Clandestino

Imprescindible. Uno de los mejores discos latinos de la historia. Manu pasó de Mano Megra de Casa Babylon a este debut en solitario de un modo natural y en evolución. Se alejó de Punk, del Ska o del Hip Hop (incluso del metal) de la banda francesa y se metió de lleno a sonidos latinos, bien entendidos. Solo Los Fabulosos Cadillacs podían aguantar el envite. Este disco está al nivel de cualquiera de sus discos con Mano Negra (más casa Babylon que Patchanka o Puta´s Fever). El disco es un viaje, y era una manera de dar esquinazo a la sombra de la depresión de haberse quedado sin sus amigos. Aqui hay verdaderos clásicos como Clandestino o Desaparecido. Guiños a Mano Negra como Bongo bong (auto-reciclaje) o referencias francesas como Je ne t'aime plus. Mestizaje que se decía entonces y rock latino, aunque lo que hay es lo que Manu siempre ha tenido: buen mano para las canciones. Mis favoritas: Por el suelo y Welcome to Tijuana. La producción recurre a los trucos habituales de Manu: Doblaje de su voz en agudo y grave. Discursos esta vez del Subcomandante Marcos entonces muy en boga. Continuidad de canciones enlazando temas e incorporación de sonidos de bazar, loops, samplers como si fueran los Public Enemy, multilenguaje...“No puedes cambiar el mundo, pero sí puedes cambiar el barrio”. Rumba, world music, pop, rock, salsa, electrónica o reggae... en apenas tres acordes y guitara, así de simple, así de bonito. El siguiente paso, Próxima estacion, no fue igual de bueno pero sí tanto o mas exitoso. El directo sí que muestra todo el potencial con Radio Bemba y luego ya con Tren de hielo y fuego la banda no pudo seguir a Manu. Ni siquiera él mismo. Pero ahí dejo este monolito. Un disco que con los años reluce aún mas que entonces. Gracias

I Don’t Have To Listen To This Again To Give It A 10

A really good album, I liked Clandestino, Bongo Bong, Je ne T'aime Plus and Luna Y Sol the most. Will definitely listen to the album again.

Up until today I thought Manu Chow was a post-career foray into the pet food market by a former Spurs legend. Anyway, this is great! Five patchouli petals.

Largely fuelled by nostalgia for a past life and a sense of freedom that came from my youth - this album brings me back to some beautiful memories. I can almost feel the joy of singing along with strangers I had just met travelling who became quick friends. This album is a real joy (even without the flashbacks).

love the genre and language mixing

World music, but catchy. What's not to like? Except the fact that this has unfortunately served as backdrop music in way too many sleazy backpacker joints. Still an outstanding album, though.

Looooove Manu Chao

beautiful, hypnotic. Cool samples, many languages, different vocal tones - very nice. Deserves and will get many listens

Actual fucking banger, I misjudged this album art heavily.

I loved it when I was younger and it still holds a special place.

Now this was fresh! Something out of the ordinary and loads of fun. Frenchman singing in Spanish about tequila and marijuana? Sign me up! Seriously, wonderful Latin grooves and a fun, bouncy sound. You don't need to know what he's singing to have a great time.

5/5. Reggae strikes again! This was honestly perfect, each song did not over stay its welcome and it travelled from one song to the next with such ease. The melodies were catchy and even the "skits" were not annoying, maybe because I didn't understand what they were saying but it still felt correct and created an air of relaxation but still danceable. Although it didn't break the mold per se, there was a lot of 2000s music I heard in this while releasing in 1998. I wouldn't be surprised if there was some influence other artists took from this record. It was wonderful, not really any notes. Best Song: Bongo Bong, Mentira..., Luna y Sol, Clandestino

A friend of mine brought this one back from a semester overseas, and I was hooked. This many years later and I still love this one. Infectious rhythms, clever mixes, great lyrics (as far as I can really tell), I'm never down when this one is spinning.

Unique and a true classic, doesn't get old! 4.6

Excelente álbum. Me alegra que que aparezcan álbumes en otros idiomas, en especial en español. A esta altura Manu Chao es un cliché de la cultura hippie contemporánea, pero eso no le quita mérito a la experiencia. Todos los temas están compuestos y dispuestos de una manera integral a lo largo de toda la obra. Los recursos son sencillos, pero bien integrados. Suena órganico y acústico, pero al mismo tiempo tiene elementos de edición electrónica. El álbum te transporta a otro momento y lugar. Relajado, triste pero esperanzador, como estar de vacaciones en una playa, pero con consciencia de clase.

J’adore

I grew up with my parents playing Manu Chao in the car- I think I must have heard “Bongo Bong” at least 100 times. I remember rediscovering the song back in summer of 2019, when I backpacked across Europe and found this song playing in a seedy underground bar in Prague. Since then I’ve fallen back in love with his oeuvre- I think he’s a fantastic musician that a lot of people don’t click with because they associate him with a certain vibe or time in their life. I, for one, love the music.

Man, this is the vibe. It's really easy to make me sad, but this man managed to make me happy and he didn't even need lyrics for that Favourite track: Despacito

Can't be fully objective, as "Bongo Bong" is one of those nostalgic songs from my childhood, that never get played anymore; but I love the creativity of the sound, something so raw and intriguing about it

Exactly what I'm here for. An artist I've never heard of with a genre I'm not familiar with. And man, does this put the "groove" into............. erm, "groovy". An artist with an uncompromising vision and beliefs translating that into musical form. 4 stars - bonus mark for a track called "Bongo Bong". Yes, I have the humour of a 6 year old - and?

Greatest stuff after Ozomatli

The soundtrack of my adolescence. My aunt gave me a copy around the turn of the millennium and I know every word.

This really made my day. I’ve loved this album a long time and for it to land with me while I’m on hols in Ibiza, the timing was perfect

I am not exactly sure why, but I really like this album a lot. By no means a diehard fan of south american music (though Manu Chao is french), so it's a bit surprising to me. It is a bit of a weird album in some ways. It almost feels like more of a very long song than distinct tracks at times. Melodies from tracks also come back again later in new songs, so it's repeating itself quite a bit. I feel like works both in the favour of the album, and against. On one hand, it feels very cohesive, and on the other hand it feels like a bit of slack to reuse melodies with new lyrics ('Bong Song' and 'Je ne t'aime plus', 'Mama call' and 'La despedida', for example). Speaking of lyrics, they can often times be quite repeating themselves quite a lot throughout the song. Somehow I don't have very big problems with this though, it suits the album somehow. Generally I find almost every "unique song" to be stellar and enjoyable. 'Clandestino' is great, so is 'Bongo song', and probably my favour one, 'Mentira'. Overall this is just a great album. I don't speak portuguese so I don't know what the lyrics are about, but sound wise it's a great cohesive journey that I think is very cool. Easy 5 stars.

Day 7 I had never heard any of these songs before or even heard of Manu Chao but absolutely loved this album. First album that’s made me glad to go through this list as it’s one I almost certainly wouldn’t have tried otherwise. Every song sounds different but they all flow really well into each other. Will definitely be going into regular rotation and I’ll be checking out the rest of his discography. Highlights Clandestino Bongo Bong (adored this one!!) La Vie a 2 9/10

very good interesting sound cool languages cool album

Loved this one!! Truly enjoyed the change of regusters

27/1089 I’ve heard this artist before thanks to Me Gustas Tu, but i can’t place where i heard that originally and it’s driving me crazy. Clandestino is a captivating start and the flow into the second track was so smooth. one of my favourite things to hear in an album the production on Bongo Bong is really infectious and his voice compliments it so much. very Gorillaz and the way it flows into je ne t’aime plus is wild. Mama Call really reminds me of ZABA by Glass Animals which i love. I quite like it having short songs but still a good overall length, it gives it a really exciting pacing and none of the songs grow old before they finish. Welcome to Tijuana was fun but a little too repetitive for me. Malegria is a fun pick up of the pace, the production once again is super catchy and the effects on his vocals are cool and stylish La Despedida almost feels like the precursor to Me Gustas Tu, a very well crafted penultimate song This album was a joy to listen to from start to finish, I will absolutely be returning to it. faves: Bongo Bong, Desaparacido, La Despedida, Malegría, Mama Call least faves: I liked them all but if i had to choose then Minha Galera has to be 5 stars (94/100)

like! 5

Shit I didn't know they included peak

*4.5 Favorites: Clandestino and Bongo Bong and Je ne t'aime plus and Luna y sol As the last of favorites may suggest I really really enjoyed this album.

