Tragic Songs of Life

589/1089 - Mandolin playing is the standout on this album. Voices are kind of annoying and the music is quite redundant (in the songs, and from song to song). They cancel each other out I think.

Boring. Not for me.

For this list the first instance of the songwriters performing their own songs (excluding the jazz fellas to an extent, Miles has a songwriting credit on Birth of the Cool’s Budo). Hard to trace a line from this to the modern bro country iteration but more learned folks than I can surely find that vein. Guessing it’s Paul Yandell’s guitar that leaps out to me alongside the harmonies of course. Whichever Louvin is doing the higher tenor lead has a feminine affect which is curious..? As usual this stuff sounds staid to my ears, all 12-bar major progressions (would a minor or 7th be the devil?) although the material is to a degree about killing women, lamenting their absence, but the chords are all major, leaving the desperation/sadness only expressed via the vocals’ dynamism. And of course, off stage Ira Louvin was a wife beating asshole.

Not bad, completely listenable. But it’s just a little too much of the same thing and I wasn’t super crazy about that thing to begin with

Solid classic country/americana. It was a decent listen, just not a genre I enjoy a ton. 3/5

Had never heard of the Louvin Brothers before, but I really enjoyed this. I could listen to a lot more of these guys. Going to check out Satan is Real after this. Something tells me we’re all going to get a Dolly Parton album tomorrow. R.I.P.

These brothers really found their formula, and BOY do they stick to it.

Listening to Tragic Songs of Life on the day Dolly Parton died felt less like a tribute to country music and more like an administrative error. The Louvin Brothers somehow make murder, heartbreak and death sound relentlessly dull. Dolly made tragedy sparkle; this made 36 minutes feel like a life sentence.

no

Soggy bottom boys.

2 out of 5. It's old but to me still a weak album.

Echt niet mijn ding Dr zijn veel betere folk/country albums

I *LOVE* this old, folky style of Country. As far as that niche goes, this is near "perfection". I don't know if these guys were innovative or how much they actually belong on this list. But the songs are catchy and fun to listen to.

If they ask for country music, this is what you give them. Next?

(2) Need to be in a VERY specific mood

Good record.

It's good stuff, but it's incredibly one-note.

Maybe odd that I liked this but I did - always learning something they wrote a Christian life

E'en w/o that open of a mind, I not only appreciate (old) country & western music, I love & admire it: Marty Robbins, Merle Haggard, Tom T. Hall, Patsy Cline, Loretta Lynn, Dolly Parton, Tammy Wynette, these figures & others have become a deep part of my being. I'll add these high-registered locos to that list, tho The Louvin Brothers & their Baptist-drenched rhetoric isn't so easy to take, & that's coming from an atheist who loves Mahalia, gospel Aretha, gospel Elvis, etc. Yet for the most part, this record is just one more in the pantheon of deeply pleasurable & meaningful country music, w/ Ira's mandolin being a particular delight. & I love just how foretelling the whole thing is: in their conservatisms, you yet hear the rumblings of alt country.

Not what I would choose, but one you get in the mood, they are not bad. Too slow, maybe. Too sad.

I am s man of constant sorrow

Absolutely brutal, one song is enough!

It's country. Melidic

More enjoyable than other country, but I still did not save anything or finish it.

eh,

no es tan mi estilo

Probably the oldest country album I've heard. Really good honestly, deeply rootsy songwriting, and some charm. I don't have a *ton* of thoughts, but very enjoyable.

Really? Really? Yuck

Country music band, with some sweet songs however, not necesarely my cup of tea. Gives a bit of Greek music vibes at the beginning of the album. Nonetheless, only listened to one song, would not repeat for casual listening.

Cute folky album

Hot today. Hot yesterday. Gonna be hot tomorrow.

More less.

los summer brothers en mis ojos

Better than expected, slightly irritating after a while

This is pleasant, but also kinda boring... Good singing and good playing, but the songwriting is very basic, focus is on storytelling, not musical expression.

Ok

After starting this project over 2 years ago, I've gotten a lot more into hip hop and folk music primarily due to this list. But boy do I still hate country music. I hate how twangy it is, I hate how mopy they all are, I hate how every song sounds the exact same, and I can't stand southern accents in music. There is a LOT of country music that is way worse than this, but that doesn't make this good. I was still waiting for this to end as soon as it started. Low 2.

A heavy dose of 50s country. It's stuffed with tragedies but never feels like too much of a downer, probably offset by all the twang. It's not without its charms. Highlight: "In The Pines" (which was also on the Nirvana Unplugged album, apparently inspired by an earlier recording and not by the Louvin Brothers version). The version of the album on Tidal has 4 bonus tracks tagged "Religious Overtones" that don't appear to have been on the original release. Probably added on a reissue? I'm not counting them in my rating but they compare favorably to the album (especially "Satan Lied to Me").

They started singing about killing their wife at one point, that was somethin

Right when the first song hits, I am stricken with this desire to listen to “Will The Circle Be Unbroken”. I think this is because these guys are laying the blueprint for better Appalachian country music to come. They’re not performing anything poorly, there’s even some above-average stories being told, but it’s just that this is so far back and so bare-bones. “What Is Home Without Love” was my favorite. Also “Katie Dear” is like “Rude” by Mag!c if it turned gruesome. Funny. Strong 2/5 the music is solid but why is this on here?

Instantly lost me comparing kentucky to heaven.

Old, folksy country. I don’t mind it!

Country, folk.

"Fine." Won't listen to any of it again.

Solid music for a Fallout game

This sounded like a deep south's racist dream

What a crock of shit. Surely there was something from the 1950s more fitting than this to make the list

This isn't a long album, but it felt long. Every song is a 3/4 waltz-style country ballad with the same harmonised vocal style. There's a quality to the recording here too that's quite grating. The instrumental side is clear, but the vocals sound like they've been recorded while driving over a gravel track. The vocals are however arguably quite good, it's just that the album is SO samey.

Whatever happened to their voices is definitely some form of tragedy! 1 but like a really funny 1

Absolute shite. Formulaic country folk, every song followed an identical format. Couldn’t wait for it to end.

Off-topic: The Louvin Brothers released a record in 1959 called Satan Is Real. The cover art slaps - it's absolutely brilliant. So I'm going to listen to that one instead.

Classic bluegrass, little too religious at points

This is meant to be listened to in a museum wearing the worst headphones and reading a plaque.

4.5 stars. “Satan is Real” might be a smidge stronger.

