Graceland

This one surprised me, I didn’t think I would like it but I actually enjoyed it.

It’s sweet, a nice listen

Culturally important and very good? Yes. Utterly transcendent? Nah. But still incredibly solid. Unexpected bangers: I Know what I Know, Under African Skies, That Was Your Mother.

Just a very good album, with a nice mixture of vibes and styles

good vibes on this one

Pre-listening thoughts: so I’ve heard a few songs from this album before and from what I heard I think I’ll enjoy it but we shall see Post/during listening thoughts: Paul Simon just like rambles lol. Love this a lot but the way the rhythm of the lyrics is just a suggestion cracks me up a little. So I did some further digging into the background of this album and it’s got quite the story attached to it. Simon being accused of stealing from African artists, being accused of breaking the cultural boycott of South Africa during Apartheid, and being accused of cultural appropriation. Whew! I love the music on this record but to credit Paul Simon for being the genius behind it feels wrong, whether he stole directly from the artists in the studio or not. African music is the genius behind this, and if the rumors are true, the specific bands he collaborated with deserve a lot more credit than what they get today. This album definitely has some genius though. It’s lively and folky and rhythmic in very fun ways. A unique record. 7.5/10 DID I NEED TO HEAR THIS BEFORE I DIE: I would say yes? The context alone is worth knowing about I think Fav tracks: The Boy in the Bubble, Gumboots, Diamonds on the Soles of Her Shoes, You Can Call Me Al, All Around the World Least fav tracks: That Was Your Mother

een classic, veel nummers herkend waarvan ik niet wist dat ze op dit album stonden. Maar niet een genre die ik snel zelf op zou zetten, daarom toch 4 sterren

Classic. I’m glad it holds up. Chevy Chase is the worst, though.

8/10. There are various interesting styles in this album. It's a fun listen!!! :)

Just two days ago I got Paul Simon's self titled solo album. Graceland is more adventurous, and there are more worldbeat influences, especially African music. The songwriting is excellent and it is very good album production wise as well. It sounds a tad too 80s for my taste but nevertheless it was very enjoyable.

great and varied album with some standout, memorable tracks. Folk rock with african influences? resulted in an interesting and fun listen.

It’s a solid 4 from me.

I really like this music! Probably one of my favs, but I think it's cus of the style.

4/5

Great album!

4.25

could be epic poem

Wonderful composition of world music with Paul Simon's gentle voice.

Very good album to listen to. 4/5

solid 4.

A classic

Singer/songwriter pop with a twist

Sehr entspannte Lieder für gute Laune, vor allem Gumboots und das letzte Lied des Albums haben mir gefallen

Another "white man discovers Africa" album from the 80s, haha. Really good though

Alors là, on tombe sur un os, un putain d'os de mammouth. Quand le grand livre des "1001 Albums" me balance Paul Simon "Graceland", j'ai failli m'étouffer avec mon café noir. Paul Simon, pour le mec de 16 ans que j'étais en 1986, c'était le son des parents. Le genre de disque qui passe le dimanche après-midi pendant que ton père tond la pelouse et que ta mère prépare un rôti. Le summum de l'ennui poli, l'antithèse absolue de The Cure et de leur "Pornography" qui tournait en boucle dans ma chambre d'ado mal peignée. C'était la musique que les yuppies triomphants des années Mitterrand écoutaient dans leur R5 Turbo en allant à leur cours de squash. Une musique proprette, intelligente, vaguement exotique pour se donner bonne conscience. Bref, tout ce que je pouvais dégueuler à l'époque. Une gentille pop mâtinée de "World Music", ce concept marketing fumeux inventé par des Occidentaux en mal d'authenticité pour vendre des disques à d'autres Occidentaux en mal d'authenticité. J'avais rangé ça dans la case : sympathique, mais totalement inoffensif. Et puis, il y avait l'autre casserole, la grosse, la rouillée, celle qui fait un bruit de tous les diables : l'Apartheid. En 1986, l'Afrique du Sud était au ban des nations. Un boycott culturel international était en place, et qu'est-ce qu'il fait, notre petit Paul ? Il prend son baluchon et va enregistrer à Johannesburg avec des musiciens locaux. Tollé général, on a crié au scandale, à l'opportunisme, au pillage culturel. Simon, le petit malin, qui brise le boycott pour se refaire une santé commerciale sur le dos de musiciens noirs opprimés. La polémique a été aussi énorme que le succès du disque. Alors, presque quarante ans plus tard, il a fallu que je me replonge dedans. Sans a priori, ou du moins en essayant de les laisser au vestiaire. J'ai posé le vinyle sur la platine, le coeur un peu lourd, m'attendant à une purge polie, à un pensum de bonne conscience musicale. Et là... la claque. Merde. Il faut être honnête, ce disque est une putain de merveille. Dès les premières secondes de "The Boy in the Bubble", on est happé. Pas par Paul Simon, non. On est happé par cette section rythmique incroyable, par cette basse fretless sautillante et joyeuse de Bakithi Kumalo qui danse comme un diable, par la guitare de Ray Phiri qui tricote des mélodies lumineuses. C'est un son que l'Occident n'avait jamais vraiment entendu comme ça. C'est frais, c'est vivant, c'est une explosion de couleurs dans le paysage musical souvent synthétique et glacial des années 80. Le génie de Simon, et c'est là qu'il faut ravaler son cynisme de vieux punk, ça n'a pas été de composer cette musique. Non, sa genialité a été de la laisser exister car il a eu l'intelligence suprême de ne pas essayer de la formater, de la noyer sous des arrangements de producteur américain bedonnant. Il a posé sa voix, ses textes de songwriter new-yorkais un peu intello et névrosé, sur un tapis volant musical qui était déjà là, vibrant de sa propre vie. C'est une conversation, pas une OPA hostile. Et quelle conversation ! Le contraste entre la mélancolie douce-amère des textes de Simon et l'exubérance quasi-constante de la musique est ce qui fait toute la force de "Graceland". Prenez "Diamonds on the Soles of Her Shoes", avec la majesté des choeurs de Ladysmith Black Mambazo. C'est d'une beauté à chialer. Et puis bien sûr, il y a le tube interplanétaire, celui qui a fait danser la Terre entière : "You Can Call Me Al". Impossible de résister à ce riff de synthé et à ce solo de basse. Même le métalleux le plus endurci se surprend à taper du pied. C'est un fait scientifique. L'album n'est pas qu'un simple aller-retour en Afrique du Sud, c'est un véritable road-trip musical. On y croise les Texans de Los Lobos sur "All Around the World or the Myth of Fingerprints" et les légendes du zydeco de Louisiane comme Rockin' Dopsie Jr. sur "That Was Your Mother". C'est un disque qui respire l'Amérique dans sa diversité, tout en étant profondément imprégné par l'Afrique. Alors, on en pense quoi, de ce disque maudit et adulé ? Est-ce que le Paul Simon de 1986 était un salaud d'opportuniste ? Peut-être un peu. Est-ce qu'il a brisé un boycott qui avait son importance ? Oui, c'est un fait. Mais il a aussi offert une vitrine mondiale à des musiciens exceptionnels qui, sans lui, seraient peut-être restés dans l'ombre. Il a fait plus pour la connaissance de la musique sud-africaine que n'importe quel concert caritatif de l'époque. C'est toute l'ambiguïté du personnage et de l'oeuvre. Aujourd'hui, en réécoutant Graceland, je dois bien l'admettre : mon moi de 16 ans était un petit con snobinard. Ce disque est un chef-d'oeuvre de production, un miracle d'équilibre entre des cultures, un concentré de joie de vivre et de mélodies imparables. C'est un disque qui donne le sourire, qui donne envie de bouger, qui réchauffe le coeur. Est-ce que ça en fait un de mes albums de chevet ? Non. Il reste pour moi un objet un peu à part, un album "soleil" dans une discographie majoritairement "nuageuse". Il ne détrônera jamais Joy Division ou Nick Cave dans mon coeur. Il y a un côté un peu trop "propre", un peu trop lisse, qui m'empêche de l'aimer totalement, sans réserve. C'est un compagnon de voyage exceptionnel, mais pas le confident des nuits blanches. Mais bordel, quel voyage ! C'est un excellent album de World Music, un excellent album tout simplement. Un classique qui a mérité sa place dans le grand livre, n'en déplaise au pisse-froid que j'étais. Verdict : Une bouffée d'air frais qui a balayé les certitudes et les préjugés, une leçon d'ouverture musicale, même si elle est née dans la controverse. L'album parfait pour réaliser qu'on a parfois été un con fini, et que c'est pas si grave de changer d'avis. Un solide 4/5, parce que la perfection n'est pas de ce monde, et surtout pas du mien.

