Reviews (page 6 of 8)
Intressant folk rock. Bästa låten är den instrumentala "medleyn". Sång rösten är inte min favorit.
Neat album. Wouldn't listen to again tho
This must've been a big deal for someone's grampa. There are some prog hippie church music vibes. To be clear, none of those descriptors are a bad thing in isolation and their combination is intriguing. This music is at its best to my ear when the rock is forward and they get more intricate with it. Unfortunately, the weirder prog moments are relatively few compared to some generally plodding applications of folk conventions which dilutes the impact. And yet, those moments do give opportunity for the vocalist to shine. This band is a conundrum and it got me thinking: To get into the headspace of just how this whole endeavor could've felt in 1969 in terms of excitement, maybe we should think of what the "problem space" or "surface area" of exploration would be if updated with more contemporary examples, maybe we should ask how would we wrap our minds around a Joanna Newsom x Mars Volta collab? To travel back in time, maybe then the music of Fairport Convention was that exciting, curious, and potentially dangerous.
I had a fun time listening to this, I am not sure its anything special, but my ears liked and the brain released the happy chemicals
Love this album. It's so weird but really drew me in. I tried looking for other stuff with a similar vibe (including other work by Fairport Convention) but nothing really hit the spot. Feel like they caught lightning in a bottle on this one
honestly super cool!! like if genesis made an album in the 60s with joni mitchell as a vocalist
It was nice, good change of pace. I really liked Marty Groves, but no better than a 2.5, but I’ll round up.
I had this on in the background while I was doing something else and I really wish that I had been able to listen to it more carefully because what I could hear sounded really great. I especially liked the Celtic/ medieval feel and the singer's voice.
Solid album, some meh moments but altogether not bad at all
As smooth as folk
Me sorprendió gratamente porque no lo conocía. Qué buen disco, lo volveré a escuchar.
4+ tam lin crazy man michael
really good 3.75
Was alright
Interesting parts but generic at times standout songs: Matty Groves The Deserter
Second time listening to this. There is something there. I can see why it’s on this list. Not my favourite but I get it.
Very intimate and nice album, i like it just because it can be played somehow on a quiet day, to change and relax for the duration of it.
"The British Jefferson Airplane" indeed. Celtic music has been in my rotation since I was a kid; it's always stirred something deep in my soul, so I'm not surprised that I really enjoyed this. I love the song Shady Grove (traditional folk song with Appalachian roots), so Matty Groves was immediately familiar. Cool to find that it originated from this old English ballad.
Of the things that I really care about, folk music continues to not be one of them. This album is fine, like most of the folk albums on this list, but it's ultimately not for me 3/5
Honestly very fun. What a voice!
Wow what a masterful showing of talent. The breakdowns, solos, hell just the playing all over this album are incredible. Sounds like a description for somw prog or metal but this album sounds completely folk the whole way through. Amazing
Lovely voice.
I loved this entire album. It was a vibe, and now I’m listening to everything on the deluxe version.
Come all ye musicheads. Where would we be without the folk rock world? Not much to say here--just enjoy.
This is all daisy crowns and diaphanous gowns. Sandy Denny’s voice is incredible but at times I felt like I was being battered by a bunch of crocuses in a wildflower meadow. This is the zenith of English Folk Rock though.
If nothing else, this album makes me want to investigate Fairport Convention's catalog. From the little I've read, this release has its devotees and detractors, which makes exploring more from the band seem necessary, considering I thought this was captivating, rich, and just really good. I've heard tracks of theirs before, had a vague understanding that they went through myriad member changes over their career, and recognize Sandy Denny as an iconic voice. So, great selection for this endeavor. The release that preceded this, Unhalfbricking, is also on the 1001 list, which is listed among the band's best from the sources I checked out. Let's find out!
Funny, I just listened to this two days ago and wondered if it was on the list. Glad it is. This album is fantastic, and I'm not even into this genre. These guys manage to do a lot with a little, as these songs tend to be very simple (often centering around one chord), and they also tend to be pretty long. And yet they find ways to keep things interesting: subtle changes in dynamics and intensity, sympathetic performances from the band, and of course Sandy Denny's understated and plaintive performances. Plus, the stories are great. Tam Lin is a favorite. My only complaint is that I wish the mix was a bit brighter and a touch more open, as these songs feel like they were recorded in a closet. So, 4.5 stars, rounded up.
Such a sound capsule! I dig the blend of rock and old Brit folk. While familiar with some of the old ballads (Matty Groves), I am not familiar with Fairport Convention. However, we've all heard Sandy Denny because she's the other voice in Battle of Evermore.
Great album, and what an amazing vocalist! 4 stars
Deep, dark, weird tales of crows and foxes and death and vengeance, intensely performed.
Leans more in to the folk rock than Unhalfbricking. Fun to hear the reimagination of some of the classics and compare this to some of the other music going on in England in the late 60's.
This album was incredible. Despite it being clearly folksy in nature, there's something about this album, and I can't quite put my finger on it, but it sounds really ahead of its time and quite modern. Really dig this one.
Fun folk rock, blending in some kinda celtic leanings
Pretty, lovely music.
Nearly a whole album of my favourite Fairport Convention tracks. Crazy Man Michael the only dud for me.
