Yank Crime

Not for me

Very screamy

Not my cup of tea

Pretty good album

Banger sur banger

is ganz cool aber bissl langatmig

Loud. It's sound alright and can be abrasive. However the noises this album generates from its screaming and loud instrumentals creates something quite nice occasionally. I don't think its perfect because the album is bloated and some of the songs meander for too long but the album grew on me overtime.

Maybe I need more punk in my life...

solid album, really loud and not too mental just right, i enjoyed it

5/5 - absolutely rad

Crazy long, but I liked it

Easily one of the best post-hardcore albums I've ever heard

I really don't get how this got on this list, but hey, it's pretty good!

I don't why this album is here, but I'm always happy to listen to it. A very nice post-hardcore noisy record that kind of fills the gap between 2 bands I really love : Fugazi and At The Drive-In.

Quite annoying dissonances in all the songs. Does not sound nice at all

I enjoyed it. It reminded me of fugazi a bit, and I actually preferred this to early fugazi. also Metz who were clearly influenced by them

Didn't know about "emo" music as a genre before this. The album started off well with two good songs and it kind off fell off from there. Favorite track: Do you compute other picks: here come the rome plows Glossary: emo - emotional hardcore

Não seria o álbum que eu pararia para ouvir. Mas consigo reconhecer que é bom, só não é para mim. Gostei da música Luau.

For an indie post-hardcore album, this one was pretty solid, but an hour and ten minutes is quite a long runtime for this genre. By the middle of the album, I was already feeling drained. The music is raw, unpolished, and aggressively in-your-face. It boasts intricate guitar work, complex structures, and unconventional time signatures. If math rock is your thing, this album will definitely hit the spot.

No

Track selection is very important when putting together an album. I may have liked this one a little more (meaning, at all) if it had been 20 to 30 minutes shorter. I can understand hard-core as a genre a little bit. But an hour of screaming, mumbling, and “grump singing“ is just a bit too much for me.

Solid noise for those who like to jam.

Sweet Jesus what rubbish has this author found?

I swear the people here will just hate anything that isn't Bowie or The Beatles. I get that this brand of hardcore punk can't be everyone's thing, but come on people at least give it a fair chance! I love this. The passion, the rawness, the emotion. All the way through it's nothing other than amazing.

Instant headache.

I liked this, it was loud and brash if a little loose in parts

Took a bit to grow on me, but it really did. Fun, chaotic energy and very interesting writing. Very glad to have found this band, definitely will be coming back to them

The longer I listened to this album the more I liked it. I was stuck on one major issue the entire time: punk has always been earmarked as high energy, burn-hot and be done fast song writing. Prog bands can do a 10 min song because they understand the role of storytelling and dynamics. This began feeling redundant, then monotonous after a while, like they wanted a cross between Sex Pistols and late ‘80s Metallica. Luau and Do You Compute were key tracks.

I think I might like country music as a genre better than this. I'm sure this is fine but it is not my cup of tea. I made it to track 8, "Human Interest". Anyway, I'll pass on the rest. No judgement here. This is just not for me.

Post-punk. Iba a decir que ni fu ni fa, pero por meter ruido sin sentido, un 2.

I don’t mind heavier music or screaming in songs, hell my teenage years were full of it. But sometimes it really is just noise and nothing about this album was really sticking out to me. I just wanted to get to the end of it. Really makes you wonder how some records made it on this list. But hey if you dig it, crack on!

Apparently this is a post-punk album. Which I guess means it sounds like punk but is less fun. Quite the chore to stick it out for the whole album. Not a fan of scream singing. Even when I’m occasion there works be some instrumental melody, it would eventually evolve into the screaming again. And the air siren was just freaking mean. According to Wikipedia the band “quietly disbanded” after making this album. Not sure if that is code for “slunk away to find day jobs”.

Was not expecting anything close to post hardcore on this. Fuck yeah.

Fun to listen to for a while but wore out its welcome for me. If we can call this garage emo rock or punk, it doesn't hold much I'm interested in. I'll listen to a wall of noise from time to time, mostly in metal, but not this kind. Not interested in the screaming vocals, the grating feedback, the repetitive song design. Rome Plows was fun (had the benefit of being the first song). Luau and Super Unison were a 1-2 punch of 'okay I'm done with this album' for me. But I did listen through it.

I did not 'get' this at all. Don't get the name, or the album title. The music is really monotonous, and clearly no-one told them that punk died in 1977. Bailed after about 4 songs.

This felt raw, not to mention a little whiny. Dude is clearly ANGRY about something. I wasn't able to tell what exactly from the lyrics. The bass has a nice Johnny Cash twang. That's the best I can offer I'm afraid. It fizzles out in to guitar wank.

Seriously, what brain donor pays money or uses their precious time listening to shit like this.

Inaguantable.

It was okay. I can see where post hardcore was born. Just never a scene that did much for me. Musos taking over a scene and making it technical.

LOUD. NOISES. (there are very few moments where the music comes together and sounds great. But the moments are fleeting at best) I was also shocked to find out that I had written that review during the 4th song. The album genuinely felt like it was wrapping up during it and it had felt like the right run time for an album...so that is probably the best way to explain this one

Loud. Not entirely pleasant. Obviously not for me

Ok

Reminds me a lot of Skeleton Key :) Now I want to hear the band Rocket from the Crypt as well.

2,5

Gosh, liked the bass tone but didn't love the songs.

