Reviews (page 2 of 7)
Some fun songs. I listened a couple times through. Nothing truly stuck with me, but I would definitely listen again.
8 - GOOD
Ik dacht dat ik maar 1 nummer kende van Mott The Hoople. Waar je uiteraard van denkt dat het van Bowie is. En dat is het ook eigenlijk, all the young dudes, want door Bowie geschreven, maar dat staat op het andere album dat we nog van Mott The Hoople krijgen. Dit album opent gelijk met nog een nummer dat ik blijkbaar ken en ook dat lijkt op Bowie. Maar dan uit zijn glamrock-periode, wat wel tot zijn betere periodes behoort denk ik. Sowieso is het prima glamrock and roll en al klinkt het ietwat gedateerd, kan ik het ook dit keer prima waarderen. Ik zou zeggen, dit is een 3,5. Sommige nummers zijn wat meer vergeetbaar dan anderen. Als ik het vergelijk met sommige andere albums, dan heb ik dit wel 100x liever. Dus ik zit toch te twijfelen of ik dit met een krappe 4 moet waarderen, maar is het daar genoeg voor? Als je afgaat op het laatste nummer, dat een potsierlijk gitaartje heeft, zou het dat niet verdienen. Dylanesque palingsound is dat, een combinatie die je niet vaak zult horen. Ach, laat ik niet te zuur doen, dat zijn we al vaak zat geweest.
mott are my dad's favourite band, so it felt like the pressure was really on with this one. but i really enjoyed it without having to try! yes it's quite bowie-esque but i don't really care to sink my teeth into all that drama. as a standalone album, i had fun.
Easy to listen to. And fun because I don't think I've heard it before. Feel like there will be more Mott The Hoople to come (definitely all the young dudes) so maybe this gets adjusted in the grand scheme of things but no issues at this point
Strong opening with “All the Way to Memphis.” “Violence” is discordant but it somehow works. Ian Hunter’s voice isn’t the greatest, but it fits with the Mott sound. It’s an album I’d play multiple times. Energetic. Sounds like 70s summer to me.
3/4
Incredibly derivative, Ian Hunter sounds like Bob Dylan and David Bowie combined. That being said, it's a wonderfully produced glam rock album with lush instrumentation and the guitars especially sound good. The songwriting is actually pretty interesting, exploring the downsides of being a rock star in the 70's. There's some satire here and there, but the album really shines on songs like "Hymn for the dudes" and "Ballad of Mott Hoople". "I am Your Cadillac" is an epic song with probably one of the most impressive guitar solos I've heard from this era. The phrasing and progression is incredibly effective and really pulls me in. The album loses points for me in the originality department, but overall I enjoyed it regardless. If you prefer Bowie's more rock-oriented sound, this record would scratch that itch.
great British glam rock
I had never heard this album, and I really enjoyed it. Hunter and Ralphs are underrated in the arena of 70s rock. While most of these tunes will not likely ellicit recognition (at least among non-British 1001'ers), 'Mott' is a solid collection of great riffs, cool vocals, and catchy tunes. Personally, I don't get the reflexive "Mott is Bowie-light" comments. Bowie had enough of his own "Bowie-light" releases, so if you want to go there, he's got plenty for you. Mott stands on its own in the pantheon of classic rock.
Never really listened to much of Mott the Hopple, so this will be a new listen for me. It’s so Bowie-esque at times and sometimes that’s really good music. I swear Whizz Kid was Bowie, that’s a really good song. Overall? It’s good 70s glam rock. It’s hard to judge if it’s too Bowie influenced, because that sound was clearly also the goal. Every genre has bands that sound similar to others, and Bowie was involved with producing their music and sound so all seems intentional as part of the 70s music movement. I really like a lot of the music here and think I would listen to it again or be happy to throw some of these songs into a playlist. I think this is a 4.
All the Way from Memphis is kick-ass glam rock. The rest is mostly decent-to-good glam rock. I like glam rock.
Solid album. I dont think I have heard anything outside of their one popular song. I will be definitely giv this album some more listens and am going to make my way through their discography
Mott the Hoople just hits that sweet spot — gritty glam, big heart, great stories, and way more soul than you remember. Total reminder of why digging back into 1001 albums is worth it.
I liked it, but it got repetative. Quite a few songs to add to playlists, but I don't think i love the album as a straight through listen. I really liked the sound and songs though!
Overall: 7/10 I love this type of glam rock. It reminds me so much of the stuff that T. Rex and David Bowie were making at the time. Sometimes the songwriting isn't amazing but it's a good time overall. Fav Song: All the Way from Memphis
All the way from Memphis is so jazzy and it makes me wanna dance! The violins in violence yes. Favs: all the way from Memphis, whizz kid, hanoloochie boogie, violence
I think these guys may have been just slightly influenced by Bowie
I throughly enjoyed this album from Mott The Hoople! I’d never listened to a whole album by them but I was pleasantly surprised by how much of a delight this album is! I had a great time listening to this glam/hard rock album and I would definitely listen to this again in the future!
Um álbum divertido. Escutar ele me trouxe a sensação de escutar Glam Rock pela primeira vez, pois a mistura que traz com vocais, instrumentos e acordes é de ficar intrigado, fiquei escutando e tentando decifrar algo que parecia diferente de alguma forma. Uma banda que foi apadrinhada por ninguém mais ninguém menos que David Bowie, com esse sendo o primeiro álbum independente deles sem o apadrinhamento, além de terem o reconhecimento de Mick Jones (The Clash) que era super fã e Brian May (Queen) que aliás, abriam shows para a banda. O que achei engraçado é o vai e vem dessa banda pra fazer esse álbum. Era um entra e sai, fica ou não fica dos integrantes que finalmente o disco saiu, mas logo em seguida o integrante Mick Ralphs saiu. Logo entrou pra banda Bad Company que colocou uma música que foi hit, "Can't Get Enough" que, pasmem, foi escrita durante a passagem pelo grupo anterior. Bem, minhas favs foram "Whizz Kid" pois me trouxe uma vibe filme despojado, "Honaloochie Boogie" que achei bem patetona, "Violence" e "Drivin' Sister" que sinceramente, não sei como uma das duas não virou uma musica viral hoje em dia, MUITO BOAS!!! O álbum Mott me deixou curtir a vibe do som dos anos 70 sem ter aquela cara bem característica de letras sobre guerras e algo pesado, mas o meio entre, como se eu estivesse experimentando o inicio de algo novo junto daquele periodo para os vários tipos de Rock.
Solid classic rock album. I guess it was incredible for its time, but in hindsight it isn't the most mind blowing thing. Still, the songwriting is good and the singing/playing is, too. 4/5
Expectation: -> The album cover is promising. After listening: -> The rock equivalent of B-list actors…but quite fun. Enjoyed this one. A bit Tom Petty-esque. Track ranking: Whizz Hymn Violence Cadillac Sister Boogie Memphis Ballad Mother Rose
Pretty cool
Bangers
A band remembered as a one hit wonder but are a lot better than that
A lot of people here are saying this is David Bowie for the poor. Guess I'm poor then—I liked this album more than Bowie. The sound is less pretentious, just straightforward rock with a few quirks in the arrangements.
Fine album, one of their best in my view. I prefer the UK cover art.
This record seems to get some pretty mediocre reviews on this site, which I find a little surprising. And there are quite a few folks that note that Bowie produced this, and so it just sounds like a Bowie record. Here’s my controversial take: Mott the Hoople’s Mott is more enjoyable as a whole record than anything I’ve heard from Bowie. David Bowie’s hits are great, and I like most of those hits better than any one song on this record. But as a whole album, this stays pretty enjoyable from front to back, which has not been my experience with any David Bowie record I’ve sat down and listened to. Anyway, this is a solid record. I don’t know that I’ve been made a lifelong fan or anything, but I’m happy I heard this one. 7.6/10
This isn't anything special and sounds like a lot of rock made at the same time, but it is enjoyable and has variety. 3.5/5.0: Very Good
a little bland but the upbeat songs are still really enjoyable
Solid stuff
Oooh, this one's fun! Mott the Hoople are a band that I've certainly heard of, but I really didn't know what to expect going into this album of theirs. Turns out, this is some of the glammiest glam rock to ever glam and I kinda love it. The album's a little silly, maybe a little more that even, but I had quite a bit of fun with this. Ian Hunter isn't the best vocalist or anything, but he's fitting for the songs and that's all that really matters. The writing is neat. It's weirdly... self-referential in a way that somehow isn't annoying. Songs like "Ballad of Mott the Hoople" and the delightful opener "All the Way from Memphis" are basically story songs pertaining to the band itself and I find that neat. The rocking energy of the album is probably my favorite part. There are some genuinely stellar moments on this thing. Things like the ending of "Hymn for the Dudes" are just so cool. Maybe it's just the Bowie-esque nature of it all that appeals to me. I don't know. All I know is that I enjoyed the album. It's not an artistic masterpiece or anything, but it's a great time if I've had one. Light 4/5.
