Reviews (page 4 of 8)
Niceness
At first I thought ' Oh, OK, another generic Kate Bush album, nothing special but reasonably ok'. Gave it another listen and it seemed to register on a deeper level somehow, intriguing and rather more complex than I first rhought
Not for me. Sorry Kate.
Quite beautiful and ethereal. 3.5
(67/100)
Felt like this whole album was on the verge of being a hit but just nothing landed.
I have never really got the Kate Bush thing.
Assorted noise. Not for me.
It's fine but not great. David Gilmour's guitar work is the highlight of the album. Kate Bush can be too weird at times but her weirdness can also be charming at times.
This is luxury music. Kate Bush is the only popular musician I can think of who I legitimately wish I was best friends with.
I first heard Kate Bush when watching Stranger Things. Running Up That Hill became stuck in my head for weeks after that. This album doesn’t have the same level of pop appeal, but there are some great tracks. Love and Anger, Rocket’s Tail and This Woman’s Work are some of my favourites from the album
Nice.
Love Kate!
Kate Bush is so good
Don’t get me wrong I quite like Kate Bush. I even own this LP on vinyl. But it’s rubbish. She’s done the late 80’s thing of getting big name musicians in - Alan Stivel, Mick Karn, the Bulgarian Voices. And some of the performances are good. But it results in an incoherent mush with Kate wailing above.
It was fine. I knew A Woman’s Work. I like her weird voice.
Gražus balsas, išvystyta istorija dainų, patiko.
The Sensual World - Kate Bush wow! Never sat down and listened to Kate before. I REALLY like this album. lots of layered melodies, exotic themes, etc. Apparently "Hounds of Love" is even better. Looking forward to getting that one.
When your pop music is too boring just call it Art and Voilà, a masterpiece. Everyone who disagrees is just uneducated in the fine arts. it's not unlistenable but boring background music that sound similar from start to finish. At least Gilmour saves a bit of it with his solos
Excellent. I think this was my second favorite Kate Bush album we've done.
it doesn't hit for me, but i can tell this is good
This was pleasant but made me want to listen to Hounds of Love mostly
A lot of lush layers and ideas in the instrumentation. The melodies are kind of hookless though which makes it tend to become background music.
Het klinkt allemaal uitstekend, deze jarentachtig-pop van de vrouw met het herkenbare stemgeluid. 'Deeper understanding' is een opmerkelijke vooruitblik op wat er nu al in het echt gebeurt, mensen die zich emotioneel inlaten met kunstmatige intelligentie. En het klinkt alsof de andere teksten ook wel wat te melden hebben, maar daar wreekt zich dus dat ik naar Engelstalige teksten nooit luister. En wellicht doe ik daarmee deze plaat te kort, maar het is niet anders. Hoe dan ook, Kate heb ik met genoegen meermalen gedraaid.
Ik had de relatie met de dames Harvey en Amos al gelegd. Mevrouw Apple kan er ook prima bij. Het is, zoals ook al gezegd, vooral de kunst boven de muziek. Echter: de muziek van Kate is wellicht het minst gezocht binnen deze categorie. Wij kennen zelfs jaren '80 muziek van haar, waarbij ze de muzikale tijdgeest niet vermijdt. Kate staat bekend om de flinke range van haar stemgebruik. Of wat negatiever gesteld: van haar irritante hoge uitspattingen. Dat valt me op dit album wel mee. De titel van het album dekt de lading wel. Het is een vrij dromerig, soms zelfs kabbelend album. The Fog is een exemplarisch nummer. Ik heb voor dit album 3,5 sterren over. Dat rond ik normaal naar boven af als ik denk dat ik het nog eens aan zal zetten. Daar twijfel ik wel aan. Tegelijk lijkt dit album helemaal niet bedoeld om vaak te luisteren. Het is meer een voorstelling waar je één keer goed naar luistert. Ergens valt dat ook wel te waarderen.
Ik was vooraf bang voor heel veel toverkollengegil, maar het valt me alles mee. Het doet me gelijk denken aan Peter Gabriels progrock. Niet zo gek misschien, omdat ze samen ook een duet hebben uitgebracht rond die tijd. De muziek is naast progrock ook wel heel erg jaren 80. Kate Bush voegt daar, net zoals ook Peter Gabriel en Paul Simon in die tijd deden, wat folkloristische invloeden bij, wat het geheel toch best sfeervol maakt. Het is eigenlijk helemaal niet zo bombastisch, wat je in de jaren 80 ook veelvuldig tegenkwam. Blijkbaar speelt op 2 nummers David Gilmour mee, die nummers vind ik niet geheel onverwacht ook bij de sterkere nummers horen, samen met de titeltrack. Ik heb me totaal niet gestoord aan dit plaatje, ik kan zoals bekend 80s prima hebben. Ik rond de 3,5 naar boven af.
Kate Bush er oft frábær, en þetta er ekki að gera sig. Yfirdrifin production og ekkert lag sem nær mér eftir tvær hlustanir. Ég held áfram.
Distinctly Kate Bush, I guess maybe that should have been obvious but if you have heard her music you know she has a distinct style and this album explores exactly that. It fits in that pattern of songwriting and singing, kind of hard to describe but I don't mean it in a bad way. That is just her style and she is good at it. Not bad but for me I don't think I would listen to it very often, there are just options I prefer in this genre.
wonderful
10/10
Good, but I hope this isn't the only one by her on this list. Not her strongest album, but some nice more unknown songs
I'm not a big Kate Bush guy. She has a flair for the dramatic in a way I find sort of annoying. But I liked the instrumentation on this album, and when she's not being shrieky her voice is quite nice
It’s not Hounds of Love, but it is a great outing nonetheless. Some high highs (This Woman’s Work, Love And Anger) and some forgettable moments, but no real lows. A solid listen start to finish.
Lovely instrumentation-wise, but a little too …,strange? … for me.
Second Kate Bush album. This list really has been busting out blasts from the past lately. This is yet another artist whose last album I listened to was over 200 albums ago. I didn't like The Dreaming and I haven't at all felt compelled to relisten to it in the time since first hearing it, though I'm always one to extend a second chance. Or a third. Or a fourth. I don't know, I just like listening to music. Yep. More Kate Bush, alright. The first two tracks bug the hell out of me, though the album recovers quite nicely afterwards when the Bush-iness has been more thoughtfully pruned. The sampling of world music creates an interesting bit of variety, and I'm a fan of the heavy production on the instrumentals. I'm not sold on this album yet and I have a good feeling that this music isn't for me, though there's a good chance I could come around to this album with a few more listens. The title track is solid. The instrumental is pretty interesting, though the vocals are a bit of a mixed bag. They firmly land in the center between being annoying and pleasing. The song isn't all that sensual, either. "Love and Anger" has a solid instrumental. The guitar riffs are pleasing and I like the piano bits which occasionally dip in. Again, it's just the vocals. They're too menopausal for me. Between Joni Mitchell, Kate Bush and a dozen other artists that I don't know of and have little interest in knowing, what is it about these kinds of people which possesses them to sing like warbling harpies? "The Fog" is a recovery from the previous two tracks. I am ostensibly not a fan of Indian music, but the atmosphere works quite well here with how heavy the production is. Big fan of the string sections which appear midway through the track, too. Kate's vocals are much better. They scratch an itch which had built up over the previous tracks, especially since they have an actual melody to em. "Heads We're Dancing" has a pretty funky bassline, and I am once again a fan of the heavy production. The song is avant-garde to the point where it wraps around to sounding like a conventional 90s dance song at points, which is funny. Book time. A whole lotta nothin' in there beyond this album being the one where Kate Bush matures as an artist. This album was pretty out there and unusual with more than a few moments I enjoyed, so I don't need much more than that, really. I cosign this inclusion.
