1001 Albums Generator
Surf's Up by The Beach Boys

Surf's Up

The Beach Boys

1971
3.3
Rating
28339
Votes
1
4%
2
16%
3
38%
4
31%
5
11%
Distribution
Genres: Pop, Rock Styles: Baroque Pop, Psychedelic Rock, Pop Rock

Reviews (page 10 of 13)

Although there is a lot of complexity in the composition and harmonies this record did little for me. The first track (Don’t Go Near the Water) lyrics are silly and ham fisted and it doesn’t get much better from there. Highlight (if there is one): Disney Girls (1957)

Seemed generic and then "Student Demonstration Time" is one of the worst Beach boys songs i've heard. "Feel Flows" is the only good part of this album.

This was quite weird and I'm not sure in a way that I particularly like. Feel Flows is a fine song that I knew before listening to this album (but I don't know if I knew it was The Beach Boys) but other than that, not a ton here I really enjoyed.

Student demonstration???? These mf rock

Highlights: 1. Dont go near the water 2. Disney Girls (Bruce sings) 3. A Day in the life of a tree

I had to forget everything I thought I knew about the Beach Boys.

The album art got me excited but most of the songs were just alright

I only know the Beach Boy hits, so was expecting some cheesy, surf pop rock. This isn't that. Experimental sounds with socially aware lyrics, yet it still has a huge amount of cheese somehow. This album is patchy. Some songs are great, others aren't. With so many different sounds being blended together it still sounds flat in places.

The most positive thing I can say about this record is I adore the font they chose on the cover art.

I wanted to like this as seeing more of the Beach Boy's other than their hits really interested me but I just don't like it. Idk what it is about them. I think it's their vocal production mixed with the keys, I get it's GOOD I just don't like it. Standout was Student Demonstration Time for me. I actually think it followed a pretty formulaic rock and roll formula and I'm not actually sure what they were trying to say, I think I was just happy from a break from actual Beach Boy's stuff

Pleasant listen. Long Promised Road the standout track.

I thought the rest of this would be like the first track and got excited but it was just okay. I like The Beach Boys, but this felt more like a collection of songs (some of them better than others) than a cohesive album.

щас бы на пляж, на море, а не вот это всё

Wasn't sure how to take this album at first, but after a second listen I kind of love this. I didn't dislike it on first listen, but I wasn't sure if I loved it. But I do. And it's brilliant. So many great songs. I think my favorites are "Long Promised Road," "Disney Girls (1957)," "A Day In The Life Of A Tree," and "Surf's Up" but I really like all the songs on the album. It's different from typical Beach Boys, but in a good way. I like the more melancholy songs with their signature harmonies, and it's nice to hear everyone in the group singing lead on different songs. I think this is considered Prog Pop? Haven't heard a lot of that genre, but after listening to this I definitely want to hear more.

Net aan voordeel van de twijfel en een 4tje gegeven. Eerder een 7.1 of zo.

Heel anders dan wat ik tot nu toe van ze ken, klinkt een stuk 'volwassener'.

Ja was lekker

Not great.

enjoyed it was great to listen to and chill to

Nice music. Good stuff

I thought this was quite good.

Pretty good. Til the End is very good

The Beach Boys in 1971: "Let's all help the water Right away Do what we can and ought to Let's start today" Shit.

Depressing to think that the lyrical themes of this record are from 1971 when it’s still as important today - if not more.

This is a rather dark image for being a Beach Boys album. It was alright. 3 stars.

One of the weirder Beach Boys records I've heard. As usual, the vocals harmonies are impeccable. There just aren't any earworms here. I generally enjoy the Beach Boys, but this one left me feeling a little disappointed. "Feel Flows" is a high. "Student Demonstration Time" is a low

## In-Depth Review of *Surf's Up* by The Beach Boys The Beach Boys' album *Surf's Up*, released on August 30, 1971, represents a significant turning point for the band, both musically and thematically. This album emerged during a period when the group's popularity was waning, and it marks a shift from their traditional surf rock roots to more complex and socially conscious themes. This review will delve into the lyrics, music, production, themes, and influence of *Surf's Up*, while also evaluating its strengths and weaknesses. ### Lyrics The lyrical content of *Surf's Up* is notable for its departure from the carefree, sun-soaked imagery typical of earlier Beach Boys songs. Instead, it addresses serious topics such as environmental concerns, social issues, and personal introspection. - **Environmental Awareness**: The opening track "Don’t Go Near the Water" serves as a stark warning about pollution and ecological degradation. The lyrics reflect a growing awareness of environmental issues that were becoming increasingly relevant in the early 1970s. Lines like “Don’t you think it’s sad / What’s happened to the water” illustrate this shift toward socially conscious songwriting[1][4]. - **Personal Reflection**: Brian Wilson's contributions, particularly in "’Til I Die" and "Surf's Up," showcase a more introspective and existential approach. "’Til I Die" expresses feelings of helplessness and resignation, capturing a haunting sense of vulnerability that resonates deeply with listeners[3][4]. - **Nostalgia and Idealism**: Bruce Johnston's "Disney Girls (1957)" evokes nostalgia for a simpler time, contrasting sharply with the album's more serious themes. The lyrics reflect a yearning for innocence and health in a world that has become increasingly complicated[2][3]. Overall, while some lyrics may come off as simplistic or overly earnest—particularly in songs like "Student Demonstration Time"—the album is characterized by a blend of poignant social commentary and personal reflection. ### Music Musically, *Surf's Up* showcases the Beach Boys' signature harmonies while incorporating diverse influences that reflect the band's evolution. - **Vocal Harmonies**: The album retains the lush vocal arrangements that are synonymous with the Beach Boys. Even in tracks with heavier themes, such as "A Day in the Life of a Tree," the harmonies remain a highlight. The use of echo chambers enhances the ethereal quality of these vocals[1][3]. - **Instrumentation**: The production features an eclectic mix of instruments that contribute to its unique sound. From dissonant pianos to orchestral arrangements, the music often contrasts with the straightforward lyrical content. For instance, "Feel Flows" combines folk-rock elements with intricate instrumentation that elevates its emotional impact[2][4]. - **Production Techniques**: Produced by the band themselves under their Brother label, *Surf's Up* reflects an experimental approach to sound. The incorporation of various musical styles—from rock to folk to classical—demonstrates their willingness to push boundaries. This is particularly evident in the title track "Surf's Up," which is structured as a mini-suite with distinct sections that flow seamlessly into one another[3][4]. ### Production The production of *Surf's Up* is significant for its time, as it marked a departure from traditional pop production techniques. - **Collaborative Efforts**: With Jack Rieley as their manager during this period, there was an emphasis on collaboration among band members. Each member contributed songs that showcased their individual styles while still maintaining a cohesive sound throughout the album[2][4]. - **Brian Wilson's Influence**: Although Brian Wilson had stepped back from live performances due to personal struggles, his influence remained central to the album’s identity. His compositions—particularly “’Til I Die” and “Surf’s Up”—are considered some of his finest work[3][4]. - **Innovative Arrangements**: The arrangements on *Surf's Up* are notably ambitious. The title track features multiple sections with varying tempos and moods, showcasing Wilson's innovative approach to songwriting and arrangement[2][3]. ### Themes Thematically, *Surf's Up* encapsulates a range of ideas that reflect both personal and societal concerns. - **Ecological Consciousness**: The album’s opening track sets an ecological tone that resonates throughout. The Beach Boys were not just singing about surfing anymore; they were addressing real-world issues facing society[1][2]. - **Nostalgia vs. Reality**: Many songs grapple with themes of nostalgia while confronting harsh realities. Johnston’s “Disney Girls” serves as a wistful reminder of childhood innocence amidst societal decay[2][4]. - **Existential Reflection**: Tracks like “’Til I Die” delve into existential themes, exploring feelings of insignificance and longing for connection in an increasingly complex world[3][4]. ### Influence *Surf's Up* has had a lasting impact on music and culture since its release. - **Cultural Relevance**: The album’s focus on social issues was ahead of its time and resonated with the counterculture movement of the early 1970s. It paved the way for other artists to tackle similar themes in their work[2][4]. - **Legacy**: Over time, *Surf's Up* has been recognized as one of the Beach Boys' most important albums. It has influenced various artists across genres, reflecting its eclectic sound and thematic depth[1][2]. ### Pros and Cons #### Pros - **Innovative Sound**: The album features diverse musical styles that showcase the band’s evolution beyond surf rock. - **Lyrical Depth**: Addresses significant social issues while maintaining personal introspection. - **Harmonious Vocals**: Retains the signature Beach Boys harmonies that fans love. - **Cohesive Production**: Collaborative efforts lead to a well-produced album with strong contributions from all members. #### Cons - **Inconsistent Quality**: Some tracks feel like filler or lack depth compared to standout songs like “Surf’s Up” or “’Til I Die”[3]. - **Overly Didactic Lyrics**: Certain songs come off as preachy or simplistic in their social commentary. - **Limited Commercial Success**: Despite critical acclaim, it did not achieve significant commercial success at release compared to earlier albums[2][4]. ### Conclusion In conclusion, *Surf's Up* stands as a landmark album in The Beach Boys' discography. It marks a transition from carefree surf culture to thoughtful reflections on society and self. While it has its flaws—such as inconsistent quality across tracks—the strengths in lyrical depth, innovative production, and harmonious vocals make it an essential listen for fans of classic rock and those interested in music history. Its influence continues to be felt today, making it not only a critical success but also an enduring piece of art reflective of its time.