Do you remember the backpacking trip through Andorra? No? Neither do I. But I ended up with this CD on my backpack, and every time I listen to it I get glimpses of a sultry curly headed young woman and something about the Madeira a little too strong and the weed a little too smooth. That's what this album is. It's this kind of melting pot that doesn't really exist, in between Spanish and French and reggae and pop. The music in the dive bar. My rating: 5/5

#DÍA 24: 1001 Discos Que Hay Que Escuchar Antes De Morir (English Translation Below) Bueno, bueno, bueno, bueno, bueno, bueno… Qué sorpresa que ha sido para mí este álbum, es fabuloso. Manu Chao es un artista francoespañol del que conocía sin saber, por su famoso single Viva Tu. Aún así, me sorprendió que al fin me saliese un proyecto en español en el desafío, aunque contiene también francés, portugués e inglés, en general me alegra ver un poco de variedad en ese sentido porque estoy seguro de que esto va a ser raro. Me dirigí algo ciego (o sordo) a este disco sin saber qué esperar, miré algo en Wikipedia acerca del estilo y supongo que esperaba canciones sencillas con ritmos latinos con algún toque alternativo. Sin embargo, me choco con este viaje de 16 canciones sencillisimas pero cargadas de poesía y, sobre todo, una coherencia sorprendente pese a realmente ser muy ecléctico. Por encima de esto, Manu Chao conecta las canciones a la perfección, no solo con transiciones sino con motivos que de vez en cuando vuelven a aparecer, como los refranes de Mentira o el estribillo de Luna y Sol haciendo un melancólico vis en Día Luna… Día Pena. Cada tema suma a una imagen general que se va dibujando poco a poco según te adentras, comenzando con el perfecto entrante homónimo, el cual resume todo el álbum y su sentido, cargado de crítica hacia los estereotipos de hispanos y latinoamericanos, lo que también vemos en la alternativa Bongo Bong o Welcome to Tijuana. Además, nos presenta un autorretrato interesante, como alguien solitario y viajero, algo tratado en profundidad en Desaparecido o Mamá Call; síntoma también de no encontrar un destino en la vida, posiblemente un lado más pesimista ante las mentiras del mundo, aunque es un hecho que le puede ser tanto para bajar cabeza (Día luna… Día pena) como para levantar el ánimo de hacer un cambio y buscar un ideal (Luna y sol). Por otro lado el amor también está presente, pero como uno que se quiere olvidar principalmente, aunque Manu Chao no parecer ser capaz como finalmente se revela en La Despedida, pese a mostrar bastante seguridad en ello en Je ne t’aime plus o La vie A 2 (casualmente las dos que están en francés, me pregunto si será algo hecho de forma intencionada como referencia al cine de este idioma en el que es tan típico que se trate el amor). Aún así hay un pequeño sentido de amor, pero principalmente dirigido a las drogas, como el alcohol en Malegría o la marihuana en Minha galera, ambas camufladas como canciones románticas. Finalmente el LP concluye con El viento, un motivo que encarna el carácter del protagonista: todo va y viene, el amor, los problemas, la tristeza, la felicidad, las personas… Quizá estoy sobreinterpretando de sobremanera todo lo que trae este álbum, pero realmente ha estimulado enormemente mi cerebro melómano que se despertó con ganas de coser conceptos. Casi no he tratado aspectos musicales del LP pero en general son impecables, tienen un carácter orgánico que los hace preciosos y unos grooves pequeñitos pero muy pegadizos. A todo esto se le suma un uso magistral de samples para crear una atmósfera única, desde interpolaciones de música latina bien conocida (como La Llorona en Mentira), grabaciones que hizo Manu Chao en sus viajes, una comunicación de los primeros viajes al espacio de la Unión Soviética, hasta un jodido extracto de Garfield… Es tan extraño pero a la vez lo siento tan claro todo cuando lo escucho, tengo ganas de seguir escuchándolo de principio a fin porque es una experiencia sin igual. Favoritas: Clandestino, Desaparecido, Bongo Bong, Je ne t’aime plus, Mentira, Lágrimas de Oro, Mamá Call, Luna y Sol, Día Luna… Día Pena, Malegría, La Vie A 2, Minha galera, La despedida, El viento Menos favorita: Welcome to Tijuana (principalmente porque las vocals tan graves de sapo me incomodan, pero ignorando eso es buen tema) #DAY 24: 1001 Albums You Must Hear Before You Die Well, well, well, well, well, well… What a surprise this album has been for me—it’s fabulous. Manu Chao is a French-Spanish artist I knew without realizing it, thanks to his famous single Viva Tu. Even so, I was surprised that I finally got a Spanish-language project in this challenge—although it also includes French, Portuguese, and English. Overall, I’m glad to see a bit of variety in that sense, because I’m sure this is going to be an uncommon occasion. I went into this album somewhat blind (or deaf), not knowing what to expect. I skimmed Wikipedia for a bit about the style, and I suppose I was expecting simple songs with Latin rhythms and maybe some alternative touches. However, I was hit with this journey of 16 incredibly simple songs, yet loaded with poetry and, above all, a surprising sense of coherence—despite being truly eclectic. On top of that, Manu Chao connects the songs perfectly, not only with transitions but with recurring motifs that reappear from time to time, such as the refrains from Mentira or the chorus from Luna y Sol making a melancholic reappearance in Día Luna… Día Pena. Each track contributes to a bigger picture that gradually takes shape as you dive in, starting with the perfect self-titled opener, which summarizes the whole album and its meaning, full of criticism towards stereotypes of Hispanics and Latin Americans—a theme we also see in the alternative-flavored Bongo Bong or Welcome to Tijuana. He also offers an interesting self-portrait—as a solitary, traveling figure—something explored in depth in Desaparecido or Mamá Call. This also hints at a lack of direction in life, possibly a more pessimistic view in the face of the world’s lies, though it can lead either to bowing one’s head (Día Luna… Día Pena) or to lifting one’s spirits to make a change and chase an ideal (Luna y Sol). On the other hand, love is also present, but mostly as something to forget—though Manu Chao doesn’t seem capable of doing so, as is finally revealed in La Despedida, despite showing quite a bit of confidence in Je ne t’aime plus or La vie A 2 (coincidentally, both in French—makes me wonder if this was intentional, as a nod to French cinema where love is such a typical theme). There’s also a small sense of affection here, but directed mostly toward drugs, such as alcohol in Malegría or marijuana in Minha Galera—both disguised as romantic songs. The LP finally closes with El Viento (The Wind), a motif that encapsulates the protagonist’s character: everything comes and goes—love, problems, sadness, happiness, people… Maybe I’m overinterpreting everything this album brings, but it has truly fired up my music-loving brain, which woke up eager to stitch concepts together. I’ve barely touched on the musical aspects of the LP, but overall they’re impeccable, with an organic quality that makes them beautiful and some tiny but incredibly catchy grooves. To all of this, add a masterful use of samples to create an unique atmosphere—from interpolations of well-known Latin music (La Llorona in Mentira), to recordings Manu Chao made during his travels, to communications from the first Soviet Union space missions, to a freaking Garfield excerpt… It’s so strange, yet it all feels so clear when I listen. I can’t wait to keep playing it from start to finish, because it’s an experience like no other. Favorites: Clandestino, Desaparecido, Bongo Bong, Je ne t’aime plus, Mentira, Lágrimas de Oro, Mamá Call, Luna y Sol, Día Luna… Día Pena, Malegría, La Vie A 2, Minha galera, La despedida, El viento Least Favorite: Welcome to Tijuana (just because of the toad-like voice, otherwise it's a great tune)

a classic!

Pretty friggen good

The Layers… Another album from my childhood! I definitely know Esperanza better but all the things I think the later albums build on is here in glory.

Not a fan of most Latin music but this was amazing. Songs like La Vie, Mama Call, and Bongo Bong totally redefined what Latin music could be.

The only album...

I want to say, "It joins tequila and tacos, as one of my favorite things from Mexico." But the dude is from Paris.

