Too squeaky & squawky for my liking

For a band I've never heard of before I enjoyed this record. Stylistically it's quite varied and kept me interested throughout - no two songs sounded the same. It's on the risqué side; I thought a tune like Gang Bang had the perfect classic rock FM radio sound but the blatant lyrical content would have prevented it from reaching a wide audience. Giddy Up A Ding Dong had a similar catchy vibe. The Faith Healer is their most popular song but to me it was one of the weaker tunes on the album. I considered giving it a 4 but ultimately I wouldn't listen to it again, so I've settled with a strong 3.

It’s still very Steely Dan sounding. Pretty good background music but no one track was particularly ear-catching to me. Deserving of its place slightly above centre score.

I can appreciate from a music discovery perspective that this album made this list, but let's get real, this kind of abraisonal, face-melting noise is extremely niche and surely only truly enjoyed by those who grace the lower 1% on the music enjoyment bell curve.

The kind of music I expect to be playing in an empty hotel foyer at 1:30am

Quite a mediocre album from my perspective. I never really got into The Smiths aside from their 2 or 3 hits and this album didn’t particularly encourage me to try more.

I wasn’t particularly moved by it. Me & Julio is the standout track. I understand it’s a classic but it’s just not my cup of tea

I recently spun Aja after many, many years, which I was reminded about from a recommendation at r/classicrock. People raved about it there but I didn't personally see the huge appeal, I thought it was good quality background music but not much more than that. I was skeptical coming into Pretzel Logic but I ended up enjoying it much more than Aja. It flowed better and made much more of a sonic impact. I would listen again, and might explore more of Steely Dan in the future.

The first album along my 1001 journey that I felt a good connection with. I've spun a dozen Nick Drake songs in the past but never really explored his discography. Five Leaves comprises the type of reflective folk music perfect for an autumnal Sunday morning brunch-making session. I connected most with Man In A Shed, its chord progression spoke to me; lyrically you can appreciate Drake's yearning for an unrequited love. It led me to learn more about him and his short life... such a tragedy to lose a talent so young to depression.

Wikipedia says The Clash was billed as "The Only Band That Matters". Bullshit.

I'm not a big hip hop fan but I appreciated Illmatic more than I thought I would. I definitely prefer old-school 90's rap compared to what comes out today, the bars of yesteryear seem a lot more genuine. No particular standout track to me, it was quality and consistent the whole way through. I give it 3 stars but more because it's not really my jam; I can imagine a lover of the genre would award it 5 for its mastery. I would listen to Nas again.

If this isn't a smooth introduction to an album, I don't know what is. I instantly knew based on the first 10 seconds leading into Street Life that this was going to be some good stuff! I'd never heard of The Crusaders before but it left me wanting more. I'm still fairly new into this project but this is for sure my favourite album I've listened to so far.

Alas, no story from either the city or the sea pulled enough at the cockles of my heart to offer a "Wow" moment. PJ Harvey is of course to be respected as a musician and songwriter but her style is just not for me.

I wasn't struck by the alt-rock vibes initially, but the album took an unexpected turn from track 6 onwards and I began to take notice. A quick Google led me to learn the final 4 tracks were in memoriam of the lead singer's girlfriend who had died of a heroin overdose. Harrowing stuff. Of Course was the standout track with its Middle Eastern influences. Classic Girl with its acoustic undertones came a close second. It's tough to rate this one, I feel 2 is too low and 3 is too high. I'm sticking with 2 for the pure fact that their style is not really my cup of tea, but I can absolutely respect the musicianship, songwriting and sentiment behind this record.

Radiohead is a band that, for some reason, I've largely ignored over the years. Looking over my Last.FM profile, I've only ever spun 5 tracks from The Bends over the past decade, never the full album. I was impressed by its two strong openers, Planet Telex and the title track, leading me nicely into a state of sonic familiarity with High and Dry and Fake Plastic Trees, both of which I enjoy and are true 90's classics. From here on, I was engaged and invested. I relished in this album more than I thought I would. A solid 4/5.

This collection of songs would have been lifechanging to hear in 1957. I can't imagine the shock of hearing Little Richard's ferocity against the clean-cut stars of the times - the polished harmonies of the Everly Brothers or the baritone of Perry Como. It's dated by today's standards but altogether an interesting step back to one of the original rock & rollers. I watched an interview with Jimmy Barnes recently where he claimed Little Richard was one of his strongest musical influences as he grew up. Indeed, while listening to Here's Little Richard, it stuck me how Barnesy ended up with the vocal style he's so well known for today.

I'm sorry, Ms. Dynamite, I see you won the Mercury Music Prize for this album, but alas, this style of music is simply not compatible with my eardrums

A very smooth and highly listenable live recording. I learnt that the bassist on this album, Scott LaFaro, was one of the most influential jazz bassists of all time, who sadly died in a car accident 11 days after the concert. I’ll be listening to more Bill Evans in the future for sure.

I saw one track by Beach House, Space Song (from a different album), is approaching 1 billion streams on Spotify, so I thought I'd be in for something relatively mindblowing. In reality, I thought Teen Dream was decent, chill background music, with no particular standout track or impactful moment. I wouldn't give it a second spin.

Some good 80's British pop/funk going on here. Lemon Firebrigade was the standout track, my ears pricked up at the timbre of this instrumental. I won't give the album a repeat spin but wouldn't complain hearing a couple of tracks here & there. It's just getting over the line for a 3 star score.

This is great!! The first track, Traveller, was a curious introduction. The following piece, Butterfly, really made my ears stand to attention; I remained delighted throughout. OK is well-deserving of the 1999 Mercury Music Prize. Talvin Singh was a true breath of fresh air with his contemporary Indian / drum & bass fusion. A wonderful discovery via this project.

The Cure is not for me. There was very little about Seventeen Seconds that appealed to me. Even the most popular track, A Forest, barely raised an eyebrow. Next.

I’ve had a few 80’s classics so far along this journey and haven’t really enjoyed them; I was guessing I’d feel the same about Rio but I was pleasantly surprised. I was familiar with Hungry Like The Wolf and the title track, and was happy that the remaining tunes were of similar quality and not just filler material. Probably won’t spin it again in a hurry but it was decent while it lasted.

Never listened to a Prince album in full before. Dude was talented beyond belief, without any question of a doubt, but I can’t personally get into him. 1999 was alright.

Decent grunge record which I'd never listened to in full before. Consistent from start to finish. Grunge is not my favourite genre but I can understand its appeal.

Despite being such an influential act from the 60's, I somehow missed the Electric Prunes up until now, and I would have been perfectly content to have continued missing them. Didn't care for this album at all.

I remember being exposed to Koᴙn in my early high school years and hating them with a passion. I've widened my musical tastes since then and can tolerate them more these days, even tapping my feet to Got The Life out of familiarity. Follow The Leader wasn't as awful as I recall from 25 years ago but it's still too heavy and obnoxious for my overall liking.

The typewriters that opened Wordy Rappinghood may have caught my attention but this Talking Heads side project didn't win me over.

Noisy and irritating. Some familiarity with Closer and Hurt but I wasn't touched by any others.

Nothing remarkable here, although I can see where Australian band, The Grates, got their influence from

Immediately before rating my previous album I thought to myself "It'd be nice to get Tom Petty" - imagine my shock when his debut appeared on my screen. And a solid debut it was.

This is music of a true genius. I loved the barbaric Rhodes solo on Chameleon. The intro to Watermelon Man stunned me, even more so after learning it's the noise of Bill Summers blowing air into beer bottles. Great stuff.

I remember dad listening to Donovan when I was a kid so I was expecting some nostalgic feels, but I didn't dig Sunshine Superman as much as I thought I would.

Awful. Would never listen to this again

Uninspiring

I went into All Things Must Pass anticipating a 4 or perhaps even the coveted 5 star rating, but I was disappointed it didn’t give me those kind of feels. It’s more a reluctant 3 in my opinion. The singles are phenomenal but the remaining tracks, most of which I was unfamiliar with, didn’t have the same pulling power.

Clearly one of the greatest soul vocalists of our generation. This album can do no wrong. Only God knows the songs Amy would have continued to sing, had she been able to battle her demons.

Garbage to my ears. The most aggravating album I’ve listened to so far through this project.

I've somehow avoided listening to any Curtis Mayfield since I started recording my stats on Last.FM 11 years ago; it was much to my delight to discover him today. Billy Jack was a pleasantly funky way to start my Monday. The sweetness of So In Love made its way onto my playlist. Although not a genre I'd listen to every day, I give this a strong 3/5 and would be happy for another Mayfield record to appear in the list.

A classic. Enjoyed this Creedence collection, especially the tracks you don't hear so much on FM Radio, like The Night Time Is The Right Time.