Super fun album, great "classic rock" sound. Lots of sexy songs, with real chuckle moments with some of the great lyrics.
Mick Ralphs passing in 2025 didn't make MC's final list in January. His influence is apparent here. An excellent album.
Ziggy Stardust's adult contemporary side quest. Lots of 50's rock pastiches and all around fun, campy vibes (3.5-4)
Mott!! 4
ханалучі бууугіііі
Was expecting some super whacky 80s album with a name like Mott The Hoople. Was not expecting some very solid classic rock with vocals that sound like Bob Dylan if he actual sang. Some absolute shredding in songs like Drivin' Sister, Violence, and Im a Cadillac. Never heard of these fellas but this was a fun one to listen to.
I had heard of this album but never listened to it before. It was a fun listen!
Wow not what I was expecting! I'd never listened to Mott The Hoople knowingly. I'd heard about them in passing, and thats it. But they were good?? Really liked this, great stuff! 4 ⭐️
Early 70s glam rock. Love it. David Bowie loved them and wrote their biggest hit (preceding album) and you can really hear his sound in their music. Some songs also kinda sound like The Faces
Gostei bastante. Bem animado e divertido
This is a surprising ride. Vocals sound very very Bowie (from a pre Bowie era) and the songwriting goes Elton John like at points. Need to re-listen. Scoring a 4 as I suspect this was very innovative and influenced a lot of artists who went on to be much bigger than they were.
I was annoyed at first but this is better than average! Rather this than the beattles. 4/5
Mott the Whoople? God, gammaldags 70-tallsrock, typ glam. Her skal jeg innrømme at jeg er svak. Musikken kan beskrives som mye Bowie, litt Dylan. Catchy låter med vokaler som står til estetikken. At de bringer ut saksofonen på første låt gjør heller ingen skade. Dette er jo rett og slett skikkelig bra. Føler likevel at jeg må trekke en stjerne for litt inkonsekvent kvalitet. Top 3: I'm a Cadillac / El Camino Dolo Roso, All the Way from Memphis, Whizz Kid
Hat mir schon immer gefallen.
A great collection of typically 70s rock glam. Held together but the dulcet unmistakable tones of Ian Hunter. Not the greatest voice, but then neither is Rod Stewart's. 4½
Fun as hell glam rock, excellently performed, killer vocals and fun off-kilter songwriting. One of those 4s that's almost a 5. A couple of songs were just meh. But this is definitely a must-listen, #277.
Pretty solid rock album representative of the times, though I can't get past how gibberish the band's name is. That aside, "Honoloochie Boogie" was my favorite song of the album.
Bowie wrote one of their songs. Need I say more. 4/5
Oh this grew on me very quickly
Right up there with some of the best of the glam rock releases of the early seventies and follow up to All The Young Dudes. Good mix of songs lots of roadworn music industry cynicism. Ralph's last full album with some good guitar work make this well worth a listen.
Emotional and autobiographical. David Bowie, Queen, The Clash. Underground pop band every big names love.
Mott The Hoople just knows how to have fun. Their sound stands out in such an interesting way and it always feels just zany enough to be fresh but not too zany that it feels disingenuous or goofy. Best Track: Hymn for the Dudes
Actually truly bangin, great jam
Only ever heard of these guys because they supported Queen for a couple of tours in the '70s and their concert staple Now I'm Here is dedicated to Mott, but I'd never actually listened to anything they recorded. Enjoyed it a lot.
Art, funk, pure 70s rock
I think Mott the Hoople would have been better in concert than what the album offers, but the album is still pretty good. 4 stars or B-.
Some meh songs, but the good songs balance it out
Mott was certainly a pretty fun album. I went in initially thinking i was not gonna like it despite my love for hard rock music but against all odds, i ended up enjoying this album. On the surface, it doesn't really do much other than be a typical 70s glam rock album with all the bells and whistles you would expect from the genre. But in my eyes, it doesn't really need to be anything more than that. I still had fun with this album on each and every song. Be they fast or slow, it was all enjoyable and just simple fun and i can't complain about that at all. I also can't really think of anything that this album does wrong so its just nothing but a very enjoyable listen. Best Song: Whizz Kid Worst Song: I Wish I Was Your Mother
Previously really only knew Mott from their big hit. Quite enjoyed it, like a more rock-forward Bowie, so it makes sense why Bowie gave them All The Young Dudes. More of a 3.5 because it didn’t blow me away, but I’ll round up because it was a fun listen.
surprisingly good
Better than the other Coldplay album on here I guess. Hopefully no more
For a 70s album I enjoyed this more than itl thought I would. Some songs I would happily have listened to in the 90s or 00s. Would listen again.
this was so fun. and they have great hair
Muy Bowie a nivel voz y storytelling, además tiene esa parte burlesque-spoken word que tan bien le pega al rock y que define una década muy concreta. Otra banda de la que quiero escuchar más cosas, les pondría un 4 y medio pero no se puede en esta página web, malditos anglos. Favs: Whizz Kid, I'm a Cadillac, Honaloochie Boogie -Demo Version
Mott the Hoople wants to be Bowie so bad it makes them look stupid.
This has an obvious, massive Bowie influence. It feels very easy to point out, but it's undeniable. Overall I like the vibe though. There's some really good tracks, and it's generally pretty solid. I like when they really go for it, and you have the backing singers giving it some too (eg: on hymn for the dudes). 3.5 rounded up.
Slightly rambly rock, had a kind of operatic/dramatic flair
Not sure how I never heard this before. I know the name Mott the Hoople, but never heard anything except for that one single. But, I quite like it! Yes, Ian Hunter sounds like he soooo wants to be David Bowie, but I don't find it annoying as a lot of wannabes are. The music is all-around solid. This is a great record and I'll definitely listen again. Probably a 3.5, but it made me smile a couple of times, so I'll give it a 4.
love great glam rock
Enjoyed several songs throughout the album. Wish I was your mother, honaloochie boogie, Memphis, etc. Had a classic 70s rock feel.
This was fun. Good, solid glam rock that I had a great time listening to.
Glam rock can be a little silly, but it's still got some damn good music, this group included. 4.5 bumped down to 4.
Not bad, I never heard of this fella but I don't know why?
3.5
4.5
3.5
9.45 ★★★★½
Has ever a rock vocalist sounded so jaded and world-weary as Ian Hunter? The appreciation of the record will be largely down to how listeners rate Hunter, who does sound at times like a Bowie impersonator. A bunch of strong cuts, with particular strength of the slower tunes: "Ballad of Mott" and "Hymn for the Dudes"and "I Wish I Was Your Mother." One's always intrigued by the presence of the sax in glam, which roots the sound in the '50s of course as if the glamsters maybe knew that even the newest trends weren't all that new. On balance, this is solid and a fun listen, too.
This was a good album, I was unfamiliar with the band so it was cool to be introduced to them
Nice
Who is Mott? What is a Hoople? When will this be over? On second thought, this album is awesome. I am such a sucker for listenable rock music. I still don't like the violins/violence song.
Not bad!
This is classy, as well as being a little downbeat and regretful. Mott were always the underdogs, failing to make the monster breakthrough they deserved. Failure is underrated, as is this album.
Love this Bowie/T Rex adjacent sound!
Nic e from the beginning of glam
17/07/2025 This album was okay.
Cool glam album by the Mott. I almost deducted a star for 'Violence' - just because the word "violence" sounds like "violins" there's no need to scatter shrieky violin bits all over the track. Lucky for the Hoople, side two is close to brilliant, with especially the closing track 'I Wish I Was Your Mother' standing out.
I have a soft spot for Bowie era 70s glam rock, so this really hits. I didn't find any one track immediately gripping, but this vibe and style is one I can return to over and over again.
okay gseht noch glam rock uus und es isch. sehr bowie style sax und so. de song isch nöd de haaammer aber cooli gitarrelicks cooli blöser und s groovt irgendwie. gitarre uf whizz kid isch sehr geil. s kazoo au haha. hymn for the dudes isch jo de haaammer. ruhig und denn rieeeeese solo. ich check nonig was de i halt vo. tdxt isch aber de song isch super. omg giige uf violence goht jo dumm ha kei so geili rockgiige susch im chopf. mad geil. ballad of dingsbums au cute würkli. etz chli sehr ballade aber cute. i bims 1 cadillac cuper cool au wieder easy prog mit mega viel verschiedene teil. bi i wish i was your mother: i hate the clothes you're wearing, they're so pretty. super line. super guets album. starchs vieri.
all the way from memphis isch na cool! chli quirky und er chan nöd singe aber jo hahaha whizz kid isch iwie immer schlimmer worde ja no kein fulminante start hymn for the dudes tönt schomal funny jaa weiss nödso recht, iwie isch villes chli ah mier verbii aber gfalle hetsmer iwie trotzdem I'm a cadillac hani reecht geil gfunde! d melodie vo I wish I was your mither hani iwie kennt? jaa vlt losis nomal aber grundsätzlich eifach es 3. iwie cool, iwie chli zum vergesse es isch morge und ich loses nomal!! memphis findi scho nachli cooler als gester hahah STIMMT das sax (oder so) wo chum en ton ussebringt whizz kid findi immernanig unglaublich okok han jz doch sehr spass gha, I'm a cadillac glaub immerno s highlight? uf jede fall VIA
Cool stuff. You can hear the Bowie like influence of Ian Hunter
Mott The Hoople was an unfamiliar name, that i'm glad to have discovered. Epic, grand-scale glam rock that dares enough to sound interesting. Was it a world renewing endavour? No, but I will hapily return to this one.