********** stars would be more appropriate. ;-)

I was introduced to Manu Chao by my Spanish teacher, and enjoy his music. I'll check out more

Thank you for sharing

This has to be regsrded as a top 10 album in latin american music history. Manu is the greatest latin artist. Well educated, well versed, well travelled, knowledge on all music of all countries, dominates and sings in 3 languages. Social justice and political themes in reggae, punk, ballard, peruvian and equatorian local music. Just one of the best albums ever.

Chill af spanish reggae

¿Quieres café, mi vida? (Sí) ¡Pues, sírvetelo!

Mikkl uppáhaldsplata. Manu Chao er frábær.

nice album. sommerlichi vibes. wöri weder lose

This is great! Chilled out and funky and fun. I will definitely be revisiting this!

absolute fire bongo bongo

Manu Chao is king!... of the bongo.

Amazing

Love this album

Гений, создавший уникальное звучание и лучший альбом латиноамериканской танцевальной музыки. На альбоме Clandestino представлено все что могло только относиться к танцевальному жанру в 1998 году: гитарное сопровождение, качающие синты, заводная драм партия в латиноамериканском стиле, тексты на 5(!!) разных красивых языках и многое другое. Альбом просто невозможно описать на словах, поэтому я рекомнедую каждому ознакомиться с творчеством Manu Chao, особенно с этим альбомом. Атмосфера альбома потрясающая, подходит для прослушивания в различные жизненные периоды, но в особенности рекомендую слушать для поднятия настроения. Лично мне по звучанию напоминает музыку Джесси Пинкмена из Во все тяжкие, которую в эпизодах он слушал в наушниках. Потрясающая находка из списка «1001». Танцевальные 5/5.

That was pretty fun. It suffers a bit from ending up being samey, but I've liked it overall as a project, the transitions between songs, the vibe. If it tried to be a bit more, it'd be an easy 4 and a 5 contender, for now I think it's a tricky 4. Edit: Listened to this one so many times, I cannot think of giving it anything than 5 nowadays.

Classic!

Always loved this one. I learn so much specific Spanish 🤣

Ahh I loved the first half soooooo much. It would've been an easy 5 star, but the other half was a little bit less amazing. Still, I think it deserves to be among my other 5 star albums. Light 5

The way I love this album is unrivaled .. I would give a 10 if I could

Really awesome

Awesome

Jaaaaa! Heerlijk!

Subversive, sublime, takes me right back to a time and place

What a fun album. Never heard of the artist or album prior to listening. It's so uplifting and happy. Reminded me of summer holidays around the pool and on the beach. Could almost taste the tequila and lime. Perfect de stress. Brilliant

Definitely a throwback for me, it's been a bit. This album is great and just has a wonderful groove and vibe to it, nostalgic for sure. Listened to it a couple times. Great stuff!

Spanish rege

Amazing artist and album!

Such a positive vibe this album, no matter the topics. Always a 5

When every hippie bar and cafe overplayed this record as cheap background music it cheapened it - but listening it to it now, with the a fonder heart through being able to take some distance from it, it's truly a wonderful record. The urgency and melacholy of this record is hidden behind the ridiculous singles in King of the Bongo and the seemingly generic Je ne t'aime plus, but these are rays of light in an otherwise rather dark record. Songs about desperation from mass migration, a desperate view of the world as full of lies and a general picture of misery - all hidden behind pokey light reggae guitars. Is it good because it's dark? No - it's good because a manic polyglottal lyric - jumping from colonial language to another, Manu Chao documents post-colonial aftershocks in a personal way, without preaching or condescension, and interweaves these stories and political views, with his own internal struggles, while without really knowing what is going on, it's a reggae bar party album. And when I did stumble upon Manu Chao live during the tour of this record - it was a mad punk show - with a nod to these sweet dark songs, that end up in massive mosh pits. As a record? It's well paced, it's interestingly produced - simple yet packed with aural nuggets - adding the the urgency, madness, melancholy and sweetness. And screw those hippies for almost ruining it for me. The leftist teenager in me still feels his heart strings pulled and now it feels somehow even more relevant.

french artist multuple languages

Wild vibes. Loved it. All over the place, linguistically and musically.

I thought I didn’t recognise the name Manu Chao, but after some extra research I definitely do know Me Gustas Tu. That’s not on this album though. The album cover gives Mexican vibes, but more googling tells me he grew up in Spain and France. Anyway, the music. I absolutely love this album. The way that the tracks flow together makes for a really pleasant album experience. The way that Chao flips between Spanish, French and English impresses me every time. Despite being objectively not this genre, it reminded me a lot of la musica cubana, pero él es de España y Francia. De todos modos, me encanta este álbum. Lo buscaré en la próxima feria de discos.

Got me moving and grooving in a few songs. Also i feel his spanish intonation is good so could be cool to try to study the songs and understand them for learning spanish.

Un ensamble único.

Why is French and Spanish rap so much better than English?

The songs, firmly in the minor key mode category, are underpinned by acoustic instruments, giving the tracks an exotic edge. Meanwhile the vocals and arrangements are upbeat and groovy, making the album stylish and very listenable fusion style, sunny pop music. The tracks don't outstay their welcome either. Superb all round.

Stylish, upbeat and groovy.

Breath of fresh air. I love delving into music I haven't spent a lot of time in. This is awesome. The title track is irresistible.

MINT

Very catchy in 1998. Very catchy in 2024.

JAAAAAAAAAAAA!

Nice. Relaxing, just a bit global, would listen again.

taitavaa latino-indie runoutta...

Could listen to this on endless repeat. Gorgeous blend of language an instrument. What am I even writing?

Absolute classic. Bangers.

ei voi prkl käyttää lyriikkaa I'm the king of bongo bong ja ei vittu järisyttää maankuorta bongoilla... siitä huolimatta, olipas hauska albumi. manu elvistelee kulttuurisuuttaan käyttämällä eri kieliä (ei suomea, only dogshit laguages) . vähän toispuolinen sillä b-osio vähäm kyllästyttävä muttatotanoin faktaa on nyt se... ett' koko paska on hyvin tehty... welcome to tijuana.... tequila sexo marijuana... mentira

GREAT

Funky fresh, trilingual experience

Ich weiß gar nicht, warum ich diese Musik nicht öfter höre. Sie ist unglaublich beschwingt und macht gute Laune.

Awesome Brazilian music - really dug the vibe...big fan

This album is quite good, with the laid-back, sun-drenched sound associated with places like Tijuana. Favorites are "Desaparecido," "Bongo Bong," and "Lagrimas de Oro." Also, this is an album where I feel that the audio samples work quite well- even if I can't always understand the words.

Genius. Excellent from start to finish.

What an awesome album! I knew a couple of songs off this one but never listened to the entire thing. Glad I did!

I grew up with this, and I speak spanish. The lyrics are very important; I will have to give it a 5. But for a non spanish speaker (and no attachment) maybe this would be a 3,5

Amazing ability to blend songs in 3 languages with distinct styles that complement each language. Great guitarist

5/5 This is the perfect vibe for a hostel, and I love the soundbits scattered throughout the entire album. Quintessential Mexican music, I was bopping my head through almost every track.

Love this

As cool as it is for Manu Chao to be seen as the patron saint of run down hostel and hippie backpacker bar background music, for anyone who sees his music as little more than a fun amalgamation of styles and languages, I recommend reading up a little about his career and political stances, and digging slightly more into his discography. For instance, the same songs that sound chill and laid back on here, are completely transformed in a live setting. 5 bongs out of 5 ⚗️⚗️⚗️⚗️⚗️

An absolute joy. I knew Bongo Bong, but this whole album is Latin infused with a French wit and so many styles, but still feels coherent and smart.

Enjoyed his work with Amadou & Mariam and heard the name thrown about but otherwise completely ignorant. Not sure if it's a blessing or a curse for the random album generator to spew this one forth on a cold, dark December morning. Doesn't feel quite right listening at 10am with the lights on in the house. Feels simultaneously 90s and timeless. Or perhaps it's just songs like Bongo bong, which if we get more of will negatively affect the score. I enjoyed it more when it morphed into the next track even though it's almost the same, odd. Lagrimas de oro and Luna y sol had me properly bobbing my head. Welcome to Tijuana stays just the right side of daft with the reworking of Tequila. Anyway yeah this album cheered me up on a miserable morning. I'm sure he's singing about important stuff in places but I don't speak the language. Apparently the samples running throughout are from the head of the current wing of Zapatistas in Mexico. So it's a shame I don't speak the language I guess. Would like to sign off with a line from another review because I thoroughly enjoyed it: Está lleno de bangers este trip.

