Yank Crime

In 1 woord: vreselijk

7/10 - Did not expect 90s hard-core and was completely unfamiliar with their music

Post hardcore is a bit boring for me but I really got into a few songs. Little too long.

Hadn't heard of these guys until earlier this year. The album is pretty cool at times and I'm feeling generous.

Meh, punk is not really my jam. 🤟🏼

This is an ok album for this space. No doubt this would go insanely hard in person. However listening to this I cant help but think they sound like a worse Fugazi and none of their songs really stick their message. I will say their guitar pieces are A- tier for this type of music which was a genuine surprise.

Find me in the pit crowd killing

TBH I think I tuned most of it out while I was working but I didnt mind it in the background, except the 20 second high pitched fog horn sound at the beginning of track 5, that was painful.

It's music i guess

I’m more of a blink-182 guy a very soft 3/5 on this one

Teenage angst

you know who commits loads of Yanking crimes? SHACK does.

This record is shrouded in mystery. What is it really trying to say? What is a yank crime? Is it like getting covered head to toe in the jizz of the entire Chelsea first team and backroom staff? Who is Nigel Spackman?

Wank Crime

This is pretty good stuff. Reminds me of at the drive-ins first couple albums which is a good thing. It feels a bit more straight forward then the aforementioned which kind of lead to me getting a little bored by the end. I'll give this some more listens because I'm sure there are some gems on this album I missed on my first listen.

3.5/5. Primordial emo and math rock, seems like a fairly influential album and an early example of the emerging emo scene.

I feel like there have already been a few albums on the list with the same vibe, so it's a bit boring.

It is a raw album. It's that logical next step when you mix punk and grunge to create the bases for emo. So I can understand it's significance. With that being said - the songs are way too long for the genre and the instrumental parts are often repetitive and don't accomplish much.

So, this may well be a marvelous example of its genre, but personally I don’t ever enjoy being screamed at unintelligibly for an hour. My favorite part was thinking that he was screaming “raw clams!” for the first six minutes.

There were a few tracks, like the first one, for which my first thought was, "Oh yeah, I can totally get into this one!"...but then the track would continue to my displeasure. Mostly it was nothing that I dug, but for those hopeful moments, I will give it a ranking of "tolerable".

I thought it was some kind of a sign last night when I saw the cover of this album --- my husband had just shown me the jar of ink he'd received in the mail. I started listening and I was all like, sorry boys you're just too darn loud, and turned it off after about 10 seconds. But then I stuck it in my earholes and went for a walk this afternoon and for a while it was just the thing. When Do You Compute started, I was staring at a perfect dahlia in full bloom and it felt like maybe the world wasn't just completely awful. This album is loud and screamy and screechy which is actually pretty great sometimes. I was ready to turn it off by the time I got home but then a squirrel ran by along the top of a fence about 6 inches from my face carrying an entire apple in its mouth and, well, I know that doesn't have anything to do with the music exactly but it's a thing that happened and I want to remember it.

I listened to this after watching the 2 hour 50 minutes Taylor Swift Eras movie, which was not particularly compatible with this album. So I am pretty sure this was not optimal timing. I didn’t enjoy this much…

Longer than it needed to be.

C'est varié c'est vrai, mais très brut. J'ai aimé et en plus l'album dure donc d'habitude ca fait descendre mon intérêt et celui-ci, ce sentiment ne c'est pas fait ressentir. Punk rock brut. 3.4

Yank Crime sounds as if someone put an At The Drive In album and an Unwound album in a blender. That is good of course, but got mixed feelings for this album. Always liked it more than Rocket from the Crypt (and am surprised both RftC and DlJ are both in 1001) but it took multiple listens to get into again, and in the end it is just too exhaustive and inconsistent for me to fully appreciate it.

Musically I like this, it's just very intense and at some point the shouting gets on the nerves.

It wasn’t completely my thing, but appreciate their significance for the genre.

It's really good musically, the vocals just kill it for me.

Rules

Got autoplayed more guitars and shouting once it finished so I didn't actually know when the album ended

This album is definitely one that grows on you. I’d listened to it a couple times already thanks to a friend’s recommendation. First time it was too much noise rock for my tastes. Second time I started to see past that to how fired up it made me feel. Now I think it’s great!

I still can't believe I went so long without listening to this. The runtime put me off initially, but I find that it helps with the absorbing of the record. This album is one that really demands all of your attention, whether with the screaming, or the chainsaw guitars that sometimes come out of nowhere. The title of "one of the essential emo classics" is well deserved. Favorite track: Here Come the Rome Plows ROME PLOWS! ROME PLOWS!

punk? hardcore? 90's alternative? dabbles of Metal, Noise Rock? Yes and none at the same time. It's very good. I particular like those longer songs with great instrumental sections. Let's talk about the the bass, some great bass lines, you don't get that in punk/hardcore often.

I knew the band name, but never listened to them before. And that’s a damn shame because this is a really good album! Driving guitars, shouty vocals, sometimes pounding sometimes melodic bass. I’ll reach for this again.

A really enjoyable listen. Seems like they influenced a lot of bands I listened to in high school and college.

Can I really be giving an album I've never heard of before a 5? I think I am. Maybe it's just because I've been in a rut of fairly "meh" albums for the past couple of weeks, but this one sort of blew my socks off. Driving, crunchy, loud guitars that change mid song, vocals just short of a hardcore scream but still very interesting. I really liked it. Maybe my favorite "new to me" album since starting this project.

Wow a second one ahead of its time! Has alot of the trappings of the metal I listen to now (came out in the 2010s), but is from 1994. Overall a great listen, but probably won’t stick b/c it has been so imitated

A poor man's At the Drive In

Fantastic

Nada del otro mundo, sólo ruido.