This is really fun. Its kind of like blues inspired slacker stoner rock. It feels like what would eventually become indie rock. Really fun psych elements, eccentric lyrics and vocals. The whole album kind of feels like walking into a party where Mott the Hoople (who / whatever that means) is hosting. This really is an album where you can kind of just hang with the artists and live in their world. It almost feels like 1970s Bob Dylan where the music and vocals don't 100% lined up, but its kind of vibey and slackerish so it has this really cool endearing nature about it.
pretty decent album. definitely takes the glammy stuff they did with bowie and runs with it. there's not anything here that is particularly mindblowing, but it is a pretty fun glam record all in all.
4'75
Mott is the sixth studio album from Mott the Hopple, the British glam rock band. The band found very limited commercial success through their first four albums, and were considering disbanding. David Bowie, who had been a fan for some time, convinced them to stay together, and produced their fifth album. Mott, their sixth release, is a good version of early 70s, Bowie glam-rock. The band was quite successful, for the time period; their North American tours had Aerosmith and Queen as openers, among others. Mott includes "All the Way from Memphis," one of the band's biggest singles. The song has a leading piano part, support from a shredding guitar and a saxophone, and the soaring vocals needed to fill the glam-rock sound.
Classic seventies gang of rock and rollers, anthemic outsiders. A rousing listen
I quite enjoyed it. It's definitely my genre, even the spoken bits I enjoyed given I haven't listened to music in a long time. Favourite thing was how much piano and sax there could be and then it was just kind of camp at times too.
4.4 - This got really good about half way through. First felt a bit too dad rocky, but it really turned it around
This album is soooo good. It kinda gives me Bowie vibes. Fun and upbeat. I love the style, vocals, guitars, the whole band. I had heard of them before, but never checked them out. Sometimes it does tend to get repetitive, but if you love the style, you'll love the album! "All the Way from Memphis" , "Honaloochie Boogie" and "Drivin' Sister" are all sooooo catchy. Liked Songs: "All the Way from Memphis" , "Whizz Kid" , "Hymn for the Dudes" , "Honaloochie Boogie" , "Drivin' Sister" , "Ballad of Mott The Hoople" , "I'm a Cadillac / El Camino Dolo Roso" , "I Wish I Was Your Mother" , "Nightmare"
Really enjoyed this. I didn't know Mott The Hoople much outside of "All The Young Dudes" but I was pleasantly surprised by how much I enjoyed this. It was fresh and interesting and all the tracks were great. A solid 4 stars for me.
Has Bowie’s fingerprints all over this and that’s not a bad thing. 70’s glam rock personified. Great album and time capsule for this era. Musicianship that seems to be forgotten & replaced by machines. Wonderful sound and lyrically deep…as deep as glam gets.
Love this album. And now i finally found out, past 25 years, that Honaloochie Boogie was not Babylon Zoo's original tune. And it's the best thing on Mott
I was today years old when I found out Ian Hunter was the lead singer for Mott. Dylan meets the Faces meets the New York Dolls. Good stuff
Day512 - underrated band. put them in the rock and roll hall of fame
Liked this a lot more than I expected. 3.5/5
Let the glam rock live on 💫💫💫
This is pretty good. Very fun and goofy. The guitar is like really good.
This was actually pretty good. way better than i was expecting
Gute Rockmusik mit solider Handarbeit, etwas Stones, etwas Doors und etwas Who. Gutes Album.
I love Bowie and Dylan so I’m not surprised that I loved this album, although it was my first time hearing it. Happy discovery.
The beginnings of the 70’s Glam rock scene.. Weird song titles, a bit spacey but some damn good strong riffs in many of the songs.
Great album with some glam rock vibes
4/5
"I think we should sound like Bowie." "I think we should sound like Dylan." "Guys, lets compromise."
What is this glam rock? Neve heard of Mott, thought it would sound more like applesauce than David Bowie.
I guess I was in the mood for some glam rock, because I enjoyed this. Yes, they sound like a Bowie knock-off, and on one song a Dylan knock-off, but I don't have a problem with that
TIL that David Bowie gifted them with “all the young dudes” after Mott the Hoople turned down “Suffragette City,” which is wild because who hears suffragette city and isn’t like “damn this rules so hard”
I think I like the sound and vibe of this album a little more than I liked all the songs. I was at a four, might’ve slipped down to a three, but I’m sticking to my original assessment. Like the riffs, Ian Hunter is an easily recognizable vocalist. What the fuck is a hoople?
Jäkligt nice glammigt album. Någon låt för långt och lite otajt på nåt sätt men annars gött. Wish I was your mother är en låt jag tar med mig från detta.
With an excess of success under their belts Mott the Hoople bring out a near-concept album about rock n roll excess. The trademark Stones influenced loose sleaze is there, with Ian Hunter’s Dylan tribute vocal style. There’s also an audible influence of glam on this record, again a product of Hunter’s knowingly suggestive delivery. Like so many records of this era, there’s more than a touch of nostalgia for simpler times, not to say a dose of darkness, as if the young dudes have come awake the morning after and noticed they are in a nightmare. By the way, you’ve got to love Hunter for the track title, ‘I wish I was your mother’!
Rockcito clásico. Bien setentoso
Great Glam Rock album. Seemed influenced by Bowie and his stylings. Enjoyable and would listen again.
Really good album, a lot of fantaisy in their songs a bit like Queen, it sounded really original not a classic rock album from the 70s. I particularly enjoyed "All The Way From Memphis" with a really good sax solo. "Honaloochie Boogie" and "Ballad of Moot People" were pretty nice too especially the second one really chill but with something really powerful in the voice.
Thoughts before listening: Glam rock band who is famous for a Bowie cover with "All the Young Dudes". I didn't know all that much about them otherwise. Review: So this is the follow up to All the Young Dudes, and while nothing really rises to the heights of that song, this is still a very fun listen. In fact, this was one of those albums that grew on me more and more as I listened. There are some really cool songs on here, and I'm surprised that Mott the Hoople aren't more celebrated outside of their biggest hit. 4-stars
This was a lot more fun than I thought it would be. I really liked it
Before you dog on this album for being a "Bowie ripoff" or whatever, do a little thought exercise with me. You stumble into a bar on a Thursday night, you've had a long day, and you'd like to take the edge off with a few beers. Lo and behold, Mott the Hoople is the band tonight. They start playing this album. After a few beers, are you really gonna sit there and say, "Man this sucks" or are you gonna be in awe of the best damn Bowie cover band you've ever seen? Just think about that.
First listen to this album from start to finish. Mostly familiar with the hits of this band. I dug it. This is in my lane. Enjoyable listen.
It's store own brand David Bowie, but it's the kind of own brand product that's actually a good alternative.
Looks like I’m an outlier. But u always enjoy the energy from Mott the Hoople. No idea what their name means but their music is fun. 4/5
4 out of 5. I've heard of Mott the Hoople as one of Mick Jones' influences so it was nice to finally take some time to listen to this album.
This is good
на границе с колхозом, прям тонкая грань, как я люблю
If you like Ziggy Stardust era David Bowie, but hate his voice, this is the album for you. For me, it is a good album, that might have been great if it had David Bowie.
Overall, I like this. It falls between early Roxy Music and The Sweet as far as art vs. aspirations for pop stardom, and the Bowie connection/worship is also evident. If you like that stuff you'll probably like this.
Lot of fun, did peak with the first song
Great fun
Nice.
This was good, like a sub-par David Bowie album. Which, reading about Mott The Hoople, I guess it kind of is. It's got really good guitar work on it, and a lot of the joy and expression of Ziggy era Dave. If only it had the vocal power then we'd be looking at something scoring much higher. It's got a really grim song on it - Violence - which also loses it some points, but overall it was a nice thing to discover.
It is insane how much this sounds like Bowie. I read that Mott the Hoople was offered the rights to Suffregate City and turned it down, so then Bowie took it. Solid album! Favourite songs: Drivin' Sister, Whizz Kid, All the Way From Memphis, I'm a Cadillac/El Camino Dolo Roso, I Wish I Was Your Mother, Honaloochie Boogie, Ballad of Mott the Hoople Least favourite songs: Hymn for the Dudes 4/5
Enjoyed it, never have listened to them much, not have I listened to this album all the way through.
