Reviews (page 5 of 12)
Absolute fucking classic, incredible production, catchy hooks and Chuck D's best bars and performance. Favourites - Bring the Noise, Don’t Believe the Hype, Caught, Can We Get A Witness?, She Watch Channel Zero?!, Rebel Without A Pause
I understand for its genre it is a classic. Not something I would listen to regularly but I enjoyed the experience.
This still holds up! I really enjoyed it, a throwback for sure with the progression of language and terms over time. Hearing Flava Flav say cold medina so much was a trip in 2025. A classic!
There's a few bits that haven't aged especially well, but otherwise this is an absolute powerhouse of a record. Incredible sampling and production combined with the urgency of Chuck D's vocals just means that this always hits hard.
it is so funny i know Flavor Flav from reality TV and not his actual body of work????? that's on me but it's soooo funny marrying the version of him i know with this album (which is good!)
Chuck D & Flavor Flav get down to business on this one. Their personalities compliment each other so well. A really energetic project.
I love their rap style/flow, great beats, absolute legends. I "grew up" with the hip hop from the 90s and early 2000s, but the rap from the 80s really is my jam.
Flav doesn’t get enough credit
12/05/2025 2nd album in a row for these gents, i don't mind it.
A pretty nonstop groove sesh.
Chuck D's socially conscious flow, Flav's interjections, and Terminator X's scratching forrm the backbone of this densely produced masterpiece of a hip-hop album.
Pretty Banging, would love to hear this on some big speakers
Flava Flav in his prime. I appreciate Public Enemy and their message. They bring light a number of important issues and their style is slightly more hip hop and not just rap. They also have the DJ, spinning quality to it that makes it more.
I can see why this album has so many accolades. The lyrics are very meaningful and important, the rapping is next level, the samples all weave so well into their tracks, and the music under the lyrics is pretty impeccably produced. And while I appreciate how well done and influential this is, I have to go with a 4 because it's not necessarily something I'd choose to listen to all the way through very often, solely based on personal preference. This type of musical structure doesn't totally move me. I wanted to love it, but didn't quite get there.
This was fun. Expected it to be overly grim and preachy, but they're too energetic to let that happen. 'She Watch Channel Zero' is a great piece of rap rock.
Wow, I really liked this! Angry but fun. Ngl, Flav's "yeahhh boyyy" hyped me every time. High four stars.
Always have enjoyed this album
I could’ve sworn we already had this one but I guess not. Incredibly hard album title. I’m not sure the mixing of live and studio really worked but I’m guessing there’s some thematic reason for it. The rapping is strong, the style is dated and the lyrics seem almost trite now but maybe because this was so influential. Light 4.
Classic Rap. Gefällt mir sehr gut, hab schon lange keinen Rap mehr gehört aber die machen hier alles richtig.
Excellent production on this, what an achievement
Nice
3.6 Solid early rap album. faves: rebel without a pause, bring the noise
Classic Public Enemy. Hitting it hard
I learned a lot about this group and the impact it's had, so that was cool! I'm not super sure any of the songs stood out to me. Maybe "Rebel Without A Pause".
30+ years on, This is still as relevant as it was when it debuted.
I would have to listen ten more times (which I guess I might) to really comprehend all the lyrics, but the fact that they used the samples to create a new, chaotic sound is enough for me.
Terminator X is a dope ass DJ name.
I liked this a lot more than fear of a black planet. This was fun. Catchy. Good stuff. Flavor flav yeahhhhh booooyyyyy gets old fast though. That said I’ll give this 4 stars.
I like 90s rap
Clear to see why this album was so influential. Great listen. Engaging lyrics and fun instrumentals.
Really really interesting and very punchy (which I've been talking about a lot though). I very much like the use of sound in this with unconventional sounds being played into tracks to give a strong feel to them
Просто не мой жанр. НО. Понравились три композиции подряд. Caught, Can We Get A Witness? Show 'Em Whatcha Got She Watch Channel Zero?! это прямо крутяк!
Not my go-to music style, but the upbeat tempo and the complex lyrics had me fully invested in this album. A great second studio album from Public Enemy.
This album contained a few pearls I didn't know I needed but now I can't live without them. Such skillful rapwork. Music was definitely great too.
It's good, hard-hitting and powerful stuff. Beats are exceptionally funky and varied. Some of the tracks do tend to get a bit too much with repetitive yells and callouts.
They sampled some great grooves for this and layered on excellently enunciated politically conscious raps on top. Terminator X features perhaps the weakest sound, the whine in the background struck a nerve with me.
First listen although have heard many of the tracks before. Not someone to listen to whole albums of rap but this is good all the way through. No passengers here. Cant lose with Chuck D's voice. Great lyrics. Flava Flav: Ya, boiiii.
Heard them first on GTA:SA so a bit nostalgic. It gets a bit formulaic after half of the album("yeah boooi", gets old pretty quick). still I enjoyed it and didn't skip anything.
Good 90’s rap!
87/100. It Takes a Nation of Millions to Hold Us Back by Public Enemy is a classic hip-hop record—groundbreaking, intense, and politically charged. Personally, I think it’s great, but some of the production is starting to feel a bit dated by today’s standards. That said, the "Side Black" half of the album stands out for me—it feels more consistent and features some of the tightest flows on the project. Still a powerful and important record in hip-hop history.
This is the best rap album we've had so far... By far... I appreciate the social message throughout the album, but it's not super "in your face" or vulgar (a la nwa) but the production is super good and the back and forth style of rapping actually works
Started off feeling this is okay okay... But somehow I began to enjoy it the more I listened- especially in the 2nd half! Didn't really understand the lyrics - the references and the cultural context (as is generally my experience while listening to hip hop) But the rhythm and the beats were so much fun! I also surprisingly liked the repetition (all songs sound kind of the same!) I think this is one of those albums I need to listen to more than once to truly like it! Songs that stood out: she watch channel zero, party for your right to fight, louder than a bomb Album rating: ⭐⭐⭐1/2 I should definitely listen to rap more! Makes me feel upbeat and optimistic about life without being sickly sweet!
Really dug this one.
Heel NWA, heel GTA San Andreas
“It Takes A Nation of Millions to Hold Us Back” remains profoundly relevant to contemporary US society, serving as both a historical document and a continuous source of cultural resistance. Released during a time when racial tensions and political oppression were rampant, the album’s incisive critique of systemic injustice resonates with current debates over inequality, police brutality, and governmental transparency. Public Enemy’s incisive lyrics—such as the refrain “Don’t believe the hype”—challenge listeners to question mainstream narratives and scrutinize the power structures that shape societal norms. This call to skepticism is echoed today, as citizens demand accountability from institutions and media alike. The album’s aggressive sonic landscape and politically charged rhymes mirror the ongoing struggle against marginalization and systemic racism. Lyrics like “Fight the Power” underscore a timeless ethos of resistance, encouraging communities to stand against oppression. In an era marked by mass protests and movements such as Black Lives Matter, the album’s message finds renewed urgency. The rhetoric of empowerment and defiance that Public Enemy championed provides a framework for understanding modern social activism. Contemporary discussions about reparative justice and equity often echo the confrontational spirit of the album, which argued that the voices of the oppressed must be amplified to effect change. Furthermore, the album’s innovative production and sampling techniques paved the way for future generations of artists who use music as a medium for political expression. Today’s artists continue to build on that legacy by addressing issues such as systemic racism, economic disparity, and the surveillance state. In essence, the album functions as a cultural touchstone: its messages of vigilance, unity, and resistance continue to inspire a critical examination of authority in a society where similar issues persist. Public Enemy’s work not only chronicled the struggle of its own era but also laid down a blueprint for activism that remains relevant in the ongoing fight for social justice.
Punk rock as all hell and with wild beats for the time. Loved it.
Fun listen and pretty groundbreaking at the time I imagine
Great samples, fun record to listen to and a staple in hip hop and what came after.