Far from my thing, but the last 2 thirds of the album really surprised me with how good they were and also the guitar playing on this album is fucking insanely good

pass

The Bible itself gives the best review… from 2 Kings 9:20. “And the watchman told, saying, “He came even unto them and cometh not back; and the driving is like the driving of Jehu the son of Nimshi, for he driveth furiously.””

Really give a punk-rock Nirvana feel. Wasn’t sure how I’d feel about it as I haven’t given the best scores to punk albums but I really like it. Nice mix of sounds, time signatures and vocal performance make for an interesting listen. 3.5/5

Rock but, too much emo influence.

Wondering if there’s some sort of glitch with this exercise and albums from the 3003 albums are popping up. Not a big fan of the San Diego music scene but everyone needs to start somewhere. Album sounds a bit like one loooong repetitive song.

Sweet art punk rock…post punk? Idk but it’s awesome. Some of these sounds are a bit ahead of its time. Wild fun guitar work

I heard of Drive Like Jehu in an At the Drive-in album liner notes and I can certainly see how they were influenced by these guys.

Yankee Crime Never heard of Drive Like Jehu. It reminds me of when I tried to like At the Drive In, and pretended for a bit that I did. Struggling to find much to say. It is what is and is fine for this type of music. Some nice guitar parts, some good moments and grooves. I liked Sinews. Can kind of hear a bit of surf music in there, and some good rhythmic moments, but it is ultimately quite formulaic 90s slightly moany very American sounding alternative/punk. Only listened once, I couldn’t really see what I’d get out of further listens. It’s not terrible but it’s not particularly interesting or different enough to feel like making more of an effort with it 🤷 ⭐️⭐️

As someone who came of age in the early 00’s and never really understood why so many people were into “emo” music like Dashboard Confessional and Taking Back Sunday, this album brought back a lot of those same feelings. I felt like Steve Carrell’s character in Anchorman for a lot of this album: LOUD NOISES!!!! I’m into vocalists that many people consider unpleasant to listen to — Robert Smith, Billy Corgan, John Lydon in PiL, etc. I’m also into experimental rock that a lot of people find unpleasant, like the aforementioned PiL. This music combines all the worst parts of that music — discordance, aggression, atonality — with none of the redeeming qualities — deep lyrics, unique social commentary, vulnerability, introspection about one’s shortcomings. It’s just a lot of shrill yelling of very surface level and trite ideas, combined with a lot of aggressive music that sounds like the band doesn’t always know how to play their instruments. I feel like this kind of music is the soundtrack for a very particular kind of person — lower middle class cishet white guy who’s very angry about everything but isn’t sure why. He’s read a Wikipedia article (or whatever predated it in the early 90s) on libertarianism and has decided to make it his whole personality. He’s emotionally constipated and doesn’t understand why most girls don’t like him (when he brings nothing to the table), and he uses gay as an insult with his friends. He enjoys mosh pits as a way to get out his anger, because some men will do literally anything except go to therapy. The first half of the album is pretty unbearable. After Luau it gets a bit better, but I still wouldn’t really choose to listen to this. It’s like punk music, but make every track over 7 minutes long. No. The human body is not meant to have that much cortisol coursing through it for that long. Super Unison isn’t bad once you get past the obnoxious emergency broadcast intro sound (why does it need to be 7 minutes long?) New Intro is kind of cool — sounds like it could be a Tool song (I don’t think they’re that good musicians though). I found myself thinking that a lot while listening to the album — "This kind of sounds like Smashing Pumpkins but not as good," "This kind of sounds like Tool but not as good," "This kind of sounds like Pink Floyd, but not as good." I'll give it a 2/5 because there are a couple tracks I didn't find completely unbearable. But I kind of feel bad about giving Slayer a 1 and rating this higher.

This makes sense through the lens of pre-grunge, pre-emo, anti-80's pop. Easily can hear this in the same cohort as Good Charlotte and the Ataris. Lots of guitar and driving percussion, sometimes taking too long to get to the point such as in New Intro and/or Super Unison.

Enjoyed the music a lot at times, I was really vibing out!! The screaming and screeching really harshed my buzz and made my dogs upset ☹️

Bad. Bad. Bad Offensive guitar screeches and noises that didn't sound good together. And then a random 10 seconds of good riffs and back to noise 2 ⭐️

Maybe 3.5 but I round up. Good thrashemo

Brilliant, brutal and unquestionably influential. I missed them when they were first around, only aware of them being spoken of in hushed reverential tones. I was massively into Fugazi and Nation of Ulysses back in '94 so am kicking myself I missed Drive Like Jehu. Anyway this is a fantastic album

Can imagine this album was super influential. It is awesome.

Not good, 1

Wildly influential but overbearing and grating at the same time. Wanted to rate it higher, but I just couldn't justify it.

Rips, heavy duty punk/emo, a tad to screamy

I understand what it’s going for but i think I really have to be in a mood for this genre. Songs felt too long and blended for me at points especially since the singing mainly stays in the same exact range. I couldn’t understand anything lyrically. The album improved for me at the second half. My standout was Super Unison. Cover Art is decent.

Hard hitting emo thrash punk. Loved it

Post-hardcore does it for some.

Loud and shouty. Reminds of Dinosaur Jnr or similar.