These guys are blatant Bowie ripoffs (which makes sense considering Bowie wrote their biggest hit), but as a Bowie fan I don't mind. They stay within the style of Bowie's more straightforward rock songs of the era and do a lot of cool stuff with dynamics in particular. There's not a lot here that feels innovative for 1973, but again, I feel like I'm only saying that because these guys wear their Bowie influence on their sleeves.
Not much to say other than I liked most of this and wouldn't think twice about playing it again. 3.5/4
Great alhum. Hadn't heard it before but of course this sounds like Bowie. This is more straightforward though. Still really enjoyed it. 4/5
Mott the Hoople are a good band, should listen to them more. Maybe they seem kinda generic in the scheme of things but their sound is appealing to me and the songwriting is tight. B
Although the Bowie associations are obvious, Mott the Hoople seems to have also taken a fair bit of inspiration from Bob Dylan. This aural combo of Bob and Bowie, two of my top musical artists of all time, makes for an alluring album about a band in transit, touring, never boring, and always in trouble.
Great album that I had not heard before. All The Young Dudes album beats it by a whisker.
Pretty cool, but nothing spectacular. Interesting band to end up here, but I can dig it.
Very solid 70s album with great musicians. The lead singer definitely shows the influence Bowie had on him.
It’s a good deep dive. I’m a new fan.
Violence, Violins...get it? (Okay maybe that's corny but I loved it anyway.) I'd heard of this band, but did not know any of their songs. I learned that David Bowie didn't want this band to break up and produced the album that came before this one. His continued influence is quite loud. I thought this was really fun and am surprised how much I like it. Probably a high 3 / light 4, so rounding up.
Solid. I wasn't feeling it at first, but it ended up growing a bit on me. I wasn't too blown away, but I did enjoy the instrumentals. Vocal work was decent. 'I'm a Cadillac / El Camino Dolo Roso' was my pick for a fave.
It's by no means ground breaking, but a really enjoyable listen with a rockier edge than it's very obvious influences
not long before i actually got around to listening to this my grandma got me slightly drunk which was bad for my ability to write a meaty description but probably v good for my enjoyment. melodic and inventive and super super fun, a lot more dylan DNA then i expected from a glam rock act, and with a similar strange and charming sense of humor. it would take more knowledge of the band and familiarity with their music to parse that self-conscious silliness to any greater degree but it was maybe the most delightful surprise for me! sorta fitting for their coach z ass band name
## In-Depth Review of *Mott* by Mott The Hoople *Mott*, released in 1973, marks a significant turning point for Mott The Hoople, showcasing a blend of glam rock and poignant storytelling that defines their sound. This album not only solidified their place in rock history but also served as a personal reflection of the band's journey through the tumultuous music industry. ### ****Lyrics The lyrics of *Mott* are characterized by their autobiographical nature and emotional depth. Lead vocalist and primary songwriter Ian Hunter explores themes of disillusionment, fame, and the struggles of life on the road. The lyrics resonate with a sense of authenticity, as Hunter candidly expresses the bittersweet realities faced by a band on the brink of success yet grappling with internal conflicts. - **"All the Way From Memphis"**: This track is based on a true story about guitarist Mick Ralphs' misadventures while touring. The lyrics convey a sense of longing and frustration, encapsulating the chaotic life of a touring musician. - **"Honaloochie Boogie"**: Here, Hunter captures the essence of the glam rock scene, celebrating its vibrancy while acknowledging its superficiality. The playful lyrics juxtapose the excitement of fame with the emptiness that often accompanies it. - **"Ballad of Mott the Hoople (26th March 1972, Zurich)"**: This song serves as a poignant reflection on the band's struggles and eventual disbandment. Hunter's storytelling shines through as he recounts personal experiences and acknowledges the harsh realities of their journey. Overall, Hunter's lyrics are both relatable and introspective, providing listeners with a glimpse into the emotional landscape of a band navigating the highs and lows of rock stardom. ### ****Music Musically, *Mott* is a rich tapestry that blends rock, glam, and elements of blues. The album showcases Mott The Hoople's versatility and growth as musicians. - **Production**: For this album, Mott The Hoople took on production duties themselves after previously working with David Bowie. This shift allowed them to explore their sound more freely. The production is characterized by a raw energy that captures the band's live performance essence while incorporating polished arrangements. - **Instrumentation**: The album features dynamic guitar riffs, driving rhythms, and layered harmonies. Songs like "All the Way From Memphis" open with catchy piano chords that set an upbeat tone, while "I Wish I Was Your Mother" transitions into a haunting ballad that highlights Hunter's vocal range. - **Song Structure**: Tracks are well-crafted with memorable hooks and engaging choruses. The balance between rock anthems like "Honaloochie Boogie" and more reflective pieces like "I Wish I Was Your Mother" creates a diverse listening experience. ### ****Themes *Mott* encapsulates several overarching themes that resonate throughout its tracks: - **Disillusionment with Fame**: Many songs reflect on the darker side of celebrity culture and the challenges faced by artists in maintaining authenticity amidst commercial pressures. - **Nostalgia and Reflection**: Hunter's lyrics often evoke feelings of nostalgia as he looks back on his experiences with both fondness and regret. - **Identity Crisis**: The album explores themes of self-discovery and identity within the context of fame, as Hunter grapples with his role in the band and his personal life. These themes contribute to an emotional depth that elevates *Mott* beyond mere entertainment; it becomes a narrative about resilience in the face of adversity. ### ****Influence *Mott* has had a lasting impact on rock music and continues to influence artists across genres. Its blend of glam rock aesthetics with introspective songwriting paved the way for future musicians to explore similar themes. - **Glam Rock Movement**: The album is often cited as one of the defining works of glam rock, influencing bands like Queen and T. Rex who embraced theatricality in their music. - **Legacy**: Tracks from *Mott* have been covered by various artists over the years, showcasing its enduring appeal. The album's exploration of complex emotions within a rock framework has inspired countless musicians to delve into personal storytelling in their work. ### ****Pros and Cons #### Pros - **Authenticity**: The album's introspective lyrics provide an authentic glimpse into the band's experiences, resonating deeply with listeners. - **Musical Diversity**: A well-rounded mix of upbeat tracks and poignant ballads showcases Mott The Hoople's versatility as musicians. - **Production Quality**: Self-produced by the band, *Mott* captures a raw energy while maintaining polished arrangements that enhance its overall sound. #### Cons - **Inconsistent Tone**: Some critics argue that while many tracks shine, others may feel less focused or lack cohesion within the album's broader narrative. - **Production Choices**: Although self-produced, some fans feel certain elements could have benefitted from tighter production to enhance energy levels in specific tracks. ### Conclusion In conclusion, *Mott* by Mott The Hoople stands as a landmark album in rock history. Its combination of compelling lyrics, diverse musical styles, and significant themes creates an enduring legacy that continues to resonate with audiences today. While it may have its flaws, *Mott* remains a powerful testament to the band's journey through fame and self-discovery, solidifying its place among classic rock masterpieces.
Had forgotten about this album, solid work and great music.
a nice listen!! very bowie-esque at times (one song just sounds like they wrote a bowie song and sang with a bowie impression) but overall cool
This album fells like it would fit in the Bob Dylan catalog in the mid to late 70s. Enjoyable.
better than i thought it would be
Never listened to Mott and surprised how much I enjoyed this. Bowies influence all over it probably inflated the score but still some great songs (Memphis and hymn were highlights)
It got a bit messy in the middle, but other than that, I quite enjoyed that. My favourites were All the Way from Memphis and Ballad of Mott The Hoople.
4.0
The lyrics are a bit unremarkable, but sometimes they’ll unleash the tastiest guitar tone ever. Overall it’s a bit of a wash, but I want the info on their rig.
I think the only song I know by Mott the Hoople is All The Young Dudes, which was given to them by David Bowie and is the title track to their album before this one. That song and album launched them into glam rock stardom out of nothingness and I never really understood why. But this album has a cool sound with some great riffs. So maybe there's more to the band that I thought. Yeah, they almost sound too much like they're ripping off Bowie. But I really liked All the Way from Memphis, Whizz Kid, Violence, and Drivin Sister - great glam rock rockers. Honaloochie Boogie and I'm a Cadillac were pretty good too. Hymn for the Dudes and The Ballad of Mott the Hoople were a bit pedestrian and sounded too much like each other - maybe they should avoid retreads of the previous album or their own band name. On first listen this album was a solid 3 but listening again it was even better.
I like their style, but admittedly they sound pretty dated and repetitive. I'll give them an extra star for simply having a style I like, which means I'd listen again, but don't know if I needed a full album to get a sense of that style. Favorite tracks: All the Way from Memphis (minus the racial slur that they would later remove live), Whizz Kid, Violence, I Wish I Was Your Mother.
