Good band. Dumb songs. Great guitarist. The singer is a ham (good). The synths are tacked on, you can hear the bargaining between Eddie and the rest of the group.

Better than Remain in Light!

The album makes one confront the annoyingness of this list project's title: "Must hear" and "die" are hyperbole, and you do not in fact need to hear this album. It sounds like 1968 psychedelic rock. It has some moments. There is no standout track. For a better look at the genre/period, I suggest playing this album with the sound down, then turning it up when Apple Music goes on to Autoplay Similar Music. Pete Townshend's legacy is not threatened by this little thing. Saying someone was born in track #1 does not an opera make.

I just don't like Leonard Cohen. Whatever it is, he doesn't have it. At least this one isn't over-produced, over-arranged lounge music, but for an allegedly simple and austere record, there's an awful lot of dumb arrangement ideas. As for the writing, I can tell he thinks it's good.

I winced a bit when this popped up but it's solid. Well-made, various, the Lomax thread holds it together (great sample choices), accessible and entertaining. I remember the scene grumbling and the licensing everywhere; he should be credited with killing the idea of Selling Out. WikiTIL: His family gave him the nickname, and while his middle name is Melville, he's not related to that Melville.

Bowie has secret normie chops but I prefer him a little weirder.

New to me. I like a folkie who gets a band working.

My first selection from the aughts. I think of them as on the better end of radio alternative in the 90s. They are a minor artist. I appreciate them putting in this effort, it's pretty good. (Theme: I appreciate effort.) Another where Must Hear is not quite true. Top marks for the cover art.

Compared to other 60s UK canon bands, the Kinks sound so English it almost seems like a bit.

One of the rare debuts where one wonders how they Did That on the first try. Fewer songs than one thinks have the table saw guitar. So trebly. Such songs.

Do you think the Doors would have been halfway decent if only they got rid of Jim Morrison? Not that simple. Some work can't withstand being removed from its scene slash context.

High highs. Good singer. Too long, in the 90s CD way. The skits almost ruin it.

It's weird to hear these songs without the occasional commercial break for a car dealership. Cheerful, bright, no pretense at all, even with the Wakeman/ELP keyboards. Ain't-broke-don't-fix-it hooks. One semi-ballad in the whole set. The weakness (not a knock) of the singer is disarming compared to their arena rock cohort. Add the double tracked backing vocal and it makes everybody want to sing along. I estimate it is over 40 years since I have listened to this straight through. Maybe go again in another 40. WikiTIL: Mostly made by one guy, in his basement, while misleading the record company about recording as band in LA.

"Must hear" LOL 40 days in, first record I haven't finished. I was losing brain cells with every track.

Em is vexing. He's very good, and very bad, and I think he thinks the bad elevates the good, and I don't agree.

I listened to this a couple hundred times BITD and never knew the wall of LPs wasn't the proper cover art

I'd like Madness please. Sure, do you want Gang of Four in it? Uhhh, OK, a little?

This is great. WikiTIL: Led Zeppelin could learn from their songwriting credit ethic

As an Exile devotee I'm ashamed of sleeping on this one

Good, but very samey.

Hole are good.

One of those awesome custom cars, every detail idiosyncratic, lights in surprising places, fetish lug nuts, stainless steel 'mufflers' that actually increase volume, BUT ALSO they don't know when to stop applying the wordy lefty bumper stickers.

First track is on a compilation I used to listen to, which is as it should be. I don't know if comps are allowed on this list, but The Album isn't always the best view of an artist or genre. If you want to spend 75' on trip-hop that isn't Tricky, there are better ways.

I was forgetting every track as it played. Completely disposable and unserious. It's not hard to picture someone liking this. It's definitely a band, who wrote some songs, and played them, which is a thing people do, and then people might listen to it. What is impossible to picture is the person who likes this being remotely interested in an exploration project like this list. It's music for people who aren't that into music. I think the band isn't that into music!

I have a weakness for CCR. Best bar band ever. That said, only need Green River on here.

What the heck is this? Well it's pretty good.

Someday soon this guy will be Dr John. Better than a lot of the '68 psych miscellany on this list.

Near perfect most of the way, with multiple songs that might go on humanity's all time mix tape. Adding the B-sides EP to the normal LP pushes it over into Too Long, but so what.

❤️2️⃣ find a record I have never heard of where the band cares not about anything but playing great

Noped out at about a hour. The Venn intersection of Slightly Less Cringe Than ELP and Way Less Cool Than MTV Peter Gabriel isn't enough to support 94 minutes. I don't care about cover art but wow that's dumb.

The aughts picks on the list get really lazy. I know, everybody wants to create, nobody wants to maintain. If you need three White titles, which you don't, as we lack... So Many Aughts Records, De Stijl is better.

In one ear and out the other.