It's good, but doesn't vary much in texture or dynamics – either within songs or between them. I'm not well-versed in traditional British and Celtic folk material, so it's possible there are more nuanced variations I'm not picking up. But for the most part, there's the "bard tunes" (e.g. Matty Groves, The Lark In The Morning) and the mournful yet hopeful ballads (e.g. Reynardine, Farewell Farewell), and Fairport Convention sticks solidly to one of those two. The music lacks versatility. But for what it is – a showcase of classic folk tunes and original compositions emulating them – it succeeds pretty darn well. The instruments are mostly ones traditionally used in a rock band (vocals, electric/acoustic guitars, bass, drums), but they're played creatively to get that distinctive "folky" feel. This is particularly noticeable in the drum playing/mixing. Then we have the vocalist - love the singing here. Reminds me of Christine McVie. The musical modes are also indicative of that old English (and surrounding regions) sound. Definitely stands out from the rest of the pack, and is deserving of a spot on this list. But there are more versatile, engaging albums out there. 3/5 Key tracks: Come All Ye, Matty Groves, Reynardine
Ce n'était pas mauvais, mais j'oubliais que ça jouait au fur et à mesure. Un autre album dont je soupçone un gros biais UK. 6/10
"Liege and Lief" by Fairport Convention is often praised as a landmark in British folk-rock, but it falls short of expectations. The production feels dated, and Sandy Denny's vocals, though beautiful, lack emotional depth. Tracks like "Matty Groves" and "Tam Lin" seem more technically precise than heartfelt. Instrumental medleys disrupt the album’s flow and feel indulgent, while the blend of folk and rock elements often clashes rather than harmonizes. Overall, the album has moments of brilliance but lacks the cohesion and resonance expected from such a highly regarded work. It's a decent listen for genre enthusiasts but may not live up to the hype for others.
I don't know what it is about Fairport Convention, but their music just hits the spot. Combination of beautiful vocals, great melodies, some guitar solos, a bit of melancholy in the music, it just creates a perfect blend, just like the previous record by Fairport on this list. Great music, easily 5/5. Looking for some vinyls straight away.
British folk repackaged for a pop audience, but it just about manages to avoid going too far into Twee Cottage.
Okay three mediocre 60s albums in a row is starting to make me think the end of this list isn’t randomized and is just loaded with all of the lamest, most forgettable albums. This one was definitely worse than the last two because it was stereotypical folk instead of stereotypical psych/rock.
The pretentious falsetto turned up to 11! All enjoyability of this band from the last album disappeared. Most songs dragged on and the singers inflection is always the same annoying, try-hardedness to it. Musicality is still ok, but lacking from the last listen.
not mid. just bad.
What if Jefferson Airplane went to a renaissance faire? And then an Irish jig was sometimes performed. Come find out!
Bro WHY are there so many of these medieval albums on this generator. I must be missing something because there's no way enough people are obsessed with folk music like that to have so many folk albums on here. I'm lowkey getting ticked off because it's getting harder and harder for me to gaslight myself into enjoying them, so I'm giving this a 2 out of spite (though I suspect under less biased circumstances it would actually be a 3). After checking the global reviews I am apparently in the minority with this less than favourable opinion so my sincerest apologies for my previous statement. To be fair, I did actually somewhat enjoy Matty Groves, Medley: The Lark In The Morning (no singing yay), Crazy Man Michael, and maybe Farewell, Farewell as well, but peer pressure will not change my initial convictions
I don’t like giving every album 3
Folk rock perfection on this one.. Matty Groves is just outstanding.. Sandy voices and Thompson's solo at the end. Then there is Tam Lin.. Wow..
Been a fan of Richard Thompson for many years and Sandy Denny has such a great voice that can swing from folk to psychedelic rock. This record is a a great listen.
I really like Sandy Denny voice. I ended up re-listening to Tam Lin a couple of times after finishing the album.
I liked this one better than Unhalfbricking. I won't be in the mood for it often, but I could see putting this on again in the right mood.
Minstrelsy good fun
I’m pretty certain at this point that I don’t like folk music. This was an absolute slog for me to get through. Rating: 1
I liked it. Never heard of the band before.
Had it’s moments but didn’t seem committed to them.
Nice Irish folk/rock album from late 60s
Here's an album that's more or less all about the stories being told within. And I'm sure they're wonderfully crafted tales of folk and magic and all that good stuff, but I wouldn't say I was drawn in to any one in particular. The production was solid as a rock, and the band knew what they were doing here; I just wanted a bit more...juice? I guess?
Fairly pleasant conventional British folk rock.
Nice Celtic vibe
I'm not a massive folk fan, but this is charming and ethereal. Really liking Sandy Denney's voice.
✅✅ what a gorgeous voice. went back and listened a second time. don't see it going three check, but immediately listened a second time.
✅✅ I was surprised by this one. I'm the first track I was worried it would be the same 60s folk that everyone seemed to be doing them. But the music is interesting, the singer is incredible, and the use of electric instruments gives it an "edge" (for 60s folk) that's really interesting. I'll come back to this one.
Medievel festival music. It’s not bad. 5.7/10
Didn't expect to like a folk album so much, but will listen again
This one made it to my 1001 mediocre albums picked out of a 2nd hand store. To classify this as any sort of “Rock” is blasphemy.
Fantasy chill
if they make a jonathan strange & mr norrell movie they should use this as the soundtrack
this album had some really promising moments, and then some moments that really wanted the album to be over... not something I am necessarily going to go back to I think. all in all, it seemed like some of the songs just rambled on with no real direction. 'quiet joys of brotherhood' just sorta dragged on as a closing track with them talking about still recording at the end and ultimately starting over. cool choice to leave that in i guess... but i was unsure of where this was going
Þarna kemur hún aftur, hljómsveitin sem er bara mjög fínt að hlusta á en ég hafði aldrei heyrt um áður. Síðast þekkti ég mig ekki nógu vel því ég setti hana í meðalflokk af því að ég bjóst ekki við að setja hana aftur á en svo gerði ég það bara skömmu síðar og nú er komin enn önnur sem ég get sett á. Hækkar því í 4 stjörnur.
This seems like a really nice example of 60s British folk. I don’t really care for 60s British folk.
