Sometimes I Wish We Were An Eagle

I thought this would be another snooze fest but it’s a cool modern alt country sound.

sehr chillig fav track too many birds

Solid album with layers that don’t immediately come up on first listen. Good lyrics and beautiful, haunting music. I really wouldn’t call this “country” at all.

Ambitious to put this album together and have it work out so well. The spoken word style vocals and lyrics are held together by a really solid studio style backing band. Enjoyed it from start to finish.

3.5 to keep listening

First off: the production is great. Varied texture and great use of instruments. Adorned but not fussy; thoughtful and engrossing. I can see his voice being an acquired taste, but it has gravity and sounds conversational to my ears. It's no party record, but I found it moving and affirming in its sincerity.

Rococo Zephyr is one of my favourite tracks. The rest doesn’t quite match it, but the first half in particular is excellent.

Treligt modern musik

Långsamt men inte alls sömnigt. Fint!

beautiful album

I enjoyed this more than I thought I would. Personal enjoyment: 4/5 Relevance to this list: 3/5

Saw the cover, didn't recognise the name. The site put the genre as 'Country' and I feared the worst. I was wrong to fear. This is a really nice record and totally not what I was expecting. Yeah I guess kinda country-adjacent folk but it reminded me a lot more of Leonard Cohen than Johnny Cash or Willie Nelson. Decided to give it another play on my headphones so I could really get into it and enjoyed the experience. There's a track that seems to be in a strange language that sound a bit like Welsh but I suspect it's pure nonsense. I didn't hate it. He has a nice warm voice that you can get lost in and the songwriting overall is really poetic. He's not afraid to sound very raw and stripped back. At times you want to just pause him and tune up the guitar a bit but he clearly either liked it that way or it was such a great take nobody wanted to try and make him redo it.

You know, of all the 2009 indie albums on the list, this might be the best one I've heard. There's a weirdly high amount of those on here. Anyway, this album's pretty good. This is just a solid alternative country album. I feel like I've gotten a weirdly high amount of those too, especially in the past few months or so. But hey, I'd much rather listen to alternative country than mainstream country. Bill Callahan's 2009 album Sometimes I Wish We Were An Eagles is a bit of a peculiar album, but a good one nonetheless. I like a lot of what I hear. The style is nice. It's definitely indie, but I'm not opposed to that. It's albums like this that make me realize that I strongly prefer my country music to be more on the mellow side of things. Callahan's singing is low and somber, but I like it. It creates a unique atmosphere. The writing is pretty solid. I think that's what really makes an album like this work. I think this is a concept album about birds or something? He sure does mention birds a lot, but not in a weird way or anything. Unlike how I feel about Neil Hannon and horses, I'm not worried that Bill Callahan wants to fuck a bird. The lyricism and symbolism is used in interesting ways. Overall, I like this album. It's good. Not much else to say here. Solid 4/5.

Really enjoyed it. Prolific singer songwriter, had heard an album before.

Niiice

Interesting

Very good

One of my favourite discoveries of the project so far. A whiskey and cigarette stained voice, that somehow equal parts evokes cowboy and Geography supply teacher. Really enjoyed this one.

Intense. Lyrical. Engaging. Have to be in the mood for it, but it has personality.

Me too Bill.. me too. Great voice, similar to Nick cave expect much more soothing. Last couple of tracks weren’t great but really liked everything else. 3.5

I've never heard of Bill or Smog, but wow. what a voice! What a feeling that strikes me. Just great. Can't wait to listen to it again. 4.5/5

Overall: 7/10 There's a lot to love about this album. It's sort of indie rock with a country/folk twang to it. Beautiful acoustic guitars all over this thing. The lyrics are deep but not pretentious. I think Bill Callahan is a godawful vocalist and that's a shame. His singing doesn't necessarily ruin any of the songs, but when his vocals come in I just start to cringe. His drawl is unbearable to me. I was really close to loving this but the vocals are just so grating to my ears that it brings my rating down quite a bit. The good still outweighs the bad, though. Fav Song: Rococo Zephyr Least Fav Song: Too Many Birds

Weird but in good way

"Sometimes I Wish We Were An Eagle" carries a sadness that dominates the entire album. It sounds like a bad thing, but it's actually the album's greatest strength. It reminds me of old country roots with Callahan's typical touch. A (G)old.

This album has an interesting, old school kinda quality to it that I really dig. I definitely don't feel that this is a country album, as it's categorized. This is more just singer/songwriter or folk.

A mellow collection of songs that are both lovely and interesting. Callahan's talk/sing Lou Reed-ish vocal styling reminds me of David Berman (Silver Jews) and brings a slow thoughtful energy to the songs that grew on me the longer I listened. This is perfectly contrasted with the last album I rated, the bombastic and over the top, "Bat Out Of Hell" with "Sometimes I Wish We Were an Eagle" a welcome remedy to clear my mind and refresh my musical taste buds with something that is not reaching out for commercial attention and financial gains. There will be no sequel of "Sometimes I Wish", just quality followup records that have cred and better yet, rediscover, Smog.

I've only casually listened to Bill Callahan, and this is probably my first full album listen, but I really dig it. 2009 really was a banner year for music and this is no different. Great lyrics and vocals and lush instrumentation.

Really loved this album. The compositions shifting from spare to lush were really beautiful. However, “Invocation to Ratiocination” really rubbed me the wrong way and held it back form five stars.

"Sometimes I Wish We Were an Eagle" is the second solo album by American musician and singer-songwriter Bill Callahan. Alternative country is the Wiki-listed genre and I guess that as good as any; although, I would have gone with folk or even baroque folk. The album was recorded by John Congleton (engineered and produced) and arranged by Brian Beattie. Besides lead vocalist, Callahan plays various guitars, organ and keyboards and Beattie plays guitar organ, piano, percussion and does all the string and horn arrangements. Other musicians include Luis Martinez (drums), Bobby Weaver (bass) and Jaime Zuverza (guitar). "Jim Cain" opens with an acoustic guitar, drums and Callahan with deep taking vocal style. Strings are added. Yeah, this is lovely music. There's something passing over and he's remembering the good things he's done but when he started running the ground turned to sand. "Eid Ma Clack Shaw" has prancing strings and keyboards, guitar and drums. He wants to shake the memory of something. I think the song title is just nonsensical words made to rhyme with another string of nonsensical words. I need to remember this tactic. Callahan tells the story of one last blackbird who didn't have enough room to sit due too many blackbirds in "Too Many Birds." Acoustic guitar, piano, drums, strings and, yes, a flute. The nine-minute closer "Faith/Void" finds Callahan trying to find peace. Sprinkling, layered acoustic guitars are the musical highlight. The horn and string arrangements do a very good job of fitting and emphasizing Callahan's vocals and lyrics. Callahan has a deep, talking voice and likes to repeat lines. He uses lots of nature imagery - trees, birds, branches, eagles, lions, the wind, finches and doves. He's searching and trying to find peace and love amongst obstacles. It's unclear if he ever does but the journey was worth it or was it? Even though I'd heard this album before, it took me until the second listen to really get into and enjoy the musical arrangements and nature references. Not for everyone but those who have affinity to folk may like this quite a bit.

Well, this was a weird one. On first listen I really did not like this and it was a definite 2, but I gave it my customary second listen and somehow it really grew on me and it’s being added to the library. His voice is definitely an acquired taste and some of the lyrics are a bit twee but it’s still getting a 4

Like.