This is some well-seasoned rock. Franz Ferdinand have a magical ability to structure their songs in a way that's genuinely interesting - these aren't just 3-chord throwaways.

Loved the accordion opening, a pretty solid record all round

A quality lineup of songs with extremely good production. I was drawn to the drums through the course of this album, they sounded crisp, tight and interesting.

I went into this with all the skepticism thinking it's going to be some kind of dance music BS which I won't enjoy, but I was very wrong. I loved it and was engaged the whole way. Crazy that this is his only album.

Standard 70's blues/rock, nothing special here

Pure class, from the mere inclusion of Darlene Lowe’s Christmas (Baby Please Come Home)

Nah, not for me.

One of the all-time classics. I'll never tire of listening to Bat Out Of Hell. RIP Meat Loaf.

Very typical 80's British new-wave, not a genre I particularly enjoy and I didn't think there was a standout track. Life's What You Make It is clearly the most popular from the album but it didn't do anything for me.

So many soul classics here. A smooth and nostalgic listening experience

Pure hippie tripe. The abstract hilarity behind lyrics such as “he can't dream well because of his horns” followed by a choir of moos was not enough to redeem itself from a single star. Awful.

I see The Modern Lovers were a band of all-stars who went on to form the likes of Talking Heads and The Cars, and this collection of numbers was very well critically acclaimed at the time, but it sounded bland and forgettable to me. Not sure why such hype.

I have a a few words to say about this. Rap / hip-hop isn't something I've ever been into but part of the reason I went into this project was to gain exposure to the best artists of these genres I'd normally avoid. I've had an album by Nas already, which I thought was half-decent, and I'd heard that N.W.A. were the real deal, so I was kinda pumped to spin Straight Outta Compton. I set out on a 12km walk around town with AirPods in ear and openness in my mind, but it was barely a kilometre and three songs before I audibly laughed at its thematic ridiculousness: "Dumb-ass hooker ain't nuttin' but a dyke Suddenly I see, some n****s that I don't like Walked over to em, and said, "Whassup?" The first n**** that I saw, hit em in the jaw" Another laugh came later on in the record: "I think with my ding-a-ling, but I won't bring no Flowers to your doorstep, when we goin' out 'Cause you'll take it for granted, no doubt And after the date, I'ma want to do the wild thing You want lobster, huh? I'm thinking Burger King" I need to make it clear that my laughter was not out of humour, rather at just how foreign, incelious and absurd these concepts are to me. I get that this album tells the story of a lifestyle completely alien to that of my own; it holds historical and cultural significance with this in mind. But honestly, to my ears, N.W.A. sound like wannabe gangsters masquerading as a comedy sextet.

Quite an aggressive collection of tunes. Not my jam.

I'm a big fan of Robbie but this is one of his weaker records. Of course it's adorned by his beloved Angels; aside from a handful of other minor hits I hear a fair amount of filler. Still a very worthwhile play though.

Chill African blues tunes, some quality chops here, perfect with a whisky on Sunday evening

For such a well-known, classic album by one of the all-time greatest musical duos, I didn't rate Bookends at all. It's certainly not bad but it didn't move me in any way.

The last rap album I got here was god awful so I went into Grey Area with heavy skepticism, but you know what, it turned out to be pretty damn good. Little Simz is the standout rapper along this project so far.

Good easy listening soul. Not enough synthesizer.

I was impressed with the stark contrasts between songs on this album while all still retaining distinct Smiths-like characteristics. For example, the desperation of The Queen Is Dead compared with the upbeat, slightly comical Frankly Mr. Shankly. This was my second Smiths record and it's certainly the better of the two.

Decent music but nothing too inspirational aside from the guitar line in I'm All You Need which captured my attention.

I forgot how great a song Shout It Out Loud was

Definitely suitable for airports

I really liked the second track, Levon, I haven’t paid much attention to that song in the past.

Toi aggressive for my liking but had some good old school metal vibes

Not so many smash hits on this one. Stir It Up was the only song I recognized. I thought it was quite a weak record.

Bonus point for incredible cover art

I have fond memories of Into My Arms from my teenage years but I never heard it as part of its full collection until yesterday. A wonderful, beautifully melancholic journey.

A bit too much noise which I wasn’t particularly fond of

Ok to spin in the background, not for me as a main event

No surprises here. I’m familiar with the White Stripes’ biggest songs, and this collection sounds exactly what I thought a White Stripes album would sound like.

I prefer 90’s Aerosmith to 70’s Aerosmith. It was a decent rock album worthy of three stars but it didn’t fully engage me. Sweet Emotion is the standout track.

A good exercise in consistency, there is an incredibly similar tone between all songs

Not my cup of tea

I’m surprised how much I enjoyed this record. I’ve largely avoided Beck, I’ve thought his music not to be particularly interesting and I saw him live once but left unamused. Yet, I fondly recognized two tracks from this album (E-Pro and Girl) which I didn’t even realize were Beck songs. My thoughts on him have changed a bit; maybe I’ll explore more.

One or two curious moments but the album felt overall too long and uninteresting

Supposedly a very influential punk album but all it did for me was reaffirm punk is not suited for my ears

Terrific artful poetry, especially satisfying tunes reminiscing yesteryear

Didn’t enjoy anything about this. It’s not at the bottom of the barrel like NWA are but still an easy 1 star.

I have a really strange relationship with the hip hop albums I’ve been listening to via this project. I hated NWA with a passion and I really didn’t care for Notorious BIG, so I went into 2Pac thinking he’d receive a similar low rating. But I was surprised. The songs here had a certain maturity which I haven’t recognized elsewhere. Dear Mama was the standout track for me, this is the kind of storytelling song I love; probably the first time I’ve connected with such a song in this genre.

A pretty enjoyable and upbeat jazz record

Very noisy but it was arranged in a way that I liked it. I even found it a little meditative

A true classic. Such rich harmonies. Love it.

Bobby D is one of those classic artists I’ve never really cared for, but I didn’t mind sitting through the entirety of this album. The closer, It’s All Over Now Baby Blue, was the standout. I don’t think I’ve ever heard the original before.

It was ok but too new wavy for my liking and a bit too long. I enjoyed the instrumentals.

An innocent, easy-listening record. Impeccable harmonies. Love Hurts was my pick of the bunch.

The album was a bit hit & miss until Ambulance Blues. Something about that song elevated it from a 2 to 3 star

Decent alt rock

It was my first time listening to the album in full and it was a pleasant, easy-listening experience. Crossroads was a particularly beautiful piece which I wasn't previously familiar with. Of course the title track and Vincent are the standouts, but as nice as the remaining songs were, I wouldn't rush into a repeat listen... having said that, it's a strong 3/5.

A couple of soul classics here that I had no idea were originally by Sly & The Family Stone

I can see how this would have been influential in the 80's / 90's R&B scene. It's not a genre I dig very much but I wasn't opposed to this collection of tunes. A soft 3 from me.

Classic 70's soul. I liked it. Sir Duke is a proper jam but overall it went on for a bit too long. A solid 3.

Back in the days of Winamp and local MP3 files, 10CC was the first artist that would play on my playlist every time I opened it. I had 6 or 7 of their hits in my collection and grew quite attached to them over the years. Unfortunately, none of those songs I loved appeared on Sheet Music, which I thought was weak and largely lacklustre.

Abhorrent excuse for music which doesn’t deserve to appear on such a list

You don’t get much more perfect than Rumors. If there’s any LP that’s stood the test of time, it’s this one. From the masterful guitar in Never Going Back Again to the foot-stomping joy of Don’t Stop; from the beauty of Songbird to the rich harmonic outro of The Chain, Fleetwood Mac are a true musical blessing to the world.

Not as obnoxious as other punk albums this project has cycled through so far, at least there is a semblance of musicality here

For a band I've never heard of before I enjoyed this record. Stylistically it's quite varied and kept me interested throughout - no two songs sounded the same. It's on the risqué side; I thought a tune like Gang Bang had the perfect classic rock FM radio sound but the blatant lyrical content would have prevented it from reaching a wide audience. Giddy Up A Ding Dong had a similar catchy vibe. The Faith Healer is their most popular song but to me it was one of the weaker tunes on the album. I considered giving it a 4 but ultimately I wouldn't listen to it again, so I've settled with a strong 3.

I’ve never been able to get into Belle & Sebastian and this album didn’t help. Bland, whiny and uninspiring.

I used to hate Eminem with a passion, I couldn’t stand any of these songs when they were first released. But I’ve chilled out these days, I guess through a few decades worth of occasional exposure. I got through Kill You, Stan and The Real Slim Shady without the typical “WTF is this garbage” reaction I became so used to in years gone by, even tapping my feet to some of them. 24 years ago this would have been a sure-fire 1/5 but today it’s grown to a 3.

