll wait there with the lamb” Next is Teachers. It’s pretty good, has an oud in it and I think some tabla. Leonard Cohen is pretty angry in this song Finally is One of Us Cannot be Wrong. The guitar reminds me of Rainbow Connection. Again, amazing lyrics. Has whistling too. And some guy in the background drunkenly singing “LAA LAA DAA DAAAA” Pretty good!

2.4

Powerful lyricism that allows the listener to peer into Cohen's soul. "Suzanne" is beautiful. Fast and impressive guitar-picking (e.g. "The Stranger Song").

I’m not even going try to get behind this. I don’t like it because it’s boring, and he can’t sing.

Timeless classic from a great singer songwriter.

On the slower side but still quite good, on the second song atm and I'm liking it so far.

I have only recently began, last 2 years, to listen to Cohen and I think he is brilliant. This album however is not my favourite although still enjoyable.

No disrespect for the man, just not really my sound.

Trash

Suzanne Winter Lady The Stranger Song Sisters of Mercy So Long, Marianne Hey, That's No Way to Say Goodbye One of Us Cannot Be Wrong

Very good album. I can see why this would top some lists. Of course great writing, but I found it great that I didn’t hate his voice. Always thought I did. Not my favourite album but definitely a good one.

Pretty good but its very clear that this was made for the 1960's audience. Did not age that well in my opinion. 3/5

what can i Say. 3 of my favourite Leonard Cohen songs on one album. it was always going to be a 5. Starts of superbly, then builds up to an incredible 4 songs in a row from sisters of Mercy

I'm really depressed "diet" Bob Dylan. Not for me. It's well done. But I won't come back to it

I liked the vibe of it.

If you can imagine eating a plain rice cake for every meal for a month is what listening to this album was like. 1001 album worthy: No - 6/12

I'm sure some poets love this shit

Leonard Cohen tells a story here. A story that put me to sleep.

Its ok. Im not a fan of Leonard Cohen or this style of singer songwriter music.

You know, I’m a bit happy that the first Leonard Cohen album I get is his debut (I assume there will be others) because I wasn’t a huge fan of this. It’s far from bad. Cohen’s voice makes this a cozy album to listen to and his songwriting is most certainly his strong point. But a lot of the songs kind of felt…one note. They just feel similar as Cohen sings through them, not really adding any variety to his vocals. It becomes more poetry to me than music, which is alright. But I’m not really into that and I want to brush if off on the fact it’s his debut. Maybe some of that will change deeper into his discography, but as is, this one was ok. Favorite track: So Long, Marianne Other hits: Hey, That’s No Way To Say Goodbye, Suzanne, Sisters of Mercy, One of Us Cannot Be Wrong

Very pleasant to listen to. Haven’t listened to much LC before and will probably revisit this. Suzanne, So Long Marianne, and Teachers.

I just said Van Halen are serious musicians but not serious songwriters. Leonard is a VERY serious songwriter, maybe too serious. Leonard Cohen and Nick Cave both exist as artists I respect and can get into at moments but both seem to pretty explicitly want me to kill myself. The outro of "One of Us Cannot Be Wrong" made me audibly laugh...lookin' like Michael Corleone on the album cover and just HOWLING in pain. Maybe this is what Michael listened to after Apollonia got blown up. At the outset of Suzanne you can immediately tell he's a storyteller...I owe this album more listens to fully appreciate all work he put into his poetry. For the time being I'd rather listen to Paul Simon or Bob Dylan, but Leo is OK in my book.

Another dramatic shift, this time from Van Halen and thoughtless rock to this poetry album. Again making me feel I need to be more appreciative of what I’m listening to that day. I’ve had Suzanne on the “liked” playlist for a while, and that song is very nice sounding and evokes some interesting thoughts. That said, the full album listen made me feel like I was completely ill-equipped to appreciate this. I’m missing two major prerequisites - I’ve never read the Bible/didn’t go to church and I don’t fundamentally understand poetry. Is good poetry like a puzzle with no clear answer? Highlight was Master Song - the accents from the horns and violin were very cool. Low rating but it’s not you, Leonard, it’s me.

Lyrics that are fun to think about, even if inscrutable at times. Been thinking about death a lot lately, for no particular reason other than getting older, and for some reason this album made me feel better about it - which I think is one of the best side effects of any kind of art. ‘Suzanne’ and ‘so long Marianne’ are highlights, but I like all of it and will be listening all day.

Really enjoyed this. My best take is that this will grow on me as I revisit Cohen is definitely a poet. The music seemed secondary, but not neglected. I felt relationships to The Velvet Underground (Nico’s vocal delivery is incredibly similar) and Paul Simons music here. So many love songs So long Mariane was my favorite tune.