I like Matty Groves, Lark in the Morning Medley
didn't like it.
Solid folk album. The more up tempo numbers were more my speed. The more ren faire-type ballads were, well, beautiful but boring. This felt very much like a product of its time. The folk scene was probably no bigger in the US than it was around this time. I enjoyed this album for what it was, and it was very good at being what it wanted to be. But I just wasn’t all that taken with most of it. And some tracks just kind of went on and on. I dunno. I started writing this thinking I’d give it three stars but I think I’m gonna give it two. It wasn’t bad at all, just mostly not my thing. Two stars. Standout tracks: Come All Ye, Medley: The Lark in the Morning, Tam Lin
Strong British Folk sound, with the Standouts being Matty Groves, The Deserter, and Tam Lin.
I can't help but notice that just about all female folk singers of this era all sound the same. UK, Canada, US, doesn't matter; it's all the same. Anyway, outside of the ear-gritting singing, this wasn't spectacular. 5/10
Albums like this are part of why I enjoy the 1001 albums journey. It's not one of my favorites or anything, but it was definitely interesting and there's no way I'd ever listen to this otherwise. Who listens to semi-medieval folk?
Favorite Tracks: Matty Groves The Deserter Medley: The Lark In The Morning
kelttiläiset huuuaaa huuhaa huaaahaa huuuuhuuuhuuhaaa.... katajan ympärillä tanssien laulaen esihistoriallinen kansa.... huuuaaa huuhaa huaaahaa huuuuhuuuhuuhaaa.... Koska en ole suuri teknon fani, tämä albumi sai minut silti nielemään kolme ekstaasipilleriä ja viettämään koko yön rave-bileissä muiden hikeen kylpevien ihmisten parissa. miksi vuodelta 1969 niin järjettömän monta albumia, summer of sixtynine... oliko parempia aikoja silloin? onko tämä merkki siitä että kyseinen vuosi oli ihmiskokemukseltaan arvokkaampi kuin esimerkiksi tämänhetkinen kuluva vuosi? sanoisin että kyllä, kyllä se oli... muistan kuin eilisen!!! (en muista eilistä.. kännissä kuin käki...) anywhoos, miellyttävää musiikkia matty groves
Interesting and had no expectations going in. Definitely not my style but appreciate it.
buen folk-rock ensalzado con la voz de de Sandy Denny
Я в целом люблю такое, а здесь еще и вокал ну очень нравится. Лучшая песня - Matty Groves.
Jefferson Airplane vibes. Makes me wish I could time-travel to the 60s
A lot of lyrics lifted from Monty Python and the Holy Grail minstrel songs.
Some folk. Nice, but forgettable.
Favourite songs: Sir Patrick Spens, Medley: The Lark in the Morning, Tam Lin, Matty Groves, Come All Ye, Crazy Man Michael, The Deserter Least favourite songs: Reynardine, Quiet Joys of Brotherhood 4/5
Oh good, more middling British 60's music.
Pretty enjoyable folk. I’m mostly surprised at the generally positive reaction in the top reviews given the general opinions of people on old British music.
Folk is not my thing but there are is some interesting musical ideas in this
A magnificent meeting of Celtic and British traditional music and electricity. Utterly timeless with accomplished playing to boot. And, of course, Sandy.
One of those filling, ringing high female voices with British folk music that always sounds like it is about King Arthur and magical swords. Some crazy guitar on Matty Groves. The Lark is a rave up reel. The album is excellent for what it is, just not my cup of tea.
Me aburrió un montón este disco. Género 'canción' tirando al folk y el country. Buena voz de la mina.
Another album with some fun violin parts. I appreciated how chill it was; the stories were nice to listen to without taking too seriously. I'll probably listen to more of this band's work.
Confused because I thought I liked folk rock??
Fairport convention: Omg our friend Michael is so crazy! We should write a song telling people how crazy he is Michael: [the most boring British man to ever live] hi
Two Fairport Convention albums in the space of a week. If ever I was going to convert to a folk fan, this was it. I liked it enough but it does start to bounce off you after a while and feel quite samey. I appreciate what's year but am sure someone has a better take on this by now.
A beautiful album right up my alley. It’s hard to overstate the significance this album had on the traditional music scene back in the day. It was met with scorn and derision by many and yet turned an entire generation of Romantics on to the literature of their tradition and culture. The musicianship here is too rate with Richard Thompson’s guitar and Sandy Senny’s string, controlled voice being backed by Dave Swarbeck’s fiddle. It’s a perfect marriage of traditional aesthetic and electric 1960s sound. You can hear the band trying to figure out how to work with this music behind the lyric. Thompson was the gift that made this all work. His little guitar fills and harmonic designs made the bridge possible and the band made the journey complete.
This here is a beautiful record. Sandy Denny's voice makes the fog lift. The view is perfect. The land is majestic and full of life. Listening to these songs is like witnessing the reconciliation of time, and this is what good folk music does. Honouring the tradition that brought us here while encapsulating contemporary emotions and atmosphere. The playing here is gorgeous, keeps us attached to the world and to community, while whatever Sandy Denny does brings out the magic, the heart, and the sense of something that is there without being seen. She sings the river that runs below the river and gives a voice to the ghosts. Beauty.
Not my cuo of tea
British folk rock reminiscent of Jefferson Airplane, including both originals and old folk songs. Sandy Denny’s voice stands out - I enjoy her sound and style which fits the music and grabs my attention. The musicians are strong throughout and play these songs in interesting ways. I dig the bouncy feel of the bass (which is very prominent) on Marty Grove - which goes from classic folk song into a solid jam. Overall, this band can do some great things on an instrumental.
2.5/5
This was just a bit too much of the medieval vibe.