This is definitely not alt-country. It feels more like indie/ lo-fi electronica. Faith/ Void is a definite 5 stars. The rest of the album is soothing and calming in a way I wouldn't have imagined possible. I didn't like it enough for 5 stars, but it's definitely worthy of 4.

Soft and dark, the better side of country music. Something I'd never heard of before and I'm better off for having heard it. Feels somewhere in between the Nicks Drake and Cave in a good way. Go riding in the countryside in the start of spring to this. 06/03/25

A sleeper classic potentially - Bill's voice is brilliant

4+/5

Bill Callahan was a name I had heard and knew he was a musician but that was it. Knew zilch about this album but suspected it was American Country music. But reading previous reviews spiked my interest when fellow 1001’s were associating Prog and Nick Cave with the sound. They were right and I immediately knew from the first few notes this was going to be good. One of the few albums on the list so far which was sound wise completely original and new to me. Whilst there is a Nick Cave influence (or maybe it’s the other way round and Nick influenced by this) it is nevertheless a unique album to me and one which truly deserves the accolade being heard before I snuff it and one prompting me to seek out Bill’s other work. SMOG is another musical connection I have also heard but no idea of what they do so ow excited to find out. 4/5 27/2/25

wished it was a bit more sun kil moon-y but overall good

pretty chill album, reminded me of Leonard Cohen.

I thought it would be the best thing ever from the intro to the first song - which is amazing. Monotone and low singing works in better in some parts, but gets quite stale, especially because they are quite dry and similar most of the time. Instrumentals are mostly great. Favourite songs: Jim Cain, Rococo Zephyr, too many birds, all thought are prey to some beast. Faith/void. Overall around 7/10

Nice album to spend a quite hour to myself with. Nice calming, clear voice with music that lets you take it all in and listen to the words and let them sink in. Might be only two songs I can remember by name and want to come back specifically for, but I can see myself listening to more of him (or this specific album again) just to hear his voice and tone again. An impact was left, and it wasn't necessarily because of any of the lyrics.

Interesting ideas liked the vocals and novel lyrical approach. Never heard of this.

Rococo Zephyr

Quiet, thoughtful, poetic lyrics expressed via low-key, narrative, sometimes plaintive vocals. In the right mood this is a very good listen.

I started not liking his voice, then being ok with it, to liking it by the end. I should definitely listen to this again. Between a 3 and a 4. Rounding up.

Man, I really wish I liked his vocal style better. And it might grow on me after a few more listens. The deep tone combined with a rather monotone delivery just isn’t my favorite thing to listen to. Leonard Cohen is probably the one exception, through Cohen can be very expressive in his own way. Anyway, the instrumental piece of the puzzle is absolutely stunning. Really beautiful compositions throughout. And equally beautiful lyrics. If his voice was more my style, I could see this being deep into the 4s, but as it stands — 3.7/5

Personal yet artfully done folk! Something about this record I can't describe, but the way it just saunters musically adds a touch of beauty to the lyrics Bill Callahan sings. It's nothing lush, but the words add a sense of bloom to the songs.

Give this one a listen, My Friend.

Album 662 of 1001 Bill Callahan - Sometimes I Wish We Were An Eagle (2009) Rating : 4 / 5 They fooled me by classifying this one as "country". I guess you could force it into that category but I'm not so sure it fits there. Not really sure where it fits. His voice is kind of stuck at one tone but it grows on you. With its "lush arrangements and sardonic lyricism" this is a nice listening experience. It's been praised for its "depth and emotional resonance". Give it a listen.

I LOVE PRETTY MUSIC! This is some amazing singer songwriting music, literally top tier, John Prine would be proud.

It made my morning commute really pleasant, very chill album. Supremely pristine guitar work.

Surprisingly good. Very thoughtful, introspective lyrics. Even the music itself is surprising - folk, funk, country.

12/31/24. Country in general isn't my top genre, but I love when the sound of country is mixed with progressive songwriting and rarer elements. The singer's voice is very relaxing as well. Enjoyed it!

No idea what to expect with this coming in, but I liked it more than I thought. Categorized as country which doesn’t seem quite right but I don’t know what else it should be. Plenty of interesting songwriting/production decisions that add interest. Had a hard time choosing my favorite track. 3.5/5

Not my favorite, but enjoyable, with good lyrics.

no tinc clar què és això… però m’agrada! crec si nebraska fos un àlbum indie tom waits meets 2009

I'm familiar with a few bits and pieces of Bill Callahan and Smog but not this album. It's frankly lovely. Stark, sparse, emotive songs.

Eid ma clack shaw Zupoven del ba Mertepy ven seinur Cofally ragdah Eid ma clack shaw Zupoven del ba Mertepy ven seinur Cofally ragdah Yeah, I liked this a lot.

Shoegaze country?

A total surprise. Mellow, uncomplicated, beautiful.

I thought this was beautiful - deceptively spare. Layers of emotion and complexity in simple delivery. I will listen to this again. Probably on days when I’m crying under a duvet.

This was very cool. Nice discovery. I'm getting strong Silver Jews vibes, though this guy is different. Cool songwriting and I even liked his Sprechstimme approach to singing. I will definitely listen to this again.

Love Bill Callahan. There’s something about his music that is so elusive and mysterious despite being so straightforward. His songs meander and wander down strange avenues. His lyrics are extremely poetic and of course, there’s that voice. This isn’t my favorite album I’ve heard by him but it is truly excellent. Must listen #46.

This is honestly just a super pleasant album that has a sort of timeless quality to it. You could have told me that this was made in the 70s, and I wouldn't doubt it at all. His voice is a beautiful baritone that is very soothing when set to the music. He doesn't have the greatest vocal range, but he's not trying to do to much, so it works really well 4/5

I love Bill Callahan, and I really like this album. At the same time, I am a little confused by the inclusion of it on the list. Nonetheless, still a fantastic album!

Gentle as the day comes and goes, vast as the earth and sky above, Bill Callahan's songs and voice provide an unusual comfort. On first glance, much of Sometimes I Wish We Were An Eagle may seem quaint or off-beat, but listening closer to how Callahan composes his songs reveals a shimmering conversation between himself and his music. The interplay becomes a complex ritual that sees Callahan moving in and out of focus as rhythms dance along to his sweet guitar. Much of his unique songwriting can be chopped up to his earlier works under the name Smog, which was much more experimental in nature. Chalk that up to valuable experience, because Sometimes I Wish We Were An Eagle is a beautiful piece of work that deserves every bit of recognition it gets.

Ok I really love “My Friend”. My feeling with this album is that it’s quite cool, but maybe not 1001 necessary. Oof the strings on “All Thoughts…” though. Fave Tracks: Jim Cain, My Friend, All Thoughts Are Prey to Some Beast, Faith/Void

I like the music and most of the compositions but Bill doesn’t have a ton of range. It’s easy to stop paying attention and just let this run in the background. I wish more of the songs had actual singing instead of the folky talk-singing thing he was doing. I think his voice is mixed too far forward in some of the tracks. If it blended in with the music more then it might give the illusion that he has more range and that he isn’t singing over the top of someone else’s music. Rococo Zephyr was probably the highlight for me since it had some nice strings and female backing vocals thrown in. Faith/Void is pretty good too although it does start to drag near the end. It’s about 2 minutes too long.

went into this expecting something different. thought it was lovely. reminds me of nick drake in parts.