A delight.

Favorite Track: You Can Call Me Al

African and western instruments combine wonderfully. Every contribution is perfect. I love the bass lines. Every track is different and danceable, singable and just fantastic. Every time I listen, I hear even more wonderful musicianship.

4.5

the album started REALLY good and i really should have listened to it earlier but the last couple songs really dampened the whole thing. would have been way better without all the features but i think his voice and the top 75% of the album are good enough to keep it at a low 4 stars

This is a very different album. I love some of the songs and Paul's use of back up singers/music is brilliant on this album. A fun listen!

Find blend av musikkstiler. Meget bra. 4/5

I really like his voice! That’s it.

Volvemos

One of those albums you listen to and wonder why you don't listen to it more often. During gumboots I was thinking: wow he really nailed the African feel for this song not realizing it's played by an actual African band

I love the happiness of the music that Paul Simon has always produced. Graceland is no different in that regard. It puts me in a good mood despite what the day is throwing my direction.

This is an amazing album. The African influences are weaved in so seamlessly that they align with the songwriting without seeming contrived. Beautiful music, production, everything. Catchy and dancey too. At its best, pop genius. The songs are less interesting from track #7 onwards, although 7 itself is beautiful - just not my thing. "That was Your Mother", for example, is forgettable... although I guess the speeding up tempo through the song is the attraction. If you don't really go for that worldy feel, it won't be your cuppa. It is a gentle album, no biting teeth here. I do find myself wondering how influenced Sting was by this in his post-Police output. Really good album.

Great world music vibe. Couldn’t avoid the hits during high school.

Great stuff

Overplayed cultural appropriation much? Sill, it fucking rules. Damn.

I got another Paul Simon album about 2 weeks ago and I really loved the sound, the vibe, his voice is great, but I didn’t personally like most songs. I was glad to get him again and my eyes have been opened here, this album is great. The first 6 songs are just great & hoping for more of him down the line.

I liked Chevy Chase in the music video

I love Graceland. It's not a perfect album, despite my vanilla preferences, but I love this.

This is great. A couple of weaker spots though bring it down. And as for American cries of cultural appropriation, if it’s good enough for Ladysmith Black Mambazo, then it’s good enough for the rest of us

J'ai vraiment préféré cet album à l'autre de Simon que j'ai eu plus tôt. Beaucoup plus varié, très original. L'incorporation de musique africaine est spéciale, bien faite, mais je comprends les critiques d'appropriation culturelle car ça se démarque bizarrement. Un bon score pour l'effort et le risque. 7.5/10

This is the third solo album by Paul Simon that I have received on this list. Again, I prefer his music with S&G more than the solo stuff. This album is upbeat with a happy vibe, and fun to listen to. It is probably my favorite of his. Reading some of the comments left by others (which I do for every album) I see many comments attacking Simon's character for what they call "cultural appropriation". This is funny to me since cultural appropriation is a way to introduce the world to other cultures as long as it is done without taking advantage of the culture which the music is borrowed from. Apartheid is the act of keeping cultures separated so that one may have mastery of the other. If we truly want unity why not blend all cultures and remember the histories of the cultures where music came from? Most of my favorite music has been derived from southern delta blues and it has had a profound effect on the development of rock and roll and pop music. If white artists had not taken these influences where would we be now? I for one enjoyed listening to the African musicians on the album and I am glad that their contributions were recorded. If they were not, then many people would miss out on what they have to offer. As long as they were treated fairly and compensated accordingly, then I think we all win. Is Paul Simon a good person? I don't know him or what he has done one way or another. I don't judge the music based on the artist's character. If I did, many on this list would be graded poorly.

You know, this kind of works. Call Me Al was definitely what marketed this album but the rest was beautifully crafted and should be listened to carefully.

Great album, has some classics on it. I hadn't heard the cultural appropriation complaints until reading the reviews section, so I guess I'll investigate those a bit more.

Every generation sends a hero up the pop charts

Не знаю что за земля благодати, похоже на елден ринг. Но на старте! На старте дуда и гармонь. Это мы слышим нечасто, это мы уважаем Слушайте, а кайфы. Очень разнообразные мелодии, не успеваешь заскучать, добрый голос мужика рассказывает жизненные микростори, приятненько.

I am fortunate enough to have been raised by a dad with excellent taste in music, who introduced me to many fantastic albums on long car rides when I was a kid. Graceland is one of those albums, and although this is my first time listening to it start-to-finish in at least a decade (maybe even two!), it makes up for the quantity of listens with its quality of music.