Enjoyed this album, Not every song certainly, but overall. It is definitely 1960s folk music. I really like the female vocalist’s sound.
out of all the folk albums i've listened to thus far, this one is REALLY on the folk side, like straight from the mountains folk. with the calling vocals that almost sound like a shepherd calling its flock, occasional fiddles and colorful guitar strums, this album is the... well... the straight up folkiest i've heard in a good while.
Couldnt be arsed with this one but enjoyed it as it went on. From what I gather they were one of the original and best in this folk-rock-prog genre. Feels like theres something more than that for me, flirts with blues and pysch at times, but the vocals make it even more distinctive than other similar bands. Vocals and instruments work so well together, like a well oiled folk machine. The next time I fancy this sort of thing itll be the first of it’s type I’ll put on
Don't really have any interest in this hey nonny nonny folk stuff, though I imagine it's very representative of the 60s flower power thing. One song in isolation is quite nice enough, decent vocals, but a whole album is painful. Could have cried when the last song came round and it was 10 minutes long. I'm probably an cynical uncultured prick but this sort of folk feels so performative, like appearing to be a hippie is the most important thing, when I think this whole movement was meant to be against materialism and pretension. Don't know what I'm on about really but this album isn't very good.
Found it fairly irritating at the start, but by the end I was enjoying it. Perhaps the second half of the album was stronger? Tam Lin stood out. Loads of wailing. 3.5 for me.
I was surprised by how much I enjoyed this because I don't usually like Folk music. It's probably because this almost sounds more Rock than it does Folk. The album has a nice rhythm to it and sounds really good for something from the 60s. Definitely one to revisit. Highlights: Come All Ye Matty Groves Tam Lin
Wasn't convinced initially but actually grew to quite enjoy this. She has a good voice and the guitars got fault interesting at times. Probably won't be back but solid 3.5
Ya know, I find that I love me some good fiddle/viola work on a record. This is no exception. Reynardine is at once spacious and epic. Feels ancient and really well done in this setting. The cadence on Matty Groves feels so familiar; perhaps it is just a common rhythm, but I swear this is identical in form to Sublime's cover of We're Only Gonna Die for Our Arrogance. Always enjoyed that song, and I dig this one as well. Wild, I recognize Crazy Man Michael from a Pretty Lights song I used to listen to back in college. Did not expect that. I'll be honest, I had to motivate myself to take this one on. 60s folk rock is something that does not excite me on the face of it. That said, I am glad that I overcame that prejudice because this album is fantastic. BEAUTIFUL production that gives lovely depth to the songs, with several elements that feel far ahead of their time (looking at the dripped out guitar tone on Crazy Man Michael), and a fantastic singer. Also, as I mentioned earlier, I have a soft spot for some solid viola/fiddle and this had plenty of that. This one won me over. High 4
I like the lady's voice. Besides Matty Groves, there wasn't another standout to me.
That was some pretty righteous folk. The violin/fiddle or whatever the stringed instrument is was the highlight for me over the whole album. It really made this album step its game up, even though the other instruments were very strong as well. The female singer was also a very big plus as I feel like her voice went very well with the instruments. This album had some unexpected heat to it.
This is perfect rainy morning music. I gotta say I REALLY like her voice. Not usually my style but there's something about it. Feel like I can hear some Grace Slick in there. Also she's the chick from Battle of Evermore! Some real great backing instrumentals to go along with a beautiful voice. Usually not the biggest folk guy but would 10/10 listen to this on my walk to Mordor.
It's all very nice. Bit too much of it mond and you really need to be into the genre to reach the end.
Fine. Occasional fun moments. By listening to this album I am now contractually obligated to frolic in a field and/or barn within the next fortnight.
Ooh, I do love Fairport Convention. I kind of like them better when there’s more rock to their folk rock, but this was pretty great. I was especially in the mood after reading a new book about Nick Drake.
I had never heard of this band and really enjoyed this. I might check out more, although I know the singer leaves the band and tragically dies.
Sandy Denny's voice is perfect. The jam sections are tedious at best. I skipped to the next song. British folk rock has it's place, but sometimes it really just annoys me. I might have liked it more with the drums more in the background. But this was done in the 60s, so it's what was popular then. 3 stars for Sandy's voice.
One thing I’ve really enjoyed about this music generator is that it has softened my heart to folk music, and "Liege and Lief" by Fairport Convention is another great album that I’ll definitely be coming back to in the future.
I've been a fan of this band and their albums for several decades. I've listened to these albums so much, it almost feels a bit old and dull to me right now. Easily 4 stars worthy tho!
Her voice was so soothing that I fell asleep on the train. But in the best way possible!
Pretty generic 60s folk rock
ok folk album great music but not really a fan of the lead singer
It’s me, not you.
Love her voice
Starts off pretty fun but winds up being fairly redundant and boring as a whole album.
Quite nice and surprisingly short.
fairytale music
This is, like, the folk you know and you’re not sure why.
full thing not on spotify :(
I saw the album cover art and thought "oh no". But man, this singer can sing! Turns out this is some pretty great stuff. I'm as surprised as anyone.
Irish folk with some interesting rock syncopation moments
Ugh. Folk. 2.5
Lovely
Really enjoyed the fusion of classic folk songs with the prog rock/folk vibes.
I absolutely loved this album. Sandy Denny's voice is incredible. Her voice, with the violins and mandolin playing in accompaniment, was just ethereal - and yet fierce. I am not a folk rock listener, but I will look for this album
Yes. OK maybe not the production but everything else about this album is perfect - Sandy Denny's singing, the playing of each of her five bandmates, and the compositions. Crazy Man Michael and Farewell Farewell are two of the finest songs ever created, and never performed better than here.