After a long streak of indie rock albums, this album really stood out. I especially enjoyed the raw sound which blended well with the rapping.
Damn near perfect album. So good. High 4s.
Really liked this. Chuck D is a great rapper love the samples and mixing and production. Flava Flav just ruins it at times with his shouting and blurring out nonscense.
Pretty cool album from a big hip-hop group. Must say that there were quite a few and hard-slappin tracks here like legendary 'Rebels Without A Pause', and 'Show 'Em What You Got', for example. Wasn't too impressed somehow after first playthrough, but now when skimming through a second round I don't know why I was so critical. This stuff is great! Almost all songs are very solid and cool. A few minor pain points is that I think their rapping style can get a bit tedious after listening through many songs. Also, their "broken record squeel" (or however you want to describe it) sample found on 'Don't Believe The Hype' and 'Rebels Without A Pause' for example, also gets a bit old. In summary I found this really cool, and well deserving of a 4.
There has been quite a few 80s rap albums and I can never really work out why I like some and not some others. Maybe it’s just my mood for the day? Anyway I liked this. It starts off with two heavyweight classics in “Bring the Noise” and “Don’t believe the hype”. Both has great rhymes, lyrics and beats. It really is Public Enemy at its best. The mid part of the album goes into a bit of a slump. The beats takes a back seat for sample loops which just drag. And then I find my number one rap enemy. Rap metal. It’s not egregious but “Shy Watch Channel Zero?!” is too close to rap metal for me. Luckily the tail end saves the album. Some really good songs at the end though I can’t decide if the tea-kettle-sample (is it a tea-kettle?) in “Rebel Without A Pause” is genius or annoying. Would be an easy 4 star if it was shorter and cut some things in the middle. Still think it deserves a 4 but a weak one.
did not use a private spotify session for this one as I just listened to this album Friday of my own volition. I like this album, hip hop with social commentary an album that takes itself and its message seriously, but not too serious with a little levity provided by Flav.
I don't normally listen to Hip Hop or Rap but this blew me away. Great album!
2 core memories prevail Prophets of rage supergroup, Live in Werchter in 2019 Then being a teen Playing Tony Hawk Wasted hours
Unapologetically militant and clever. The album flows like a live concert and is aggressive and focused like a revolutionary manifesto. That is, until Flava Flav does his thing. The skits take away from making this album a 5*
Pretty classic. Establishing the raw hiphop sound, and sets the tone for whats to come
Shoutout to Tony Hawk's Pro Skater 2 for bring the noise. First time hearing Flavor Flav rap, cold lampin was silly af. Enjoyable, 4*
Fajny album. Nie tak fajny jak nieco późniejsze Apocalypse, ale wciąż kawał dobrych rapsów. Mega podobały mi się sample i nawiązania do "Flasha Gordona" Queenów i "Fight for your right to party" Beastie Boysów (zresztą BB mieli jeszcze krótką wstawkę w "Louder Than A Bomb". Pewnie było jeszcze mnóstwo innych nawiązań do lat '80, ale umknęły mi. Podobały mi się też autocytaty, które pojawiały się w różnych miejscach. Brakuje mi jednak w tym albumie muzykalności i słuchalności. Muzycznie jest to ciekawe, ale mało płynne. Teskty i przekaz są dużo ważniejsze, niż wartość muzyczna (co zrozumiałe przy takim albumie), ale przez to będę miał mniejszą ochotę, żeby do tego wracać. Nie jest to dla mnie album, którego słucha się dla samej przyjemności obcowania z muzyką. Jeszcze mi przyszło na myśl, że ten styl PE mógł zainspirować pewne elementy twórczości Rage Against the Machine. Niektóre poglądy (MLK i Malcolm X kontra CIA) lub ich delivery ("The Revolution will not be televised") brzmiały jak wyjęte z RAtM. Takie słabsze 4.
Yeah boiiiiiiiii!!!!!
Amazing and explains a lot of phrases that would come out at the time.
Brutal and raw OG album. This is one of the first true modern hip-hop albums, paving the for what hip-hop was going to become. You have everything you might want from an album of this kind. The beats are raw, heavy and hit hard. The technique and delivery are spot on, the lyrics are clear and the flow is great. The themes are mostly political and deal with the oppression of black people in America, and criticizing the American society in general. You could say it's an act of fighting back against those who mistreated you. One final thing I have to add, the guys even sampled Slayer's Angel of Death on She Watch Channel Zero, what more can you say.
Great album
Yeah boyeeeee
Just an all around classic. YA BOYYYYY
Still holds up today even with Flavor Flav’s ad libs
Love this album. Borrowed this cassette from a friend in early 90s and gave it a good listening to. Having just moved to the US from Europe, this was an eye opener, and my first real taste of this type of rap.
I think these guys have been pretty consistent across all the albums I've heard. Once again, this is an album full of energy and I'm pretty on-board with it. I really like the mad squealing on all the tracks. Kna' what I'm sayin'? YeeeeeAAAH booOOOiiii. Side note: I've noticed a bunch of references from other artists. 'I'm the epitome of public enemy' is lifted by Weezer, and I've only just had the Tricky album that lifts the words from 'Black Steel In The Hour of Chaos'. 3.5 rounded up.
Great album, inspirational and lyrically profound and relevant today. Flavor Flav is okay. The music imo is not that great, even by the standards of 1988. Some of the beats are really good but the high pitched 4/4 repeating patterns can drive you insane. Great album, but probably wont revisit anytime soon.
This is a very energizing record. While there are a few songs that don't reach the same highs as the peaks, there is nothing but full-on explosive energy for the entire runtime. Going into it without much prior experience hearing Public Enemy, it took my by surprise in the most exciting and fun way. The cherry on top is the great ambiance and rhythm with record stabs and everything else coming from the turntables over the instrumentals. All around a great mix of bombastic bars, social commentary, and pure energetic expression.
Not what I'd ordinarily listen to but actually a really good album that I'd probably go back to listen to again.
For a rap album it ok
Нормальный альбом, люблю такой стиль, но в те времена были вещи и поприкольнее
Classic PE - this release has some brilliant tracks on it - no complaints.
I find the music is at its best when the samples have some colour i.e. not over reliant on the drum beats which becomes a bit of a repetitive trope, but with some piano and guitar. Exceptions are Bring the Noise and Don't Believe the Hype, which deliver densely packed raps delivered at high velocity. And you know they mean what they say - this isn't throwaway content. I prefer Black Planet, but this is up there.
Great rhythm and lyrics
appreciated. (⌐■_■)
The first time I ever heard Public Enemy was on a Tony Hawk’s Pro Skater soundtrack and in hindsight I think it was sort of eye opening to me. I had some openness to hip hop before then, but these guys were the first act that made me realize that hip hop could be done with a noisy sensibility that connected with my existing tastes. I’ve expanded my hip hop palate since then, but appreciate Public Enemy for being a way in. Many years later I saw them perform outdoor at a rock festival. Flava Flav hyped up that he was going to play a drum solo and everyone went crazy, then he played the worst drum solo in the world while everyone cheered him on as if it were incredible. That was a lot of fun.
Liked it MUCH better than I expected.
Rating: 8.5/10 A bit dated but great lyrics, energy, and production.
Didnt hate it
Grew up listening to Public Enemy with my dad. Not a stranger to their body of work or Flava Flav's constant "yeah boye". Solid album.