Liked it more than I thought I would! Fun Bowie/Dylan worship with some nice guitar playing
First song sounds like taking a stroll at the first day of spring. Album is really versatile, almost like the course of the seasons
I liked this album. its sound was good and was pretty great. Its lyrics were good and went with the song well. overall I would recommend listening to this albjum.
have you ever heard a song and it kind of made you feel nostalgia because thats what i got from the album all the young dudes i liked the instruments and the lyrics werent to bad i like the voice of the singer and the guitar i liked this song because it gave me nostalgia and i would recommend that you listen to this album
I really like this album! I really like the long guitar in the beginning. One of my favorite songs is in the album also. Its called "You Really Got Me" and I love it! I really love the voice the singer has as well!
Like listening to a good Bowie album I didn't know about.
Really good listen, and I'll be adding it to my 70s rotation. I know Mott a little bit, but didn't realize until this challenge how much I liked them.
Honestly?? Pretty decent! This is Bowie at home, but it is pretty decent!!
A group I heard of - but not familiar with their songs.
This is good as a whole l, I didn’t manage to pick any favourite tracks but there was lots of good moments
A great glam rock record with two standout tracks ("All the Way From Memphis" and "I Wish I Was Your Mother").
An enjoyable album. Yeah it sounds like David Bowie, but I love David Bowie so this doesn’t matter. Favorites were All The Way From Memphis, Honaloochie Boogie. Violence, and I’m A Cadillac/ El Camino Dolo Roso.
I expected something fully unserious and got some decent groovy tunes. The guitars were especially nice
I really enjoyed this one. Loved all the way from memphis
This album is a blast from start to finish. Mott the Hoople hits that sweet spot between glam rock and classic rock, and they do it with swagger. The songs are big, catchy, and packed with attitude. Tracks like “All the Way from Memphis” and “Honaloochie Boogie” are pure fun, and even the slower moments work. There’s a sense of style and confidence here that makes the whole album feel alive. If you’re into rock with a little flair and a lot of hooks, this one is worth spinning.
Voilà une semaine qui se termine bien et qui me réconcilie avec ce projet un peu dingue, ce marathon discographique qui, parfois, me donne l'impression d'être une corvée divine. Faut bien l'avouer, il y a des jours où je tire la gueule en regardant le prochain nom sur la liste. Des jours où je me dis que je vais encore me farcir un double album de prog-rock allemand enregistré par des mecs en toge qui pensent que la musique, c'est avant tout des maths et un solo de flûte de 17 minutes. J'exagère à peine. Ce projet, c'est la grande loterie. Une roulette russe musicale où une balle sur six est un chef-d'oeuvre, quatre sont des trucs potables qui occupent une soirée, et la dernière te file une bonne grosse migraine. Et puis, il y a les entre-deux. Les albums qui ne changent pas ta vie, mais qui te la rendent plus belle le temps d'une écoute. Ces disques que t'avais oubliés, ou pire, que tu n'avais jamais vraiment calculés. Mott the Hoople, pour moi, c'était ça. Un nom sur la grande carte du rock des années 70, une case juste à côté des géants, une petite principauté à l'ombre des empires. Je savais qu'ils existaient, bien sûr. Impossible de bosser dans une radio ou un magasin de disques sans avoir entendu parler d'eux, surtout à cause de ce cadeau du ciel que Bowie leur avait fait avec "All the Young Dudes". Un hymne glam, LE grand titre qui les a mis sur orbite un court instant. Mais après ? J'avoue mon ignorance. Pour moi, c'étaient les mecs d'une seule chanson. Une belle chanson, certes, mais une seule. Alors, quand le couperet de la liste est tombé sur "Mott", sorti en 1973, juste après la gloire offerte par le Thin White Duke, j'ai haussé un sourcil. Un peu de curiosité, pas mal d'appréhension. Le fameux album "de la confirmation". Celui où le groupe doit prouver qu'il n'est pas juste un "one-hit wonder". Le disque casse-gueule par excellence. Et putain, quelle découverte ! Je ne vais pas y aller par quatre chemins : cet album est une petite merveille de rock'n'roll burné, intelligent et mélancolique. On est en plein dans le glam, cette période bénie où les mecs avaient plus de maquillage que leurs copines et où les riffs de guitare étaient aussi simples qu'efficaces. Mais Mott the Hoople, ce n'est pas que ça. Il y a une profondeur, une sorte de conscience de sa propre condition de groupe de rock qui transpire de chaque sillon. Ça commence par "All the Way from Memphis", et là, direct, tu comprends que tu n'es pas là pour rigoler. C'est un rock furieux, un piano bastringue qui martèle un rythme de train fou, des guitares qui sonnent comme si elles avaient été enregistrées dans un garage rempli de bière et de sueur, et ce saxo... ce putain de saxo arrogant et poisseux qui débarque comme s'il s'était trompé de studio en sortant d'une session de Roxy Music. Le morceau raconte la vie sur la route, la galère, la gloire éphémère. C'est du vécu, ça sent le vrai. Et c'est ça, la grande force de "Mott". Ça sonne vrai. Ian Hunter, le chanteur-leader-parolier, a une voix de prolo magnifique. Il ne chante pas, il raconte. Il a ce ton un peu nasillard, ce phrasé à la Dylan, mais avec une énergie purement rock. Il n'est pas un alien descendu de Mars, il est le mec accoudé au bar qui te raconte ses histoires de triomphes et de défaites. On pourrait croire que le groupe va se contenter de balancer du riff carré pendant 40 minutes, et honnêtement, ça m'aurait déjà suffi. "Whizz Kid" est là pour ça, avec sa rythmique basique mais qui te rentre dans le crâne pour ne plus en sortir. C'est le genre de morceau qui te donne envie de taper du pied frénétiquement en attendant que le feu passe au vert. Simple, direct, jouissif. Mais le groupe ne s'arrête pas là. Ils osent. Ils tentent des trucs. Prenez "Violence", par exemple. Ce titre est complètement barré. Ça commence comme un rock bien lourd, et puis ça dérape sur un violon qui sonne volontairement faux, strident, presque angoissant. C'est le chaos organisé, une embardée dans le fossé qui, miraculeusement, se termine par un retour sur la route, indemne et le sourire aux lèvres. C'est audacieux, c'est brillant. Et puis, il y a les ballades. Parce que sous les paillettes et les guitares saturées, il y a un coeur qui saigne. "I Wish I Was Your Mother" est d'une beauté à chialer. C'est une déclaration d'amour et de dépendance totale, un truc d'une sincérité désarmante. "Hymn for the Dudes" est une sorte de gospel rock pour les laissés-pour-compte du rock business, une messe pour les éternels seconds. C'est là qu'on touche au point sensible de Mott the Hoople, et à la raison pour laquelle cet album, malgré ses qualités immenses, n'a pas fait d'eux les égaux des Stones ou de Led Zeppelin. Ils étaient le groupe des "presque". Toujours à un cheveu du mega-succès, toujours un peu trop vrais, un peu trop "normaux" pour devenir des mythes. Ils chantaient la vie des rockstars tout en sachant qu'ils n'atteindraient jamais le sommet de l'Olympe. Il y a une sorte de lucidité tragique dans leur musique, une conscience de leur propre finitude. L'album se termine d'ailleurs par "I'm a Cadillac / It's the Last of the Rock and Rollers", une sorte d'épitaphe douce-amère. À l'époque, en 1973, j'avais trois ans, autant dire que je suis passé complètement à côté. Et même plus tard, pendant mes années de disquaire, "Mott" n'était pas un album que les clients réclamaient souvent. On vendait du Bowie, du Lou Reed, du T. Rex. Mott the Hoople, c'était pour les connaisseurs, ceux qui cherchaient la pépite cachée derrière les blockbusters. Et c'en est une, de pépite. Une sacrée bonne pépite. Ce n'est peut-être pas l'album qui va redéfinir votre perception de la musique, mais c'est un disque d'une honnêteté et d'une efficacité redoutables. C'est un compagnon de route parfait, un disque qui a du coeur, des couilles et une âme. Une très belle découverte, qui justifie à elle seule toutes les heures passées à écouter des albums oubliables. Un très bon 4/5, sans l'ombre d'une hésitation. Allez, au suivant. En espérant que la bille de la roulette tombe encore du bon côté.
Pretty decent tock tunes with some aspects of glam . Just didn't quite hit well to get a full rating.
Seems quality
Ooh… an album from the “All The Young Dudes” guys without “All The Young Dudes.” I really enjoyed the glam-rock sounds of the early 70s! Good stuff.
This was better than expected! I thought the lyrics were well-written, and I’m not sure if it’s supposed to be a concept album, but it seemed like there was a theme about the downside of being a rock star.
Totally surprisingly. Its a little David Bowie, Alice Cooper, T-Rex wrapped up in well produced/layered rock that has both a flair for being sonically interesting as well as easy to approach. Its successful across a good change in tempos (Whizz Kid to Ballad of Mott the Hoople), and i'm particularly impressed that the song is good enough for me to ignore that it is titled Honaloochie Boogie.