The same song sang numerous times. Just because its of a time doesn't mean its of any merit. This met with absolute indifference

Doing very little for me 2.3/5

Soothing in a way and then it got very religious seemingly out of nowhere

very twangy but I respect it

sad country folk music. Although that mandolin hits pretty good here and there, it seems like there is a touch of bluegrass coming through which I really appreciate. Its all just so one-note unfortunately.

Delivers exactly what it promises. 16 sad country songs that all basically sound exactly the same. Gets kind of old by song 5

#64 I actually like lots of country music, but archaic country like this doesn't do much for me. This album is mostly murder ballads sung in close vocal harmonies, with elements of folk and bluegrass music. Unfortunately, there is little variety in the sound and all the songs sound alike. I can appreciate this for what it is, but even as a country fan I don't see myself revisiting this one.

The country music isn't for me most of the time

"Tragic", that's an understatement! Beautiful harmony singing songs of murder, death, heartbreak and loss. And, if you're listening through Spotify, Jesus! We all need an extra dose of Jesus in our lives. The music all sounds the same, basically. It's just two guys, one on a guitar, one on a mandolin, playing perfectly matched syncopation and harmony, but it ALL SOUNDS THE SAME. The rhythmic structure is all the same, each song feeling much like a Texas Two-Step. Not that you'd actually dance to any of it, because it's all so depressing. Come on guys, sing about getting the girl. My Rating: 3/5

To be honest, I don't really have much experience with country music. I am obviously familiar with the stereotypical sound of said genre, but haven't really delved into it any deeper than that. The songs become extremely boring and repetitive as they progress, and the duo's vocals sound unpleasant.

música gringa para gringos, los instrumentales hacen que no sea un 2, así que 3.3

Not my usual thing but I’m into it. Good drivin’ ‘round music

I don't think I have ever heard a more badly produced/mixed album, nevermind country album. I listened to a couple of other things between songs to check it wasn't a problem with my earphones. No redeeming lyrical or musical qualities either - it feelsnlike a bad knock-off.

Quite a cute album! Cheesy AF but in a certain mood this could really hit

Co za koszmar, co mówiłam o przyszłych doświadczeniach z country? Oszczędźcie mnie, błagam.

Fairly run of the mill early country album. Just not for me. 2/5 Won't listen again

I mostly hate country but this isn't absolutely wretched. The guitar picking isn't bad. It's very old style, so there is still some soul, some folk elements. The tone of voice in the singing gets a little annoying pretty quick. Funny to hear them doing a Leadbelly cover. Obviously the original is better, as well as the Nirvana version (Where did you sleep last night/In the Pines). The story telling in some of these songs is pretty good though. 2/5 but for country I mean that's a solid score.

5/10… traditionel country / *1956

Relaxing, but every song sounded the same Favorite Track: In the Pines

This is pretty monotonous throughout. It's various versions of the same song over and over with little variation.

As guitarras acústicas e vozes sentimentais são muito interessantes e característica de um tempo bem legal da história da música. QoA Vesper.

Not for me

This album is 70 years old and still sounds better than most of the bro country getting pumped out today. That’s probably the first thing that jumped out at me. No fake dirt roads, no beer commercial lyrics, no truck cosplay. Just two brothers singing sad old songs like they actually mean them. The harmonies are phenomenal. That’s the whole thing here. You can hear how locked in they are with each other, and it gives these songs a weight they probably wouldn’t have with anybody else singing them. The mandolin playing is sharp too. Nothing flashy, just clean and cutting in the right spots. It’s old country in the best sense. Dark, simple, direct, and way more serious than a lot of what country music eventually turned into. Country is not my genre but I respect this effort. Favorite song: "My Brother's Will"

Boring, repetitive, annoying, and insipid. Their voices are nails on a chalkboard. Some of the songs are dark murder ballads, but other songs are God and Kentucky for 3 minutes. I wanted to listen to something else after the first minute, but I pushed through and all I have to show for it is a headache. Genuinely awful

Кентуки чикен, это не вы?

1, no me gustan rancheras

Got a little nervous when the mandolins and slide guitar came in but damn those harmonies are good. I guess they kinda invented close harmony? They sound great together and even pretty good when they're singing solo. Tragic Songs of Life is such a good title they're so goth.

Fine 1950s country music. The main thing that struck to me listening to this was an early version of 'In the Pines' which I'd only really know from Nirvana Unplugged. Other than that the album was the perfect length to soundtrack my bus trip to work this morning. 3 stars.

They know how to harmonize their vocals. Reminds me of the Gunfighter Ballads album. It says "Tragic" in the album but without reading the lyrics it's kind of a soothing country record. Does get pretty repetitive, like I've heard this Latin guitar strum pattern at least once per song (2.5-3).

A nice album, country isn't my genre but this is nice

absolutnie nie moja filiżanka herbaty (mimo, że bourbon nalany w środku)

They are definitely Tragic Songs of Life. Good musicianship, just not my brand.

I quite liked it! The album name was accurate, and the stories were compelling. They might not have been the greatest singers, but I think that added to the charm.

It's for someone. Not me.

I love the harmonies. Their individual voices are unremarkable but the brothers combine so closely together. The instrumentation was rarely as impressive, but I did like Let Her Go, God Bless Her where the mandolin took flight more. What I am finding with traditional country, though, is how much the frequent waltz times make things drag for me.

Great!

Kentucky 3.3 I'll Be All Smiles Tonight 3 Let Her Go, God Bless Her 3.2 What Is Home Without Love 3 A Tiny Broken Heart 3 In the Pines 3.4 Alabama 3.1 Katie Dear 3.3 My Brother's Will 3.3 Knoxville Girl 3.2 Take the News to Mother 3 Many of the Wild Moor 3 Score: 3.15

puts a hop in my step, plus knoxville girl

Good country music.

qué ganas de tener un rancho

Okayy

The same song 12 times, and it wasn't even that good... 3/10

With all respect to this genre, I’m not a country music person by any means.

The only impact this album had on me was to go re-listen to Nirvana's MTV Unplugged again. Kurt did "In The Pines" better 2

Totally not my usual genre, but if i keep talking about them i have to rate higher

It hurt my ears from the very first song. I could take no mare at track 5.