A classic of its era and genre
so significant and well done and awesome 4.5
4/5
This is hip-hop I can truly get into and enjoy! After my first listen, I immediately played the album back-to-back three more times—it’s that good. Lyrically, musically, and through its well-chosen samples, this album delivers on every level. It manages to be funny, powerful, and even intimidating all at once, showcasing brilliant craftsmanship. The variety here is incredible—different sounds, styles, and rappers all coming together to create something special. This album has it all. Favorite song: Don't Believe the Hype is an absolute banger, and I also loved Terminator X. Least favorite: Honestly, every track is worth listening to—there’s no filler or weak spots apart from possibly show em wathcha got. Album artwork: Not something I’d hang on my wall, but that doesn’t take away from the music
# Album Name: It Takes A Nation Of Millions To Hold Us Back # Artist: Public Enemy # Rating: 4/5 # Comments: Very surprising. I dont tend to like hip hop or rap but this album was quite good. Some quality tunes like bring the noise, dont believe the hype, can we get a witness, channel zero, rebel without a pause and prophets of rage. Much more enjoyable than most of the hip hop stuff ive heard so far. Biggest downfall of this album is the length of it. It seems to be the usual issue from the time. # Top Tunes: bring the noise, dont believe the hype, can we get a witness, channel zero, rebel without a pause and prophets of rage. # Would I listen to it again? Yes
4.5 Holy shit, it’s the Duke’s Mayo Bowl guy! Public Enemy is one of those groups that I really enjoy and admire, but for some reason I don’t go out of my way to listen to them nearly as often as I should. I mean, after all, their ideologies and aggression line up pretty damn exactly with what I like in my punk. And as for their music - well, this was a great reminder that that’s damn good too. There’s just something about the pairing of Chuck D and Flavor Flav that works so well for me. Chuck has a flow and a bite to him unlike any other rapper I’ve heard - it’s a kind of captivating fury that can’t help but command your attention whenever you’re listening. And then there’s Flav, who’s like the world’s best hype man - he doesn’t come off quite as radicalized as Chuck, but man, does he seem like the kind of guy you want at your party (dude’s also a musical prodigy who can play like fifteen different instruments). In some ways the two feel like polar opposites, yet they balance each other out perfectly in the music in a way that makes the tracks feel both empowering and fun. And man, is this thing filled to the brim with some of their best, including, but not limited to, Don’t Believe the Hype, Rebel Without a Pause, and Bring the Noise (though I’m admittedly a bit more partial to the version with Anthrax). Far and away though, my personal favorite track here has always been She Watch Channel Zero?! The Slayer sample is insane (to the point I would say it’s arguably utilized better than in Angel of Death itself), and it results in the most unique-sounding track this has to offer. That kind of leads to my nitpicks with this album though, being that, while the production of this album is fantastic and, in my opinion, better than Fear of a Black Planet, it’s much less varied. And while I wouldn’t go as far as to say that’s a bad thing, I do feel like the whole high-pitched tea kettle noise this thing has going on grows just a tad tiresome by the end. Still, for the most part, I would say everything is executed about as well as it can be, and I thoroughly enjoyed each of my listenings. One last thought, and one thing I forgot to include in my NWA review but surprisingly ended up being just as applicable here, was the amount of Beastie Boys samples - as much I love them boys, I really wouldn’t have thought they would have that kind of cred in the hardcore rap scene. Good on them, I guess. Despite my minor gripes, this album is a rap essential, and in my personal opinion, one of probably a handful or so to fuse music and politics perfectly (also looking at Rage Against the Machine and Dead Kennedys).
While not a go-to album for me, Nation is full of amazing songs with elite rapping and sampling. It would be hard to overstate the influence of this record. Copy/paste to read more: https://richcain.substack.com/p/project-1001-it-takes-a-nation-of
I feel more or less the same about this one as Fear of a Black Planet. I dig it, but am exhausted by the somewhat monotonous rhythmic onslaught.
I don't know why, By PE hit me in a certain way. Maybe it is because i listened to them a fair bit back in the 90s, but I enjoy their music a lot more than other rap artists from the same era. I would always listen to this album
Dnf
Classic hip hop album.
go back
YEEEAHHHHH BOOIIIIII! This album slapped so hard. It gave me big Jet Set Radio vibes, it’s probably why I liked it so much, there wasn’t really a bad song in the album. Classic old school hiphop/ rap is fantastic it’s so like. Boppin. Though sometimes the repetitive sound in the back got annoying SOMETIMES. Some of them hurt the ear, others are more subtle.
Never listened to this before, by all accounts seems like a seminal monument in hip hop. Generally enjoyed it, but do think it was probably more impressive when it was released 3.75/5
Exemplifies 90s hip hop in how it just samples differently than nowadays and has such infectious energy. Hearing Flava Flav yell "aw yeah" earnestly as part of a song instead of reality TV meme is great. Maybe a little long and without enough dynamics, but this is a great listen. (3/6 new albums so far)
This is great over all and there’s some really fab use of samples but it did NOT need to be that long my god. Favourite Tracks: Bring the Noise, Show ‘Em Whatcha Got Least Fav Track: Cold Lampin’ With Flavor
Public Enemy's It Takes a Nation of Millions to Hold Us Back goes beyond being just another late 80s album, This marked a cultural turning point in the genre with its fusion of radical social commentary and groundbreaking production. At its core, Nation is a call to action. Chuck D’s commanding voice delivers sharp critiques of American society, black identity, and systemic oppression. Tracks like “Bring the Noise” and “Rebel Without a Pause” are anthems of defiance, challenging the establishment with relentless energy. Chuck D’s gravity contrasts Flavor Flav’s chaotic humour, creating a unique dynamic that amplifies the impact of each of their albums. What truly sets this album apart for its time is the production. The Bomb Squad’s dense, abrasive sound blends samples from rock, funk, and jazz into a chaotic yet thrilling sonic landscape. From the sirens in “Night of the Living Baseheads” to the layered, industrial production of “Don’t Believe the Hype,” the sound mirrors the urgency of the album’s message. The concept of “noise” was no accident—it was a weapon, disrupting the status quo and amplifying marginalized voices. The album’s visual presentation was equally powerful, with bold imagery that matched the revolutionary spirit of the music. The black power fist on the cover reinforced the album’s militant tone, making the visual aesthetic an inseparable part of its message. Critically, Nation was groundbreaking. It received widespread acclaim for its raw energy and unflinching social commentary, resonating commercially and proving that politically charged music could reach mainstream audiences. Post-Nation, Public Enemy’s sound and message evolved, but nothing matched the raw power of this release. It influenced hip-hop both in the U.S. and abroad, shaping artists like Nas, KRS-One, Dead Prez, and more. The title itself—It Takes a Nation of Millions to Hold Us Back—is a call to the collective. Public Enemy didn’t want to speak for the individual; they wanted to empower millions to rise together and challenge oppressive systems. They succeeded, crafting an album that continues to reverberate with relevance today. In Nation, Public Enemy made a defining and deafening statement. It remains one of hip-hop’s most powerful works, and its legacy is undeniable.
Overally pretty great album. I love the start of it.
I have always had a weird take on Public Enemy. I really enjoyed Chuck D’s lyrics and message, but can’t stand flava flav. I also feel like if we were to remix a lot of Public Enemy with new beats I feel it would be way better, but that’s just one white guy’s opinion
Ah, don’t think I’m a rap girlie, but enjoyed listening to this influential album and heading Flava Flav rap instead of trying to find love
Yeeeaah Boooy! I especially liked Night of the Living Baseheads. There's a few reviews here calling out Flavor Flav as a weak point, but he's an essential component IMO.
Great album well sampled
Yeeeeaaaah boooyee! This album is very late 80s hip hop. Clever lyrics, strong samples and beats (some surprisingly modern), and the infectious energy of Flavor Flav carried me through the album. Fun, impactful and a worthy listen.
нормалек. не часто слушаю хип-хоп, но этот альбик довольно вайбовый и атмосферный. подойдет для вечеринок в американском стиле или поездки на лоурайде
Definitely have heard of these guys. I know this song, Bring the Noise. Really down to listen to this true hip-hop. Album is very cool. I can totally tell that there are a lot of samples used today from this album, even on some of my favorite dance tracks.
Listen, it’s a classic for a reason isn’t it! Powerful, aggressive, lairy boom bap hip hop at its finest! My word, they’re angry I aren’t they!
Good but not my jam
Chuck D is where music and message meet. Meshed with some heavy metal-hip hop and you have a groundbreaking labyrinth, that has since been oft-copied.