When it comes to progressive, art rock, and sophisti-pop, Kate Bush was truly forward thinking. She was always on the cutting edge of what was possible with production and studio technology at the time. I wouldn’t say this is the most technically impressive album she’s made in terms of studio wizardry, but it’s still a really well produced record overall. She’s very tuned in to detail, to where it feels like every sound is deliberately placed, with purpose and precision. On top of that, she does an excellent job of giving the album an earthy and mystical atmosphere that makes it feel intimate, otherworldly, and forward thinking.
It's a great album, but she has 3 on the list, this is not the best one, it doesn't have any of her big hit songs, so I don't think this needs to be there.
Pretty interesting. Better than I expected. Slowed up a little at the end. I know nothing about Kate bush but I bet she is both interesting and weird in real life
Better than I remembered. Not my favorite album of hers.
Great voice, but wandering and a bit boring overall.
Great singer, but the album is not very good. Her other work is much better
Unique and influential sound that inspired many modern artists I enjoy; I felt almost something.
She’s an amazing singer with incredible range and emotion in her voice. I’m just not a big fan of the progressive rock style, which makes it a bit less enjoyable for me. I could sit and listen to Kate Bush just singing for hours though.
Enjoyed most of it, I like the style of the album
The thing about Kate Bush is that she's a great singer, songwriter and everything, nothing actually wrong with her music. I just don't like it but it still deserves a high rating. Just struggle to get into it. But as I listen it growing on me, like 'Love and Anger' probs the guitar that does it for me. But still a bit samey. The guitar work kinda wins it for the album 'Rocket's Tail' is a cool song.
Not a bad album it’s just nothing really stood out for me.
Un peu moins emballée que par l'album culte Hounds of love, un peu plus contemplatif mais ça reste une très bonne écoute.
C’est cool de pouvoir écouter d’autres sons de Kate Bush, je ne connaissais pas cet album. Je connaissais « this woman’s work » qui avait été repris par un artiste et entendu dans un film, je ne m’y attendais pas. Par moment, un peu la voix de Cindy Lauper. J’ai écouté en fond en me préparant, c’était très bien ! C’est quand même un album très calme
Pas mon album préféré mais ça reste du Kate Bush donc ça vaut bien un 4/5
While I don't think I would ever reach for a Kate Bush record, I also don't think I've ever heard a bad Kate Bush record. And this one is no exception to that rule. But the sheer scope of songs like "Reaching Out" is inspiring.This is the culmination of everything the 80s became...in every good way. Toward the end I got really tired of the wailing and there wasn't as much to hold on to as I would have liked. But Rocket's Tale pulled me out of that malaise and the monster "This Woman's Work" showed up like a siren and I could see Tori Amos and a million songwriters being born.
Actually a perfect title for the album's vibe, Kate's voice is immaculate
I respect what Kate Bush is doing here — the production is lush and thoughtful — but it mostly washes over me. It’s artful and layered, yet feels detached, more like atmosphere than something I emotionally connect with. I know I’m supposed to be swept away, but it just never quite grabs me.
Okay, not my thing.
My only exposure has been Hounds of Love, and I don't know if this reaches those heights, but still very good nonetheless. Love and Anger is a standout.
Not my favorite of hers, but it still rules.
back when musicians used to create art inspired by a novel they read or film they saw. not just slop put out to sell sweaters. fuck you taylor swift
one strange bitch!!!!
Nice
Glad Kate Bush is there for the people who really love her. I am not one of them.
I have one Kate Bush album but not this one. I like this one too.
Hounds of Love was better
I respect this but holy shit this is unlistenable at some parts. 3/5
3/5
Didn’t love it but didn’t hate it. Love A Woman’s Work.
Didn't vibe with it, just felt really cringe-y.
Pioneer. Genius.
Not for me.
Unique art-rock. Kate Bush is an acquired taste which I really haven’t acquired. And not for lack of trying. It’s… the pitch, the whispery quality, too fragile, too twee. Some okay songs. Brings down the mood quite a lot. Well executed, better in the background and short doses. I just never really got her.
Never heard this album but knew in general what to expect from Kate Bush it's a gem, loved it
lol no
Very interesting. I mainly enjoyed the ethereal aspect of it. It was fun to listen to.
Save
The clear highlight here is “This Woman’s Work.” Beyond that, the rest of the album is just fine.
Makes a man want to get sensual in Castle Autism.
Meh.
This although released at the end of the 80s is a very dated album. Kate bush' voice is one ive found deeply troubling, veering in and out of being tuneful. This woman's work is an absolute work of art though, the rest fairly mundane.
Música relajante con pinanos y violines voz femenina y reverberación, un álbum de canciones muy similares
I've loved this album, then I've neglected this album and forgotten about it. It starts off well, sensual world is one of her best opening tracks, then it sort of loses the plot a bit, then "this woman's work" hits and makes it noticeable again. Then it's pretty much over. Not at good as the Dreaming, or Hounds of Love, despite David Gilmour adding a certain flair to it.
Not bad but not great. 3.5
Beautiful soaring vocals plus moody angst in the music complemented beautifully by keys and strings.
As some of my first exposure to Kate Bush, and after hearing a few of her other, much more popular songs, I can safely say that she is a truly great artist. The pop influence on this album is heard through many of its songs, but it still has a very somber tone. I can't say much else about it, it's a solid 8.5/10.
i really liked this !!! first kate bush album i've heard and i will 100% listen to more because holy shit that was real good! genuinely like insane songwriting on here wdym there's a song about dancing with hitler and also she predicted people dating chatgpt ?!?! i love all the sounds she uses in the songs like she wasn't afraid to get a little weird with it
"Let the pendulum swing between a man and a woman - don't you see you're in the way between a man and a woman?" "Every single night I pray"
This is my second Kate Bush album. I like this album but it lacks strangeness and beauty that I loved about Hounds of Love. The computer song and "Woman's Work" are the only examples of both to me on this album.
Not more Bush
Awesome
Pretty good pop album, again some songs were a bit hit or miss for me
This woman’s work pushes this to a 4 for me. Low 4 but a 4 nonetheless. Really pretty stuff.
Kate Bush at it again. We went through my top artist list yesterday and my girlfriend was amazed that Kate Bush was up there. But every release I've listened so far was fresh and fun.
01) The Sensual World - 7,5 02) Love and Anger - 7,0 03) The Fog - 6,5 04) Reaching Out - 7,0 05) Heads We're Dancing - 7,0 06) Deeper Understanding - 7,5 07) Between a Man and a Woman - 7,0 08) Never Be Mine - 6,5 09) Rocket's Tail - 6,5 10) This Woman's Work - 7,5 11) Walk Straight Down The Middle - 6,5 TOTAL: 6,95 (70/100) Current ranking: 403/671
Good shit
This was really good, lots of lovely stuff. Have liked This Woman’s Work (the song) for some time, so nice to hear the album too. Simpsons: Yes
This Woman’s Work is a banger but I don’t love the rest of the album all that much. Sorry Kate
Zuhause, Heidenheim, Deutschland. Feines Album!
Musically, there are some interesting instrumental passages here and there but no single song could truly be called compelling. The record loads on layers of orchestration but all of the instrumental color can't compensate for the unfocused, meandering material. Also, Bush's thin, airy voice generally needs as much production help as possible to have an impact, but the weird mix on this record goes in the other direction, practically disconnecting her voice from the instrumental backing.
She’s got the voice. Glad her world is sensual. For me… shes more of a cold shower.