Who is this band? Why have I never heard of them before? The first track, The Act We Act, was a total banger which went straight onto my playlist. Same with Helpless and If I Can't Change Your Mind. The album in general is full of consistent, listenable 90’s American rock, a genre I’m always open to. It gave me some real Better Than Ezra / Gin Blossoms vibes. I just learnt Sugar comprises one of the members of Hüsker Dü, another band I’d never heard of until this project. I didn’t care for Hüsker Dü whereas I thought Sugar had a much more refined sound. I was genuinely surprised how much I enjoyed Copper Blue, especially on first listen. A well-deserved 4/5.

A good introduction to Amy but not as epic and influential as Back To Black

I don’t find this to be peak Led Zeppelin but it’s still a noteworthy collection of tunes. Friends was a nice discovery which I wasn't previously familiar with. I appreciated the general acoustic vibe of the record.

A small step above some of the other godawful hip hop I’ve heard here. GZA isn’t for me at all and I’ll never listen to him again, but I at least made it through the record without wanting to throw my device out the window.

Half a star lost for the awful Born To Be Wild cover

Maybe this album a blessing if you’re a genuine fan of Aguilera but for those of us who aren’t so appreciative of her style, this drags on for far too long. Candyman was alright, but only out of familiarity and its likeness to Boogie Woogie Bugle Boy. And what the hell is with Thank You (Dedication To Fans)? Such a load of narcissistic BS. Get outa here.

Listenable, but nothing particularly captured my attention

Extremely meh

Classy and elegant but dated

LC may be the poet of our generation but personally I found very little appeal to this album. Maybe for other people but not for me

Wow - what striking music I heard from this album. I was immediately taken by the instrumentation, the jive, something about Gainsbourg’s production really impressed me despite not being able to catch much of the meaning. Imagine my surprise shocked face when I eventually looked up the story behind the songs. Conflicting indeed!

Not a fan of Morrissey’s music in general but I appreciated the line “rejection is one thing but rejection from a fool is cruel”

Not bad. A surprisingly mature sound.

This kind of music will never not be awful

I really liked this. Never heard of Holmes before but it was a perfect collection of chill instrumental tunes for a Saturday afternoon walk.

A poor-man’s Bob Marley

Another Nick Drake masterpiece. It’s the second of his albums I’ve had here, it hit me in the same way Five Leaves Left did. I really dig this guy.

I didn’t particularly get into the music, but I thought it had good novelty value, considering it’s one of the first ever examples of punk music. For that, it elevates the rating from a 2 to a 3.

I can appreciate from a music discovery perspective that this album made this list, but let's get real, this kind of abraisonal, face-melting noise is extremely niche and surely only truly enjoyed by those who grace the lower 1% on the music enjoyment bell curve.

I was a big fan of the Scissor Sisters' hit singles when they first came out in the mid-00's but it's been a long time since I spun a whole album of theirs (if at all?) This was good stuff! Such catchy, upbeat pop. Whatever happened to the Scissor Sisters? Where did they go? I want to hear what a 2024 incarnation of the band would release.

A fine example of an artist I hadn’t had much exposure to in the past, whose discography I would now love to deep-dive into. Brilliant Corners was brilliant indeed. This is exactly why I enjoy the 1001 albums project so much, stumbling across gold like this.

I've been on a roll recently, this is the third very good (4/5) album I've had in a row, after a period of mediocrity. I headed out on a chilly early-spring walk in Montreal with earphones in and a 2 hour Ellington record queued up to spin. And was I in for a treat! Such class, such elegance, such musicianship. What a time it would have been in 1956 to be part of this audience. Something struck me in particular about Diminuendo In Blue; this was the clincher for me not long after my first coffee of the walk that guaranteed a quality review. I really want there to be more Ellington records along the road to 1001.

Uhh? I don’t know what to make of it. I tend to enjoy avant garde music but this was on the erratically unenjoyable side of the scale, excepting the Queen cover which was kinda cool. Apparently this is “neo-classical”?

It’s a nice-sounding, well-produced record indeed, but its sparkling yacht cleanliness comes with a sacrifice of the authentic grit that other albums of its generation were able to capture. Josie and Deacon Blue are decent tunes. Not a bad album by any means but Pretzel Logic and Can’t Buy A Thrill are both superior to Aja.

Easy-listening American country music with typical melancholic themes behind the songs. No one particular song stood out to me. Not sure why this is an album to hear before I die.

Bowie is about as middle-of-the-range as you can get, as far as I’m concerned. I don’t think an album of his will ever score higher or lower than 2.5 (rounded up to 3).

Strong start with Son Of A Gun. The La’s are reminiscent of a less-whiny version of The Smiths. I was familiar with There She Goes which made me look out the window of the bus and smile nostalgically. Quite a good record, it’s a high 3 but falls short of the 4 because I don’t feel like I’d listen to it again in a hurry.

I don’t know why, but I feel very familiar with the cover art. As though it’s always been in my collection and I should have heard this record 30 times already. But I haven’t. Anyway, it’s pretty good music, I enjoyed this! I appreciate Robbins’ vocal delivery, simple instrumentation and eloquent storytelling. Cool Water rang a bell and is the standout track in my opinion, I’m sure I heard that song on a kids show when I grew up.

I've dabbled in small selections from Martyn's discography over the years and according to Last.FM, I listened to 7 tracks from Solid Air back in 2013, but today's spin was the first time in full. It was great. I was familiar with Over The Hill and May You Never, as both are in my playlist of favourites, and I was happy to add The Easy Blues to my selection. One of my all-time favourite John Farnham songs is his version of May You Never; it took me many years to learn it was actually one of John Martyn's.

A markedly uninteresting album. Next.

I couldn't really get into Fiona Apple. It certainly rates high from a musicality perspective, which is where my 3rd star comes from, but it didn't strike me with any particular feels.

Reasonable sounding drum & bass collection. Not my go-to genre at all but I had no complaints listening to this.

Another album that I don’t think has any place on this list. Generic and uninspiring.

Reasonable set of old-school tunes going on here. Green Onions is a banger. Others were alright.

Not as cool as Guero

I'm realizing through this project that there's a certain branch of hip hop with a certain maturity to it; A Tribe Called Quest falls into this category. I get good vibes from it, unlike the NWA / Dr. Dre kind of garbage. It'll never be my go-to genre but at least I know there's something out there I can tolerate.

Britpop in its infancy. I'm sure it's an incredibly influential record but it's not for me.

A slightly higher-rated punk album than I'd normally give a punk album, but only because of familiarity with 2-3 tracks

Bright and encouraging opening with the riff from Words. Similar vibes with There Goes The Fear. Remaining tunes weren’t quite as ear-wormy but it was a decent album altogether.

Decent blues. La Grange is the clear standout, other songs sound a bit samey. But I would listen again.

Another mediocre 60's album, nothing really stood out to me aside from the most popular track, My Back Pages. I'm sure it was influential for its time but in this day and age it's another a blip in the vast musical ocean.

Quite dark and atmospheric, as can be expected from Radiohead. I hadn't spun this album before, as far as I recall I've only previously heard Pyramid Song. Pulk/Pull Revolving doors was .... weird? Not my favourite Radiohead album so far of the project - The Bends moved me in a way the Amnesiac hasn't - but it's still worth a listen.

I’ve spun S&M before and knew what I was in for. Of all Metallica records, this one is my favourite, the orchestra adds such a contrasting tone and colour to the aggressivity. Hero Of The Day was a new discovery for me, even though I’d heard it before I never really took notice until yesterday, its ascending chord progression gives it a particularly reassuring, comforting feel. Now to the score. Metallica is a band I need to be in a certain mood to enjoy. I split the listening of this album across two sessions, the first session I wasn’t in the mood and the second I was much more receptive. As such, there were moments where I felt a 2 and moments where I felt a 4, so I’ll have to go with the average, but it’s a very strong 3.

Two 2+ hour albums in a row for me! (Metallica’s S&M yesterday). Fantastic musicianship, it’s clear these guys were masters of their trade. I’m sure a true Deep Purple fan would gladly sit through the whole live recording but it was too much on the long side for me.

A high quality record, very classy & elegant and listenable. It has many qualities of a 4/5 but personally it doesn't strike me with the feels, so I'm settling with a 3.

I have a soft spot for Brazilian music but much more on the bossa nova side, less on the tropical pop side. Caetano Veloso was still a good jam though.

The first album in the project so far I’ve listened to twice before rating. It spoke to me but I wanted to be certain it was deserving of a 4/5, and it is. I’ve never consciously listened to The Coral before; this was basically a new discovery for me. I loved the production, it’s a very well made record. I get vibes of a slightly ska-influenced version of the Stereophonics. Spanish Main is a very enticing opener, how about those harmonies? I Remember When is the standout track for me and I also quite enjoyed Simon Diamond. Good stuff.