Feels a bit like a halfway house between Bowie and ELO - and although I love both, I'd say the sum of the two is not equally good as them separately. I still found it very enjoyable and would listen to it again so I think 4 stars does it justice
Better than I was expecting, this was actually pretty epic
oh i know these btches!!!all the yung doods! love their sound hymn for the dudes lmao they love their dudes 4/5
Real fun album with some really good tracks. Recognized these guys kinda from some. Enjoy their energy. Rounding up cause why not.
It wasn't that bad like the band's name suggested! I was expecting a boring and bland rock from 70s, but most of the songs were quite good and pleasant to listen to. Some nice guitar solos, few interesting psychedelic moments, okayish vocal, just an overall nice album. Positive surprise, biggest quality of an album to quality of an album cover ration so far.
Thoroughly enjoyed this! First 3-4 tracks felt like a totally different album to the remainder. Started with some proper good dad rock. Not cheesy at all. Just proper dad rock. The kind of dad rock I’ve hoped exists. Not just stupid cliched guitar solos. Brilliant stuff. 4.1
Realizing I don’t really *love* glam-rock, but still, very solid record. Will definitely return to it one day. 3.5/5
sure they sound like bowie ripoffs but theyre pretty enjoyable bowie ripoffs. 7/10
"Honaloochie Boogie" is one of my all-time favorite jams. Also, who doesn't love burnt orange leather pants?
Excellent album. I didn't know what to expect and was unfamiliar. I just love the sound and vocals--both really resonated song-to-song, and the album started strong, lulled a bit, and then got better. I listened to this one twice and loved it on the second listen. This is a tweener album for 4/5. ****
Really enjoyed it. Had no idea about then other than the hit.
David bowie sound
Damn good stuff right here. Very fun record. All The Way to Memphis and I Wish I was Your Mother are stand outs for me. Very Bowie-ish. I think Bowie wrote All the Young Dudes for this band.
what’s the point,
One I already own, so it's likely I'll be biased in its favour...and so it proves. I feel as if you were to look up the definition of 'classic rock - British' in an encyclopedia, you've got half a chance that Mott the Hoople would be the accompanying photo. They've got everything that a band of that era strove to do - upbeat at times, tender at others, and able to rouse the punters with the odd grandiose ballad now and again. And they did it well! Largely eschewing histrionics and hard rock bluster, I view MtH as a bridging point between glam and the stripped-down pub rock sound that was to follow. Ian Hunter could declaim, he could coo, and he sounded convincing doing both. Good songwriting, too - a cut above the usual hairy-chest brigade. Fine work.
David Bowie produced these guys and was a big fan. You can hear why. As Bowie fan, hungry for more, this is a food choice.
The Killer piano pounds away, and thus begins the quintessential tale of a clueless Rockstar and his lost guitar, culminating in a meeting with a black guy who provides some much needed perspective. "All the Way from Memphis", indeed. [Contemporary listeners will hear a racial slur, and wonder "WTF?" Seventies lyricists, for whatever reason, were willing to experiment with such things—blame Norman Mailer— to provide "grit" and "realism" (see above), to apply tension to the word in order to drain it of its negativity, a la Lenny Bruce (Patti Smith, and the now deleted barnburner "Rock N' Roll N—) or whatever Freddie Mercury was doing with it in "March of the Black Queen" (wait, is it literally a "Black Queen", and Freddie, being a brown person, complicates things). Anyway, to album...] I needs to be clearly understood that I absolutely love this album; it also needs to be clearly understood that this, indeed, is the swan song of the band. Mick Jones (not the Clash guy, nor the Gories guy) would flee to start Bad Company, and banality would ensue. The perpetually shaded Ian Hunter would not be long. Like Motley Crue Farewell tours, this had happened once before, and then Bowie showed up with "All the Young Dudes". Why did Bowie gift them with such a stone classic? Because he loved the band. You know who else loved them? Mick Jones the Clash Guy. The mighty Dictators covered them. The fucking Dead Boys covered them. Prior to the "Dudes" interrupted Swan Song, Mott (and Hawkwind for sure) were the cult bands of the UK scene, ignored by everybody in the record stores but the disciples, fervent and fanatical in the concert halls. And why not? Dylan inspired lyrics (though not the sensibility. Bob is Bob; Ian is Ian) married to rabid Rock N Roll played with conviction. Real Rama Lama, the mutant hybrid of the MC5 and the Kinks. In the States, the cult of Mott is even smaller than Roxy Music; at least Roxy is becoming understood as something not entirely "More than This" MOR favorites. Dude, their shit is weird. And so is Mott's, and apparently people didn't get it until Bowie showed up. And while "Dudes", "Mott" and "The Hoople" are great records, but prior to that, there are FOUR albums, varying in degree from Very Good ("Mott the Hoople", "Wildlife") to flawed exceptional ("Mad Shadows") and transcendent ("Brain Capers"). These I came across during the Napster days, stoned and drunk with the buddy Pat, downloading songs based on search terms that were at turns absurd and obscene, and there was "Death Maybe Your Santa Claus"; it blew my mind. And after, "When My Mind's Gone" (squeaky drum pedal and all), my mind was, ummm... Anyhoo, my Mott experience goes "All the Young Dudes", thanks to Classic Rock radio, then random downloads from the first four, then physical purchase, and then back to the last three, which are a weird elegy for Rock N Roll. Nostalgia—old wound pain in the strictest definition— seems to be the theme that is simpatico with the Deviant's Mick Ferren, rock n roll intellectual and so stranger to proper Rama Lama's prophecy "The Titanic Sails at Dawn". The old wound, in this case, is growing chasm between the Big Beat/Blue Suede Shoes Rock N Roll and the "Serious" Rock, and what follows for those fiddlers, and both Ferren and Ian Hunter see it, expressed in their respective idioms. Ferren is damning fortune teller; Hunter, in his role as chronicler of all things Rock Star on Tour, a sardonic participant in the orgy on the precipice. Hunter has always had a way with a dramatic tragic-beautiful ballad with a cabaret flavor; "Hymn for the Dudes", a nod to the big hit, is a glam rock ( Rock N Roll?) elegy. "I Wish I Was Your Mother" shimmers pan-gender languid longing. Gorgeous. The self (also Bowie)-referential "Ballad of Mott the Hoople (26th March 1972, Zürich) is the obituary for a group that had died once, and would die again, poignant and bitter as the weird trajectory of this band. If the above is not your jam, there are the rockers that fit neatly in the Mott the Hoople Boogie mode, all nice to grove to. Only "Violence" goes off the mode, a slice of yobbos oiking their way through scrap after scrap, is a keenly drawn character study, and easy to see as an influence on the nascent Punk movement. Shorter: Mott the Hoople's Classic Rock staple "All the Young Dudes" is the tip of the iceberg. The riches are below.
1st time listening very nice I'm a big Steve Harley fan and there are a lot of similarities in the song writing here. Even sounds a bit cockney at times
LP
This was not what I was expecting, but it was actually good
Good solid rock album. Very reminiscent of Bowie.
A lot like Bowie, some quality work. I really enjoyed Voilence.
Every time I read Mott The Hoople, I sing their name in my head to the tune of Rock The Casbah. I don’t know why, but I do. I’m not really sure what Mott The Hoople sound like, so I’m interested to give them a lesson today. Songs I already knew: none Favourites: Drivin’ Sister I did quite like this. It felt like old school rock, and was very similar to David Bowie’s rock era at times. I liked when they went a bit bonkers with a saxophone while the rest of the band grooved on. I can sometimes get irritable when bands have extended solos, but this was good fun.
Super fun album! It’s too bad they don’t keep using the horns after the first song. Funny song titles and awesome 70s rock.
great 70’s glam rock album. no issues with this one. highlights: “all the way from memphis”, “whizz kid”, “drivin’ sister”
I hate that I liked this album. Singer was awful, but man do I love some rock organ
yeah i liked it
I liked this album, kind of remember them from 1973! 4 stars
Is this an undiscovered Bowie album?
Great glam rock album. Very David Bowie.
Great glam rock album
This is a very beautiful album, and I'm upset that I've never taken the time to listen to it in its entirety before now. Familiar with the pop tunes but getting to listen to it in completion I really get a much stronger feeling of how talented these guys were and how endearing their lyrics and sounds were. I'm going to give this a four-star rating and keep it on a save list to come back and listen to more.
I had never listened to a whole album by this band but I love some of their songs. They're super fun and have such a unique sound because of their lead singer. It's 50 years old but you would never know. I live in LA and was listening to this driving around in the car and it gives off a real Cali beach vibe, even though they're British. A bunch of goofballs in the best way. It would be even better if it had All the Young Dudes.
Good album, great opening track Good solid rock although now a little dated
70s rock. Kinda had the vibes of the rocky horror picture show to me. Definitely atleast one shredding guitar part.