Classic

Love international music

Manu Chao's debut solo album, Clandestino, is a masterpiece that captures the essence of street culture and celebrates diverse cultures from around the world. Released in 1998, the album has stood the test of time and remains relevant today. It's an eclectic mix of musical styles, blending Latin rhythms, reggae, punk, and electronic beats, creating a unique sound that's both energetic and infectious. From the opening track, "Clandestino," Manu Chao sets the tone for the rest of the album. The song features a catchy melody, upbeat tempo, and lyrics that reflect his experiences as an immigrant. He sings about the struggles of living in a foreign land, trying to make ends meet, and finding love in unexpected places. The song's chorus, "Soy un clandestino / Soy un pobre clandestino," ("I am a clandestine / I am a poor clandestine") becomes a rallying cry for anyone who's ever felt marginalized or oppressed. The next track, "Desaparecido," continues the theme of dislocation and social justice. Manu Chao uses his signature vocal style, singing in multiple languages, to tell the story of a disappeared loved one. The song's haunting melody and poignant lyrics capture the pain and longing that comes with losing someone without a trace. One of the standout tracks on the album is "Bongo Bong." This upbeat anthem features a catchy chorus, hand claps, and a driving beat that's impossible to resist. Manu Chao's lyrics are both playful and political, referencing everything from Bob Marley to the CIA. It's a feel-good song that never fails to put a smile on my face. Another highlight of the album is "Je Ne T'Aime Plus." This ballad showcases Manu Chao's ability to write heartfelt lyrics and deliver them with emotional depth. The song's simple melody and acoustic accompaniment allow his voice to shine, making it one of the most beautiful and intimate moments on the album. But Clandestino isn't all love and politics; there are also moments of pure joy and celebration. "Mentira" is a prime example. This Brazilian-inspired groove features a bouncy bassline, percussive elements, and a sing-along chorus. It's a party in a song, guaranteed to get any crowd moving. Other notable tracks include "Lágrimas De Ouro," which features a stunning piano melody and soulful vocals; "Mama Call," a reggae-infused anthem with a memorable hook; and "Luna Y Sol," a dreamy ballad that showcases Manu Chao's poetic lyrics and soothing vocals. What makes Clandestino such a remarkable album is its diversity and authenticity. Manu Chao draws inspiration from his travels and experiences, incorporating sounds and rhythms from across the globe. He sings in four different languages, representing the multiculturalism that's at the heart of his music. His message of unity and resistance resonates deeply, especially in today's increasingly divided world. In conclusion, Clandestino is a classic album that deserves every bit of praise it receives. Manu Chao's innovative blend of musical styles, combined with his powerful lyrics and distinctive vocal style, create a truly unforgettable listening experience. Even if you don't understand the lyrics, the music itself is enough to move your body and stir your soul. It's an album that belongs in every music collection, a true masterpiece that will continue to inspire generations to come.

Man this album brings me back! I first heard it while on a 4 month solo trip in Brazil. I was (at the time) staying in a hostel perched high above the bay in Rio with a view down Ipanema. I was a journalist at the time, so I would sit on the roof deck writing articles while this album came heavily on rotation. Needless to say this isn't a pure review of the album, but the life I lived when I first heard it, because I have barely revisited this album since being back in the states. Overall such a wonderful flow and tons of fun! Bongo Boy is, ofc, the standout, but I really loved how much this album blends languages, music types and themes to pain this picture of hispanic culture. Outside the album, I decided to visit his Wiki page (as I do with all the artists), and was extremely surprised to find his beliefs to be both refreshing and non-ludicrous. I feel like its worth people reading themselves , but I'd recommend a read - just an all round brilliant dude who makes banging music! Nice!

i love this album cuz it makes me want to respectfully shake ass with a coconut in my hand and not a care in the world

Grrrrrrreat album.

Excellent - can't believe I have never listened to him before!

Incredible iconic album, one of the best ever

Discazo de Manu Chao. Vinilo.

Ну как можно не любить Ману Чао? 100/10

Un classico!

Curto muito, das antiga já

Not sure I'd call this "rock", but I really enjoyed it.

Buiten is het code geel door de regen, maar hierbinnen in men kantoor te Schoten schijnt die zuiderse zon als nooit tevoren. Heerlijk album met nummers die al in wat zomerplaylisten van me zitten zoals Clandestino en Bongo bong.

Loved

Wasn't sure what to expect from this, but ended up quite enjoying it. "Bongo Bong" and "Welcome to Tijuana" are my top picks.

Very unique and diverse album.

Rating: 9/10 Best songs: Clandestino, Bongo bong, Je ne t’aime plus, Mentira, luna y sol

¡Este álbum es fantástico! Me encanta la musica y la voz. Suena como la banda sonata de Narcos México. Las tres primeras canciones son mis favoritas. Me gusta como Bongo Bong se convierte sin problemas en Je Ne T’aime Plus. Bien hecho. Estaré escuchando este álbum muchas veces en el futuro.

I know nostalgia is making me overly generous but I'm sticking with it.

There’s a school of thought which ascribed to Spanish culture a reactionary and backwards character which prevented any significant artistic or cultural products emerging from the Iberian peninsula. The origins of this character is rooted in the belief that Spain’s subordination to both Islamic and Christian fanaticism has imbued its people with a lingering aversion to the enlightenment values which gave life to some of the most precious artefacts of European artistic achievement. (see: the Black Legend on Wikipedia for more on this stuff). Truthfully, you can kind of see what is meant by this theory, even if there are glaring historical inconsistencies underpinning its premise. While I am not even 200 albums through this project, the contribution of Spain to the canon of popular music is practically nonexistent. Its folk music lacks universal appreciation, and when it comes to popular music you can just forget it. The eruption of punk in the country, which had already invigorated most of Western Europe in the late 1970s, came too late and with seriously derivative results (a prevailing trend). What has this to do with “Clandestino” by Manu Chao? Well, I would argue that the ex-Mano Negra member achieved one of the most significant Spanish contributions to popular music with this offering - even if he isn’t exactly, well, Spanish. His ancestral connections to the country are, in fact, to the Basque Country, which is a less than enthusiastic participant in Spanish identity-building. That being said, Manu Chao’s use of the Spanish language is some of the most poetically ingenious you will hear. While the general locus of the record is found, rather predictably, in the idea of loneliness and nomadic uncertainty, he illustrates this sense of vagrancy with some really biting social commentary and sardonic wit. The multi-lingual approach to his songwriting compounds this placelessness which doesn’t so much torment the narrator, but rather confronts him as an inescapable reality. Additionally, the record has a lot going for it sonically. It’s a really unique hybrid of Latin folk, hip-hop and punk which just works on so many levels. It’s a blend that’s hard to describe without sounding too reductive, but just listen to the subtle combination of genres on tracks like “Bongo Bong” - it sounds equally at home in the sun-bleached bars of Havana as it does in the rustic Parisian ghettos. It’s a concept album in the loosest sense, but is so rich in thematic depth - and these two things should not be conflated. The album is so far from pretentious, that it delves so profoundly into its philosophical material. So… Vive La France? Arriba España? Gora Euskadi? Yes…

absolute banger album

<3

Album divertido, pegajoso y con buenas letras. Super disfrutable

I had never heard of this artist before, but loved it! Good variation of sounds (and languages) and I enjoyed all of it. Listened to it twice and enjoyed it just as much the second time. That’s five stars from me dawg.

I knew of Manu Chao from a few tracks a friend had put on some mix CDs twenty years ago. I was definitely a fan, although I never looked for more of Chao's music. I've been missing out. This has such an interesting and engaging sound, and with only a basic knowledge of Spanish, I caught enough to want to decode the compelling lyrics further. I loved listening to this and I would like to listen to more!

Musically this was fun. Lyrically, I cannot really judge, so the album gets a pass on that. If only some of the other albums that we’ve had were not in English…

Varied, interesting, and fun. Will listen again!

I have a few songs by Manu Chao from some mix tape I received many years ago, but never listened to an entire album. Really enjoyed this! The French-Spanish angle was interesting too. Great!

I was honestly quite shocked, as I think I made a preconception based on the album art. But this truly blew me away, with a good sonic blend and both emotion and playfulness staggered throughout.

Makes me want to travel :)

See listening notes to this. Current fave: la vie à 2.