Cool album

never heard of him, he's good, good sound and voice

Haven't listened to this in a while. Absolutely stands the test of time. Eid ma clack shaw being the standout track for me.

I’ve listened to a few of Bill’s albums in the past, but not this one. I think it’s his best that I’ve heard and after listening to it three times it’s certainly a grower. SIWWWAE is a well crafted, idiosyncratic album that never gets boring in spite of Callahan’s deadpan vocal style. It reminds me of a more acoustic focused Lambchop, a band that probably shares fans with Smog/Callahan but incorporates more electronic music elements. Jim Cain, Too Many Birds, and My Friend are the highlights, and the droning closer Faith/Void gives the album an abstract, existential conclusion. A wonderful record that could grow into 5 stars.

Fed stemme. Den lægger sig lidt mellem Matt Berninger og Lou Reed. Lydmæssigt har jeg svært ved at høre country’en. Musikken minder mig mere om The National. På nogle numre er der endda de samme rastløst søgende trommer. Det er er fint og følsomt album der også er underholdende og insisterende på at være interessant. En kæmpe overraskelse der smadre min gennemsnitsrating af country

I feel like I know this music… maybe it came to me in a dream? More likely I heard my partner listening to it. It’s good

I thought it was a bit annoying voice but medium. But it's grown on me

Surprised I've never heard of this before. Reminds me of Mark Kozalek. I'm interested in this guy's more lo-fi stuff.

Some nice, folk-inspired indie tunes, with some unique sounds thrown in. Chill vibe.

This is very nice

I was initially pretty hyped by the fingerpicking guitar but then we did kind of slide into more shoegazey stuff. I still liked this overall and sent it to a couple people, but I'd like the version that's more like the first song more.

This was a lovely little discovery - one that started out just ok but revealed more and more with each listen. The overall effect is calming but there’s a tension to the music at times (the interplay between guitar and strings on All Thoughts Are Prey To Some Beast, for instance) that adds a sense of awe and mystery too. The lyrics, meanwhile, somehow manage to sound both wise and worldly, and innocent and curious, and the frequent references to nature tie it all together. It's an album that takes familiar ingredients but creates something a little different to anything else I’ve heard before, so I can absolutely see why it made the list.

Enjoyed it more than I expected to.

Jim Cain is one of my favorite songs but I haven’t listened to this album as a whole much. Way better than I expected and a great modernish pick.

Definitely unique. This type of off-key singing isn't always my favorite but I thought it worked here.

This is unique and aesthetically pleasing — two things I can't say about many albums on here. Love it!

Got into Bill Callahan a little after researching Jim O'Rourke. I really dig his style.

Chill and sad

Chill album. Not bad

This album is very gentle at times, but it seems be wrestling with some complex feelings. I really appreciated the humor and wit while also being interesting and emotional.

I loved Bill Callahan’s voice. It’s not particularly melodic, but the deep, growling rawness (and yet, he’s still gentle) of it makes me pay attention. I could listen to him sing the phone book, to be honest! The songs themselves felt quite basic, very pared back folky music, but very easy to listen to.

tämä äp ei osaa ollenkaan laulaa.. ja tietää sen! yrittää kuitenkin parhaansa ja rakentaa sopivan musiikin sen ympärille...ei tahallaan laula paskasti.. ei voi vaan sille mitään... näin sitä pitää.. olipa erinomainen albumi. ni7n laiskan kuuloista mutta korvat on vittu hö-röl-lä koska viisauksia on tulossa... sit the fuck down and listen, 21st century indie-folk guy is about to speak... muutama biisi lässähtää liikaa eikä koskaan päästä sellaisiin korkeuksiin sellaisiin liitoihin mitä tarvitaan objektivistien huippulistoille valitettavasti.. mutta hyvä yritys kultsi... eid ma clack shaw

Good atmospheric vibes, enjoyed the lyrics

Probably a 4.5

Rather liked this. Never heard of Bill Callahan but this was surprisingly interresting and enjoyable. Voice may take some getting used too but generally a fun record.

The faded pasture in the album artwork fits the music surprisingly well, even if this is no regular country album The first song I heard from this was "Faith/Void" for some reason (maybe an Apple Music-curated playlist). It works better as the finale from this album, but on its own I was quite turned off by its length. I will say though, that from experience the loss of faith is a painful thing, so having that message in a repetitive mantra is some delicious irony. The string arrangements are absolutely gorgeous and remind me of Parks's arrangements on Joanna Newsom's Ys. Oh wow, on a quick Wiki refresher, turns out Bill Callahan sang on that record as well! Watched the Tiny Desk concert promoting this album in the distant era of... 2009. I appreciate it even more, since Callahan's wry sense of humour came through much more clearly in that performance. was prepared to be bored by this artist; that turned out not to be a problem HL: "Eid My Clack Shaw", "The Wind and the Dove", "Too Many Birds", "All Thoughts Are Prey To Some Beast" September 10, 2024

3.7 I liked it, Kinda has a purple mountains/silver jews vibe. Listened to a bit of smog after. This had a couple of songs that will go into my regular rotation.

A relaxing, laid back album. I've seen people describe it as prog country, and I agree to an extent. I do think certain bits went on for too long though, such as Faith/Void. Bill repeats the same line for about 4 minutes or so.

Really pretty stuff, like the country vibes going on here. Isn't clicking with me 100% just on the first listen, but I get the feeling it could be a real grower. The instrumentation is so nice, especially on the longer final track.

Wierdly good. Dark tones and beautifully simple music. Enjoyed.

Haunting and beautiful. Bill Callahan is one of those artists I wish I had listened to more of earlier in my life. I love his sardonic lo-fi country ballads that give a dark and lonely feeling. He uses repetition to the point where they become mantras. To be honest the album didn't grab me at first and I thought it was a bit dull. Once I settled into his style and the mood of the album I was enveloped by its duskiness

Bill Callahan’s songwriting is incredible throughout the whole album. I also really like his authenticity for each song, like his voice just sounds so real and genuine. His vocals are very spoken, but there’s just enough or musicality in his voice that makes it feel like he’s telling a story, just through song. I also just like the music, too, also very authentic with acoustic guitar and acoustic drums. It’s a very cozy album, which it does a great job portraying. I feel like I’m sitting around a campfire while Callahan sings these stories to us.

The title and cover art were extremely concerning but it turns out Bill makes "alternative country" music as opposed to actual country, which seems to mean a kind of slightly country influenced indie. And it was actually pretty decent! He has a great country voice but applies it to far more interesting, enjoyable music, and the result is something very unique, at least to me. Would love to hear more, think there's a lot of mileage in this sound. Really refreshing change to standard country.

Very cool, very different. Jim Cain, and Eid Ma Clack Shaw were a strong opening to the album, and Too Many Birds was nice. Like a more miserable, Sufjan Stevens, lyrically - he mentions zombies at one point too. I really didn't like the last track though, crushingly long and repetitive.