When I saw Beach Boys Surfs Up! I was expecting Surf City! Fun! California rock! What I got was a drug filled journey through the delusional mind of a burned out set of song writers. I respect their desire to be more socially conscious and world-saving. Pet Sounds did exactly that! By the time the album was done I was hoping an asteroid would hit the planet so I could stop listening to this album. Saving grace: Carol Kaye’s bass playing which is more obvious than ever (they couldn’t even pretend one of them was playing). This will not be added to the vinyl collection. …Next!!!

Brian Wilson was definitely in it here. This is a million miles from the early 60s surf tunes. The title is clearly ironic, right? This has some of the Pet Sounds “God Only Knows” sound and feeling. I’m familiar with Feel Flows from the Almost Famous soundtrack and is the standout track here. This one is worth revisiting to discover the depths of Brian Wilson’s genius.

Hot take: I liked this album more than Pet Sounds. By no means is this album perfect, but its darker tone and more focused musicianship made this a decent listen. Feel Flows is a highlight especially since it shows up in Almost Famous, one of my favourite movies ever.

Mid-career, weird Beach Boys. Brian Wilson had really started exploring his mind and attempting to make it real with studio tools. Surfs Up, Disney Girls, Take Care of your Feet, and Feel Flows are some of the best they ever made. Not quite a perfect album statement but one worth returning to.

Songs about trees and feet? lol

I prefer the early Beach Boys to this later, odd offering.

I like the Pet Sounds vibe, but this is a poor effort. Also, what the hell is 'Student Demonstration Time'?

Damn the nixon years really made them finally have to up their game

Weird. In a good way, but weird. Not for me necessarily, but maybe on a relisten.

I loved this shift in the Beach Boys’ style. Some very pretty tracks on this one

Never listened to this, and really enjoyed. It's not Pet Sounds, but what is? Couple great tracks, couple slightly cheesy.

very different sound for them. i wasn’t familiar with this album and was trying to guess whether it different bc it was super early in their career or super later

I like this more than Pet Sounds, which I gave three stars. So I'll give this one four.

Classic Rock. Go surfing music. Ride the wave...

Student Demonstration Time goes pretty hard for a Beach Boys song.

This sounds like a band that's a few albums past its prime.

Im gonna cuuuuuuuuuuuuu

Not my taste in music.

Not bad but a little too mild. Expected more surf. Not sure why.

I had no idea this existed. Misses the complex ass vocal harmonies one expects, but I guess big BW was down for the count at this point. Anyway, interesting to see them do the socially aware stuff, and take down the fun a bit.

Some great songs on here like the 2nd one and the 6th one. 3.5-4?

Kinda nice listen but kinda meh. I like cheesy surf beach boys, and i love pet sounds. But this one i dont think needs to be featured

Disney girls was cool but I’m not sure I like sad beach boys that care about the environment.

not as beachy as I was expecting, in a good way

I know some Beach Boys fanatics so I knew that their later discography was different than what most people know them as. I was enjoying the first half of this. But the second half wasn’t as strong. Some songs felt like noise while others just felt like a rehash of the earlier songs on the album. 3/5

I like Student Demonstration Time

This was boring as all hell. The Beach Boys blow lol

Enjoyed it more than I thought I would. Some good stuff.

sad whimsy

Uninspiring, a shadow of the glory Beach Boy albums of the mid to late 1960s.

Not what I expected. Great stuff.

Delightful harmonies and catchy melodies. Doesn't quite have the killer hook present in some of their later albums, but still a great listen.

fuckin fuck yeah

Really interesting album. Love the cover

achei meio chato pra caralho de escutar, pra ser bem honesto

pior que eu aprecio beach boys. esse aqui é mó doidera né. na tentativa de se desvencilhar do título de banda pop meia boca, eles tentam ficar mais tristes e reflexivos? mas funciona. top. essa capa tbm mó bonita.

Utterly bizarre. I can see why the U.S. market wasn’t feeling this in 1971. I’m not feeling it either.

An interesting album, definitely grew on me. Darker than your average Beach Boys record, it reminded me that really their band name is such an inaccurate representation of what they were as a band (although the retirement crowd may not believe it). Really loved the couple of Carl Wilson tracks, Long Promised Road and Feel Flows. The only bad song I thought was the Mike Love penned Student Demonstration Time - just can’t take him seriously singing “There’s a riot going on”. Also some bonus points to that album cover.

Pop-rock progresivo. Alguna canción recordaba a los Beatles. Un 4.

No me recuerda a los típicos Beach Boys. Mucho más tranquilos. Aunque es agradable de escuchar.

Not a favorite Beach Boys album but still good.

Was this a joke? This was horrible. Even the Bryan Wilson tracks, with the POSSIBLE exception of the last one.. or maybe that one was bad too and it just was so much better than the others I lost track. Disney Girls 1957? Really? A chorus with the lines “Take good care of your feet, Pete/You better watch what you eat, Pete”? “Student Demonstration Time” telling students to, basically, stand down in the turmoil of Vietnam?

Very different from what I was expecting, but I guess I only know Californian Girls. This is more like protest songs so that was interesting. But the music style wasn't for me.

It had some solid moments. 3/5

Quality album. A little on the nose in its messaging, but great musicianship throughout.

Gorgeous pop like you'd expect from them, the title track especially right at the end leaves it on an incredibly high note.

Boy, Brian Wilson was going through some shit, huh?

Cool and weird and worth a revisit.

I wasn't totally sure what to expect but this is a really good album. All the use of harmonies you expect from them and with some rich songs and just a good listen. Big shout out for 33m long albums too.

Weird era, first song still pet sounds psychedelic, couple 70s sounding Jackson Browne/eagles ish.