I like the piece you can call me AI

Never heard of him and no idea what to expect. Rock folk and pop sounds enjoyable, unless it's too basic. I don't have high expectations for this one, though I love that it's an artist I haven't heard before, so I hope I found my new favourite artist. Lot's of features which is unexpected from a rock fella. First song, I like the instrumental fusion already. His voice is nice, literally folly. Songs are decently listened, so they must be suitable for almost every person. I don't like that that instrument is only making one type of sound, but lyrically it's fun. Ooh the break was short but necessary. Feels like he's talking and makes me want to learn the lyrics. God he actually worked with Art Garfunkel and I don't know much of him, but this album will be even better I think. Second song, sonically it's good, really good, long intro which is quite necessary here tbh. The chorus has such a good lyrical delivery. He doesn't have vocals, not a bad thing, just what I think. That clapping (not hands) sound is addicting. Chorus is still the best part in the song. Outro is also long, not needed tho. It's not rare, but I'm still amazed when permanent wave songs sound this good. Third song, first song featuring others. It's energetic kinda. Oh the background vocals are the features, love that touch. It's such a weird song tbh, those sounds make it as funky as scary. He has a lot of dialogues here. General's OO OO OO-s are the best part in the song, because it's in sync with the beat. 4th song, Paul invited African artists mostly here I suppose, gotta appreciate that, just read and some people take that negatively, weiiird. Anyway this song didn't really stand out to me, it's too short and it didn't let me get to know it, and sonically it wasn't as interesting. 5th song, no way I already love this song because of the start, I absolutely devour the unique and rarely used sounds in songs and this is one of the best examples. Dunno why there is no feature tho. The vibe fully changed after the first verse wtf, it's tropical now, love that, but also why. I liked the intro more in a way I have to say, but the afrobeat and the background sounds make this equally good I guess. The break is jazzy, but doesn't stand out. This will be an ever better listen if I do it second time, because I'll be familiar with it, it's basically a grower. Outro is a little boring, but fits the concept. 6th song, his most listened song this one is. It has a catchy start already. He sounds like Bob Dylan in some parts, but also extremely doesn't sometimes. Idk why this is the most popular song on the album, it must be connected to smth. Oh the magical instrument came in(I say that when idk the name of it), It's rainforesty. Oo the jazz after that is quite fun. God the music video shows how they play the music and it's so fun to watch them do it. 7th song, there was a woman's voice along with his in the beginning, and oh it just came back. I like this song the least, it's too slow and uninteresting, a filler song I presume. Nevermind, I checked how they played this live, basically a music video, and seeing them together is too good to ignore. Outro is weird af, love it still. 8th song, this one is sang in Zulu, feels like I'm in a church. The production is quite well done I must say. The vocal delivery is the best part here. Oh it's progressing into gospel, buut nope it doesn't. What an unique track, can't get over it anytime soon. 9th song, again the tropical vibes. This is one of the worst produced songs somehow. Even tho just now it has a rock element in it, I find it painful to listen to. Just no, it had some good parts but it ain't enough. 10th song, FUN start. It's danceable and jazzy. There is a big band playing definitely. I'd actually dance to it if I wasn't sick lol. It's not lyrically fun, as in I don't want to learn them. Dunno what else to say, it was just too short. 11th song, the beat at the start is everything. I thought he'd sing more happily, but only sonically I can hear it being upbeat. I think he naturally sounds sad. One of the best songs here. Honestly I want to give this 5 stars, but it's not perfect perfect, 4 stars is the right choice here. It has one of the most unique sounds I've ever heard to be honest, not some basic pop-folk-rock shit, thank god it wasn't that. The black artists being featured is such a cool thing, and I could never hate him for that. Actually I don't even the see rock part in it, which is not a bad thing nor good. I expected way less and I was impressed how the production got better and better.

It's his best album. And the songs haven't aged poorly.

what a sick little ditty! this album is genuinely so important with the messaging and themes and times and there's truly almost nothing like it. Shoutout Paul Simon man. while i do prefer his folk work, this is undeniable. 1.) under african skies 2.) you can call me al 3.) homeless

Pretty catchy but didn’t blow me away

some of songs felt not as enoyable as others, didnt felt them same yk. i still find this work pretty exciting, especially the first half of the record. Worth listening a lot.

4-5 stars

A good album to rediscover. Quite the powerful album at the time, I found it very approachable and was a window to many new forms of music for me, both the past of Simon and Garfunkel and the breadth of some musics from Africa. It's an occasional listen for me, I don't know the matching occasion. Maybe a long afternoon drive? Maybe painting a room? Unsure. 4 wobbly stars.

Really enjoyed this - so happy. Love the African influence too

Such a fun album! Call me Al is one of my all time favorite songs, and Diamonds on the Soles of her Shoes was also a hit. This was a very very high 4 for me, though it didn’t quite reach the 5 threshold.

i was looking forward to this album, i didn’t know what to really expect, it was different to what i would thought, you can call me al and graceland are both amazing songs, i found the album had this semi african style brought into it through the whole thing, i really enjoyed it overall

Not sure how much of this would fly today, but it is interesting. The African sounds work very well with Paul Simon’s music. Difficult to separate from The Lion King for modern ears but it was a good listen!

Love him, definitely eccentric

Graceland is such a great story. It's fun and charming and wistful at the same time. This is accessible world music which sounds terrible but I wonder if some of the issues in South Africa or the quality of some of its musicians wouldn't have gotten as much attention without it. A lot of great stories in these songs and just a hopeful feeling throughout. This album has a distinctive sound, even if I didn't know if a specific song was from this album it feels like it would be pretty evident. Ladysmith Black Mombazo have beautiful voices. This is such a departure from Simon and Garfunkel. Zydeco is a universally bad genre and Paul Simon's voice (accent and tone) does not pair well with it. The back half of the album is a significant disappointment after the first half.

I was really not expecting to like this as much as I did! A real fun album with a cohesive sound, makes for great background music.

A unique album that is probably Paul Simon's best work. He incorporates various sounds that not many mainstream artists use. I can see why the unique sound might put some people off, as it feels like it can be somewhat repetitive across the songs. However, it's a good album. The best song is You Can Call Me Al of course.

I dunno, man. I had 2 very different experiences with this in 1 day. The first listen I found Some fun, jubilant moments. Pretty well written songs, particularly vocal parts. Inspiration from a variety of cultures. But it still don’t love it. It’s decent. My second listen left me contemplative, Inspired, and happy. I listened as I ran along the beach in Sag Harbor, NY (not too far from Simon’s solace in Montauk). I pictured Simon preparing to leave LI, searching for collaboration to fulfill his inspiration. I thought of myself - a scientist, a musician, a human - and how I seek inspiration and hope to synthesize that seamlessly with who I am and what I know. When does inspiration come? Where does it come from? How do we integrate it into ourselves? These are serious questions, but I finished the album with a sense of joy and fulfillment. Inspiration is there when we’re ready for it. When we find it, it comes out through a contagious exuberance and joy. We feel that in this record…but there’s still a few meh tracks.

I like the addition of African music into Paul Simon, only knew the lead single earlier

This is a banger. So much warmth and fun projecting out of this. To the people who cry cultural appropriation, this is a celebration of African music not theft.

Heard the Album many times a great one

Homeless is nog steeds mijn favoriete nummer van dit album.

Mint

I get I should like this, but I never want to listen to this africadabra album. This is a charity 4

First song I listened to with my now girlfriend was Diamonds On the Soles of Her Shoes. Great memories. This album is filled with great catchy songs and more of Paul Simons great writing. I quite like all the collabs here. This album is so close to a 5, but a few blemishes stop me from it. Does have an insane run from Diamonds to Crazy Love Pt. II though It's also uncanny hearing Paul Simon with 80s sounds

Hymns in those beautiful deep hums and bass that I’ve finally noticed the effect of. Talking about relationships with different people, journeys, movement both in lyrics and the sound. Obviously 3 of the best songs ever as well.

7 / 10 Folk de Paul Simon (Simon & Garfunkel), però muy fresco gracias al toque Africano. Sonidos diferentes, muy escucha le.

Upbeat, catchy songs. Big fan so far. Really want to learn how to sing the “Diamonds on the Soles of her Shoes” a capella part. I could listen to that song all day. You Can Call Me Al - absolute classic. A really good and enjoyable album.

This album was all over the place, but in a good way. The different parts of the world represented on the album kept you on your toes, and somehow Paul Simon’s voice blended in with all of them. There were a bunch of songs I enjoyed and of course You Can Call Me Al is timeless. For me, this is one of those albums that gets shafted by the rating system. Easily a nine out of ten, but it’s rounded down on the smaller scale.