Couldn't find the entire album. What I was able to find was ok.
Drone-y occult folk
This totally grew on me, it’s a beautiful album
Enjoyed it! First track is a banger. Overall something I would check out again in the future🔥
easy to listen to, very sweet singing. some of the songs were too long but most worked well
Sandy Denny gick bort alldeles för ung. Fairport Convention introducerade Steeleye Span för mig som jag tycker är ännu bättre.
C'est correct.
Love it
Was fine, maybe I am too removed from it and context would be important.
I don't get it? Some tracks were very good and some were repetitive and annoying. Maybe I need to listen to more Celtic folk.
I enjoyed the vibe and will probably keep that Matty song available.
pretty nice folk stuff. got me boogieing
Close to 5/5 maybe with some more listens it shall ascend
Honestly quite enjoyed this. It didn’t try to be absolutely mind blowing and out of this world but that was fine. It was just generally quite relaxing with the songs being quite slow and long without being boring. I also appreciated the random studio recording bits at the end of the last track.
I likes this one asw, kind of groovy
3.5
I kinda liked the first few songs. My bias against most 60s bands was melting. Then it devolved into mostly forgettable tunes. But nothing overtly terrible. Might need to revisit at some point. 3/5
Not for me.
2/5. Not my cup of tea. Feels like I'd hear this at ren fair.
My kind of thing but I have to be in the mood for story time.
They continue to carve out a consistent style based on old English folk tunes, with modern rock instrumentation, with their originals written to sound similar. It’s a good sound overall, although the unrelenting exclusive reliance on Sandy Denny for lead vocals (FREE RICHARD THOMPSON!) makes this too monochromatic for me.
Nothing particularly remarkable. 2/5
Scots blue-grass hippie. Vocals sweet and melodic
Nice
A stunning, genre pioneering album by the mighty Fairport. As someone who has seen them live many times, it was refreshing to hear all their well-known tracks as they were originally recorded with the unforgettable Sandy Denny.
Not all songs are great, but the better songs on here are really great. I enjoyed her voice the most, and the arrangement on some of these songs is stellar. Glad to have heard it. 4/5
Wow, what an album. I've never heard of this band before but it's right up my alley. The psychedelic folk with Irish sounding vocals is top notch. 8/10 (4/5)
sort a folk rock/country fusion with some celtic influences too. a unique sound on folk rock that really reflects the UK.
Not great not terrible...won't remember it by tomorrow
what an odd record.. really awesome vocals, very unconventional song structures and chord progressions with these crazy stories about medieval duels and english folk tales. have a feeling this album must have influenced my queen joanna newsom. unfortunately didn't have access to every track because of spotify for this one. 7.5/10, fav tracks: matty groves, crazy man michael
not my genre but sonically pleasant.
Folk after folk was cool.
Not super into folk but not bad
Not for me
Ok
Interesting vocals and musicianship. A bit too folksy for me tho
As far as British folk-rock, Fairport Convention is one of the most influential and important bands of the genre. Sandy Denny's lovely vocals are essential for their sound and a band that also includes Richard Thompson must be good. For the most part, I enjoyed it and this is something I've overlooked and glad it showed up on this list. Definitely worth the time, if you're in the mood for traditional folk served up late 60's style.
I still find it hard to understand why so many bands of this era were into the renaissance-core sound, but this was at least better than the others
Tokan biisin kohdalla loppui motivaatio ja oli raskas tsemppaa loppuun asti. Laulajan soundi ei kohtaa millään tavalla taustojen kanssa, joten kirkkaasti kategoriaan ärsyttävä.
Aika hyvä, vaikkei ihmeellinen. 2,5 = 3
It's folk...What's there to like?
This was some of the most boring folk rock. It sounded like it could’ve been hymnals for the church. The voice the singer had was great, sure but after about 15 minutes it was pretty solemn and melancholic. Some people love that but it wasn’t for me. Overall the album was fine. I can see how it can be impactful and historical but overall it was boring. 4.9/10
This is some good renaissance fair shit.
I was honestly surprised how much I liked this.
This is fantastic and sent me down a Richard Thompson rabbit hole.
That was really fun! I started this one completely blind, then looked up some background as I listened. I thought it was cool that most of the tracks were traditional Celtic or English folk songs.
This is really not my style of music. We will see how it goes and if I can find any hidden gems I would have never heard because of the genre. I thought it was country but it's listed as folk. Later on in the record it feels like world/chanting at times. Quite far out of my comfort zone.
Cool
This was a very cool album! I wasn't familiar with any of these songs but the instrumentation was so cool. I really enjoyed the song with the meter changes (I think it was in 7) Only managed one listen cuz I'm behind, but I look forward to getting a second one in!
Didn't get time to absorb tis properly on this occasion which us annoying as I've heard it before and enjoy the late 60s British folk stuff generally. Another one I'll return to. Enjoyed what I heard so far.
Not exactly my style, but it was decent. Some of the songs are at least a minute or two longer than they need to be though. Standout track(s): Tam Lin
I usually like this kind of music. But this one didn't land for me.
Meh, nothing too special, some tracks were alright tho, 5/10
What I would imagine Woodstock was like. Need lots of weed for this, maybe something stronger.
I'm sorry to go so hard as this essentially is just quite innocuous folk music but I could not STAND it I'm afraid. Genuinely was counting down until the last one was over. I've only ever resonated with a small amount of folk music, and this wasn't part of that. I think I find it repetitive but not in a good way, just no imagination! The folky stories cringe me out too
I quite enjoyed this. Nice background music, can't complain
Great great album!
