Ill Communication

I always thought I was a Paul’s Boutique guy. But this still hits hard. Back into the rotation.

Excellent

always blows my mind how many samples are pulled from the beastie boys. just real cool scratchy punk rock rap, no wonder they inspired so many people

Monster classic

thoughts: jfc this slaps so hard. a q-tip feature?? how have i never heard this before? i love the instrumentals on this as well; even without vocals, it’s definitely a beastie boys sound. all the influences coming together on this one makes it brilliant songs: “sure shot”, “get it together”, “heart attack man” rating: 9.1/10

This is it. This is the best Beastie Boys album and among the top 50 or 100 hip hop and rap albums of all time. The instrumental tracks aren't even out of place. The whole vibe of the album cohesive. The collab rappers fit well. Highly recommend. Essential listening for anyone peripherally interested in the genre or group.

Oddly enough, this was the last album I listened to BEFORE I started my journey with this generator. I remember playing through Ill Communication when I was pondering what other albums I could listen to. It was mentioned that this record was included in the 1001 Albums to Listen to Before You Die book. I looked it up and encountered this generator website, as well as a full list across all editions. After realizing I listened to over 10% of the albums already, I figured going through the rest made sense. That's how I got started. Now, revisiting Ill Communication over a year after I started, I feel a better appreciation for this record. It helped that I was into some of the singles like "Sabotage" and "Sure Shot", but now I can articulate this album for what it is - a culmination of everything the boys had done up to this point. From their early hardcore punk roots showcased on tracks like "Tough Guy" and "Heart Attack Man", to their rap rock fusion on "Sabotage", to their incorporations of samples and funk on "Root Down" and "Flute Loop", to more instrumental playing from the trio such as on "Bobo on the Corner", "Ricky's Theme" and closer "Transitions", their evolution in sound and style is highlighted throughout this record. They even embrace some new directions on this project, such as jazz motifs on cuts like "The Update" and "Futterman's Rule", and even towards the end with the Tibetan monk chants that permeate throughout "Shambala" into "Bodhisattva Vow". Sure, this album is a bit bloated, given how much they accomplish within an hour timeframe. But with the variety throughout this record, and how well-structured each track is, it never felt as if anything was out of place or underdeveloped. That is quite the accomplishment, and I have to give the Beastie Boys credit for that. Ill Communication is a stellar record, worth checking out.

(checks that a few particular verses were by Q-Tip) never a doubt! Good job, Beastie Boys

Raw energy. Then comes Sabrosa. These guys really knew what they were doing, huh. 5 for Sabotage alone, the rest is just magnificent treats.

Eclectic, eccentric, fun, funky and, most importantly, effortlessly cool. A hip-hop classic which is much more than a sum of its schizophrenic parts.

It's not my favourite of theirs, which is still Paul's Boutique, but it's probably their best. The length does mean I don't listen to this fully often. Highlight: Flute Loop

Fantastic album

hard not to give this 5/5

Truly a great album, never gets old

Rating: 4.8/5 Short Review: Genre soup. Lyrical mayhem. Buddhist breakbeats. A beautiful, unfiltered audio collage that shouldn’t make sense but does. Favorite Track: “Sure Shot” – because that flute loop is eternal, and the moment it hits, your serotonin goes feral. Consistency With Me: 8.8/10 Why: I love the chaos. I love the cleverness. But I don’t get sweaty. These boys sweat. They move. I… observe. Still, there’s enough subversive intelligence and anti-authoritarian monk energy in here that I feel spiritually represented. ⸻

This album generator keeps doing the same thing to me. It gives me albums by bands I really like, but I’m still unfamiliar with the album I get I listen to a ton of Beastie Boys, but mostly Paul’s Boutique and Licensed to Ill. I figured out that I was comparing albums to other albums by the bands I liked. I listen to today’s Beastie Boys album three times and loved every second of it.

Classic

Los Beastie Boys son un grupo esencial. Fusión de Rap y Punk, pioneros del éxito masivo y apertura del Hip Hop. Este, su cuarto álbum es el mejor. Superada la sorpresa de su excitante debut, la maestría del incomprendido Paul´s Boutique y el difícil tercer disco, con este la rompieron merecidamente. Sabotage es una explosión que aún hoy en día hace imposible quedarse quieto. Hay más, Sure shot, Get it together, Sabrossa, Root Down... rock, hard rock, jazz, étnico, rap, hip hop...

I’d give 10stars if I could. An absolute fave.

All bangers

This was a cool album. For all their bombast and partying lyrics, the Beasties were extremely accomplished musicians. I've already listened to Paul's Boutique on this list, which is quite different in how much it uses samples, so having a more punk and jazz infused album coming soon after shows how much they experimented their sound. The production all comes with their usual intense and vibrant rapping. Plenty of highlights including Sure Shot, Sabotage, Root Down, Flute Loop, and some cool instrumentals as well which add some pacing I enjoyed.

Top notch

A musical experience. Not entirely songs but a vibe

I love BB but I really listened on headphones and think all of the live feel really comes through. I can’t give it less than 5 based on my love of their epic Letterman performance of Sabotage

Sabotage is an undisputed classic. However, prior to this project I’d never listened to this album. 1994 UK wise for me was the year of Trip Hop, an interesting connection to the mix of sounds on offer here from the Beastie Boys. Was Tricky influenced, giving rise to the heavy Black Steel’s inclusion on Maxinquaye.

Classic

Not what I was expecting after only listening to Paul’s Boutique from them but this was actually amazing, much better in my opinion. They did loads of random genres and did them all so well, every song for me was really good and had so much variety, even some random punk interludes. There were also loads of really smooth transitions between songs which made it a much more seamless album experience. Vocals were also messed with in a cool way for a few songs although sometimes making it a bit harder to hear the lyrics. Q-tip feature aswell is nice addition. Overall, genuinely blown a way a bit, not quite a perfect 10 though (close enough though). 9.5/10.

What a pleasant surprise. I've always liked The Beastie Boys, but this was way more eclectic and varied than I would have guessed. Highly enjoyable.

Wow, this is pure early high school for me. Jim Kutnow, a huge early Beastie Boys fan, brought this tape to school and we all got into it. I know every word to Sure Shot (at least I try to rap along) and still play it often. Sabotage is of course the huge classic, though I get one bad taste in my mouth from it -- from JJ Abrams using it in such a silly way in that Star Trek movie. But then I remember the incredible cop-based music video and love it all over again, it's incredible. As high school turned to college, I enjoyed more and more of the deeper cuts on this album, and I loved hearing some of the songs when I saw them in the old Philly Spectrum on tour with Intergalactic. This is, perhaps, one of the first albums I felt nostalgia for as I got just a bit older. Now, it brings me back to more rebellious days in a beautiful way.

Every second of this record is something awesome. For them to move from the grimy rap to punk music to laid back funk is mind blowing. Nobody does it like the Beasties.

Beastie boys supremely talented. They are very good at what they do and that including actually playing their instruments. The album is funky and catchy and the instrumentals are placed just right and are worthy in their own right. These guys were geniuses.

The influences pulled from and genre's covered/sampled is incredible from this album. They're never lacking in energy and always manage to keep my attention throughout the album. I'd listen to this again in a heartbeat.

Shit, if it’s gonna be that kind of party, I’m gonna stick my dick in the mashed potatoes. 5/5 Highlights: B-Boys Makin’ With The Freak Freak Bobo On The Corner Root Down Sabotage The Update Futterman’s Rule Eugene’s Lament The Scoop