The Beach Boys’ 17th album arrived at a transitional period for the band, like the moments of calm after a long-promised wave finally breaks on the shore. It had the unenviable task of continuing the band’s rocky trajectory into a new decade, following the once-in-a-lifetime masterpiece of “Pet Sounds”, much creative stalling, Brian Wilson’s mental health struggles, and subsequent poorly received follow-ups. “Surf’s Up” finally arrived as the band assumed new management, with much of the songwriting and band-leading being handed over to youngest Wilson brother Carl. It’s the sound of a band reaching for some new directions, while also pausing to tie up some loose ends. Accordingly, it zig-zags erratically between even-numbered wonders and odd-numbered oddities. I’m not sure I’ve ever heard another album commit so much to the alternate-a-weird-song-with-a-great-song formula, but here it is. “Don’t Go Near The Water”: pretty, but a low-key and very odd opening salvo. “Long Promised Road”: shoots straight to the heart, with a home-run of a chorus. “Take a Load Off Your Feet”: rhymes “feet” with “Pete”, employs rhythmic car horn and dinner plates. “Disney Girls (1957)”: beautiful elegy. “Student Demonstration Time”: um, what? “Feel Flows”: stone-cold masterpiece. And so on. It must be said that the two songs solely penned by Carl Wilson (“Long Promised Road” and “Feel Flows”) are two of my favourites, more than proving his worth as successor to his older brother. Ultimately, though, it’s still Brian who takes all the glory at the end. The final three songs here, “A Day In The Life Of A Tree”, “Till I Die” and “Surf’s Up”, are the most affecting. Bringing in the organ and harmonium, and the richest vocal arrangements across the record, they’re all miniature masterpieces. There’s no other way they could have ended the record than the title track, an astounding work of art which soars, twists, turns, and finally breaks in a heavenly chorus of symphonic chattering. The Beach Boys in this form don’t show up in the 1001 Albums club again after “Surf’s Up”, and what a way to bow out.

So different from the albums that I do know by The Beach Boys…and a similar feel to Smile, from Brian Wilson, which makes perfect sense. Very political. Kind of in your face political that feels a little forced and maybe too literal. But I really enjoy the music and listened to it a second time right way because of how much I thought of it. And I will listen again.

I enjoyed the second half more than the first, but this has one of my absolute favorite songs.

what. THE FUCK??!? Firstly, I should have known this wasn't the Beach Boys I expected with the album cover being so angsty. This is the Dark Beach Boys from an alternate timeline. The mood gets pretty melancholy (though still not sure if it's quite mythical enough to warrant the minotaur (?) on the front)... but the fucking tree song. Oh my god. How many drugs were they taking. That was downright concerning I still enjoyed it. Favourite moment the random Darth Vader horn call in Surf's Up lol. Least favourite moment the 'child child child' moment in Surf's Up...

This was okay.

Could hear traces of that great harmony but overall a disappointing album. Odd tracks/subjects to sing about. Liked the tree one though

I've missed most of the albums over the past week but got back in via this one. Good sound, not what I know of the beach boys. Disney girls, till I die were the songs I particularly enjoyed

This is much more garage rock than having fun on the beach rock, than I was expecting. Also fine.

Fuck the beach boys. They're so annoying

I had forgotten about this album, not having heard about it in many years. The recording quality was excellent, though the songs were quite different from other works from the Beach Boyd.

Probs 4.5

Brian was not much involved and it's clear, but they're great anyway

Artistically, a great album. Musically, I'm kind of wishing they didn't go away from the fun-loving, surfer-dude kind of music from their earlier albums. Those vibes and songs live rent free in my head. It's still a very good album. I just like other Beach Boys albums more. Favorite Song(s): Disney Girls (1957), A Day in the Life of a Tree

Felt so generic.

I really wanted to like this. But yikes.

Pedantic early 70s themes.

5 for surfs up and til I die, student demonstration time is so bad it gives this a 4

I'm shocked at the number of 5 star ratings for this. I thought it wavered between truly terrible and boring hippy drivel. At least it was short.

Incredible. Never knew they broke away from the cheesy surf style. These songs were beautiful

Some incredibly composed stuff on here with darker themes for them, very interesting listen

A welcome surprise. 4 because I would not have found it if not for this list.

For an album titled "surfs up" I really expected more of that classic Beach Boys surfer rock and less of a protest album.

pimeä... hullun rankka synkkä melankolia ympäröi koko albumin ethosta.... to me, neil young and crazy horse is just neil young and normal horse...... sairas vitun terrorismi albumi vittu horrorcore. ''Synnyin orjantappuravuoteeseen, PURETTELO PITKETTY musiikkini, koska tiesin, että tämä paska MYYTY'' - rantapojat, 1971. vittu mikä vastaus jonkun pikkuvauva lilliputti heavy metallin syntyyn, vähän rankempaa paskaa tässä. jos ei sydän kestä teillä kukkahattutäteillä niin suosittelisin pysymään kaukana tästä saatanan lahjasta.. sillä saatana on laulaja... viehättävä poikamies... mutta pysykää tädit kaukana loitolla!!! vievät sielun ja HEKOTTAVAT MENEMÄÄN... long promised road

I don’t think this is why people listen to The Beach Boys

Es gibt drei Lieblingsplatten von den Beachboys: Sunflowers, Pet Sounds und... Surf's Up Auf diesem Album stimmt alles: Gesang, unterschiedliche Songs und anspruchsvolle Arrangements. Hier zeigen die Jungs noch einmal ihr Können, nachher -bis auf Holland- wird es dann etwas Mau.

I don't see it. Why is this one of the 1001 greatest albums of all time? I have never heard anything of these before, and they don't seem special in any way.

California music - relaxing and yet, not as well-known as their hits from earlier, it was ok as easy listening goes but probably not something I'll pick up again.

Slow paced and overall unexciting.

This was a bit of a mixed bag. At some points, it seemed inauthentic, delivering a corporate message. Very different set of sounds to Pet Sounds, somewhat loose production. There were some really good tracks mixed with a bit of meh.

Not my Favorite, but I can appreciate it.

It’s a pretty decent baroque pop album. There’s little of the iconic Beach Boys sound of the early-mid 60s, but that’s not a bad thing.

When I think of The Beach Boys I think of sun and surf. I do not think of whatever this album is. Even the cover throws me off. There are ok songs and some not-so-good songs….Take a load off your feet is so odd. Student demonstration is awful. The other songs are meh. Not for me.

Never cared much for them but good god I'd rather listen to an asmr of a colonoscopy than whatever the hell this was

Un clásico, no es mi estilo. Pero es escuchable.

Brian Wilson at his best. Every song is a treat!

Mercifully short. Odd, but still vaguely Beach Boys

Enjoyable but not nearly the iconic vibes of Beach Boys peak

underwhelming

M'a surprise. Je n'avais entendu que des greatest hits; le style est différent.

Nice arrangements and production but at the end of the day it is The Beach Boys cynically reaching out with hippie BS for a money grab. The whole point of The Beach Boys as a band was escapist rock. A place where you could leave the body politic behind for a little while, and get away from everyone's struggles for awhile. Somewhere to live in pure joy for a bit. This album is cheese ball eye-rolling boring protest rock album in the first half and a bit more fun, mature, and interesting on the back half but still a mixed bag of oddities. It makes clear that Brian Wilson was the only great composer in this band. Everyone else was often more miss than hit. "Feel Flows" was fun from an instrumental performance vibe and doesn't feature the lame lyricism that the protest songs suffer from. "A Day in the Life of a Tree" is an interesting re-imagination of gosepl music from an environmentalist point of view. "'Til I Die" is a pretty melodic song but darker than an abandoned mine. Cheesy lyrics drag this album down but the production and performances manage to drag it back up to a 2.5, which I will have to round up to 3.

An okay album. Didn’t really understand why The Beach Boys needed a redemption record. As far as their harmonies, they were tight as always. Songs were all over the place. Student Demonstration Time was an interesting take on protests. All in all, a 3/5 because it was good to hear it but I won’t listen again.

Not what you would normally expect from the beach boys but I found myself actually enjoying it more though none of the songs really struck a chord with me. High 3.