3.5 Maybe a 4 with repeated listens
The Sensual World 3 Love and Anger 2.9 The Fog 3.1 Reaching Out 3.3 Heads We're Dancing 3 Deeper Understanding 2.7 Between a Man and a Woman 2.8 Never Be Mine 2.8 Rocket's Tail 2.6 This Woman's Work 2.4 Score: 2.86
Aight
Cover 5 I only found out about her because of Stranger Things. Growing up, I only had the radio for music. So, if it didn't play on the radio, I was less likely to know our hear new music or learn about new artists. I'm jealous of people who had older siblings or other family or friends that could introduce them to underground or music not otherwise on the radio. Anyway, Kate Bush never made it to the radio waves where I grew up, so she remained unknown until I was in my thirties, and even then I only knew her name from passing conversations. Not until Stranger Things (in my late forties) did I actually hear anything from her. There are some songs that I like and maybe some day I'll look more into hey catalog. This album, though, didn't entice me to do that today. It's ok. Didn't love it. Didn't hate it either. They're we're one of two that I liked.
Music that inspired the”Twilight” books.
Solid album, uten spesielle høydepunkt. Hadde holdt med ett av de andre albumene hennes på lista.
Overall: 8/10 Kate Bush has one of the most beautiful and versatile voices I've heard in my life. Her music always makes me stop and listen no matter what, because her songs can be so beautiful or so strange that you can't help but notice it. I don't watch Stranger Things but the one thing I can say about that show is that it brought Kate's music a lot more attention and I likely would not have known who she was or showed any interest in her music if my friend's hadn't heard her in that show. Fav Song: Love and Anger
5/10 - similar Kate bush energy as the other album but not a famous hit I’ve heard and already liked
I feel like Kate bush is really mid except every once in a while she’ll accidentally make a really good song. This album lacked good songs
2+ Stars (6/15)
I'm a massive Kate Bush fan and love this album but it's a step down from The Kick Inside, The Dreaming and Hounds of Love. Not sure it belongs on this list since if those three others aren't on it.
Just over 3 weeks on this album project and I just realized how few female artists I've been served and how I'm mostly awarding my 4/5 star reviews to them. Well today is a good day for another one of the best to ever do it. Kate Bush's legend is legendary in itself. Though outside of the big songs, I'm not familiar with her albums. And that's about to change with immediate effect! This album is very horny. Lots of groans and whispers. I imagine many babies were made to this album. Though it closes with This Woman's Work which is a big, aching ballad that almost doesn't fit here. I'm quite sure she has at least 5 albums that are better than this one.
Am I allowed to say that this sounds like an earlier version of what Bjork did, still very cool but yeah def got that pop vibe to it whilst leaning into some beautiful world based instrumentations and vibes
Personally, as someone who has never listened to a full album of hers, I thought her music leaned into the new wave era of the eighties. However, to my disappointment, this album pushed against my assumptions and made an artisty pop album. While the album is quite beautiful and captures her vibe well, god, it's dull. I can see why someone would be interested in this album, but not for me!
I mean, this is high art-rock. Each song is like a character-sketch vignette or super short story. It's very writerly. And the heavy synth textures, Irish(esque) folk instruments, and classical aspirations make it a heady listen. "Woman's Work" is amazing and I want to like the record, but I think I can not fully like it because it is largely hookless. Am I so basic that I need a hook from time to time? Yep. Guess so
Hard to get into this one. Nothing really stuck. Unfortunately, not for me.
Sounds both ahead of its time and completely of its time. Some of the songs did not click for me, though.
Kate's got some big shoes to fill after the stunningly magical Hounds Of Love album. And incredibly, she kind of does it. There's just as much mystery, fantasy, intrigue, and charm as her earlier hit record. Admittedly, some of the songs' melodies are a little difficult to latch onto for a first listen. And there aren't any obvious "anthem" tracks that would be instantly recognisable to any passers-by. (I didn't recognise any of these.) This Woman's Work is a bit of an inert ballad, presumably relying on its lyrics and not interesting/engaging music to deliver its message. The echoey production definitely doesn't help. Not that it's a bad track – I guess I'm just surprised it's the most popular track here when head-nodders like Love And Anger and The Sensual World exist in the same record-space. The title track, in particular, is so darn smooth, uplifting... just all-around listenable. And it has that clichéd string instrument used in the majority of country songs (fiddle?). Excellent. Love And Anger is also a highlight, this time for its drum-piano combo and positively infectious bassline. (Man, listen to those lines at around 2:30. Mind-blowing.) I also like the subtle nods to Stevie Nicks's material in this tracks and various others. Another standout is Heads We're Dancing, which has that dangerously catchy VII-IV-I progression that makes me instantly fall in love with a song. The Fog is also a song of interest: the instrumentation is otherworldly, whereas the structure is... well, a little confusing. It's a song worth listening to a few times, I think. 4/5 Key tracks: The Sensual World, Love And Anger, Heads We're Dancing
I mean I already knew she was a genius, how much more confirmation did I need
Heard better Kate Bush but still a great album, loved everything I've heard from her so far
I guess this is my third five-star review for Kate Bush. Some great songs on here; as well as the title track and This Woman's Work, I liked Love and Anger and Deeper Understanding a lot. I love the bass sound on this album.
Didn’t realize she was the original artist of “This Woman’s Work,” another reason why I should know her music much more than I do.
boring
Beautiful pop. Not to cheesy. Great instrumentation and what a voice!
sensual world- 6 or 7 love and anger- 6 the fog- 6 reaching out- 6 or 7 heads we're dancing- 5 deeper understanding- 5 or 6 between a man and woman- 6 never be mine- 5 rockets tail- 5 this womans work- 5 a little to slow for me but i love kate bush
no es mi estilo musical favorito
It's not as extraordinary as Hounds of Love, but what is? It's still great, and This Woman's Work is one of her best.
Eh
Not the best Kate Bush album but still some interesting songs. I hope this isn't the only Kate Bush album on this because that would be a shame.
Between this album and Hounds of Love, Kate Bush was on another level in her prime.
I thought this was catchy the first time I listened. Subsequent listens were overly dramatic. Strange but calming voice. She is not pop. She is not rock. She is not alternative. Indont know what she is.
I don’t mind a bit of Kate Bush, but I do really struggle with a whole album. There are moments on here that I really enjoyed, and others than just didn’t work for me. Some of this is well crafted and a bit folkie, other parts a bit hard on the ears, and Rocket’s Tail was too out there and Floydian for me. This Woman’s Work is THE standout track, powerful, painful and has such a beautiful tone
Late 80s Kate Bush. Interesting and floaty. New wave.
Fantastic, wood witch version
Screeching.
No!
# 550 : The Sensual World by Kate Bush: The Sensual World – Sensual, Sure. But Mostly Snoozy. Kate Bush returns with another dreamy 80s soundscape that’s relaxing, charming, and creative… which is a polite way of saying “a bit boring.” It’s extremely of its time and extremely Kate Bush—which isn’t a crime, just not five-star material. “The Fog” is the best track, but even that feels like it’s trying to remember what excitement sounds like. The whole album is pleasant enough, but if this is essential listening, then maybe the bar for “essential” needs a serious review. Verdict: Not bad, just not all that. Sensual? Maybe. Memorable? Not really. If you have to listen to this, look out for: The Fog Listened: 21/08/2025
Love This Woman’s Worth. Not a bad album actually, quite enjoyed it.