Really precious and twangy

2.9/5

Fine enough country album to listen to, but is very samey from song to song. Minimal differences between the songs make them all blur together in a way that makes it hard to keep consistent attention. Might he better with a second pass, but there's not a ton going on musically. Still inoffensive to listen to, but has its limits for enjoyment. Top tracks: In the Pines, Knoxville Girl

music is love

Another country album! (Two in a row). This feels like I fell into O Brother Where Art Thou. Interesting but quite twee. Not for me.

Some weirdly dark songs

Two brothers oozing with talent harmonizing over a small bluegrass string arrangement. I believe most of the tracks are covers or heavily influenced by other's works/traditional songs, and most of the central themes are pretty bleak. All in all it's a decent listen, unclear if I would reach for this again.

Really really good old country. Really puts modern pop country slop into perspective

LOUV it !!! Anything that old is perfect to me

beautiful singing damn some of this is so dark and violent

Researching this duo I was surprised have never heard of them previously. I probably would not seek it out again unless I was intentionally looking for good old classic country. I was surprised that I enjoyed the gospel songs at the end of the album the most.

Best Track - "Satan Lied To Me"

I'm always up for another oldie, though I have very little idea as to what this album could be. Off the top of my head I'm thinking of Modest Mouse's "Sleepwalking". The song borrows the melody to "Sleep Walk", which is a 1959 instrumental rock and roll track by Santo & Johnny, who are also a musical duo comprised of two brothers. Fuck it, we're rolling with rock and roll for my genre prediction. Here goes. Country. I should have known. This was an alright listen. The Louvin Brothers harmonise with one another very well and the songwriting is competent in how quintessentially country it is. There also a bit of a spread in the genres covered by this album. I picked up bluegrass, folky, Gaelic music and your more standard, down-on-your-luck, drawling country affair. The result is a decent, varied album, though what can I say? It just isn't in my sphere of interest. It doesn't detract from my rating of this album, though the version on YouTube Music was quite scuffed. The music regularly stutters and drops out, with "Take the News to Mother" being hit hardest by the garbled sound. I'm pretty sure the person who put this album on streaming ripped it from a CD and didn't bother to check if it was copied correctly. Again, it doesn't factor into my rating of this album, though I do find it necessary to disclose. Overall, this album was respectable offering and I commend the concise runtime, though it just doesn't resonate with me. Book time. Hey, this is album #3 when going by how the book orders these albums. A true oldie indeed. Anyways, the book says that "This, their first full album, remains one of country's essential bedrock releases." and further states that it's "...gospel-fired bluegrass shot straight from the heart." Ira Louvin was a self-destructive, aggressive, womanising drunk, which strengthens the tragic themes of this album. This behaviour would result in the dissolution of the group in 1963 when Charlie Louvin went solo. Ira had apparently been shot by his third wife, though it was a car crash in 1965 which ultimately took his life. Wikipedia says "Knoxville Girl" performed respectably on the country charts and the album was liked by the two critics who have reviewed it, though that's about it. If this truly is a landmark country release, then I'm content with letting it through. I cosign this inclusion.

RATING: 6/10 HIGHLIGHT: Alabama LOWLIGHT: Knoxville Girl

Bit of a struggle to get through. 2.5.

I like these country boys.

I don't know what you call that "high-pitched" sound, but I can't stress enough how awful I find country musicians' vocals. Screw the harmonies, to my ears it's simply an assault. Is that Appalachian? I have no idea. Besides, they're both incredibly boring; every song sounds the same, and they certainly don't have anything to say.

Country - don’t get it….especially this.

Nothing to hate, but not my preferred style of music. 1,5

Not enjoyable

tragic being the operative word

ok

Nahhh

naff

same song 16 times brev

Too much guitar and plonking on it.

Ah ouais c'est vraiment pas pour moi. Pas un changement de rythme/intonation/diction c'est juste ennuyant après 2 sons. Je me suis forcé à tout écouter mais je ne rejouerai jamais ce truc. (Knoxville girl me terrifie, comment ils peuvent chanter ça comme ça j'arrive pas à capter l'humour / la morale)

Dla country quoi

Typical old school country. Not bad

Some neat ol country, nothing too strong to say on this but its cromulent.

I enjoyed it, but I’m going to echo with the others say. The format works well for a couple songs, but it drags on. Each song sounds exactly the same.

Every song sounds the same

Buena musica country, antigua, me parece que será de la epoca de Johnny Cash o antes, pero buena, lo único malo es que todos son un mismo tempo y llega a aburrir

Here's another tally on the column for not going back to the 1950s.

Pov tu joues la country avec ton frère mais vous ne savez jouer qu'une chanson

tingilingilingilingiling pow pow pow pow Playlist pick : Katie Dear (au hasard)

Lovely country album. No flaws in here.

I have a soft spot for this type of musical storytelling.

WHAT! They just played the same songs 16 times? Well, that was my first impression. After listening a bit better you do hear a difference but not much.

Sounds like Klan music.

Spectral country music that floats towards you like the winds in the Blue Ridge Mountains. A bit repetitive, but highly evocative.

Tragic indeed

This one’s really good.

tight harmonies. Pretty fun songs, though I bet the satan one is funner.

Sounds pretty uniform throughout but it does work. This is what I imagine people listening to in the 50s.

A solid collection of Bluegrass. Great instrumentation. A unique experience for a list that feels so saturated in Newwave. In the Pines, is a jam.

Never heard of them but a good sound.

𝘛𝘳𝘢𝘨𝘪𝘤 𝘚𝘰𝘯𝘨𝘴 𝘰𝘧 𝘓𝘪𝘧𝘦 is about as traditional as country music gets. The album lives and dies by the close-harmony singing of the Louvin Brothers, which is either going to be the main attraction or a major hurdle, depending on your taste. Personally, I can appreciate the musicianship and the atmosphere, even if the vocal style doesn’t always click with me. The songs themselves are simple, but the harmonies give them their identity. If you’re curious about traditional country music, this feels like a good place to start.

Much better than I expected. The manner in which they sing kinda pisses me off tho. Can’t listen to this again but it was aight for what it was.

I don't like country music enough to get past the fact that every single song on this album sounds the exact same. Menudo coñacing.

So here’s another ‘if you like…’ in this case if you like grassroots country music then you’ll love this. Tight harmonies indeed. But I can’t stand it - drives me nuts.

It’s like listening to the tales around big ass campfire

Shout out Satan is Real. Not this album, but what a cover.

Hard listen

Never been a country fan but I guess that was O.K.

Enjoyed this. Real old timey country!

Not my cup of tea.

5.5/10

Amazing!