## In-Depth Review of *Ill Communication* by Beastie Boys **Ill Communication**, released in 1994, marks a pivotal moment in the Beastie Boys’ evolution—an album that fuses their punk origins, hip-hop mastery, and a restless urge to experiment. It is a sprawling, genre-defying work that both encapsulates the group’s past and signals their future, standing as one of the most influential and eclectic albums of the 1990s. --- ## Lyrics **Lyrical Content and Delivery** The lyrics on *Ill Communication* reveal a marked shift from the Beastie Boys’ earlier, more juvenile party antics to a mature, conscious, and often playful sensibility. The trio—Mike D, Ad-Rock, and MCA—trade verses with remarkable fluidity, their voices blending into a “perfectly unprecedented stew of consciousness”[1]. The album’s opening track, “Sure Shot,” sets the tone with energetic boom-bap and a now-famous apology for past misogyny, signaling a new self-awareness and responsibility[2][3]. Tracks like “Bodhisattva Vow” and “Shambala” reflect MCA’s (Adam Yauch) embrace of Buddhism, with lyrics that explore spirituality and compassion—virtues rarely addressed in mainstream hip-hop at the time[2]. “Update” tackles environmental issues, further demonstrating the group’s willingness to address real-world concerns without sounding preachy[2]. Meanwhile, “Get It Together” (featuring Q-Tip) and “Root Down” display the group’s love of wordplay, pop culture references, and classic hip-hop braggadocio. **Themes and Tone** - **Self-Reflection and Growth:** The group acknowledges and apologizes for their earlier misogynistic lyrics, showing growth and maturity[2][3]. - **Spirituality and Activism:** MCA’s Buddhist beliefs and environmental activism are woven into the album’s fabric, most notably on “Bodhisattva Vow” and “Update”[2]. - **Playfulness and Humor:** Despite the heavier themes, the Beasties never lose their sense of fun, with tongue-in-cheek rhymes, absurdist humor, and clever wordplay throughout[1][4]. - **Pop Culture and Hip-Hop Homage:** The album is littered with references to music history, movies, and hip-hop culture, celebrating the trio’s influences and peers[4][1]. **Pros:** - Mature, self-aware lyricism - Blend of humor and seriousness - Wide thematic range **Cons:** - Some listeners may find the spiritual and activist themes less engaging - Occasional lyrical repetition --- ## Music **Genre Fusion and Instrumentation** *Ill Communication* is a masterclass in genre-blending, drawing from hip-hop, punk, funk, jazz, rock, and even world music[3][4][5]. The Beastie Boys’ punk roots are evident on tracks like “Tough Guy” and “Heart Attack Man,” while “Sabotage” stands as a manic rap-rock anthem driven by live instrumentation[4][5]. The album’s jazz influences shine on “Root Down” and instrumental cuts like “Sabrosa” and “Ricky’s Theme,” featuring lush grooves and inventive arrangements[1][6]. The group’s transition from sample-heavy production to live musicianship is a defining feature of the album. Money Mark’s keyboards, Ad-Rock’s guitar, MCA’s bass, and Mike D’s drums create a dynamic, organic sound that distinguishes *Ill Communication* from its predecessors[5]. The instrumentals aren’t mere filler; they showcase the band’s musicality and willingness to push beyond hip-hop’s boundaries[4][7]. **Notable Tracks:** - “Sabotage”: Explosive rap-rock with a legendary bassline and iconic video[6][5] - “Sure Shot”: Classic boom-bap opener with jazz flute loops[3][4] - “Root Down”: Funky, jazz-inflected homage to Jimmy Smith[6] - “Get It Together”: Playful, loose collaboration with Q-Tip[4][6] - “Sabrosa” & “Ricky’s Theme”: Instrumental showcases of groove and musicianship[6][5] **Pros:** - Inventive fusion of genres - Strong live instrumentation - Memorable hooks and grooves **Cons:** - Some instrumental tracks may feel like interludes rather than fully developed songs[7] - The eclecticism can disrupt album flow for some listeners --- ## Production **Approach and Sonic Texture** Mario Caldato Jr. co-produced the album with the Beastie Boys, crafting a sound that is simultaneously raw and polished[6]. The production builds on the template of *Check Your Head*, but with greater confidence and depth[7]. The beats are crisp, the samples are expertly chosen, and the live instruments are seamlessly integrated, creating a “rolling, pan-cultural, multi-cultural groove”[7]. The album’s sonic palette is broad: lo-fi funk, soulful jazz, Latin rhythms, and punk energy all coexist. The mix is dense but never cluttered, allowing each element—be it a flute sample, a distorted guitar, or a funky bassline—to shine[7][5]. **Innovations:** - Blending live instrumentation with classic hip-hop production - Use of jazz and funk samples alongside original performances - Creative mixing and layering of vocals **Pros:** - Rich, layered production - Cohesive despite genre-hopping - High replay value due to sonic variety **Cons:** - Some may find the production less groundbreaking than *Paul’s Boutique*[8] - Occasional over-reliance on instrumentals[7] --- ## Themes **Key Themes Explored** - **Maturity and Redemption:** The group’s apology for past behavior and their embrace of more responsible themes mark a significant evolution[2][3]. - **Spirituality:** MCA’s Buddhist beliefs inform both lyrics and mood, bringing a sense of introspection and peace[2]. - **Activism:** Environmentalism and social consciousness are present, especially in “Update”[2]. - **Genre Fluidity:** The album itself is a statement about breaking boundaries and refusing to be pigeonholed[3][4][5]. - **Celebration of Hip-Hop:** Through collaborations, references, and stylistic choices, the Beasties pay homage to the culture that shaped them[4][6]. --- ## Influence **Impact on Music and Culture** *Ill Communication* was a commercial juggernaut, returning the Beastie Boys to the top of the charts and cementing their place in pop culture[6][5]. The album’s fusion of genres influenced countless artists across hip-hop, rock, and alternative music. Its embrace of live instrumentation presaged the rise of bands like The Roots and the use of live bands in hip-hop performances[5]. “Sabotage” became a cultural phenomenon, its video (directed by Spike Jonze) setting a new standard for music video creativity and humor[6]. The album’s willingness to tackle social and spiritual themes paved the way for more conscious hip-hop in the mainstream[2]. **Legacy:** - Inspired genre-blending in hip-hop and beyond - Elevated the use of live instruments in rap - Helped legitimize alternative hip-hop as a commercial force - Remains a touchstone for artists seeking to blend fun, activism, and musicality --- ## Pros and Cons | Pros | Cons | |-------------------------------------------------------|-----------------------------------------------------------| | Bold, genre-defying fusion of styles | Some instrumentals feel like filler[7] | | Mature, self-aware, and sometimes profound lyrics | Album flow can be disrupted by stylistic jumps | | High level of musicianship and live instrumentation | Not as revolutionary as *Paul’s Boutique*[8] | | Strong, memorable singles and deep cuts | Spiritual/activist themes may not appeal to all | | Innovative production and mixing | Occasional lyrical repetition | | Cultural and musical influence remains significant | Eclecticism may alienate some listeners | | Playful, humorous, and energetic throughout | | --- ## Conclusion *Ill Communication* stands as a landmark album, not just in the Beastie Boys’ discography but in the broader landscape of 1990s music. It’s a record that refuses to be boxed in, blending punk, hip-hop, jazz, funk, and more into a cohesive, endlessly replayable whole. Lyrically, it marks the group’s coming of age, balancing fun with responsibility, and spirituality with irreverence. Musically, it showcases their growth as instrumentalists and their willingness to experiment. While it may not reach the sample-collage heights of *Paul’s Boutique*, *Ill Communication* is arguably the Beastie Boys’ most accessible and complete statement—a vibrant, influential, and still-fresh classic that continues to inspire artists and listeners decades later.

Great album

All time classic

I thought I wouldn‘t like this album but I was wrong. There are many very interesting tracks to discover and this band certainly belongs to the most influential ones in the 20th century.

I'm a big fan of this record and of Check Your Head. Really unique material, great samples, cool guests.

It was what I imagine JPEGMAFIA would sound like back then. I like it, it's hard and mellow, half hard punk and half straight jazz. Great album

Iconic Sabotage Futterman’s rule

8.5/10 - Whilst Paul’s boutique is often touted as the greatest beastie boys album, Ill communication truly feels like it transcends genres. It feels like a natural follow on for the beastie boys, each track feels fresh and new, whilst still maintaining that signature beastie boys sound.

This is a fantastic album; in the top tier of Beastie Boys albums. Love the mixture of hip hop, punk, and jazz-funk.

The first four Beastie Boys albums are imprinted on my soul. It's impossible for me to separate the connection I feel to their music from a subjective fresh listen. This is a great album and I love it more than mashed potatoes.

Does it have too many sounds and songs? Absolutely. Is it a mishmash of sounds and occasionally cringe lyrics? Absolutely. Is it one of the greatest albums of the 90s and the Beasties at the height of their powers? Absolutely. Five fucking stars.

I’m currently hungover and I knew this album was either going to immediately get on my nerves or bring me back to life. Luckily, I’m ready for round two!

Sure Shot is a great song to start an album, a great song period. Tough Guy is just a little reminder of their punk roots. This is a long rap album, almost an hour. There are 20 songs though, a lot of them really interludes. Sabotage was the hit and had the iconic video. It is a truly great song though. Even the anticipation when the pause comes and then the music comes back in is great. I'm Buddy Rich when I fly off the handle is an amazing line. The guest spot from Q-Tip on Get It Together is perfect for the band and perfect for the song. Sabrosa feels a little bit like them just having fun in the studio but it works, it feels like the background track for a Guy Ritchie movie. This album feels more like both an experiment and a return to their roots as a band. I think the instrumental tracks are good, if not single worthy, and add to the album. Alright Hear This is underrated, this is a great song. Do It too. I always though Shambala was a really cool song...like the Tibetan Mike Tyson's entrance music.

These silly guys sure can groove

Loved it, solid classic 90s hip-hop

Fine, I'll listen to one of my favorite albums for the thousandth time. Thanks. While I'd heard most of Licensed to Ill and "So Whatcha Want", I didn't own any Beastie Boys album until this one came out. That's probably because I had to buy this one for myself, a decision made after hearing "Sabotage". After listening to the entire album a ton of times, I worked my way back through their discography, plus thanks to "Get It Together" I found my way to A Tribe Called Quest. I love the eclectic mix as they hop genres, while also doing their fair share of playing live instruments. Plus, unlike their first couple of albums it doesn't sound dated. There's a good flow between the songs from start to finish, the lyrics are consistently excellent, and it puts me in a good mood. It also wound up being their last great album in my book, so I'm very glad it's included here.

A great band with a great funky rap style

Fantastic album. Much better than Licensed to Ill and better than Paul’s Boutique. The songs are fun, they sound really good, the group isn’t taking themselves seriously at all which is refreshing. Love the instrumental type tracks sprinkled throughout, mixes up the album quite nicely. “Sabotage” has one of the greatest bass riffs of all time and I will die on this hill.

yesssss. there is SO much more to Beasties than "You Gotta Fight" (it's really one of their weakest songs). love this album-they touch on all kinds of sounds, move away from the heavy samples, but still keep their less than serious lyrics.

Obsessed w this album.

No words!!!!!!!!!!!!!!!!!

loved it! didn't expect rap, definitely added to my rotation

Holy shit i forgot how good this album is

Give me a Beastie Boys album and I will give you five stars.