Warbling of the lowest order
It's difficult to describe this album properly. It's quite beautiful at times, but at the same time there's quite some choices i do not understand at all. I think i would understand a lot more with multiple future listens, but for now I'm not too sure what to give it. 4 stars seems fitting, not because of how much i necessarily enjoyed it, but because of how much I want to listen to it more
interesting
First half was hard on the ears. Some redeeming melodies in the second half kept this from getting 1 star
Two Kate Bush albums within a couple weeks. Starting to lose faith in the random generator.
I always want to like Kate Bush, but then I listen and I just don’t.
I know of her other album but not this one. She's not my style of music to listen to but I do respect what she brings.
Ugh. I LOOVED hounds of love, but this album seems to be rehashing a lot of the sound on that album without the immediacy of that album. The last two songs are perfection, but it was a bit of a slog to get there.
Very 80s, nice to listen to in the background, but nothing really stood out
Always interesting, it's fine
Kate Bush’s music isn’t for me.
It’s not for me, this.
A little Kate Bush goes a long way.
Cool album. Enjoyed it. Standout songs: Love and Anger Reaching out This Womans Work
This isn't insightful by now, but the line connecting Kate Bush and Lorde is drawn bold. And I like that! Our music should be self-referential and iterating. Kate feels more genre-breaking than many of the delicate rock-pop albums from the 60s-80s here. But I can't pretend that I'm wholly captivated either!
Pretty good, probably more of a 3.5 but not quite a four.
first listen! tis quite iconic-it's like a mix of dream and experimental pop, there's kinda a little bit of everything. I lovee her voice, it's so authentic favorite song: either rocket's tail or the fog
Helt enkelt inte min smak, även om jag kan se elegansen.
Not her best, but still better than most
Some good tunes in there but mostly pretty mid.
I was pleasantly surprised but went back for a second listen and didn’t get hooked
Kind of like if early 80's Madonna and Björk were mashed in to one.
Bush is someone I’ve always wanted to get into, and this was one hell of an advertisement. Controlled, restrained yet flamboyant and explosive pop. She can sing.
As I was listening to this album, I was preparing to comment on how it was a pretty reasonable listen. Sonically interesting. I enjoy the non western vocal textures and otherworldly harmonies, such as in Deeper Understanding. Interesting song about bumping into Hitler at the dancing. Then I reached the 3rd last track, Rocket's Tail, and I thought actually maybe this is great. Then the next track played, This Woman's Work, and I legitimately got full body chills. This does happen to me on occasion, but it was particularly enjoyable as it came out of nowhere. I love surprise goosebumps. I then relistened to the full album and it hit a little different. Its not music i would usually listen to but I enjoyed the experience and I would revisit Ms Bush's work. Favourite track - This Woman's Work. 7.5/10
Phenomenal
Boring. Stopped listening after 3 or 4 tracks. Don’t drag the eighties out more than necessary
She’s a queen.
Very 1980s sounding. A lot of separation between tracks. Peter Gabriel vibe. She has a great voice but it gets buried in the mix too much. Glad I listened. Probably wouldn’t again.
Interesting listen and quite enjoyed it. Lyrics will take some time to really get and understand. Loved the production and it made the songs feel like a journey at times. 3.5. Could see this being a 4 after a few registers
Interesting in spots but just doesn’t have anything memorable about any particular track. 2/5
Did not like this. Would not buy for house.
Not into this. Too breathy. Too 80s. And Deeper Understanding - awful. Listened through 1.5 times and couldn't take it any more.
Not really a fan.
i quite enjoy the uniqueness of her voice. there is a complexity to this album that i have not found before. i love women! reaching out is my favorite
3.5 rounded up
¡Sonaste! Hiciste contacto visual con la escorpiana de la sala. Y justo resultó ser la más escorpiana de todas. Atraído por su misterio, vas a querer saber cada detalle de su último viaje a Bulgaria. Ella va a hacer que te cuestiones íntegramente tu personalidad. Nadie intercambia dos palabras con este álbum sin sentirse, al menos por un instante, demasiado básico para ella. Una Mili o una Pili escucha esto e inmediatamente aspira a tener una personalidad basada en introspección etérea, en encontrar un fin último de existencia... o al menos en terminar las dos temporadas que le quedaron tiradas de Stranger Things en el Netflix de papá. Lo que incentive el algoritmo primero. Después del hit ochentero que fue su quinto álbum Hounds of Love, Kate Bush desarrolla una alergia mística a los estribillos y se embarca en una epopeya donde juega a ser una odalisca sensorial. The Sensual World es prueba de que la mente femenina es una ruleta de temáticas que dispara canciones sobre sensibilidad literaria, deseo, imaginación, conexión humana, feminidad… sin pisar ningún lugar común. Hay un tema que narra un parto desde la perspectiva emocional del padre. Eso lo puede escribir una mujer promedio, pero jamás le exigiremos lo mismo a un hombre compositor. Uno podría pensar que el disco es pretencioso, pero cuando te enterás que descartó todo un proyecto conceptual inspirado en el Ulises de Joyce, se te aflojan los juicios. Junta a un trío búlgaro, a un Pink Floyd (David Gilmour), y a un one-hit-wonder glorioso como Mick Karn, y tenés una sesión de estudio donde la libertad sonora es absoluta. Pop sofisticado, folk, música celta, electrónica atmosférica, texturas balcánicas… y te sale el disco más atmosféricamente maduro de los ochenta. Uno que carga con la difícil pero hermosa tarea de maternar singularidades como Tori Amos, Björk, Bat for Lashes, FKA twigs y St. Vincent. Lo que debe ser esa casa: la primera que haga una referencia a Yoko Ono, la tildan de básica conformista. Pero de algo estamos seguros: en esa casa, a la hora de la cena, hay banquetes oníricos, y por debajo de la mesa se caen todos los clichés new age.
Really great. Even better on a second listen. 4.5
An odd album filled with stripped back 80s beats, low level vocals on some songs but there are gems throughout as well. The Sensual World, Love and Anger, Deeper Understanding and the fantastic This Woman's Work. Kate Bush isn't an artist I have listened to a lot, and mostly seems to write brilliant songs that sound better when others cover them. I still enjoyed this and expect would appreciate it further with more listens.
It felt so ethereal and like airy (if that makes sense). I am going to re-listen when I am on a walk rather than sitting on my desk. I liked it!
Jeg siger dette som en gigantisk Kate Bush fan: Kun en engelsk liste ville inkludere dette som et essentielt album. Hendes debut, Never for Ever, The Dreaming, Hounds of Love som minimum er mere essentielle end den her. Når det så er sagt er det her stadig et bundsolidt album, instrumentationerne arbejder videre fra de mere eksperimenterende numre på Hounds of Love mens hendes stemme fortsat bliver bedre og mere udtryksfuldt for hvert album. Meget flotte og high concept tekster. Rocket's Tail og This Woman's Work er nogle af hendes bedste numre
Kan godt lide hvor meget Kate Bush kun lyder som Kate Bush. God plade, men tror det er min mindst yndlings af hendes plader fra 80erne.
She still has a great voice and some of the songs were good. Never saw the plot twist coming that Hitler was a good dancer 🤷
Bordel que c'était nul à chier par terre.
Arguably Kate Bush's second best album after 'Hounds of Love', this album captures a profound longing for human connection and intimacy. Lyrically, the songs are imaginative and prescient, conjuring unexpected scenarios like encountering Hitler at a club or exploring online love before digital dating was comprehensible. Revisiting the album, I'm struck by how well the songs have aged—tracks I once skipped now reveal new depths of meaning, demonstrating the album's enduring artistic power. Standout track: Never Be Mine
Dad- 7 Mom- 8.5 Mike- NA Lori- 3 Michael- 6 Miles- 3 Cole- 3.5 Avg- 4.67
Not really my type of music either
I know she influenced Tori Amos, but at least Tori added melody. The breathy vocals and general sheen of pretentiousness are not working for me. Deeper Understanding was ahead of its time though. But it’s still not GOOD. And then it surprises me with This Woman’s Work which I actually know and sort of like. 2 stars.