Kinda dug this at first, despite how basic and old it sounded but it all ran together and went on too long. 4/10

Country music with a dark and folky twist. I added “In the Pines” to my playlist.

Landmark album it may be, but this ain’t it. Boooooo.

Are we fucking kidding. Another 50s country album. Got through 1.5 songs and decided that’s enough. It’s a generic 50s/60s country album. If you’re 80 and you like country this is the album for you. I’m 26 and am very lucky about country. This album just isn’t for me. JAA. 2/5 for trying.

Meh 2

Pretty cool. Dug that song about the devil.

A nice old country album. I do like duets. But why does it sound like reggae. Bouncy bouncy.

highlight of the album was 'In the Pines', which was covered by nirvana in their MTV unplugged this album was fine, but not really my cup of tea. closing out with religious overtones was seemingly a good choice for the time and their audience. but again, not really my cup of tea

Some old old country that sounds a lot like music I’ve heard a lot growing up in Appalachia. But because of that, it’s not really anything remarkable. I’ve gotta be in the mood for this but it’s not offensive to listen to.

Here's the thing. Everyone agrees that modern country music is trash. No substance or style. Just pop songs about beer, guns, and trucks sung in an accident. Everyone says classic country is the best until they listen to an entire album like this. A song or two is nice to listen to to get that original sound and feeling. A whole album of the same repetitive sound gets old fast though. A blend of classic sounds like this and the modern pop country we have today would be my ideal style.

This sounds so whiny... I gave up when I checked how many songs I still had to go and I was only just over halfway through. Not my thing!

This had some good songs and was enjoyable. Maybe a bit long though.

Alright so this was a pleasant enough listen but holy frijoles: EVERY. SONG. SOUNDS. THE SAME! Like I get that's part of the style but my god could there be a LITTLE variety here?! I know for a lot of people that's part of the comfort of the genre but when every song starts up and I know I can already sing along to the melody and rhythm of a song I've never even heard before it gets a little repetitive.

Not great.

Keeping this one in mind for my next hootenanny.

Fun fact of the day - After wondering what was up with the homicidal song, Knoxville girl, I learned murder ballads are a thing!

Honestly kind of wild there’s not more religious music on this list since that’s basically how music started. This is pretty standard stuff, didn’t blow my socks off, definitely didn’t hate it. Short and okay enough, a couple songs feature a pretty dark sense of humor, surprising for such religious stuff.

Well, this is something I wouldn’t normally get exposed to. Strangely weird and wonderful. Great harmonies and some choice subject matter. Sort of addictive

fun, not super my vibe of the day but that’s ok

Appalachian harmonies and beats

What an awesome find! Pure classic bluegrass music, with intense story-telling lyrics. Never has heartbreak sounded so peppy.

I didn’t listen to the whole thing but what I heard was good. Not really my genre.

Wow -- not familiar with this at all. But there is some great musicality here. I really like the guitar and mandolin picking on this album -- they really lend some energy to the songs. And the vocal harmonies really pop -- reminded me quite a bit of the Everly Brothers. They would cover the same song Kentucky found here a few years later. My only complaint is that there is less of the guitar and mandolin soloing on the second half of the album... and I could feel a drop in the energy level. Though I am not likely to revisit this, I can appreciate this solid effort.

Well done overall. Plenty of nice harmonies and storytelling, mostly. 1 listen

Expectation: -> Expectations are not high based on the description. After listening: -> My mistake. I quite like this. Yes, it can sound repetitive and grate a little at times. Their duet harmonies and that mandolin playing probably set a standard for future artists. I find most of these lyrics to be entertaining, others with strong religious tones, and some are disturbing. How many people died in the making of this album?!? The more ridiculous and macabre the better (mostly). This style isn't for everybody but it's at a 3.6-ish for me and I'm rounding up. Track ranking: Let Her Go Satan Kentucky Tiny Without Love Katie Pines Brother AL Smiles Mother Knoxville Mary Thankful Lord Pray

nah

I was kind of expecting to hate this and it is great. The harmonies, the guitar, the song selections all really work. I love the choice of macabre kind of southern gothic with their bright, melodious voices.

It’s more of a collection of singles but they still provide good examples of country musics state in the 50’s

It is just quite alright. not bad but dont we have enough albums like this one on the list

nice enough

These guys need fucking help

In another era, another place, this album lingers like an old-timey breeze. It's the kind of charm that wraps around you, warm and familiar, even seven decades on. A simple melody repeats.. and repeats.. and repeats.. Spins: 1 Playlist Additions - I'll Be All Smiles Tonight - In the Pines - Knoxville Girl

Nah not for me

Good voices

Old school country with a touch of bluegrass. In The Pines is a classic but the rest of the album is just ok.

Enjoyable enough to listen to but I’m never going to listen to this again in my life. I love the album cover though.

5/10: I liked the songs about murder and broken hearted children, less so the ones about god. Clearly very influential and the melodies were pleasant, but I don’t see much re-listen value in this one to me. Best song: A Tiny Broken Heart

I guess I haven't paid enough attention to the lyrics to be sure, but it's less than tragic and more like sad or unfortunate. Sits together well with my feelings for this album being on this albums generator. It's not tragic, but it's unfortunate, as someone who doesn't already appreciate country music. Props for nailing it, I can't say it's got horrible production, I can't say they're talentless, they know how to hold a note and play it, too. It does sound like stripped down country, which is something I feel like I still hear around, like a genre that's fighting evolution. I can see why it's a must-listen, and now that I did I probably never will again. I listened to those four bonus tracks with religious overtones. Fuck that. I'm not docking points, but if they'd been part of the original release my rating would've decreased, and we're right on the edge of being a one star record. 1.6/5

I tried I really did but it’s not for me I’m afraid.

Did I love this album? No, but I did find this to be quite impressive for its time. Some really crisp country folk here which I enjoyed quite a bit more than I had anticipated. Usually, gospel like country would annoy me with all the preaching but seeing as this came out in the 50’s it really didn’t bother me so much. Had a look at some of their other albums and the album art for “Satan is Real” is 10/10 fantastic and the title track is something. This was fine for what it is. 3 stars

I especially liked the track Knoxville girl

It was fine for what it was. Boring, and twangy.

I’ve been a country defender in this project, but this one is a collection of songs that aren’t really different from one another in the sense that the brothers do the same vocals, guitar, and rhythm on each song. The mandolin playing is nice, but that’s about it.

Classic Bluegrass album and way darker than expected.