Voice was too heavy for me, but the melody was GOOD

This was a very nice surprise! Love this type punk/alternative music. Very raw and emotional. 4/5

\"Yank Crime\" by Drive Like Jehu is an album that showcases the band's unique blend of post-hardcore and noise rock. Released in 1994, the album features intense and complex compositions, with angular guitar riffs, frenetic drumming, and raw, emotive vocals. While \"Yank Crime\" is often praised for its innovation and influence on the post-hardcore genre, it can also be a challenging listen. The album's abrasive sound and lack of conventional song structures may alienate some listeners looking for more accessible music. Overall, \"Yank Crime\" is a polarizing album that will likely appeal to fans of experimental and avant-garde rock music but may not resonate with a wider audience. As such, it receives a rating of 2 out of 5.

Straight hated it.

Erratic and hyperactive is how I would describe this to anyone who hasn't heard At the Drive-in. If you have heard At the Drive-in, I'd say subtract a few levels of hyperactivity and crazy babbling lyrics from them and you'd have this record. Pretty good shit if it's what you like.

Not great

In no way the best example of this sort of music, but definitely one of the pace setters

Hated this

New one on me. Rather liked it. Bit of a palate cleanser. Too long mind you

Not for me

Would have been a 5 if not for the 20 seconds of high pitch noise at the start of 'Super Unison'

Wouw.. a very unpleasant experience

Honestly did not speak to me, but it's okay! C'est la vie fr

Deadly. Tight, varied, energetic

better than erwartet

don’t like the guys voice

Hard to listen to. Noisy and aggressive and gets in your ears. Blood pressure has gone up and heart rate is high. Absolutely loved it. And this came out in 1994? Way ahead of its time.

It's safe to assume that At The Drive-In were fans of this album as you can hear it's influence all over their albums from their original run (Acrobatic Tenement to Relationship Of Command). I missed these DLJ during their heyday, but they're going to be rotation going forward for sure.

Thought I’d hate this, actually really liked it. Very high energy, grating but in a way that pumps you up rather than makes you angry.

Post-hardcore? Sounds like sexual frustration.

Why are so many albums on this list with yelling instead of singing? Who likes this shit?

First few songs are wild, not really my vibe tbh. The rest of the songs are ok

i like punk but that was crazy for a study day.

Another one of those albums that comes very close to something I like, but doesn’t quite coalesce into something I can definitively say I enjoyed. Here, while I liked the punky energy and creative spirit, I think the sheer manic chaos lost me a bit.

Fantastic album from Drive Like Jehu. It's a great post-hardcore record full of passion, energy, intensity, and incredible noise. It brings together a perfect balance of hardcore, punk, no-wave, and post-rock where the quieter parts are a bit Slint-like and the hard energetic parts are very reminiscent of Fugazi from the same era. No wonder this is slowly starting to gain a justified reputation as an overlooked masterpiece of its time.

No. I will not drive like Jehu

Drive Like Jehu kannte ich bisher nicht - Danke 1001albumsgenerator. Haut mich nicht sofort aus den Socken aber kann mal sich mal anhören. Und wird bei jedem mal ein kleines Stück besser...

I really enjoyed the rawness of this alternative punk album. Never heard of them before today. There's definitely some complexity to their sound and style once you get past the opening song. I'm not sure if I would have appreciated it as much when it was released in 1994, but I'm definitely enjoying it now.

Not for me man. This was just noise with some 90's alternative trickled throughout

0815 punk.

Aggressive music with equally aggressive vocals. The style may resonate with some, but for me this was a challenge to listen to in full.

This was our second post hardcore of the week, and not the better one. Lots of "noise" and not much to gain your attention. Seemed sloppy and loud, and that's about it.

Sounds like skater punk met grunge in an alley and nobody won the fight. It’s not bad, but not good either.

I had high expectations, but despite intriguing music, the album felt like it lacked proper highlights.

The real crime was subjecting me to this singer's yelpy vocals for over an hour. The only track I would ever consider listening to again is "New Intro", which was a halfway decent instrumental track. The rest here is a slam dunk in the trash bin

Bit screamy for my tastes.

All sounds the same, nothing distinct about it compared to a million other emo bands. Why are the vocals so low in the mix, what's the point in having a singer when you can't hear them?

I like the sound! I'm willing to bet that the stuff I enjoyed growing up were influenced by stuff like Drive Like Jehu. Favorite Tracks: - Here Come the Rome Plows - Golden Brown - Luau - Super Unison - Human Interest - Sinews - Hand over Fist - Bullet Train to Vegas

Do You Compute and Super Unison have TERRIBLE beginnings for normal ears. Not fun, not enjoyable. Don’t care how good it is after, having my cringe for the first 30 seconds is a strategy. Also, this music raises my heartbeat. Not really what I’m looking for when I’m trying to get through a Wednesday.

just not really my thing. maybe deserves a low 3 but i’m sticking with a high 2

Opening with a decent thrash punk song that I have to say is twice as long as it should be. I'm a fan of long songs but this does not contain 6 minutes worth of song. If I want to stick it on twice I will but that's my decision. Fugazi mentioned a lot, in the book and the reviews. But Fugazi had an incredible rhythm section which often lead the songs, marking them out. Does that happen here? On first listen I turned it off and put Magnetic Fields 69 Love Songs on again instead. Returning to it much later in the day, I'm sad I didn't encounter this record back in 1994 as I would probs have loved it. It's not punk, it's post-hardcore. Ok. So long songs are de rigour. It's quite ahead of its time, I don't know too much sounding like this around this time. Something of a precursor to At the Drive In. Maybe Swans? Although I didn't really listen to them. Once I settled into it I really enjoyed. The more epic tracks are just that, and really stand out. Luau.