Really good album. Not the biggest Hip Hop fan but these guys are legends.
These guys hadn't hit for me over the last 35yrs or so. But thanks to this list, I've got three 4 star records to listen to. Could use a bit less of the rhythmic whistle/screech
last two songs bumped it to 4 stars, Prophets of Rage is amazingggggg
Scratchin’ may not be my favorite instrument but it has it moments. Public Enemy’s music is necessary. I’m not looking for this but when I hear it I recognize its import.
This album is very much of its time. But as a child of the 80s I have fond memories of that time. Sure it's dated, and the wordplay could be sharper and flow more easily, but I don't care. I enjoyed this quite a bit.
It's better than the last Public Enemy album I reviewed. The intro and the song after it were fantastic. I liked the beats in this album and the lyrics too. Soon, I'll be listening to "Fight the Power", the best Public Enemy song. Friday will be the day I'll hear my 200th album. 4 stars for "ITaNoMtHUB"
I would like this so much more, if the DJ didn’t lean so heavily on that high-pitched, whiny siren sound. It’s the hip hop harmonica. It’s clear that the intention was to sound the alarm. But it is too distracting and hard to hear the message. Wish it could be remixed to edit that gimmick down. Otherwise, this is legendary for a reason.
It Takes A Nation Of Millions To Hold Us Back (1988) is already a classic, an overwhelming and sophisticated sample of revolutionary music. The rappers press dramatic and paroxysmal in a jumble of rap noises, casual bandits, scratch improvisations (Terminator X, aka Norman Rogers, the scratch wizard) and electronic noise. The traditional kinds are massacred by the process of mimesis. Louder Than A Bomb's funk-like funk , the overwhelming anthem Rebel Without A Pause , the heavy-metal unleashed by Channel Zero , the oriental hypnosis of Shaw 'Em Whatcha Got , the dadaist cacophonies of Terminator X , the sarabandas funky-tropical Bring The Noise, the dissonant minimalism of Black Steel , are alienated by demented arrangements that enhance the tribal qualities. The real protagonist of this mosaic art is the producer and arranger Hank Shocklee (the leader of the "Bomb Squad" who is credited with the production): he is the one to construct with a meticulous method the pieces that the lyrics of Ridenhour transform then in war songs. Drayton is his giullaresco counterpart, and the alternation of tones of the two constitutes in itself an important novelty. A
Honestly a really strong album for a genre that's hard for me to get into. But I do really like the flow of the raps and the all around beat and prodution. That horn/siren/whatever sound that they used though grates on my nerves to the nth degree. Another thing that I dint think affects my score but I didn't like was the live hype bits which to me didn't flow with the studio tracks.. I think if they were craftfully edited in instead of fade in and out it would have felt more like they were part of the album. But as I said I think the rest of the album was strong enough to ignore them as a whole. (8.2) ★★★★
I right the old school beats on here. My favourite type of hiphop. 4.5 stars
Despite being an '80s rap album, I think it holds up incredibly well. There's a lot of modern elements PE pioneered, including more complex rhyme schemes, more dense sampling, and the shift to more conscious lyrics. Highlights for me are "Bring the Noise", "Don't Believe The Hype", "Rebel Without a Pause" and the goofy Flavor Flav showcase, "Cold Lampin' with Flavor". 4.5 Stars
Fun as hell hip hop album. I feel like a lot of 80s hip hop hasn't aged the best, but this one definitely still holds up.
Great album!
So much energy. Expected this to be vegetables and instead was an old can of 4loko. Almost a live album and kinda would prefer it to be a live experience. Wore on me listening sitting down in my living room after the first 3/4 or so but really enjoyed that time regardless
Completely uneducated when it comes to hip-hop but not completely ignorant. A fan of Beastie Boys and A Tribe called Quest so I enjoyed this. it definitely grows into itself and it also helps if you can tune Flava Flav out. There's only so many "YEAH BOOOOOOOOOOIIIII"s you can take. The guy was stealing a living. Highlights are She Watch Channel Zero?! & Prophets of Rage.
My dad has a collection of about 300 vinyls, even more if you count the ones he sold at some point in time. Only approximately 7 of them are of albums released after 1990. Even more rarely, only *one* (1) of them is a hip hop album. That album is Public Enemy's It Takes A Nation Of Millions To Hold Us Back. Someone else can be bothered to talk about just how incredibly influential and important this record is for hip hop as a genre, or how timeless the messaging on here is. But in spite of a few moments where the album does show its age, it's an absolute benchmark in rap history and masterclass in what makes it such a culturally significant genre. One of the greatest of all time.
A certified classic. Is Flava Flav sorta annoying? Ya but he earned it.
8/10
My second Public Enemy album in as many days. I’m a fan, although I liked Apocalypse 91 more. — 4/5 Highlights: Terminator X To The Edge Of Panic Caught, Can We Get A Witness She Watch Channel Zero?!
This is my second Public Enemy album. I found myself really enjoying this one- the Terminator X featured songs were bangers, and Flavor Flav actually came through with some good verses rather than just small soundbites. The instrumentals were varied and catchy- at some points getting really bombastic with horns and drums, which I loved. Overall- very solid hip hop album. I could see how it solidifed Public Enemy as a force in the genre
Boooooeeeeey! Quite liked this. Energetic, clever, impassioned.
I freely admit this album is not for me as a middle-class white man. However, the discontent and unrest present throughout this album is as prescient now as it ever has been in mid-November of 2024 (iykyk). It's artists such as Public Enemy speaking truth to power that has been at the core of hip hop since it's inception and keeps it as fresh as ever. Given that the themes are (unfortunately) evergreen and the amazing DJ skills of Terminator X on display, this album still holds up 36 years after release. Notable Tracks: - Bring The Noise - also love the lyrical and rhythmic allusions to this track throughout the rest of the record - She Watch Channel Zero?! - Night Of The Living Baseheads - Black Steel In The Hour Of Chaos - Party For Your Right To Fight 8/10
Listened to this while playing The Loop. I lost. This album was pretty darn solid from the very start! I can absolutely understand why the "yeah boy" became such an iconic sound...ha ha. I enjoyed this so much more than I thought I would! Almost a 5...but just shy.
Most timely album ever
hell yes Flavour Flav kind of sounds like a more chilled out westside gunn I get why my dad loves this album. RIP Radio Raheem
This was great. Chuck D laying down truths and Flavor Flav doing his thing. My one complaint is that it’s so long. Maybe my attention span is just shot.
Gear: Hifiman Arya Artwork: 𝄜🕑😎 Production: 🔊🥊🔥 Music: 🛹🎮🏆 Rating: 🕛🕧🕐🕜/5
Public Enemy was a force within the genre. Even some great artists of the era suffered from toxic lyrics and glorification of violence, even if they exhibited brutal honesty between the lines. Public Enemy on the other hand focus on social commentary. The anger at the system comes through loud and clear. Chuck D and Flava Flav complimented one another's vocal styles. The music is forceful loud, fast, and abrasive, as it should be. This is their breakthrough album, at least as far as the rock kids knew. 'It Takes a Nation of Millions to Hold Us Back' is a bit dated musically, only because it inspired so much else that would come later. Despite that, it has some of their best moments, particularly 'Black Steel'. Politically, the album is as relevant as ever. It shouldn't be as we've had nearly 4 decades to make more progress. But it's still a powerful anthem for change.
I think I like this! Will listen to it again. Good beats, good variety.
I’m not deeply into rap, but you have to respect this album. Yeah, it can be a touch repetitive, and the yeah bois year a bit thin. But it’s still awesome.
Bra album. Inte bangers rakt igenom, men det finns en hel del riktigt bra låtar på plattan. Inte heller tidlöst, man vet direkt att det här var 80-talet. Men man hör också hur många det här inspirerade och vad det ledde till.
Political, funky heavy beats, yum
7/10 some lovely beats n food rhymes
Classic. Yes it can be a little repetitive but I think the second side has so much variation in the beats and song structures that I don’t even mind some of the redundancies and “fat” that would probably be cut had this been made sooner. Anyway, a revolutionary album.