The process by which ideas, observations and sensations are sublimated to raw materials, reorganised – either loosely, or through focussed theming – and then leveraged into singular narratives and innovative, surprising rhymes lists among the 20th century’s greatest contributions to music – up there with sampling, jazz, funk, hardcore punk and … ah hold on, I see what I’ve done there. Anyway, it’s a poetry – in some respects it’s maybe poetry’s final movement. Like poets, hip hop artists are necessarily eclectic. They’re also – the good ones at least – magicians. Skilled producers who can move a mood, force action through distraction, delight through sleight of hand. For all of those things, Beastie Boys are among the all time greats. They’re magicians so skilled they can sustain the illusion that you, listener, have any stake at all in a record that’s essentially three men (and some friends) locked in hyperactive conversation with a thousand influences and points of reference. They can put a run of seven songs together that magpies – confidently, competently and never condescendingly – from six genres (and genres as distinct from one and other as hardcore punk, funk and rock are at that) without it ever feeling effortful or trite. Ill Communication is a fantastic record. It’s just about every adjective you could throw at it – jagged, smooth, accessible, pretentious, urgent, relaxed – and a few more that the English language can’t quite accommodate besides (do we need a word for “something that’s so cool to behold that it makes you want to put on sunglasses?”). A true head bopper of an album from beginning to end, it’s a cohesive creative work that manages to find time and space for so many changes in mood and pace; the perfect home, really, for a song that belongs on any mixtape of the 20th century – “Sabotage”. The feeling here is that the good stuff just spills out of them. An illusion, surely – just that being that cool must take some work, let alone the rest of it – but it’s one I want to believe all the same. (Side note: Is there a compassionate deity who can boast more bangers as Bodhissatva?)

ill comm is my favorite BBoys album. put it on, crank it up and get lost in it.

I am aware of The Beastie Boys, just about everyone is, and I love just about everything I've ever heard from them. However, due to some trespass against all things good and kind, I had somehow not listened to this album from front to back before this, and I am *very* glad that the album generator spirits made me. Firstly, I'd like to start by saying that while listening to this, the revelation that no one really thinks of the Beastie Boys as "white rappers" struck me. Like, at this time, you had Vanilla Ice getting bullied constantly by the hip hop community (rightfully so, if I may add), and even when Eminem broke big, the "white rapper" shtick was something he certainly leaned into, but The Beastie Boys were able to just kind of completely stay out of these discussions (to my knowledge). I think I've decided the reason for this is that they jumped into hip-hop with an understanding of, and respect for the culture, without really changing who they were or trying to be people they weren't. And, of course, being unbelievably early to the game, and thus helping to shape the culture helped. Although, with all that said, the bow on it all is just they they were fucking *good*. I'm gonna show my hand early, this is a damn near perfect hip hop album, and if you have any interest in the genre whatsoever, you owe it to yourself to spin this one. Ill Communication sounds very distinct from hip hop at large at this time, like it really feels like the Beastie Boys kind of paved their own road into the '90s, they still kind of have an '80s thing going on in a way that hip hop at large at this time didn't, and their kind of punk origins are incorporated in some really cool ways, from their super energetic delivery, to their approach at writing some of the more rap rock songs here, and even a couple of straight punk tracks. It's not even an album that really fits into what rap rock would settle into shortly after this, Beastie Boys were really in their own lane here. The Beastie Boys' energy is genuinely infectious across Ill Communication, their intense delivery, distinctive flows, and great lyrics just completely grab me. And even though they aren't exactly the most technically gifted rappers in the world, they are witty, thoughtful, and genuinely funny, and its just a blast to hear them do their thing. I also absolutely need to talk about the production here, these songs sound groovy, and super organic. I know there are some live overdubs on here, and its obvious on the rockier songs, but it really sounds like some of the other parts are recorded as overdubs too, like I really don't know where the samples start and stop here, not to mention the incredible scratching here. This all even makes the instrumental songs exciting and interesting. Also, I am required to mention Sabotage, the biggest single here, I can almost guarantee you've heard it. Even though it may be a little overplayed, hearing it in the flow of the album totally revitalized this song for me. There is a real argument that Sabotage is the best rap rock song ever recorded, maybe its just been hitting today, but the energy is incredible, I'm ready to mosh here, now, alone, in my bedroom. I don't know what to score this, on one hand, I can't really think of any real problems I have here over the hour long runtime, but on the other, I just don't know if I want to jump straight to a perfect 5. I'm settling with a 4 for now, a very *very* high 4, but if I revisit this a couple times and I'm still this excited, I'll probably just bump it up. Edit: This has just been sticking in my head for so many reasons, to hell with it, I'm still calibrating what a 5 looks like on here, but I think this is in the club, its just cool as Hell. Honestly, the clincher here is in the details, the Q-Tip feature, the drop from Sabrosa into The Update's *insanely* good drum groove, the beat switch on Bodhisattva Vow, the Beastie Boys' chemistry, etc: it all just works. Also, quick aside "Perfect hip-hop album" may have been incorrect on my part, its almost more of a perfect alternative album in some ways. The foundation here is hip hop, but there is real crossover appeal here just with how The Beastie Boys have incorporated their very wide range of influences.

Discazo, buenisimo

GOOD!!!!

7/10

What the hell? This thing is so damn cool. Loved how it mixed a BUUNCH of styles and they executed all pretty well. The mix was all over the place which is a little distracting ngl, but still this is one of the best albums I've heard on the list that I didn't know before. Loved the tribe appearance, loved the instrumental songs too. Damn

It’s really difficult to pin down the Beastie Boys into a specific genre. I mean, of course they’re mainly hip-hop and that’s what they most known for. But it’s only a fraction of their talent and Ill Communication shows that in spades. Not only is this a contender for the one of the best hip-hop album’s of the 90’s, it’s also probably one of the best jazz albums and the best funk albums. The flow between something like Sure Shot and Ricky’s Theme is astounding. Everything is so smooth here and nothing feels jarring or out of place. And I didn’t even mention the rock elements. Even though they only do it twice (Tough Guy and Heart Attack Man), the Beastie Boys make for a very convincing punk rock effort. And then there’s fucking Sabotage. In a time when grunge was at its peak, it’s incredible that a rap trio can create one of the standalone rock songs of the decade. It’s iconic and it alone would convince me to give this album five stars. Honestly, to me personally, there really isn’t any hip-hop albums out there that I feel would give me the pleasure that peak Beastie Boys would give me. (I’m still waiting for the day Paul’s Boutique shows up for me. It’s going to be euphoric.) And while this isn’t the B-Boys at their peak, it’s damn near close enough. Favorite track: Sabotage Other hits: Sure Shot, Root Down, Ricky’s Theme, Flute Loop, the punk songs (Tough Guy and Heart Attack Man), Bodhisattva Vow, Get It Together, Do It

Beast these boys :)

This is just brilliant stuff

I previously thought of Beastie Boys as goofy with a couple of bangers. This album is legit funky jazzy rap goodness

I mean…hell yes! Amazing album by an amazing group. This one always remind me of Miller. I was living this album the entire time. It’s got so many different types of music. It’s got hip hop, punk, Tibetan inspired vibes.

Holy crud. I've always liked Beastie Boys, and have obviously known about this record for years, but never listened to it until now. This thing is total fire from start to finish. Favourite tracks: literally the whole thing, but Sabotage is one of the greatest songs of all time.

Fun album, well put together. Not a lot of standouts, but I enjoyed the overall package! Interesting instrumentals and vocal work. 'Sabotage' slaps of course.

What an album! what energy. Loved it.

One of my favorite Beastie Boys albums. Of course my introduction was Sabotage, the video being so engaging and the song rocked, it really did resonate with me as a teenager. This album has the strongest rock influence of all their albums IMO. As I aged, I came to appreciate the more hip-hop driven songs as well. Root Down and particularly Get It Together are now my favorites along with the killer instrumental acid jazz of Flute Loop and Ricky's Theme. It's not a perfect album, but it is pretty great. My biggest complaint is the over-use of heavy reverb on the vocals on many of the songs. It would have been fine for one or two songs, but it's on a lot of them and it doesn't sound great.

Loved this so much!

Because I can. I will. But I still won't stop ever listening to The Beastie Boys! This is a fantastic album. Even by Beastie Boys standards

Essential Hip Hop classic. Don't ask why just buy!

ok

Awesome!

Sure Shot should be a more remember song. The jazzy sample on Root Down with the shrill delivery of childish lyrics is Beastie Boys to a T. Sabotage is an absolute classic, and one of their best. Get It Together has a very old school, even in the 90s, flow and beat. Add a Q-Tip feature on top and you have a really great time. I feel like The Update presages Zack De La Roche’s vocals. Plus it has some funky percussion. Heart Attack Man is a straight up punk song, and I’m here for it.

Klassikko

As a kid, whenever the video for Sabotage came on MTV I would BLAST the volume as high as it could go, past the point where the shitty speakers on the 18" CRT I was watching on could handle without distorting. That song still pumps me up like few others. Even still, I'm not sure I've listened to the album in full until today. I love how varied it is stylistically. Great shit and a great palate cleanser after trying to listen to Peggy Suicide.

This is my favourite Beasties album. I know that's a bit controversial as most rank Paul's Boutique higher, buts there's just something about Ill Communication that hit right from the first listen for me, and it hasn't ever faded. For those that are new to this and dig the instrumental tracks, they have an album of just instrumentals called The In Sound From Way Out. It's worth checking out.

Good album. SABOTAGE

Amazing album

I've always wondered how the hell do the Beastie Boys work? Three nasally Jewish white boys from NYC throwing down some of the slickest flows in the middle of the hip hop revolution should have been less than a blip on the radar. Yet it works. And I fucking love it.

Fire

Epic

Aged like a fine wine. The hits are still fresh. Loads of variety. Some timeless beats. It all holds together beautifully. A classic. Great cover art.