Fun all the way! Party in Europe.

Damn nice

Excelente!

A catchy mélange of French, Latin, Reggae and whatever else. MC is a great songwriter, political and satirical, and an amazing performer, as my co-judge and I discovered 20 years ago. Bongo Bong was a big hit in my spinning classes. The theme runs throughout this album, and his next one. I found the original fron Manu Negro a few years earlier, which sounds like it could be a Beastie Boys version. I'm amazed he played mostly every instrument and recorded it on his laptop. And this went gold in Canada!

Another one from the bootleg era, I thought it was from like 2002 because that was when my sister downloaded it. I also thought many of these songs came from different albums lol. Also I should mention my mom loves this album. I myself think it’s great, I think I used to find his voice a bit annoying but I don’t anymore, also I use to dislike the fact that he is French but sings like latino, but I guess my views towards cultural appropriation have shifted a bit. The music is great, the concept amazing and the soundbites funny, soulful or thoughtful af. Marcos may be a controversial figure (not really tho) but damn those speeches hit. To the funny guy reviewing this album with his backpacking experiences: there are no cheap corona imitations here in México, you uncultured swine.

Great!

not mine but epochal

This was pretty awesome,

I love this album, it's a banger. Reminds me of Josh Watson circa 2008-2010

Love the mix of styles and cultures.

Let's be honest here. Bongo bong is a hit. Could be an album of silence with that at the end and were still giving it 4 stars...but it's not silence, so 5

This album is so much fun, full of joy a frivolity. I'm keen to explore more. Faves: Clandestino, Bongo bong, Welcome to Tijuana

an old favorite!

Classic stuff

Delightful. Loved the French reggae vibe.

Rapping and singing in multiple languages takes talent!

02/05/2022 This one rules. No skips. Love the vibe.

A classic. I don't listen to Manu Chao anymore but I'm giving this album 5 stars for still being fun and relevant in 2021.

Un album exceptionnelle. Un classique

Jedan od najdražih vinila koje posjedujem, topčina manu chao je prava momčina! Nije mi iskreno baš baš čista petica, al čem sam sve dao 4, mora biti ovdje među odabranima.

Discazo de Manu Chao.

I love that album! It has great drive and good vibes, really like it

Epic

Fantastic!

Wish I knew this when it came out and not a decade later

Es de estos discos que pones en el carro y llegas a donde sea.

ахахаха, я хз, мне очень понравилось)) Прям чет кайфанул, один из лучших альбомов за последнее время. И это мультиязычный регги-рок с латинскими корнями, до чего мы дожили... Причем я даже как-то не смогу внятно обяснить, почему именно эта латинская музыка мне кажется заебись, а 99% остальной - нет. Есть в ней, наверное, как раз какой-то западный флёр, раз уж исполнитель вроде как родился во Франции и путешествовал по всему миру, пока собирал эту запись. Песни не дурацкие, не раздражающие, а именно весёлые, бодрые, танцевальные, немного со странной энергией. Причем я такого не ожидал, этот по-мудацки выглядящий человек на обложке обещал какую-то стандартную мерзкую пакость. Но как-то вот так вышло, что это вообще чуть ли не денс-прог в итоге получился, с КУЧЕЙ запоминающихся мотивов и в целом экпериментальной энергией. Дико понравилась работа с сэмплами/атмосферой и прочее, что не не относится конкретно к сонграйтингу. Альбом прям наполнен звуками, мелкими деталями, какими-то голосами на фоне, есть даже запись с советского радио. А особенно балдёж когда в песне Manha Galera на фоне начинается женский шёпот, и он имеет другой ритмический рисунок, отличный от основной вокальной линии, я аж мурашками покрылся. Ну и в целом очень много клёвых фишек: в Lágrimas de Oro ебучий какой-то речитатив на фоне, в дилогии Bongo Bong/Je ne t'aime plus уморительная подача и текст, Luna y sol - это вообще праздник какой-то, прям неостановимая песня. Даже прям регги-регги типа Mentira и Welcome to Tijuana звучат нормально, как для меня. Наверное если надо было бы выбрать одну худшую песню я бы поставил на закрывашку El Viento - опять же регги, но пресноватое и скучное, хз. В остальном же кайф получил удовлетворительный 👍 Не на 10, конечно, но сравнимо с кайфом от Ламара того же. Хотя я сомневался до последнего, но совесть прям щас не позволяет опустить до 8ки, так что получается вторая 9ка подряд.

Gas pack

Long time favourite for a cracking artist

This rules

hombreee

Deze moet ik deze zomer zeker nog eens opleggen, buiten op mijn (of een) terrasje. Lekker wegdromen. Het hele album hangt als mooi als een ketting samen.

Buen álbum

Clandestino, desaparecido, mentira, bongo bongo

9/10 clandstino es un temon. Aguante manu chao

Such a throwback for me!

Bängeri Skön Latina musik

Amazing album

venezuelano, clandestino brasileño, clandestino ilegall

Did I understand the lyrics? No. Was it still a fun listen? Definitely Really enjoyed this one, perfect to listen to while we have a heat wave in the UK

Great vibe and an upbeat album. Was expecting a retro style album but the King of Bongo Bong shattered that preconceptions. Really ennjoyable

Usually don't like reggae, but like how it is mixed with latin music here. 4 stars

Not bad!

I was pretty unsure about this going into it, but that opening track sets a brilliant mood and eased any uncertainty I had. That transition between Bongo Bong and Je ne t'aime plus instantly caught my attention as well. The concept behind this record and the process of recording were an interesting read and really set this record apart. I really enjoyed this. The list cooked with this pick.

lowkey this flowed so well and was all so chill and light yet a little eerie guitar at times and lovely all around

Fabulous album. Really enjoyed it.

4.5, ya le hace falta un remix/remaster

Had wel enkele goeie nummers maar verdween een beetje naar de achtergrond precies.

This was SO much fun! I loved this album. Did it start t sounds similar? Sure. The vocal harmonies are so good and the instrumentals are so interesting. This was absolutely fantastic. It didn't feel too long and the transitions were really good. Liked Songs: "Clandestino" , "Bongo bong" , "Je ne t'aime plus" , "Lagrimas de oro" , "Luna y sol" , "Por el suelo" , "La vie a 2"

Yeeee heerlie

een erg goed album om in de zon een bed in elkaar te zetten

A really nice, well-rounded record! Some high-energy anthems paired with more intimate moments. So rarely do we get a non-English album that has some crossover appeal and still feels fresh. “Bongo Bong” caught me by surprise, I had lulled myself into assuming there wouldn’t be any English on here. Given this songs memorable, simple intro, it’s a standout for me. There’s a little synth/key hit that reminds me of a similar sound on “Somebody That I Used To Know”. “Lagrimas de Oro” was a fun, more traditional cut with some excellent horns a couple minutes in. “Luna y Sol” also had some exciting traditional instrumentation with a VERY fun vocal hook. “Welcome to Tijuana” was one of those more intimate efforts, equal parts personable and a little funny in its rhymes. “La vie a 2” had a nice little guitar loop that captivated my attention right when I thought this record was running out of steam. Sleeper 4/5

Real good shit.

Quite enjoyed!

Excellent album. Creative. Different. Timeless.

Love how playful this is. Bongo bong into Je ne t’aime plus is a highlight here. So strange to have three different languages blended together. Luna y sol and its return later is also fantastic

Dope

Okay okay...

Really enjoyed the brilliant sound of voice and music….played it several times

Pretty chill album!

What a beautiful blend of varied culture, language and musicality. Great summer vibes brought to a grey morning.

only knew a couple of songs from this, liked them but never though of listening to the rest of the album. but the whole thing is lovely! i quite enjoyed the pace and the variety.

mama was queen of the jungle

this was lowkey a bop, lots of bangers Would I listen again: yes Deserves to be on this list: yes 3.5

I listened to this on a prematurely (for the season) hot, swampy, summer day. It was perfect. This will be a go to for the crusty hot beach vibe.

8.5/10

Very fun

I don’t like the term “world” music but man do I tend to like it more in the generator I like the descending synth sounds that sound like Pac-Man dying

V nice vibes 7 / 10

I liked this even though I couldn't understand most of it. Mostly a fun Latin album. 4/5

7/10… latin / world / *1998

What a stunning energy this album has. The vibrance & flow of the tracks are so enjoyable to listen to - every track exudes it’s own energy & atmosphere without being too over-the-top. The multi-lingual vocals were a great surprise too. I’m not usually one to go out of my way for Latin music but this was a real treat. 9/10.