Im personally not that into old school old school beats, but good musicality.
This was great! A real mix in here but could get really into it. Interesting and captivating
Isn't it funny that I got Anthrax and Public Enemy back to back considering that they've collaborated with each other before? I think it is. You know what else I think? This is a great album. I think it goes without saying that It Takes a Nation of Millions to Hold Us Back is one of the most influential hip-hop albums ever made. Fortunately, it's also an album that still holds up over 35 years after its release. The sound is quite good. The production is just phenomenal, especially for the time. The Bomb Squad really knew what they were doing with this one. The rapping is also great. It's quite fun, and I feel like Chuck D and Flavor Flav have a much better balance in this album than they do on the other Public Enemy album I've gotten for the project, Apocalypse 91... The Enemy Strikes Black. I think Flavor Flav works a lot better as a hype man than a stand-alone rapper. The writing is quite ahead of its time. Of course, you can still feel that this is, in fact, 80s group hip-hop. However, not every song on here is just "let's have fun rapping." You have plenty of songs with meaningful messages. I especially love "Black Steel in the Hour of Chaos." It really shows how meaningful hip-hop can be. Overall, while there are certainly hip-hop albums that I like more, there's no denying the impact that this great album has. It's great. High 4/5.
Strong! Angry! Flav lightens it a bit, fortunately 4.2
3.53.
Blast from the past. Fantastic lyrics.
Their best record.
Very cool. Good momentum, some great tracks. Glad I listened.
Classic 80s NY hip hop with driving beats and powerful lyrics, Public Enemy first got my attention in Do the Right Thing. I’ll bet no one would have imagined back then that Flavor Flav would become a Swiftie.
Energetic and fun. I really enjoyed this album. Helped that there were no skits.
Loud, angry and important. Chuck D's remains one of the greatest MC's to have ever picked up the mic. His lyrics and flow hit clear and true time after time. The beats strike like a punch to the chest and Flavor Flav, whilst at times annoying, adds his own je ne c'est quoi to many tracks.
My favourite public enemy album so far
The beats take a backseat to Chuck D's voice. His lyrics and flow are remarkable. but, that being said, these songs sort of blur together and his flow is mostly same in these songs. done with the album, flav is great hype man, does good with the backup vocals to chuck d. nothing gripped me so hard that i feel like listening to more of them but im glad i put in at least one listen to this album
Fun album. Funky having fun and gets political points in. Awesome beats and samples.
This was a fun album to listen to. Had me dancing in my kitchen. I’m a little too young to have been able to appreciate this album back in its heyday, but growing up watching Flavor of Love had me excited to hear Flav in his element. And I gotta say, it did not disappoint. His higher pitched YEAHHHH BOYYYY was a perfect play off of Chuck D’s lower vocals. I felt so much nostalgia for childhood and the rap music vibes from the late 80s/early 90s. I could see myself adding songs to playlists in the future, maybe I’ll bust this album out again for the right occasion. It’s crazy (sad) how the things they’re rapping about back in 88 are still relevant today. Actually thinking on it, I may do a deep dive on this band soon because it was a very interesting and fun listen. A glimpse into a world/time frame I’ll never experience, I guess?
Ja heel erg vet, maar ook wel vooral voor die tijd.
Jaja heel dope All time classic
Название на шесть звезд из пяти. По музыке я понимаю, насколько это важный альбом, но сам этого не слишком чувствую. Тем не менее, должен признать, этот альбом значительно лучше раннего-раннего хип-хопа, что мне уже приходилось слушать в этом списке. Лучшая песня - Show Em Whatcha Got.
More than 35 years on this album is still blowing the roof off and busting shit up. In your face politically, poetically and rhythmically. Truly, it takes a nation of minions
Great political rap album. Terminator x is underrated in just how much the dj used to play a part in hip hop
Public Enemy is the transitional form between Grandmaster Flash and NWA. Neat. Holds up pretty well.
Just great stuff. Chuck D maybe the best voice ever in rap. Wore this one out on cassette and CD. 4.25
I can’t believe I was a teenager in the 80’s and never heard the songs off this album. Overall I thought it was pretty good—songs that make a point while still being good songs to listen to. Aggressive and funky, a good combination. My one con was lack of dynamic. Everything felt at the same level to me—you can only shout something so long before your shouting is tuned out.
Yeahhhhhhhhhhhhhhh boyyyyyyyyyyyyyyyyyyyyyyyyyy Raw, production is bonkers, bars. What more could you ask
I was surprised by how much I enjoyed listening to this. I knew Public Enemy by reputation, and went into it as open to it as I could be, wanting to find out why. But what I didn't expect was that the very things I liked about it were things that I'd often dislike or at least not want to listen to: it's abrasive, aggressive, full-on, and loud - certainly not a melodic easy listen - and it doesn't concede much to the new listener. Yet I found myself compelled by it, intrigued by what it was doing, and wanting to hear more. I'm not sure when I'll listen to it again - it doesn't seem right for most of the circumstances in which I listen to music - but I will make the time.
Yeah boiiiiiiiiii I had no knowledge of rap in the 80s (or 90s, for that matter) going into this, but this went HARD. It's powerful, militant, aggressive, bombastic. Flavor Flav (he gets a star by himself for being such a huge supporter of the US Olympics and Paralympics teams) is a great hype man and Chuck D is just angrily spitting poetry throughout the whole thing. This blew me away - it's unapologetically and assertively Black, and I think their political commentary is still relevant (unfortunately) 30+ years later. This album is funky, explosive, energetic, and feels fresh even now.
I don't like rap, but even I can see this is really good.
Classic 90’s hip hop with a powerful message. Love it.
I’m going back to 1988 and telling Flav that he’s going to be a beloved figure at the 2024 Paris Olympics.
Still holds up in 2024, which means it must have been really special when it came out. Bring the Noise is an all time classic. The rest of the album is similarly high quality, even if it doesn't quite ever hit the same high as Bring the Noise.
Pretty good
Big boom bap banger beats with some stellar samples going on. Unlike some of the recordings from that era of hip hop, this stuff still slaps hard. Much of the political messaging unfortunately still holds up, which doesn't hurt it in it not sounding dated.
Great throwback jams.
One of the most important rap albums ever made. This is the Big Bang in the evolution of rap. Show Em Whatcha Got samples Darkest Light by Lafayette Afro Band. I’ve never heard the actual song but it’s got to be one of the most recognizable samples in rap/hip hop. Wreckx-N-Effect’s Rump Shaker, N2Deep’s Back to the Hotel, Jay-Z’s Show Me What You’ve Got, and hundreds more…but Public Enemy did it first.
Great album. Never heard flavor flav before actually rap lol
Definitely unique. I'm always last on lyrics in terms of my rating and Chuck D/Flavor Flav's lyrics are a plenty. The production is pretty hard hitting particularly for its time. It gets a little repetitive but on first listen it's not grating more just a bit of an intense experience
Yeah, I can still rap along Bring the Noise. From the Anthrax Version. Or, at least until "cause the beats and the lines are so dope". Indeed they are. Plus I've learned that Tricky's Black Steel is a cover. Nice. Muuuusically, this album overstays its welcome, but it has to be a really strong 4.
Very entertaining. Today's rap could learn a thing or two
Yo
Caveat: I'm reviewing this as a listener who's been familiar with this album for a long time, but I don't consider myself a big fan of hip-hop. PE announced a sea change to hip-hop with their first three albums: "Yo Bum Rush The Show", "Fear of A Black Planet", and this album. They absolutely dominated in the day, bringing social awareness and politics to hip-hop. Respect, even if I don't consider myself a fan.
Yiiiirhh boiiiii det' fed rap!