Including Drive Like Jehu's *Yank Crime* in this list and ignoring Fugazi's *13 Songs*, *In On The Kill Taker*, *Red Medecine* and *The Argument* is a crime all by itself (*Repeater* is a great album, but I would place these other Fugazi LPs before it imho). That (major) gripe aside, I cannot thank Dimery and co. enough for selecting this other seminal post-hardcore gem in their book. I was aware of who John Reis is because of all the nice acts he was a part of after Drive Like Jehu (Rocket From The Crypt, Hot Snakes, Plosivs...), but somehow I had not listened to Drive Like Jehu yet. And boy oh boy, how was I missing out! Browsing through Wikipedia to learn more about this band, I was saddened to learn that the band's singer and guitarist Rick Froberg (also the frontman of Hot Snakes) passed away from "natural causes" two months ago. I had not heard of those tragic news, oddly enough. In a better world, more people would have talked about his sudden death. I'm not gonna beat about the bush any longer: *Yank Crime* is up there with the best representatives of the post-hardcore / emocore genre. And with a track such as "New Maths", you could amost say Drive Like Jehu initiated mathcore / math rock, and this in a very tongue-in-cheek manner (get your inner calculators ready to count the different time signatures there, lol). Apart from " New Maths", *Yank Crime*'s highlights are "Do You Compute", " Luau" and "Golden Brown". The first two are admittedly long compositions, but they're totally worth your time if you're a fan of the genre, thanks to their breathtaking, harmonically tense climaxes. And if you're a post-hardcore newbie, don't get too overwhelmed by the intricate and "difficult" sonic architecture of the album's opener. "Here Come The Rome Plows" is mostly here to set the tone, actually. Everything that comes after may turn out to be extremely rewarding if you want to get acquainted with post-hardcore or similar "punk" subgenres. Normally, I would give a 4/5 - 4.5/5 grade to this record. But given how unfairly low the global score for it is in this app, I'm gonna push that grade to a perfect 5/5 mark. People in here complaining that they "don't like being yelled at" should be a little more humble, I think. They're confusing their own personal limits with an "objective" stance. It's as if I complained about "being yelled at" when I'm being exposed to a bland Adele record: it's not because you're using all the clichés of what a singer is "supposed" to do on a purely technical level that the results can't be extremely grating to your subjective ears. Good art is not necessarily meant to be "beautiful" all the time anyway. And it does not necessarily need to be so in any conventional manner. Good art can also be dark, messy and blunt. Because that's a way for it to reflect our short and messy lives. Number of albums left to review: 435 Number of albums from the list I find relevant enough to be mandatory listens: 263 Albums from the list I *might* include in mine later on: 135 Albums from the list I will certainly *not* include in mine (many others are more essential to me): 170

Too messy, i like punk but as I get older its harder..

Nah, just nothing that's being offered here

Cover art is apt. This album is equivalent to a glue sniffing high - not very fun, but it's there.

Punky

Jeeeez, this blew me away. Hook it to my veins.

I can see why I went through the entire decade of the 90s never having heard of them. Their music is ear stabbingly bad.

Interesting post punk similar to at the drive in

Þetta eru ágætis læti.

Quite an amazing album. Precursor to At The Drive-in and many post-punk/ bands in the late 90s to early 2000s.

It isn't a fully blown screaming album but there are certainly elements of it. The album was entirely too long. I did not enjoy it. There is no need to revisit.

sevmediğim bi tür olsa da gayet güzel.

Brutal.

Not really my style at all, sound is all over the place. The songs feels as if they drag on for too long.

Sinänsä tykkään soundista, mutta tunti tätä on raskasta kuunneltavaa (toki ihan tarkoituksella, mutta onko silti vähän liikaa). Tinnitus ei tykkää

Pituus ei lisää vain kestoa, vaan tekee tästä myös laadullisesti perverssiä. Ei ole hardcorea - kyseinen genre perustuu iskevyydelle, joka levyltä on jätetty tietoisesti pois.

31st July 2023 Listened throughout the day while working from home. Barbie with Seb at Tivoli in the evening. No thanks. Can see links with bands like My Chemical Romance but not my bag.

WTF. It is impossible to listen to

Liked it, Here Come the Rome Plows was the highlight

Why have I never heard this before. An incredibly powerful record and one that I will certainly give more time to.

Sounds really interesting

Really grew on me

Surprisingly good

What a great record. It’s a shame I never listened to it before.

One of the best albums of this whole list and if you give it a low score you are not invited to my birthday party

Crank Mine

Grunge had impact en pathos, en zowaar een aura dat het wat te melden had. Helaas is dat aan deze gasten voorbij gegaan. In plaats daarvan zijn ze in de punk-jaren-tachtig blijven hangen. Hoog tempo, valse gitaren, zwabberend geluid. 53 minuten afzien in de hoop dat de volgende plaat beter is.

Ze doen het er een beetje om. Zo irritant mogelijk muziek maken. Een beetje vals mag best en waarom zingen als je schreeuwen kan? Prima hoor. Lekker doen. Ieder zijn hobby.

Doet me gelijk heel erg denken aan At the Drive In. En de zanger heeft dan ook gezegd, dat zonder Drive Like Jehu er geen Relationship of Command zou zijn, oftewel hun iconische post-hardcore album. Dat net als Drive Like Jehu soms ietwat (te) experimenteel aan doet, maar ook gebaseerd is op een kakofonie aan gitaargeluiden. Het legendarische At the Drive In is daarna opgesplitst in the Mars Volta, die bijna nog experimenteler waren, en het door mij geliefde Sparta, waar gitarist Jim Ward lekker de vocalen mag schreeuwen. Maar waar de liedjes een stuk minder experimenteel zijn en gewoon lekker rocken. Aangezien Sparta vast niet in deze 1001 staat en zelfs At the Drive In niet (wat blijft dit toch een zelfingenomen snobistisch lijstje bij tijd en wijlen), zullen we het met Drive Like Jehu moeten doen. Die dus niet kunnen tippen aan hun eigen legacy. Maar omdat er te weinig van dit soort muziek in staat, geef ik dit 5 sterren. Ook ter compensatie van de 1en van anderen :-P

A good solid record with enough melody and good songs to complement the driving hardcore sound from Drive Like Jehu. Not for all tastes, but I would have been all over this during the 90's when this was released and even now it's still very listenable. A bit long, but then again they only released two albums, so we should happy with what they put out.

traté pero no puedo escucharlo, es muy feo.

I really dont know what to think of this. There are some good sections and some horrible parts.

First half of the album done, and it's really weird, but I'm pretty sure I love it?! It's definitely not perfect, but man it does well to bridge the gap between punk and grunge. Some of the grooves the instrumentalists get into together are truly magical. This is one I'm really glad I discovered. It falls off quite a bit in the 2nd half sadly. Still pretty good, but do not see myself rushing back to this album at any point. Favorite track: Super Unison (minus the first 30 seconds)

Hardcore. Disonante

Nothing really stands out for me on this but I do quite enjoy some of the riffs.