Is this really a Mitch McConnell solo album? He's from Kentucky. He has a tiny broken heart. And, obviously, Satan lied to him.

Now that’s how you make violence against women sound good.

Would make a good soundtrack for the Hillbilliy Horror genre.

Not really my thing. The harmonies aren't bad

Listened Before? N 50s Folk/Country. Hmmm... this feels less like a must-hear and more like something you'd flip past in the $0.50 bin at the record store. It was fine I suppose. The story telling was well done but the subject matter was boring. Added to Library? N Songs added to playlist: Kentucky

Very country very western some excellent songs a source I think for some of half man’s ideas the tragic comic love song parody.

trying to be fair but this sucks, i'm so glad we've progressed past this Would I listen again: No Deserves to be on this list: no??? 2.1

Pointless

Take Seals & Crofts and have them sing Appalachian music. Best way to describe this album. Not my cup of tea but got through it. 2.0

ok

Not really thing

I may not believe in God, but Charlie and Ira Louvin's voices give me faith in something, just not sure what.

Very old time.. Not bad, but gets old quick.

Listens: 1 Standout Tracks: None Hard pass. Country music just isn't for me.

Appealed to my inner hillbilly. Enjoyed the vibe rather than individual songs. Props for the Nirvana cover.

Wild turkey chasing music. Hillbilly shit 1.5

Nice Harmonies. Never heard of em. Heard the ine Nirvana covered, but dunno why Id ever seek em out again. Not offensive, but.. shrug

Chill, melancholy album.

je suis jamais allée aux USA mais on s'y serait cru. j'ai bien aimé après c'est vrai que c'est pas du tout mon style de musique, donc je ne réécouterai peut-être pas.

Some okay songs with at least nice harmonies.

Day 22 Tragic Songs of Life by The Louvin Brothers I’m European, and country has never really hit the sweet spot for me outside of a few albums. Going into something this old, I was a bit worried. It’s very heavy on religious themes and topics I just don’t really connect with. I tried to keep an open mind, but it just didn’t vibe with me. That said, they harmonise really well, and there are moments where the songs are actually quite fun. For something this old, I can definitely respect it. But enjoying it is a different story, and I just didn’t really get there. Food pairing? Beans and mashed potatoes sounds about right. Simple, old-school, nothing fancy. Wine pairing? Honestly, this feels more like something stronger. A whiskey or bourbon fits better than wine here. Favourite song? “Kentucky”. Vinyl? Don’t think so. First listen? Yes. Overall 2 out of 5.

po mano, não é bom qual que é o sentido disso pq eu tenho que escutar isso? vtnc

de fato, estadunidenses dão um valor pra música country/folk desnecessário demais. é péssimo. foda-se essa merda.

The kind of bluegrass/country music that was all about love, death, and the heartbreak both cause. Love the mandolin, and the harmonizing was kinda neat. As morose as the subject matter was, it wasn't a bad time.

I like it. Spun a couple times for full clarity. When I was a true tot, my mom used to sing In The Pines as I went to sleep at night, although her version was called Black Girl. Haunting yet beautiful. Of course I've heard the Cobain version, equally moving even when watered down. Knoxville Girl was another I'd heard covered by a different band... I think BR5-49, but I never really listened to the lyrics until now. Wow. Shitty. Good album... I can imagine my grandfather enjoyed listening to them on the ranch in Texas, and that makes me happy.

Mostly cover songs being performed just fine. Not much to say because that's just what was typical, they sound nice, at least

(2.5) this album is exclusively meant to be listened to when sitting in a rocking chair on the porch of a cabin in rural appalachia

I thought Steve Martin said you can’t be sad listening to a banjo? This “Knoxville Girl” thing is bonkers. Why tell a story like that in a song? Because it was part of everyday life at that time in that part of the country? Yikes. At least the main character of the song ends up in jail… Tragic, indeed. Ok, I guess technically there is no banjo on this record, so it must all be fine. “Mary of the Wild Moor” paints a beautiful picture of a dead mother on a doorstep with her little baby holding its dead mommy’s hand. Great. Wait, did the baby just die, too? These boys are brutal. Mandolin is almost as a happy as a banjo. Whoops - “Satan Lied to Me”? WTF? This is surprising how? This all sounds like something Uncle Baby Billy would be singing on “Righteous Gemstones”. I like bluegrass, but this flavor is not for me.

It's country, innit?

Too much wailing for me

So this is what happens when white americans make music with zero black influence huh

Very bland early country. I was going to give it two stars until the religious songs came on and then it was too much. A better representation of early country from the same timeframe would have been Buck Owens.

Pretty twangy, but despite that, I enjoyed some of the songs.

Przepraszam, ale nie jestem w stanie dać więcej niż 4/10. Z harcerstwa i trzymania się w kółeczku za rączki wyrosłam kilkanaście lat temu. Może kiedyś to były hity, ale teraz? Nie byłam w stanie tego zmęczyć jednym ciągiem.

Not for me. Just no

270/1089 this is REALLY not a bit of me… at least it picked up in Let Her Go… this type of sleepy, yodelly country music just irritates the life out of me now they’re singing about swinging a girl around by her hair and throwing her in the river?! 11/100

Not for me. 1/5

i recognise its good, good vocals and instruments just not my cup of tea

The rhythm and music itself feels very repetitive, which I suppose is expected for old-time country. You can certainly hear the gospel influence throughout. The lyrics are what carry the album, but even so, meh. It’s just fine, not my cup of tea.