Chuck D has an amazingly powerful voice, and commands not only the room, but the ears of those that hear his booming delivery. Everyone already knows that, though, so I'd also like to praise Terminator X's DJing for being a perfect time capsule while still being immediately fresh. It's not only sick as Hell, but really charming that Public Enemy has their own catchphrases to fall back on in every beat, every chorus, and just overall fill out the tracks. Even Flavor Flav as a hype man feels less goofy here than other projects by the group, even if his track doesn't align with the tone of the rest of the album. The whole album just has a chokehold on everything it speaks on, and while some of it comes off as dated (She Watch Channel Zero?! has a fantastic beat, but the framing device feels off-putting), it's an album with purpose, with sole intent, and it'll either destroy you if it finds you in its path, or get you to join in on the destruction. Also, just a little thing for the 1001 Generator, but that 2nd top review is laughably bad. Like, Jesus.
Favourite Song: Cold Lampin' With Flavor
Hardcore
Public Enemy has an energy like no other hip hop group. Rap with the energy of punk band. It Takes A Nation of Millions… is one of the most important records of all time. It’s importance probably outshines the actual music which highs are ultra high but it’s a bit long as usual 7.9/19
There are a few songs in the beginning that rely on high pitched samples, which always kept me away from the rest of the album. But yea it’s good, obsession with whistles aside, great rhymes, unparalleled beat making.
Okay let's go Public Enemy!! This still sounds so fresh! 😁😁😁
as mind-expanding and exhausting as i remembered! huge sense of deliberacy to the tracklist here, a double LP with less then an hour of music total is a signal that just a little bit of extra space was needed to make room for everything they thought was Vital. disc 2 i think is the most packed with "i cant believe theyre basing the song around This Sound" moments for me, but the record is famous 4 that shit 4 a reason. considering this project is basically selecting my Morning Music its hard to imagine it getting much more startling to my half-awake brain then this, at least in the hip hop realm!
Wonderful samples and grooves. A bit too repetitive at times, but it feels like a classic.
This is a well-regarded album in the world of hip-hop, and for good reason. Chuck D's politically charged lyrics and commanding vocals in this record still bite after so many years. The overall message and theme within this album are legendary. There's a reason, after over 30 years, this is still one of the most influential hip-hop albums ever made. Best - Bring The Noise, Don't Believe The Hype, Show 'Em What You Got, Black Steel In The Hour Of Chaos, and Rebel Without A Pause Worse - Terminator X To The Edge Of Panic and Caught, Can We Get A Witness? YEAHH BOII 3.50-3.75/5
Public Enemy is an interesting group. More political than N.W.A. but with plenty of the same themes. I think it hits in a different way for me.
Fun album I listened to for the /mu/ list already. I like this. 3.5/5
first Tony Hawk song that came up in this list (Bring the Noise). This record is incredible hip-hop. A standout among an era of hip-hop I generally really like.
super bombastic "fun" album - fun in quotation marks because i understand the political nature of the album and the message is not a fun message, but fun to listen to. the rapping is pretty great, although i think chuck d is way better than flavor flav. the beats are great and raw in that late 80s way. in terms of all the rap from this era i've listened to, ultimately, it's not my favorite but i would still say it's pretty consistently good.
Hard to rate. Important influential and has a powerful presence that demands attention. Authoritative and distinctive (yes reminds me both of "the revolution will not be televised" and the 90s band 'disposable heroes sir hiphoprisy') ... Important for a list so 4-5 but listening ability 3-4. Averaging all out to a reluctant 4.
A lot of the beats sound the same but still great.
held together by spit and string at this point, but still got some absolute bangers in there
Funky, high energy, but probably wouldn't play the songs again in my usual rotation
Un buen disco de rap
Enjoyed this.
Not usually my thing but enjoyed it. Catchy, good flow, knew more of it than I expected.
Fun beats with old school DJing, sampling and scratching. Chuck D flows over the beats with powerful political lyrics. Flava Flav bounces in and out with ad libs and lyrics. The whole thing maintains a really fun atmosphere even through the serious messages. A real hip hop classic.
Yeah boiiiiiii origin story
Vette beats, prima raps, wel veel van hetzelfde
The Spotify description for Public Enemy notes that Flavor Flav is supposed to be comic relief for Chuck D’s gravity which….I think makes a lot of sense. There’s a lot going on lyrically that gets lost in the sound design, between the turn table effects and the name drops. It’s not a bad album but I think Public Enemy is a little easier to digest in single form.
Banger when it came out. Still a banger today. Flava flav was annoying then. He’s still annoying today.
I like it more than last time! The beats feel slightly less cartoony, although I'm sure that was a me problem to begin with! Probably the fact Public Enemy's music was watered down by so many and reduced to stereotypical boombox music shows how influential they were.. and how the mainstream tried to suppress their message..? I need to look into this! Again, maybe I'm also acclimatising to their sound myself. Defo down for partying for my right to fight, I did have a bop on this album. Plus the delivery of the title line was roll-credits worthy for sure
Rap that I can actually hear a story and it doesn't sound like others.
A turning point for rap music. Up until then rap was generally this goofy, fun thing. But then in 1988 Public Enemy and N.W.A. attacked the airwaves, bringing a harder edge and political commentary to the fore. It's hard to imagine now but back then this was revolutionary and hit like a ton of bricks.
They sure began with a bang. This album is filled with revendicative rage and passion. Chuck D's lyrics are stealing the show for that reason because they are thoughtful, provocative and revolutionary. As with a lot of old school hip hop albums, I tend to find the music a bit samey in the long run, but those beats are great so who cares.
YEEEEEAAAAAAAAH BOIIIIIIIIIIIII
1988, political and conscious hip-hop was breaking through the scene and Public Enemy makes it explode with this angry and badass album. And it was only the beginning, because to me, Fear Of A Black Planet and Apocalypse 91 are even better.
A classic in hip-hop. More focused and better beats than some of their other albums, the music hits you like a punch in the face, while ou're dizzy from the amount of samples that fly around your heads like tweeting birds. Best Tracks: Don't Believe the Hype; Black Steel in the Hour of Chaos; Rebel Without a Pause
Loved the beats here. So fucking creative. And obviously the revolutionary hymnal vibe is excellent. I so dig PE
Can see how this is so influential. A great listen and socially/politically charged lyrics. Simpsons: Yes
Enjoyed the vibes of this. Not amazing but it scrapes a 4.
Just enjoyable stuff
4/5 - some bangers but their sound has never really been for me
incredible energy and all of the members have great chemistry in their different styles. but it the amount of energy got a bit draining in the end. also really enjoyed learning about some of the historical context.
Pretty sad when we start this list years before the Apple Music 100 (which will probably be referenced a lot now since it’s completion, fyi it’s better than this list) yet they get to this album first. Either way, here it is. Excited to dive in. Another shout out to Apple Music, these albums now have their ranking in the album notes of these ones, this is #34. I'm not sure if this is my favorite Public Enemy album but it might be. Bring the Noise is a song that is always stuck in my head, of course it's the version from Tony Hawk's Pro Skater 2 which is Anthrax and PE and spelled Noize, but they are the same song, one just has guitar riffs and drums behind it. Funny enough, we recently had a taste of this with Ice-T in meshing hip hop and rock/metal. Headbanging for a bit before letting out a "yeahhhhh boyyy, freeze how low can you go? etc". I listened to this album a few years ago along with some others when I was diving into early hip hop which I hadn't heard a lot of, but everything I did I really liked. Really glad to get this again to let some of these songs sink in. Obviously I kept the above song, but also Don't Believe the Hype, Night of the Living Baseheads, and Party for Your Right to Fight.