Going from Van Halen to this was like I exited the freeway and my foot wanted to keep driving 80 through the suburbs. I tried to crack into this over the weekend and was viscerally bored. I finally found the space to get out for an evening walk (with the stroller and a beer of course) and this all made a little more sense. I won’t go as far as to say I “get” this, that would be annoying, but I appreciate it and I want to listen to this album and learn about it more.

Sounds for the background of my dad's dinner party (which he never has)

It's a good album, to be sure, but the minimalist instrumentation becomes grating.

Great lyrics, but all the songs sound the same.

A lyrically beautiful and complex album of well crafted songs. A bit samey sounding, but undeniably emotional.

A bit dull and bland. Not very interesting

#80 Really good voice.

Not liking this one any more than the first Leonard album presented on this.

Justo llevo un par de días volviendo a pensar en este disco, creo que si el 1001albumsgenerator no me lo hubiera sugerido, igualmente habríamelo puesto.

Bob Dylan meets Simon and Garfunkel. The whisper/monotone singing gets pretty old after a few songs.

I have no reason not to give this one a five star, like, I spend countless time with it...soft and chill, slowly drifting away in the tide of lyricism...oh such a joyful ride, another aspect of life, makes me sentimental.

The first Leonard Cohen album that I listened to was You Want It Darker?, his last LP before he died. The second album of his that I listened to was this one, his debut. Cohen died around the same time David Bowie did, and just like Bowie with Blackstar Cohens finale is a masterpiece. Several artists of this generation (Cohen, Bowie, Crosby, Dylan, Bob Weir, John Cale, Rolling Stones, just to name a few) have released some absolutely killer late career albums. Cohen’s voice in his debut is a lifetime away from the gravely, otherworldly baritone of his later years. Songs of Leonard Cohen is a relaxing, easy listen if you don’t take in the lyrics in. If you choose to focus on the lyrics, you could spend days or weeks analyzing each word and phrase. I’ve listened to this album 10 or more times in my life I think, and I’m not even close to absorbing the lyrics completely. He covers religion, sex, and probably some other subjects throughout. Suzanne is a great opener. So Long Marianne is another highlight. Musically and lyrically I prefer late period Cohen, but this is a fine debut from one of America's greatest songwriters.

I'm so sick of all these Leonard Cohen albums. It's like if Paul Simon wasn't radio-friendly. Leo is a talented musician but every track sounds identical to me and very 'set' in his style. The guitar playing is impressive and his voice is fine. Lyrics are sad but fail to have an impact. Fav Track: Hey, That's No Way to Say Goodbye

The vibes are immaculate. I love the blend between singing and storytelling, and how everything feels uncomplicated.

осенние вайбики, мили. вайбы джона леннона немного

Great album. I love him. 4

I recognize the talent, but it's not really for me.

227/1001 😴 🌕🌕🌑🌑🌑

I had to force myself to finish this, he's just not for me.

It was pretty good. Feels more like poetry with a musical backing... Which I guess can be said about a lot of music ¯\_(ツ)_/¯. I found it strangely hypnotic at times.

Can't figure it out how to describe this, but would never willingly listen to it.

Never heard this before. There's a lot of Bob Dylan songs I don't like, and none of them are as bad a the songs on this album.

it was ok

major snoozefest

Fine but just couldn't get that into it

Surprised me in the end, not terrible

This was better than I thought it would be, but also put me to sleep while driving.

Nicht das beste Album von Cohen, aber trotzdem hörenswert

Nulla da dire

leonard cohen is a natural treasure and despite how dated this album is, it (unsurprisingly) remains timeless to me. teachers is just one of the many highlights here and wow he really was a legend i cannot believe it took me this long for my first cohen album

For hippy story music it was ok.

Oh boy, another challenge. What do I do when my respect is a 4 but my enjoyment is a 2?!

Πολυ μονοτονο αλλα respectable: smooth vocals, ωραιοι στιχοι αλλα οπως ειπε και ο φαδερ, πιο πολυ ποιητης παρα μουσικος Rating : C -

Пока лучший альбом, что я слышал у него в этом списке. А 1001 хочет, чтобы я был экспертом по, эмм, Бисти Бойз и Леонарду Коэну... Лучшая песня - One Of Us Cannot Be Wrong.

Here we are again, Leonard. It seems you’re sad. Again. Did you take your pills? Yes, from the bottle sitting on your bible. Or bibles. Why are there so many bookmarks sticking out of it? No, you’re not having another drink, let’s go get you some sunshine. Jesus, Leonard.

Beautiful voice and fantastic lyrics

Strum strum strum, talk talk talk. The originator of the Coldplay school of music. Anyway, not too enjoyable but also not bad in small doses. Really good lyrics. But so goddamn boring for a whole album

Good

The big time songs on this are all-timers. The deep cuts are still pleasant, but they don't hit quite the same. Happy to return to this any time.