In the first 15 seconds I asked myself ‘Is this supposed to be country?’ before later learning it’s one of the first examples of alt-country. It sounded messy and disjointed, the country/new-wave crossover was unappealing to me.

I don’t care much for Bobby D. It was alright, I suppose.

There were some enjoyable tracks from this Björk record but it didn't strike me as a whole collection I'd spin again in a hurry

Decent rock. A big sound. Howlin’ For You was recognizable. Probably wouldn’t listen to this album again but I’d listen to more Black Keys

I prefer We Built This City

I was instantly drawn to the use of bagpipes in The Cutter. I thought this song sounded vibrant and intriguing. I had high hopes for the rest of the album, potentially it was going to be my highest rated new wave record. Unfortunately, nothing else came close to that calibre.

It made me happy to hear this album. I was intrigued from the moment the opener hit my ears, the idea to bookend with Satie was fantastic. I loved the incorporation of jazz throughout, it's a step above your standard 60's rock record. The production is first-class. I struggled to believe it was a product of 1968, it sounds well beyond its years. I was vaguely familiar with Spinning Wheel and You've Made Me So Very Happy, which I would say are the two standouts, but there wasn't a track on this record I didn't enjoy. A worthwhile discovery.

Yet another British pop/new wave band from the 80’s that I’ve never really been able to get into in the past, confirmed to be the case after putting myself through an uninteresting album of theirs

Imagine the surprise in my early teens when I made the connection that the theme tune to Australia’s most popular lifestyle TV programme was by The Beatles. John, Paul, George and Ringo legitimized Better Homes And Gardens for me.

This isn’t for me. It’s not bad, but Lou Reed just isn’t my jam.

This was interesting. I’m sure many, including myself, were familiar with Corona and probably knew nothing more from Minutemen. This was probably the most accessible punk I’ve ever heard, full of ripper riffs and vibrant melodies without being overly harsh on the ears. I was surprised to hear Midnight Oil and Tragically Hip kinda vibes throughout. The vocals in Theatre Is The Life Of You struck me as quite Peter Garrett; It’s Expected I’m Gone gave me Gord Downie with his ensemble. It’s certainly not my go-to genre but I’d consider listening to more Minutemen. It’s the first time during this project that I’ve expressed such a sentiment for a punk band.

How great is Billy Joel? There’s not a bad tune on this album, it’s full of absolute classics. It gets a coveted 5* from me. I’m very glad I got the chance to see him live a decade or so ago in Toronto. I scored a cheap resale ticket for $11 - the beer I bought at the venue was $1.50 more expensive than the ticket, for heavens sake. Anyway, this experience really opened my eyes to the joys of the Joel, I’ve been a big fan ever since. I’m always happy to spin The Stranger and I hope there is more Billy to come.

It was quite difficult to get ahold of this album, but I did, and it wasn’t particularly worth the effort. It was ok. Listenable experimental / electronic kinda music but not repeatable.

It’s been 10 years since I listened to a Waits record in full, which I don’t recall enjoying. However I liked Nighthawks due to its consistency and for showcasing his humorous storytelling style throughout. I just felt like it was a one-time listen.

Fantastic record! It's incredible how an album of such quality could be their debut. Standouts were the recognizable radio staples, Tuesday’s Gone, Gimme Three Steps and of course Free Bird, but I also connected well with Mississippi Kid, a bluegrass hillbilly tune with a killer harmonica part, which I don't recall taking notice of before. It's well deserving of its success and of many repeat listens.

I was excited to finally have a Hendrix album to listen to, but upon playing it, I'm nowhere near as amazed as I thought I'd be. I'm sure this was groundbreaking at the time but it sounds to me today like repetitive old blues. Watchtower was the only number that I felt had a sense of magic. I've realized Hendrix is someone I can appreciate in small doses on a track-by-track basis but not in album format. It's unlikely I'll listen to another one of his albums in full again.

I liked the sarcastic humour. Silver Platter Club was the standout for me. The JC song was quite controversial, my goodness. I wouldn’t listen to another John Grant album in a hurry but I also wouldn’t complain if I heard another track of his.

Decent acoustic folk. A little on the hippie side but not obnoxiously hippie. I didn’t quite get it at first, but read afterwards that it’s a rock opera, so it made a bit more sense (I wish I’d known that before listening, to be honest). Private Sorrow was my pick of the bunch, I enjoyed the acoustic guitar run-down in its intro. Would listen to more Pretty Things.

Very talented lady of soul. Classics all around, I enjoyed it. Interesting version of People Get Ready. Chain Of Fools and Natural Woman were my picks.

Good to hear Kings Of Leon before they became rock superstars. Their late-2000’s stuff was their best but Youth And Young Manhood was worthy of a listen.

Santana is fantastic. What a collection of classics… Black Magic Woman, Oye Como Va, Samba Pa Ti. A joyous guitarist with an equally as uplifting band.

I'm surprised to read how critically acclaimed this album was. I didn't care for it at all. I agree with Robert Christgau of The Village Voice that it's a dud.

Another album with high critical acclaim that I was looking forward to listening to, but I’d written it off as monotonous by the third track. Not for me.

There was one tune which had a mildly appealing 15 second acoustic guitar intro, but aside from that, I couldn’t have cared less about any other song from this album.

Such brutal, gravelly honesty to Cash's voice. I've listened to American IV a handful of times and it always mentally transports me to the porch of a quiet farmyard shack in western Tennessee overlooking the Mississippi. Aside from the clear standout, Hurt, I really enjoyed Bridge Over Troubled Water, First Time Ever I Saw Your Face and Danny Boy. I must say that something sounds off with Desperado, it feels a bit out of place, but that's a small criticism against what is a quality collection of mostly American classics.

Obnoxious, aggressive and absolutely not for me. Vocals are akin to scratching nails on a chalkboard.

Pretty decent 90’s pop/punk with catchy melodies. It’s never my go-to genre but I can get through Dookie sans boredom.

Monotonous old-school country that certainly didn’t take me on any tour. It’s not bad music but it’s all just a bit too “meh”

I liked it. Interesting sounds. Quite experimental. Not enough to conjure a particularly strong emotional connection, hence a 3 rather than a 4, but I’d happily explore more of their discography

Chill record. White Winter Hymnal is beautiful. The overall sound is like being in the clouds

Another difficult album to track down that I didn’t think was worth the effort. The title track was somewhat recognizable. The remaining 6 tracks sounded dated to me, with a cheesy 80’s hiphop feel.

All accomplished musicians, decent songs, but reggae doesn’t speak to me at all. Having said that, I didn’t mind Madam Medusa.

Solid indie tunes, good musician & lyricist. I was just reading about Smith, seems he had quite the tragic life. I didn't think it was a particularly memorable album but it's decent.

I haven’t heard a jazz record yet via this project that I didn’t like

I see where Wolfmother got their sound from. I really enjoyed this album. Pure progressive genius. My favourite song was And You And I due to its progressive acoustic feel; Close To The Edge came a close second. Would absolutely spin it again.

Real Life isn’t deserving of a place in this prestigious list. I didn’t find anything appealing about Magazine at all. Next.

Exactly what I’d expect an Elvis album to sound like. It was interesting to hear his version of I Got A Woman, it’s substandard compared to the Ray Charles original. A 50’s classic but very middle-of-the-road to my ears.

Yet another run-of-the-mill assemblage of British 80's new-wave. I simply can't get into this genre, it speaks nothing to me. How does this mediocrity make its way into a list like this, or into the 100 Greatest British Albums Ever?

Yet another example of what I believe to be pure mediocrity polluting this list

This was a sweet listen. The songs here have a certain "rare" quality, you don't hear this sound so often any more. I particularly enjoyed You Don't Own Me, Mockingbird and Twenty-Four Hours From Tulsa. I wouldn't consider it to be a repeatable album but it was nice as a one-off.

Some intriguingly deep & dark experimental sounds here. I liked it. The bookending tracks worked particularly well, the opening drone of If I Had A Heart and the closing birdcalls of Coconut got my ears standing to attention.

This was a very good record, I find it better than Amnesiac but a little less engaging than The Bends, both of which I've listened to already via this project. Still worthy of a 4/5. Everything In It's Right Place is the standout.

A poor man’s Talking Heads.

Safe From Harm is a great introduction with its catchy, groovy bass line and eclectic vocals. I really liked Blue Lines - this is hip hop I can potentially get behind. Is this even hip hop, though? I'm to sure what genre this constitutes. Altogether pretty decent.