Hell yes, our third from Public Enemy but it's the big one, their magnum opus according to most. I love it, as usual you get some fantastic sampling at the root of these songs, and the rapping is excellent. The initial run of 4-5 songs is so, so great. The back end wasn't quite as bombastic to me, but it's still a fantastic ride all the way through. I was expecting this could've been a 5 star on first listen, but it's not there for me yet. Maybe with time though, I know this one is pretty timeless. Very glad to have heard this, finally. Favorite tracks: Bring the Noise, Don't Believe the Hype, Cold Lampin', Terminator X, Mind Terrorist, Show 'em Whatcha Got, Security of the First World, Rebel Without a Pause. Album art: Iconic, classic, everything. Chuck D and Flava Flav behind bars, they both look not just cool but cold. Logo and font, all the periphery is bold and powerful. I forget sometimes that Public Enemy was basically just two dudes (plus some producers here and there). 4.5/5
The standout tracks are "Bring the Noise", "Don't Believe the Hype", "Cold Lamping with Flavor", "Black Steel in the Hour of Chaos", and "Prophets of Rage". There's some filler tracks that don't quiet work, and 36 years later, that reedy hysteria sample ("Eeeeeee") is a bit overused as a leitmotiv throughout the album). But this is clearly a classic. 4.3 stars rounded down.
Fierce stuff, arguably the best hip hop album of its era and still one of the greatest of the genre. Assertive, energetic and full of righteous anger, but still great fun to listen to. Fave Songs: Rebel Without a Pause, Bring the Noise, Don't Believe the Hype, Night of the Living Baseheads, Can We Get a Witness?, Prophets of Rage, Louder Than a Bomb
Oh yeah this was foundational, the music against which I measure all subsequent hip hop I cross paths with. Ridenhour's refusal to accept our construction of black America seems ever more insightful. We're along for the ride.
I enjoyed this album a lot. The combo rap of Chuck D and Flava Flav was a great mix of heavy and light, the humor went a long way to keep this fun. There are hooks and things to connect with, the beats and bed were interesting and rollicking. I completely ignored this when it was released in 1988. I probably wouldn't have liked it so much back then, but I'm glad I dove in now.
I guess I discovered the flavor of rap I dig. I was really grooving to this.
Most of the songs are bops but that high pitched constant in many of them is so off putting it's all I can hear. If they never used that sound I would listen to the whole album again but I'll stick to replaying just a few. Other than that, nearly perfect. 8/10
For the most part I think 80s rap has aged far worse than anything the 90s produced, even though they were so close in time to each other. That being said, I think this album clearly stands out from its peers as it showed how far sonically the genre can be pushed and how it can be an outlook for political and counterculture messaging like rock was in decades prior. While the flows can feel a little corny and outdated at times, I do think there was some interesting production going on here and the beats laid down by DJ Terminator X went pretty hard at points. The track list was loud, frenetic, and full of righteous energy from Chuck D and Flava Flav. This album was definitely its strongest when it was the most political. Fav Songs Louder Than Bombs Show Em What Ya Got Night Of The Living Baseheads Rebel Without A Pause
Yeah, bass! This is exactly how I want my hip hop to sound. Aggressive and heavy like a soap on a rope cause the beats and the rhymes are so dope. The only thing preventing me from giving 5 stars, is the album’s length. 1 hour of rapping is still too much in one sitting. Check out the collaboration with Anthrax as well, which hits really hard
Rebel Without a Pause is an all-time great. Public Enemy's sound is so distinct and also feels very rooted to a place and time. Really enjoyed listening to this
Finally some good hip hop without the gangster attitude. But it’s still rap…
Shit hits the fan... Ei katia kuin pieru saharaan.. Its on your face...
Would give it 4.5 if I could
Flava Flav
Not really my thing but pretty powerful stuff.
Chuck D: The prison industrial complex oppresses Black people Flava Flav: https://www.youtube.com/watch?v=fvtQYsckLxk This one grew on me a lot as I listened to it. I grew up hearing a lot of 80s hip hop because of my stepdad, but I've always had a hard time taking it seriously. By modern standards, some of the beats on here sound a little goofy and Flava Flav is meant to be comedic relief at times. However, listening to the lyrics, it's clear that these guys had a lot to say. Chuck D's pen game carries most of this project for me, but some of the beats were also genuinely impressive (especially "She Watch Channel Zero?!"). This gave me a new appreciation for early hip hop and I look forward to hearing more from this era.
Urgent, aggressive, revolutionary. Surprised at how much Flavor Flav is involved in the full album. Always saw him as just a hype man, but he is on there more than I remembered.
Powerful lyricism and beats that go hard. Some of these samples are insane (sounds like Slayer on She Watch Channel Zero?!). Some songs sound a bit dated, but compared to it's contemporaries you can tell why it was revolutionary. Solid record. 4/5.
Pretty entertaining
This is easily in the top 50 albums on the list. A stone cold classic, referenced numerous times by all kinds of rap and non-rap artists. By far my fave connection is the Weezer song El Scorcho which borrows the "I'm the epitome of public enemy" line. I find the thought of skinny young nerdy Cuomo listening to Public Enemy and thinking he's a public enemy very funny. Which just goes to show how universally beloved, respected and influential It Takes a Nation of Millions... is. As a metalhead, I've always had a soft spot for She Watch Channel Zero, but pretty much every song is a winner. Party for Your Right to Fight is one of the best song names ever and almost eclipses the Beastie Boys track. Bring the Noise, Don't Believe the Hype, Louder than a Bomb, Rebel Without a Pause, Prophets of Rage... Damn what a tracklist.
Classic rap album
This one would likely be a 5 star, if I had been exposed to the whole album earlier in life. Still cool to listen to it now and see it's influence in hindsight.
Proof you can have a self-serious album cover without it looking like a shitty Ren Faire ad, SIMON & GARFUNKEL.
i remember trying to listen to this on very low volume in my room. could i write poetry to this? y
More like a 4.5 for me. Bring the Noise, Don't Believe the Hype, Terminator X to the Edge of Panic, She Watch Channel Zero?!, Rebel Without a Pause, and Prophets of Rage are all time great rap songs period.
I like old school rap and hip-hop and this one brings me back
This was fun, definitely enjoyable, living room record energy.
It's obviously dated, but it still weirdly holds up. Chaotic and full of great beats. Chuck D sounds cool as hell. Surprisingly I could see myself throwing this on occasionally.
This one was much more engaging than I was expecting. Chuck D is incredible and it's odd to hear Flavor Flav sound aware of his surroundings. Great samples and beats. Classic album.
3.7 - enjoyed this, did beastie boys parody them or just sound the same? Album was a little too long imo
What a great album. Black Steel in an Hour of Chaos is probably my favorite. But also Louder than a Bomb, Prophets of Rage, and Rebel without a Pause are bangers. 4.5 stars.
Des samples, des samples, toujours plus de samples !! Ça afflue dans tous les sens, on baigne littéralement dans la source du hip-hop, au milieu d'une richesse de sons assez dingue ! Le flow, plus puissant et musical que celui du (trop) répétitif Licensed to Ill des Beastie Boys, y est certainement pour beaucoup dans ma préférence !
It's not a good album for work, but it is a good album. Lots of themes, and nice to hear the original flows where rap was started. Some really cool beats as well.
I forgot to rate this when I listened to it a couple of weeks ago, but it's fucking fantastic. The end.
It's a classic, even if the genre will apparently never be my cup of tea.
Solid early hip hop album. Just on the 4 side of 3.5 for me.
This was totally fun. As the great individual who turned me on to this site said, “I think I’m actually a huge fan of 1980s-90s hip hop. Me, too, my friend. Me, too.