Something’s holding me back from giving this the full five stars, but it was a very enjoyable listen. Just missing a bit of magic.

Great album!

Never heard of Manu Chao or his music so I had no idea what to expect. I was a bit surprised by how much I enjoyed this album. While it sounds mostly Spanish-influenced, there are a lot of other things going on that make it very interesting to listen to. It is always nice to hear new (to me) and good music.

- most languages spoken in one album so far I think - I liked this - good vibes for the most part - will probably listen again

Einföld en þrusugóð

Pure Latin goodness - from a French guy no less! Music to shake your ass to.

Nothing much to say other than this was a very good album. I enjoyed this a lot and will probably listen again to it. Very refreshing to have two four star albums in a row. Standout track - Welcome to Tijuana

I used to think I was king of the bongo...but Manu Chao is the true king of the bongo. 3.5/5

Never listened. Expectations: None - Verdict: Great - Brilliant album. The reggae beats, the horns, the vocals, I really like all of it. This is pushing towards great I think. Some of the more modern production choices almost remind me of Gorillaz.

I was surprised by how much I liked this. Bought back sone good memories of travel through Mexico and South America. Would play it again on the right occasion but probably won’t go onto my year round listening rotation

Solid three bumped to four based on Bongo. Fun album!

Fun-energetic-upbeat I enjoyed this.

Let me start off by saying that I definitely don’t have the rights to do an actual review on this album since I don’t know Spanish, so I won’t. All I’m going to say is this: This album is fairly minimalistic yet diverse; I don’t know what most of the songs are even about, but strangely, they all had very strong identities. Anyways, great album, wouldn’t recommend.

I liked this a lot! Spanish music is vibe

this one is hella vibey, wish I understood what the lyrics were saying theres this one song that has a cool transition between 2 songs and its so fire

This was just such a fun album. The Latin rock influence is palpable, remind it of my hotstel travels and being on the beach. Mix that with the album's punk sensibilites when it comes to class solidarity and critiques of colonialism through it's sound and lyrics, and you have one hell of an album. Highlights include Clandestino, Desaperecido, and Luna y Sol.

I really vibed to this. Simpsons: No

¡Álbum fantástico! Standouts: Bongo Bong, Welcome to Tijuana, Clandestino. 4/5

*1998. Spanish. *This is super fun. It sounds like being in Latin America, and I'm here for it. *Really catchy songs. Would revisit. RATING - 7/10

Liked the Caribbean groove

3 Mageløse lyt. Det fungere sindsygt godt som arbejds musik. Måske lige pånær når det bliver engelsk. Tilgengæld er "Bongo Bong" et kæmpe højdepunkt på en objektiv banger liste. - Jeg bliver ikke forstyrret af lyrik, men bare kan nyde stemningen.

Es mischt Reggae, Latin und Weltmusik, arbeitet mit Samples und Mehrsprachigkeit und Macht Spaß zu hören - Nicht nur “Bongo Bong”

YEAH HERE WE GO. I have this album on CD and it’s beat to hell, I’ve listened to it so much. A friend studied abroad in Spain in 2003-4 and came back to spread the good word of Manu Chao. This album sounds like treating myself to a little fancy cheese and a bottle of cava on a summer afternoon, it was the first non-English-language album I ever bought. If it wasn’t for Manu Chao I wouldn’t own Rosalia and Bad Bunny albums. The music is eclectic and chill, the review that called it a “stoner classic” is correct. I love the collage of sounds that make it up, and that even with all the samples and snippets, it still feels organic.

555/1001 🌕🌕🌕🌕🌑 Discazo!

This is one of the best worldbeat albums on this list, a truly great mix of different genres and cultures. It was one of the first CDs I have bought in the late 1990s and listened to it many times, while my sister started learning Spanish and we tried to translate the songs on the album. Bongo Bongo with its incredibly catchy tune and amateurish looking videoclip became a big international hit in a time when everything was perfectionised and sterile not only in pop but also in rock music. Manu Chao traveled a lot from Europe to Mexico and South America and these influences are clear in the music. He sings in Spanish, French, Portuguese, English, and even have voiceovers in languages like Russian. The songs are catchy and diverse, and the album doesn't overstay its welcome. It's still a good album that I like to listen to.

Nice! At least 3 different languages. The rhythm of the guitsr and drums ept me interested all the way through. What is with that video game noise though?

I dig it. Eclectic, fun and always keeping things interesting. 8/10 Favorite tracks- "Je ne t'aime plus" "La vie à 2" "Malegría"

I know it can be hard to appreciate foreign language albums, but I though this was a good listen. Amazing that I am only four songs into the album and he's already sung in three different languages (maybe more). There is a bit of a minimalist approach to a lot of these songs, but they don't seem to suffer as a result, which is a testament to what he has constructed. Bongo Bong is a perfect example of this, a catchy track that has a relatively limited background sound, allowing for an accentuation of the rhythm he creates with his lyrics. That this then folds into Je ne t'aime plus was very cool. Same basic structure, even the same background music, but a totally different song in a different language. Very creative. A good record.

Finally an album sang mainly in Spanish. Well, there were some salsa and other latin projects that included a bit of Spanish, but not at the level this record does. I've heard a lot about this man and his previous band "Mano Negra". They were very famous around here, Galicia, thanks to his father coming from this land and the rebellious image associated to the artist, so I was very curious to know how he sounded. And it didn't disappoint. This album is great. The record is basically a mixture of cultures, not only due to the combination of different genres like Hispanic American Music or Reggae, but also he singing in four different languages: Spanish, French, English and Portuguese. With all these elements, Manu Chao creates a sad sounding record that also has some very infectious rhythms and melodies. The sad part does not only come from the music itself, the lyrics contribute a lot, talking about different themes such as immigration, loneliness, lack of affection, drugs, politic and rebellion. This allows the record to acquire a quite depressing connotation. Furthermore, if you read about the context of this project, it is stated that this person almost ended his life during its writing, so it adds even more value to it. One little trait I would like to point out is how well connected are some of the songs, specially the first four ones. It is a super small detail, but I really appreciated it. In conclusion, I really liked this album. I would not say there is a bad song in here, regardless of some being weaker than others, but they all show a lot of emotion while also being very catchy and easy to dance to.

I have generally had a positive experience with the majority of Latin music I've encountered, and it's a good question as to why I don't make a habit of listening to more of it. As someone who grew up on Ska, though not directly related, the influences of Reggae and Dub on lots of Latin-American genres should be intriguing alone. I think the biggest obstacle for me is that I, of course, don't speak Spanish, Portuguese, or even French in the case of Clandestino. While I can read into translations of lyrics and break down cultural references, it just has a harder time connecting with me due to my international ineptitude. Even without understanding all the lyrics, I still thoroughly enjoyed Clandestino. The amount of interesting and eclectic production on this densely-packed LP is infectious and vibrant. Even with the language barrier, the political intent of a lot of these tracks come through, which shows just how effective they are as universal protest songs. When I first started the record, I was certain I'd never heard of it, but at some point I've definitely heard Bongo Bong as I recognized it almost immediately. In general the progression starts really strong, I was fully ready to call this near perfect after the first five tracks, but does lose a little steam near the end. The album never lingers on one track for too long, so it definitely keeps you on your toes. Overall I did really enjoy the album, it made me realize I should stop sleeping and go listen to more Latin Alternative.

Simple but catchy, infectious songs. Chilled.

Fun Tri-lingual album that had some pretty good songs

its basically impossible not to mention the unique circumstances that the album was made under...entirely on a laptop (in 1998!!) during a nomadic life period following the breakup of chao's previous band. its impossible not to mention not just because of the novelty of it but because it rly does feel incredibly entwined with the record itself, with genre shifts and radio samples and lyrics in four different languages...the backstory doesnt "justify" the music, which is good enough to not need justification, but it undeniably explains and expands its vibrancy. the extremely cool semi-lo fi production does a great job creating that feeling of aimless loneliness while the world rushes and changes outside u. sometimes it feels warm, sometimes melancholy, sometimes kinda snippy and funny, and ofc all of it more or less feels Like Life. not one of my v faves or anything but once again a v unique object im sure i will vividly remember from this project.