Got that warble going on. Not a fan

# In-Depth Review: *Tragic Songs of Life* by The Louvin Brothers (1956) ## Overview *Tragic Songs of Life* stands as one of the most significant and haunting albums in the history of American country music. Released in 1956 by Capitol Records, it was the debut full-length album by the Alabama-born brother duo Charlie and Ira Louvin (born Loudermilk). The album represents their pivotal transition from strictly gospel performers to secular country artists, while maintaining the spiritual intensity and moral gravity that defined their sound . ## The Music: Sound & Arrangement ### Instrumentation The album features a deliberately sparse, minimalist arrangement that foregrounds the brothers' vocal harmonies. The instrumentation consists of: - **Ira Louvin**: Lead vocals and mandolin (including his signature tremolo technique) - **Charlie Louvin**: Guitar and harmony vocals - **Paul Yandell**: Supporting guitar - An uncredited bassist and snare drummer This stripped-down approach—just vocals, guitar, and mandolin—creates an intimate, almost confessional atmosphere. Ira's mandolin work is particularly noteworthy; he achieves what reviewers describe as a "big and dark tone" that adds emotional weight to the material . The simplicity of the arrangements was partly economic (Capitol kept costs low for untested artists) but also aesthetic, allowing the stories and harmonies to breathe without orchestral interference . ### Vocal Harmonies The Louvin Brothers' vocal blend represents perhaps the album's most celebrated element. As siblings who grew up singing together in rural Alabama, they developed what musicians call "perfectly matched diction"—identical vowel shaping and synchronized phrasing that creates an exquisite tonal blend . Their harmonies are tight, close, and often described as "clear and pure as a mountain stream" . Charlie sang the higher harmony parts while Ira handled the lower lead vocals—a reversal of typical brother-duo conventions that would later influence the Everly Brothers . Their voices carry the distinctive "high, lonesome sound" of Appalachian music, though some modern listeners find the nasal, high-throat quality grating over extended listening . ## The Lyrics: Darkness & Storytelling The album lives up to its title with unflinching examinations of human suffering. The material spans traditional murder ballads, heartbreak narratives, and spiritual meditations on sin and consequence. ### Murder Ballads The most notorious track is **"Knoxville Girl"**, a traditional Appalachian murder ballad that recounts in chilling detail the beating and drowning of an innocent woman. The narrator describes striking his victim "with a stick so violently" until "the blood came trickling down" before throwing her into the river . The song's power lies in its deadpan delivery—the Louvins treat this gruesome material with the same earnestness as their gospel numbers, creating an uncanny emotional effect . **"Katie Dear"** presents a Romeo-and-Juliet-style tragedy where forbidden love leads to mutual suicide. When Katie's parents threaten the suitor with silver and golden daggers, he stabs himself; Katie follows suit with the same blade . The bouncy 3/4 waltz tempo creates a disturbing contrast with the lyrical content. **"My Brother's Will"** explores a love triangle resolved through a convenient "hunting accident" that kills the narrator's sibling, leaving him to marry the widow . ### Heartbreak & Loss Beyond the bloodshed, the album explores more conventional country themes of romantic dissolution. **"Let Her Go, God Bless Her"** stands out for its emotional complexity—the narrator recognizes his lover's changing feelings (noting the way "she done up her hair") and proposes a day at the races as a last-ditch effort to save the relationship, threatening death if she refuses . **"I'll Be All Smiles Tonight"** and **"I Can't Keep You in Love with Me"** demonstrate the brothers' ability to make heartbreak feel as devastating as homicide. The closing hymn **"Mary of the Wild Moor"** tells of a mother and child dying of exposure on the moor, their cries unheard by the family inside the warm house . ### Religious Undertones Despite being a secular release, the album maintains the brothers' Baptist worldview. Several tracks—including **"Lord, I'm Coming Home"** and **"Thankful"**—are explicitly gospel numbers that close the album on a note of spiritual redemption . Even the secular songs function as moral warnings about sin's consequences, reflecting the brothers' belief that tragedy results from moral failure . ## Production & Historical Context The album emerged from a complex professional situation. Capitol Records initially signed the Louvins as a gospel act, believing they already had sufficient secular brother duos on their roster . However, gospel music limited their commercial viability—church crowds found their stringed instruments insufficiently reverent, while honky-tonk audiences felt judged by their fire-and-brimstone lyrics . Producer Ken Nelson allowed them to experiment with secular material, beginning with the 1955 single "When I Stop Dreaming." The success of that transition led to *Tragic Songs of Life*, recorded with minimal production embellishment. The "awkward everything-hushed-then-suddenly-loud" dynamic range actually amplifies the material's strangeness, as does the predominance of waltz time signatures that make murder ballads feel like dance tunes . ## Themes & Philosophy The album explores several interconnected themes: 1. **The Inevitability of Tragedy**: Rather than presenting suffering as exceptional, the Louvins treat it as a universal constant—the "tragic songs of life" that touch every existence . 2. **Moral Consequence**: Drawing on their fundamentalist upbringing, the brothers frame most tragedies as the natural result of sin, weakness, or poor choices . 3. **Gender & Violence**: Modern listeners often note the album's troubling gender dynamics—women appear primarily as victims of male violence or as objects of romantic pursuit. The casual brutality of "Knoxville Girl" particularly raises questions about the culture that celebrated such narratives . 4. **Nostalgia & Place**: Songs like **"Kentucky"** and **"Alabama"** express a bittersweet yearning for home and simpler times, contrasting with the darker narrative material . ## Influence & Legacy *Tragic Songs of Life* proved profoundly influential on subsequent American music: - **The Everly Brothers** directly modeled their harmonies on the Louvins' blend, creating a through-line from 1950s country to 1960s rock and roll - **Gram Parsons** and **Emmylou Harris** championed the Louvins' work, covering their songs and bringing their harmonies to the country-rock movement - **The Band**, **Byrds**, and countless bluegrass artists cite the album as essential listening - The murder ballad tradition experienced a revival through artists like Nick Cave (who released his own *Murder Ballads* album) and Nirvana (whose cover of "In the Pines"—titled "Where Did You Sleep Last Night" on *MTV Unplugged*—introduced the song to grunge audiences) The album appears in the book *1,001 Albums You Must Hear Before You Die*, recognized as a landmark of traditional country music that "remains powerful more than fifty years after it was recorded" . The Louvin Brothers entered the Country Music Hall of Fame in 2001 and received a Grammy Lifetime Achievement Award in 2015 . ## Pros | Aspect | Strength | |--------|----------| | **Vocal Harmonies** | Among the finest sibling blends in recorded music; perfectly matched diction and phrasing | | **Emotional Authenticity** | Complete commitment to material, treating tragedy with compassion rather than irony | | **Mandolin Work** | Ira's tremolo technique and tone are masterful, adding texture to sparse arrangements | | **Storytelling** | Compelling narrative arcs that engage listeners intellectually and emotionally | | **Historical Significance** | Essential document of country music's transition from gospel to secular themes | | **Influence** | Shaped the Everly Brothers, Gram Parsons, and generations of harmony singers | ## Cons | Aspect | Limitation | |--------|------------| | **Vocal Tone** | High, nasal, "twangy" quality can grate on modern ears unused to traditional country | | **Repetition** | Many tracks share similar keys, tempos (predominantly waltz time), and arrangements, creating monotony over 12 tracks | | **Lyrical Content** | Graphic violence against women in "Knoxville Girl" and similar tracks troubles contemporary listeners | | **Gender Politics** | Women largely lack agency, appearing as victims or objects rather than fully realized characters | | **Limited Dynamic Range** | Sparse production offers little sonic variety; "listen to one track and move on" is a common reaction | | **Religious Heavy-Handedness** | Gospel tracks may alienate secular listeners; moralizing tone can feel judgmental | ## Conclusion *Tragic Songs of Life* demands engagement on its own terms. It is not background music, nor is it suited to ironic detachment. The album requires listeners to accept its worldview—that life is inherently tragic, that sin begets suffering, and that beauty emerges from acknowledging these truths rather than denying them. The Louvin Brothers' genius lies in their total lack of self-awareness; by treating minor nostalgia and major murder with identical deadpan candor, they achieve an uncanny emotional resonance that transcends their conservative framework . Whether one finds this approach transcendent or merely strange depends largely on one's tolerance for high-lonesome harmonies and unflinching darkness. For students of American music, the album is essential—a bridge between Appalachian folk, bluegrass, and modern country that influenced rock and roll's greatest harmony singers. For casual listeners, it offers a window into a vanished musical world, though one that may require patience and contextual understanding to fully appreciate. **Final Verdict**: A landmark recording that balances its historical importance against challenging, occasionally problematic content. The harmonies are flawless, the stories unforgettable, and the darkness uncompromising.