Nice cross rhythms on the first track. Love the 2nd - quirky Pearl Jam in 3. Great 3rd. And 4th. 5th. 6th. Yeah, all the rest. Whatever this fellow is saying at the top of his voice, he means it. 2nd listen (!) for lyrics. 1. Shades of California Uber Alles. 2. Do You Compute? One of the best "fuck you"s I've ever heard. 4. Nihilistic anger. Grrr! Favourite riff: 9. Sinews 6:42 2nd favourite 10. Hand over Fist 3:35 (reminds me of the end of Unsung by Helmet). Lots of loud repetitive riffs and noise, which I've not been into recently, but I heard this early morning while writing an essay and it had the effect of background brown noise - the odd rhythms helped with this. Nice contrasts. Don't know how many more listens I'll give it, but I really liked this one. Yep, yep.

Never heard of and quite enjoyed….

Total Yank

Good for someone, just not me

This is a really cool album that was made much earlier than I would have expected, given the sound. It's noisy and abrasive, but all the songs have this incredible energy, and they flow from one to the next well. Really cool album that didn't get the recognition it deserved in its time 4/5

Screaming that makes me yawn.

It’s not even that good but I did enjoy it. Now I feel dirty.

I wonder how Jehu, son of Jehoshaphat, grandson of Nimshi, and possibly great-grandson of Omri, feels about inspiring emo

Enjoyed it okay. Reminded me of Swans a bit. I enjoyed it more as the album went on.

When the first song hit, I honestly thought I wasn’t in the mood for this album today. However, I was quickly won over by the sheer complexity of “Yank Crime.” It’s an album that grabs you and refuses to let go. The levels of aggression and intricacy in this album are remarkable. It’s like a rollercoaster ride through a musical maze. The influence it had on emo music in the 2000s is evident, but unlike the emo we all got tired of, “Yank Crime” feels fresh and invigorating. In some ways, it reminds me of Slint’s “Spiderland.” Both albums keep you on the edge of your seat, wondering what unexpected turn the music will take next. Drive Like Jehu’s raw energy and unconventional song structures make this album a standout in the post-hardcore genre. My only gripe is it’s just too long and you do feel exhausted by the end, 4 stars.

Vibes: backyard punk party metal

Meni enemmän metelin kuin musiikin puolelle. Ei tainnut olla yhtäkään biisiä joka olisi saanut jalan tamppaa mukana.

Räkäisempää grungea. Nirvanan tuotannosta löytyy samankaltasta meteliä ja se ei ehkä ole se kaikista omin grunge-tee. Kuitenkin ihan kuunneltavissa.

Un po' punkrock, un po' meh

3 - I want to like this more, but I tend to get bored with post-hardcore, and I did find myself losing focus towards the middle with this. First song was pretty good. I really liked the vocals here. He does the screaming and shouting very well. Again, I wish I liked this more. I still think it's a pretty cool album.

When it’s not screeching in my ear or playing an air raid siren it has some alright moments. 3/10

v cool. dig it.

That felt like God was testing me.

I do not like this. 2/5

Das ist ein richtig klassisches Punk crush Album mit einer herausfordernden Stimme des Leadsängers. Je nach Tagesform entweder cool oder heute nicht. Dennoch hat das Album das gewisse Etwas. Da werde ich mir noch Zeit nehmen, weil ich von dieser Band noch nie was gehört habe.

Huh?

Pretty cool punk/concept album. Slow start but had me by the end.

4-5 Hammer, wegweisendes Album.

Not for me.

Didn't get much out of this one.

Post-punk emo of the best kind. Another of those bands like Hot Snakes / RFTC / At The Drive-In that seemed to influence every great band of the 00’s. These should have been so much bigger. Saying that, I used to listen to these a lot yet I dont think I ever had this record. Think I stuck to their debut and didnt venture beyond, managing to bypass their biggest record. Maybe thats part of their appeal: they sort of drifted by and created a cult monster in doing so. Who knows. This is class though

This ticked all the boxes for me, I generally like post-hardcore but this has just the right amount of aggression and complexity. From the first track I was hooked. Still amazed the guitarist was in rocket from the crypt, the jump from this to radio friendly ska punk is very unexpected. Definitely prefer Jehu. Wouldn't say I'm a proper fan of any 90s post hardcore bands but this could change with DLJ, loved this album and will be listening again excessively.

Not at all what I expected from the name, thought it would be some trip-hop nonsense. Really fun and dynamic, paving the way for the emo nonsense that I really enjoy a decade or so later. Do You Compute was particularly memorable.

Enjoyed this, but something didn't quite grab me for some reason. Think the songs are a bit long and meandering at times for this style of music. It reminded me of at the drive in. Think I'll be back to listen to this again, when I'm not stuck in Easter traffic on the M6 3.5 but it's getting a 4 as there isn't enough of this on the list

I'm not listening to another math rock album. I'm sick and tired of this shit.

Yeah…….nope

Strong dislike

Nope not even a little

overraskende! virkelig fedt album! kunne godt høre lidt der lå forud for Dillinger Escape Plan og den slags

Fed plade, ret inspireret valg til listen!