General thoughts: First impressions. Just looking at the cover, I wasn't expecting much; in fact, I was expecting a completely different sound. The cover resembles the wave of cringy urban artwork we received in Latino America during 2000-2010, and somehow this is both a really close and really far guess at the same time. The sound is experimental urban, with eclectic instrumentation drawn from Latino genres such as bachata, salsa, bolero, and reggae. At first, I hated his voice because he sounded very awkward in Spanish, but I got used to it after a few spins. I also sense some influences, like Café Tacuba or Willie Colón. For this reason, along with the samples, this album feels very LATAM 00's. It's very nostalgic in that sense; he nicely captured the feeling of México during those times, the discomfort but also the warmth of the Latinoamerican voices. There's this rhythm section running almost nonstop in the background, almost like a trance, which nicely adds a layer of cohesion to the album. “Clandestino” and “Despedida” + “El viento” are conceptually decent openers and closers. It's like a cycle. A journey to an unknown land as a "Clandestino" and a farewell at the end. Next stop - wherever the wind will take me. The flow is like a roller coaster, with a strong start and multiple ups and downs. The tracklist includes too much filler, and most songs are rather simple structurally and sometimes repetitive. It's not very consistent, but it's very coherent. The album experience is really enjoyable. Songs blend one into another, and we get tons of callbacks between songs. We're always reminded we're listening to CLANDESTINO. Conceptually, this album is, of course, about immigration; we get some social commentary about this when we're not in the middle of a filler track. Here's a fun fact - through the dialog samples, we can infer strong support to the EZLN movement, a hot topic in Mexico during that era. Actually, much of the commentary comes from their "4th declaration of the Lacandona Jungle". (https://palabra.ezln.org.mx/comunicados/1996/1996_01_01_a.htm) Their ideals resonated with the people, though there was controversy and dark implications unveiled in the subsequent years. This is an unexpectedly weird album. It's surprising, of course, it's fun, it's pop, it's experimental, sang in 4 languages, conceptual, and somewhat high in social commentary. Probably, it’s much more enjoyable to Spanish-speaking audiences, though. It should have all the elements to make a perfect album, but something is missing for me. I didn't really feel much. Musically, it was great, but I've heard instrumentals that have moved me more. Maybe it's because this isn’t my usual genre, I don't know... Here's a small sample I liked, which really sums up México (whenever) - "Mr. Delegate, what about hearing out our eviction problem? What do you think?" "But who remembers problems right now, dear? Go around, have fun." Outstanding song(s): Malegria, Bongo Bong, Desparecido Weakest song(s): Je Ne T'Aime Plus, La Vie A Cover: As I said, it's so bad that it really throws you off on your expectations. Real rating: 3.59

Traveling through Latin America in the late 90’s and early aughts and hearing Manu Chao at a bar or hostel meant you were in the right place.. You didn’t have to understand all the words to get the message and spirit of these songs. This album and Esperanza will always have a special place in my heart.

Super chill backpacker music noice

I know it doesn't seem like much, but albums like this make me appreciate my high school Spanish teacher immensely. Even if I could only understand a quarter of what the lyrics were saying, it's all because of my former teacher. Every beautiful moment I had where I understood this wonderful language was because of her. And the album was a banger. Great Latin beats.

Quite enjoyed this. Made me feel like I was on vacation somewhere instead of in this winter hellscape. Fun album.

Really great vibe on most of the album, but I think the last 2-3 songs drop off a bit, and it loses some of it's magic. Even though, I liked it very much.

8/10

Judging by the # of plays on Spotify, dude must be a big deal south of the border. Hell, after a play through I can see why. This was a highly entertaining listen -- dusty production throughout with some marijuana anthems, kooky samples, and plenty of musical variety. Given the latin-American flair, sampling, and dance grooves balanced with acoustic rhythms this album has an almost familial bond with one of my favorite electronic music producers Nicolas Jaar. Bongo Bong sounds realllly familiar. Kind of goofy, but I dig it. Also really vibe with Mentira and Welcome to Tijuana. Dia luna...Dia pena may only be an interlude, but I love something about it. La vie a 2 is also very nice. Gotta say, something about this album feels just right. Maybe not for January -- but certainly a nice soundtrack for sandy days. High 4 in my book.

Loved this album, threw me back a fair few years to my brother showing it to me. It’s fun, energetic, bouncing music. Could listen to it all day, made me dream of the sun shining on my face. 4.2/5.0 Best Song: Bongo Bong

good vibes. Upgraded 3 to 4 while listening

Fun and lively album. Sound bites are interesting, but don’t always work. It’s easy to listen to and pretty good. 3.5/5 Will listen again

A homeless guy right in my ear! But really some interesting grooves and subject matter.

Fun, fresh, music I would be happy to dance to or enjoy on a drive

I really liked this album. I love the beats, some of the songs are downright infectious. This is a very good discovery on this list.

I have never listened to French rock before so I am excited for this. Right off the bat, track 1 is giving reggae vibes. This definitely is in Spanish, not French. I will say that the lyrics are a big part of why I enjoy the music I do, so not understanding what they are saying is definitely a challenge. However, I think it is helping me appreciate the music more as the art it is, instead of making it something to relate to. Track 2 is good, I wonder if this was the foundation for Spanish music or if it was influenced by something older because it seems like this style of music has persisted throughout the decades. Track 3 has English lyrics, which is nice. I like this song, it is catchy and a little whimsical. I am not sure if I just wasn't really paying attention, but I liked the transition from track 3 into track 4. This song is, in fact, French. It is honestly impressive that we are only four songs into the album and have already heard three separate, and might I say very contrasting, languages. I like track 5 a lot as well. Track 6 reminds me of Gianni Morandi's voice, in a good way because I enjoy some of his music a lot. There is some rapping in this song, which is incredibly impressive. I am enjoying this album very much considering I don't understand it entirely. I like that track 11 connects back to track 6 as a much slower, calmer version of the same main melody. Overall, this album was really really good. I thoroughly enjoyed hearing a mixture of languages, tempos, and general vibes throughout the album. This is definitely my second favorite album so far, behind Led Zeppelin II.

I really enjoyed this album. There were many different styles and languages to experience. I was very engaged and definitely plan on listening again. Favorite songs: Clandestino, Bongo Bong, and Luna y Sol

Легкий, музыкальный и интернациональный.

Very minimal beats, Latin originality, very simplistic and sad music.

I really liked it, I had no idea there were gonna be non English albums but it makes sense. His voice sounds very familiar

I was a bit disappointed at first to find out that this album wasn't actually by someone from Mexico, but the music did win me over. I'm not at all familiar with the traditions he's pulling from, but it all sounded cool and a bit sound collage-y at times? Normally sound collage stuff doesn't do much for me but it did here.

If you’ve ever sat in the common room of a backpackers and enjoyed a rambling semi-coherent conversation with a fellow clueless itinerant, you’ll very likely love this record. I have. And I do. Though part of me wants to explore the seeming contradiction of an anti-globalisation cultural polyglot … the feeling I get here, above all else, is that Manu Chao captures the feeling of youthful excitement at the potential of the world. His flitting around genres, bouncing vocal delivery and faux-naive schtick is charming; that swarthy fella in the corner of the backpackers who reports all the cliches of “world traveller” but matches it with swags of charisma. I’s hope that I get the chance to spend an impossibly long afternoon in the sparsely furnished common room of a backpackers again one day. And when that day arrives, it’ll be “Luna y sol” I’ll be pairing with my Estrella.

This was a fun random album that I never would have come across on my own, so thank you 1001 album generator. “Clandestino” is a very catchy world beat album that combines reggae, ska, and various other worldly genres. It’s very multicultural, featuring lyrics in Spanish, French, Portuguese, and English. The instrumentation is diverse, with guitars, bongos, congas, and subtle synth and electronic elements that are very effective at creating a good atmospheric sound.

Pleasant surprise. A few misses here and there but an overall solid album.

I wish I knew more Spanish. This album rocks. It reminds me a lot of the Once Upon a Time In Mexico soundtrack, they have the best song on that. Loved ‘Bongo Bongo’ and few others. I think this is between a 3 and 4 for me but I might lean 4. Not that I’d listen super often but it just rocks.

This record really grew on me as I listened. Definitely expected to be giving this one a 2/3, but the album just kept getting better. A lot of catchy and vibey songs. If I would have listened on a hot summer day with a joint it might have gotten 5*!