Roots country at its finest. (I can just imagine all of the prejudiced belly aching I'm going to find in the Reviews section.) Well, okay, roots country at its FINEST is Hank Williams. I concede that the quality of the lyrics here may be wanting. But they are utterly unpretentious. And the melodies and harmonies are fantastic. For a person who's drawn to melody-harmony-rythm-lyrics, in that order, that's enough. It also provides such a magnificent vantage to one of the main well-springs of everything we listen to -Appalachian music from the turn of the 19th Century.

This album started as a 1 or 2, but the tragedy really amped up in the middle and the stories were thrilling.

All the songs have a very similar opening style i thought it was stuck on repeat.

It was fine for what it is. Just not something I'd seek out to listen to.

As a time document, it’s a pretty interesting listen. As an actual album however, it’s a lot of the same and it gets repetitive real quick.

Do you like harmonies? Waltz time? Songs either about murder or Jesus? Then this is the album for you. Being honest it is pretty much what it is. 50’s backwoods gospel country. The brothers voices mesh perfectly if they are singing hymns or murder ballads. A fascinating listen

Reminds me of my Grandpa

yeah, this was fun. sounds like home in a silly way

Fine folk ballad compilation. I wouldn't be able to discern it from other folk ballad albums, but it does well.

Oh my God. How did I not know this duo until now? This is great. Holy shit. So simple and so powerful. I mean it when I say I think it would heal everything in me to play a couple of these songs with some pals by a campfire. This is so much fun to listen to. Aside from the cranky losers who have littered the reviews page with one-star bits about Americans thinking country is way more important than it actually is, I’m surprised this hasn’t been more warmly received. This album makes me want to sell my house and move to a cabin in the woods in Clay county

not a fan

Better than expected! Reminds me of the old drugstore music I used to hear every Saturday morning. 3-3.5

“In the Pines” is one of my favorite songs of all time. This was fun!

I was so ready to love this album and it just did not hit the way I thought it was going to. I’ll revisit in the future.

When the mood is right, this is a delight. Me, hurtling down versailles road on a sunny evening, trees blooming and Keeneland opening? And the first track is a love song to the Bluegrass state? Unbeatable. The mandolin is perfection. Me, driving back home in the dark listening to a harrowing tale of a freak hunting accident: ah jeepers, I’m not enjoying these tragic songs of life anymore. And the Righteous Gemstones-core “Satan Lied To Me” had me scared that Danny McBride would pull up behind me to pull “car pranks”

Levon Helm said ‘the Louvins taught us to sing’. And they did.

Firstly completely of its time, which made for a fascinating listen. The melting pot of influences is fantastic. The strength is the playing, on occasions mind blowing. The arrangements point to so much of what was to come across the popular music spectrum, LOTS of people who went on to big things were listening to these two. Listening to a whole album the vocals tend to grind a bit but who cares, a fun listen.

One day I wandered into the rumpus room to find my three teenage sons playing pool and listening to the Louvin Brothers. I think it was leftover from my spotify queue. "Oh," I said "let me change that, you don't want to listen to that." "No, no, no" they all replied "we like it". That felt like a parenting win; they were broad minded enough to enjoy a wide variety of music, and let's face it, the Louvin Brothers aren't cool (despite 'Satan is Real' regularly turning up on those curated lists of World's Weirdest Album Covers). But I like the Louvin Brothers. It is exactly what it is; two guitars and a mandolin and terrific harmony singing. I can very happily listen to this all day. Some of the song choices are a bit suspect; some traditional songs have been bowdlerized a bit, although the incredible misogyny of Knoxville Girl remains intact ("I loved that Knoxville Girl, but I beat her to death for no reason and tried to hide her body"). But I'm a bit partial to a murder ballad (cf. Nick Cave's Murder Ballads, or even better Kirstin Hersh's Murder Misery and Then Goodnight which is a collection of traditional Appalachian murder ballads). Maybe a Louvin Brothers record that had some more uptempo numbers would be a bit more representative, but I have no arguments with this album. Five stars.

Great to hear some bluegrass on here. While not the best bluegrass album I have heard it was pretty darn hood

Technisch sehr gute Sänger, fühle die Tragik leider nicht

2,3 Highlights: Let Her Go, God Bless Her, A Tiny Broken Heart

I like the 1950s style of country music, but man some of those songs do not hold up well (looking at you “Knoxville Girl”). Decent country, enjoyable enough, just wish there was more representation from the 80s and 90s from this genre. It feels like most of the country on the list is from the 50s and 60s.

Sad cowboy is sad

My dad listened to a lot of gospel when I was growing up, so I have some exposure and appreciation. It's good this is on the 1001.

Oh dear…somebody must have liked them in the Deep South of the good old U.S old A, but I’m not louvin’ the Louvin Brothers or the overtly religious themes in some of the songs. Just a bit weird and irritating I’m afraid.

Crikey, a good title for the album, it was tragic!