Vocals sound the same in each song. Nice instrumentals.
kate bush from the 80s. Not really my thing
There are so many boring songs on this album.
This was a fun album. 80's without being too 80's. Kate has a great voice. I'd listen again.
Thats enough of Kate Bush for today. Again, felt it started strong and fell off. I'd like to hear minimalist version of her stuff. Mhhhhhhmmmmm yesssss.
Meh, definitely not the Bush we heard in Hounds Of Love. It wasnt terrible, but I didnt appreciate the theme/concept most of the time. The 80sness of it really ruins it for me. Genesis style drums 😆 I liked the uplifting Love and Anger tune and that was about it.
This woman’s work is one of the greatest songs written. Great album.
I know nothing about Kate Bush and almost nothing about her music. After listening to this, the vibe I get from her is that she was that quirky, odd, theater arts type girl from your high school class who was kind of a loner and passionate about music but somehow heard and experienced music differently than most people. She ended up following her passion and made it a career. It's not music that I enjoy but good for her.
Thoughts before listening: I enjoyed the other Kate Bush album I heard on hear, but that one had "Running Up the Hill". I am not as familiar with this album, but in general I enjoy Kate's weirdo arty pop music, so it seems like I'll probably like this as well. Review: I liked this quite a bit actually. Kate Bush is a good singer with a nice voice and these art pop songs remain interesting throughout. There is a lot more substance to this album than the average 80s pop singer, and even without a recognizable massive hit like her previous album, this is still very enjoyable. This is a 4-star album to me.
The first two tracks of this album are absolutely fantastic, specially the first one, which gets me excited evey time. After these tracks it gets a bit weaker, but this record is really great. I love how good this sounds. The way she sings and makes some weird noises sometimes, the variety of the instruments used (like flutes or pipebags I think...) and the production are fantastic and very unique. I haven't listened any other album from her before, but this album feels like a breath of fresh air in comparition from the material from this genre and time. A great suprise.
Not my favourite of hers but I do love listening to her sing. That last song though. Wow. (41 known/88 new)
I'm glad the world has room for art pop musicians like Kate Bush who are out there being their weird, interesting selves. Also glad I don't need to hear it again.
The Sensual World – Kate Bush (1989) | Art Pop / Progressive Pop | Avg: 8.5 | Favorite Song: “Love and Anger”* The Sensual World is lush, layered, and bursting with emotional nuance—Kate Bush at her most elegant and earthy. “Love and Anger” stood out as the peak for me: it’s sweeping, cathartic, and showcases everything that makes her such a singular artist. But truthfully, this album is stacked. Tracks like “This Woman’s Work” and “The Fog” show her range not just as a vocalist, but as a producer and composer—every detail feels intentional, yet organic. What impressed me most is how immersive the album is. It doesn’t rush or pander. It draws you in slowly, with rich textures and poetic ambiguity, and once you’re in, it doesn’t let go. There’s a sensuality here that’s not just romantic—it’s spiritual, intellectual, and deeply human. It might not have the immediate punch of Hounds of Love, but it trades that for something more mature and intimate. From a reviewer’s standpoint, The Sensual World is proof that subtlety can be just as powerful as spectacle.
Didn’t really click for me.
Listened in the truck via YouTube music. I had never before listened to a Kate Bush album. This is really centered around her voice as it should be, but the music is special too. It definitely has an 80’s sound that is specific to the time it was made, but there are some timeless songs. The Fog was an amazing song that shows very few listens online when comparing to the singles from the album. This Woman’s Work is where the “Ah hauuuu” that I’ve heard many times before without reference comes from. I’ll definitely be digging into more of her body of work.
Meh
It feels like this book went one album too many with Kate Bush. If I am not wrong, the latter editions of the book do not have this album and it was replaced by one of the more modern albums. Kate Bush's other two albums deserved a spot in the book, and this is not a criticism, but The Sensual World is more of the same. It's not "the same," but it is the same principle of music that a listener can hear on Hounds of Love and The Dreaming. There is nothing offensive here but if you liked the first two albums then you may like this one. If you didn't like the first two albums there aren't really any big hits/songs you can hear that would change your mind.
More majesty and wonder from Kate Bush. A bit more restrained on the first half and then she lets loose.
This album is from when she had started making music to please herself, and not the buying public. And why shouldn't she. In essence that is what all musicians should do. And it's where Kurt Cobain fell down. But it means your left with an album that is all filler, no thriller. Earlier albums all had a couple of hit singles on them, this has nothing. Why should it? If that is what she wants then why not, but in all honesty I can't give it higher than a 1. For me this has nothing going for it.
Never been a fan of the Bush, but this was a grower. Took me 3 goes to decide if I did really like it, or was it just a novelty. But each time, I kept finding extra layers to enjoy. Atmospheric and sonically brilliant. Reminded me very much of some of the Gabriel albums of that era. Explains why they did that duet I guess.
This was very good. Some nice mood music going on, with lots of instrumental layers. Not sure if it was remotely sensual though.
4 star
Weird and not really my thing
Quite good
Solid work! This album does not contain my favorite Kate Bush song, "Running Up That Hill", but still distinctive and full of artistry.
Meh
This album has the vibes of a record that was probably very well received when it came out, and regarded by many as a groundbreaking one. Not sure if that was the case, but that is the aura it has to me. I personally think this sounds too “grand”. Both the lyrics and instrumental arrangement feels like something meant for the big stages. It is also impossible to overlook the 80s sound that runs through the whole album, making it feel quite unmodern and stuck in time. In summary this was not an album for me, and I struggled to find songs that I want to hear again. Not because they’re bad, but just because it’s not my thing. Weak 3.
Man, the tail-end of this album was really, really good. It starts with “Never Be Mine,” which is a cool track. Then comes “Rocket’s Tail,” which reminded me of the experimental vocal samples in Holly Herndon’s “Frontier.” After that is the great track “This Woman’s Work.” It might not be quite as good as “Running Up That Hill,” but it’s still a fantastic Kate Bush song. I mean, it’s Kate Bush, it sounds like Kate Bush. If you like her, then you’ll like this. Looking back, I feel a bit guilty for only giving Hounds of Love 3 stars. I mean, it has both “Running Up That Hill” and “Hounds of Love”! Let me remedy that by giving this a solid 4 stars. Really enjoyed it.
love kate bush this was great
I’ve never listened to a full album by Kate Bush. I really enjoyed this album, had a classic Women’s Work on it which was the only song I knew prior to listening.
When it comes to progressive, art rock, and sophisti-pop, Kate Bush was truly forward thinking. She was always on the cutting edge of what was possible with production and studio technology at the time. I wouldn’t say this is the most technically impressive album she’s made in terms of studio wizardry, but it’s still a really well produced record overall. She’s very tuned in to detail, to where it feels like every sound is deliberately placed, with purpose and precision. On top of that, she does an excellent job of giving the album an earthy and mystical atmosphere that makes it feel intimate, otherworldly, and forward thinking.