Cool plade, godt med støj.

"C'est gueuler pour gueuler" -Tom

finally some good fucking music on this forsaken website.

Not bad for noisy music

4.5/5

An right album, I liked Do You Compute and Luau. The rest all sort of blurred together.

Screeeeeeam!!! 4

Not for me.

Not my deal.

In a nutshell: killswitch disengage Can hear the California punk influence, but that's about it. Where are the "punch in the guts" moments users are referring to? The songs are unnecessarily long and don’t lure me in. I reckon Yank Crime might win over fans of post-punk/post-hardcore, so I'll give it that. Overall: 3/10

Not exactly in my wheelhouse but some fantastic guitar work. happy to know it exists..

Did not know what to expect.

The songs sound kinda similar and I don’t get the lyrics, but this album definitely had me rockin. I think that’s all that matters.

I can appreciate what these guys are doing, but it is not for me

Wow! This one is really surprising! I've seen this band referenced before but never checked them out. For 1994 this is incredible! This is probably a 4.5 for me... right up my alley when it comes to aggressive music. I'm kind of embarrassed for not knowing this one. I don't know how I missed this, must have just been the name, and timing, but this is a new favorite! Can't believe this has the same guy that did Scream, Dracula, Scream!

Bah

I like punk, I like hardcore, this album had hints of both but didn't accomplish the goal of either. One of the features of hardcore is that the songs are short and powerful, many of these songs these were just too long. Maybe that's what "post hardcore" is but then maybe it's not for me.

Dreary, dirgy, shouty, discordant and dull. Couldn't be bothered to make it to the end of this album

Post-hardcore, Norma Jean ripped these guys off lol

3 stars for the arrangements, 1 star for the singing.

Kind of like The Get Up Kids covering Nirvana’s Endless Nameless in At the Drive-In's rehearsal space in different variations for an hour. Or The Blood Brothers with less annoying vocals and too much time on their hands. Lots of cool riffs, some nice vocal melodies, grooves really hard. On first listen I found it too repetitive and hard on the ears; but on the second listen I can really get into this. The only problem with the album is that some songs outstay their welcome by many minutes.

Almost good, but never fully got there

Feeling off today so that may affect my rating.

Ok punk music, very repetitive though.

Oh... something new. I like the guitar and music overall.... Especially on Do You Compute. Not feeling the vocals. There is so much interesting music here... but those damn vocals. Okay.. in an odd way Super Unison's vocals reminds me of listening to Incesticide for the first time. I think I can forgive these vocals for the long-form experimental sonic goodies. I've been won over. 5 stars.

Nothing grabbed me, but nothing repelled me either. I would be fine listening to this album again, but also fine without hearing it.

eh

Iconic post-punk band. These guys definitely majorly influenced a TON of music I adore so I have so much respect for them. They don't suffer from the "Seinfeld is unfunny" syndrome either, this album absolutely rips.

This is an album I’ve always wanted to listen to but somehow never got round to. It’s cited as a massive influence by loads of bands I love, and deserves its reputation as an essential post-hardcore/emo record. It’s extremely my shit and I’ll definitely be revisiting this a tonne. This is what the club is all about! I’m very excited by this one.

I consider myself fairly high in openness when it comes to music, yet I couldn't get into this one let alone through it. It was just painful. Maybe I will try again some other day who knows. But If I want noise music, I'll just listen to MBV! That's some noise music with soul.

Noisy

Insupportablement trop de scream et de guitar gossante à mon goût, mais au moins la bass et le drum était bon faque un point bonus

p753. 1994. 1 stars. Utterly redundant shouty punk rock that is 15 years too late. Why is this below average shit even on the list?

Shite

Like Thursday before Thursday learned how to write songs.

It turns out I like post-punk more than punk, but I still can't say I'm crazy about this. There were moments in this I enjoyed, and also moments I didn't.

I actually enjoyed it a lot, just cut the 30 seconds of scratch sounds and the 3 minute loops of scratch and instrumentals and it’s a 5

shi kinda wack, I like it.

Gear: Meze 109 PRO Mix: könnte gerne druckvolleres Mastering haben - braucht ordentlich Lautstärke (wie eigentlich zu erwarten) um zu funktionieren - aber wie das dann funktioniert! Musik: Achtet auf den Tempiwechsel - der Rest geht ganz von selbst! Wertung: 🕴️🕴️🕴️🕴️/5

3.5+3.5+4+3.5+4.5+3.5+4+4.5+4+4 = 3.9 Super fun album Loved the thrashy vibe Super unison is a great song

I quite like their sound. It is interesting enough that I will try similar bands.

ok

This is a cool history piece for me, seeing how other scenes were sounding in this time frame. I don't know that I would come back to this but I am glad to find it.

It was OK - perfectly passable post-hardcore. Could see myself listening at a moment in time but not going to convince me now.

too heavy working:)

I’m not really into hardcore, but it seemed pretty good.

he'll yeah

punk america band. början är riktigt svag, mittdelen ger intressanta element och gör upplevelsen underhållande. slutet är återigen en hel del irriterande kickeramaistaesque blabbing...ändå ges rekvisita eftersom inte alla låtar är likadana luau

Raw, provocative, experimental, aggressive. Drive Like Jehu

I've been on a huge Post-Hardcore binge the past few weeks, but I've purposely been putting listening to this album off because I knew it was on the list and I was waiting for it to come up. Yeah, it's awesome. A musical punch in the cock. Immediately opens with one of the heaviest songs ever recorded and then spits on you for 53 minutes. Kind of silly at times, but that's par for the course in Post-Hardcore. Who cares, it's a lot of fun. Strong 4/5. This list needs more Post-Hardcore - sucks that amazing classics like "Relationship of Command", "The Argument" and "The Devil and God Are Raging Inside Me" are not on this list as well!