Instant Hit was a fantastic song, I'd never heard that before. I was indeed captured by the instantaneous hitness of it, the unusual instrumentation, the dissonant rhythm, the call & response harmonies. However, that was the high point, I didn't care much for the rest of the album. Grapevine was ok I guess but more out of familiarity than the quality of the cover. I struggled to decide on the score for this one. On a whole it's a 2/5, it's a non-repeatable album and I have no interest in exploring the rest of their discography. But I did really enjoy Instant Hit to the point that it increases the score to a strong 2, rounded up to a 3.

A moving and poignant record to listen to. Sinead was a very talented vocalist and songwriter. Aside from the Prince song, my favourite was The Emperor’s New Clothes, I’m sure I’d heard it before but this is the first time I listened attentively.

No surprises here, it was about as Neil Young as Neil Young can get.

I liked it, it's quite a different genre to most other albums on this list. It certainly wasn't mindblowing but it made for a good relaxing musical journey.

God, I can’t stand this. It will be a blessed day when I discover an album that opens my ears to American hip hop in a positive way. It's certainly not going to come from Public Enemy.

A very strong album, containing one of the all-time classic guitar rock songs. Only a pure genius could write, perform and release something of the calibre of Sultans Of Swing as their debut single. I've spun this record a few times in the past so I have a good familiarity with it. I briefly considered giving it a coveted 5/5, but upon reflection, there are a few ordinary moments via tunes like Setting Me Up and In The Gallery. They're still decent songs, but they don't quite live up to the magic of that standout track. I hope Dire Straits features again in this project as at least one of their other albums is deserving of the 5, based on my logic of magic across the board.

I’m not as moved by this collection of Beatles tracks as I am after hearing other albums of theirs. The White Album is ok but I don’t find it astounding.

Solid rock album. Someday and Last Nite are the sure standouts. I remember Last Nite being in my repertoire of printed guitar tabs, it takes me back to my teen years to hear this again.

This brings me back to my childhood, sitting in the tropical patio of Alan & Kim's house, eating sausages loaded with tomato sauce on white bread and finding ways with my brothers to entertain ourselves whilst the adults drank beer and talked about adult things. This is exactly the type of hillbilly old school American country music Alan would play through his stereo. It was awful. I did, at least, find it interesting that Owens' version of Act Naturally, which appears as a bonus live track on this album, predated the version by The Beatles.

Good soul music. Surprisingly political. I was particularly interested to hear the 11 minute version of Papa Was A Rollin' Stone, it hit pretty decently. Wouldn't give it a repeat spin but would be happy to hear more Temptations.

My favourite track was Theresa's Sound-World, it was as the title stated, a world of sound. Thick and lush. Aside from that I didn't particularly care for Sonic Youth.

Never spun this before, seems quite the rarity. Not full of hits like some of their others, but still a good listen.

Chill vibes. Always enjoy a Brazilian contribution to the albums project. Never heard of Suba before but my god, he has an interesting life story with a tragic end.

I feels like I've gotten Radiohead's entire discography within my first 200 albums here, this is my 4th of theirs. I'd never heard Hail To The Thief before. It didn't have the same magic to it as The Bends or Kid A; I rank it more in line with Amnesiac.

Too squeaky & squawky for my liking

Hey I liked this! There was no particular standout track, but this is still a great musical discovery that made me tap my feet for an hour. I doubt I'd ever have stumbled upon Koffi Olomide if not for this project.

Talented, well-produced, but this genre is not for me

Nope, didn't like it. Hombre was an awful song. Far too many annoying EHHHHHHs. Next.

Monotonous and uninspiring.

Nah, not for me. I can't get into Brian Eno. I preferred the airports album over this one.

Very good stuff, as always from Miles Davis

Despite being pretty much garbage as far as I'm concerned, it's lucky to narrowly escape a 1 star rating, but only because the bluesy instrumentation was tolerable.

I'm surprised at how loud, noisy and obnoxious this music was, I didn't expect this from such an early recording. Not to my liking at all.

A fun, highly listenable and easily repeatable album by one of the all-time greats. I forgot about the existence of Let Me Roll It, it's a jam indeed, I added it to my playlist of favourites along with Band On The Run and Jet which were both already included. I loved how many references there were later in the album to earlier songs. A great spin. I'm so happy that I got the chance to see Sir Paul in concert a few years ago.

Standard, middle-of-the-line British 80's pop. It's alright but I wouldn't listen again in a hurry.

Nah this is obnoxious noise, I don't like it

I didn't realize Make You Feel My Love was a Bobby D song. The album was alright. I've never been a huge Bobby D fan, I can tolerate him but I don't find him mind-blowing. This record slots right there in the middle.

Was it a coincidence that I got R.E.M. on the day they were in the news due to their one-off Songwriters Hall Of Fame performance, or did the 1001 Albums Generator creator plant this? I really like R.E.M.'s radio singles but I struggle to get into their album tracks. Green had a couple of huge 5★ hits but the in-between songs are fairly mediocre, it evens out at a strong 3/5.

It’s a very sweet album. I’ve grown to respect Dolly P a lot in recent years. I’m terms of talent this album scores highly, but there were no individual songs that hit me with the feels, so I’ll have to give it a 3. It’s a strong 3 though. I would listen to it again for sure; I could see myself becoming more connected to it after 3-4 spins.

Tangy tomatillo

This is the best new discovery I’ve heard in recent weeks. What a blistering combo of musicians this is. I loved it. To have witnessed this concert in-person…

I’ve never taken much notice to Simon & Garfunkel in the past but I quite liked this. At first spin I didn’t find it outstanding but it could grow on my with repeat listens. The 59th Street Bridge Song and 7 O’Clock News / Silent Night were my favourites.

It’s still very Steely Dan sounding. Pretty good background music but no one track was particularly ear-catching to me. Deserving of its place slightly above centre score.

Dude’s vocal style is the lovechild of Ben Harper and Tones & I. It took me a while to get into it, I was even considering giving it a 2/5, but something finally struck me when I got to Sweet and Loving Man, followed by Red Rolled and Seen. Both decent tunes which pushed it up to a 3, albeit a low 3.

There are some masterpieces on Urban Hymns. Ashcroft’s voice is perfectly suited to The Verve’s instrumentation and songs. Great stuff, yeah I really enjoy this album.

One of the all-time greats. There aren’t many albums that bring you on the majestic journey that The Dark Side Of The Moon brings you on.

I was familiar with Sunny Afternoon, it was a song I learnt as a teenager playing guitar, and I had a particular liking for Dead End Street. An alright album of classic British rock but not worth a repeat spin.

Like the other album of hers that I heard here, A Girl Called Dusty, it’s sweet and old-school with a certain rare quality, but it’s not really to my fancy.

It’s pretty chill electronic music. Not mindblowing; not awful either.

I appreciated Town With No Cheer for the references to my home country, but aside from that, this isn’t for me at all.

I really enjoyed Rag Mama Rag, The Night They Drove Old Dixie Down and Jawbone (that piano interlude between lines!). Quite a good album with a consistent song style, worthy of a repeat listen, a high 3/5 overall.

I went into this wanting to give it at least a 4/5 purely for Led Zep’s influence & reputation, but by the end I wasn't feeling it, it's been downgraded to a 3. Yes, Whole Lotta Love is one of the all-time greatest rock songs, and there are a few other bangers like Heartbreaker and Ramble On, but as a collection it didn't draw me in as much as I thought it would.

I don’t know how I’d come to this conclusion in the past, but I’d always written off Living Color as a shitty British new-wave band, like a poor man’s version of Duran Duran. Today I learnt they’re neither shitty, British, nor new-wave. Cult Of Personality is one of those songs I was vaguely aware of but never paid attention to before. Now that I’ve given it a chance: what a rockin’ banger. Followed immediately by another rocker, I Want To Know. I loved the outro to Open Letter. This whole album is 80’s guitar wankery at its finest, and I mean that with all due respect. I’m impressed. Vivid was a true surprise; I went in thinking “ugh” and walked away with 4 well-deserved stars and a determination to seek more of their catalogue. It further invigorates me to continue with this fantastic 1001 albums project.

It never ceases to amaze me how many critically-l acclaimed hip-hop albums this project conjures. Despite my initial efforts, it’s crap like Cuban Linx that leaves me adamant this genre will never occupy space in my heart. To hell with you who rave about how “culturally important” these songs are or how there’s “strength and presence in the message”. This is purely awful, vulgar, mind-numbing garbage.

I’ve had a soft spot for The Who over the past month as they’ve recently become my wife’s favourite band and we’ve been listening to them a lot. Tommy and Who Are You have been on high rotation but not so much of Who’s Next. It was nice to add these songs to our repertoire. Baba O’Riley is one of the all-time greats. I enjoyed Going Mobile, that was a good new discovery. Never been a huge fan of Behind Blue Eyes, I’ve always thought various cover versions from across the years have been superior.