Not as bad as I thought it would be, but I am not really sold on what Beach Boys put out, like ever. But not that bad.

Big fan of freaky deeky sad beach boys. The feet song sucks tho 👎

I enjoyed this more than Pet Sounds. Not as classically Beach Boys, but very experimental from their signature style. I decided to give Pet Sounds another listen after this, and I can appreciate how groundbreaking the band is for remaking itself over and over.

Well, that was unexpected. I came into it thinking "oh, I liked The Beach Boys when I was a kid. Maybe this will be a fun trip down memory lane." Then I listened to...whatever this is. I don't get it. I can't say I enjoyed anything beyond the album cover here. 1.3

I tried two times to get through this and I couldn't. Not bad, but not good enough to try any harder.

The Beach Boys’ Surf’s Up, for starters, has an amazing album cover. Like this thing is just so depressing, and looks so cool. Musically, its alright. There is some great songs like take a Load Off Your Feet, but most are iffy. Good theming and concept overall though. All in all, Surf’s Up is a good album.

I liked this album more than their early silly shallow stuff. The songs here are somber, full of warnings and questions and wistfulness. I hadn’t heard a single one of them before, so I gained a greater appreciation for the Beach Boys’ breadth of talent.

Puzzling. Course I’m probably not the guy to ask, because I don’t even much like the peppy, fun Beach Boys, so it’s gonna be hard to sell me on sad, woke Beach Boys. I thought “Feel Flows” was pretty. The rest of it…well, I’m just not buying. I’ve never found them to be particularly authentic, and the socially conscious bit seems like something their record company asked them to do, and about five years too late. Pass.

it’s cool but not great. for my first beach boys album im interested to hear more from them

Not for me

I've only listened to this one at the time of writing but I like it. It's that Beach Boys sound, but as though this is the morning after the surf and beer. Well-developed and good listening, albeit with no stand-outs.

Really like ‘feel flows’ boss flute

Not the Beach Boys you know and love. They definitely went weird on this one.

Equal parts imperfect and interesting. A perfect combination

The story of the Beach Boys post-*Pet Sounds* is admittedly messy, but to me, the music they played during the first half of the seventies is as worthy of attention and even as exhilarating as their "classic" sixties period. Ending this classic period, there's been the *Smile* debacle that saw Brian Wilson lose its grip on reality and suffer a mental breakdown--and yet now that that *Smile* has been "reconstructed" (it was a decade ago, approximately), fans of experimental rock are aware of the 'trip' that this unreleased LP was. Some of its best moments had already been used on the actual *Pet Sounds* follow-up *Smiley Smile*, of course (unfortunately mixed with a few duds...). Yet listening to the whole original project sure tells you what the Beach Boys: audience had missed back then: the fact that the *real* album never came out after all the expectations its announcement had raised was a cruel blow to the Californian band's career. Not that you necessarily need that context in mind to appreciate *Surf's Up* for what it is... Yet it sure explains its peculiar tone a few years down the line, with its somewhat grittier or disillusioned mood, in keeping with the artwork and the irony of the album's title (as well as the one of its opener "Don't Go Near The Water"). After a trio of underwhelming albums following the release of *Smiley Smile" (*Wild Honey*, "Friends* and *20/20*, quite boring to my ears), it seems that the Beach Boys had indeed lost all sense of direction, just as their main songwriter took a back seat creatively speaking for the sake of his fragile mental health. Worse, their trademark sound was definitely out of fashion by the end of the sixties--hence their first flawed attempts to include soul, novelty cuts and more contemporary strands of rock into their music... Yet what occured right after those first misguided attempts was essentially an artistic miracle: mostly everyone in the band wrote compositions to make up for Brian's far lesser involvement, and the band also tried to keep up with the evolution of American rock to boot. And looking back, their efforts paid off, because the string of four albums that followed (*Sunflower*, *Surf's Up", *Carl And The Passions: So Tough* and *Holland*) is filled with so many gems, going from surf-rock to weird psychedelia to The Band-adjacent wonders, that it's easy to lose count of them all. Too bad that those records never really had the commercial and critical success that they deserved at the time--none of those LPs are perfect, yet their many assets outweigh their shortcomings by far. And a lot of the songs on them aged like fine wine, which is why those albums have been so kindly reevaluated today. Here is a lesson about how one should always be suspicious of the critical fads of the day when said fads risk preventing you from enjoying great music. The Beach Boys were not the only victims of that phenomenon. Other artists wrote masterpieces or near-masterpieces that were unfairly ignored during the seventies (Gene Clark comes to mind here). It's nice when history proves those artists right decades later--even if it's also bittersweet their ambitions were not recognized at the time... Second in this string of four great early-seventies Beach Boys albums in a row, *Surf's Up* thus has five key tracks that definitely justify its inclusion in this list: Mike Love and Al Jardine's wry opener "Don't Go Near The Water", that we mentioned earlier ; the extraordinary Carl Wilson-penned "Long Promised Road" and its catchy riff at the end, slick and yet also abrasive, to the point where it sounds like an amplified krautrock synth (is it?) ; the psychedelic and tropical flute-laden extravaganza "Feel Flows", also written by Carl ; and finally the last three tracks of the record that see Brian return to the fold as a composer/songwriter, two of which are part of his most stellar work--first there's the part-esoteric, part-melancholic cyclical chord sequence of "Til' I Die" recounting an existential crisis experienced by Wilson as he contemplated both the ocean and his own mortality ; and finally there's the title-track, which was actually written and recorded for *Smile*, and is one of the latter's finest moments as it ends on the Wordsworth-inspired mantra "The child is father to the man". A very mystical conclusion, here enhanced by the fact that the song was resurrected from those legendary *Smile* sessions... The rest of the album is maybe a small notch under those gems, yet those other tunes are still very nice. And I really can't see why so many folks seem to have a problem with the fun and tongue-in-cheek "Student Demonstration Time". Sure, by 1971 it was a little too late to get interested in those topics of political rebellion and revolution... but the Beach Boys don't take themselves seriously here anyway (even if they look like they do for other lyrics). Besides, that chorus snarling the words "there's a riot going on" is... well, it's *riotous* to listen to. Why should people be such party-poopers, huh? 4.5/5 for the purposes of this list, rounded up to 5 9.5/10 grade for more general purposes (5+4.5). Number of albums left to review: 125 Number of albums from the list I find relevant enough to be mandatory listens: 379 (including this one) Albums from the list I *might* include in mine later on: 224 Albums from the list I won't include in mine: 283

A darker output from the Beach Boys (Cover art says it all really, “End of the Trail”?). See through the preaching of Ecological responsibilities and Civil rights to glimpse the tortured artists within…

Def gets away from typical Beach Boys vibes. Some ok tracks.

Good but not cohesive. Almost sounds like a collection of leftovers rather than one album. “Student Demonstration Time” pisses me off because of how disgusting of a human being Mike Love turned out to be. Score gets rounded up because of how hauntingly beautiful the title track is.

2nd half was quite interesting

Before the surf pop, we have edgy chill Beach Boys!

It’s great to sit and listen to a Beach Boys album that’s not either literally or effectively a collection of singles. Of course I know Pet Sounds and Smile very well but otherwise tend to lean into the hits. This is quite a different experience and one I enjoyed. The lyrical themes are different and the production feels a far cry from the Brian Wilson masterpieces. But it’s no less enjoyable for it.

Not bad. Not great.

Not my favorite Beach Boys album but I've also been assured I'm wrong about this one so? I enjoyed the back half of this record way more than the front half, and I don't know what's up with Student Demonstration Time but I did not vibe with it

This was interesting. I liked it, but also kinda weird. Three stars.

It's probably never a good idea to have the phrase "ecological aftermath" in a pop song -- but on-the-nose-ness aside I enjoy this album. Not up there with my favorite Beach Boy albums, but if I see it in a store I'll pick it up and happily listen to it. 3.5 stars

Never heard this one before.