There was nothing great about this album…

why did you make me listen to an hour of pure noise?

Not my personal choice of music, but I understand how it can be influencial.

3/5. Passable hard-core punk. Production was good. The tracks were a mixed bag.

Not necessarily a lot of stand out tracks, I added a couple, but a good listen. The songs were pretty diverse.

Borderline 2

Only made it two songs. Might've enjoyed it at a younger age, now it sort of gave me a headache. Not for me.

Screechy, angry tuneless. 1/5

Without this post-hardcore doesn’t become what it becomes. At the Drive-In, Thursday and many others owe this album a huge debt. It’s ferocious, catchy and downright unthinkably good. There’s something to the pure and unchained madness of this album and the band that made it. I fully fuck with this!

Fun album. Reminded me of like an earlier Refused or The Bronx. Ahead of it's time. Did get redundant and repetitive though.

just hue and cry

I have not heard of this artist or album, but after a few songs I do like it. Gives a kind of early Foo Fighters/Ratt/Alice In Chains vibe that I really dig.

Not really my thing, but seems competent for what it is

This is exactly what I would imagine garage punk to sound like. It thrashes, it’s loud, it doesn’t make much sense. Overall this just felt like what every person was trying to do in the 90s and came up short of being nirvana. Overall I wouldn’t revisit this but it’s better than some albums on this list. 4.1/10

And I thought the Sex Pistols were bad...

Noise

High school me would have been all over this. Some tracks rip. Probably won't listen again, but I'm glad I know of this album now.

post-hardcore adiptivo. Excelente de principio a fin.

This is one of those seminal albums that, while not on my favorites of hardcore/punk emo music, is still pretty awesome. Blistering is a word that I think a lot use with this kind of music which can be exhausting but definitely makes me miss my moshing days.

terrible, hurt my ears, 1 star

The music was awful and the vocals sounded like screaming. I wouldn't take this album if you gave it to me for free!

It’s a no for me, dawg. I gave each song the old college try, but to be honest I don’t think I listened to any song in its entirety. And then I put on my Summer of Taylor Faves playlist.

From the Wiki, I expected to really dislike this, but didn’t. Nothing I’d ever listen to again, but some of the tracks were reasonable melodic and the guitar work was pretty tasty throughout. Never heard of the group.

Pre-listening: I think I listened to this a year or two ago while compiling an “early emo” playlist. One song (only), Luau, made the playlist. That doesn’t bode well. After listening: yeah, don’t care for this. The first album where no songs will make my ongoing playlist.

Not exactly my jam but my jam-adjacent. Hints of Interpol and some other band I can't put my finger on. Bullet train to Vegas is a bit of a jam.

Seems like a RATM cover band tried to write their own stuff

I was like nah I don’t want to listen to this heavy album at first. Then I was like wait this kinda like a heavier more punky American football album. Yeah so I liked the screaming loved the math guitar elements. Liked when it was kinda lofi. Banger

Nope

not mine

69 minutes of shitty shouty noise that I only managed about 20 minutes of

Grating and unpleasant

Great feel.

Gefällt mir nicht. Sänger hat die voll nervige Stimme.

It says the band toured for the album and then quietly disbanded. I wonder if that's because they heard their music. I'm also seeing a note that this album was credited as starting a music scene in San Diego. I wonder if we will then get albums that kick started music in other towns. That would be a cool separate list. But for this list, I had a lot of skips and irritations whether it was a continuous guitar pick or some distortion sound. My ears were not a fan.

An interesting album, group I've never heard of. Wikipedia calls them "post-hardcore," "post-punk," what am I supposed to make of these terms? No idea, but it's pretty good. Long tracks with a strong display of energy, emotion. Feels punky to me, but the song length is one indicator that things are different. Yeah not sure what to really say about this album, but I liked it. Nothing crazy, but we don't get many albums like this so it's an appreciated departure. Favorite tracks: Do You Compute, Sinews. Album art: Very simple black and white drawing of an ink pot. All the words, the band and album title, seem like free association. What does any of this mean? Who is Jehu? It's a cool cover, bold. 3.5/5

This seems like a legit hidden gem. The guitars are amazing and unique. The lyrics and vocals fit perfectly. The band just kind of disappeared after this album so it didn't gain a huge following. Great find on this list.

Never heard of this band. I thought it was a pretty good record - shades of Sonic Youth.

Didn't need 70 minutes of this. Prefer Glassjaw, Deftones, and many others.

Sometimes it’s nice to get an easy and obvious 1 star album. This is often out of time and I’m not convinced these lads could play in time even if they really wanted to, I don’t think they are very talented musicians. This is horrible, nothing to redeem this shit. And an hour long? It’s a slam-dunk one star!

Everything is a matter of perspective. I've listened to this album three times and took my time to rate it because I really liked it (average score 2,71). Next day I listened to Chelsea Girl by Nico (average score 2,61) and hate that garbage. Similar score, different energy and style. Anyway, never heard of Drive Like Jehu before but for me this is the biggest surprise I had pleasure to discover via this site after listen to almost two hundread albums.