Decent, could've been amazing if it wasn't distractingly loud and occasionally overlong.

Lekker stevig! Speciale ritmes en melodieën ook

I like the Mars Volta, and this band kinda sounds like them, so I can fuck with this!

Interesting. Didn't quite grab me on first listen. A little too noisy for my taste, but it's not random, there's something special going on here. I'll settle with a 3 star for now. Luau is definitely a memorable track.

If you like all of the screaming of Nirvana but none of the catchy tunes, then this one’s for you!

Shit goes hard

Terrible. Fast, frantic, shouty punk.

You only need one album by Drive Like Jehu, and this is it. Then, you've pretty much got everything, because - just as it did 30 years ago (give or take) - it a;; becomes fairly predictable. Good, but predictable.

So long

Why yes, I would like a little post-rock in my hardcore. Thank you very much!

This is pretty sick. I can see why this was so influential in the hardcore scene. A really cohesive sound that just works. Super raw but also understandable, even for someone who doesn't listen to much hardcore. Not an everyday listen for me, but it was fun and I would definitely see them live. 3/5

Post rock bs

This album opened as a 1 for me but then managed to claw its way up to maybe a mid 2. At first it was the typical annoying hardcore bullshit and luau was probably the worst of this but then super unison and new union actually broke up the unrelenting noise for a bit and it was actually alright. Overall it still made me physically uncomfortable by the end like these overlong hardcore albums do but it at least doesn’t deserve a 1. Also the Spotify artist banner of this band is the most white suburban dad “getting some buddies together to mess around on guitar” core I’ve ever seen.

Nope, not my cup of tea

3.5

Knowing nothing about Drive Like Jehu, my guess as to what the music would be like based on the cover was pretty close. Overall I liked listening to Yank Crime. "New Intro" was the track I liked the most. That track and some of the longer tracks (7+ minutes) reminded me of some of the progressive metal that began after the 80s. I can't say I'm a new fan. By the time I got to "Sinew", the last (and my least favorite) track, I was ready for a break. There was too much hoarse screaming on this album for me to want to come back, even if that level of screaming wasn't on all of the tracks.

leuke riffs maar nee, die kuttuut was zeer ambetant

Pfft iets teveel en te lang

At first I didn’t think I would get on with this at all but around a third of the way in I found it was becoming infectious. I don’t know if I’d re-listen but glad to have had my horizons broadened by this one.

Got dizzy with this one

Genres: Post-hardcore, math rock, post-punk, emo Formed: San Diego in 1990 Run time: 12 songs, 1 hour, 9 min Yank Crime is the second and final album. Track 1, “Yank Crime” - I’ve no idea what it’s about, but it is high energy punk inspired music. Track 2, “Do You Compute” is light on lyrics but the high energy instrumental sections make up for it. Track 3, “Golden Brown” - It isn’t the Strangler’s song, but presumably the reference to drugs is the same. Another track, light on lyric but heavy use of instrumentals. Track 4, “Luau” - More of the same. It is nearly nine and a half minutes long and it starts to feel it by the end. Track 5, “Super Unison” - Track 6, “New Intro” - Instrumental. Low energy but slightly tortuous sound. Track 7, “New Math” - Like all the other tracks the lyrics are profound, but they aren’t inane pop, so all is good. Track 8, "Human Interest" - Track 9, "Sinews" - The slight decrease in energy and the change of tone would suggest this is the “Emo” track. I haven’t felt that for any other song. Only track 1 passes the 1M plays bar on Spotify (actually over 1.5M). Everything else is well under 1M. In fact most are 2-3k only. If you’re after an assault on the (auditory) senses, then all this album hits the mark. If you like one track , you like them all. The guttural vocals are easily matched by the high energy instruments. Unlike some punk bands, these guys can really play. It’s not my usual thing but I enjoyed it. Unless you’re on a race track, I wouldn’t recommend listening whilst driving. It’s the sort of music that makes you go faster, and this album delivers 150mph! My Rating: ****

Hard, angry punk ain't my jam.

First things first, this is totally not my style but I will say I was pleasantly surprised. The instrumentation on this album was great. The guitar and drums were catchy, moody and had really a infectious energy to them. Despite the vocals being intentionally loud and brash, I think the instrumentation matched the vocals perfectly and (to me) made this album. I looked through other reviews of this album and the number one criticism I saw was "I don't like being screamed at". I can understand the sentiment when it comes to screamo or some metal but personally I don't necessarily feel that way about this album. I think the vocals were brash but definitely not unlistenable. I view them as another instrument and with that mindset they fit the track perfectly. Either way I really enjoyed this album and liked all the songs but "New Math". 9/10

Early emo hell yeah! But unfortunately not v headbangable

Not bad but a little longer than necessary at times. Reminds me of Local H

I was sure I was going to hate this from basically the first note, but then it grew on me a little. It's a decent thrash-punk-metal album, but I'm not sure there is anything special about it. Seems like a flash-in-a-pan band made a flash-in-the-pan album. Enjoyable - but, did I have to hear it before I died? No.

I didn't care for this album too much. the instrumentals and yelling got annoying and loud and none of the songs really stood out to me. the only song I somewhat liked was hand over fist because it wasn't quite as vocally heavy as the others, but I still wouldn't ever listen to it again. 3/10

Pioneers of post hardcore and emocore, this album apparently gained retrospective appreciation long after the band had split up. Heavy and earnest, but enjoyable. Rating: 3.5/5 Playlist track: Golden Brown Date listened: 18/05/23

Vraiment aimécet album, on sent clairement des grosses insipirations de la scène grunge, beaucoup de moments faisaient penser à du Nirvana plus abrasif. J'ai vraiment aimé la balance de moments plus heavy et de moments plus doux. Son vraiment typique post-hardcore/emo, mais très bien exécuté et sans tomber dans les clichés, ça sonne même comme un album phare du genre. 9/10

Unexpected suprise. This is riht up my ally. I love the rifts

Hearing this album for the first time completely rewired my DNA, and I wasn't even a teenager at the time. This is the goalpost to meet (and fail to meet because no-one else does it like this album).