When I saw this was listed as country, I thought I knew exactly what to expect and was fully expecting to hate it....... How wrong I was! Not quite sure what I would call it, but definitely don't think I would call it country. Not sure I can think of much to compare it with at all. It really drew me in though and thought it was really interesting. The guy sounds really familiar to me, but can't place why or who I think he sounds like. Really enjoyed it and will be back, although think it started better than it ended. Highlights were: Jim Cain Eid ma clack Shaw Too many birds 4

Unexpectedly excellent. This is an album I went into completely blind, but the first song entranced me. My notes whilst listening: Jim Cain - Oustanding song. Made me realise Callahan is the singer from Smog. Distinctive voice. Lovely, soothing guitars. Excited for the rest of this album. Jim Cain - Oustanding song. Made me realise Callahan is the singer from Smog. Distinctive voice. Lovely, soothing guitars. Excited for the rest of this album. The wind and the dove - Feels haunting in places. Twinkly piano. Slow and melodic. I like. Rococo Zephyr - Nice build up with this song. Kinda reminds me of Jim White acoustic songs. 'jaunty as a bee' is a great lyric. All thoughts are prey to some beast - my second favourite. Lots going on with this one. Also one great song title. Invocation of ratiocination - No singing but makes for a nice ambient track. Probably the weakest on the album though. Faith/void - Really like this, with the lyrics covering Faith and God. Bloody gorgeous guitar on this too. Man oh man. What a way to end an album! 'It's time to put God away' Just when you start losing faith in the 1001 album generator, an album like this comes along and the hope returns. This is really something. Brilliant music, charming lyrics. I enjoyed this throughout, it continued to impress me more and more. Highly recommended.

I liked that -- it was mellow but interesting.

It gives Silver Jews in the best way, very enjoyable and poetic music with an understated delivery.

I was expecting to hate this, but instead found something that I thoroughly enjoyed.

It's a soft, mellow country album. What Callahan lacks in depth of his voice (it's smooth though - just too smooth sometimes) he makes up for with great arrangements and lyrics. It's not your cowboy stuff.

Idc I freaking love modern country. It's basically regular country with good production lol

A uniquely sparse album. I don't think there's a lot of fat that could be trimmed here, everything (aside from the weirdly spooky "Invocation of Ratiocination") does feel like it belongs. Reminds me a bit of Modest Mouse, or some long-forgotten folk album of the 70s. Call it a 3.5. Favorite tracks: "All Thoughts Are Prey To Some Beast", "Jim Cain"

Who does Bill Callahan sound like? I turned on this record and I was like okay I've definitely listened to this guy before but I didn't recognize him or find him on any of my playlists. I'm a big fan of this style of sad indie-folk. The music is chill and easy listening while the lyrics are kind of intense and deeply personal. This album reminds me so much of the indie music I was into around this time which makes it incredibly nostalgic. Okay I figured it out. Bill Callahan sounds exactly like Silver Jews or maybe it's the other way around, I dunno.

beautiful music and i want to like bill callahan more, but he's just another case of a voice I don't like at all. he can't help that though, and he's brilliant when it comes to all the stuff he can

Do I actually like Country and just didn't realize it? This doesn't sound like what I think of as being country, and I really enjoyed it! I will definitely be checking out more of Bill Callahan's work. "Eid Ma Clack Shaw" and "Invocations of Ratiocination" were my top tracks. I feel like this project is making me realize I really do enjoy instrumentals/interludes/soundscape tracks, which I would never have guessed.

i had to take 2 fully days to get through this album. there is such a deep weariness and sadness in Bill’s voice that i’ve seen very few artists replicate. it fits so perfectly over the sparse and sometimes a little plain instrumentals. you’re really just there to listen to Bill, and he has a lot to say. he brings devastating lyrical content to the table, only aided by his unique tone that adds so much more character to the album. he sounds so tired, not apathetic but too exhausted by life to care about much anymore. it’s so human, and i can’t wait to hear more from him.

Un artiste mature qui exsude une assurance tranquille, bâtissant sur une fondation solide de folk pour s'élever dans son propos singulier

I liked this one. Not the most exciting, but will definitely revisit for more listens.

I quite liked this album; it hits a nice combination of "great background music with a strong vibe" with "there's a lot to listen to if you turn it up." His voice is unique and enjoyable. I was tempted to give this a 5, but I think part of that was the novelty; I wasn't familiar with this artist before, so this was a pleasant surprise. On balance, I think this is 4 stars -- I think this is something I'll come back to and enjoy.

Really enjoyed this.

Beautiful and serene without any of the cheesiness of normal country music. No girls, beer, or tractors in sight.

His low voice and the lovely production makes listening to the album calming yet impactful. Callahans lyrics are engaging. My favorite song was "Too Many Birds" as it has solid guitarwork, what sounds like a nice fiddle and some particularly fabulous songwriting. I appreciate that Callahan is conveying some big themes through metaphors of animals and such, but I couldn't catch too much of it. All in all a beautiful and serene album : )

This album is great, though not as good as his 2007 release. Too Mamy Birds and My Friend were my favorites here.

The combination of Bill’s lyricism, singing voice, and songwriting create an unmatchable feeling of melancholy that becomes something to truly behold. Not to mention, the horn and string arrangements on this thing set the perfect backdrop to the world Bill attempts to build for the listener. By the last track, you feel empty, yet with a resounding sense of hope, as long as you have faith in pure humanity.

I think I bloody love this and need to explore Bill and Smog more. Total love. 4

Oh I love Bill Callahan's near-monotone voice. I'm more familiar with his Smog work and haven't ever listened to this album. But this scratches the same itch. I bet this gets savaged by other people on this site.

Country alternativo, folk. Curioso. Un 4.

Alternative country.

“Jim Cain” is first-rate, particularly the yearning-edgy-icy strings, which balance out the heavy (close to plodding) baritone. “Faith/Void” is also terrific, one’s personal song of the year whichever year one first heard it. One digs this and believes all sorts of listeners would benefit from more time with JC. “Too Many Birds” and “My Friend” are strongest of the middle cuts, some of which do sag. “All Thoughts” is not one of those, with poignant little riffs, in the middle of some menacing percussion, ominous strings and brass. The whole thing is lovely, with literary touches and a depth that one experiences as spiritual (or spiritually inclined), notwithstanding the atheistic leanings of the meditative (and unforgettable) closer. A highly interesting and impactful inclusion on this list that in no way deserved to be exed from the book.

One of the best surprises I had so far in the 1001 list. Dark, melodic, impressive.

Not quite as unique as people perhaps think- there are many many artists banging their heads against the wall and not many get through. Bill did though and this is good to listen to. Honest, human with integrity.

There's something authoritative and reassuring about Callahan's voice that elevates proceedings. A lovely little amble through the mystical backwaters of alt-Americana.

I was so prepared to hate this, but it’s lovely. Lyrics are original, thoughtful, not in the least bit twee. Production is deeply layered, much subtle use of strings and the like. Somehow it manages to seem both rich and understated at the same time. There’s much effort here, but also much artful harmony.

I'd never dream of listening to this without the prompt. Brilliantly well done, well crafted, fantastic album.

I really liked this. Never heard of Bill Callahan before, and thought at the beginning it was going to be another mid alt-country recording, but had so much more going for it than that. Definitely something I'll be coming back to.

While I prefer an album Apocalypse, this one is still very good. What a great story teller and such an amazing voice. 4 stars

I really like the effect that his monotone deep voice puts on the album. It compliments really well with the piano and guitar that are sneaky good in the background. The drums aren't too shabby as well. I am going to have to give this another listen because some absolute Marklar at work kept interrupting me, but first listen is certainly a pretty high 4.