Awesome! Never heard of these guys but I like it already. Hell yeah that first track is great! Can't believe I never knew of these guys. This album was great! I loved the angst in it, the long solos, and the feel of the 90s throughout. and John was right definitely has some Janes Addiction type feels to it. 4 Stars!

Bunch of frantic racket to me

Wasn’t big on this as this is a genre I don’t really enjoy.

Loved this one. I could hear its influences in quite a few of my favorite bands today!

Blegh, better than other similar albums I've heard but not by much. Just a lot of noise, can't get used to it.

This was an interesting album. Some of the songs I DESPISED but then some were absolutely amazing. The original version of Sinews is a highlight, and hand over fist. Overall a really interesting album 3.5/5

Bloody brilliant. This was a great album that had a few flaws but overall it was a fun and enjoyable listen. My fav was Do You Compute? But i also loved bullet train, luau and super unison. 4.5

Painful clanking with occasional respites. Other than that ok.

Surprisingly good album. When I read it was hardcore I thought for sure I'd be disappointed, but boy was I wrong. I ended up adding a few songs as well. 4/5

Lots of energy, not much on the musical side. Punk can (and usually does) do better. 1.5/5

This goes insanely hard.

Not bad, definitely not polished it would seem

Metal, laut, viele orginelle Ideen

I can see there is art and effort in there, but it's too much like noise for me to truly enjoy it.

I love some punk. But this ain't it. Too whiny, even for my taste.

FUCK. YES. This is exactly the type of longform, noisy shit that I love when Sonic Youth does it, and this shit rocks hard! Whatever the singer is usually inaudible, and quite frankly, indistinguishable from the rest of the noise, but I hardly care, because this rocks so hard that I'm jamming harder than most albums have ever had me jamming before. I could perhaps understand this being annoying, but I'm too busy loving this to care, even if it is a little longwinded. If this is the closest we get to emo on the whole generator then sign me up to finding more noise rock like this. Fuck yeah!

Lyder lidt for meget som hvis et angstanfald fik et Heavy metal backing travl

Not my vibe, too much screaming

Fantastic album for its time. Very Swans, trail of dead. Luau is fantastic.

First time hearing of these guys. Grunge with a touch of prog. Interresting. 3.5/5

1st Reminded me of Alexisonfire and My chemical romance from my teenage youth Felt lengthy 3

I got quite bored of this before the end and thought that the guys voice was a bit grating

My favourite parts of this album are the parts they sound like othe post-hardcore/emo bands that I enjoy. They make me wish I was listening to slint or dogleg instead 🥲. I get that they were like the fathers of emo or smth. The second half of the album was better than the first.

This post-hardcore album was a lot of fun to listen to. I can hear the roots of emocore, late 90s alternative, and even some pop punk. It interesting to hear how this album differs from its contemporary grunge artists who also got inspiration from hardcore punk. Drive Like Jehu keep a lot of the hardcore elements but add some interesting rhythms and time signatures in what approaches a more math rock approach. This is not my usual listen so it was good to hear something new.

Mmm, noise

Not a fan.

Can't believe that this ever made it out of the garage. One.

Frenetic, quite progressive, but also very melodic especially tracks like Here Come the Rome Plows, Luau, & Bullet Train to Vegas. Lots of riffs. Not my favorite vocal style but it works for the most part.

Interesting US hardcore...with twiddling bits. Worth another listen.

7.5/10 Highlights: -Super Unison

Definitively metally

Thanks i hate it

Listened Before? Y Somehow I have heard this obscure thing before! Millennial punks love this one. I'm not a huge fan. It would have been an awesome hardcore album but they repeatedly break one of the golden rules of hardcore- their songs are WAY TOO LONG. Added to Library? N Songs added to playlist: Here Come the Rome Plows

Yes! This all happened so much earlier than I thought, it seems. A great racket I’d never even heard of.

I find post-hardcore music so strangely beautiful. There really is nothing beautiful about it. It’s so self-loathing and angry at everything. There isn’t beauty to derive from it in the way you can find beauty in jazz or classical music. And yet I find a weird amount of emotional value in it. There is no other genre that insights the same kind of genuine desire to be mad. It’s a wonderful thing, really. I also love how melodic it is. It’s not heavy like other punk and hardcore music. It’s more lively, but still crushing and distorted. And every post-hardcore band plays their instruments like it’s the last time they ever will. But they play like that on every song. Every song has power. There are no sleepers. Yank Crime is all of those things. It is post-hardcore in a nutshell. If you wanted to introduce someone to the genre, this would probably be a good start. The vocalist really reminds me of Cedric from At the Drive-In. It’s that same 2000’s emo kind of screaming. It’s make you want to scream along with him and hurt your vocal cords while doing it. But who cares? Just go all out. You are listening to aggressive music. So just get aggressive and start thrashing around. Rating: 8/10

top-flight hooky math rock

Can see how this led to emo bands. Good stuff. Some of the albums on here aren't that spectacular in their own right but have spun off whole genres of music. That's why they are notable. That being said this is a solid album.

I’ll admit I only listened through once. But I’ll give it 4 stars because it was loud and awesome.

This was like discovering the missing link to emo. Such a wild ride and enjoyable album!