76/1089 - Lots of great songs on this one. While more inspired by jazz sounds than utilizing jazz conventions, it works well to make cool grooves.

Good

Album #400! Any album that starts with "Sure Shot" is a great album in my book. Really all of the singles are iconic in their own right, especially "Sabotage". A Beastie Boys original with no sampling, "Sabotage" represents the guys having fun and showcasing their punk rock roots. Then it pretty much became one of the hip-hop trio's most lauded songs and most memorable music videos too! Plenty of other musical inspirations seep through too, as there are a number of instrumental tracks showcasing rock, funk, and even a lil jazz. While not as extensive as in "Paul's Boutique", the Beastie Boys' art of sampling is still very much prevalent here. The Moog Machine, Jimmy Smith, and even jazz flautist Jeremy Steig are among the sources sampled throughout. It's all mixed well, thanks in part to the trio + Mario Caldato Jr on production (who then went on to work with Jack Johnson, another one of my favorite artists!) This is one of the Beastie Boys' more versatile releases. You can tell they allowed themselves to be more creative here and venture out into more live instrumentation, whilst staying true to their hip-hop roots. Dare I say this might be their best work? Tough to supplant "Licensed to Ill", but it's pretty damn close!

taitava albumi laitapuolenkulkijoilta….

Each song is a different genre. Now of them feel fake or forced. Fantastic album!

Everything Beastie Boys is a 5

Oh heck ya... Sabotage has the greatest music video ever made.

How can anyone not love the Beastie boys. And here they are in their absolute prime!

Name another group that can do hip-hop, hardcore punk and 70's funk instrumentals on one album. Beastie Boys will forever be my shit.

I did not know beastie boys were good. That's my bad. Will I listen to again: 100%

This is probably my favorite Beasties records. Sure, it's got some all time bangers, but I just love the diversity of sounds and genres getting mashed up here so masterfully. Been a while since I did full relisten and still sounds so fresh, I feel like it could come out tomorrow and have the same impact

few albums have free reign to my active mind, this is one! Some lyrics include: -SuRE SHOT! -Put ROOT DOWNROOT DOWn ....MONEY MAKING! Root Down! <FunK Organ Break!> -EEHHHAHAHAHAHAHAHHAHAHHAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH! CANT STAND IT! SABOTAGE!!! SUCSUCSUCK! ON & ON! -LISTEN-Y'ALL-Y'ALL-ITs-SABOTAGE! -...Phones' Ringing, OMG! -aint got no dust! Ma Bell w/ the Ill Communication _there are some solid Jams on this album, thou they get lost in the forest. -Jazz Flute loop! _hate to say it, but some of non-hits seem to be just filler music?

The Beastie Boys' run of four albums--from their second (Paul's Boutique) to their fifth (Hello Nasty) with 'Check Your Head' and this one in the middle--is arguably one of the greatest 4-album runs of any band in history.

5/5. B-Boys sampling is unmatched but the inclusion of punk and jazz with live instrumentation was such a good evolution of their sound. The tracks that are just instrumentals is also a great choice. They feel like interludes while also sounding like part of a movie soundtrack with other songs with lyrics in between. There is definitely some influence from electronic artists here as well with the beats and song structure. This was a great listen front to back and despite it being longer, I was never bored. Another excellent release I never delved into from them, glad it was on the list. Best Song: Sabotage, Sure Shot, Futterman's Rule, Get It Together

Head bopper all the way through. I have to confess I've never heard any of these tracks outside of Sabotage before, though I've listened extensively to other BB albums (mostly License to Ill and Paul's Boutique). I loved the jazz elements, seemed a lot like Kendrick Lamar's To Pimp a Butterfly in that aspect.

already listened this week! incredible as always

Love these guys

Classic!

Used to listen to this a lot. Still is great.

Nice

this is so awesome. every song is great, i love the hardcore sprinkles throughout, interludes, all of it

I thought this album was the perfect mix of punk rock and rap mixed in with fun beats and experimental noises. I was surprised to hear a lot of instrumental only songs on this track. The frontman has a distinct raspy voice that has definitely influenced many artists I listen to now like Evening Elephants and Joey Valence & Brae. I could hear the influence of Tribe in this album right from the beginning and I was like YOOO when Qtip himself appeared on one of the songs.

Absolute banger of an album. I'd never really sat down to listen to a Beastie Boys album straight through before. I was familiar with some hits and knew I liked their sound but wow. My expectations were blown away with this. From front to back you're met with high energy, bombastic, confident vocal performances over an amazing variety of instrumentals. From moments of pure hip hop appreciation with excellent sample work and tone setting to cuts where the electric guitars come in and you're met with a punk aesthetic. Even the purely instrumental tracks keep you hook with wild cuts and energetic melodies. The least impressive songs still leave you bobbing your head. I can say there isn't a single song that I would be inclined to skip by default. This gave me a greater appreciation for the Beastie Boys as a whole, and where they stand as cornerstones for that era of hip hop. The genre mashups, the interesting instrumentals, the exploration of world music with samples. I can't really think of a distinctly negative thing to say about this album.

So good

An insanely good, high energy, varied album that somehow keeps surprising you despite its length of numbers. When they pulled out the buddhist chanting, I was utterly but pleasantly surprised. The feature with Q-Tip was great - he played off really wel with the boys.

I have to laugh every time I put this album on because I'm reminded how I had them on such a high pedestal that when this came out I couldn't help but be disappointed. I was disappointed because their previous albums took huge and unpredictable leaps from what came before and this is more or less an extension of the ground they covered on the album just before it, Check Your Head. I cannot relate to that feeling at all at this point. I don't require anymore that my favorite musicians break new ground every time out. Now all I ask is that their music is good. And the tunes and jams on here are damn good. But how does that translate into stars? Check Your Head, the album before, is a clear five star album to me. This album is not quite as intense. I think the songwriting is not as catchy and I don't like all of q-tip's n-bombs on his guest appearance on the title track, which felt at the time to me like a desperate nod to the gangster rap that had taken over. On the other hand, that would make this by far the best four-star album in this 1001 list. Fuck!

Despite being true-blue east coast hip hop, the Beastie Boys have always played around with different styles that cemented them as innovators of the genre. After an incredibly funky opener with Sure Shot, the boys blast off with a hardcore punk song in the style of Minor Threat. Can't box in the Beastie Boys. The image of the guy holding that drive-thru speaker box is accurate to a lot of the sonic pallet of this album, as the vox is filtered and distorted in such a way that it sounds like they're rapping at you through a shitty drive-thru speaker. Their order? Beats that bounce, undeniable energy, and mix as many different sauces as possible. To spice things up a little, Ill Communication offers two hard-hitting features: one from Q-Tip of A Tribe Called Quest and one from Biz Markie. Both features bring a tasteful bit of variation from the average Beastie Boys flow. In between tracks you'll occasionally hear incredible instrumental jams that highlights the group's appreciation for excellent instrumentation. I cannot express how goddamn funky this album can get, it's a force. Building on their sophomore album Paul's Boutique, the Beastie Boys provide sonic splendor with a series of dazzling tracks which shows a keen ear for musical depth. The best part is how well everything flows from one song to the next. More than anything, Ill Communication feels like an experience. To have such a rich buffet of cultural exchange. At times it feels like a love letter to New York City's incredibly diverse music offerings, from jazz to funk to hardcore and, of course, hip hop. This is something that can't be beat.

loved listening. hadn't heard the album before. im a ska and punk fan so this was a great pick. i didn't listen to them back in the day but i'll keep this album in rotation as it made me happy to listen to.

4.5— did you notice beastie boys are a punk/funk band?

I only wish I could give this album more than 5 stars. An absolute must, was likely my foray into any hip hop and responsible for making me a life long beastie boys fan. Bought every album after and the earlier ones I had missed. Even the instrumentals don’t bother me. I still miss my old scratched up green cd.

Sådan burde alt hip hop føles! Vild og utemmet. Punken er perfekt hjemme her.

One word….chaos

I was a latecomer to The Beastie Boys but I really got into them a few years ago. This is a classic for a number of reasons: It's got "Sabotage" on it. It's an eclectic album with rap, punk and homemade funky /chill out tunes (Is this the Beastie's White Album?). Personally, I really love the couple of songs at the end sampling Tibetan monks with the lyrics showing MCAs growing interest in Buddhism. But most of all, it's all killer no filller, which I think is the best reason to give an album five stars.

Fantastic album. The hits are great, the throwback punk songs are fun and the instrumentals are really enjoyable. Probably a top 10 from 1994.

Top 10 rap albums

Some amazing jams on here!

Perfect, this album is probably the best in their discography, one could say it's their "Sgt.Peppers" and will go down in history as one of the most influential albums in hip-hop

What to say about Ill Communication that hasn’t been said about the Eiffel Tower?

Mike D i love you

This gets a big nostalgia bump from me - takes me straight back to uni days. I do love albums that blast through a spectrum of genres, though, so I gotta think I'd fall in love with it all over again if I was hearing it for the first time now. Back in the day, it was the most hip-hop tracks that stood out to me, but now that I'm an old man it's all the instrumentals and the weirder experimentation that delights. Fave tracks - I could list loads, but let's acknowledge that "Sabotage" kicks ass and "Get It Together" is a classic, and then this time around I really dug "Shambala" -> "Bodhisattva Vow" 🕉️

Wow, didn't expect this. 20 songs of fun, diversity, highs and lows - I felt like I was transported all around the world with this album. A description for this album that came to mind was if the Talking Heads were surfers from California, who holiday'd in New York, they would write this. It was great fun, this album is awesome, unique, authentic and different which is why I love it. Great stuff.