The final two tracks, Vermilion, Pt. 2 and Til We Die were barely listenable. Up until then it was agitated, bloodthirsty garbage.

I got Elbow vibes listening to this, it’s not bad

Washed up, old-school American country & western. Not particularly interesting and not worth a re-listen.

I was excited to hear this one, I had it in mind that Funkadelic were in some way mindblowing, but in reality I didn't feel this way at all. Kinda dull to be honest.

This was a little disappointing. I was excited for an Alice Cooper offering, I've always enjoyed his hit singles and I like him as a person / radio presenter, but I thought this album fell flat. The title track is a certain classic, I'll give it that. As for the rest? It's not awful but it falls smack-bang in the middle: 2.5. I'll round it up to a 3.

I loved the warmth and sentimentality of The Boatman's Call which I was graced with a few months ago but I had quite the opposite feeling while listening to Henry's Dream. I particularly disliked the overall ambience and production. It sounded distant and piercing. Interestingly, reading the Wiki after writing my previous paragraph, Cave himself also wasn't a fan of the production. This led to the recording of Live Seeds, with the intention of doing justice to his songs. I went on to listen to Live Seeds and those recordings felt more dynamic and well-produced. But a disappointing ★★ for Henry's Dream.

This is my most-scrobbled R.E.M. album according to my Last.FM stats, with 3 full plays in the past 9 years plus numerous selections of individual tracks. I have a fair familiarity with it. If it was the first time I'd heard this album I wouldn't be a fan. Drive isn't a particularly ear-catching opener, but purely out of familiarity, I felt somewhat connected to it. It's interesting how you react to music differently after you've already been exposed to it. I'm giving it a 4 because I enjoyed re-hearing this collection, but I'm adamant I would have given it a 3 or lower on first spin.

Agnus Dei was an incredible opening track. Unexpected and delightfully haunting. The rest of the album was pretty good too but didn't exceed the quality of track 1.

I know of T.Rex but I wasn’t familiar with a single track from this record. This was new territory for me. Metal Guru was a great opener. I've never heard Guru pronounced that way but it works for this song. By the time I got to track 3 - Rock On - I realized this had potential to be a banger of an album. I was really digging it. And indeed, the remainder kept up to this high standard. I love finding these first-listen, 4-star records.

Sepultura, a band hailing from Belo Horizonte, which happens to be a city I’ve spent a bit of time at in recent years. Alas, their familiar geographical origin did little to secure them a musical place in my heart.

This remains an exquisite album in 2024, it's stood the test of time. Such beautiful melancholy.

It's pretty good, I liked its diversity and the instrumentation. I'd listened to a few tracks from it before and was familiar with Do You Realize. Would listen again.

Trip-hop isn't really my go to so I can't say I was particularly moved by Protection, but I can respect it for its quality (except for their god awful version of Light My Fire). It's in the middle of the 2's somewhere so let's be kind and round it up to 3.

Incredible record from start to finish. I'd listened before and most tracks sounded familiar, but something my ears took close notice of this time were the "cry" harmonies at the end of You Still Believe In Me, they work so well. Also, God Only Knows is one of the best songs of all time.

Yeah, nah. Really? Why is this on the list? The mind boggles.

Chill easy-to-listen-to pop album. Nice to know there’s more to The Cardigans than that one song.

I'm not normally into this electronic / dance "plunderphonic" (a newly-learnt word for me) kind of music, but once in a while a record of a normally unwelcome genre comes along that's somehow able to make gateways into your soul. This is one such record that does it for me. It's partly out of familiarity (hearing it on Triple J back in the day and playing it myself every few years), and partly because it's a magnificent production. Crazy to think it's composed almost entirely of samples.

I preferred the dynamic of S&M over this studio recording, but it’s still alright.

Very Arctic Monkeys-like. It was alright for a single listen but it didn’t particularly impress me.

The most irritating of all the new wave voices, a genre of which I already don’t appreciate. I couldn’t stand this album and considered turning it off half way through, but I regrettably persevered. I Wanna Sleep With You was the worst of the lot, akin to nails on the chalkboard.

The kind of music I expect to be playing in an empty hotel foyer at 1:30am

I was very indifferent to this Rolling Stones album. I considered giving it a 2 but at the end of the day it’s not that bad, it’s listenable, just zero standout tracks.

Never heard of him before, it was alright. Chill soul vibes.

Great all-round 80's rock album. The first half is gold, the last half more filler but still ok. Love Bites is my pick of the bunch. Power Ballad of the century.

The soundtrack to the radio station of my teenage years, 100.7 Sea FM. The singles are great but I don’t care much for the non-singles.

Not as god awful as the Incredible String Band which I had a few months ago but still a similar level of hippie bullshit

Absolute mashed potato. I can’t believe I sat through 2 hours of this nonsense. I felt like gouging my own eyes out with a teaspoon during the Birthday Boy song, and the journey continued even further downhill from then on. There is no god.

I get that R.E.M.'s debut made the list because it would have been unusual for its time, but 41 years later I don't hear anything particularly special about it. It's ok though. Something about We Walk caught my ear.

The sheer ingenuity of the babble pushes this into 4 star territory. I’d listened to a handful of Cocteau Twins tracks before but this was my first full album and I really enjoyed it.

Not a fan of Pulp, this kind of music sounds lacklustre to me.

Well didn't I judge a book by its cover? For some reason I presumed it would be 80's new wave crap but I was pleasantly surprised at how refreshing and entertaining this music was.

Solid, but I prefer 2000’s Bon Jovi in their country-rock phase. The hit singles are all fantastic. I didn’t care much for the album tracks.

Awful metal shit

I got them confused with Blood, Sweat & Tears, who I really enjoyed, so I was kinda disappointed that this album didn’t give me a similar feeling. Then I realized it was a different band. But it’s still decent middle-of-the-road soul/funk. It does alright.

This was better than I thought it was going to be. Of course I knew Blister, and I'd played a small handful of their other songs in the past, but I'd never listened to a full album before, nor was I aware just how acoustic punk The Violent Femmes are. I'm generally not a fan of punk, but my ears took genuine notice of this album thanks to its unplugged instrumentation. I wouldn't say I loved it, but it certainly inspired me to explore more of their discography.

Nick Cave aside, it’s not often that I’m offered an album hailing from a home country artist. I think there are 1,001 other better Aussie options that I’d pick much sooner than The Vines. Don’t get me wrong, they’re not awful, and I get that they made a splash on the international scene, but Australia has so many more worthwhile musical collectives that could be showcased here. Homesick is a good song and I took notice of Country Yard for the first time, but the rest is standard 00’s rock.

One of my dad’s favourites, and one that I’ve listened to a bunch of times in the past. Pretty good stuff.

I LOVED Pharaoh's Dance! This was one of the best new song discoveries I've made so far along this project. It left me in a trance, there was something so captivating about it. The rest of the album was great too, although it didn't reach the same level of magic I felt from Pharaoh.

Top-tier punk rock, this is some really good stuff. Jesus of Suburbia is a right jam, my pick of the bunch. The rest of the singles from the album are epic, even the non-singles go above and beyond. Green Day at their peak.

I’m surprised how many of these songs I recognized, without knowing they were Billy Bragg & Wilco. Spotify plays them on my Discover Weekly quite often. Plus I remember Bragg playing She Came Along To Me live on The Panel some time in the late 90’s. As a whole I really enjoyed it. Great melodies, good natural production, yeah it makes me want to listen to more.

Too much whiny harmonica

What I'm finding as I get deeper into this project is that I'm not a fan of David Bowie. His music isn't terrible or anything. I just don't care for it. It doesn't excite me. At all.

This was some good bootscootin’ hillbilly bluegrass. I enjoyed this album, it’s right on the cusp of 4 stars. They did justice to those old folk standards. I was quite moved by Randy Scruggs’ short acoustic cover of Both Sides Now. I’m inspired to check out volume 2 and 3 in this series.

Nah I didn’t like this. Obnoxious British “rock”

I thought this was quite generic, uninspiring folk/pop. Talented musicians for sure, but I don't care for it. I don't mind their hit song Missing, but nothing on this album reached that level.

Exactly what I’d expect from an Aretha Franklin album

High production quality, this has a good sonic feel to it. She’s clearly a talented musician. I didn’t emotionally connect to anything though.

Bowie Schmowie. I'm getting a bit sick of him. He takes up too much real estate around here.

Billy and the Boys were the darlings of the FM radio station of my youth. I never appreciated his whiny voice or their obnoxiously fuzzy guitar sound. Disarm and Today are ok but only out of familiarity. Aside from that: not for me.