I really respect this album but it's just not for me. There are some really cool and heavy instrumental parts and there's clearly a lot of emotion going on but I think I love my parents too much to fuck with this album. No disrespect just not for me.

I had exactly zero expectations coming into this one, never having heard of the group. The verdict for me is "eh". For what it's worth, 94 is pretty early to have their sound this developed, which is cool; bands like Fucked Up and ...And You Will Know Us by the Trail of Dead had similar sounds (on different points in the spectrum) coming into even the mid-2000s. From the first track, I thought this was going to be some generic hardcore punk but there's actually a lot going on here.

It's basically noise with a bit of music

Layering is nearly perfect, losing edge only when vocals slip from the trailing edge. Then, Drive Like Jehu can fall into math rock obscurity just a bit; The rest of the time, complexity's not-quite-masked by punches moving one forward. The added material shows the development of solid song to setpiece.

Mad. Chaotic. All over the place. Deliberately, one assumes. It surprised me that there were a few tracks that I actually half liked...Do you compute; Golden Brown; Human Interest; Hand Over Fist; Bullet train to Vegas. So, what started off sounding like a 1 out of 5, ended up with a (surprising) respectable 3

Not for me

Niet mijn vibe echt qua punk

A precursor to emo I guess, but aspects of this sound more industrial to me. Closer to the Big Black side of the bridge than to Thursday or At the Drive-In. For a first and only self-produced album this sounds really crisp. The sound quality is great. The songs are heavy and emotional (there we go), and induce a sense of panic and aggression. The cover and the aesthetic remind me of Milo Goes to College. It’s DIY done right. I could barely get through the whole thing, yet I know I really do like it a lot.

Ratm

Если бы Shellac были хорошей группой 8/10

When I was first getting into Hot Snakes, this album came up as an obvious early chapter that I just could not wrap my head around at the time. Following a half-decade of listening to some more abrasive music, this one finally makes sense. Compared to the relatively tamer, more narrative hard rock of Hot Snakes, this LP (and the DLJ project as a whole) was Froberg and Reis' chance to gnash at the teeth and hone the instrumental sound that would come to distinctly define all their projects – there were more than a few moments on this album that made me turn my head in recognition, whether it be a melody, lick, or even something as small as a guitar slide/choke that felt familiar. That's not to say this earlier effort is lacking compared to what would come after. If anything, this album sees the two Snakes at their purest, rawest, most genuine form. While several of the tracks feel a bit lengthier than justified, not a single one feels inessential to the LP. - this album comes out as well more than the sum of its angry, twisted parts. I understand why sonic assault and more abrasive guitar work may wear on and turn people away, but if you're willing to let John and Rick rage at you for over an hour it all starts to make a twisted, beautiful kind of sense. The raw emotion at play here is immense, and while the statement can be a bit to stomach it's worth the bitter pill it's encapsulated in. Glad the project brought this one back to my attention for another go-around. I still haven't processed Rick Froberg's death from earlier this year, and I think what that means musically has yet to fully hit me. The world lost an excellent musician (one who wasn't so much ahead of as defining the curve in the hard rock scene), and it saddens me to know we'll never get to hear another thesis from the man who could sound so angry yet carry so much emotion in his music.

Pleasantly surprised to get some Post-Hardcore on here. Great band, good album. 3.5/5

I admire this, but I don’t like it. Heavy raw wild intense. But not my scene.

Great power, dense noise. Would‘ve loved to see them live in my early twenties. Reminds me of The Candies in a much lengthier Urlaub in Polen wrapper, filled with screamo core (does anyone remember a band named Juno?) 3.9

That was a lot for this early in the morning but it wasn’t the worst album I’ve listened to on here. In the words of Taylor Swift, “damn, it’s 7 am”. I think whoever compiled this list of albums had a bias towards punk rock

This was decent. Not great and it wouldn't be my first choice but I can see it's appeal.

When the first track started, my brain started preparing for an aural assault ala Sonic Youth or Liars, but it was surprisingly okay! I noticed the quality of the playing and composition after a song or two, and then a couple tracks later I noticed that I was kind of getting into it! If nothing else, I think it may end up being good background music that I may come back to again.

Turns out there's a limit to the amount of screaming I can take, and this album exceeded that limit. 1.5.

I can't put my finger on why this is connecting so well with me. It is far more aggressive that what I needed yesterday when I heard it for the first time. But I likely realized the value it may have on a day when I do need that power level to push me those extra few feet. I really appreciated the albums representation of the evolution of punk, to hardcore, to this mixture of the two, with a few shakes of noise rock, and complex time signatures. Like a proto-progressive metal album. I could see Drive Like Jehu opening for Tool. I have almost talked myself into that fifth star.

Drive Like Jehu, playing like they're running for their lives. It all fair pumps along, drums driving us along. Great energy, this must have been something to see live.

I could appreciate the music for sure. I learned today what math rock is and I’m not mad about it. Lyrics weren’t it for me, but that’s okay.

I had never heard of this and it really impressed me a lot. The songs are challenging and full of energy. The guitar playing is really creative and different. Very cool album.

I hope I am presented with a decent and interesting album soon.

Best song - Golden Brown

I really enjoyed this. It’s noise the way I like it. Will return to it.

no. definitely not my vibe today, or most days for that fact.

Meh. Not the best or worst I've ever heard. I love punk, so it's not a genre thing....I just can't even remember any of the songs I've just heard.