Maybe the least bad Kate Bush album I've had, out of the way too many Kate Bush albums on this list. But there's just no set of circumstances that would lead me to put this on for even the most casual and unfocused listen ever again.
sin mas
too many bagpipes
I love when a well-established artists goes for a specific, unusual sound or concept on their album. When it’s done well, it pays off in being a memorable, thoughtful album. Kate Bush has it in spades here. She takes her always-theatrical style and filters it through sometimes middle-eastern / sometimes African soundscapes. What a killer opener and title track! She knew what she had here and how effective this song would be. I really enjoyed the string section specifically on “The Fog” about 1:40 in. “Heads Were Dancing” is a more poppy, beat-driven song with those huge 80’s echoey drums. “Deeper Understanding” is a slightly more mellow, late 80’s slow jam if ever Ive heard one. Lastly, the female vocal chorus on the beginning of “Rockets Tail” is incredible. So dramatic that it’s nearly haunting. Really like this one. What’s most impressive to me about Sensual World is how Bush pairs the at-times grand scope of the instrumentation with some very tender, sensual (for lack of a better word) moments. She eases in and out of these mood changes with such fluidity. 4/5
The vocals are frustratingly low in the mid. Production is very off its tone, but not unpleasant. Despite the mix, her voice is excellent. Songwriting is top notch. Between A Man And A Woman is the standout for me.
Lovely. A couple of bangers. Strong, confident and wavy. Really liked it. Don't need t hear it again.
Good album. Almost gave it a 4. This Woman’s Work is a phenomenal song and carry’s this album.
Some songs are boring me and some are unbelievably captivating. I may love it but I may forget about it, only time can tell. I loved reaching out but not enough to save it to my likes. So close though. Deeper understanding is mesmerizing and gorgeous - added to my bckrd playlist!
Yeah, I get Kate Bush is a darling to those of the hippier set thanks to Stranger Things, but this album is a huuuuuge stretch. 2/5
Kate Bush isn’t for me - I love her most popular tracks but the rest is a bit beyond me. I don’t get it. Average for me.
yay! more kate bush
This was better than expected. It helped having Mick Karn playing bass on one track. It's hard to believe that This Woman's Work was a single, but it is a beautiful song.
Fine
Not my favorite of hers, but still very good. I think the only track I’d heard before was “This Woman’s Work.” Rocket’s Tail, This Woman’s Work 4
Nice soul singer. Also appeared to have song the original mockingbird.
This was my first time listening to a full Kate Bush album. I had only ever heard a few of her singles and never thought it was my jam, putting her as something akin to Peter Gabriel. I was surprised to find I really enjoyed this album, not even from just a technical standpoint. I better understand why so many people, even her peers, are so amazed by her. The range on her voice is absolutely breathtaking. Paired with her meaningful songwriting (I didn't realize she wrote all her own songs) and the eclectic instrumentation, this album is nearly a masterpiece. Sometimes the production is dated but mostly it just seems ahead of its time-- I hear a lot of Bjork and Alanis Morrissette in there. My favorite song was "Heads We're Dancing" which seems to be about a love affair with Hitler. The title track is based on Molly Bloom's soliloquy which ends Ulysses, absolutely wild that it doesn't feel pretentious but just very honest. Bush is really an amazing artist I've overlooked, and I'll be looking more into her music.
Weird
i've heard almost all of Kate Bush's albums front to back (except for her very last one she released in the 2010's i think), so i'm very familiar with her work. i've only listened to this occasionally since it's not my absolute favorite of her work, but i doubt this will get a poor rating The Sensual World - 5/5 Love and Anger - 5/5 The Fog - 4/5 Reaching Out - 5/5 Heads We're Dancing - 5/5 Deeper Understanding - 4/5 Between a Man and a Woman - 4/5 Never Be Mine - 3/5 Rocket's Tail - 4/5 This Woman's Work - 5/5 Average score: 4.4/5 (rounding up) it's not my favorite album of Kate Bush's discography. i've always been more of a fan of the grand and almost theatrical hits from The Kick Inside to Hounds of Love (side note: can you believe The Kick Inside didn't make the cut for this album list?? blasphemy!!!) that being said, much like the majority of her other albums, it's lovely. what you see in the title is what you get: sensual, lush and ethereal. this is also what i consider her last good release
Great easy album, beautiful use of various influences
i kinda dig the 80's style, but sometimes it really drags and becomes boring
Enjoyed this. Title track was fascinating and beautiful.
Kate Bush is fantastic, this album certainly isn't getting the same amount of love as Hounds of Love since that has had its revival recently. And I get it, this is a bit better of and album, but this is also a pretty good album.
kate bush really is beyond! beautiful album but i’m not one for the otherworldly language she starts to sing in, love this woman’s work since we sung it in choir. big fan of deeper understanding though
Each Kate Bush album is an artistic experience. I wasn’t familiar with this one, but it’s no exception. A bit more adult in theme and sometimes wearied and even cynical in message, this is fantastic art pop that stands just a hair below the quality of her very best work, which makes it an absolutely terrific album.
Kate Bush isn't Joycean, tho she lifts from Ulysses directly. She's Bjork before the Icelander broke thru, and if she were to mirror a literary figure, she'd be some amalgam of WB Yeats and Sylvia Plath (not to mention the obvious Emily Bronte, but that's a debut resemblance). True to its title, this record transcribes the items of a sensual world, but there's something so beautifully, explosively, taciturn about it that it's less about the inevitability of sexuality than its precarious potentials. These lines don't have me hot and bothered: 'Reaching out for mama'; 'It couldn't be you, it's a picture of Hitler'; 'I turn to my computer like a friend.' Vocally, she's as wild as ever, the music is 80s pop meets Orient(alism), Big Boi is still a fan, and so am I.
An epic. So good. Rocket's Tail is one I hadn't heard before and absolutely loved.