I really enjoyed this! "Call Me Al" has been a staple of many playlists of mine, but I'm glad to say the rest of the album fits right along with it. I can clearly understand the vocals, but I still couldn't tell you a single meaning to a song. The melodies are light and fun and sometimes that's enough.

cool guy asf!! his lyrics are literally like complex stories filled with spiritual stuff, and the cultural diversity of sound!! slay paul simon (and btw i actuslly rated the previous album too high, so that one gets a three)

Yeah yeah I know but it’s hard not to like this.

Echt fucking geweldig! Uniek, maar makkelijk te luisteren

It's like Paul is having a party with a type of music only he likes.

Liked it a lot! Great Album! Love the african influence on this record! Really got the best out paul simon! And didn’t expect that he would go in this lane

A Simon classic.

Pretty good

O disco é impecável. Um prazer para os ouvidos com sons e ritmos variados.

Veel minder saai dan die albums met garfunkel

Favorite track - The Boy in the Bubble Least favorite - Crazy Love II It starts remarkably strong, and stays strong throughout. Although some songs certainly feel aged (Under African Skies, Homeless, Crazy Love II), what else can be expected from a 40 year old album. Generally speaking I’m not the biggest fan of Simon’s signature style, but it would be impossible to deny the skill found in every corner of the album.

The Boy In The Bubble Graceland I Know What I Know Diamonds on the Soles of Her Shoes You Can Call Me Al

So pleasant!

Great album, full of fun songs (with potentially questionable african influences), though I think a couple slower ones would fit well here to break the flow and occasional corniness. Stand-out: The Boy In The Bubble, Under African Skies

So I had been putting this off for ages and for various reasons so this is a return after about 2 months. I actually really enjoyed this a lot more than I thought i would - it reminded me a bit of the fifa World Cup 2010 soundtrack we had on the game

Well, it is a classic and it is for a reason! Truly great album full of wonderful pop tunes! Tinged with the African influence it’s really pleasant listening!

This was a catchy, fun album to listen to Top tracks: Graceland, Diamonds on the Soles of Her Shoes, You Can Call Me Al

I used to listen to this album all the time. Great album a lot of social commentary.

Ultra eclectic sweet and chill album full of global genres with toe tapping rhythms and the light falsetto of Paul Simon. Great album but it might drive some crazy for how upbeat it is.

This album is just such a nice listen, so pleasant in every way. The South African influence enhances and inspires an already brilliant base to create something you just don't ever really want to end. I could listen to this for hours, I am at peace. Fav songs: - Graceland - Diamonds on the Soles of Her Shoes - You Can Call Me Al - Under African Skies - Homeless - Crazy Love Vol II

I can see where Vampire Weekend got their inspiration.

When I first heard this album (waaaaay back) I remember not liking it all that much - I think I mainly found the African music fusions tacky when paired with the generally 80s-styled folk and pop-rock sounds. Returning to it now, I find I missed the entire point of this album because listening to it now, I see that it's just beaming with joy and happiness. Easy listening would be an understatement - every song here is just so pleasant to listen to musically, and Paul's talk-sing style on many of these songs is parts witty, vivid, and hilarious. 'You Can Call Me Al', even with its cheesy 80s horn and synth, perfectly encapsulates Paul's talents here as a songwriter. While I still have my issues with this album - primarily with its sporadic genre fusion attempts which don't always land for me, I certainly see the appeal of this widely praised album now more than ever. I think I'm just in a better place to appreciate it; not that I'm in the most "happy" place in my life now or anything, just that I'm more open to what this album's world, filled with love and passion, is willing to offer.

Musically speaking, really a great album. I should listen It more times to undertand better how much i could like it

A really great and chill album by Paul Simon. Just breathes of an easyness that is perfect for a warm afternoon. The African beats mixed with more folkey pop-tunes work really well. All tracks are good tracks. "Graceland" is a classic, "Diamonds on the soles of her shoes" and "Under African Skies" are also great. Honestly one of my least liked tracks is "You Can Call Me Al" not because it's bad but I feel it doesn't really fit on the album and it has been played to death. Debated on giving this a 5 but I'll settle for a very strong 4 since i gave Paul Simon a 5 already.

Pleasantly surprised.

I prefer Simon and Garfunkel. I think Paul Simon, left to his own devices, can get a little twee. You Can Call Me Al, and Graceland, are the best tracks on the album. The guitar-focussed songs are also generally better. This is a 3.5 for me.

listened on 08/08/25 whilst looking for jobs

Classic and chill

I didn't think I'd enjoy this, but it was surprisingly good. A fairly eclectic album in terms of styles, but all the songs worked pretty well. 4/5

The first four singles released off this album are all absolute winners: You Can Call Me Al, Graceland, The Boy In The Bubble & Diamonds On The Soles Of Her Shoes are each outstanding. The fifth single was Under African Skies, controversially including Linda Ronstadt’s vocals throughout. But the other great song on the album is Homeless, which like Diamonds etc. features Ladysmith Black Mambazo & like Diamonds etc. was co-written by Simon & Joseph Shabalala from Ladysmith. It was difficult at the time of the album’s release to avoid the debate over whether or not Simon should go to a still-segregated South Africa, and whether or not the album represented him stealing music from an ethnic underclass. I had no idea what was right or wrong at the time. He was a bit of a hero & I liked to think he was promoting South African music. But I really am still not sure. But as for the record, I think it was the last great album Paul Simon ever recorded.

La polémica decisión de saltarse el boicot a Suráfrica supuso para Paul Simon un sinfín de críticas que, con el paso del tiempo y viendo lo ocurrido después, se han demostrado tan injustas como inútiles. La colaboración de Simon con músicos surafricanos inspira la gran parte de un disco rompedor en el que se fusionan el rock y los sonidos nativos de una forma extraordinaria. Además del tema que da título al disco, destaca la colaboración con The Gaza Sisters y General M. D. Shirinda, "I Know What I Know", "Homeless", interpretada junto al grupo Ladysmith Black Mambazo, «Diamonds on the Soles of Her Shoes» compuesta conjuntamente con Joseph Shabalala (uno de los temas que más me gustan) y, por supuesto, el primer sencillo que se extrajo del disco: "You Can Call Me Al".

Surprisingly good

This is one of those classics I'd never listened to all the way through before. Great stuff

I'm not a fan of Paul Simon. But this definitely was a major album when it was released. In a time before the "World Music" of the 90s it was an encridibly important album for popularize unknown (at least for many) music styles. For this reason a "4". Otherwise it would have been a "3".

Pretty good most songs v strong.

Blah blah " cultural appropriation " blah blah " sanitized world music for whites" . Quite frankly piss off. Yes its watered down world music but it was how we discovered world music, no million songs at the press of a button. This album was a gateway to different sounds and cultures whilst maintaining an accessibility for western ears. Some will disagree and point out that they were experts on world music before this album but they wear tweed and think broccoli is a main course so who cares.

Actually really good. Great introduction and put together brilliantly. Very well liked.

African music added. Interesting sound.