Mielenkiintoista poppia, ei oo ihan niin suoraviivaista. Parhaat: Disney Girls, Looking At Tomorrow

I'm sure if you're a Beach Boys fan you will like it, unfortunately I'm not!

Lyrics superb. A grower. Really good. Ive gone back to this since I've finished the list and its blown me away really. Disney Girls is such a beautiful ballad Dont Go Into The Water is great I really love this album. Im bumping it up I would still place it behind pet sounds and Holland, but that's not a bad place to be

My Favorite Beach Boys album. It's not the flawless work that makes Pet Sounds a perennial top 5 album. In fact one can definitely call it a flawed work. Two songs can even be called bad. Mike Love trying to write a protest song is embarrassing. So I'm already in violation of the Fantano "no-skips" rule in awarding this a perfect score. But this album functions on so many levels. It's a better look at what each member could contribute to the band, instead of functioning as Brian Wilson's backup band. It also presents a Beach Boys unit that is well aware of its mortality as this album was recorded during a period of disatisfaction and doubt as to the future and direction of the band. Times were changing and they were not on the forefront of that change. And it's this dissatisfaction that makes me prefer "Surf's Up" and keep coming back to it whenever I have a long drive ahead of me. I love this album for all of its flaws and all of it's confusion.

It’s The Beach Boys, you can’t go wrong with The Beach Boys.

There's a misconception that the Beach Boys didn't make good albums after Pet Sounds. It's fair to say that The Beach Boys never made another singular album-length statement of brilliance like Pet Sounds again. But there are a lot of good albums and great songs that followed for at least ten years after that high-water mark. Surf's up is one of those good albums. Yes, you'll have to suffer through the preachy "Don't Go Near the Water", and Mike Love's near-parody re-imagining of "Riot in Cell Block #9", in "Student Demonstration Time". And "Take a Load Off Your Feet" is typical of the kinda-baffling health-conscious tracks that Brian Wilson would pepper into latter Beach Boys records. But if you can sift through the album's flaws, you'll be treated to Brian's classic title track, which stands with the best songs that the band recorded post-Pet Sounds. Carl Wilson and Bruce Johnston also stepped up to the plate and delivered two other period highlights. Disney Girls is a lovely piece of nostalgic melancholy from Johnston, who didn't write many songs for the Beach Boys; but when he did write, he batted at a very high average. And Carl's first major statement as a writer in the Beach Boys came in the breathtakingly swirly Feel Flows. The beautiful song is the beginning of a much larger writing presence that Carl would have on future Beach Boys albums. Sadly, there's not a lot of Dennis Wilson on Surf's Up. I have a soft spot for Dennis' contributions to Beach Boys albums of the period. And I miss him here. So as a whole, Surf's Up is far from a perfect album. And when inevitably compared to Pet Sounds, it falls terribly short. But what doesn't come up short when compared to Pet Sounds? When the dust settles, Surf's Up is a good Beach Boys album that features singular statements from each Beach Boy, save for Dennis. Some of it is great. Some of it is good. Some of it is terrible. But I welcome it in the Beach Boy's rich canon of albums.

Wow, what an album. I hadn't heard this one before. No wonder The Beach Boys were considered one of the best!

Det här var en kul lyssning. Trodde det skulle låta annorlunda. Jag gillade det. Kul att bli överraskad.

Blev väldigt överraskad av soundet, gillade det mycket mer än jag hade trott. Visste inte att BB hade släppt så många album och blivit mer "sofistikerade" på äldre dagar. "Surfs up" var tydligen en ironisk titel . A day in the life of a tree var bäst, låter som en modern låt (inte därför den var bra dock, men intressant). Lite väl hippie-miljö-aktivism, men ändå.

Kan mycket lite om BB och det här var inte alls vad jag förväntade mig. Mörkare och bitvis mycket mindre glättigt än vad jag trodde samtidigt som soundet spretar åt olika håll. Tycker en del är rätt bra och annat mindre spännande.

Definitely doesn't get the attention it deserves.

I think there were some interesting ideas on this album that if fleshed out could make a really good album but otherwise were sparse. Also, I understand that this was the 70's but some of the tracks here have some of the worst mixing I have ever heard. 1.5/5

Like others, I didn't know this album existed. It's an interesting album, for sure, and I don't know that I would rank it as one of their best. 3/5

What a weird album.

I liked this less as it got deeper into the album; it got a bit too ethereal. The early tracks were enjoyable.

Interesting album. The songs are unmistakably Beach Boys pop but they’re also sometimes trippy and experimental and even political. I love the police siren effects on "Student Demonstration Time" -- sounds like they’re being made by a wah-wah pedal and some feedback. The psychedelic “Feel Flows” is really interesting! Feels like an odds and ends sort of album, which isn’t necessarily a bad thing. Curious to put this on again and see how it grows on me. 3.5 What an interesting album cover. I can’t imagine the reaction from the record label when they were told the new Beach Boys album would be called “Surf’s Up” but then saw that this was the artwork. 😂

Pretty solid Beach Boys album that I'm mostly unfamiliar with. It's way less energetic than their usual sound and at times almost feels like an entirely different band altogether. It's an easy one to listen to but it also drags along quite a bit. "Disney Girls" for example I think is supposed to be a more texture-filled and pretty beach boys bop, but it takes so long to get through, and you never get that sense of resolution. It feels like many of these songs are about 5-10bpm too slow. This is such an absurd album cover for a Beach Boys record, I love it.

nur die Masse an Liedern bringt's halt auch nicht

The Beach Boys' output post-PET SOUNDS from the late 60's to the early 70's, from SMILEY SMILE to HOLLAND, is a very interesting stretch of albums. In the grand scope of a band like them these records are pretty obscure stuff, put next to PET SOUNDS, SMiLE and their surf material. However, at the same time, they also happen to be a lot of the best work this band ever did. For example, SMILEY SMILE could never match up to what SMiLE could be, but as an early lo-fi and bedroom pop record, it's fantastic. SUNFLOWER has songs like "Add Some Music To Your Day", "This Whole World" and the masterpiece "Forever". And FRIENDS? FRIENDS is generally one of my top three Beach Boys albums; I used to wake up to it nearly every morning, back when I actually woke up in the morning. Then there's SURF'S UP. One blemish aside, it's the best thing the group had made some PET SOUNDS. Or maybe it's even better, if you wanna go that far. Front to back, from "Don't Go Near The Water" and "Disney Girls (1957)" to the triple threat of "A Day In The Life Of A Tree", "'Til I Die" and the title track, it's near untouchable progressive pop. Especially those last three songs. I didn't wanna focus all my attention on them, but seriously, the organ on "A Day In The Life Of A Tree" alone—!! You'd never expect music this beautiful coming from an album with a record cover like, y'know, **this one**, but that's part of why it's so amazing, honestly. It's not as dark as the cover lets on, but it still somehow manages to capture a lot of the feel, I think. At any rate, no matter how much I like Cooper Black font, it's a better album cover than PET SOUNDS had, that's for sure. Now, let's address the blemish: "Student Demonstration Time". It's the only one Mike Love wrote without any other Beach Boy, and fittingly, it's the worst track on the album. It's just so out of place with everything else. Seriously, what's this rewrite of "Riot In Cell Block #9" doing in the same space as "Surf's Up"? I can appreciate the band being more socially conscious with this song and "Don't Go Near The Water", and I get having some variety, but it just doesn't land too well. All the same, though... That's also why I kind of love it? Either way I don't think it's bad enough that its inclusion drags this album down a star, but I'm just so amused by how much of a sore thumb it is. And it's dumb "BAH-DAH-DAH-DAH-DAH" blues rock. I find it hard to hate that too much. Besides, it's not even the worst Mike Love song based on another song—and I know Brian co-wrote it, but in my mind "Be True To Your School" is all Love. Just the perfect example of him as an uncool prep. But anyway, it couldn't have made me happier that this is the first Beach Boys album we got. I actually spent a lot of time today listening to material on the box set FEELS FLOWS from this album's sessions; that's how excited I was. I don't think even PET SOUNDS, where I still maintain the cliché of holding it as their best, would've inspired me to dig in like that. Naturally, then, I can't give this album any less than a 5. I'd give it a 6 if I could, and I haven't felt that way about an album since we got ABBEY ROAD. It's just a gorgeous collection of tunes. I really wish they could've kept this streak up past HOLLAND, too. I mean, I give it up for THE BEACH BOYS LOVE YOU, but I know that it's not for everyone. And just knowing that this band eventually ends up recording "Summer Of Love" and letting John Stamos sing "Forever"... Yecch. Thanks a lot, Love.