oooh I didn’t like this all that much. It was tooooo much and That’s all I can say. Too long too. Just not my type anyway whatsoever.

jesusfkingchrist "Here Come the Rome Plows" is on the shortlist for worst rock song ever recorded. Overall: a great representation of the parts I hated about the 90s "alt" scene. TL;DR: No composition skills, gross screaming, faux-complexity as if showing off to high school freaks how much the world sucks and trying to pass off as mysterious art. NO. 0 anythings.

a bit angry, a bit headachy, but good if the mood arises

This album just cranks it for an hour straight. Never heard of this in my life but this was worth finding. Fat slapping rock brah. It's epic. It sounds insanely good for 1994, about 10 years ahead of it's time. It doesn't have the muddy production a lot of 90's rock and grunge have, which is refreshing every now and then. Score: 90 Art: 70

I've never heard of the band, but holy shit this slaps. Noisy, loud, and almost non stop relentless. Makes me feel cool and comfy.

While I can see a lot of merit in this album, oh lordy is it fatiguing. It could do with being 15 minutes shorter.

This album is great, it's racing, abrasive and raw. A great output from a very short-lived but excellent band. Had been a really long time since I listened to this. Excellent.

довольно классный панк-рок если бы альбом длился не 70 минут, а 45, то можно смело было бы поставить 4+ но как-то к концу альбому все стало ощущаться очень монотонным и одинаковым альбом крепкий

недометаллика, которая супер интересно звучит

Абсолютно поддерживаю комментарий Егора по поводу длительности. Опять же, будь я в клубе на лайве этой группы, мне было бы прикольно подольше поколбаситься подольше. Но затянуто. Панки рвут струны гитар, хорошо так нагибают. Причём это не просто необдуманная долбёжка. Напротив: чуваки играются с размерами, панк вальс хороший получился в Luau. А в New Math вообще что-то сложное происходит с размерами. Короче интересно слушать. Интересно, но тяжело, если не фанат. Чёт в общем никак я не подружусь с такой музыкой (диссонансы, скрим мимо нот), и я её всё ещё слушаю больше как "ну надо послушать, альбом ведь в списке".

Not for me

Wow. I always have a soft spot for bands that can channel the raw power of noise and rage and these guys can definitely do that. But they also stretch out on some pretty long, complex songs. A few of these tracks are intricate and kind of proggy. Is that one of the distinctions that makes a band post-hardcore rather than simply hardcore? The music is much more nuanced and complicated than your typical punk rock. Really impressed with this but it's a lot to take in on a first listen. I'm interested to play it again to get a more full sense of the pacing and scope of the album.

Love an album that starts a song in 5/8, that's pretty impressive and weird. Really exciting music. Actually sounds similar to guitar stuff I would write when I was playing heavy metal. This sounds like Converge mixed with a little Gorguts and a lot of crust punk. Very clean recordings too for how dirty of a sound it is. Kind of blown away by how clean the recordings are. The transition from track 1 to 2 is great. I'm thoroughly enjoying this. This is really a sick album. In the last ~15 or so years I can't think of many times in which someone has showed me a metal/heavier group that A. I haven't heard of and B. that I liked right from the start. Metal is a funny genre to me because I love it and I spent so much time listening to it but in reality I dislike a very large percentage of metal music that I've heard. There's a lot of junk out there and you'll find junk in any genre when you've exhausted listening to a lot of the good stuff. There's a lot going on here and I'll be revisiting it! Really happy with this.

Litt for bråkete for min smak.

Bråkete

This sounds like a more intense version of the most intense Nirvana, Fugazi or Sonic Youth songs. I like this record, but it's a little too repetitive and dissonant for the sake of being dissonant at times. I like most of John Reis' other bands better (Hot Snakes, Rocket from the Crypt, Plosivs, etc.) and some of the bands this band influenced are among my favorites, like At the drive-in and Refused. Favorite song: Do You Compute.

Hardcore punk meets complex rhythms; what’s not to love here? I really enjoy bands that just let a bass line ride mid-song, then build it up to something. I compute.

Shame this wasn’t an instrumental record.

Loud

A bit of a shame that only two albums were released by these guys. This is the type of album that you just randomly stumble across and are very glad to have found. Peak underground punk that exemplifies the alternative music scene of the '80s and '90s. In other words, this is the obscure band that your own favorite bands listened to as kids, which then inspired them to form their own groups and make music themselves. Standout track is Super Unison.

I was listening to this album as I was doing housework and then had to put in on pause when I got a phone call... and never started listening to it again, nor do I have a desire to do so. With other albums I didn't like I could at least put them on in the background and not be too bothered, but I'm pretty sure this one elevated my blood pressure. There were a couple of instrumental sections that weren't bad so I'll give it credit there. 1.5/5, rounded up to 2.

I love this one. It sounds to me like a cross between the noisiest Nirvana songs and Slint's "Spiderland." For an album this old, it sounds really good today. All of the guitar tones especially hold up, and none of the energy of the performance is lost in the recording. On first listen, I was worried that a sound this abrasive would become overwhelming on such a long album, but I have grown to appreciate it more on the second and third listen. I had a conversation with Tom yesterday about how all of the harsh, piercing sounds on this record were clearly intentional, and the reason became clear once I started to pick up on more of the lyrics. This album is repeatedly telling the listener to fuck off. The abrasive nature is designed to support the anti-imperialist message. The band is trying to keep people out of where they don't belong. If you're on board with the message, it's a tense and exciting listen the whole way through. Cover Art 6/10: These guys sound like they would have terrible handwriting 👍: Do You Compute, New Math, Human Interest, Hand Over Fist, Bullet Train to Vegas 👎: none really, I generally don't like long songs, but I think everything on here is justified

Albums like these are why I was excited for this whole album a day thing cuz idk if I would have sought this album out but I ended up really enjoying it. Definitely was a challenging album to listen to but was better for it in my opinion. The rawness and edge didn’t feel force or like a crutch to hold up shitty instrumentals and made it feel like a loud music intense live show. Super unison really stood out as an interesting track and helped set the tone for the really solid second half that followed and this long dynamic track set it apart from a lot of hardcore punk I’ve heard before. I’m hesitant to rate it as a 5 but I could see it getting to a 5 after re-listening a few times cuz I’ll definitely come back to a lot of these songs. 👍: super unison, hand over fist

So a pretty cool album but as far as punk goes it’s pretty average. I really like the dark tones. The piercing sounds are a unique element that I could maybe dig live but in my car it was painful. Maybe I’m just a yuppie tho. There was a bridge in hand over fist that sounded kinda like a (I think) foo fighters song. That track is a cool departure from the albums sound. Id love to mosh to bullet train to vegas

I could never see myself voluntarily listening to this shit ever again under any circumstance. If my life somehow ends up so far in the gutter to end up somewhere that this album was playing, I would survey my options and make my departure as quickly and efficiently as possible. Look, I’m sure they’re achieving everything they’d like to in this album and there’s certainly an audience for it. But I am not part of that audience

Quite liked about half of this? Solid 3.5 (rounded down as per protocol), potential to go up. Could come back to this one.