Gear: Focal Clear (ZMFed) Artwork: auf den ersten Blick drängt sich da nicht der fantastische Einfluss afrikanischer Musik auf Mix (25th Anniversary Deluxe Edition): also jetzt nicht umwerfend aber definitiv mit ein paar Leckerchen in Sachen Bass und Rhytmus-Abteilung Musik: \"You Can Call Me Al\", \"Graceland\" und \"Homeless\" bleiben erfrischende Klassiker - und für mich mehr ehrliche Liebeserklärung als bemühter Anlass zur Kultur-Kontroverse 🤷‍♂️ Wertung: 🏇🏇🏇🏇/5 (inkl. +1 für \"You Can Call Me Al\")

4+

Upbeat and fun

favourite song: call me al great album

This album is giving me curious george movie vibes. This is fun plus I know one of the songs on this album! 4/5

I have heard so much about Graceland over the years but had never actually sat down and listened to it properly. I have always loved You Can Call Me Al, although I do sometimes wonder how much of that is down to the brilliant video with Chevy Chase. Listening to the full album, it is easy to see why it is so highly regarded. The blend of world influences with Simon’s songwriting creates something genuinely distinctive. The rhythms are infectious, the musicianship is superb and the melodies are strong throughout. The Boy in the Bubble is a fantastic opener and sets the tone brilliantly. At times though, I felt it almost overplays its hand. There are so many different sounds and textures that the album can feel like it jumps around a little too much. Instead of flowing naturally, it occasionally feels busy, and that slight lack of cohesion made it more tiring than I expected. That said, there is no denying the quality. It is ambitious, intelligent and full of memorable moments. It is definitely one I will return to, even if I am not quite as blown away as some. Favourite song: The Boy in the Bubble and You Can Call Me Al Least favourite song: I Know What I Know. A bit too crowded for me Album artwork: Love the cover. Simple and striking

I feel at certain times there was too much going on and it just got musically messy, but all of the songs were fun to bop along to at work, so I enjoyed it for the most part.

4.8 3-4 classic songs

Notable tracks: Graceland, I Know What I Know, Gumboots, You Can Call Me Al

My baby loves this. Graceland is incredible. The album loses steam imo.

1/2 solo

Really good, loved it

I always find it strange when I “discover” a song more than once, in a short period, after so many years of never hearing it. And that’s the case with Paul Simon and this album! I bought a random mixed CD at the thrift store a couple weeks ago, and one song on it was “The Boy in the Bubble” and I was surprised to like it, and the sound of Paul Simon. The following week, this album was the listen of the day, so I played it and the first song was boy in the bubble! I totally love the African sound of this album, mixed with the pop rock. It’s a feel good album I would play at home or in the car! Listen again: yes Purchase for my collection: yes Favourite Song: The Boy in the Bubble, but I really like them all.

Diamonds on the Soles of Her Shoes bumped this up a full star! A couple of the songs were waaay too 80s for my liking— I don’t like that Phil Collins-y drum, especially when it comes out of nowhere… but I like Paul Simon and I really enjoyed this album.

Love a song that is just a sung story

first heard this when it was new and thought that Paul Simon was adopting a “World Music” gimmick that was popular at the time. Apartheid was still in force in South Africa and everyone was drawing attention to it. What Paul Simon produced was so much more than a “gimmick”. It’s really a full well-rounded album

4-

a classic!!!

A mixture of various genres, which kept me entertained and happy. Definitely to re-listen again! 4,5/5

Lots of influences and ideas. Cohesive despite the experimental approach. Very interesting but not sure how often I'll revisit

Enjoyable ablum

It may take several listenings To fully appreciate some of the songs and the album as a whole. Paul has a unique and interesting style of writing It’s no masterpiece by any means and we can’t give half stars so I give it a solid 4 and because of the memories of that time rocking my baby to this album ❤️😎

Really good album.

Vet goed, geen 5 want ik vind het soms een beetje zeikerig

lovely

A musical and cultural renaissance for Simon here, some may call it appropriation of South African street music but I feel like it was shining a light on artists like Ladysmith Black Mambazo who would have never seen the light of day due to apartheid and the cultural boycott on South Africa. It's a good to great album, it passes time effortlessly, I wouldn't argue if you gave it 5 stars, on another day I might have too. I just found most of it semi-forgettable as I went about my day while listening to it, like a half-remembered daydream.

Released in 1986, Paul Simon's "Graceland" stands as a landmark achievement in popular music, both for its groundbreaking exploration of South African musical styles and its enduring cultural impact. This review delves into the album's multifaceted elements, highlighting its strengths and complexities. Lyrics: The album's lyrical landscape is diverse, shifting between introspective observations and evocative depictions of life in South Africa. Simon's introspective voice shines in "The Boy in the Bubble," reflecting on alienation and isolation, while "Diamonds on the Soles of Her Shoes" paints a vibrant portrait of a woman brimming with life. However, criticism arose regarding the album's lack of direct engagement with apartheid, the oppressive regime in South Africa at the time. While some interpreted this as implicit protest, others saw it as a missed opportunity to directly address the socio-political context. Music: The defining characteristic of "Graceland" is its musical tapestry, intricately woven with South African sounds like mbaqanga (characterized by its energetic guitar lines and percussive rhythms) and Zulu harmonies. Tracks like "The Obvious Child" and "Graceland" pulsate with infectious energy, while "Homeless" and "Under African Skies" showcase a more contemplative mood. Simon's skillful blend of pop sensibilities and South African influences created a sound that was both familiar and utterly new. Production: The album's production, overseen by Simon himself, is equally noteworthy. He seamlessly blends the South African sounds with Western instrumentation, creating a cohesive and vibrant sonic experience. The recording process, which involved collaborating with South African musicians like Ladysmith Black Mambazo, was itself a groundbreaking act of cultural exchange. Themes: Exploring themes of alienation, longing, and personal discovery, "Graceland" delves into the complexities of human experience. Tracks like "Graceland" and "The Boy in the Bubble" grapple with feelings of isolation, while "Diamonds on the Soles of Her Shoes" and "You Can Call Me Al" celebrate the vibrancy of life. The album also implicitly touches upon issues of cultural diversity and the beauty found in embracing other cultures. Influence: "Graceland" undoubtedly left a lasting impact on the music scene. It introduced a wider audience to South African music, inspiring numerous artists to explore world music in their own work. Moreover, it challenged mainstream music to embrace cultural exchange and explore the creative possibilities beyond traditional boundaries. Pros: Groundbreaking sound: The innovative fusion of South African and Western musical styles created a unique and captivating listening experience. High-quality production: Simon's meticulous production creates a cohesive and dynamic soundscape, showcasing the full potential of the music. Enduring legacy: "Graceland" continues to be celebrated for its innovation, influencing generations of artists and sparking dialogues around cultural exchange. Cons: Lyrical ambiguity: The album's lack of direct engagement with apartheid sparked criticism, leaving some listeners wanting a more overt statement. Cultural appropriation accusations: Some argued that Simon was exploiting South African music for personal artistic gain, despite his collaborative approach. Commercial controversy: The album's release was met with controversy due to Simon's decision to collaborate with South African musicians during the apartheid era. Conclusion: "Graceland" is a complex and captivating album, defying easy categorization. Its groundbreaking exploration of sound, combined with its introspective lyrics and themes, solidified its place in music history. While its social and political context remain relevant for discussion, its undeniable artistic merit and enduring influence cannot be understated. "Graceland" continues to be a testament to the power of music to transcend boundaries and connect people across cultures.