Here we go, some good, classic Aussie rock. I love AC/DC but their albums sound a bit samey. Night Prowler was, surprisingly, my favourite track from Highway To Hell. It’s slow but it’s sinister, there was something quite captivating about it.

Only two days after my last Pumpkins album I got this epic two-hour long entry. I wasn't a fan of Siamese Dream, proclaiming Billy's voice to be whiny and their guitar sounds to be obnoxiously fuzzy. While those two facts remained true throughout the course of Mellon Collie, I did think the song quality increased by a notch, so I'm giving this a star higher than Siamese.

Very good stuff. I'm quite familiar with all these pieces, given that I'm married to a Brazilian who plays these songs regularly. It's really nice to hear these jazz interpretations. O Pato is one of my favourites and I particularly loved this Stan Getz version. Next step is to check out its sequel, Jazz Samba Encore.

It was alright but I did expect something more from BB King

Chill tunes to walk around the city with

I see that this is a very critically acclaimed live album, and it was ok, but it didn’t move me. I just haven’t been able to board the Grateful Dead train.

Makes me want to drink whiskey and ride motorbikes. Top class 90’s bluesy rock that had me hooked from the opening riff of Twice As Hard.

Yet another example of a new-wave album that I just couldn’t get into. Extended Souvenir was an ok song with a catchy synth lick but it’s the only one that vaguely captured my attention.

I wasn’t familiar with any of these songs but it was a decent 00’s American rock album

The first track kinda interested me but rest of it was nothing special

Quite classy. I understand this to be one of the most critically-acclaimed albums of all time. I think I’ll need to give it a few more spins with some introspective analysis to truly appreciate it though.

I didn’t have a good day today. I played the first half of the album in the morning, went out for a walk to clear my head, then came home and had an awfully heartbreaking conversation with my wife. We mutually decided after some months of deliberation that it’s better we go our separate ways. I cried my tears, then resumed Funeral where I left off, to the lyrics of “the pains of love, and they keep blowing, in my heart, there's flowers growing, on the grave of our old love”. How apt.

More like Misery Multiplication

I forgot how great a song Roadhouse Blues was. The rest of the album was pretty good despite me having a preconceived notion that the Doors weren't all that exciting a band.

Probably this has some cultural significance but I thought it was frigging stupid

One of the best album covers in existence

Standard old-school electronic tunes

Fantastic rock record. The three opening tracks are pure gold. Such a consistent, high-energy, kick arse sound.

Pretty solid record, slightly more engaging than Queen II which I got a few months back but still overall a 3 star effort.

I think one of the greatest single lines of any song is from the chorus of Streets Of Your Town: "Every day I - make my way". It's so simple, yet the ingenuity of the unanticipated inverted rhyme gets me every time. A sure-fire four stars for this legendary band hailing from my home state of Queensland.

Badlands is a fantastic song. I'm quite the fan of Springsteen, and I see this album is widely declared to be among his best work, but this isn't his strongest album in my opinion. I prefer the wall of sound opposed to the more raw-style production.

Didn't know any of these tunes, clearly it was an album from before Blur's commercial peak. A decent discovery though.

Pretty standard Welsh rock tunes. Didn't notice any particularly standout tracks.

I do like the few songs by The Carpenters that I've heard in the past, but they're very delicate, and I wasn't in a particularly delicate mood this morning. Despite that, their version of Close To You is a classic. Help was a curiosity, and I enjoyed the quite out-of-place jam at the end of Another Song. I also just read up on the life of Karen. What a sad end she had :(

I’ve always considered The Police a middle-of-the-road kind of band, this album epitomizes that. Good radio singles; ordinary album tracks.

Very little about this 70’s mediocrity piqued my curiosity

It was great to finally get The Pogues. I’m quite familiar with a number of individual tracks but this may have been the first time I’ve listened to an album in full. The Sick Bed Of Cuchulainn was a fantastic opener, I’ve never heard it before and I will surely spin it again. Same with Wild Cats Of Kilkenny, it was a perfectly chaotic instrumental. If I’d never heard of The Pogues before I’d probably think this record was rubbish and score it a 2, but thankfully I’ve had a quality exposure to Irish culture & music and I get what’s going on here. It definitely satisfied my emerald desires.

My 5th Radiohead album along this journey. Not as memorable as The Bends or Kid A. Certainly listenable but no standout tracks for me.

Heart Street Directions was so astonishingly cringe it made me want to vomit. Who listens to this shit? Pure trash, just like 99% of all other "music" of similar genre.

I enjoyed this but more because of its uniqueness and unexpected factor than the music itself. I can't say I've ever been exposed to Swiss industrial rock before. The album was good for a single listen but don't think I'd venture back to these corners of Spotify in a hurry.

Not my favourite Beatles record but it's still a great jam. The singles are my favourite out of familiarity, being the title track and Can’t Buy Me Love, but I didn’t really connect with the album tracks.

I’m rarely disappointed at the jazz offerings here. Mingus added a varied and melodic soundtrack to my walk through Mahatma-Gandhi park.

Pretty sure I’ve heard Jacques Your Body (Make Me Sweat) before. Decent high energy beats to work out to.

Run-of-the-mill 70's British rock. Don't really care for it. No standout tracks.

Good classic pop/rock. I realized that Just What I Needed is the most popular track from the album, and even though my stats show I’ve listened 3 times before, I didn’t recognize it at all.

I really enjoyed this. Another Man was the clincher track that put it into 4 star territory. Fantastically emotive blues harp.

I didn't have a particularly positive feeling for this album across the first few tracks, I thought it was overly percussive in an irritating way, but I was surprised to hear distinctive indigenous Australian singing voices on Mango Pickle Down River - none other than The Wilcannia Mob, who I'm familiar with. This led me to read a bit more about M.I.A. and how Kala came together, earning an additional review star out of respect.

I liked it because it didn't contain any hit singles. I wasn't familiar with a single track from it, it was like discovering Elvis for the first time. Having said that, it didn't come through with a lot of strength.

I am a big fan of Joni's classic, Blue, but I'd never spun Court And Spark before. It didn't hit me with the feels in the same way Blue does, but I believe it could grow on me over time.

Very country and very western. It was the perfect length for a single spin but this kind of music annoys me in longer doses.

My second Elvis album this week, I preferred this one to the previous Elvis Is Back. Only The Strong Survive was a nice new discovery for me. Of course, Suspicious Minds was the climax. A worthwhile listen.

Decently listenable trip-hop

Good 90's rock. Of course I enjoyed hearing radio staples Celebrity Skin and Malibu but I particularly appreciated discovering Heaven Tonight, which I've added to my playlist of favourites.

Brothers In Arms is well deserving of the coveted 5 stars, a rarity for me to grant across this project. It's a gripping and engaging record full of incredible musicianship and meaningful messages. The hits like Money For Nothing and Walk Of Life and the title track all pack an impressively nostalgic punch, and on this listen my curiosity was particularly piqued by album tracks Why Worry and The Man’s Too Strong. It's rare to find a collection as strong as this.

Good tunes to have on while trying to concentrate. It was ok.

Our descendants will be enjoying, analyzing and discussing Abbey Road for centuries to come. A damn fine album.

I’m curious how many Australians picked Billericay Dickie as the tune that the infamous Spray & Wipe ad from the 90’s was based on. Anyway this was cringy, unnecessarily vulgar and reeked of immaturity. I didn’t enjoy it at all. Wake Up And Make Love With made me shudder and the rest of it annoyed me in general. Especially If I Was With A Woman. Ugh.

No, Neneh Cherry is not for me. It's not bad music but it's too R&B for my tastes.

A rasp to outlast all rasps. The world has not produced many vocalists like Cooke.

I see this is one of the more influential hip-hop albums, and I can hear something in its production that indicates high quality, but as with almost every other hip-hop album I've been graced with along this project, it doesn't excite my eardrums in the slightest.

I thought a few tracks had Midnight Oil vibes. It was ok.

I didn’t know a single track from this album. It was ok, it sounded exactly as I’d expect a Paul Simon album to sound.

My second spin of this classic album. I’m a fan. This is so Johnny Cash, to record live in front of the incarcerated, bringing a speck of the outside to their otherwise (rightfully) miserable lives.

Pleasant vocal jazz but all songs sounded a little samey

I knew Poison Arrow from GTA Vice City. I was never a fan of it, it’s far too cheesy 80’s for my liking, as was the remainder of Love’s apparent Lexicon.

I found this to be more rock and less on the new-wave side, which I liked. I'd never heard Synchronicity in full before and I quite enjoyed the newly-discovered album tracks, of which Synchronicity II was my favourite. I appreciated this album more than I did Reggatta De Blanc. I'll still score it a 3 but it's on the higher side.