I was really not in the mood for this when it started. I felt a 1 star coming on. But it grew on me and earned itself a 3. Well done chaps.

Ugh. I wish I could give this no stars.

Screechy and annoying. 1/10

Not my favorite punk music, but not as bad as I originally thought. A few of the songs were just too much, but I enjoyed the two slower ones (New Intro and Sinews). The rest of it was pretty average to me. Not something I would go out of my way to listen to. Nothing added to list. 4/10

Little too experimental, not for me

okay harcore sound.

An absolute masterpiece

Damn, this is intense. I can take a song or two, and I appreciate the commitment to a sound, but damn - hard to take almost an hour of it (more than an hour with the bonus tracks, which I didn't realize were bonus tracks right away). Not totally convinced this belongs on the list, as the second and final album from a band that disbanded shortly after, and who has ever heard of them?

More into this for the math rock parts than the emo.

Definitely sounds like a band I'd find today in a dive bar punk show. But pretty forward for 1994, interesting counterpoint to grunge for sure. I enjoyed a lot of the weirder noise elements and atonal flourishings as well, but it was a bit too long to me. Towards the end it definitely starts to show a bit of the proto-emo trappings. Probably could have stopped the album halfway and been great as-is. Still very nice, if not a bit tiring. Interesting this is their 2nd and final album though.

solid, influential

The first 20 seconds of 'Super Unison' had me thinking my headphones were broken

actively disliked several songs but the rest was aight

Mediocre at best

This was pretty good, sounded like a ripoff of another and I can’t think of now

Hate to say it, but it really was just some noise. A tad better than garage rock, but they all sounded the same. You could pick one song off the album and claim to have heard them all. Not to say that that one song is bad. It’s a pretty good album to just put on and forget about while working or exercising or something. 2/5

This was legit a great surprise. When I woke up and checked what album I would be playing today, I kinda didn't want to play this one. "It's too early for post-hardcore" I said. lol But I played it anyways, and boy oh boy it was great end to end. At The Drive-in and Mars Volta vibes through and through, this album was an instant save for me.

A weird one for sure. At times I really liked this album, other times meh. It definitely dragged a bit for me. Saved tracks: Do You Compute, New Math, Sinews (Original Version)

This wasn't bad. A little noisy. Some of the longer tracks went on a little too long, but the shorter ones were fun little bursts of energy. The math-rocky elements were fun to hear.

Not for me. Loud discordant. I had a hard time getting thru even 30 seconds of any track on the album.

This would be a 3.5 for me, but it is mostly one-note sonically. There are moments that really grabbed me, and it was mostly when the band slowed down, or quieted down from the mostly loud dynamic.

Very impressively played, to maintain that level of intensity is super hard. But too aggressive and shouty for these sucker-for-a-melody ears.

Did I like it? Yes. Will I ever listen to it again? Probably not.

You’ll love it if you like mathy and technical rock, but it’s a pretty decent listen even if you don’t.

Ok

Nope.

Post-punk as fuck. Pretty damn great. 4 stars.

I liked the music but not the singing so much.

Mais c'est génial Pourquoi je ne connaissais pas ? Je donne mon avis semaine prochaine quand je l'aurai réécouté 15x de plus

Album brut et on sent qu'ils ont mis tous leur coeur, des morceaux variés

LOURD Prefs : Here Comes the Rome Plows, Golden Brown, Luau, Super Unison, New Intro, New Math, Human Interest, Sinews Moins pref : Do You Compute?

Abrasive and discordant. Fits the decade it was recorded in, but it’s not for everyone.

Way too much senseless screaming

Okay

New Intro was the only unique song, everything else - eh

This was a surprisingly great album! I have not heard of these guys, and though I don't spend my time fully engulfed in the punk world, I have a pretty good grasp on the variety of name brand punk bands. So I came into this one clean slate, and really enjoyed it. It's got that Cali punk sound, like Dead Kennedys and a little like Snot, and overall a great mix of guitars and perfect vocals for the style. Crazy they only had one major label album before splitting up. Almost pulled a 4 star rating, but it's challenging when compared to so many other great albums, even when limiting to the punk genre. I'd toss em a 3.8 if I could.

Yet another band I have not come across before. Instinctively like it. Great driving beat on most tracks leavened with stuff like 'New Intro'.

2/5. It’s an okay punk album. Some good guitar work but not super engaging. The long songs do drag on and the short ones don’t feel distinct enough.

I couldn’t get through all of this but what I did hear wasn’t working for me.

Pretty brutal, but not as bad as I was expecting. I think the fact that the songs aren't all in the one minute range is a big plus for me.

Horrible singing, songs just go on and on and on. Not really impressed and sounds too much like a cheap garage band. 4/10.

Yeah this kicks ass and goes hard and also slaps. Balls out garage hardcore fuck-off high-gain glory

Some crazy punk rock guitars. Could have influenced brand new

Very punky. Harsh guitar and vocals

How can a "fringe-rock artifact" be one of only a finite number of records one must hear? This is tedious noise.

What I don't get with all this is two things: they are not very good at whatever it is they think they are doing, they don't play with imagination nor verve and they don't give you a good feeling about it. Now I'm not talking about Brotherhood of Man type "good feeling", I mean they don't evoke a good feeling through having something to say. I saw Bob Mould a couple of year's back and it was heavy, the loudest thing I've ever heard, and he didn't let up for hours. And I came away invigorated, high on the performance. With this they have nothing to say and they say it badly. That said, Super Unison has some ok moments, you can see what this might have been if they........