J’avoue ne pas trop avoir suivi ni avoir trop d’avis sur la partie collaboration à l’apartheid ou appropriation culturelle du projet, donc je vais me contenter du résultat final. Ça sonne extrêmement année 80 : ce son de batterie, de basse, ça donne de (mauvais) frissons le long du dos. Reste que les chansons sont très efficaces et joliment écrites. Dès l’ouverture avec “The boy in the bubble”, “Graceland” et le très daté mais sympa “You can call me Al”, petite préférence pour “I know what I know”, qui regroupe pas mal des éléments de l’albums avec ses choeurs zoulous et sa guitare au rythme africain assez nouveau dans sur un tel disque. Et il aura donc fallu quelque chose comme presque 40 ans pour comprendre une vanne des Nuls avec le reprise de “Homeless”... Ensemble daté, souvent très bon avec quelques creux, un incroyable assemblage de rythmes africains, chœurs zoulous, accordéons, synthés et orchestrations 80’s, au final très agréable même si je laisse un peu de marge dans la notation pour d’autres projets de Paul Simon.

Some hits and a jazzy vibe. Lot of fun.

World music-y, chill, fun, with some absolute slammers.

There's something charming about Paul Simon's very straightforward vocals and lyrics. Some dated bass and general corny instrumentals but it's hard to hate. First instinct was to wonder if this is appropriation but reading into the creation of the album, the fact that so many African artists contributed, and that an artist like Paul Simon would allow this style of music to reach an audience that otherwise would never seek it out overcame that initial reaction. Fun album with an interesting controversy, I can see why it's here.

Pleasant, very 80s. Like every song was in an 80s film I've seen. 7.5

Always enjoyed the catchy rhythms and international sounds of Paul Simon

Paul Simon has a way with words and rhythms that soothe the soul and brings joy. I thoroughly enjoyed listening to this whole album.

Listened to this while playing Agricola solo. I built a pretty awesome farm, so I won! I enjoyed this album a bit more than I would have expected. The whole time, I kept thinking "This album is like Vampire Weekend with a different lead singer, but in the 80s." I could not believe just how much they were influenced by the same style of African music that influenced Paul Simon all those years earlier. All the guest spots were wonderful...and it was the collaborative songs that stood out to me most. Also, at one point there was a monster bass solo riff that totally gave me bass-face.

Really enjoyed, it was fun and nice

Toto x vampire weekend, fun and happy

Fantastic album. What a great time it is to listen to. One of those albums where I could happily add all of the songs to a playlist.

Perhaps for better or worse, this is the album that started the trend of worldwide music influences with major western artists. I think the world is better for it. I can understand the historical context of violating a UN cultural boycott and him getting criticism for it, but he collaborated with wonderful artists like Ladysmith Black Mombazo, Youssou N'Dour, Ray Phiri, and Bakithi Kumalo and pollinated the world with this. What I don't get with reviews is calling this cultural appropriation. I will nitpick on the production, with some of the sound being of it's time in the mid-80s - gated reverb can get annoying. But it has such an eclectic breadth of sounds, from the Zydeco sound of Boy In the Bubble's intro and That Was Your Mother to the happy South African sounds of You Can Call Me Al and Crazy Love, Vol II. The title track Graceland remains a favorite, but Under African Skies with Linda Rondstadt is great too, along with Homeless with Ladysmith Black Mombazo centered on that one.

A fantastic album with a very complicated legacy

Lovely

Classic and can’t go wrong.

Favorite Tracks: You Can Call Me Al Graceland Under African Skies

Great album.

This is a good one that I own

This was really nice. Didn't click at first, but then I got the hype. If you were like "I liked Moondance, but I wish it had way more African influences," this is the album for you. The run from You Can Call Me Al to Crazy Love Vol. II is an all-timer and I will be staying away from roooooly-poly little bat-faced girls from now on.

Influential, groundbreaking, and some phenomenal songs. Still, it is a little of its origin decade, but still a very strong and enjoyable album.

Best Paul Simon album.

Great album. I’ll probably grow fonder of one or two songs, but it’s an emotional rollercoaster all throughout. This is my first album by Paul Simon (as a solo artist) on this list, and it’s honestly one of the best albums I’ve heard in my life. 4.2/5 Fav: “The Boy in the Bubble” Least Fav: “Diamonds On the Soles of Her Shoes”

Having been introduced to Paul Simon by my parents in the 70s, and seeing him later in life, this album really opened my appreciation of his talents, and his soothing voice and melodies. The inclusion and his use of ladysmith black mambazo also exposed many to the world sounds that were becoming popular at the time.

happy, upbeat, melodic and fun

My first concert! I really like this album, but I'm not adding any to my favs. So I guess that's a 3? But I let the album play twice and sang along. So maybe that's a 4?

I wonder what I'd think of this if I was hearing it for the first time. But I'm hearing it for the 253rd time and know each song by heart as it was one of the only pop albums that my mom would listen to when I was growing up.

having a suprisingly nice time with it, its just weird enough

Great singer / songwriter. “You can call me Al” video gives it an extra star.

Very fun first record. Had a little folk hint with some fun trumpet in gumboots. Can see the South African influence and importance of demonstrating the culture of Africa even in the 70s.

A good fusion of genres!

Very good album.

Cooles Album, kannte ich auch schon.

Classic for a reason. Not an instant-favorite, but I’m glad to have listened.

after a long stop he did this good world music album

A pretty cool record. It’s perfect for a sunny day to brighten your mood.

Didn't know this one, I think?, besides "You Can Call Me Al" of course, and I thoroughly enjoyed it. Read some reviews linking it to childhood memories and I can totally see how, a nice thing to have. I was actually inclined to give it 5*****, as I was dancing in my chair, smiling, stomping and those basslines!, but started to question how that would fit with my other ratings, hm, and then the last two songs happened, so, cool, that was taken care of. Still, a strong 4 - made me happy.

Me hizo bailar. Un disco muy alegre.

So I do know and have myself listened to better and more effective examples of "world music" imports than this... but also I do think that running with that influence was to the benefit of paul simon's music, and actually like this album quite a bit.

Good listening and some great different beats! Love the exploration and had never really listened to this whole album

Great album

Good songs, very controversial album and weird delusional behavior on Paul Simon’s part. Also started the whole “world music” thing instead of actually treating individual genres in other countries as their own, which sucks.

This album was a landmark at that time. Collaborating with South African musicians was a first, especially because of apartheid. I liked the album then and I do still.

Legal, ótimas trilhas, mas falta um tchan. 7.5/10

La percusio africana m'h aagradat. L'escoltaria de nou 7.9/10

Ok

Great over all feel with some amazing songs and sounds.

Definitely Paul Simon’s best album I’ve heard. This and Rhythm of the Saints were actually my introduction to Simon, after which I got into Simon & Garfunkel, now one of my all-time favorite groups. Graceland has hovered in and out of my top 100 over the years, and now it sits closer to ~200, but it’s still a favorite album of mine. I’ve always been mesmerized by the cheery upbeat music but often melancholy lyrics, discussing heartbreak, homelessness, starvation, and wealth inequality. Simon claimed that he wasn’t writing protest songs, and simultaneously he was criticized for going to South Africa to record (breaking the cultural boycott against apartheid), but I’ve always appreciated the cultural fusion on the album and understood many of the lyrics to be vaguely underhandedly critical of apartheid and overtly hopeful for a better world.

ME HA MOLADO MUCHO

loved it as a kid, still do

I enjoyed it. 'Nuff said. -8/10

Pretty good songs, didn't love the back half of the album though 7/10

We thought it was Greatland.