シンプルで綺麗なハーモニーで落ち着けるアルバムだった。

This is everything I hate about country in one package. Boring, slow, every song sounds the same, completely uninspired harmonies, too much gospel influence. The mandolin is pretty much the only bright spot on this. 1.5

I means it good, but just kind of got old. Sounds like these two were dickheads too.

Going track by track, this is not a bad album. I like the bleak lyrics and the infectious harmonies. But as an album, it is too much. After 20-25 minutes those harmonies that were charmaine on Kentucky start to grate and everything starts to sound annoying. Really annoying. Props for doing the first ever Nirvana cover, though!

All this album needs is a hot summer evening, the smell of bbq in the distance and a cooler full of cheap cold beer

A lot of identical songs with different lyrics. I love that song though.

Sure if ur sitting around a campfire in 1935

Förstår faktiskt inte vad den här sörjan gör på listan. Känns som att det finns massor med liknande platt vit amerikansk musik före rock-'n'-roll revolutionen. Oengagerat utan nerv eller soul. En etta

Not my style

1.3 One of those rare ones where from the first word on the first track you know you're going to absolutely hate the next half hour. The Louvin Brothers run you through classic tragic things that happen to you, such as when you're 7 and the girl on the neighbouring farm moves away with her family, or when you beat the shit out of a girl so bad that you're covered in her blood and you just keep beating her and beating her and then you throw her lifeless body into a river. All the classics really.

In a nutshell: country Murder Ballads. Tragic? Most of these songs are DARK! And these brothers started singing gospel before swapping to secular music. It's kinda country, kinda folk, kinda bluegrass music. We have mandolin, a guitar and two brothers who swap vocal roles typical in country albums (one low range, one high). I'm struggling to stay open minded about early albums, as they sound like a string of singles. Country is not my thing. But I give this a free pass. This style was replicated over the years (see Everly Brothers). It's a staple of most of the country music I've heard on the list. Overall: 4/10

Très très bon, classique 4.5/5

It's a peculiar feature of my music taste that I quite like bluegrass but I can't stand country and this album seems to straddle the two. But whatever its bluegrass qualities, I find it hard to get past the way that aside from the lyrics and the narratives, all the songs sound almost exactly the same.

A nice old country album

ok so they are really tragic songs of life, and although this is not a genre that i enjoy in very small portions, i love tragedies and i like like like this record

Oh boy. This had some moments, not terrible. I enjoy bluegrass, that helps, and boy howdy were there some hilarious lines of awful tragedy.

Not a terrible album but it did feel repetitive overall. But instrumentation was good I just wasn't feeling the vocals nor the overall vibe. 4/10, Favorite Song: What is Home Without Love

annoying vocals, can't do nothing about it, just don't like it

Better than expected, but not great. 2.25?

I'd not heard of the Louvin Brothers before this and now, I'm not sure why. This is a fascinating album.

Favs: In the pines, Knoxville girl (Nick Cave ima obradu) 6/10 = 3+

Run of the mill old school blue grass. I can see where Ricky Skaggs got his schtick from.

Ughhhh no, should've been left in the 50s. 1*

There’s some kind of charm here but after the seventh song all I can think is thank goodness I was not born in the 40s.

Well, I enjoyed this one. Some of them were songs that I've heard a million times - I come for a bluegrass background and if you haven't heard Knoxville Girl or In the Pines a million times, are you really bluegrass enough? I get that it sounds old-timey - very much a product of it's time. But that's what I enjoy! I love the tradition of folk music. Fun fact - it is believed that the popular form of the murder ballad came from something called broadside ballads. These broadside ballads were essentially one page newspapers that contained memorable ballads about current events or folktales. In the late 1800s (though there are plenty examples before this time) , they started printing a lot of true crime related ballads. This gave way to the modern murder ballad - a murder would happen, and they would write a ballad surround the who, what, and why and those selling the broadside ballads on the street would sing verses in order to sell their newspapers/broadsides. An example from this album is Knoxville Girl. It comes to Appalachia from Ireland, from a tune knows as the Wexford Girl, which in turn came from an English Folk song, The Oxford Girl (the Shirley Collins version is great!). I don't quite remember the origin date if any, but I can tell you that every traditional murder ballad has three elements - the event, the victim, and the killer getting his just desserts - oh and the subtext that women should be moral and not do anything out of line with what is traditional, otherwise they'll be drowned at the river. As you can tell, I like the traditional music. I like the history and how these tunes can span centuries. I like digging into all of them and seeing if they originate and can link back to the Child Ballads, or what Roud index number this song is. I think all this is neat. So the music - the mandolin is played really well and I can hear what was kept and improved upon through the years after this album came out. As a mandolin player, really great example of the instrument and it's role. As an really bad guitar player, this was simple no frills guitar - but effective in it's role. And some context to the singing - the high lonesome tenor is the traditional way of singing these tunes in the Appalachian tradition, and the harmony is not a complex one. I don't think this album was supposed to be "innovative" - rather a straightforward collection of songs and music. I think we get lost as music lovers hoping for something to blow our minds every song or album. Sometimes, songs are just songs and people are just singing them. Also the super religious songs at the end I honestly don't care for as much so I totally get that. Hard to be nonreligious in the bluegrass world sometimes! All that to say, the Louvin Brothers are formative to the bluegrass movement, and as someone who already loves this music, I gotta give it 5 stars. But I get why a lot of people don't gel with it. I'm just a folk nerd. Oh and if anyone actually reads all this, kudos and I hope you learned something kind of cool. Song added to playlist: In the Pines. Man I love this version! And I love the Nirvana version - another example of these traditional songs crossing decades.

In the pines was the only highlight since it's always interesting to hear a new version of that song. Otherwise I did not care about this

Not really my cup of tea

unfortunately i'm not massively a lyrics person and musically this is very monotonous and repetitive, almost eerily so. an interesting listen as i've not listened to much traditional country music before, but i didn't particularly enjoy it - the constant harmonising made my brain feel like mush by the end

No va

Oh boy, the hits keep coming this week. What a painful list of albums to try and get through. Two consecutive days of bumpkin music is more than I can handle. This is a folksy banjo album, nothing special about it and the rest of the world agrees as no one's ever listened to it. "Knoxville Girl", a very average song, does have 1M listens after SEVENTY years, but most are just over 100K. How did they do a Nirvana cover song back in 1956? Mind blown! "In The Pines" was the highlight of a very poor listening experience. Wow. Novel for one or two songs, but then repetitive and irritating. 2 stars. If I was stranded on a desert island and this disc was stuck in my cd player, I'd likely take one long last swim.