The Beach Boys almost never missed during their peak years of the late 60s-early 70s.

Yeah, I’m at a 5. I’ve never really heard a Beach Boys album in full like that – the big 60s singles that are all literally beach-y and happy and surf-y are the extent of my Beach Boys knowledge. I know sort of about the Smile Sessions or whatever, and the sort of desperate turn to try and match a wave they knew was coming, but I’ve never actually heard anything from around that era until now. This was really fucking good, man; such a diverse variety of soundscapes and styles here – I don’t think there was a single bad track on this album. Yes, I know that “Student Demonstration Time” has some odd lyrics about the protestors and they’re especially weird because it’s Mike Love singing it, but I almost kinda don’t care? This is my first sort of Beach Boys experience, so I don’t know if they ever dipped into that kind of heavy guitar before or after this, but I thought it was so out there for my perception of The Beach Boys that I kinda just enjoyed it regardless. Take a Load Off Your Feet was kinda weird, and felt the least fitting from the entire album, but I still liked it. Seriously, I don’t have any complaints; good production, good vocals, pretty strong subject matters, nice imagery in the lyrics, and overall, just a damn good album. Pretty strong 5 from me.

I was only familiar with the earlier bubblegum pop. This was a very enjoyable piece of progressive rock music

The Beach Boy's are a tough band for me to rate. I feel like they are up and down with me. Sometimes I sense the strong visual California surf vibe and sometimes ... I guess I will say it is "less fun?" I love that they sing about the environment, I love that they are original and competent. I think maybe that they are a band that got to the head table by being quite specific and niche. Like if they dared stray too far off their strongest vibe they would be second best. Some bands have massive talent and range, others have massive energy and just blow away the listener by it. The Beach Boys are a bit quieter, like someone's Aunt's favorite band. "Not that she has bad taste, just ..."

When I saw the cover I didn’t think this was supposed to be an album by The Beach Boys. It was strange and intriguing to hear a more macabre and bleak sound from them. At times it feels desolate and their voices layer like a choir. Made me feel a bit uncomfortable that way. There’s a chunk of politics in this album, which steer it in a direction that was unexpected. Overall, good album, The Beach Boys have a great sound, yet I wanted them to dip their feet more into it. Didn’t feel quite sold on it. Standouts: Don’t Go Near The Water, Long Promised Road, Disney Girls, ‘Til I Die, and Surf’s Up.

Not my kind of sound, but I was pleasantly surprised by their variation and politicality (is that a word?) - better than I had thought. Listens: 2 Fave Track: Til I Die Rating: 3

Interesting comeback.

Chillest an-cap album I’ve ever heard. Daddy took the T-bird away to LAPD took the right to assemble away I’ve heard almost nothing from The Beach Boys except for their top 5-10 and honestly this was refreshing. Excellent production, but has a distinct 60s sound that’s complete separate from what you think of The Beach Boys.

Crazy that this is their 17th album! Enough of the classic beach boys sound (bah bah haha bahhhh) to feel like a beach boys album, not too much that it feels stale. Likes the more serious songs, overall a great balance of songs. I liked the musical idea behind student demonstration with the bluesy rock but the lyrics were dumb and the title was too long

Definitely interesting, not what I expected from the Beach Boys. An attempt at more socially conscious subject matter, I think - Student Demonstration Time is too weird. I really like Feel Flows, feel like I've heard this before. Harmonies on Til I Die and Surf's Up are great, classic beach boys

The Beach Boys’s late 60s - early 70s output is so underrated

Really nice discovery. I only know and love beach boys from their hits, and was very pleasantly surprised by this “minor” album. Lots of proto-prog sounds in the second half of the album, with highlights “feel flows” and “surf’s up”

Sometimes mellow, sometimes bluesy, unlike the previous picture I had of the Beach Boys.

Did not really click for me. The more “serious” themes - compared to “pet sounds” etc - seemed a bit tacked on to me. Interestingly, I learned that I most enjoyed the two contributions by Carl Wilson: feel flows & long promised road.

I like the cover, the production (drier than the beachies I'm familiar with), the vocal melodies and the very funny "don't go near the water" joke. I don't like that the political and environmental messages sound a little insincere, but the energy and directness are on point. Pretty good record all in all. Not something I'll be searching out regularly but glad I listened to it.

Great album

the beach boys are dead

Always pleasantly surprised by Beach Boys.

Decent but no pet sounds

Very sweet music isn't it. I have to say I didn't mind that much. This album didn't have some of the hard hitters that I really like. It decent

I really liked this. Funny how it's called Surf's Up but to me it didn't sound like the usually beach boys all going 'hey we love the surf baby let's go surfing all the time', it felt a bit more nuanced. Also, the album cover is wild. Compare that to Surfin' Safari, it's like a bloody ringwraith, definitely not rainbow rhythms

Definitely not what I would expect from the Beach Boys. Very bluesy and really liked songs like Student Demonstration Time.

Boring. I can’t get super into The Beach Boys, and I’ve tried with Pet Sounds.

Kinda bounced off me to be honest. Reading reviews I get that it resonates with some people, and it's a clear departure from their norm, but after just one listen I didn't really get what it was all about.

Yep, these are songs. Fine, really nothing stands out about the album. I feel like the mixing is odd in places and the vocals feel like a whisper/distorted at times. Meh. 5/10 (2.5/5)

# 247 : They've done a pretty decent job. I think Its OK, a great collection of songs, that require a couple of listens and then become better and better. Favourite Track : Long Promised Road

Gotta love the beach boys

It felt a bit disjointed but a good album.

Not a huge fan

long promised road disney girls a day in the life of a tree

I hadn't hear this before. Possible one of my favourite Beach Boys albums now.

Not what I expected from the Beach Boys but then again, if I had thought about the title, I would have maybe been more prepared.

One of the earlier albums I listened to a lot was a compilation of Beach Boys tunes. I really loved it and would mimic surfing in the living room. I was five. In retrospect, the material isn't all that sophisticated, except when it is... but ironically, I think I like the simplest tunes best, so the later material isn't as interesting to me, even though sonically there's more going on.

Don't Go Near The Water - has a nice laid back vibe. Student Demonstration Time is pretty cool. That firehouse siren gets annoying though. Overall this album seems not very upbeat though, not something I'd expect from them and doesn't suit them. But gotta give them props for their harmonies.

Beach boys have a wider range than I previously thought. Innovative for an album in the early 70s, feels it has components of psych rock but different than the usual 60s/70s style. Deserves a second listen.

Mostly psychedelic rock/pop, with one song of 12 bar blues/early rock (Student Demonstration Time) and some slightly weird experimental stuff (A Day in the Life of a Tree) Close to a 4, but I don't really feel an emotional connection or really captivated by anything, so it's going to be a 3.

Surprisingly good, not what you'd expect for a Beach Boys album. Really enjoyed this. Had to double check a few times I was listening to the right album as it sounds nothing like their earlier stuff.