Niet haar meest consistente werk, maar zeker een belangrijke pijler in haar carrière. De art-pop Koningin blaast altijd zoveel leven in haar muziek met die magische vocalen, maar ik mis vooral in het middenstuk een beetje sturing op instrumenteel vlak. Het voelt nogal flets, maar een extra luisterbeurt kan bij haar werk vaak wel opeens veel meer opleveren. Het beginstuk is wel subliem, en wat een afsluiter is 'This Woman's Work'. Die trekt hem toch naar de 7 toe. 7/10 Highlights: The Sensual World Love And Anger This Woman's Work
Positief verrast door dit voor mij nog onbekende werk. Bush zingt wonderschoon en vind de sfeer op het album dan ook prachtig. Niet echt nummer springt er evenveel uit, maar was voor een zonnige dag een welkome verrassing. 7,5/10
## In-Depth Review: *The Sensual World* by Kate Bush Kate Bush’s sixth studio album, *The Sensual World* (1989), stands as a pivotal work in her discography. It bridges her experimental, literary past with a new maturity and emotional depth, all while expanding her musical palette. Below is a comprehensive exploration of the album’s lyrics, music, production, themes, and influence, along with a balanced assessment of its strengths and weaknesses. --- ## **Lyrics** Bush’s lyricism on *The Sensual World* is both intimate and expansive. The album opens with the title track, inspired by Molly Bloom’s soliloquy from James Joyce’s *Ulysses*. Although Bush was denied the rights to use Joyce’s text, she crafted lyrics that evoke the same breathless sensuality and celebration of the senses, with imagery of “peaches, mountain flowers, seed-cake,” and a recurring, erotically charged “Yes”[1][3]. This track sets the tone for the album, where sensuality is explored not just as sexuality but as a broader engagement with the world. The album’s songs are structured as vignettes, each offering a glimpse into different lives and emotional states. Unlike her previous work, which often focused on grand, fantastical narratives, *The Sensual World* grounds its stories in more ordinary, relatable experiences, though still colored by Bush’s vivid imagination[1][3]. For example: - **“Heads We’re Dancing”**: Tells of a woman who discovers she’s been dancing with Adolf Hitler, inspired by a real-life anecdote about Robert Oppenheimer. The song becomes a meditation on judgment, trust, and the darkness that can lurk beneath charm[1][3][4]. - **“Deeper Understanding”**: Explores the relationship between humans and technology, presciently depicting a character who finds solace in their computer—a theme that has only grown more relevant[1][4]. - **“This Woman’s Work”**: Perhaps the album’s emotional centerpiece, it captures the vulnerability and power of human relationships, originally written for the film *She’s Having a Baby* and later becoming one of Bush’s most iconic songs[1]. Bush’s lyrics throughout the album are emotionally raw, inventive, and layered with meaning. She uses nature as a recurring motif, drawing parallels between human longing and the natural world, as in “Reaching Out,” where a sunflower’s stretch towards light becomes a metaphor for unfulfilled desire[3]. --- ## **Music** Musically, *The Sensual World* is lush, eclectic, and deeply textured. The album retains Bush’s art rock sensibilities but is distinguished by several unique elements: - **Celtic and Eastern European Influences**: The use of Irish folk instruments (notably Davey Spillane’s uilleann pipes) and the Bulgarian vocal ensemble Trio Bulgarka adds a distinctive color to the album. These elements are woven seamlessly into tracks like the title song and “Deeper Understanding,” providing an organic counterpoint to Bush’s technological experimentation[1][3][4]. - **Fairlight CMI Synthesizer**: Bush continues her pioneering use of the Fairlight digital sampler, though in a more restrained manner than on previous albums. The result is a sound that is at once modern and earthy, with electronic textures supporting rather than dominating the arrangements[1][2]. - **Guitar Work**: David Gilmour’s contributions, especially on “Love and Anger,” bring a soaring, emotional quality that complements Bush’s vocals[1][4]. - **Vocal Arrangements**: Bush’s voice is as expressive as ever, ranging from whispery intimacy to powerful, almost operatic wails. The inclusion of Trio Bulgarka on several tracks adds a rich harmonic layer, enhancing the album’s sense of feminine presence and cross-cultural dialogue[1][4]. The album’s production is dense and layered, with each track offering a unique sonic landscape. From the cinematic strings of “The Fog” to the bombastic, Eastern-inflected “Rocket’s Tail,” Bush demonstrates her ability to blend disparate influences into a cohesive whole[4]. --- ## **Production** Bush produced *The Sensual World* herself, a testament to her growing confidence and control in the studio. The album’s sound is characterized by: - **Lushness and Complexity**: Multiple layers of instrumentation and vocals create a sweeping, immersive experience. The arrangements are sophisticated, with careful attention to detail in every track[4]. - **Balance of Organic and Synthetic**: The interplay between traditional instruments and digital technology is a hallmark of the album. While some critics have noted a certain “coldness” in the original CD mastering, remastered editions have addressed this, allowing the album’s warmth and nuance to shine through[2]. - **Dynamic Range**: The album moves fluidly between moments of intimacy and grandeur, with Bush’s production choices serving the emotional arc of each song[4]. Despite the album’s complexity, Bush avoids self-indulgence, maintaining a sense of focus and momentum throughout[4]. --- ## **Themes** *The Sensual World* is unified by its exploration of passion, sensuality, and the complexities of human connection. Key themes include: - **Feminine Sensuality**: Bush embraces a more overtly feminine perspective, expressing sensuality on her own terms rather than as a marketing tool[1][3]. The album is often described as her “feminine” work, with a focus on emotional maturity and self-discovery[2]. - **Nature and Humanity**: The natural world is both a source of inspiration and a metaphor for human experience. Bush draws connections between the rhythms of nature and the patterns of human emotion[3]. - **Technology and Isolation**: “Deeper Understanding” anticipates the digital age’s impact on relationships, exploring the paradox of increased connectivity and emotional isolation[1][4]. - **Moral Ambiguity**: Songs like “Heads We’re Dancing” challenge the listener to confront uncomfortable truths about judgment and complicity, subverting expectations about the nature of passion and evil[1][3]. Bush’s willingness to tackle complex, sometimes unsettling subjects sets the album apart from more conventional pop records of its era. --- ## **Influence** While *The Sensual World* did not achieve the commercial heights of *Hounds of Love*, it was a critical and artistic success. The album set a precedent for Bush’s later work, particularly in its integration of global musical influences and its mature, introspective tone[1][2]. Its impact can be seen in: - **Expansion of Art Pop**: Bush’s fusion of folk, classical, and world music elements influenced a generation of artists seeking to push the boundaries of pop music. - **Female Artistic Agency**: By producing the album herself and foregrounding a distinctly feminine perspective, Bush paved the way for other female artists to assert creative control over their work[1][2]. - **Enduring Songs**: Tracks like “This Woman’s Work” have become cultural touchstones, covered by numerous artists and featured in film and television[1]. The album’s prescient themes and innovative sound continue to resonate, ensuring its place as a landmark in Bush’s catalog and in the broader landscape of popular music. --- ## **Pros and Cons** | Pros | Cons | |------|------| | Lyrically rich and inventive, exploring complex themes with nuance and depth[1][3][4]. | Some tracks may feel overly dense or self-indulgent to listeners unaccustomed to Bush’s style[4]. | | Musically adventurous, blending Celtic, Eastern European, and electronic influences into a cohesive whole[1][3][4]. | The original CD mastering was criticized for a certain “coldness” in the sound, though later remasters have improved this[2]. | | Strong, expressive vocal performances, with memorable contributions from Trio Bulgarka and David Gilmour[1][4]. | The album’s eclecticism and lack of a single narrative arc may make it feel less unified than earlier works like *Hounds of Love*[1][3]. | | Sophisticated production, balancing lush arrangements with emotional intimacy[4]. | The 80s production style (synths, drum sounds) may date some tracks for modern listeners[4]. | | Forward-thinking themes, especially regarding technology and gender, that remain relevant today[1][3]. | Commercially, it did not reach the heights of its predecessor, possibly due to its more subdued and experimental approach[2]. | --- ## **Conclusion** *The Sensual World* is a masterful album that showcases Kate Bush at the height of her creative powers. It is a record of transition—between youth and maturity, fantasy and reality, tradition and innovation. Bush’s willingness to embrace vulnerability and complexity, both lyrically and musically, results in an album that is as challenging as it is rewarding. The album’s strengths lie in its lyrical sophistication, musical diversity, and emotional honesty. While its density and experimentalism may not appeal to everyone, these very qualities have cemented its status as a cult favorite and a touchstone for adventurous pop music. *The Sensual World* remains a testament to Bush’s artistry and her ability to capture the full spectrum of human experience in sound.
Surprised how much I disliked this album. Felt very unsatisfying, and a lot of songs were lacking any real sound depth or counter-melodies in lower voices. There is also a register that Kate Bush hits at least once a song that I find very grating.
Confession time. I love Kate Bush. I could just give this a 5 and walk away. It's a cracking record. But in the grand scheme of things if I had to rate all her albums then this wouldn't be in my top 5. Although I still love it, if I was going to be ultra critical I think it's a tiny bit overproduced; some of the tracks just have too much going on in them. I get tired of fretless base which buries her voice in some places, and the Bulgarians do overdo it a bit. But that IS being overcritical. I could still automatically give it a 5 because Kate can basically do no wrong. But I'm going to be harsh and also give myself a bit of rating wiggle room before the joyous days whan I get Hounds of Love and The Dreaming (shame there aren't any more albums deemed worthy on the list). Please forgive me Kate.
One word - aimless. Another word - bland. I wasn't expecting much and, in an an attempt to be fair and not go in with pre-conceived opinions, I decided I would listen to at least half of the album before making any decisions. Pretty soon I found myself counting down the tracks until I reached #6. Then I turned it off. This isn't for me at all. In fairness I could have listened to the whole album so it probably deserves a pair of stars.