This is the 4th rap album that I've been recommended in 2 weeks, and the second Public Enemy one. I'm not a huge fan of rap music, but I like the beats from 80s rap. While I probably wouldn't listen to this album again, I can't rate it low because I can admit that I did enjoy listening it through it. 4/5
likte det
Love this album but still not sure why it sounds like a kettle is going off for the whole record
When rap was finally beginning to form its own name, and groups like N.W.A were growing in popularity, N.W.A shot to the spotlight of the gangster rap movement that was less than satisfied with the current state of the world. I sometimes find it hard to speak about rap albums. Mostly because the content of the lyrics is what really matters, and I just don’t have enough time to sit down and digest those lyrics. With Public Enemy, you don’t necessarily have to read the lyrics to feel the energy. Imagine being strapped to a chair in someone’s dingy and dark basement and then being kicked and thrown around. That feels like the approach that these two took for the delivery. And even if, more often than not, Flav acts more as a hype man for Chuck, the charisma shared between the two is cool to hear. This album is politically driven and focused in its intent. Which is to make it clear how shit things are sometimes. I think where my issue lies in a lot of rap music from this time period is the production. Most producers were not creating as tight and punchy beats as you would hear in the 90’s and 2000’s. The drums are quieter, and the melodic aspects take more of a forefront. It’s not my favorite. This album benefits from having a really unique and varied selection of samples. Lots of funk and rock bits that intertwine with each other. There is almost always something going on. Even if I prefer what the genre would become rather than what it was at this point, this album has power, and showed people what rap could represent, and I wholeheartedly respect that. Rating: 7/10
Believe the hype
It's a classic for a reason.
Some fresh and lively beats and cool, politicised rhymes
Been waiting for this one and definitely worth the wait. Not overhyped- this is a genre defining classic. They took sampling to another level besides being amazing lyricists.
Classic. Don’t make rap like they used to.
Excelente, poderoso y contundente. Encima con una canción del Tony Hawk.
Bring the noise! Was featured in Tony Hawk’s Pro Skater and for that only I give one extra star
This is the sound I think of when someone brings up GTA: San Andreas. Great production, very musically engaging. The subject matters don’t personally appeal to me, but there is no denying that this album accomplishes it’s set goals.
Revolutionary record that was very much ahead of its time. Passionate and emphatic music and lyrics. This record is a milestone for hip hop.
WTF. I didn’t realize Flav was more than a VH1 character. This shits slaps though. Heavy metal and jazz samples under rhymes against the government? Count me in.
This one hit me Louder Than a Bomb. But Don’t Believe the Hype from me, listen to it yourself. Do it soon, though, because the Countdown to Armageddon has begun?
It’s really wild to hear the journey Hip Hop has gone on, from this to the Kendrick Lamar album we heard previously. So different, but still connected. I love the Yin and Yang of Chuck D and Flavor Flav. Chuck gets you thinking and Flav gets you smiling. The layers of sound in the production is really inventive. I can see why these guys were so influential on hip hop. Yeah Boiiiiieeeee! 4.2
The array of samples and how well they're layered on this record is pretty amazing. It runs the gamut from funky to industrial. Chuck D and Flav are both compelling emcees and have a cool dynamic. This record really held my attention
Classic
8/10 super solid rap album Public Enemy has some really great stuff
The old school beats here are amazing and the album flows nicely. I would pick this up again.
Son increíbles y recuerdo más estos temas de lo que pensaba. 4/5.
Public Enemy displayed a new way of mixing hip hop that was very potent. One of the most densely sampled albums ever made. Hip hop with a punk vibe. I saw them live in 1992, not long after the L.A. riots, and their show was was exciting, with the Black Panther military clad dancers and the massive crosshairs, teasing the potential of explosive social violence, which was fun for a young college student, but is certainly eye-rolling once looked back on through the eyes of a middle aged person. This album , and NWA's "Straight Out of Compton" released the same year fueled the rise of black nationalism and gangster hip hop that the genre would get stuck in for next few years in which artists tried to out anger one another, to quote be more "real" than the next group. Public Enemy also at this time had a ridiculous view of sampling that they extolled as part of their Black Nationalist views that paraphrased went something like, well it was laid down by a black person, therefore its not wrong for me, as a black person, to use it to make myself money. U.S. Law in 1991 would reinforce the legal view that it is not fair to use someone's else work without clearance and compensation. Black polemics aside, this album does groove. Tracks like "She Watch Channel Zero?" rocks, while the single "Bring the Noise" and "Rebel Without a Pause" are aurally top 100 hip hop tracks of all time. Chuck D's rhymes are composed and articulated clearly, which for this aging listener is very much appreciated. And Flavor Flav might be the most entertaining hype man of hip hop. It is definitely an album everyone should hear at least once.
The most Yeaaaah Booooiiiis per minute of any album so far.
Full of lively, angry energy. It did start to feel repetitive, but a solid album overall and an important piece of early hip hop history.
So much going on, but it never feels like too much. Highlights: (So many)… Don’t Believe the Hype, Caught, Can We Get a Witness, She Watch Channel Zero?!, Party For Your Right to Fight.
Classic
Full of righteous anger and astute observations on the state of the world and racial injustice. It also rocks hard! Probably one of the best and most influential hip hop albums, but not an easy listen in places.
This is a really strong hip hop album, a masterpiece of its kind, and that was important for the history of the genre. I own this record for years and that's an album I come back to from time to time. The flow is flawless, the beats are strong. But these beats are also slightly repetitive, that keep it from being perfect.
Essential ground breaking hip hop. 2nd by PE. It still sounds fresh. Yeah boyyyyyy.
Peak 80s hip-hop. Beats and the attitude is all you need.
After struggling through "Apocalypse 91" and responding more warmly to "Fear of a Black Planet", I arrive at my third Public Enemy album to review: their timeless breakthrough, "It Takes A Nation Of Millions To Hold Us Back." Knowing the reputation of this one, I've given it more time and listens than the other two, gradually enjoying it more and more each time. Framed in the 2020's, where America seems to be on the verge of succumbing to the MAGA virus, the ferocious, righteous anger of Chuck D and co. feels more vital than ever. "It Takes A Nation Of Millions To Hold Us Back" is nothing short of incendiary. After a slightly head-scratching false start in a recording from the Def Jam tour (which, infuriatingly, fades out) we kick straight into "Bring the Noise." I've made the decision that Chuck D's opening verse (you know the one) is possibly the greatest intro to a hip-hop record committed to tape. This first track, and then the classic "Don't Believe the Hype", are two fantastic, high-energy cuts to open with and form the highlight of the album for me. My other most riotous picks are "Caught, Can We Get A Witness", "Night of the Living Baseheads" and lead single "Rebel without a Pause", while "Security of the First World" brings some strong messaging with a compelling, narrative-driven portrait of a prison-break. Other members of the group have their own moments to shine, too: "Cold Lampin' With Flavor" is a feature for the relentless, about-to-have-a-hernia hype-man Flavor Flav, which surprisingly doesn't outstay its welcome. And "Terminator-X to the Edge of Panic" is a great showcase for the member who "only speaks with his hands": DJ Terminator X. The production, masterminded by Hank Shocklee of the Bomb Squad, is just as iconic as any other aspect of the record, inseparable from the songs themselves. Every grinding groan, high pitched wail, boiling kettle, is perfectly woven in and out of the up-front drums and funk guitar to create a fearsome, formidable barrage of sound which takes some getting used to. Other live elements are mixed in throughout the album, after the group were influenced by the energy of Earth, Wind and Fire. In contrast to Public Enemy's later albums, which I felt often collapsed under their own sonic weight, "It Takes a Nation of Millions…" strikes the perfect balance of clarity and chaos. The most disposable parts of the album are its two interludes, "Mind Terrorist" and "Security of the First World", the latter simply a drum loop and the former an irritating sample run. Later, "She Watch Channel Zero?!" feels a little more dated in its commentary, with a particularly irritating chorus… and "Party for Your Right to Fight" isn't quite the nuclear closer I'd have hoped for. But all in all, I fully believe the hype. Aspiring to the blueprint of Run-DMC's "Raising Hell" as a hip-hop landmark, in my view this record more than exceeds it.
Good gor what it is
Et album der tager et fast greb om dine boller, masserer lige på grænsen mellem fornøjelse og smerte og holder din opmærksomhed fast rettet på sig
So good!
Classic album with political lyrics/messages that are still relevant. Chuck D shows his knowledge of politically charged music history with how he helped craft this album. There's a reason this album is so influential to so many rappers, especially those that came through in the 90's.
Fun
first listen i don't like the beat style as much but it's good
Full of famous samples