Darker and more progressive than other Beach Boys material I've heard. Really fucking good.

Gloomy, minor key songs - not what I want from the Beach Boys. 1/5

Long Promised Road Feel Flows 'Til I Die Surf's Up

I liked it! I prefered it to that other more famous album I cant remember the name but it definitely felt a bit darker.

Nice sounding album

There were a couple good ones in here, and the album overall was enjoyable. I didn't realize they released so many albums. I love this cover as well, I read it is surf related but it really doesn't look like it. Almost looks like they are giving up surfing.

Another from the Beach Boys, but this one is very different. Later in their timeline, and it feels more somber and existential. Beach, this time, refers not to a fun place to hang out, but the shores of existence. These are the Shores of Existence Boys. I like it though, it's pretty good. Didn't know they made stuff like this, but it's cool. Not super memorable or anything, but I had a good time. Favorite tracks: Long Promised Road, Disney Girls, Feel Flows, Surf's Up. Album art: Really, really love this one. I've seen it before, but never realized this was the Beach Boys. A defeated warrior on a weary steed, "surf's up" has a completely different meaning here, it's all over and done. Instant classic. 3.5/5

Surprisingly great. Only song I recognised was 'Feel Flows' from the Almost Famous credits but really liked the variety and overall mood on offer, and 'Long Promised Road' is an absolute banger.

those guys probably fucked in the 70s

Well, this is the first proper Beach Boys album I'm listening to. I've heard songs like "Surfin' USA" and "Little Saint Nick" in passing, though never cared enough to seek them out. I did not expect they would forego the whimsical nature of their surf rock '60s material for a more psychedelic prog-rock album. This is a strange album, where it takes twisted turns using Moog synthesizers, Hammond organs, electric guitars, and vocal effects while taking a crack at socially conscious lyrics for the time. It's not a perfect album, as not every experiment goes well. But I'll be damned if I'm not impressed with the boys trying something different than what I expected. Give it a shot. Update 8/17/2026: You know, with my recent appreciation for the Beach Boys, I wanted to go back to Surf's Up and figure out why I felt that this wasn't a perfect album. Upon relistening, I found a few tracks to be not quite up to par. There's the corny novelty of "Take a Load Off Your Feet," complete with kooky sound effects and Al Jardine's hammy foot-focused lyrics. Then later on we have Mike Love's clunky reworking of Jerry Lieber and Mike Stoller's "Riot in Cell Block Number 9" into "Student Demonstration Time," where Mike tries to appeal to both the student protesters and the police force after the Kent State Massacre happened, and he ends up appealing to neither party amidst the ear-grating sirens. Both of those songs drag the experience down a peg for me. It's a shame, because otherwise, I do feel that The Beach Boys, under the direction of then co-manager Jack Rieley, made genuine strides in revamping their style and presentation. I got some genuine pathos from their messaging on environmental destruction in "Don't Go Near the Water" and "A Day in the Life of a Tree", Carl Wilson's strife to overcome his obstacles on "Long Promised Road", Bruce Johnston's longing for a simpler time on "Disney Girls (1957)", the rather poignant soliloquy about being down on your luck in between jobs on "Lookin' at Tomorrow (A Welare Song)", and the examination of Brian Wilson's mental state on "Feel Flows" and "'Til I Die". Plus, the title track lifted from the Smile sessions proved to be an effective closer, as a two-movement tale of a spiritual awakening that once again showcased how damn good a songwriter Brian was. So yeah, Surf's Up is a good record overall, on the cusp of greatness even.

A four star album with a couple of five star songs on it. Feel Flows is fantastic, and Surf's Up might be my favorite Beach Boys song from their whole catalog; beautifully melancholic.

Strange album. Never listened to it before and I don’t think I recognized any songs. Not something I would expect from the Beach Boys. Bit some interesting songs. I will definitely listen to this a few more times.

I’d never heard this album but I really enjoyed it :) especially Day in the life of a tree

I'll admit I'm a Beach Boys fan, but I've never heard anything from this album outside of "Feel Flows" (from the 2000 motion picture "Almost Famous") prior to listening. This does not sound or feel like any other Beach Boys record that you're used to. Way more political and socially aware than the surfer jams from years past. The messages don't really land for me either, I must say. I get that the group wanted to change their image and sound at the time, but some of these tracks just feel outta place, especially "Student Demonstration Time". It's a bit jarring honestly, especially compared to the closing tracks in the same album that feel more at home coming from the Beach Boys. Side note: I guess I'm working through the Beach Boys discography in reverse order as this is the first album of theirs that I've drawn thus far. I don't necessarily see this as a bad thing!

As good as Pet Sounds, possibly better.

Not bad at all. Different from other beach boys album. 4 stars

Listened to Surfin’ USA by accident before realizing I was supposed to listen to Surf’s Up, but it was a good thing to see the evolution. The overall maturity of the band really comes through when you contrast to the earlier material. Very well done album, but only a few songs really popped out for me. Notably Student Demonstration Time. I have a feeling nothing is going to come close to Pet Sounds for me. But this was a pleasant listen.

What an odd album. It's got: Environmental songs that sound like they were written by someone who just learned about the issue impress some hippie girl. A heavy metal inspired blues song about protesting that asks the question, ”maybe don't?" And some left overs from pet sounds at the end to make wish you were listening to a better album. A curiosity but not much more.

Seminal but not for me. Couldn't believe it was the 17th studio album but it sounds like it

First time I’d listened to this album—I pretty much know only the popular side of The Beach Boys. Didn’t immediately love it but I think it warrants another listen for sure.

I enjoyed the more melancholy side of beach boys and surfs up is still pretty cool :) thx for the Rex slayyter

Great Beach Boys album, came at a time where I feel their output, while still good, wasn't at the same level of albums released earlier. Also kind of gives you a bit of a glimpse into the Beach Boys when Brian Wilson wasn't heavily involved with the production.

Some of the worst music I've heard of the albums I've listened to so far. Really not good. I never "got" the Beach Boys, and this just makes me dislike them more.

Inga låtar jag kände igen men trots allt en godkänd platta.

A different sound then their greatest hits, but I like it! But perhaps not love it.

A Beach Boys album I hadn´t heard before and it has a lot of interesting stuff going on. A few tracks don´t work and Student demostartion time must be the worst song they ever recorded. Amazingly out of touch. All in all I think I need to revisit this album a fem times.

Not what I was expecting at all. Surf's Up means Surf's time is up. Much looser, darker, and weirder than the classic Beach Boys stuff, this album still has the signature emphasis on thick harmonies and lush production, but it doesn't come at you with the big hooks and 2 minute concentrated blasts of pure pop. Instead, it has a washed out acid hangover feel to it, woozily easing you into a slightly formless psychedelic daze punctuated by fuzzy guitar leads, some bleeps and bloops that sound like kraut-rock before it had been invented, and all sorts of different random instruments sounds. Favorites: Disney Girls, Feel Flows

Their second last good album.

just skip it. its so bland and boring. songs are slow and depressing. I was expecting some fun upbeat surf rock instead I got a slow depressed collection of life advice from what felt like sterotypical Youth pastors. WTF is take care of your feet pete?

I’m giving The Beach Boys’ Surf’s Up a 4-star rating, mainly for its bold departure from their earlier surf music sound. The album’s musical aspects are truly enjoyable. However, I have mixed feelings about its social activism themes. Some lyrics come across as opportunistic and a bit sleazy, almost like reaching for low-hanging fruit. Despite this, I appreciate the album’s overall musical direction, which is why I’ve rounded my rating up from a 3.5 to 4 stars.