Album 292 of 1001 Mott the Hoople - Mott Rating : 3.762 / 5 Favorite Track : All the Way from Memphis I enjoy some glam rock. Also enjoy some Bowie and his influence is felt throughout. Probably some more to check out before I give an overall opinion on the artist, but I do enjoy this album.
That ol' good rock, this is their best album imho
This was like a very specific era of David Bowie collaborating with a very specific era of Bob Dylan. In each case, they happen to be some of my favorite eras of each artist. I totally dug this. It was also surprisingly soulful at a lot of moments, too. I really connected with the emotion of the vocals.
I quite enjoyed this. Ballad of Mott the Hoople, and I Wish I Was Your Mother, stood out the most. Not a fan of banging in the live track at the end, but think this is just the expanded edition. Wouldn't really say Glam Rock, more Traditional Rock but can hear the Bowie influences. A very solid 3.5.
Solid British rock album
Favourite tracks: honaloochie boogie; I wish I was your mother
This is exactly why I like this album a day thing. I never would have come across this on my own, and I was judging the cover a bit when I saw it, but this was really great. I'm realizing that I'm kind of into glam rock, and this is just consistently enjoyable and fun. These guys seem to have almost completely fallen off the radar, but I'm glad they made the list here. Bowie was apparently a fan and seems to be a big part of the reason why they didn't break up before this album. Queen also opened for them at one point. Fun vibes, good rock sounds, generally good stuff. Favorite song: I Wish I Was Your Mother Other: All the Way from Memphis, Whizz Kid, Hymn for the Dudes, Honaloochie Boogie, Ballad of Mott The Hoople, Rose 12/28/23
are you sure this isn't Bowie?
very great glam rock album with amazing songs and instrumentals. gave me bob dylan and david bowie vibes. 7.7/10
In my memory this was a classic glam rock album and I had it down as an easy 5 stars. But listening to it several times today I got less sure. Songs like "All the Way from Memphis" and "Violence" are still 5*, but I found quite a few of the other tracks are a little boring. So it seems this album did not stand the test of time, unlike other albums from that time, such as the New York Dolls debut, which still sounds as great as ever. overall score: 8/10
Never heard of this band before, but this was pretty decent. The more glamrocky songs were less appealing to me, and Violence sounded terrible, but there were several great songs to make up for it.
Lie back, close your eyes, and think of Bowie.
Hmmm, a fun listen! Glam rock with a splash of prog. I haven't really listened to these guys much before, but have enjoyed various covers of "All the Young Dudes", and a lot of this album feels similar to that song. Fave tracks - "Whizz Kid" and "I'm A Cadillac/El Camino Dolo Roso"
Love it love it love it. Sounds so much like David Bowie at times, yet it is still completely its own thing. 4 stars.
Very classic 70's brit rock. I could picture their outfits without ever seeing them. My favorite songs were the last two: Through the Looking Glass and Roll Away the Stone
I’m not sure why I was fearing this when I was looking at the whole list. I guess I couldn’t envision all the young dudes people doing anything else. I liked this. It was early glam and that was cool.
No wait they were onto something here
One of these bands I've known about forever but never really listened too, though I've had a bit of later Ian Hunter in my personal mix for a long time. Clearly a lot of fundamental rock DNA in here, that English transformation of American blues and roots rock. Good and sometimes great, though parts of it fall into a sort of repetitive tub-thump strum-along monotony.
If David Bowie were the lead singer of Lynyrd Skynyrd, this is what they would sound like.
I decided to pause my album generator today for two reasons. 1) I have a lot of albums to catch up on. 2) I've been getting a lot of mediocre and terrible albums, not to mention when I saw the name 'Mott the Hoople' I thought "wtf does that even mean?" So went in with the lowest expectations, expecting the songwriting to be on tier with all the usual garbage. And how wrong I was. The songwriting, mixing and enthusiasm is palpable. It's such an easy going experience but there's so much to respect and love about every song here. Just when you think there's no way they can throw me any more cool riffs or drum fills or neat harmonies, they just throw one more into the mix. Sounds like David Bowie if he wrote for Pink Floyd Outstanding stuff, this is what rock music was meant for.
Baita som, curto estilo rockzao mais clássico
"I'm a Cadillac" sucked some of the energy from the 2nd half, and Bowie's influence is heavily felt, if not his direct creative input (like in "All the Young Dudes"). I kinda enjoyed the heck out of this, nonetheless. It's a comfort food album. A big gourmet potato salad HL: "All the Way in Memphis", "I Wish I Was Your Mother", "Honaloochie Boogie", "Ballad of Mott the Hoople"
jams, not unlike some bowie stuff
Very solid hair metal album. Lots of fun!
Like this a lot! Had a great sound and overall energy
Mega enjoyable stor positiv överraskning
This was good.
Enjoyable but apparently forgettable.
When I saw the cover art I was a bit sceptical, but it was actually surprisingly good. It sounded good for being so old, and I really liked some songs like 'Honaloochie Boogie', 'I'm a Cadillac / El Camino Dolo Roso'. The album sounded really good and it reminded me a bit of Led Zeppelin sometimes, which I'm a big fan of so this sat quite well. Quite many songs were "generic rock", but perhaps I was just in the mood for this when I heard it, not sure. Weak 4 it is!
I only knew them for their cover. Belting bit of 70's rock
Based on the album cover I was worried this was going to be another prog rock album, so I was pleasantly surprised when it started. A really nice, pretty low key sound. To me this felt like a 65/35 bob dylan/kinks fusion, and I may be crazy but some of it reminded me of parquet courts. Overall a good listen if maybe a bit derivative. Whizz Kid, I’m a Cadillac, and I Wish I Was Your Mother were my favorites.
Pretty good, but sounds a LOT like David Bowie to me, so I’m not sure how much this band was really doing something unique. But the arrangements were strong and I enjoyed listening so I’ll give it a 4.
None more Bowie Only knew All The Young Dudes previously and figured them to be a one hit wonder How wrong I was This was great! Derivative of Bowie obviously but done really, really well
grandes canciones, relleno. clásico, sólido, los clichés del rocanrol, solos de guitarra.
Given a big break by Bowie, name-checked by their 1974 US support act Queen, heralded as one of the greats by The Clash… Mott the Hoople seem to have the syndrome of “your favourite band’s favourite band”, without ever breaking through to the same level bar a few hits. It’s hard to pin down a reason for this beyond a basic “not as talented or attractive” theory, but it presumably didn’t help that the band wore their influences on their sleeves with mixed results. It’s astonishing just how much Ian Hunter’s vocals resemble glam-era Bowie, and hard to know exactly who would have influenced who more. The Ziggy influence is transcended on the exhilarating album opener (and one of the band’s biggest hits) “All the Way from Memphis”. It’s a slamming, no-holds-barred thrill ride: showy and theatrical opening, jaunty piano accompaniment, irresistible singalong refrain, and above all just a lot of fun. They have less luck with the ballads, though: “Hymn for the Dudes” and “Ballad of Mott the Hoople” are a little cloying and laboured. Then there’s “Violence”, which comes off as a bit of an awkward attempt to ape early Roxy Music with over-affected vocals and clunky lyrics. In the end, though, the bittersweet finale of “I Wish I Was Your Mother” (the most transparent Dylan homage I’ve heard in a long time) wraps the whole album up in a warm and fuzzy package to send home. The other big highlights here are “Honaloochie Boogie” and “I’m a Cadillac”: they may not be out to set the world alight, but they’re also glam perfection: crisp, clear, melodic and charismatic. Although “Mott” might be an uneven listen, its high points are so striking and left me sorry that the band aren’t talked about more outside of “them what David Bowie wrote that song for.” Play “All the Way From Memphis” loud and tell me they don’t deserve just a little more love.
All the Way from Memphis is amazing. Honaloochie Boogie, Violence, I’m a Cadillac and I Wish I was Your Mother. Good pianist and bassist. A few slow places in a couple songs but very enjoyable.
Never heard of these dudes, but I like this album. They threw in a bunch of extra instrumentation (violins, kazoos, etc.) and used them to the point that they were borderline annoying - but just borderline, never actually annoying. I think that's an art. I also thought I recognized 2 or 3 of the songs at the beginning and then realized that they just sounded like other songs I knew - songs that came out after this. So, I'm giving them a bump based on the assumption that subsequent bands of the era (most notably Skynyrd) were probably Mott fans.
Ren nostalgi👍
Wasn't familiar with Mott the Hoople beyond "All the Young Dudes" and "All the Way from Memphis." Pretty good rock album, nothing bad, nothing I *really* loved either, just solid.
Strangely sad and downbeat. An elegy for the rock n roll dream? Just twigged how Ian Hunter's vocal delivery is very Dylanesque. A really good album, just not what I was expecting in terms of mood and attitude.
p298. 1973. 4 stars. Classy Brit glam rock that perfectly captures early 70s England. Camp, sharp and sardonic lyrics, some absolute pop gems, and it doesn't outstay its welcome.