Total vibes

manu chao er fransk??!!??

Not something I would ordinarily listen to, but I certainly didn’t mind.

Fun!! 3.5/5 Songs added to playlist: - Bongo Bong - Mentira - Luna y sol - Welcome to Tijuana

This is another reason why this app is great- discovering stuff like this. I would have never thought to listen to this and I am glad I did. Reminds me of a more chill and older version of what the Crystal Fighters put out.

I really liked the first few songs on this. The second half I could do without. I wish it stayed in Spanish and was a little shorter. The whole thing was pretty chill though. Light 4.

Tropico 4 ahh music

What a gem of an album! This is exactly why I love this 1001 Albums Before You Die journey - to gain exposure to albums/music/artists I otherwise may have not encountered. This was a fun and different style than my usual and I appreciated the trilingualism as a French-American from Arizona. Will definitely dig in more to the artist, history, and lyrics when I have more time. Stand out for me was the very catchy Bongo Bong seamlessly transitioning into the contrasting Je ne t’aime plus.

Solid album. Didn't understand much, since it's almost all in Spanish, but nice vibes

La mentira is still amazing

Okay, such a vibe! I loved this one.

A cool sound and quite the relaxing listen.

First Listen. 3.5 I really enjoyed this album. I appreciated the motifs that repeated through some of the songs, and liked that there was diversity in the instrumentation and moods of the songs. Favorite songs: La via a 2, Luna y sol

Gear: 64 Audio Duo Artwork: ✌️🪴🦓 Production: 🎧👂🧈 Music: 🌄🪕🌈 Ratinng: 🌻🌼🌷(🌹)/5

For those who don't know, Manu Chao is a French-Spanish musician who played in several groups, most notably the punk-infused Latin rock group Mano Negra. Unfortunately, that group broke up after years of strife and touring through war-torn Colombia, leaving Chao in a fragile state. He continued performing solo while battling restlessness and depression, albeit mentally wrung to the point of nearly taking his own life. That was until a chance encounter with a cow, whom he described as "tender", gave him a renewed sense of purpose, and Chao formally started recording a solo release. The recording process was rather unconventional and driven by chance. Chao immersed himself in various locales such as Tijuana, Mexico, Spain, and Paris, with a portable recorder in tow and working alongside producer Renaud Letang. A technical glitch in Letang's computer inadvertently caused most of the electronic elements and drums to be stripped from the tracks, leaving behind a more acoustic, organic sound. Songs were chosen for the cut after being tested out on the children in Chao's neighborhood. Thus, Clandestino proved to be a unique and cathartic album for Chao, and if anything, I'm glad that he found a renewed sense of spirit that happened to be well-received across Europe and South America. As for the music, this is a solid collection of reggae rock tunes with a melting pot of influences, including salsa, punk, and French chanson. I have to commend Chao and Letang for how they organized the tracks such that they seamlessly flow from one to the next, with Chao himself effortlessly switching his singing across Spanish, Portuguese, English, and French. Checking the translated lyrics, it is evident that Chao put his internal struggles on display while trying to find the brighter side of life as he gives an informal tour of the various locales he visited. Sure, the subject matter does come off rather repetitive across multiple songs that could easily blend into each other with little variance in song structure. But, there's enough conviction in the delivery and performance that I feel it's coming from a sincere place, and that is worth commending. As such, I think Clandestino deserves to be celebrated as the cultural mixture of sounds it is. I'm glad that Manu Chao came out on the other side with a more positive outlook.

Absolutely rules. Perfect working music, a nice combination of chipper and soulful and heartfelt. I love the multitude of languages used here (unless I'm really mistaken). So worldly, makes me ashamed of my American-ness in a good way, and also makes me want to go on vacation and walk around soaking the new things to do and see BAD.

pretty good

A great album. The exact reason I started this project- to be exposed to music I don’t usually listen to. Being that English is my first language with limited French, I didn’t understand most of the lyrics. But the album had a pleasant vibe overall. There’s a nice variety in the songwriting, especially having songs in 3 languages though majority are in Spanish. A really pleasant, fun listen and an album I’ve added to my library.

Didn't listen in full but good vibes.

A very familiar album to me, and brought back some good college memories. My first reaction, withou re-listening, was to give it a 3. It's good, but not remarkable. And maybe the nostalgia kicked in when I listened, and I think that alone bumps it to a 4. I will most likely listen to it again in the future, unprompted, because it's a very cohesive setlist, and the songs really flow together. Actually enjoyable.

That was great, the songs flowed perfectly into each other. Fun international music that goes by fast. Rating: 4.2

voelt aan als Narcos

Love this album. Heard it when travelling around South America. great memories. Cool beach jungle vibe for me

Surprisingly good. It was maybe a bit of a guilty pleasure back in France but the album is remarkably well constructed and though it may be a bit too sprawling for its own good the first half is solid.

Interesting beats. Need to be in the mood, but doses would be something to use to pump up the mood!

Groovy. Bongo Bong SLAPS.

Wow, deux albums non-anglophone d'affilées, je pense que c'est la première fois en 918 albums que ça arrive! Pis en plus, il est bon, le Chao!

Dios me encantó. Me gustó un montón la vibra y me parecen super bonitas las harmonías q hace idk. Lo Palo q muchas canciones d Manu chao son básicamente iguales pero si t gusta mucho una canción supongo q da igual escucharla 14 veces

One of the most notable elements here is, of all things, the song transitions. Seriously. I didn't even notice the change between BongoBong and Je ne t'aime plus. It's so simple, and yet insane, genius. Desaparecido, despite having a similar name and melodic hook to Despacito, is infinitely better. A lot of that is because it's less overplayed, but Desaparecido just feels... genuine. Smooth, simple (there are essentially only two chords), elegant, and perfectly atmospheric. I like the transition to Bongo Bong. Which, by the way, I wasn't expecting to recognise. But I've absolutely heard Bongo Bong before. I'm not a huge fan of the deadpan semi-rap thing – it's very out of place for the genre – but the rest of the track is ridiculously catchy. The majority of the albums tracks are, well, just as catchy. I like the guitar sound. Unfortunately, there are a few tracks in the album's latter half that just aren't memorable at all. They make no attempt, genre- or texture-wise, to stand out from the crowd. Songs like Malegria or La despedida. They're fine, and honestly pretty darn solid by themselves – but in the album's context, they act as filler. In a 16-track selection you can easily cut some of these out and extend the length of some of the others that are much too short to make the most of their high quality. Clandestino, Je ne t'aime plus, and Bongo Bong – three of the best songs here – are all well under 3 minutes. It's a travesty. One of the 1-star reviews is simply: "Was not in english so not for me". To which I have to ask: why are you doing this project? To re-listen to your favourite psychedelic rock and punk rock and hard rock records time and time again when there are already countless critics and fans singing their praise? Branch out a little. That's what 1001 Albums is for. 4/5 Key tracks: Clandestino, Desaparecido, Lágrimas de oro

An enjoyable listen with lots of different sounds, influences, languages and genres. My limited understanding of Spanish and French etc does mean im probably missing a big part of what makes this album important but musically i could still enjoy the variety. I also enjoyed the quick trip to English to tell everyone how great he is at bongos. Also really love how smoothly each track merges seamlessly into the next. Not a spectacular album but certainly a real easy listen. Favourite track - Bongo Bong smoothly into Je ne t'aime plus. Or Minha Galera. 7/10

Fun one

I think this album is a lot of fun. It's full and through and cohesive and realized. Other listening to in its entirety.

I did not expect to personally like this (even if I respected it), but it was fun. I wouldn’t reach for it often, but it could definitely fit a vibe.

Catchy. Brings me back to hippie circles while traveling the country in the early '00s. I heard the guy is a real one, walked away from millions a few times because he won't do commercials

This was great. Loved everything about it. It put me in a great mood all day long.

Interesting for sure. Solid all around though. I was a bit thrown off by the Spanish, English, and French. It makes sense but I might have expected 2 of those not all three. I did go back and listen to some of his older band stuff mano negro, and it has a little more edge but it tracks really well that thos is where we end up. I had a good time but nothing groundbreaking. A worthwhile listen

"Bongo Bong" slaps, "Welcome to Tijuana" is fun, the rest is very pleasant to listen to

I am a fan. Just saw another Beatles album generated.Fuck my life