Ayy this guy is from Silver Spring and was in the band SMOG. This dude sounds like a way better Tom Waits. Can't remember if it was Too Many Birds or My Friend but that shit rocked. Going with a low 4 here but honestly going to come back for another listen today.

Ah, love me some Bill Callahan. This might not hit me the way Apocalypse or some of the Smog albums have, but I can’t deny its greatness. Solid stuff.

I hadn’t heard this before and really liked it.

Lots and lots of cool stuff here. Glad this is my first album of his. Room to grow. 4/5

"Sometimes I Wish We Were An Eagle" by Bill Callahan, released in 2009, is a sonic exploration that delves deep into the human experience with poetic lyricism, minimalist instrumentation, and introspective themes. Let's delve into a comprehensive review of the album, examining its lyrics, music, production, themes, and influence, while also highlighting its pros and cons. **Lyrics:** Callahan's lyrics in "Sometimes I Wish We Were An Eagle" are evocative and thought-provoking, often characterized by their vivid imagery and philosophical ponderings. He explores themes of love, longing, solitude, and the complexities of human relationships with a poetic sensibility that invites introspection. Lines like "I used to be sorta blind, but now I can sorta see" from the track "Too Many Birds" exemplify Callahan's ability to convey profound truths through simple yet profound language. **Music:** The music on this album is sparse yet richly textured, providing a perfect backdrop for Callahan's contemplative lyrics. The arrangements are carefully crafted, with delicate guitar work, subtle percussion, and occasional flourishes of piano and strings. The music serves to enhance the emotional resonance of the lyrics, creating a haunting and immersive listening experience. **Production:** The production on "Sometimes I Wish We Were An Eagle" is understated yet meticulous, allowing Callahan's vocals and lyrics to take center stage while still capturing the nuances of the instrumentation. The album has a warm, intimate sound that draws the listener in, with each instrument and vocal track perfectly balanced within the mix. The production values contribute to the overall atmosphere of introspection and melancholy that permeates the album. **Themes:** The themes explored in "Sometimes I Wish We Were An Eagle" are deeply existential, grappling with questions of identity, mortality, and the search for meaning in a complex world. Callahan's lyrics often delve into the inner workings of the human psyche, exploring the depths of emotion with a raw honesty that is both unsettling and cathartic. Themes of loneliness and isolation are also prevalent throughout the album, reflecting the universal experience of grappling with the human condition. **Influence:** "Sometimes I Wish We Were An Eagle" showcases Callahan's unique blend of folk, indie rock, and Americana influences, while also pushing the boundaries of genre conventions. His introspective lyrics and minimalist approach to songwriting have influenced a new generation of singer-songwriters, earning him critical acclaim and a dedicated fanbase. The album's exploration of existential themes and its innovative use of instrumentation have also left a lasting impression on the indie music scene, inspiring artists to push the boundaries of their craft. **Pros:** 1. Poetic lyricism: Callahan's lyrics are rich with imagery and depth, inviting listeners to ponder the complexities of the human experience. 2. Emotional resonance: The music and production create a haunting atmosphere that resonates with the listener on a deeply emotional level. 3. Inventive instrumentation: The sparse yet textured arrangements showcase Callahan's innovative approach to songwriting, creating a unique sonic landscape. 4. Introspective themes: The album's exploration of existential themes adds depth and complexity to the listening experience, inviting introspection and reflection. **Cons:** 1. Pacing: Some listeners may find the album's slow pace and minimalist instrumentation to be a bit monotonous at times. 2. Lack of diversity: While the album excels in creating a cohesive atmosphere, some may find the lack of variation in tone and tempo to be limiting. 3. Accessibility: Callahan's introspective lyrics and minimalist approach may not appeal to all listeners, particularly those who prefer more upbeat or melodic music. In conclusion, "Sometimes I Wish We Were An Eagle" is a masterful exploration of the human condition, combining poetic lyricism, inventive instrumentation, and introspective themes to create a haunting and immersive listening experience. While the album may not be to everyone's taste, its emotional resonance and artistic ambition make it a standout achievement in Bill Callahan's discography.

Alternative country.

Nice voice!

What a nice surprise! I really liked this album

I liked this one, it struck a chord with me! Reminded me of Bahamas

I'm glad this one was on the list.

Loves me a bit of Bill. His lyrics like prose, he just sings whatever he needs to and his voice is so beautiful.

4.5

Nice relaxing easy listening. I thought the spoken word was unique and it made for a nice dispensary trip

What shall be henceforth known as a four star serenade

4.0

Love this album! 4.5/5

This album flows so beautifully between songs - I didn't realize it had started over. I will revisit

Favorite Songs: The Wind and The Dove Eid Ma Clack Shaw Faith/Void

I was an instant fan of Bill Callahan when I first head him under the name Smog but I haven't really dived deep into his catalog so it was nice to spend time with this record. It certainly reminds me of what drew me in the first time with the way he just delivers such simple concepts. Faves from today: Eid Ma Clack Shaw, My Friend, and Faith/Void for the line about tear gas at his grave.

Mellow, pleasant, informal but well-thought-through with tender moments and little emotional sweeps. A lovely album I'll listen to again.

This is a good album, everyone here is a hater. Ambient, low-fi folk is my thing, so I liked this album. It could lose a few tracks to be tighter, but overall I enjoyed it.

very chill, maybe too chill

While the title may be confusing, I actually found this to be pretty cool. Callahan’s singing voice almost feels like narration at times. It’s so smooth and deep, really invites you and at least for me was really intriguing. The lyrics are introspective and thoughtful, feel very honest. The album also has a very specific feel to it, kind of a zen. Even in the more intense or darker tracks like “Eid Ma Clack Shaw” his voice still keeps the tracks grounded. Two songs could sound completely different and be about completely different subjects but his voice keeps you focused and invested. I really loved this album. It has a lot of what I look for in a “good” album and I’d listen again and again. 4 stars.

Discovered his music a couple of years ago, and got quite hooked. Just a really laid back vibe throughout the album. Beautifully lush instrumentation and a great characteristic, storytelling voice. There's a bit of a more tense feel to a few songs, that I'm not too keen on. Standout tracks: Jim Cain, The Wind And The Dove, Too Many Birds, All Thoughts Are Prey To Some Beast, Faith / Void 7 out of 10

Wonderful album, I love his baritione , so clear and bold and smooth. I love listening to a voice like Bill's tell me a story, and Bill is a wonderful story teller. When I hit play on the album I did not realize that Bill Callahan is Smog, who I know from the albums ed Apple Falls and Dongs of Sevotion, both excellent albums. This one is just as good, a little more modern in production, that is a higher quality recording with more complex arrangements. A quality album by a quality song writer 4 stars

This was a new artist to me, and I mostly really enjoyed the slow, easy feel of this music and soothing voice.

If this don’t make your booty move, your booty must be dead!! And by that I mean move to the couch or bed and lie down.

This was completely new to me but I fell in love with the title and cover of this album having no idea what the music might be. I was a bit smitten by the deadpan delivery of the opening track. I have a place for subdued, contemplative music definitely and can appreciate music that’s a bit askew. Bill Callahan ticks those boxes…

Its country, so I expected to hate this. I'm as shocked as you are to say, I kinda dug it. It's almost like prog country (which isn't a thing I don't think) it's super varied, he's vocals/talking work really well with it. It's almost like what I think Tom Waites should be, simple vocals with interesting and varied music.