I found this record compelling. Never heard of the band before. I loved the pace/speed of the music. The lyrics were irrelevant but the singer’s voice was as important as the instruments. The band rushed headlong & took you with them. I particularly enjoyed the 4 lengthy trax, on which the band really stretches out. A wonderful surprise.

Drive Like Jehu were a band I missed the first time around, although they were theoretically right in my wheelhouse (noisy, heavy, angsty alt-rock). I think it was because this was their first Australian release, and it came out shortly after the record store I worked at, Scratches Records, had closed, and so my need, ability and desire to keep up on new releases had evaporated. And I have subsequently heard the name, but never heard any of their songs until now. Reading about this filled me with foreboding. Terms like "proto-emo" and "math rock" inspired some dread. I don't really like either of those things. Too much empty posturing and calculation for my taste, which (despite loud guitars) can get in the way of the Rock. I like the Rock. So, I was pleasantly surprised when I started playing this. It felt noisy and spontaneous, and while it has some of the characteristics of math-rock (changes in time signatures and tempo, some intricate guitar arrangements), this was a loud and energetic burst of adrenaline and squalling noise, that felt like they were playing by the seat of their pants. I like that, Noisily and viscerally recorded, when the record stated playing, I was was sure that it must have been a Steve Albini recording. I am still shocked that it isn't. It has his trademark sound of an unadorned and unfussy production that doesn't get in the way of the band sounding like a band. It reminds me of some slightly earlier records like God Machine's "Songs from the Second Storey" or the Murder Inc. S/T album, both of which got a lot of play in my house in 1992. In fact, I can imagine that if this record had come out in 1992, I would have been a fan. But I'm not 22 anymore. I am an old man with tired ears, and I find this album exhausting. I quite like the track Luau (which has a bit more light and shade than most of the record), By the end of the record, it all is sounding like a big noisy shouting match, and I am done. I'm giving this 2.5, rounding up to 3 because I imagine that my younger self might have quite liked this.

The next transition in post-hardcore from the likes of Fugazi, surely influencing later genres such as math rock and emo. It's loud, chaotic, and abrasive. These songs take however much time as they want, with 2 songs going over 9 minutes. The melodies are incredibly complex and interesting, constantly shifting time signatures and tempo and repeating themes to the point where you never know where a song is going. The music is intentionally off at countless points and it just grabs your attention the whole ride. You can tell there is purpose to what they do, even if the structure isn't well-defined. Much like prog rock and death metal, it's a bit too much to separate these tracks when they're so in your face, and can be overwhelming at its 70-minute timestamp. But the more I listen to it, the more I can separate what makes each track stand out.

Headache inducing. Too much noise, too much screaming. Couldn't finish.

The literal sound of a mental breakdown…meh

Not a fan of this one.

wasn’t a fan sorry

This wasn’t fun.

It's like being in a drunken bar brawl. Noisy, abrasive. The members play as if they're all attempting to compete for your attention, somehow working against and with each other throughout the record. It's a record I know will have mixed reviews on here, but man, do I love it. From this record, we get the whole late 90s/early 00s emo boom. Favorite tracks: "Do You Compute?", "Here Come the Rome Plows", "Luau"

it was just OK, wouldn't really seek out to listen again but got through the whole album.

Fine noise. Not my thing though.

Hard sound but too long.

Quite post-hardcore. Cool at some parts but the track lengths just bogged it down. 6/10

4/10. Yeah, I just love being yelled at

Headache-core. 4/10

Never heard of them before. It's very loud, aggressive, and frustrating to listen to at times. However there were a couple tracks on here that I think may have some potential. I'm going to give this a second listen through and see if those songs can salvage my overall opinion of this, which isn't very high.

It grows on you

new to me, not bad

too much noise and screaming. The shorter songs were fine

Nirvana-esque, especially the unintelligible vocals. Pretty guitar focused which I liked though.

Nope

Fun album, although I listened to it a few times and nothing about it really sticks in my mind. Best track: Here Comes the Rome Plows

Noise.

For noise rock, this is pretty great. A few tracks went on a smidge to long, but somehow they still held it all together. How did I miss this in 1994? I was probably still listening to Dirty.

I'm happy that this kind of astringent, smash-mouth music exists in the world. Which isn't to say I like it much - whilst I can admire the animating spirit and willingness to play with song structure, I can't say Yank Crime ever reached me at an emotional level. That said, 'Luau' is a might piece of music, and I like a bit of spit and agitation now and then. In no hurry to listen again, however.

Overall, it was a fine album. I did not care for the screaming though. I really liked the guitar tones and did enjoy a few songs on this album. Overall, a decent album, just not really my thing. I'd like it a lot more if the songs were sung instead of screamed.

Absolute shit. Unlistenable

The bad outweighs the good here. I wish I could edit the songs, cause there's some good stuff. But Jesus. Stop saying the same things, you idiot. And quit with the screeching noises.

Awful

Not a fan

Maybe I’m getting old. This was just noise.

Reading the reviews for this, I was expecting worse but it wasn't that bad. Nothing super special, but the reviews make it seem a lot worse than it is. There are much, much worse versions of this type of music. Saying that, it doesn't do anything for me. 2.5/5

What an odd name for a band, for an album, featuring straightforward but yet inexplicable album art. So, no idea what to expect. Ah, noise. I like some of what's going on guitar-wise. But I'm finding it too relentless. Favorite: Bullet Train to Vegas. Also "Luau" is a fun word, isn't it?

Look I'm not qualified to rate this. In fact I dreaded listening to it. But, piled high of caffeine, I went all in. And the first track delivered Here Come The Rome Plows is high octane (a cliche I know) and it didn't stop delivering. Last time I'll listen to it, but I respect those who get their energy from music like this.

Top 10. And top 5 major label of the 90s

This would've been in my wheelhouse in '94 if I knew it. It hits in that true post-punk / early grunge bell. My only gripe is no album from this genre / era should be more than forty minutes, the 1:10 length of this album drags out a good experience into a meh one. Especially when you have a nine minute track and then a 9 ½ minute version to close out the album. 3.5 / 5.