Of course the worst song here is written by Mike Love

really cool

This just did not land for me at all. I went in knowing this was a very different version of The Beach Boys to the sun soaked 60s hits I was familiar with, but I was still hoping something would grab me. Instead, I found it a fairly dull listen from start to finish. It is moodier, more introspective and far removed from the surf pop harmonies most people associate with the band. I can respect that they were trying to evolve and move into more serious, reflective territory, but for me it lacks energy and memorable hooks. The songs drift by without ever really demanding attention. There may be depth here that rewards repeated listens, but on this occasion nothing pulled me back in or made me want to revisit it. Favourite song: I could not really pick one that stood out Least favourite song: Disney Girls Album artwork: I am still not entirely sure what it is meant to represent

Beach Boys are masters of the vocal harmonies, but it is a little sparse here. Surf's Up (the album) is filled with great songs (Student Demonstration Time is one of my favorites so that isn't a reason this isn't a 5) and it ends superbly, with Surf's Up (the song) having the best harmonies of the album. However, I have a problem with the production, not a big fan of how it sounds. And I didn't really care for Take A Load Off Your Feet

favourite song: student demonstration time had its high points (which were very very good) and its low points (ehich tbf weren’t particularly low). solid album, torn between a 3 and a 4 here tho.

Short and psychedelic, sweet. Yes flute! Magic lost towards the end.

Psychedelic progressive pop. Man what a mixed album. Most of the tracks were truly phenomenal, and then the other several tracks were just really missing something. Didn't really like Disney Girls all too much, Student Demonstration Time felt kinda weird, like it wasn't saying anything special that necessitated having it as a track. Lookin' At Tomorrow was way too short and dull, and Take A Load Off Your Feet was kinda just stupid. But man, the rest of the songs are just too good to really care about the duds. 'Til I Die and Surf's Up were incredible, hauntingly beautiful. Feel Flows and Long Promised Road were really great psych pop songs, absolutely adore the instrumentals even if they are a little out of place, I think that's the point. Overall fantastic album, definitely worth listening even if some of the songs just didn't do anything for me. Would love to visit The Beach Boys full discog one day, if this album is any indication of the quality. 4.5/5

Did not realize they did things after Pet Sounds. Thought it was fine but the album wasn’t cohesive and there was no single that grabbed me

Sad beach day

Definitely not your typical Beach Boys album. But it was good

Surf's Up is an interesting record. Sometimes it feels like a continuation of Brian Wilson's expanding songwriting odyssey. Then other times it sounds like the boys are entirely out of their element. Ultimately, for me, it's aging men trying to adapt but unsure of what they're supposed to d anymore. With flashes of brilliance. Tracks 8 & 10.

It took me a couple listens, but I ended up really enjoying this despite being put off at first by the addition of the synths and vocal effects. It has a melancholy vibe, as an intentional contrast to the band's history. The environmental messaging is honestly pretty effective and still relevant. Long Promised Road, Til I Die and the title song are all awesome.

Interesting start, not what I expected, but fell apart towards the end for me. 2 completely flat oceans out of 5

Not their best

Excellent

BL: never really delved outside of the classics and pet sounds in terms of beach boys, and I’m sure they have a wealth of classics to offer, so I’m interested to take a step off the path and listen to something else by them AL: my jaw is on the floor. This record is absolutely nuts. A political album from one of the most universally acclaimed albums of the time which was propped up on the image of the western centric swinging sixties. Actively discussing issues of student riots, racism, and most shockingly environmental issues, in a time where this was an emerging theme but a lot of people didn’t want to touch the science in fear of their images changing in the public eye, this one is a real shocker and a bloody good listen too. One of the best finds on this generator so far. FT: “long promised road”, “Disney girls”, “a day in the life of a tree” 5/5

I really enjoy the diversity of songs and sounds on the album, along with the excellent singing of course.

Nice vibes, very soothing. Favourites: Disney girls (1957), feel flows, surf's up. Overall very pleasant but not the most memorable. High 3/5

The start of Don't Go Near The Water is so oinky sploinky which drives my hopes for the album up. To be honest the album is just a vibe, it's not like super exceptional but it's pretty good. Favourites: Long Promised Road, Disney Girls,

Some nice sounding bops on this one, I actually really enjoyed it. Some good environmental messages too. Favourites were Take A Load Off Your Feet, Disney Girls (1957), and 'Til I Die. I also rock with Don't Go Near The Water and A Day In The Life Of A Tree because environment. Solid 4 today

# Playlist track - Long Promised Road # Notes - Great listen! - -1 star for the sirens on "Student Demonstration Time" -

Pretty boring.

Good! 4 stars

I love the Beach Boys, but at this point it's to the latter part of their amazing albums. I liked this one ok, but there's not much in the way of standout songs. I really liked Disney Girls. Overall not a bad album.

I'm going to have to come back to this album sometime. It's obviously got something interesting going on but I'm just not connecting with it. Sometimes it feels a bit too much like teenage poetry "I feel like a cork on the ocean," etc.... The music is complex and beuatifully arranged, which you'd expect. But it just didn't work for me. It might on another day.

I like it a lot actually

Buenos pasajes.

I expected something totally different. For me, it underdelivered.

enjoyed it much more than expected

A nice one. There’s something for everybody here

Not their best

I thought I'd enjoy this more, but I was bored

don't get why this is on here

Exactly what you'd expect it to be

Better than I expected

Ei onneksi niin happoista menoa kuin luulin. Ei myöskään synkkä kuten kansi. Alan keksiä, mikä Beach boysissa vetoaa, yksi on monipuolisuus, jota tässäkin levyssä on. Kieltämättä tosi taitavaa musaa. Ei vaan herätä mussa mitään tunteita. Kiinnostuksen sentään herätti tällä kertaa, eli yksi piste siitä.

Bändi on tällä levyllä luottanut melodisuuteen jaksamatta kehittää definitiivisyyttä. Tulos ei ole mullistava, mutta se on kiinnostava, ja jaksan keskittyä toisellakin kerralla.

For Beach Boys fans.. who love the hopping beats of the sand and fun,,, move on. I never head of this album, and now I know why. Heavy, deep, and political. Not that the message is bad, it actually still rings through 50 years later - it's just...not The Beach Boys. Like listening to Black Sabbath singing Silly Love Songs.

This was pretty interesting. Never heard of this album or any of the songs on it. Didn't really sound like The Beach Boys, but it had me hooked the whole way through. It was very unique and not at all what I was expecting.

Mellow. Lovely.

It’s an eclectic album. That helps to differentiate the tracks somewhat but for my tastes, the album only really shines once you reach the second half Feel Flows and Lookin’ at Tomorrow are the album’s standouts. But Don’t Go Near the Water and Student Demonstration Time are also strong. It’s overall enjoyable but I wouldn’t put it in my own list of 1000 must-hear albums.

This was like the Beyond Meat version of The Beach Boys Burger. It was ok but something just wasn’t quite right with it

I liked this more than I thought I would. It’s not as lush as Pet Sounds but it definitely expanded what my concept of The Beach Boys are about. I will further explore their catalog.

This album is often overlooked in the post-Per Sounds Beach Boys output. It is a very imperfect album. It champions ecological awareness before jumping to idealized 50s pastiche, and a more straightforward rock piece where Mike Love ends with the assertion that students shouldn’t protest. The final three songs are phenomenal. The title track, dating back to the Smile era, has been my favorite Beach Boys song for a few years now and may have been Brian Wilson’s last great piece of production.

This is more like it! Rounding off a frankly dismal week with an absolute classic this is probably the Beach Boys’ most eclectic record both musically and lyrically, shedding their surf rock foundations entirely and delving into topics such as environmentalism, mortality, and… feet? There are a couple of tracks around the middle that don’t quite hold up to the rest of the album, but there is some absolutely beautiful stuff on here, and the title track may be my favourite song they’ve ever released (I slightly prefer the arrangement on the Smile Sessions but it still sounds magnificent here, and closes things out perfectly)