It was the summer of 1994, and I spent countless hours glued to the TV, watching iconic MTV videos. Friends, my siblings, and even my parents would join in these viewing sessions. It was a golden age for music videos. One of the undoubted highlights was the Spike Jonze-directed video for Sabotage. I must have seen that thing at least 100 times. On a particularly lackadaisical day, a friend and I took the bus to the closest Tower Records to kill some time. Once there, Ill Communication was on prominent display, and I decided on a whim, based on that one song, to buy it. I didn't know anything about the band's background or past output. This was the pre-internet era, a time when buying music often felt like a gamble. At the register, the clerk, who looked like he hadn't seen daylight, looked me up and down, smirked, and said, "This album is not for you, kid." That's cool… but here is my money. I got home, unwrapped the plastic wrap from the CD, and stuck it into my 3-CD disc player. My immediate reaction was, "Did this prick slip me another CD?" I was expecting a furious explosion of bass-heavy rock and rap, and instead, I heard "Sure Shot," the jazzy flute sample-driven opener. Okay, you have my attention. The next track, "Tough Guy," was more along the lines of my initial expectations, although it differs significantly from Sabotage. It has the same raw punky energy. Truth be told, this was far from my favourite track then or now, but I appreciated the Beasties' willingness to put all their cards on the table within the first few tracks. On that line, "B-Boys Makin' with the Freak Freak" continues the high-energy streak, blending funky grooves, playful lyrics, and eclectic samples, including James Newton’s “Choir.” The Beastie Boys deliver witty, confident verses with their signature back-and-forth style, celebrating hip-hop culture while showcasing their knack for combining old-school traditions with innovative production. "Bobo on the Corner" again continues to showcase the many feathers in the group's bow. This short, percussion-driven instrumental track showcases Eric Bobo's rhythmic expertise and adds a world music flavour and live instrumentation to the album's eclectic sound. What follows is the holy trinity for me on this album. "Root Down" is a funk-infused track built around a prominent sample of Jimmy Smith’s jazz classic “Root Down (And Get It).” With its groovy bassline, confident rhymes, and energetic delivery, it exemplifies the Beastie Boys' ability to blend hip-hop with jazz and funk influences seamlessly. "Sabotage" needs no introduction. It is a hard-hitting track that fuses aggressive rock instrumentation with hip-hop energy, driven by distorted bass, frenetic drumming, and explosive guitar riffs. The shouted vocals and raw intensity capture a sense of urgency and frustration, making it one of the Beastie Boys’ most visceral and electrifying songs. In a decade where guitar music was dominating the airwaves, three slackers from New York showed everyone how it’s done. Next up is the smooth jazzy hip-hop of "Get It Together," featuring Q-Tip of A Tribe Called Quest. With its laid-back, groove-heavy beat, tight verses, and fluid flow, the song exemplifies the Beastie Boys' versatility in blending rap with jazz and their strong chemistry with Q-Tip. It is my favourite track on the album to this day and was also my first formal introduction to A Tribe Called Quest. The album continues to surprise and delight with its eclecticism. The instrumental "Sabrosa" is a perfect example of their ability to create music that is rhythmically compelling and full of texture, proving their musicianship and versatility. The chill vibe continues on "Eugene’s Lament," where the group delivers more mature, introspective lyricism wrapped in a rich sonic landscape. On "The Update," we hear the Beastie Boys embracing a more experimental side, with distorted guitars and oddball rhythms building a soundscape that both surprises and satisfies. “Futterman’s Rule” offers a punchy groove, and "Bodhisattva Vow" gives a nod to their spirituality and personal growth, with lyrics that reflect their journey and self-awareness. Meanwhile, "Shambala" brings in elements of reggae and dub, giving the album another texture before it finishes with "Flute Loop," a track that closes the album with a groovy, hypnotic beat. It’s a testament to the Beastie Boys' adventurous spirit and their willingness to explore new sonic territories. This was definitely the album for me. A few weeks passed, and the same friend and I took the same bus to Tower Records again. The same employee was there. As a point of defiance, I picked up Licensed to Ill, Paul’s Boutique, and Check Your Head this time. I got home, and my mind was blown again, but that is a story for another day and another review. Today I can say that "Ill Communication" was a gateway drug to so much more. It helped me understand that hip-hop wasn’t a genre—it was a whole culture, an ethos, a way of expressing yourself, and a rich musical universe full of possibilities. Through this album, I was introduced to the limitless range of rap, the collaborative spirit of A Tribe Called Quest, and the way that music could cross genres effortlessly. It expanded my taste in ways that would influence everything I listened to after. Did/Do I own this release? Yes Does this release belong on the list? Yes Would this release make my personal list? Yes Will I be listening to it again? Yes

the transition between root down and sabotage was a tectonic shift, the burning bush, my Rosetta Stone

Pure bliss

Lovin the vibes

Amazing album by my favorite group. Perfect in so many ways.

I first listened to the Beastie Boys through my brother, who was a fan and played Ill Communication and Check Your Head constantly. Although I liked them, I don’t think I truly appreciated at the time how cool and innovative they were (I was the older sister pretty locked into alternative rock). Ill Communication is a damn nearly perfect album and forever entwined in my subconscious with great memories of my brother.

4.8

Who could have ever imagined that the "Fight For Your Right To Party" guys could produce a work of such impact and range? Hidden talents, for sure. I knew "Sabotage" when I was younger. Who didn't? The Spike Jonze video was inescapable. But I dismissed this work as the mid-life resurrection of those "No Sleep 'Til Brooklyn" guys. I'm always a little sad thinking about my younger, more close-minded self. I didn't take a chance on this album back then. And why not? I worked in a CD store for chrissakes! I just dismissed the Beastie Boys out of hand, and my musical life is poorer for it. I'm glad I gave it a shot now.

Increíble. No los conocía, si bien hay pocas canciones que destaquen sobre el resto, traen un gran ritmo, con composiciones súper variadas y frescas. Además de distintos instrumentos y géneros, bajo buenas bases de Hip hop. De los pocos casos donde mezclar mil cosas da un buen resultado. Una joya y una fiesta.

God damn this was a banger. Probably the best album I've been introduced by this website. Good mix of psychedelic funk, easy coast boom bap and punk. Somehow all blended fluently and effortlessly

own

This is a fun, cohesive album with interesting ideas and an energy that can’t be matched. It needs to be listened to at full volume while driving as fast as possible.

This is way funkier than the punky Lisence to Ill, and it's amazing. Q-Tip and the Beastie Boys? C'mon, man. Seveal songs on here are great and I like them more than Sabatoge to be honest, like Get It Together, The Update, Do It, and Ricky's Theme. This album shows me how talented this trio was beyond their funny gag-rap that was prevelant all throughout their debut.

Penúltimo viernes de noviembre con éste señor disco de los Beastie Boys, mi favorito de la banda. Siempre termino volviendo a éste trabajo por algún u otro motivo: lo siento como el más sólido y completo de su discografía, a la cual debería también volver. Álbum lleno de temones, más allá de los sencillos, es imposible de no disfrutar. Impensado para los tiempos actuales un disco de 20 canciones: un reto para nuevas generaciones y para los +30, que un poco nos hemos acostumbrado a la instantaneidad. Buen finde.

Cool

i like this one more than licensed to ill. dee-lit and mf doom vibes

I really didn't like "Licensed to Ill" so I almost skipped this one, but I'm glad I didn't. It is completely different, way less obnoxious and full of variety.

This album was pretty funky, I loved it, through and through. The Beastie Boys got pretty experimental on here, too. And of course, Sabotage is a classic.

I liked it a lot

I haven't met a Beastie Boys Album yet that didn't lift my mood and made me whip my head.

The boys went all out with this one. The album is both fat dope lines, sick beats, wild samples, introspection, and kicking it old school. Only the haters give less than a 5.

In my personal top 10. Especially love their punk shit like Heart Attack Man. The thing about the Beastie Boys is they always go all in. They sound like they sincerely love what they're doing anfd they put some ENERGY into it. Combine that with the cleverness and the unique sound of their voices, the schtick, it all works somehow. More representative of gen-x than anything else, grunge be damned. I should listen to Bodhisattva Vow every morning immediately on awakening and make myself a better person. RIP Adam Yauch. Music lets you live forever.

Come for the hip hop and hardcore and alternative rock, but stay for the jazzy funk instrumentals but don't play this on your dad's stereo at home, only under hip-hop supervision. It has a lot of that 1-2-3-1, 2-3-1-2, 3-1-2-3 verse flow as they pass the mic along, and it all just sounds so good as this album is loaded with hot bars. I must have listened to this album a bajillion times in the 30 years since it came out, worn out CDs, hard drives and now solid state drives with this thing just banging. You'll either love it or hate it. RIP MCA

Aggressive, funky and a big variety of influences. Loved it! Less of a fan of the mashup with Mariah Carey that I ended up listening to when I passed the Christmas market which was blaring the tunes lmao. Great stuff thanks boys

might be overrating a bit but come on this is a rap-rock-sometimes jazzy record, and its never uninteresting their debut i complained about the back and forth but here its done A LOT less, they even did instrumental tracks wow what an evolution, great to see artists finding themselves congrats!

Stone cold classic!

great album

Not much more can be said other than it is a magnificent album that fully deserves its place on this list. One of those rare ones that is just really enjoyable and great to listen to all the way through.

Good god damn what an absolute classic. This album is all over the place, yet so polished. Somehow it manages to touch on so many different genres and do it so well. If you weren't taking Beastie Boys seriously before this album, you certainly were after.