Soou como um hardcore altamente afetado

You know the scene in "Scott Pilgrim" with Crash & the Boys, where it takes six seconds for them to introduce "I'm So Sad, So Very, Very Sad," and that intro is longer than the actual song, which is only a four-count on the drums followed by the words "So sad" sung over two notes on the guitar and bass? This is sorta the opposite of that. Drive Like Jehu just scream "Do You Compute" for seven minutes, or "Rome Plows" for 5:45. Same level of lyrical content and complexity as Crash, but they take infinitely longer to perform it. And it's a small sample size, but I'm pretty sure Crash & the Boys are better musicians. I gave up halfway through the nearly 9.5-minute-long fourth track. Music may not be a race, but I've got shit to do, man. Like watch "Scott Pilgrim" for the umpteenth time.

Waar ik gisteren positief verrast was door de band Slipknot wordt ik vandaag geconfronteerd door meer chaotischere rockmuziek. Ik had misschien iets vaags als dit verwacht. Kortom, dit is niks. *

I've never been so jealous of Vincent Van Gogh and Beethoven...

A post-hardcore band I've never heard of before. Not really my type of music but I didn't mind it at all. Nothing mindblowing but not bad.

First listen. Never heard of them. Good stuff.

i remember bleh? but idk if i even listened to any

Well this is a hidden gem. Its a bit too long, but fabulously noidy

It seems as though this album will never end. It must end at some point, right? it’s at times like this I review the choices that have led me to this project.

En ocasiones un tanto punk en otras más rockero. Predominio de guitarras, batería fuerte y voces agresivas.

Did not listen to this at the time. I was missing out.

I do like some math rock, this is solid but not my favourite from the genre

This has been a good week for me on 1001 albums generator. A lot of 4s, a lot of 5s, the page keeps giving me good albums, and as soon as I've heard that virtuoso but punk-ish riff at the beginning of "Here Comes the Rome Plows" I was like, "oh crap, this is going to be good!" And it was. This is basically emo mathcore and honestly, I'm digging it in a way I didn't expect. This album confirms my theory that, if I were born in a different decade, I would've been an emo, lol.

I want to listen to this again. Like WANT to.

Oh god no. Its US Garage band with early nu metal stylings. made me feel physically sick.

I can handle a lot of genres but I could not handle this album. Sorry

Nonni mähinää! Uusi tuttavuus tämä, mutta ei paha. Oon ehkä enemmän vanhan -82 hösselin fani kun tälläsen emomman ilmaisun mut on tässäkin puolensa. Jotain aika grungea tässä. Kansi on siisti 3/5

Kiinnostava tyyli, mutta ei ihan tempaissut. En tosin ehtinyt lyriikoita kuuntelemaan, eli vähän ohut arvio.

Energiaa on, mutta ehkä mun plebeijikorva ei löydä kauheesti uutta sen pauhaamisen takaa. 2/5

Don't know if it's revisit but I did quite like some of it's chaos.

I've never been much of a post-hardcore guy but this album is warming me up to it. Punchy, emotional, and hypnotic; good stuff!

A very disappointing album. From the long drawn out songs, to the noise walls throughout, to the overall length and lack of shining moments, this album felt like a full dud that misses a lot of the appeal of its various included genres and aesthetics.

Hardcore emo math rock. It was interesting to listen to.

Like getting your ears shafted with a baseball bat wrapped in barbed wire; not bad if you like that sort of thing. Probably was a really important album to some floppy haired teenager back in the day. Best Tracks: Here Come The Rome Plows; Luau; Super Unison

Bloody awful racket

Punk! And annoying!

Same thing I said about Stone Roses

Fun post punk.

Tony Hawk sounding screamo. Poorly mixed but many songs were long.

2.5/5 Some songs on the album we’re okay even though they were very long. It’s not bad just not completely my thing.

Bit too shouty and samey for me. Could've done with some smoother bits between the shouts

Anfang der Neunziger wurde viel geschrien. Die Platte klingt nach ihrer Epoche, ohne die Nirvana-hafte Rotzigkeit aber mit den raffinierteren Arrangements und Kompositionen.

Sounds a bit like Slynt. Probably better on the third or fifth listen. Still pretty neat.

it oscillates between "man, this is too much" and "i like this bit" - Tony 2022 I agree with Tony. Favorite track: Does Not Compute

Wasn't expecting to hear any mathcore on this list, but here we are. I thought the guitars were really interesting in this. I appreciated how they used intricate angular guitar riffs to supplement the raw angry sound. To me, it never comes off as brutality for it's own sake, but something more intentional and musical if you listen more closely.

I wanted to listen multiple times because I just couldn't tell what I liked and what I didn't. Aggressive hardcore songs are common, even some that have melodic breaks in them, but the length of the songs is what seemed uncommon to me. I still don't know if it was good or bad, but I've listened 3-4 times and still go back to it, so I guess that means I like it.

2.5, technically impressive at points, cacophonous punk at others

I think this would have benefitted from being half as long. I liked a good amount of it but also felt a little exhausted by the end. Favorite: New Math

Pas pire. On s’en va vers Refused et At the Drive In. Les pièces sont un peu longues pour ce qui s’y passe. Beaucoup d’énergie.

Wow, belle découverte pour moi ici. Définitivement un band qui a influencé les Every Time I Die, The Bronx et Fear Before The March Of Flames, 3 bands que j'ai découvert au début des années 2000. Je suis fan des construction mélodiques qui sont faites à partir des dissonances. En plus l'énergie est contagieuse. On a un bon balancement dans la voix aussi entre la voix mélodique et plus criarde. L'autre band du guitariste, Rocket From the Crypt, est plus accessible et plaira sûrement à plus de gens, mais j'ai une petit préférence pour le côté très indie de Drive Like Jehu. Je n'ai pas porté attention aux textes, mais musicalement, j'adore.

Pinky, nothing special

Did not move me

i'm digging a lot of this album. same scene as the slightly later (i think) at the drive in (and much later, mars volta) echoes of the entire future screemo genre can be heard here. put some operatic polish on it and tighten the production quality and you have something resembling system of a down buuuuut you're gonna want to skip at least the first 30-40 seconds track five super unison. i'm feeling generous so i'll call it an homage to the endless and ear splitting space odyssey 2001 scene

I wanted to like this but it was just really rough I though New Intro sounded kinda nice and I also love the multiple uses of 5/4 in the album but overall it was just kinda mid 5/10

This first track is a BANGER. I'm fucking out of breath just listening to it. If the rest of the album is like this it's another 5-star. The hooks in this album are GREAT. Yeah this is 5 stars. The writing is crazy. First time we've gotten two 5-stars back to back.