Stoned at the Renaissance Fair. feel like i’m off that west-farthing leaf in a tavern or some shit. woodstock in the shire. want on vinyl pissed spotify took off two of the best songs - the fiddle medley and the deserter. but all the songs on this record are good ones i’ll just rip those mp4s
60s Rock mit Sängerin. Eher auf der entspannten Seite. Klingt sehr analog
This album is often hailed as the one that truly launched the genre known as British Folk Rock and contains some traditional ballads which have been suitably adapted by the band, and it's a stirring mix of rock and folk music. Particular standouts are 'Matty Groves' and 'Tam Lin', graced by Sandy Denny's distinctive vocals and Richard Thompson's electric guitar. I enjoyed the album a lot, though still prefer it's predecessor Unhalfbricking. Nevertheless, I recommend that you approach this with patience and an open mind!
This just feels like 70s renditions of English folk songs. Overly earnest and generally uninteresting.
This is such a great record! I love sandy Denny’s voice and the arrangements here. I could listen to it again and again and again.
Sandy Denny had such a beautiful voice, I can still remember how shocked I was to read of her death. Such a loss. Great album, easy to listen to at any time of the day or night.
Absolutely beautiful voice, didn’t get much else out of it
so la-la, nice folk but boring after a while, too
kinda cool at times the long songs drag
Every song kinda sounds the same? They are very long songs but I don't hate it? Like I could do one in a playlist but not the whole album at once
Folk music is one if my favorite genres, and within the genre, American, Celtic, and Scottish would be my go-to listens. Unfortunately, my hope for this album was never realized. Folk music often sounds similar song-to-song, and the transitions on this album were somewhat unexciting. Sandy Denny does a very nice job but the songs left me flat rather than inspired with the exception of 'Percy's song' which was written by Bob Dylan.
On the one hand, I really enjoy this album. The blend of British/Celtic sounds and Hutchings' majestic bass being the highlights. On the other hand, it took me a week to finish because I found myself so unengaged by it. Maybe I'll come back to it in a few years and like it more than I have, but as of now I can't give it more love.
I really liked this one. So many instruments and i love the hippie vibe
I would like to dedicate the last track on the first side of this album to the fearless leader of this album review group. That is all.
Sounded like listening to a pub band on certain songs, then plugged in for some electric, nice mix.
I was thoroughly impressed. They varied in styles, and they nailed the folk aspect.
Pretty solid. Was very enjoyable to listen to. The whole thing reminded me of Midsummer Murders which made me happy cause that's a great show. The instrumentation was great and the lady's vocals were very nice. Loved all the story telling. Very solid.
enjoyed the blend of traditional instruments & ballads, but her voice got a wee bit boring after couple songs. really enjoyed the Lark in the Morning Medley.
very rich and deep
Folk country not my style
Folky songs about sailors and queens.
Not my bag... the lead singer's voice is too whiney for me.
Not for me
Enjoyed this a lot. British Folk rock, while unoriginal is a very apt description.
Grab your staff and cape, we're taking some hobbits on an adventure to Kmart.
Very nice soft voice, telling you some stories.
Medieval revival in the 60's! Gostei. Minha amiga Flora estava lendo as letras e me contando, loved it! Algumas foram meio confusion. Entertaining. Ouvirei novamente!
Glad to see a female vocalist! And a lovely one. I love the storytelling style of the lyrics, though I wish there would be more variations to the music. Nice!
I felt like a Viking listening to this. Imagine this is what Robert Plant listens to when he has time on his hands. Also felt like the soundtrack to the old Excalibur movie.
Cool music, Denny’s style isn’t for me. It’s an excellent album though.
Interesting enough, if a bit airy at times.
Folk-Music .... hat mich nie interessiert. Ist aber sehr angenehm zu hören
Solid, though not great.
Not a huge fan of Sandy Denny's voice, but the songs are good (heavy on the murder ballads). I would definitely listen to this again.
Not my cup of tea :)
Not my jam. Could not get through it.
Wow this album really surprised me. It sounds like true folk music. The entire listen was enjoyable. The singer has an amazing voice. 4.11
quote repetitive
It was an older style with a folky sound. Nothing that blew me away.
Great album. Sandy’s singing is sublime. The music is great. Big RT fan, never listened to this one. Loved Marty Groves.
Te transporta a mood especial. Canciones con estilo celta y también a lo Daisy Jones. Un sonido muy natural.
Very nice. Didn't affect me in a big way like some of the Richard & Linda Thomson stuff but great record.
Loved this! Very fun
A pleasant new album/band for me. I’ve been in love with the American folk/folk rock scene but hadn’t even considered looking past that to find British folk rock. Lots of these songs brought an instant smile to my face as they came on out of sheer appreciation for the style and instrumentation. Very much enjoyed this album.
A lovely album of British / Celtic folk that has lovely melodies, beautiful arrangements and gorgeous vocals. The playing is superb and the songs well balanced between traditional and contemporary. 4 stars
British folk rock. Fairport Convention is credited with being one of the first groups to combine traditional English themes with 'modern' instrumentation. The union between fiddle and electric guitar was considered groundbreaking for the time. There are two very different types of music in this album. "Matty Groves" and "Medley: The Lark In The Morning" are jaunty tunes which will make anyone want to dance on the hard floor in a barn. The rest of the songs are slow, folk rock ballads. While the fiddle and electric guitar really bring the sound up, Sandy Denny's exposed and protracted warbles are just too much.
Jag var rädd hela dagen för albumet från 1969 eftersom 1969 har det där distinkta överanvända ljudet. Ljudet... soundi... lehtinen suomessa.. laitto aluks unobjektinen review.. Sound of silver.. Huh sana jo kahdella kielellä ja yhdellä anglismilla tässä paragraafissa. Tuo ruotsin kieli pitää sieluni kaukana review boksista.. monta tuntia saa päivässä kerätä voimaa..