FODA DEMAIS

One of the better encapsulations of the Beastie Boys versatility across hip-hop, funk, and punk, and all stops in between.

Classic. Punk rock meets Rap. You gotta love this offering from the Beastie Boys.

It's a good one

Wasn't particularly expecting to like this much given how I felt about their other albums, this is pretty great though. Jazzy, funky, rocking, punk... Just very cool and varied production overall. I'll be coming back to it for sure. Screw it, 4.5 rounded up.

The energy keeps going the entire time. Such a record and quintessential 90s

Amazing album a bit of everything - easy listening!

One of my favorite cds growing up. Beastie Boys por Vida

I seem to always box this album off as ‘not their best’. I think it’s my thing of hating anything that is generally popular…..YOURE NOT REAL FANS……. Anyway, this is far from their worst work. It’s absolutely brilliant! Maybe could have been about 2-3 tracks shorter, maybe a couple of fillers in there. 4.5

I love the Beastie Boys, but never heard this whole album before. It's awesome! I like the variety of styles and live instruments being used, especially the double bass. Liked Songs Added: - B-Boys Makin' With The Freak Freak - Root Down - Sabotage - Sabrosa - Alright Hear This - Ricky's Theme - Heart Attack Man - The Scoop

What Jim said

Just Beastie Boys doing peak Beastie Boy things. Tbh I’d give most of their albums a 5, but this one is probably the cream of all of them. They’re just so talented and amazing song writers. Funk, hip hop, punk etc etc they nail it in their own unique blend. This one in a slightly more retro vibe that other albums. And in ‘Sabotage’ that has to be one of my favourite songs of all time, it cannot fail to pump you up and make you smile at the same time. Shame there’s no 6 star option.

I’ve probably listened to this album in full once or twice before this, and I really only stopped by for Sabotage. I think Sabotage is one of the best songs ever recorded: there’s nothing like it and it’s such a jam. I like the Beasties a lot, but I think it’s by far their best song. That said, in giving Ill Communication a few proper listens, I’ve been converted to a massive fan of the entire album. There may not be another track that reaches the highs of Sabotage, but it’s great from beginning to end. Every track is interesting, and even songs that are way out of left field like the hardcore punk track Heart Attack Man are great because they’re so well done. The instrumentals are all great too, maybe even some of my favorite moments. I’d argue it’s as good overall as Paul’s Boutique.

Ill Communication is a dynamic, genre-blending album that fuses hip-hop, punk, and funk in a way that feels both playful and revolutionary. Released in 1994, it marked a turning point for the group, solidifying their place as genre innovators. The album is a mix of high-energy beats and experimental production, balancing a chaotic, rebellious spirit with intricate musicianship. Its standout feature is the way the Beastie Boys confidently shift between musical styles, one minute delivering gritty punk, the next leaning into smooth, jazz-infused grooves. The production, helmed by Mario Caldato Jr., captures the rawness of live instrumentation while maintaining the polished feel of a studio album. Across its 20 tracks, Ill Communication showcases the group’s knack for combining diverse elements into something cohesive and entirely their own. The album’s eclectic sound is matched by the Beastie Boys' signature blend of humour and social commentary, making it both fun and thought-provoking. While Ill Communication is rooted in the alternative ‘90s culture, its bold mix of styles has kept it feeling timeless. It’s not just an album, it’s a statement on musical experimentation, proving the Beastie Boys’ refusal to be confined to a single genre. NUMBER OF BANGERS - 10 STAND OUT TRACK - Sure Shot

10/10 This blend of genres is amazing.

One of the absolute best. I think your favorite BB album depends on when you were born. This one is right in the sweet spot for me. I remember seeing the music video for Sabotage in a Hard Rock Cafe on the 6th grade trip to Toronto. I was hooked. This album showcases everything that’s great about the Beasties and with hip hop, including the overlap with punk rock (which often gets overlooked historically). Such an important album and a total blast.

Im on record about how much i love the beastie boys, but jow their output is inconsistent. However i think this is their high water mark. Sure shot and sabotage are god tier and there is a lot less filler than in other albums.

Egyik kedvenc albumom! Zseniális átívelés a stílusok közt.

i was pleasantly surprised to learn that the short tracks people tend to ignore and rate lower over the vocal ones have a chance of being one of two things: 1. an incredibly accurate 70's funk pastiche that doesn't feel porn groovy in the slightest, or; 2. a sorta funny punk song that is over in like a minute. maybe i won't be coming back to heart attack man, but i don't think it was a track meant to be returned to. a stumble, but in no way a fall or penalty. of course, hip hop is the main focus of the album, and songs like "Sure Shot" and "Get It Together" are proof positive it was the right choice. production's incredible, the tradeoffs and lyrics are great (maybe they're not the most serious, but they're very fun turns of phrase), and of course "Sabotage" exists and its presence on the record guarantees i can't hate it. this whole thing feels like the group flexing what they can do, in regards to both their talent and eclecticism. maybe that doesn't work for everyone, but it sure works for me -- they got weird with it and survived! and had a charting rock song from it! boundless respect.

This is easily their best album. This is where their sound matured. 10 Millones/5

Way more than a hip hop record. So eclectic, still sounds great today

oh my God that's the funky shit

I have never been a fan of Beastie Boys but this album delivered. Great musical creativity, originality, and it was very versatile. Super entertaining, great album, I should give some more beastie boys albums a listen

Banger

Defining album for my part of the generation

This is a mad masterpiece.

🖤🖤🖤😘🥰🔥🤘🏻

Still excellent - hadn’t heard this in a while and it holds up surprisingly well.

I listened to this album, a whole lot when it came out and love it every time I hear it.

Thoughts before listening: One of the best albums from one of my favorite bands. This one doesn't get the praise like Paul's Boutique, and I personally prefer Check Your Head, but ultimately this was the Beastie Boys album that first introduced me to the band. "Sabotage" was a monster song for me and as whole this was a monster album in the 90s. Review: I love the varying styles that the Beastie Boys employ. Sure they are a hip hop group, but there's also punk rock, alternative, and jazz songs on this album. The Beastie Boys had a lot of swagger that really translated through their songs, and I have always loved how playful they are, with each member taking on a distinct voice and personality that they carry through all their albums. There are so many parts of these songs that have stuck in my head for 30 years now that I regularly reference as an adult....in fact I can still to this day recite all of "Get it Together", including changing my voice to match whoever is rapping each line, even Q-Tip's parts. Best songs here are "Sure Shot", "B-Boys Makin With the Freak Freak", "Root Down", "Sabotage", and "Get it Together". 5-stars

Pretty much the culmination of an incredible four album run.

Gear: DCA ÆON 2 Noire Artwork: 📻😎🚗 Mix: 🧨🔊💎 Musik: 🤘🧷📢🥸🎶🔥🌶️ Wertung: 🥸🥸🥸🥸(🥸)/5

I've always loved the hits, but I'd never put on a full Beastie Boys record until getting Paul's Boutique not so long ago. I was floored. It was such an easy 5 stars. I listened to Ill Communication for the first time a few weeks ago, but I was more than happy to listen again today. Another easy 5. As I did with PB, I found a video on YouTube with clips of each sample used followed by how they were used in each song. Now I know that the dog you hear on the first track is saying "I love you" and, as a dog person, I am charmed. This album features Tibetan monks, jazzy flutes, noisy guitar, groovy bass riffs, haunting violins, and so much more while being a cohesive body of work. I dig the length of the album. It held my attention for every second, keeping me surprised with each new element woven in so seamlessly. Also, I love the Q-Tip feat. His voice is so hypnotic.

A surprisingly musically diverse album that still remains coherent. There's a lot of distortion on some of the vocals, but it's still very distinctively Beastie Boys. There's hip hop, jazz, world music influences as well as rap-rock before nu-metal came along and made that a dirty word. There's still a few bits of frat boy humour, but the whole thing is a lot more mature than Fight For Your Right era Beasties. I liked this a lot.

As loved and respected as the Beastie Boys are, they still maybe feel underrated. This album is incredible!!!! At 20 tracks, even I was thinking “hmm that’s a lot of Beastie Boys at once,” but honestly, there’s probably only seven or eight “traditional” Beastie Boys tracks. The rest is made up of experimental, instrumental tracks, which sound amazing and are an early indicator of where they’d end up in their career. They also throw some classic punk rock in there as well, and have a couple delightful features (Q Tip and BB goes down SO smooth). No complaints! This was a treat to listen to!

Perfect album. Not a bad song, in fact all just really good songs. Tough guy and heart attack man are both balls out rippers too.

Great musicians, great producers, great rappers and overall just a super fun group. Some absolutely classics on here and some solid instrumentals sprinkled throughout. Super eclectic.