Great lyrics, sunny vibe but kinda works in winter, world music influence is pretty cool and makes it stand apart

A true classic for African inspired music ...

I've heard this many times throughout the years and often pull songs into playlists when my Mother-in-law, Chris, is around as its one of her favorites. I also had a former boss who loved it and had a CD on repeat often during my years of working with him. I remember him explaining some of the history of the album, Paul Simon breaking rules to record with the artists and such. Also getting more and more into New Orleans Jazz these years I appreciate those aspects of the album more and more. And aging helps one appreciate it more and more as fatherhood and other mature themes show up often. "That Was Your Mother" reminds me of a moment in an episode of Bluey in which the dad takes out an old box and tells his kids it included stuff from, "back when I was cool". It's a beautiful album and the oddness of the lyrics, at times, which confused me as a kid is much more appreciated by the older me.

Some really amazing tracks on this album, especially love the African melodies. Unfortunately though the great tracks really made the small number of weaker ones stand out for me. Couple of less zydeco tracks and this would have been a five for me.

Cultural Appropriation: The Album

Pretty good album. The incorporating of South African musical elements made it sound very fresh

I've played this album before (and know the singles "Graceland," "Diamonds on the Soles of Her Shoe," and "You Can Call Me Al"), but more as background music—I haven't done a real active listen until now. The opening track, "The Boy in the Bubble" is like a new wave song with tubas and accordions—very interesting sound. The lyrics still feel relevant today, addressing the ambivalence of living in an era where technology (and how humans utilize it) is both amazing and terrifying. The third track "I Know What I Know" could be a Talking Heads song. The fourth track "Gumboots," which features the South African mbaqanga (mix of jazz and traditional music) group The Boyoyo Boys almost feels like a vallenato song with the prominent accordion. I've often wondered about the cross influences between African music, American jazz, klezmer, and South American folk traditions, so this was a very interesting track to listen to. Overall the album is a very enjoyable listen. The combination of 80s pop, South African sounds, and New Orleans music makes for a very upbeat album, though there's also plenty of introspection to be found with a close listen to the lyrics. The controversial history of the album in the context of South African apartheid, while important for listeners to read up on and take into account, shouldn't deter people from listening to the album (in my opinion). I think the album is a good example of how one can support marginalized populations and artists without supporting oppressive governments and is a good reminder of how nuance is always important when looking at history, and political movements more generally.

Almost 4

A little too 80s goofy for me but Paul Simons genius cant be denied. Everything sounds crisp and clean. A low 4 for me and my favorite was Graceland track no 2

Paul is an entertaining story teller. Graceland had that beat Paul Simon is known for.

A really beautiful album. I’ve listened before but so passively. It was a pleasure to listen to again after all these years.

Cracking album

This is such a lively album. I love the instrumentation here and the energy is a treat, however, I really struggle to engage with his singing style. Even on Diamonds on the Soles of her Shoes, a song which has been deep in my soul since I can remember, I enjoy despite his singing. I love the inspiration he's obviously got from other cultures and I think he manages to let them shine while keeping the music his own here. Also, You Can Call Me Al is sublime. Standout Track: Diamonds on the Soles of Her Shoes

Nice songs and good introduction to African music.

The only Paul Simon solo effort that can touch (or sometimes surpass) his work with Garfunkle. It has such a fun, playful sound, with such gorgeous complements from the South African musicians that join him. My big gripe here though... can you really call this a Paul Simon solo album when so much of the magic is purely from the musicians he employs here? I know that is opening a very, very large can of worms, but I can't help think it while listening through the whole thing.

You Can Call Me Al.

There are some cool songs on this album. The theme of savior / rapture and his son is kind of interesting, for his sake I hope he and his son made it to Graceland. Graceland is catchy and chill. Diamonds on the soles of her shoes is great. I enjoyed the different parts of the song, especially the intro. It's the same group as homeless, which is my favorite song on the album. Homeless just hits a spot in my brain, I must have heard this as a child because it's very nostalgic and brings back warm memories. "That was your mother" was much better once I listened to the lyrics. I could imagine myself as Simons son, listening to this song about my family. Cool album.

Svakalega skemmtileg plata. Paul Simon einn besti lagahöfundur sinnar kynslóðar.

Love this album. For being 40 years old, it's pretty timeless. The zydeco songs feel out of place though. Interesting history with SA apartheid. 4.7

A classic. I don't know if I listened to the whole album before. But upbeat and lovely.

Nice chill music

great rhythms and interesting sound. very complex pop album

It's not really to my taste, but I can see how this album stands out, especially compared to the typically more flashy or dramatic 80s music. The sound is fairly poppy but homey at the same time, with unique South African touches. The storytelling in the lyrics is good, and the delivery is expressive.

Love this album. Very folklore, fun, and extremely nostalgic

Angels in the Architecture Using his massive recognition, Paul Simon readily showed the world what African music was all about, even during a cultural boycott. Some highly recognizable pop hits mixed with unexpected genres really make this album stick out as a commercial and cultural success

Always enjoyed this album

Virkelig godt albums kendte kun titelnummeret men var især fan af acapella-stykkerne på nogle af de senere numre.

So good. Paul Simon tells great stories and has such a unique style/sound.

8.0/10 Listened to on the way to Katie and Brian's to watch AEW Full Gear 2023. Listened to with Jack and Cammie. Jack gave the grade. "Different, but fun and would listen to again."

Very diverse sound, with a consistent storytelling aspect to the songwriting

Very good. Still very catchy. Although wow do I not like some of the bass guitar sounds on this album.

This album has been a part of my life for so long it’s like furniture, but you know, very special furniture. I will knock it down a star because it definitely smells of cultural appropriation, but at least the Apple Music credits included the African musicians.

Historically, Paul Simon is my favorite band/musician. I know he’s had his controversies, including accusations of plagiarism, not excluding this album. There’s also a story about how he was going to produce the first album of a SNL band member as a favor to Lorne Michaels, that artist gave Paul a tape of African music and said “I’d like to do something with this.” and Paul went “Nope. This is mine now.” All that being said: this album exists. I remember being in high school and buying Paul’s albums on CD based on the list of albums on the jacket of his CDs. I remember getting to Graceland, putting the CD in, hitting play, the opening accordion riff starting, and my head turning as I was like “WTF? Did my speaker break? Oh, wait…this is how it’s supposed to sound??” And then my mother immediately reminding me I needed to mow the lawn. I remember mowing the lawn thinking “I gotta hear the rest of this album!” Anyway, I’m retrospect, if I were to tier Paul’s albums, I don’t think I’d put this one in the top tier. He’s got 4 or 5 better albums. It makes sense that this is on this list, though. I get it. It’s still a 4 and there’s some very good songs on here (Diamonds on the Souls of Her Shoes, Graceland) …and then there’s You Can Call Me Al.

Very upbeat, feels Texan. Folk Rock.

This album is great!

Classic album. Some of these songs are unreal. Unfortunately there are some tracks that are boring and that general 80s feel in the background takes me down from a 5 to a 4.