I really like the lead singer’s voice, and the musical style is right up my alley. Lots of really beautiful melodies, with light yet rhythmic backing. Things were different in the 60s - 8-minute songs?? Wild. My only criticism might be my own lack of attention span. I would definitely listen to this again, though I’m not sure in what context. I didn’t pay attention to the lyrics, but based on the music I assume they were poetic and meaningful.
Loved Matty Groves (did Lynnard Skynard steal some of this guitar solo…??). Great change of pace from some of our recent albums. Very background listenable. Didn’t get to listen to the whole album and I could see that if I did, their sound may get old after awhile and drop it to a three but fuck it we’ll do it live, four!
Felt very generic for me. Likely because I don’t have the familiarity with the genre. Lead singer’s voice was technically solid, but sounded like a parody of itself. When she talked at the end I liked her natural voice better. I thought of yodeling throughout. The music itself sounded like b real Western background music.
I’ve heard Folk music all my life and I really enjoy it but this album was a struggle to get through. Obviously 60s British Folk Rock is different from what we have here in the Appalachians, but still, not much held my interest. Bright spots were Farewell, Farewell and Tam Lin for me, everything else was forgettable.
I never knew British Folk was a genre. I guess it makes sense that this album is what started it. This was a welcome divergence to most of the albums in this list. I wouldn't normally go out of my way to listen to folk music, but I might have to start. A beautiful voice that's easy to fall into followed by a folk sound that's not quite Appalachian Mountains and not quite Celtic either. It's a great blend between the two to make it's own genre. For an album that's 55 years old, it sounds like it could come out today.
This is exactly what the late 60s and early 70s was supposed to sound like. Powerful music, then and now. If you're under 50, spend more time with Fairport Convention.
Melko tylsää folkkia, en jaksanut montakaan kappaletta kuunnella loppuun saakka
Tämä oli jotensakin parempi kuin mitä yleensä Folk Rockilta odottaa. Voisin jopa kuunnella uudestaan!
Klingt wie eine Schmalspurversion von Jefferson Airplane. Ist aber nicht schlecht. 3-4.
This one is okay. Some of their other albums I prefer to this. I don't have a lot to say about it. The vocals are so unique for FC.
Is 'Fairport Convention' code for renaissance fair? I think it is. I feel like I should be hot, smelly and dirtry while eating a turkey leg and yelling "wench, go fetch me my lute."
1969 was a prolific year for the Fairport Convention, with “Liege and Lief” their third album of the year. They must not have been doing as many drugs as their compatriots. Or maybe they were on copious uppers and that was their secret? But I don’t feel like “Liege and Lief” is the kind of album that would come out of a benzo binge. Instead, it’s a welcome evolution from “Unhalfbricking.” The folk of that album was fine, but a turn towards more traditional British and Celtic folk songs and styles helped The Fairport Convention stand out among their peers in the late 60s. “Liege and Lief” could have used a bit more rousing violin, but maybe that’s a sign that it wasn’t amphetamines behind their proliferative output. But the traditional songs mixed well with their original tracks, and on the whole the album established a warm and full aura that I enjoyed. The Fairport Convention might be one I find myself coming back to, and will remember to place Sandy Denny’s name alongside Janis Joplin and Grace Slick as one of the best female rock/folk vocalists of that era.
Interesting blend of traditional folk and some psychedelic rock.
This album feels like an afternoon at the pub. A time to enjoy with friends, catch up, and relax.
This wasn't bad, kind of middle of the road in terms of what I like in 60's/70's folk rock. Some of the tracks leaned way more into the folk and didn't do much for me. Overall not bad.
Decent one. Liked it about as well as the last Fairport Convention 3.49/5
Not really my thing at all but pleasant enough for background noise. I don’t really recall a lot of it though tbh C-
not my thing
Pleasant listening but doesn't really grab me.
This is what I imagine medieval Europe to sound like.
I like Folk and Sandy Denny's voice is beautiful but I just don't like Richard Thompson's Rock-orientated version of Folk. It's just a personal thing....
не
Very interesting and immersive album. It feels like I'm transported to a tavern in Middle Earth listening to a famous band play for a rowdy dancing crowd. I loved it. Especially the solo on Matty Groves. Albums like these make me happy I started this project. I doubt I ever would have found this on my own
Groovy. I'd never heard of this band before, but the singer has a beautiful voice.
I feel like I should have heard this record before. How have I never heard this record before? Both dated and timeless.
I don’t know. I’m not really resonating with this. Never had an interest back in the day. There are better bands with this sound. How is this special? Not impressed at all. The mix is annoying af. This is just more whiteboy bullshit.
Very melodic and nice. Could use some more edge or personality but I enjoyed it for what it is
Traditional folk played like it was classic rock. For some reason, it was trendy in the pop-rock world for a few years. For even less obvious reasons, it's been highly regarded ever since
Tis okay but folk music is definitely something I need to be in the mood for.
3 normally not for me
Just got started but I'm loving it already. Surprised I've never heard of them before.
Some bangers on here. 4.
Now I get it. Having heard Unhalfbricking earlier, I was a little baffled as that album didn't seem as strong. However, this album definitely deserves to be on the list. A classic traditional blend of "plugged in" and acoustic Celtic folk that reminds me of bands like Clannad and Capercaillie and artists like Lorena McKennitt and Enya. So many good tracks on this album but Matty Groves is my favorite. Adding this one to my favorites.
Richard Thompson's origin story. What a time to be alive.
First time listen 6o this classic folk album nice relaxing vib3
Caveat that British/english folk rock isn't my thing, and was concerned about comparisons to the the byrds but I quite enjoyed this. Lead singer sandy dennys voice quite haunting and melancholic.