Yet another not-super-memorable solid album. It had a very the national type vibe going but also early 2010s bedroom pop. Faith/void was probs my favorite track but the radio that came on after the album was almost even better.

Would be great study music. Albums like this are probably the best example of what I was hoping to get from the the 1001 albums. Maybe the first 4 that hasnt come from an album/artist I already know.

Bill Callahan seems to be a funny dude...

Love everything bill touches such a great songwriter and not a bad singer either.

Lovely

Never heard this before but It was great!

Great record. Though I would suggest a couple of his albums as Smog are better, especially Dongs Of Sevotion and Red Apple Falls -- two unheralded classics from the mid-late '90s.

What a lovely album

Wow, I really enjoyed this, very unique. Going to check out the stuff he did as Smog. A lovely find.

A great record, front to back, and my introduction to one of my favourite songwriters. A 4 only because I think he surpassed it both before and after this record.

I have grown up most of my life listening to what isn't quite country music, but rather an Americana-esque genre with vocals that don't grate my ears as they come out of the speakers. This includes groups like the Avett Brothers, later Johnny Cash, and to an extent, Wilco, Violent Femmes (at points), Nick Drake, etc, etc. Despite this, I've never come across this album to any capacity, despite releasing at the peak of my family introducing me to what would develop as a part of my music taste. This is not the first time that has happened, as I See A Darkness by Bonnie 'Prince' Billy also sort of falls into this blind spot, but unlike with this album, where I think things like the vocals and the stripped down production hindered my enjoyment of that album, this album only flourished with its sombre, vocals backed by lush, sweeping strings that make me naturally sway, and make me feel as though I'm encountering an old friend in the form of a genre I've not embraced in a long while. The vocals are simple, and flat, but they carry the same weight Nick Cave's similar demeanour sometimes presents, and I really do get entranced by the orchestra. I do find the album tends to drag out its songs a tad, and in such, loses its luster rather than ending in a big, moving finale, but that start is something that really felt like something electrifyingly chilling, yet also like a warm embrace, and it made the album something I did really adore at points. The whole package is a little lacking, and I don't think it will sell anyone on a genre they didn't already have a relationship with, but I really got into this, and can only see myself liking it more on re-visits.

I'm surprised. I didn't expect to like a genre like alternative county, but in the end I do. A nice and smooth sound.

Pretty chill opening, Overall nice instrumentals and I enjoyed it.

I wasn’t entirely sure what to expect from this one. I knew Bill Callahan by name but had never really sat with a full album properly. This feels like one of those records that demands patience rather than immediate reaction. His voice is the first thing you notice. It is deep, calm and completely unhurried. There is something very steady about the way he delivers lines, almost conversational but with real weight behind it. The music matches that mood perfectly. Gentle strings, subtle arrangements and songs that take their time to unfold. Nothing feels rushed. Lyrically it is intelligent and often very dry. There is humour in there but it is subtle and understated. The album feels reflective without being self indulgent. It is not a record packed with big hooks or obvious singles, but the more you listen the more it draws you in. It is not an instant classic for me, and at times it can feel a little emotionally distant. But there is depth here and it rewards attention. This feels like a quiet Sunday morning album, one you put on when you want something thoughtful and measured rather than loud or dramatic. Favourite song: Eid Ma Clack Shaw Least favourite song: Too Many Birds Album artwork: Moody and striking. The cover suits the tone of the music perfectly.

Jim Cain - 8.5/10 Eid Ma Clack Shaw - 8/10 The Wind And The Dove - 8/10 Rococo Zephyr - 8/10 Too Many Birds - 8/10 My Friend - 8/10 All Thoughts Are Prey to Some Beast - 8/10 Invocation of Ratiocination- 8/10 TOTAL - 72.5/90

This one had a great overall feel to it that ran through out. Need to hear more of this.

Very introspective and pensive album. The subtle string arrangements in the background color these songs beautifully, especially on the excellent opener. This album also sounds like it could have come out any time in the last 50 years, its era-less.

Awesome album. Liked it far more than I remembered from past listens. 4.5/5

4.0 - Poetic lines delivered over a lush soundscape of deep Americana with Callahan’s dry baritone. Reminds me of Giant Sand’s “Chore of Enchantment.” Standouts: “Rococo Zephyr”, “Too Many Birds”

3.5 / 5

1st

Beautiful and poetic folk record

The final track, Faith/Void, is the same name as a split LP that Dischord records released in the 80s. I can’t find any information online regarding the reference but I appreciated it and I enjoyed the song. Good dog walking music. I felt introspective while listening and that can be a gift.

Slow but good. He sounds like he’s reading slam poetry. The music is enjoyable. Could care less for the singing. It didn’t add but it didn’t take away either. The last song had no right to be that long. Otherwise I wouldn’t mind hearing it again. 7/10

Fantastic voice. Reminds me of Leonard Cohen how his voice just flows like honey and he isn't trying to meet notes he can't touch. Some alternative style songs on the album that are great like Eid Ma Clack Shaw that are sooooo unique. A sad album that makes you emotional listening to the lyrics. Couple of songs i can do without but this is a heavy 8/10

I'd never heard of Callahan before this listen. He's got a soothing, pleasant baritone voice that fits the slightly dark tone of the music - like a more tuneful Leonard Cohen. I liked this quite a lot.

Alternative country.

This was one of the more interesting finds I've gotten from this list in a while. At first his voice was a bit off-putting, but once I got used to it I could see that these are some really interesting, thoughtful songs. I love the use of strings as well. Will definitely be listening more. 4 stars.

Really enjoyed this. Great songwriting. Need half stars so I can give this a 4.5

Mycket intressant. Kanske inte det bästa man hört men lite kul och annorlunda.

Insular and unique. 3.5 stars rounded up.

I came into this album expecting to not like it, but I’m a photo Leonard Cohen / Prog Country way, I enjoyed this. 4/5

Chill and soothing

nice mix of indie rock and folk, invocation of ratiocination is a sleeper hit and i will not stand for slander, does get a little slow at times

I have to admit: the title, the horses, the script and name Bill made me expect another album with whiny vocals and much too much harmonica. Instead I got something atmospheric, a little dark and wonderful wonderful cellos.

I really enjoyed this album, and I normally don't like the sort of slow folksy singer song writer music but this one stuck with me. I saved Eid Ma Clack Shaw, that was really cool. Along with the album cover, this really felt like something to listen to while standing out in a field like that with some horses.

Alternative country.

Started slow but i came to really enjoy

Strong 4

8.5/10, I thought his vocals were going to be grating for a second but it fits the material very well

At first, I didn't recognize Bill Callahan's name, until I looked at the Wikipedia page and saw that he is Smog. "Songs of Devotion" is a 5/5 to me, an amazing album, and "Accumulation: None" also got a lot of play from me. "Sometimes I Wish We Were An Eagle" doesn't hit me the same way as "Songs of Devotion," but it is still very good. I definitely want to revisit both his Smog and Bill Callahan releases, as I did lose track of him, at one point, and I am glad to see he is still making great music.

Faith/Void has to be one of the best repetitive songs ever, I love it

Jim Cain- 3.7/5 Eid Ma Clack Shaw- 4.1/5 The Wind and the Dove- 4.3/5 Rococo Zephyr- 3.9/5 Too Many Birds- 4.5/5 My Friend- 3.6/5 All Thoughts Are Prey to Some Beas- 4/5 Invocation of Ratiocination- 3.1/5 Faith / Void- 3.6/5 Total- 3.9/5

Someone’s been listening to Nick Drake. Solid album, very daintily beautiful.

thunka thunka cowboy songs. His voice reminds me a little of josh ritter's though. I like the music a lot! 4 stars.