A strong and proper rock record. There's a retro, '50s-ish vibe with the saxophone on opener. One recognizes that Ian Hunter can be a bit of an acquired taste (few vocalists sing with such an heavy accent, British or otherwise) but one hears real yearning and regret in it, effort and a certain hauntedness, and a cheekiness. "Ballad of Mott" is best, but "Hymn for the Dudes" and "Honaloochie" and "I Wish I Was Your Mother" are also top-shelf (yes one much prefers the sadder and more subdued side of Mott to the, say, silly provocation of "Violence").
Very solid. You can hear some innovation and a distinct voice here. Not another Beatles or Beach Boys impersonation act. Proto-classic rock you could call it. A lot of bands would pick up this baton in the later 70s and you can hear the roots here.
Oh, here we go! Solid classic glam rock, which is really cleanly produced. All the songs here are consistently good and there are no duds - it's another one of those albums that makes you smile because the music is so fun and enjoyable. Standouts are All the Way from Memphis and I'm a Cadillac / El Camino Dolo Roso.
Hey had a lot of fun with this one! Really like the vocalists tone and there isn't too much noodle jamming to make me frustrated. Dunno what a Mott is or who The Hoople are but I'm into it. 3 and a half! Fave track: Whizz Kid
Très agréable écoute, dans un style très proche du David Bowie époque glam. Les a-t-on seulement vu déjà ensemble dans la même pièce? "All the way to Memphis" se détache, j'aime bien le banjo ou peu importe de "I wish I was your mother", du reste rien ne se détache complètement mais est plutôt bon.
A band always ahead of their time.
Really enjoyed this
Quite enjoyable - part of a scene which was bright and energetic and exciting and so is this.
Sounds like David Bowie's less talented brother. Still sounds ok 3,5/5.
You can hear what they're going for. I'm still not sure I'm ever going to sit down and put on Mott the Hoople on purpose, but it's a solid album. Best track: Ballad of Mott the Hoople
Back half of this got better
Ok
Wham bam, thank you ma'am.
Very Bowie-esque. I liked it but it wasn’t something I’d go back to again
I like their style of storytelling, and it's a very good example of glam rock done well but also with passion and heart in reflection. Ballad of Mott The Hoople is wonderful.
Glam rock is just really fun, you know? It's not necessarily deep, but it's a good time. Also, this was my first time listening to Mott the Hoople. Color me impressed.
Excelente disco de rock setentero con buenos instrumentos, estilo de canciones y voces. No los conocía en absoluto. Me han parecido todo un descubrimiento y les voy a dar una oportunidad.
Very Bowiesque. I liked it
Hard rock de los 70's movido y con un sonido increíble. Sorpresivo verlo clasificado también como glam rock. Creo que sienta las bases de lo que muchas bandas legenderias de los 80s harán, combinando canciones de mucha energía con power ballads. Hymn for the Dudes, All the Way from Memphis y I'm a Cadillac / El Camino Dolo Roso son las mejores. Gran descubrimiento.
I've always had a soft spot for Mott The Hoople. Yes, as far as legendary glam-rock outfits go, Ian Hunter is not as good a singer as his mentor Bowie, and the band is mostly known because the latter was kind enough to give one of his greatest songs to them. But Hunter is still an endearing presence, very eccentric yet efficient at times, even with his limitations, both vocally and lyrically. And even when Ian was out of the picture, the band could still do great stuff. I've always thought that it was unfair that their last album with replacement Nigel Benjamin has been so unfairly panned by critics. *Shouting and Pointing* was no masterpiece, but it was very fun and lively, musically speaking. It just had the misfortune to be released too late, when glam-rock was already a thing of the past... To return to the subject of *this* album, when Ian Hunter was still leading the band, what strikes me the most in *Mott* is how carefully constructed it is. Had that Bowie song, "All The Young Dudes" been included in this record, rather than in that lackluster eponymous one right before it, this album would be a stone-cold masterpiece. There are so many great details in it, from the tricky piano modulations of "All The Way From Memphis" to the synth bridge on "Whizz Kids", from the roaring and unruly chorus of catchy"Honaloochie Boogie" to the downright vocal and lyrical insanity that "Violence" is. What also strikes me on "Mott" is that the more you go deep into the album, the more Bowie's symbolic tutelage fades into the background, to soon become replaced by the one of Bob Dylan, not exactly a glam-rock reference to say the least. Hunter's frail voice might explain all this, especially on ballads very much under the influence of the American bard ("Hymn For The Dudes", "Ballad of Mott The Hoople", "I Wish I Was Your Mother"). As a result, the album is probably richer and more interesting than any other one in the band's career. And yes, this, even without *All The Young Dudes" in the tracklisting... Number of albums left to review or just listen to: 843 Number of albums from the list I find relevant enough to be mandatory: 85 (including this one) Albums from the list I *might* include in mine later on: 39 Albums from the list I will certainly *not* include in mine (many others are more important): 32
Love the Bowie vibes in the beginning and the whole album is just really solid rock. 4/5 top tracks: Whizz kid Hymn for the dudes
A good highlight of glam rock here. Favorites: "All the Way from Memphis", "Ballad of Mott The Hoople", "I'm a Cadillac / El Camino Dolo Roso"
Strong glammy follow up to All the Young Dudes, with a more confident sound and direction. The back half going a more balladic direction was a nice surprise too. High 4 for sure.
Never herd of this thing before… The album starts with all the way from Memphis it’s a solid piano rock song but my god, the singer is trying so hard to be David Bowie. There’s nothing bad about it though just a catchy well made pop song with whipping noises near the end are so unnecessary still good. Whizz kid is a great crunchy rock song but it’s slowed down chorus is the best element of the song really adds a layer of gloominess. Actually this is an amazing song my only problem is that overly processed guitar solo. The piano in hymn for the dudes sounds like you’ve just been knocked out in a boxing match really cool. After that goes it forms into a great acoustic track but yeah it’s literally the sound of Bowie ( luckily I love that sound). Honaloochie boogie is solid I love his distorted vocals. The chorus feels familiar but I don’t recognise the majority of the song. It’s not my favourite but still enjoyable. Violence is this heavy 70’s rock song that breaks into these wired drum/ violin parts that oddly fit, there’s also a sample of an argument at the end which really up’s the quality. The second half of the album starts with drivin’ sister nothing is bad with this song but it’s just the most boring typical song to be honest not bad though. Ballad of mott and the hoople slows down the album forming this beautiful centrepiece to this album the lyrics are a bit too “rock n roll” for my liking but there’s nothing bad about this song. Next is the medley of I’m a Cadillac/ El Camino Dolo Roso. The first bit ( I’m a Cadillac) is a solid rocker amazing gloomy sounding verses that explode into some epic yet lovely-dovey chorus. Then is the second part (El Camino Dolo Roso) a mellow instrumental I think it serves as a good coda to the track but it’s a little too long for me; actually this reminds me of the guitar solo in the middle of suede’s the asphalt world 21 years later in 1994. The album ends on a not closery note with I wish I was your mother it’s nothing bad but has nothing to it that makes it distinctive as a closer to an album. It’s a very good album, to an extent it feels too much like a Bowie knockoff but in a good way there’s better albums to waste your time with but it’s definitely an album people should hear before they die.
i thought it was just a side gig from bowie but this album shows that they have their own quality in writing interesting songs inbetween rock and glamrock genre
Another surprise band. I had heard "All the Young Dudes" before, but did not know the name of the band, I would have guessed Bowie who actually wrote and gave the song to Mott The Hoople. This album sounds to me like a continuation of All the Young Dudes, the Bowie influence on them is very prominent. Enjoyable album, need to listen to it again. 4
Hard rock clàssic anglés dels 70, del que només podria pertànyer a aquella década. Com un dels grans pics del moviment, tot el disc en si mereix la pena, no hi ha tema que no sigui punyent, melòdic i amb el seu punt just d'agressivitat. No et canses mai d'escoltar-los. Quina pena que la relació entre Ian Hunter i Mick Ralphs no tingués més continuïtat
Each song is bit different
Great classic rock, nothing more to be said!
Entertaining classic rock album, not as good as some other legendary bands bit still enjoyable
all killa, no filla
This is a lot of fun, good old fashioned, bluesy rock and roll with a touch of glam. Mott does an interesting job of balancing their swaggering rock star vibe with this softer, more elegant sensibility that reminds me of Bolan or Bowie. All great songs, front to back, with no filler. Fave Songs: I’m a Cadillac / El Camino Dolo Roso, All the Way from Memphis, I Wish I Was Your Mother, Whizz Kid, Ballad of Mott the Hoople, Hymn for the Dudes
Siempre pensé en ellos en una banda copia del Bowie glam pero la verdad me dejaron callado y sentado. Discazo. Puntos por tener una rola donde imitan a Bob Dylan y llamarle I wish I was your mother. Genialidad.
Only knew all the young dudes by these guys and that weren't even in here! liked it though
A good listen
kinda good actually