Monkey Gone To Heaven is a harsh & grungy sounding track which would normally eat away at my ears, but I didn't mind it, I'm pretty sure I've heard it in a movie before so it gave me a sense of nostalgia. Here Comes Your Man is a classic. The rest was ok.

I had high hopes for LL Cool J because I adore Luka Bloom's cover of I Need Love. I don't know how I thought there could be any stylistic similarity between these two artists, because there certainly isn't.

I can't get into The Band, no matter how hard I try. I think covers of The Band songs are, generally speaking, better than the originals. Case in point: The Weight. It's a fantastic song, but this far from the flagship version. Maybe this is unpatriotic of me as a naturalized Canadian, but I thought this album was dull. A high 2, rounded up to 3.

Not as good as Neon Bible. The title track is memorable, the rest was ok.

This is punk I can get behind, unlike most other I’ve heard. Catchy, poppy vibes going on here. Teenage Kicks and Family Entertainment were my faves.

A good album to get on a Sunday morning when I have my workout planned. I think I was familiar with Pacific 202 but I'm not so sure, either way it was a pretty decent track. I would explore more of 808 State although electronica isn't exactly my genre of choice.

I knew before pushing play on Back In Black this morning that it'd be an easy 4, but by the end I was convinced it should receive the highest accolade. It's gotta be the greatest comeback of all time considering the tragic events barely 5 months prior to its release. The level of arse this continues to kick after 44 years is beyond belief.

The better of the Bowie albums I've heard so far. Many hits on this one, but still not enough to really warm the cockles of my heart.

Enough David Bowie already. Two days in a row; my 6th in less than a year. Jesus Christ. I get it was the surprise album of the century but musically it's just standard Bowie to me.

I have to dress up as a Swiftie next week for Halloween. She sounds so outrageously polished, I may as well dunk myself in lacquer.

The chord progression really irked me in Stories Of The Street, especially the A - Am change. As someone who lives in Montreal and sees one of his murals from the office tower most days of the week, I should be more into the musical darling of this city, but I struggle to hear the appeal.

I didn't imagine this would be Cooper's most popular album, I would have thought School's Out. It was decent. No More Mr Nice Guy is clearly the standout. I Love The Dead was left cycling through my head for most of the day.

Quite a nice one, very classy. Enjoyed the Bee Gees cover. I saw him live once at a free show in Sydney in 2010 but had no idea who he was at the time.

This was a surprisingly solid album, I've never cared for Iron Maiden before but I got into this more than I thought I would. This old-school metal is not a genre of choice so I can't justify giving it more than a 3 from a personal enjoyment perspective, but I can acknowledge it's a rockin' one.

I didn't know much about Paul Weller but I wasn't expecting him to sound so country.

I only knew the F You song from this guy, I wasn’t expecting an actual soul machine. It was good - a high 3.

This was great! What a fun discovery. I loved Cool In The Pool. Such a funky, jazzy, interesting little tune to start off my day. The remaining three tracks were top-notch as well. I've saved another Czukay album to listen to another day. A very solid 4 from me.

The better of the Bobby D albums so far, but overall he’s still not to my liking

I quite enjoyed this Tori Amos record, there were some nice discoveries on here, especially Crucify. I saw on the Deluxe version there's a cover of Smells Like Teen Spirit which was quite haunting. It left me slightly curious about finding out more about her.

30 years and 4 days since its release, at the time of writing this review. It's a classic, one of the ultimate collections of acoustic reinterpretations in existence. The difference between the studio and unplugged version of About A Girl is phenomenal, it's a standout along with All Apologies and Where Did You Sleep Last Night. I never appreciated the harshness of grunge in my formative years, but MTV Unplugged is the album that allowed Nirvana to shine through to me.

Quite an eclectic, soulful and unique record. Oh, Maker and Come Alive were my favourites.

I’m surprised to see The Triffids made the list - and I’m surprised it was Calenture and not Born Sandy Devotional, which contains their flagmark piece, Wide Open Road. A Western Australian rock band with some minor hits in the 80’s, they gained a cult following but never found much commercial success before the untimely death of frontman David McComb. I have a high interest in songs that mention Australian locations, so I was pleased to hear Jerdacuttup Man. I’m always happy when Aussie music is featured here in general, but overall this comes in for me at a pretty bog-standard 3 stars.

The title of track #1 sums it all up.

Umm... what, now? Eclectically irritating.

What a record! I’m not sure I ever spun this in full before, but I remember many of its tracks fondly from its high Triple J rotation back in the day. A year or so ago I stumbled upon My Doorbell after not hearing it for yonks, but I’d totally forgotten about other classics like Blue Orchid and Denial Twist until today. This was a great trip back to 21 year old me. My level of respect for Jack White has increased a notch.

I enjoy blues. I’m ok with stoner rock. I can tolerate some non-vulgar hip hop. But I realized I’m not a fan when those three genres combine.

I should have chosen a stronger coffee to drink to this one. Joplin had such a powerful voice, didn’t she?

There’s something about the sound quality of Creedence recordings that makes them sound antiquated. This isn’t their best release but it has a few cracking tunes on it. The title track is the standout.

I bopped along with this. Watching The Detectives was the standout, due to familiarity, but I quite enjoyed the rest of the album especially considering it was his debut. Not enough to put it into 4 star status, but it’s a high 3.

My 365th album review! A pretty decent one to celebrate my first year through this project. It’s damn fine for a debut. It’s hard to believe a classic like Psycho Killer is among their first work.

Is that - wait - yes it is - *wholesome vibes* I hear coming from these hiphop tunes? I will never be a hiphop convert, but I can appreciate these beats much more than their vulgar counterparts.

I was excited to get this one, but soon realized that as much as I enjoy jazz, I don’t dig the big band stuff so much.

Quite mediocre. Their debut was more engaging.

Yeah, nah, this is sub-mediocre 80’s new wave shite.

I love it! This is by far my most-played album of the past year, it’s a joy to hear it yet again. My wife adores this album to the point that it now holds great nostalgic value to me. A month or two ago I had lunch in a restaurant at Jay Peak, VT, and the song Tommy Can You Hear Me? played over the radio. I took a video of it to send to her, we joked that I’d been Tommied in the wild. It’s getting the coveted 5 stars, first & foremost for sentimental reasons, but as well as that, it’s such a great jam.

I didn't care much for the music, but the guy has a fascinating Wikipedia page about the theft of his corpse from the hospital, followed by a partial cremation.

A classic that reminds me lovingly of my Brazilian wife. We’ve listened to many of these songs together over the years.

Frigid fries

Although I’ve become quite the fan of The Who over the past months, I didn’t think this live album was as breathtaking as it’s put out to be. It’s ok, but in my opinion, certainly not “one the greatest live albums and rock recordings of all time” as claimed in Wikipedia.

What a classic 80’s rock album. One of the biggest & best of all time. We’ll likely never see bands of peak Guns N’ Roses’ calibre again in our lifetime.

It’s a sweet, elegant collection of vocal jazz tunes, great to have on in the background while cooking a Sunday dinner, but too soft for my day-to-day liking.

It’s better than Electric Ladyland, but I’m learning that I’m not as excited by Hendrix as I once was. I recall being in awe of him as a teen, but after completing the second of his albums via this project, his music just doesn’t speak to me any more. I’m can’t quite put my finger on the reason why.

Interesting collection of tunes with a unique heavy sound. Worthy of a repeat listen.

There was enough here to pull it into 4 star territory, although it’s on the lower side. I was engaged by the progressive folk sounds, it was quite unusual to hear such a blend of styles & instrumentation. This was the first time a Genesis album has captured my attention - attempts in the past have fallen flat.

I had their album Infected a few months ago which I enjoyed and described as being akin to Midnight Oil. I didn’t feel the same about this album, it came across as the weaker one in my opinion, despite it clearly having the more popular tracks according to Spotify streams. This Is The Day was vaguely familiar but overall there’s not enough here to push it beyond the halfway mark. I’m afraid it’s a 2.4 for me, rounded down to a 2.

This kind of music continues to sound like pure filth to me. Vulgar, obnoxious, thug life garbage. Complete and utter shite. Yes, I acknowledge that within the genre this album is considered one of the all-time greats. I'm certain it possesses rich cultural heritage. I also recognized the quality of the jazz-influenced instrumentation. But altogether this culture is so alien to me, and I've heard enough of it through this project, to affirm to myself that nothing can ever be done to allow my ears to appreciate such sonic abhorrence.

Meh. Angsty, harsh, too distorted for my liking. Not for me.

The most mediocre of all British alt-rock. Not sure how it made its way onto this list.

Not this bloody guy again. It’s been far too soon since the last instalment of Britain’s most overhyped performer.