This album has a magical feel to it

I enjoyed some of it

Amazing production

Sounded a lot like Swans. Surprisingly genuine.

Dark, but enjoyable

Big surprise, knew it would be good, but also expected boring - saw Callahan once in Prague 21 years ago doing a solo concert, and quite a few Smog songs that sounded great on album did not hold up. Might be the case with this collection as well, but on the album they all sound great apart from Faith/Void, which is ok but a bit dull even with tasteful instrumentation. favourite song: Too Many Birds + Eid Ma Clack Shaw (but the latter could simply be as it is Psycho Killer in disguise :-) ). overall score: 8/10 (classic Smog would be 9/10 or 10/10, but perhaps the comparison to older work, with different song structures, is a bit unfair for an artist that has simply made too much high-quality music over the years to keep track of)

Good album! I skimmed through the last song (Faith/Void), it's super long and repetitive. Important to the album's story of processing through a hard breakup, but for me the album would have been improved by shortening or cutting that one.

Brilliantly Unique. 4/5

Listened to the first half during the day doing errands and didn’t get it. Listened to the second half at night just sitting around and loved it.

Musical identity here is flitting; Callahan's voice arrives with force for the familiar and, one assumes, the new. So it makes sense that the melodies cradling it stretch to five minutes and feel like two. The subject's somewhere in America, and that's both un- and important: Maneuvers over the album are sufficient motivation.

This record is great. It doesn't prevent me from frequently mixing up Bill Callahan with Will Oldham, but it helps. ¯\_(ツ)_/¯

This is wonderful

This was interesting. I kinda like it.

I loved the vocals on this one unlike others here. The instrumentals were beautiful and perfect for a sunny morning. Soolid album, which based on the cover art I didnt think Id like.

Great album

À la surprise générale

la radio de l’album 💆‍♀️

Solid, not sure I'd put this ahead of his Smog output

Good stuff 4

Reading the description before I read it, I thought "man am I gonna hate this" - very open-minded, I know. But....the music gets me right away; it's gentle and simple, slowly meandering, but something/s in it are immediately infectious. Ok the singing. I'll say that his voice is...unorthodox. And after just once sentence I was thinking "o boy here we go..." but it works, and fits perfectly with the music. Take the lead track "Jim Cain" - ah, it sounds so stupid writing about how a song sounds or makes you feel if you think about it for like 3 seconds - but this song is like a soundtrack for a slow-motion wide-open panorama, driving or flying over the north american rocky mountains or floating down a river. Immediate images that were put into my head upon hearing it. ... so yes, back to his voice or rather "the vocals" (because it's more the dry and up-front style of recording that's the primary aural landing point, rather than "his voice" per se) - it can be really off-putting at times. It's just ... unusual - but it fits. And since I first wrote that, I've listened 2x more and it is just part of the music for me now. This is throwing me though: I just read someone comparing him to Leonard Cohen which now I'm going to have to re-evaluate my entire existence due to the fact that Leonard Cohen is on my permanent no-fly-list so now how can I go on. Dammit no. Seriously tho his vocals remind me more of a better Canadian: Mendelson Joe. Worst cut: "Faith/Void" - not due to the lyrics (because i completely agree) but <pun alert> JESUS ok ok yes it is time to put god thusly stated roughly 78 times so goddamned <2nd pun!> laconically. The music is so nice and would have been a great instrumental at half the length to gently fade the album out, instead it was a bad misstep. Anyways - against all odds overall I like it quite a bit. I think more than it's just "different" but the music is at once accessible yet not simple. Excellent and detailed arrangements. It's not for everyone, it won't even be for me that often, but I will definitely listen to this again. ....but boy do I know someone who is gonna *hate* this ... :D 7/10 4 stars

I always enjoy going into these albums completely unaware as to what to expect, and I was not disappointed with this one. Shades of Leonard Cohen.

This was really good. Great songs, great voice. And an album I'll put back on when the weather gets colder and the fire goes up.

If anyone in Indie-dom has a more sonorous and deep voice I haven't heard them yet. I've liked Callahan since his Smog days, and he continues here with his fractured, intimate and poignant style of singing and song-writing here. I would compare him to other highly regarded American Indie Artists such as Andrew Bird, Mark Kozelek of Sun Kil Moon, Kurt Wagner of Lambchop, and maybe also Sufjan Stevens - albeit his voice is the polar opposite of Stevens' almost fragile, whisper-like musings. I don't see any other Smog or Callahan albums on this list so I'll round it up a bit.

The lyrics tend to be cryptic but still seem profound and the vocals, while maybe not technically gifted, are very pleasant. He’s no Bob Dylan but he’s got those two things going for him. Pleasantly surprised

I really enjoyed this album. The alt-county/folk music is supplemented by a phenomenal and lush arrangement that lends a grandeur to the album. Bill Callahan's baritone speak singing style is arresting and demands attention though I see why some find it off putting. The result is an expansive record full of idiosyncrasies and very interesting musical and vocal choices. It is definitely an album that I need to return to so I can really make up my mind.

truly beautiful. The songwriting is heartwrenching and gorgeous. lush and full instrumentation and mixing. best tracks: Eid Ma Clack Shaw, Too Many Birds, Roccoco Zephyr

really liked this

Enjoyable voice and a good time

I’ve tried to listen to this before but gave up. I really enjoyed it this time round. The production and string arrangements are really pleasing.

Nice work vibes

Prefer his previous album, but this is still great. Does every singer songwriter post 1990 have a "Nick Drake" phase?

What a voice and what a fantastic group of songs - as good as anything he's done before or since.

A near masterpiece from the late 00s. With his baritone voice Callahan grows from the lo-fi approach of Smog to a more personal and developed music. Sometimes you feel him so close it hurts. His particular sense of humour somehow makes the album stronger. Hope always defies despair

Un álbum de folk muy sólido. Melancólico y cálido, con letras interesantes y paisajes sonoros irresistibles. Un disco que se puede escuchar más de una vez, tanto como música de acompañamiento de actividades o para captar completamente tu atención.

Onbekend, maar niet onbemind! Prachtig.

Ja, mooi!

first listen a singer-poet who sounds like steven wright

Nice and relaxing.

I like it, a very personal listen, Bill Callahan's voice is almost hypnotic. This album needs to be listened to a number of times to fully appreciate I think.

indie folk I had to listen to this a lot to form an opinion but I do like most of the songs

nice and deep and he can craft an allusive phrase

He's not exactly breaking any new ground, but it was pleasant and relaxing and sometimes clever. Best track: Too Many Birds

Rating: 8/10 Best songs: Jim cain, Eid ma clack shaw, The wind and the dove

I absolutely loved the moody vibes of this album, and his frank vocal delivery. I just wish it had a bit more variety and energy to its pacing. This is just barely shy of a 5 for me.

Surprisingly doomy for a country record, I like this a lot.

I'd never heard of him, but really liked this.

I’ve listened to some Smog before but I don’t think I’ve heard Callahan’s self titled stuff. This is pretty pared down, almost trance-like at times. Reminded me of Willie Nelson a bit. You could argue it gets a bit dull but I think the song writing is strong and ultimately it’s a really nice album to listen to.