This is fine, not something I’d expect to listen to again, but I can’t see myself listening to the full 55 minutes.
I didn't really like this. I know folk is an amazing art form and the passing down of trad songs is important but this just passed me by.
I quite loved this. The folk with the rock bits just carried me away today.
I thought that this was pretty sounding and somewhat soothing. Even so, somehow it just didn't hit the spot today. I just didn't love it.
I find Fairport Convention lovely and soothing but vaguely terrifying. Five stars!
Turns out I am a big fan of 60’s British folk music. Who knew? Just a wonderful salve to my aching soul.
I only knew of Sandy Denny from her duet with Robert Plant in Led Zep VI. Here I hear her with the rest of her crew and it’s a pretty good listen. 3.5 stars.
I am unfamiliar with the British folk rock scene. I absolutely love American folk rock tho, like the Byrds. This one was surprisingly good, more influence from English folk rather than country. Can get psych/spaced out at times too.
First time hearing this band and I have to say I am impressed, especially by the Dave Mattacks' drumming. Effectively mashing-up a fairly heavy rock sound (at times) with British folk sounds very natural for the band, at a time when LITERALLY EVERYONE was trying to be Bob Dylan. They find their own roots, resulting in a sincere and interesting sound. No one is trying to do the Blues®, or R & B, or Soul or country. So much has been said praising Sandy Denny that I'm not going to mention her except to say she makes this. Without her it's just ok, a nice try. Simply great.
although i dont like the sounding of some tracks here i admit they did a great job covering folk traditional songs. and also i do enjoy most of the songs here too, its just the crazy white miner sounding songs that make me dislike it a bit.
Strong 3
Nice finding! I find it similar to Fleetwood Mac.
po pire!
Boomer rock. This book was written by mostly boomers, wasn't it? This is just fine music, but it feels like modern chamber music. I dunno. It's fine.
"Liege & Lief" is the fourth studio album by British folk rock band Fairport Convention. Many consider this the first major "British folk rock" album. The album was recorded following a motorway crash which killed drummer Martin Lamble and guitarist Richard Thompson's girlfriend Jeannie Franklin. It featured female lead singer Sandy Denny and contained both traditional British and Celtic folk songs and original compositions, both performed with a more rock back drop. Other band members included Dave Swarbrick (violin, viola), Simon Nicol (rhythm guitar), Ashley Hutchings (bass) and Dave Mattacks (drums). Commercially, the album hit #17 on the UK charts. The band comes out a stomping on the uplifting "Come All Ye." Acoustic and electric guitars, fiddle and Sandy Denny's fabulous voice. An original composition which is a rousing start. The traditional "Matty Graves" has layered guitars, more fiddle and just bounces. Thompson and Swarbrick's violin just rock this out. I did not know there was a folk rock "Freebird" but here it is. I actually heard prog elements. Denny tells the story of an adulterous tryst between a young man and a noble woman which does not end well. The band slows it up on "Farewell, Farewell." A melancholy song which is most likely the result of the recent deaths the band experienced. "The Deserter," a traditional song, starts out slow and picks up the pace. Dramatic, telling the tradional story and song of a solider forced to death for deserting. The band takes the traditional "Tam Lin" and rocks it out in the folk rock sense. Great Thompson guitar. For some reason, I kept hearing Jethro Tull's "Aqualung." The album closes with the Thompson penned "Crazy Man Michael." Slower. Another song Thompson admitted to writing over his loss and guilt of his girlfriend. It's a murder ballad where Michael mistakes a raven for his true love and the kills the raven ( his true love) with his dagger of fire and ice. I thoroughly enjoyed this album. Very strong vocals by Sandy Denny. The musicianship is top notch especially Thompson and Swarbrick. It's dramatic and at times uplifting. The pace changes between slow and more rockin' songs. The stories are compelling with the music fitting them. A very high recommendation.
Gorgeous
If I were ever to be detained at guantanamo bay this is the album they could use to torture me.
Interesting take on British folk songs, kind of on the lines of Genesis' Selling England by the pound. Sandy Denny has a gorgeous voice and the album is well balanced and interesting. I tend to be annoyed by this kind of prog-rock-ish folkiness - but this record actually straddles the line well and turns out to be highly listenable. Enjoyed it.
I understand all the misgivings about the content and the lyrics. However, unlike some of the rap that has been shortlisted, at least this album deserves to be on the list. It’s bond a generation I am going to give it a higher star rating because at least it is a seminal album.
Interesting folk rock music with an English twist. My boyfriend would really like this.
Sandy Denny carries the album. You might recognize her voice from Led Zeppelin's "The Battle of Evermore", from Led Zeppelin IV. Fairport Convention is ok ... if you like British folk-rock.
oikein jytistelevää brittifolkkia! varmaa eka levy näistä mitä oon kuunnellu, johon ei ollu minkäänlaista aiempaa kosketuspintaa, josta oikeesti tykkäsin! miinuksena et spotifyssa on vaa joku ihme 2007 deluxe versio, mutta hyvin sai alkuperäsen osion kuunneltuu anyhow. matty groves sopi hyvin just tähän aamuun ja jäi kyl päällimmäisenä mielee.
Wayyy more folky than I was expecting from the band name, album art, and band wiki description. Initially liking it much more than I expected. Sounds almost like modern indie folk bands..... I wonder how much influence this band had, cause it sounds very good for 60's folk. I like the singers voice, kinda dolly parton-esque. "The Lark in the Morning" is a very out-of-nowhere Celtic stomp that is very fun to listen to. Overall, this was an unexpected great listen!
Remarkable album, I’m thrilled to have discovered this album. Nice example of rock and folk fusion and beautiful instrumental arrangements (by Joe Boyd nonetheless).
folk off you bunch of nonces.