Мои мальчики

The one where the Beasties refined the multifaceted formula found for previous LP *Check Your Head*: a joyous, unpredictable mix of organic-sounding old school hip hop bangers, a fistful of punk rock scorchers, and an small avalanche of jazzy instrumentals, with an incredible atmosphere to them. All of this with most of the instrumentation played live, minus some memorable samples and loops here and there (including two flute earworms on two pivotal tracks). The hip hop bangers include "Root Down", "Sure Shot" and "Alright Hear This", with the cream on the rap cake being the extraordinary "Get It Together", featuring the great Q-Tip on an hypnotic minimalistic instrumental that would indeed have felt at home on a A Tribe Called Quest record ; the punk-rock tracks are led by "Sabotage", probably the Beastie Boys' most recognizable hit from that era of their discography (with a hilarious video to boot) ; "Tough Guy" and "Heart Attack Man" hearken back to the trio's hardcore punk beginnings in a fresh and tongue-in-cheek fashion ; and most of the jazz, funk, and funk-rock instrumentals are pitch-perfect, as laid-back as they are sophisticated : melodic, double-bass laden "Ricky's Theme" is my favourite among them, but "Sabrosa", closer "Transitions" and "Futterman's Rule" are exceptional as well (the latter was the opening titles track for a local radio show I was a part of decades ago so I might be biased here, but listening to it again, I can't help thinking that picking that cut for that use was a pretty good choice). Oh, and the Tibetan diphonic chants and traditional temple music used for "Shambala" and "Bodhisattva Vow", conveying the Beasties' interest for Buddhism at the time (and their militancy around the political status of Tibet), also give a very distinct and idiosyncratic mood to the tail end of this awesome record. With *Paul's Boutique*, the Beastie Boys had already released a sort of "Sgt. Pepper" for hip hop at large. But what no one could have predicted in 1989 is that they would accomplish that feat again and again for their subsequent LPs, using live instrumentation that the boys would perform themselves, belying their early reputation of being mere jokesters and a music business hoax once and for all (here helped by Mario Caldato Jr., Money Mark, Eric Bobo or Avery Smith). Plus, when it comes to their rapping skills, MCA, ADRock and Mike D were still at the top of their game, with a lot of memorable one-liners. The result of this combination is an album that's fun and varied, and that feels spontaneous and highly ambitious at the same time. A very rare mix. 5/5 Number of albums left to review: 133 Number of albums from the list I find relevant enough to be mandatory listens: 374 (including this one) Albums from the list I *might* include in mine later on: 221 Albums from the list I won't include in mine: 279

Wow! Hip Hop/ Rap is really not my thing but I thoroughly enjoyed this. Sprinkling the instrumental sections between the actual raps is brilliant. Will definitely listen to this again. Apple Music rating system was 4.6/5. I have rounded it up.

After Licensed to Ill, this is my second favorite Beastie album.

Cool funky jazz undertones throughout, fused with hip hop, funk, punk, rock, middle eastern tones, and even Tibetan throat chanting. Bold exploration and mixing of genres and varied instrumentation (hip hop rapping over a FLUTE, for chrissakes!) like no other album I've ever heard. Love it all, but favorite tracks (in order in which they appear) are Sure Shot, Sabotage, Sabrosa, Flute Loop, Shambala, and Boddhisattva Vow. Truly remarkable!

One of the best

1. 4,5 2. 3 3. 3,5 4. 2,5 5. 5. 6. 4,5 7. 4,5 8. 4 9. 3,5 10. 3 11. 4 12. 3 13. 3 14. 4 15. 4 16. 4 17. 4 18. 3,5 19. 4,5 20. 4

More variety than I remembered. All so good

Tough guys: very 80s punk This album has a bit of every feeling. Must buy for me.

I can't believe I haven't heard of this before.

Was expecting not to like this but it’s bangin

Straight-up classic that opened my world to hip hop and hardcore punk at the same time. This is still a pure joy to listen to after all these years. From a style and theme perspective the Boys retain their humour, but they have matured. The misogyny of earlier albums is gone and straightened up in the opening song of the record, and have their first attempts of including Tibetan musical themes. They are facing the impossible task to blend all their influences, and somehow they do it. It's messy, often ridiculous in its scope, noisy and brash and obnoxious. You love it or hate it, but it's hard to remain indifferent. For me, it is one of these records that have shaped my identity and told me I did not always have to choose between what to love and what to do. It showed me you could be several things at once, and still have integrity and soul.

Hard to stay unbiased here. I was 11yo when I first heard So Watchu Want amd was immediately hooked. Waited two long years for this record and was mind blown at the consistent evolution of this bands music. I appreciated them returning briefly to thier punk roots while simultaneously tapping jazz and soul influences only hinted at on previous efforts. I may get push back but I feel this was they're artistic peak, although I selfishly enjoy Hello Nasty in the same vain.

10/10 vibes

Double Great

Flew by and a lot of fun to listen to

I love the Beastie Boys. I have Hello Nasty on CD and I've listened to most of their other albums, but some, including this one, I need to give a deeper listen to. I'm only super familiar with "Sabotage" which is a total classic. In the 90s, the boys started recording as more of a band with live instruments, as opposed to a hip-hop group using samplers, drum machines, etc. So like the follow-up Hello Nasty, this album has a more of a diverse set of influences and sounds, which I enjoy. Light 5

Peak Beastie Boys - my favourite album of theirs! I particularly love the instrumental tracks. I bought this album in about '98 and listened to it non-stop for years, and its still on fairly high rotation! Its so good Fave tracks: Flute loop, Get it together, Sure Shot

I used to think "Hello Nasty" was the Beastie's best, but I think "Ill Communication" might actually be a little tiny bit better. While it lacks "Hello Nasty's" blockbuster tunes, it's also more direct and raw while maintaining a similar level of playfulness. "Heart Attack Man" is a bit mean though.

I got my hair cut correct like Anthony Mason….these guys are the best.

perfect

Didn’t realize how jazzy beastie boys went. Thoroughly enjoyed it

Ah, I knew the cover, not the album. 15 seconds in and I know this 5 stars. Nuf' said. P.S. the cover is enticing: oh those greedy fat fingers holding a speaker, looking at a menu where the $1 green salad is more expensive than any desserts. No wonder every song is explicit. Its time to question, to rise up, beacause the price of freeedon, as Lisa woudl say, is eternal vigilance to whatever may undrmine democracy and Fascism sure will ... and so stick it in the mash.

A brief history of my ongoing relationship with the Beastie Boys. I was right in the zone for Licensed To Ill to act as a gateway drug to hip hop. I was a 16 year old suburban white boy in Australia when it burst onto the radio. Licensed to Ill was fronted by white boys and sufficiently rock and roll to be palatable to musically conservative Australia radio and record companies, making this one of the first easily available hit rap album in this part of the world. Within a year, I was devouring pretty much whatever I could lay my hands on (which was not a lot). Paul's Boutique just flopped on release. Triple J played a few tracks, but it was just too strange and funky for the same kind of mainstream appeal. I picked it up on vinyl not long after release from a cut-out bin at Central Station Records, with the 4ft long double gatefold fold out sleeve. And I played it to death. And then in 92, Check Your Head came out. I was living in a grungy share house in Redfern and working in a grungy second-hand record store and playing in a barely competent band, so that album really spoke to where I was at in life. The Beastie Boys were playing their own instruments (which was a big innovation) and increasingly indulging in their hipster alternative posturing. And they are a lot of fun. I saw them touring Check Your Head at Selinas at the Coogee Bay Hotel in 1992, when they were playing their instruments, and they were awesome. When Ill Communication came out, we embraced it lovingly, because it didn't feel like a major departure from the Check Your Head approach, but maybe a bit better, leaning more into being a band. More instrumentals, maybe less hip hop and bit more funky lounge music. Not a radical change (like the previous few albums had been), but still damn great, and we played it a lot. And it had 'Sabotage' on it. 'Sabotage' is one of my all-time favourite songs, heightened by the awesomely bad video clip. No budget, cheesy, but funny and clearly a ton of fun to make, it summed the whole Beastie Boys aesthetic in four minutes. I could watch that video every day of the week. I also love their live appearances on Letterman and at the VMAs, dressed in those terrible suits, playing up a storm. As time goes by, I sometimes wonder whether the Beastie Boys were _really_ hip hop, or whether they were an alternative rock band who happened to rap. 'Sabotage' seals it for me; it's their masterpiece, their signature song, but it's clearly not a hip hop song. Of Ill Communication and Check Your Head, I prefer Check Your Head because of how fresh it was when it was released and how much I associate it is with that special time in my life. But I was talking to Hal, my 19 year old son, who has a different perspective. Pound for pound, Ill Communication is their better album. Check Your Head was a transition from wanting to be a real hip hop group (as they had been on Paul's Boutique) to becoming who they truly are. And they nailed it on Ill Communication. It's funky, it's funny, it's smart and stupid at the same time, it's energetic and laid back when it needs to be, and it knows how to get its groove on. And it has 'Sabotage'. What more could you want? Five stars.

S A B A T O G E

Love the mash potato song.

Brilliant!

They’re best album. It takes elements of all that came before it an adds a maturity of content.

Hard to really separate this from Paul’s Boutique, both records slapped and are easy 5s.

One of the best

later on in the beastie boys' discography, they eventually moved from simply guitar chugs and sound machines to smooth funky flipped breaks AND a live band. some of the hip hop beats are paired with fast thrash rock. it's still just as loud, in your face and WICKEDLY awesome.

90s New York. What a combustion chamber! Hip hop! Punk! Roots! A green salad bowl for a BUCK!

Who put hip-hop in my punk/funk/jazz/ambient rock album?

Daayyyyyyummmn. So amazing. Hip hop, punk, funk, jazz?

This album is so much fun. The samples, the instrumentality, the attitude. Peak 90s for me.

This is the best Beastie Boys album. And the Beastie Boys are one of the best bands to come out of the late 80s/early 90s. A rare example of dudes who got too famous too young and still managed to have a respectable career. After putting out one poorly-aged debut album (whose irony is STILL lost on the frat boys who don't realize the Beasties were making fun of them), they cranked out 3, 4, and 5 star albums until the untimely death of MCA. Say what you will about a trio of dorky white kids from privileged NYC upbringings trying to rap, but I think there's a strong argument that they weren't trying to be anything but who they were in the end (again, Licensed to Ill notwithstanding). They pulled it off, and managed to become a fantastic funk band in the meantime. I will never not love the Beastie Boys, and this is their masterpiece. RIP Yauch

Masterpiece

Bangers upon bangers

Absolutely loved everything on this album

Well ahead of its time. A masterpiece of sorts.