The perfect balance between loud and passionate with complex, time signatures. Sometimes I like my music loud - this is a good choice.

Too much noise. Not worth finishing.

I couldn’t make it past track two. Not fair to review.

I’m the wrong audience. I think this is rubbish.

Неплохой мат-рок, но чего-то не хватает.

Another example of something that I'd never heard of, that us up my street. I dig things that are post-hardcore and this is nice.

I've never listened to this band before and now I don't really know why, this is pretty great. I've never been a huge fan of hardcore outside of Fugazi but they kind of always felt like their own thing and I've never dug much deeper, I've barely listened to Minor Threat. In my head I'm always kind of looking for pop hooks so I prefer the punkier end of loud, fast non metal stuff. I'll probably still prefer that but I'm tempted to explore more now. Also I love Sonic Youth (a band that are not strangers to a pop hooks) and I can hear some of the same kind of dissonance that feels like one of their signatures here.

Pleasantly surprised by this one. Off the bat the first song didn’t really rub me the right way, but after a few songs I started really enjoying it. The songs have a really good pace so each is a sort of experience. 7/10

This was pretty good. Some of the songs are a little on the long side, but they have a progressive quality, so they don't really feel that long as you're listening to them. Atonal, screamy, effective use of noise. Rocks hard. I like it. Fave Songs: Sinews, Super Unison, Human Interest, Golden Brown, Luau

Only listened to parts of the first five tracks before fleeing this assault on my ears. Usually the only good thing that can be said about songs and albums like these is that they're really short. Not so this monstrosity.

Punk album with aggressive feel to it, overall good sound but some of it kind of sounds experimental? Didn't really find any "hits". Not my favorite, but wasn't terrible.

I'm not a huge fan of noise rock - this was fun but hard to listen to at times

Really not good at all. Songs way to long. Couldn’t get into it. 1/5

not good

I enjoyed this overall. Some of the songs were too long and veered a bit too much toward emo, but pretty good in general. 3 stars.

This is badass. Not really into emo and screamo, which this album apparently helped beget, but to my ear this sounds like noise rock meets post-rock, which is right up my alley. This is another solid 4.5. Possibly more listens would yield a 5. Fave track - "Luau" maybe? Or "Do You Compute"....

Wow, very cathartic. Especially loved luau

Bumpin

Nope

No notes

One of the more important proto-emo albums of all time; with every hook that a guitar riff would bring and the yearning and screaming that comes from the vocal, Yank Crime should be considered as one of the greatest punk albums of the 90s. If there was one album to end things on and plant a flag into the ground of what was to be the future of punk, this is the one.

Je suis pas énervé, je suis juste déçu

1 heure et 9 minutes qui semblent 28 années bravo à eux pour avoir réussi à distorde l’espace temps (je suis encore en train d’écouter là) help

No thank you.

2/5. Noise....

Sounds like they were having fun. I wasn't.

Un bon alb... La suite de cette critique est réservée aux abonnés robpremium. Pour un accès immédiat, abonnez-vous à partir de 18,99€/mois en cliquant ici :

Robert tu es un homme mort.

First album that is new to me to get 5 stars

Another important piece in the post-hardcore puzzle. Drive Like Jehu leans heavy into making more noise than their contemporaries and doing it in a way that feels like calculated chaos. Guitars drive and clash against each other like cars of a demolition derby, occasionally playing in sync playing in a satisfyingly fast way to deliver the hook. It's a vicious and biting record that accomplishes it's sound in spades.

Прикольный альбом, очень драйвовый. Прям душевно драйвовый. Но не мое.

very heavy. good distorted guitars, raw vocals. solid bass that grounds otherwise chaotic arrangements - reminds me of duff mckagan. very noisy and grating, i am sure it would really appeal to someone who enjoys that sorta stuff. made me want to listen to appetite for destruction (which i immediately did after finishing this project)

Man, I connected with no part of this album. Felt like an hour plus of just screaming and I wanted to scream back at it. Not an enjoyable listen for me… but cheer to those who dig this album!

A discovery

Post-hardcore is a real borderline genre for me. Most of my fav music is heavy and I listen a fair chunk of *traditional* hardcore, but this tends toward non-Seattle alternative sounds too much for my liking. It gets up and going, there are cool riffs and passages... but only for brief flashes. On the other hand, it descends into downright noise allllll the time. The singing is pretty cool and I can hear the potential, but it feels like an idea that wasn't fully fleshed out (I know such a later comparison isn't really fair, but see Clowns for this vocal style perfected). Drummer is well and truly on top of the game though, nothing virtuosic but he holds the entire thing together imo. I guess my biggest criticism is the song structure itself: it feels like the average song is 5% intro, 25% guts, then 70% long-winded dissonant outro. This formula gets old at 53min. Still, I tapped my foot enough that it gets a pretty easy 3. If it was half an hour it'd probably be a 4 tbh. 3/5.

Some killer guitar riffs happening on this album but I don’t understand why this would be a top album. Nothing to separate them between other bands.

Some nice sounds but not enough

Shame on the list for wanting to steal 1 hour and 9 minutes of my wicked little life. But I maintained the upper hand: I stopped even trying to listen after what seemed like the 15th song.

Why am I listening to something that was about 20 years too late? It's like Punk had taken that long to reach these guys. One moment they were strumming out Beach Boys tunes and then someone burst in holding a copy of 'God Save the Queen' circa 1993 and said "have you heard these guys?" 1001Albums seems to have a warped idea on what is ground-breaking. There are like 150 pages devoted to the 60's and 200 pages to the 90's. Which was the most ground-breaking and influential decade? Mmmmm.....

Was not in the mood for this at all, so I don’t know I gave it a fair shake - although I also think it had some objective flaws. Some really intolerable noise garbage. And though it’s par for this particular course, this particular style of shouty vocals doesn’t for me improve at length.

punk-y harsh grating with some oddball time signatures and an almost psychedelic vibe. nice and dissonant. 3.75/5