This may be the unusual release that is great but does not make the list. To some, Bill Callahan's voice is a negative. I find his deep drawl soothing and perfectly suited to the uniformly excellent material. The instrumentation is both varied and impressive throughout. Many may find the material grave, but I find it lived in. I am not sure this is my favorite Bill Callahan disc - I think the honors go to Shepherd in a Sheepskin Vest. Nonetheless, a great listen, four-star release that likely falls off my list.

LP

Wonderful.

Enjoyed this, Artist added

4.5

I like BC.

I wasn’t sure what to expect but this is really good

Country alternativo, folk. Curioso. Un 4.

Beautiful calming folk rock compositions with a rustic soothing voice. Found something I liked out of every track. Especially liked the atmospheric strings and punchy drums. Little complaints here. Favorites: Jim Cain, Eid Ma, Too Many Birds, All Thoughts are Prey to Some Beast, Faith/Void

There’s something familiar and unique about this album. Perhaps it’s Callaghan’s Leonard Cohenesque voice. Instrumentally in feels like an album from the 2000’s indie scene. This is a really surprising and enjoyable record for me.

I could probably have lived a good life without listening to this. But I’m glad I don’t have to. I was never completely blown away by this, but I quickly fell into a trance-like state where only Callahan’s voice and compositions existed. The songs are rather sparse, emotional, a bit droning and often gives off a feeling of existential dread. This had somehow avoided me until now but I’m certain I’ll look into more releases from his hand.

Tis one is ok

Creo que la voz puede llegar a ser un gusto adquirido, mejores canciones My Friend y All Thoughts Are Prey to Some Beast 3.7

Cantar de Pedro Abrunhosa

Vibe diferente. Acho engraçado o destaque que a voz tem em cima da música, e uma letras curiosas. Às vezes é um pouco weird/desconcertante. Não sei se vou ouvir mais vezes, mas achei interessante e memorável

Estava muito pessimista. Pensei que ia ser uma cena country mas ate gostei. Seria um 3.5

This album was fine. I quite liked its timid sound. It’s not my usual sound but I thought it was good. Felt like it got better as tbr album went on. Enjoyed the last 2 songs the best.

Vihaan tota ääntä

What a very gentle record. Feels like I’ve heard this gentleman before, but nice to meet again if so. The whole vibe is very calm and serene. Bill’s voice brings about a soft overlay on the instrumentation which feels like floating in a dream. Really nice one.

Oh, I went back and forth on this album. At first I was mesmerized: it seemed like nothing I'd ever heard before. Then I started to hear some Willie Nelson and Lou Reed in there, and this and that, and before long I was picking away at some of the more pretentious lyrics and longueurs. After which I reevaluated it all in ironic postmodern terms, but after a couple of listens I still couldn't quite make it work. I guess I'm more interested in hearing his (considerable!) other work than to spin this one again soon.

Que difícil de analizar este disco. Que se yo, está bien primero. Creo que no es algo que sea de mi gusto pero tampoco le veo esa grandiosidad como para estar en una lista así. Por otro lado no es ni por cerca el peor de esta lista que he escuchado. No me veo escuchandolo de nuevo

Interesting lyrically. Not terribly creative musically. Simple songs that feature the vocalist crooning. Like Sufjan Stevens but not quite as good. A 3 for now, but could be a 4.

A true folk album with the strong, deep voice, almost sing speaking through the album. His voice reminds me a slightly deeper Matt Berninger from the National. I think this album gets a bit repetitive in tone, but has some good tracks. Highlights: "The Wind and the Dove" and "My Friend"

It was alright, a few good traps but nothing too spectacular

it's an alright chill album Will I listen to again: 24%

It was really average 😐. There’s not much else I can say about it. It was like slightly better Leonard Cohen. Overall, I would give it a 3.4/5! 🌱

Es wirkt wie ein Rückzug ins Schlichte: langsamer Folk, trockene Beobachtungen, viel Raum, wenig Eile. Er klingt hier wie jemand, der Tradition nicht zitiert, sondern atmet – aber die Ruhe kippt manchmal ins Behäbige. Ein schönes, staubiges Statement, dem etwas Biss fehlt.

What an interesting record, a base of country overlaid by classical strings and even bits of synth pop. If you can get beyond the pretentious song titles, the lyrics are pretty interesting too. Sadly. Callahan's flat, talky vocal style is not and it really spoils proceedings.

Get off the road ya damn beatnik! It's very unique. I don't think it's something I would reach for often though.

me cuesta un toque el tono de voz, don't get me wrong, canta increíble y la verdad me gusto más de lo que esperaba, 3.5

This isn't what I expected at all, in that it's not really classic country, and it's actually good! At its best it's moody and interesting, with really nice instrumentation. I like his spoken / singing style, and there's just something overall comforting about it. It definitely started to drag a bit and get quite repetitive at the tail-end, which sadly brings the score down a bit. 3.5 rounded down.

He's a wry dark songwriter, and the deep voice sounds like it's carved out of a 1000 year old oak. I like the more straightforward folk/country songs, like Jim Cain, and the weird motorik beat (not beat) of Too Many Birds. But some of these missed for me, especially the more elaborately produced ones.

Coincidentally, the music podcast I listen to just did an episode on Joanna Newsom, sometime partner of Callahan and in the same scene. This sometimes veers toward affectation but mostly stays on the right side, thanks to solid songcraft and interesting lyrics.

Quite nice.

Leuke liedjes, maar te veel hetzelfde voor een album. Goede achtergrond wel

Gewoon tof

01) Jim Cain - 6,5 02) Eid Ma Clack Shaw - 5,5 03) The Wind and the Dove - 5,5 04) Rococo Zephyr - 6,5 05) Too Many Birds - 6,0 06) My Friend - 6,0 07) All Thoughts Are Prey to Some Beast - 6,5 08) Invocation of Ratiocination - 5,5 09) Faith/Void - 6,5 TOTAL: 6,06 (61/100)

Not a big fan of the talking-singing style but otherwise I liked the vibe. The ending lost me a little bit.

Like a modern Lou Reed album. Great instrumentation and vibe to the songs. Wasn't feeling the vocals as much but still a pretty solid, pleasant album

Pretty soothing listen. A good "nature" album. Never heard of this guy, but he has a pretty charming voice despite the fact that it doesn't *sound* like he's singing (if that makes any sense). Things kind of stay in one gear as a result, but it wasn't all bad. I hate to say this, but it all sounded like a more tolerable Nick Cave.

Melancholy, sad, blue

Certainly an interesting album. Can’t say I’ve heard anything quite like it which definitely counts for something. The highlight of the album is probably the beautiful instrumentation, a combination of sweeping strings, interesting percussion and occasional additional colour from some woodwind. There’s great use of the instruments to evoke certain scenes. For example some some fast arpeggiating strings to convey a babbling stream. Bill’s voice is a good warm if slightly rough baritone, I think it suits the music well. I don’t find any of the melodies particularly memorable and I think there’s oddly a lack of emotional range, that could just be me though. Strong 3

While Sometimes I Wish We Were An Eagle has some parts of the album I find particularly interesting even for an alt country record, I can't help but find the album too slow paced for me most of the time. I appreciate the good songwriting and creative artistry overall, but this isn't going to do it for me. Not really a fan of the vocals either, but that's more of a personal taste. Not the worst thing I've ever heard.

meh