ITS THE BEASTIE BOYS

I always generally favored Paul's Boutique up to this point, which is a gold standard album all on its own. But I'm really feeling this one today. You could arguably say either album is their best, but ultimately you're arguing apples to apples (the best freaking apples you've ever had). Ill Communication is the more musically focused and ambitious of the two albums. It's incredibly creative and eclectic, with a mix of more subtly rendered sampling and live instrumentation, to brilliant effect. They also lean in a bit on their punk roots, creating a musical lane for themselves that no one else really occupies. Smart and nuanced and front to back brilliant, no filler. Fave Songs (All songs, from most to least favorite): Sabotage, Sure Shot, Bodhisattva Vow, Flute Loop, Tough Guy, Get It Together, The Scoop, Transitions, Heart Attack Man, The Update, Eugene's Lament, Do It, Root Down, Alright Hear This, B-Boys Makin' with the Freak Freak, Futterman's Rule, Shambala, Sabrosa, Bobo on the Corner, Ricky's Theme

A classic!

Great album of the time

Very inspirational and a fun listen. Very solid all the way through. Instrumental moments gave me a jig pace to work with at work today 04-26-24.

One of my favorites. I love the mix of instrumentals and hip hop, such a diverse and interesting record.

Wow

Beastie Boys

I liked this a lot more than I expected. I've never really spent any time with the Beastie Boys and only really knew Sabotage from Guitar Hero 3. It was a way more refined and complicated album than I thought it would be. Way more instrumental driven, and definitely deserving of its reputation. Album cover: A 8/10

Perfection. So many classics on here, I even quite like the punk snippets. It’s got Q-tip, deep samples, bits of funk, rock and hip-hop. Serious music that doesn’t take itself too seriously.

While the Beastie Boys fall into the same trap as Nirvana - wherein all the tracks start to sound the same - this album is still incredibly strong.

I really enjoyed this album, after never listening to the Beastie Boys before, I really like the instrumental parts, and just the lovely smooth chaotic mix. Although no tunes have stuck out to me, I don’t think that’s what music like this is for, it’s a package. I

Ah FUCK yeah. Life long Beastie Boys fan. I haven’t heard this whole thing in forever. Best group of white boys ever.

All time classic

a solid album, every song was different, and, i don't like rap but it was very good

Such a classic album. This album is the pinnacle of all Beastie boys. It touches on everything from their hip hop roots to hardcore punk to beautiful instrumentals. This album has soul, humor, angst and passion. From top to bottom this album flows perfectly.

Classic

So great. Maybe the high water mark for the Beastie Boys. One of my all time favorites.

This is one of the most iconic/influential albums in my lifetime.

The opening track is so iconic. I don’t know if it’s nostalgia or if they are just a great group but this album still hits hard.

Classic

FUCK YES! An all-time favorite. I love this band so much. This is easily their best album. This is where their sound matured. 14/20 songs were already saved to mixes. This record sounds as good as it did in ‘94. LOVE LOVE LOVE

Beastie Boys in their stride. Great samples, great lyrics makes a great album

This one’s a banger! Listened a lot back in the day!

I wore the grooves out of the CD back in the day. Probably my favorite Beasties album. RIP MCA.

Excellent album. There is just nothing else like the Beastie Boys. Rap, funk, punk - it’s all there and more.

Dope, catchy, ahead of its time.

Sure shot is sure a great opener. This album is so great!! I don’t think I’ve ever listened to this entire album and it is just gold. This album is fantastic from start to finish

Amazing

Not my cup of tea but a worthwhile listen

I've always loved this one, had forgotten about a couple tracks though

Beastie Boys showing off how diverse of a musical space they can occupy. & it all works. Solid album start to finish.

Omg! What an album!

the boys made an art rock album? what the hell? 10/10

This sounds classical

SAAABOTUUAAAGE

It’s hard to find a good way to describe how I feel about this album. It’s certainly not bad; I think it’s one of the best albums we’ve hit upon during this experience. It’s just a lot different than what I was expecting, and it’s a little hard to find a way to really convey that. Without question, this is fabulous production from top to bottom – I think the lyricism on all these tracks hits the right balance between serious, funny, introspective, and so on. The sampling throughout the album has such a wide and vivid range of styles and soundscapes that really shows just how much the Beastie Boys cared about respecting the genre and its evolving sound through the 90s as white artists. If I had any nitpicks, it would be that there’s maybe a few too many instrumentals on the album? They’re all great, but they do sometimes fail to keep the energy of a previous track going. There’s also the amount of vocal distortion, which may or may not be a Beastie Boys staple, but I found it sometimes undercut the more serious lyrical moments of the album at times. In terms of a ranking, I think it’s closer to a 5 than it is a 4, even with my nitpicks and my expectations being kinda thrown out the window. From front to back, I think it’s a good listen, and even if it could’ve been trimmed down a little bit, I think it deserves its place in the 90s rap canon as much as any other critically acclaimed rap album of its time.

Brilliantly tears down walls between genres and never feels forced or drawn out

Beastie Boys - Ill Communication What can I say about this album and this band? Nothing that hasn't already been said. The Beastie's get better and better with each album. On this album they continued to move away from sampling to using live instruments. So many great songs on this album, but we all know Sabotage is the song that defines this album. 5/5

About 5 songs too long but overall a great album!

Who could have predicted that, after the cartoonish shenanigans of debut album 'Licensed to ill', the Beasties could have produced an album as varied and eclectic as this? Both 'Paul's Boutique' and 'Check your head' had clearly shown that they were seriously creative musicians, but this is where they really perfected their mix of hip hop, jazz, cinematic instrumentals and hardcore punk. It's a heady exhilarating mix of styles with the juxtaposition between 'Sure Shot' and 'Heart Attack Man' still a gloriously unpredictable opening one-two! Magnificent stuff!

The this thing is so full of energy in its production and performances, both are superb. It’s also banger after banger here! Sabotage is amazing, perfect example of the energy I mentioned. I didn’t think I’d like this, but here we are. Amazing album!

When you gamble this hard, it doesn’t always pay off but the Boys did it. Versatile, funky, cool as hell, and raw. Loved it.

Helvítis töffarar. Root down uppáhalds úr þessarri yfirferð. Oh my god that's the funky shit. Sem Liam Howlett samplaði svo á The Fat of the Land í laginu Funky Shit. 6 ára Axel ELSKAÐI Funky Shit. Get it together ógeðslega þægilegt lag. Sabotage smá ofspilað en samt epic. Þetta er nostalgíuplata um töffið í 90's. Ótrúlega góð tónlist, skemmtilegir textar og banging legacy.

Beastie Boys! Sabotage! Sure Shot! What else is there to say?

7/5

Automatic 5/5. Iconic. Social justice themes & Buddhism + a Q-Tip feature + dope instrumental tracks and thrashy punk rock.

Still slaps.

This type of rap makes me want to be on a skateboard

The original deez nuts The first couple of times I have listened to this album I always enjoyed it, but it never really clicked. However this time it may have passed Paul's boutique as my favorite Beastie Boys album. There are so many great songs on this album and so many great lines that come into my head all of the time. Root down is such a great song, the Update may be one of my favorite Beastie tracks (the upright bass!!), Get it Together has so many great lines and moments, sure shot is a banger, even the instrumental interludes are great, and If anyone hates sabotage they cannot be trusted.

Me cundió mucho musicalmente. Tengo que volver a escucharlo porque quiero hacerlo con calma y poder apreciar el contenido pero a nivel musical 10/10 un hip hop muy puro a la vez que nada, mil géneros. super unexpected la verdad

Fantastic

Strictly handheld is the style I go/Never rock the mic with the pantyhose

This album exhibits such phenomenal range. Ill Communication is a pin wheel of influences spanning from DC hard core, Jazz, Rock, Funk and Hip Hop. This record is in a league of its own, and Beastie Boys were one of a kind. Very few people genre hop as vastly as this through entire careers, through multiple albums, let alone on a single record. But this is just what Beastie Boys do. They are one of, if not the most consistent Hip Hop group of all time, and this album is a triumph. My only complaint is towards the end of the album their voices are too distorted. I imagine that was a sound, style or technique they specifically chose that I wish was a little more clean on record. RIP MCA

Effortlessly great. A few top tier songs amongst funky instruments and cool hip-hop beats. Not listened to this all the way though since I was about 17.

Peak latter day genre hopping beasties that foreshadowed what was ahead on hello nasty.

A classic. Still great.

I don’t know if it is a good album…it doesn’t matter anyway. I feel 20 years younger whilst listening to it. It’s creative, it’s courageous, it’s silly, it’s clever.

This one checks all the boxes and really highlights the skill of the band. Obviously it has the two bangers in Sure Shot and Sabotage, but it also delves into a number of other genres in both the instrumental tunes, but also on those with vocals. The rhymes are crisp and this is solid all around. Plus it has Biz Markie.

Erg gaaf! Flute is toegevoegd aan favo’s

I'M TELLIN Y'ALL IT'S SABOTAAAAAAAGE

Great Album, all time Classic

I love the Beastie Boys, and I know I love the songs in this album, but I had never actually sat and listened through the album fully. I'm so glad I did, and I can have an even greater appreciation for one of my favorite groups of artists. Sabotage really can't be beat, and there are still a handful of songs in here that will make you feel just as cool in so many ways. 5/5 or 94/100

Hell yes. Never a chance to get bored.

Absolutely beautiful listen. Didn’t expect to enjoy it this much, since I don’t care too much for hip-hop but the jazzy inbetweens are stunning.