Quand je vois Paul Simon, sachant que j'aime énormément ses morceaux de folk, et que je vois la date 1986 et une couverture typique de l'époque, je prends un peu peur parceque je m'attends à un album avec beaucoup de synthétiseurs clichés et à un artiste qui essai de rester à la page Mais loins de là en fait Déjà super surpris par le mélange culturel que représente cet album, on y retrouve beaucoup de musique sud africaine et aussi mexicaine, un mix et une production vraiment hyper clean On reconnait son type de chant et d'écriture, c'est toujours lui, mais plus ouvert à d'autres choses peut être Puis j'ai lu le contexte dans lequel il était au moment de faire cet album et j'ai bien compris son état d'esprit et ça m'a rendu assez joyeux On entend là quelqu'un qui recherche à se réinventer et à s'ouvrir au reste du monde un peu plus, un album au final engagé en pleine apartheid C'est top Belle découverte 4/5

Timeless, accessible, full of hits, and somehow not cheesy.

I really like the clear, bright sounds on this album. I think the production is my favorite part of this album. A lot of the licks are very catchy (Graceland, You Can Call Me Al), but they can get pretty repetitive. Simon seems to have a fairly small register, which makes his songs feel sing-songy compared to other artists like Peter Gabriel.

I like: I Know What I Know Gumboots Diamonds On The Sole Of Her Shoes You Can Call Me Al

good dad album

Great album. Paul Simon continuing to prove who the genius behind Simon and Garfunkel is.

Ótimo álbum com rock dos anos 60~70.

A remarkably rich and intriguing album. It's crafted with a great deal of beauty and meticulous attention to detail. The album effortlessly navigates through a multitude of musical styles, creating a captivating journey. It was nice to recognize Ladysmith Black Mambazo, whom I first discovered on this website, as part of this musical tapestry.

This is good, for this is the first time to join in this project, I was excited to hear more celle the albums in the future! The first album is really good, it’s a good choice for morning music, it made me relax and chill in the tough morning, very good one!

73/100

there's a real nice upbeat style to this album. it feels very hitching a ride on a train and traveling across the united states. i enjoyed listening more than i thought i would.

Lovely album - very listenable with great upbeat tracks

excellent

Very enjoyable and guaranteed to put you in a good mood.

This record was like dildoing yourself to death. In a chuffing good way, bro. It's sweet serenade, reminded me of a young Nigel Spackman lapping at the pussy of his grandmother. Who is Nigel Spackman?

Solid but not mind-blowing. Graceland, You Can Call Me Al, Under African Skies, Homeless, and All Around the World are bops, but the rest of the album is kind of underwhelming to me and I find a lot of the songwriting to be sort of bland. That said, the presence of LBM on this album bumps it up a point for me.

It's great, still. I want to read about it though. Specific vocal moments stand out to me from hearing this play in the car as a child. Linda Ronstadt who is nobody's backup anything (thanks Mom).

One of my favorites

Auðveld hlustun. Ég fíla Paul Simon. Get skellt þessari á fóninn af og til

You Can Call Me Al.

LP

An album I associate with people showing off their new CD player in the 80s. To be fair, the sound is great, but I remember this album being huge and now it just seems OK.

Tää on mahtava albumi. Afrikkalaiset rytmit ja laulannat parasta antia, Simon yksinään ei ehkä jaksaisi kannatella koko levyn läpi.

Excellent light listening with solid instrumental backing to good vocals.

Easy listening. Chill. Very lyrical. Obviously tribal, indigenous inspiration. Major Vampire Weekend influence.

She Paul on my Simon til I Garfunkel

im definitely biased bc i grew up listening to some songs from this album but after hearing the whole thing i can confirm that i do fuck w this. love the blend of folk-ish style and world music, but i didn't like the last few tracks that much (african skies/homeless/that was your mother)

Luv

Really liked the album but wish it had more variation in sounds. Favorite: diamonds on her shoes even though it took a billion years

Great lyrics, chill vibes

I really really really dislike Simon & Garfunkel, but I don't mind Paul Simon solo at all. Strange.

Really unique songs. Reminds me a bit of David Byrnes’ solo work.

The bass really shines on this album. Love it! The catchy songs make this a classic for me.

9/10

3.5/5 stars

Surprised at how much I liked this. Love African type guitar and drums anyway and some outrageous jazzy bass playing. I'd actually like the instrumental version. Lyrics and singing probably not my kind of thing - but still liked it. The synths are a bit too naff 80s at times - think with real instruments it would have aged better

Some really good songs on here.

Summer sounding music. Happy.

A lot of fun here....embarrassed I didn't know him sooner!

All around the world or the myth of fingerprints is SUCH a great closing track!

A pleasant change of pace compared to what's been suggested in the past couple of weeks. While I never got into Paul Simon's solo career (I love Simon & Garfunkel), this was a joy to listen to.

I've always enjoyed this album. Happy to hear it again.

Brani Preferiti: - "You Can Call Me Al" - "The Boy In the Bubble" Note: C'è poco da dire, un'ottimo album con diversi momenti interessanti .

There’s a few songs I loved on this album. Boy in the Bubble, Graceland and You Can Call Me Al

I'm getting this thought that Paul Simon actually is the best song writer. Ever. I may be wrong, but something is going on.

Pierde un punto por las flasheadas étnicas.

I loved it back in the 80s but for me it hasn't improved with time. I never listen to it now, although I still believe the songs are perfect. Strange.

Really tasteful and wholesome album. Loved the island vibe, great concept

Leuk album met "Afrikaanse" muziek door een Amerikaan. Het zou in deze "woke" tijd niet meer overleven helaas. Mooie muziek maar niet echt catchy. De bass is geweldig, vooral in "You Can Call Me Al". Tijdens een autorit zeker het luisteren nog waard.

Really a great album. I had a good time listening to it. My favorite songs after a first listen are Graceland, Diamonds on the soles of her shoes and All around the world

Probably some of Paul Simon's best on here

God musik med fede rytmer

Lowkey and relaxing. Draws on African influences in ways that are generally interesting instead of distracting or distasteful. A strong listen. Best song: Graceland

Paul Simon uses a flawless ensemble of African musicians to geographically transport you to the scenery he recorded the album in. This thing is so damn memorable that it has to be the best thing he ever made.

Good album! Almost forty years after this album's release, I left wondering if the artist could have credited or highlighted the African musicians that were involved in the creation of this album, but I am lacking a lot of the backstory.

Huge african inspiration, this album is a blast to listen it through!

Guete Sound. Aber nonig 5 Stern.

That bass guitar is really amazing. The songs are alright, but some should have been a little shorter. It was definitely different from what was popular at the time. Last 2 songs feel a little out of place. It's not one of my own favorite albums, but no doubt at all it belongs on the list. The youtube playlist is very uneven mastering wise. Favorite song: Under African Skies

Verrassend divers. Leuke Afrikaanse invloeden, energiek. Vele leuke nummers naast You Can Call Me Al.

Great album! Very fun. Mostly bouncy good time songs.

Surprisingly good! The Simon & Garfunkel, together or solo, albums I've had on here have bored me too death so far. Not my usual type of music but I could still really enjoy this. Great African infusion, some tracks didn't do much for me but didn't really grate. Some others though we're thoroughly enjoyable. One to listen to again for sure.

Good

4 ETOILES

Catchy up beat fun beat much to say tbh!

Okay this slapped way harder than I expected. Go off Paul

4/5 Fun music

Funky kind of island beats with accordions, trumpets, and flutes. Paul sings some poetic storytelling lyrics. Enjoy his calm voice. Really interesting folk-y island-y mix. It hit different when he said “roly-poly bat faced girl”.

Proto-Vampire Weekend