This was my first listen to a Kate Bush album...and WOW! Beautiful lush and atmospheric sounds and the voice of an angel. It sounded to me like she was channeling Peter Gabriel...a lot of similarities to his "So" album. Really enjoyed this one!
sooooo sexy, fav tracks: the sensual world, love and anger, reaching out
Not my favourite Kate Bush album but it’s a very strong one.
Rather boring for her. I find it mostly middle-of-the-road and somewhat cloying. I much prefer earlier albums of hers.
I liked 'Heads we're Dancing'. Some Kate Bush songs have hooks and melodies. Not these ones.
..
I saw a few reviews comparing this to Bjork in some ways and I can kind of see it. She's got a great voice but this album feels loose. The instrumentals aren't doing a lot to elevate her sound. There are some good elements but this feels like far more missteps vs hits. Would love to hear what I'm missing and why this is on the list. Her other album was fine to have on. This Woman's Work is a good song.
This is not a good start for me. A scramble of imitation world music muzak. She is an interesting vocalist, but the instrumentation on this doesn't hold up. This is the third Kate Bush album on here and it seems unnecessary. The song Woman's Work... works since it doesn't have the cacophony of noise the rest of the tracks do.
A quality album. Kate Bush has the unique ability to have her voice sound delicate, waif like and then seemingly at will sound deep and powerful, not just from song to song but from line to line or even syllable to syllable. It gives each song a emotional depth and variety that is unique in pop music. And the songs are beautiful. The opening 2 tracks are both outstanding. The quality does dip from their losing some accessibility but never their dramatic core, something Ms. Bush demonstrates on each song . Perhaps not as consistent as Hounds of Love, but always intriguing . 4 stars
It's not often I'm left scratching my head asking "Who is this for, exactly?", but that is exactly what happened by the time I'd reached track three of "The Sensual World." If you told me that the people of East Berlin tore the Berlin Wall down to get away from a Soviet-attendance-mandated Kate Bush concert in 1989 I would believe you, no questions. "This Woman's Work" is the only tolerable song on this album. It has been put to good use in charity appeal commercials over the years.
All of Kate Bush is pretty great and I do like all these tracks but don't love many. It's very consistent, I'm just more of a fan of her weird stuff on The Dreaming Rating: 4.5
Strong album, similar sound to Hounds of Love but didn't think there were as many highlights and thought the production was a bit weaker, will definitely return to it though
The Sensual World was much better than expected. The Dreaming, was in my opinion terrible but here you can definitely hear the female Leonard Cohen 6.8/10
Bit shit innit? 1 star.
This is my 3rd Kate Bush album and I really enjoyed it. I've never listened to any of her work before this project and I'm so happy to have finally found this fun weird person. Each album has been better than the last.
Great
I've came to the conclusion that Kate Bush's music is actually kinda obnoxious ("Hounds of Love" was a singularity.)
I don’t usually expect to like an artist’s “later work” when the first few albums are as good as Kate Bush’s are. That and it’s difficult to follow something as incredible as Hounds of Love. Sure, this might not compare, but damn… I really like her.
really good album, love the experimental ethereal sounds kate bush gives, really nice ending as well
Talk about ending an album on a high note. Amazing how consistent her discography is.
Title song is awesome. "Deeper Understanding" was visionary. See https://www.katebushencyclopedia.com/deeper-understanding/#Kate_about_%E2%80%98Deeper_Understanding The rest is generally good but didn't leave a strong impression. 3.6
Overall, very pleasant album to listen to at work on a Tuesday.
One great song and a bunch of mediocre ones.
I feel like this is an album and artist that people say they like in order to sound intelligent and high-brow… but to me it was meh poetry sung by an irritating voice. This Woman’s Work was the only real standout, and even that was only “good”because I recognized it from use in tv / movies / dance, not because I actually liked it.
Mostly weird. Didn't enjoy it really.
I felt a little "meh" about this while it was on. But I really get the sense that this would grow on me with multiple listens.
Progressive Pop with a vocalists which wander aimlessly, rarely, if ever, approaching anything resembling a melody, let alone a legitimate hook while loosing me exhausted by trying to follow.
Bit wailey, innit. Not her finest record, but I can see the charm and attraction in it. Not something that I’ll look to in the future though.
I need to give this a better listen, I'm not sure if it is a 3 or 4
Great vocals She’s like an old version of SPELLLING
Really enjoyed this! My first time listening to a Kate Bush album in full! Highlights for me were, ‘The Fog’ and ‘Heads we’re Dancing’
Like it 3/5
Im not a fan and was kind pf ok with her being forgotten. Damnstranger things. Still music is good but her voice is simply annoying to me
Can't do it. I have tried enough times over the decades (even went to her concert) and have had to surmise that there’s really no depth to about 90% of her meandering soft focus new age depresso-pop. Others will disagree vehemently, but for me there is only one worthy listen on this album and it is This Woman's Work.
Another fabulous album from Kate Bush. What's not to like??
Great but not her best
Yeah there’s something so great to Kate bush 4/5
5/6/25. Loved it, Kate Bush is definitely a unique artist who isn't afraid to push boundaries and try different sounds. Always make the music more interesting to my ear.
I don't want to beat around the bush so: I don't like Kate's Music! 1 extra star for not having "up that hill" on this album
ok, not my thing
I liked it - I knew of her previously, and she also had a song in stranger things!
This would have been a 4 for Kate and the songs but I can’t hack the mid-80s recording.
I love Kate Bush. This album is good but not great. It’s a bit too normal to be really captivating but a bit too weird to be easy to listen to.
Kate has a very unique style, I enjoyed the album, some songs were excellent, probably not something I'd listen to again and again, very specific mood needed.
5/5 Velvet Arousal Swells This album isn’t just sensual— It’s sentient. It listens to you as much as you listen to it.
I didn’t think Kate Bush would have a recommended album outside of the album that Running up that Hill would be on. I doubt it’s worth a listen. Let’s take a deeper look, shall we? The music is good, the vocals though vocally sound are weakened by the way she sings. It’s another trip down that Joni Mitchell road. I’m ok with female singers but there has to be something in it and like Enya, Joni and now Kate, they don’t have it. I don’t even think I can struggle through this album. It would have been better as an instrumental and if you’ve been following along, I don’t like instrumental albums either. It’s a lose lose with this one.
Great
FUTURE COMPUTER MUSIK
Not her best work in my opinion but it's Kate Bush so never bad
Definitely of its time - sexy and worldly in a Ladbroke Grove dinner party sorta way. Would fit well to a Dalton Bond. Manages to be both quiet and intense. Favourite tracks: Sensual World, Heads We're Dancing, Deeper Understanding, Cloudbusting
Kate should keep running up that hill until no one can hear her anymore.
I respect her, but I just can’t get into it. Like others have mentioned, the lyrics seem to just wander aimlessly without truly going anywhere. Not enough good instrumentals either to keep me entertained. Just not my style, perhaps paying more attention to the lyrical content the album would grow on me
I weep thinking about the artists who were left off of the list so that we could have a second 80’s-pop-disasterpiece from Kate Bush. The only enjoyable part for me was imagining all of the bad frizzy permed past the shoulder mullets in the studio. Ignoring the pop-du-jour production cliches here, her style of songwriting, like Carol Kings, just doesn’t do it for me. Melody and harmonic progression is an afterthought: write the poems, vocalize emotively, rinse, repeat.
samahkoa msiikkia kokonalbumi ei pläjätys effektia uuden biisin alussa,,
Такое. Ни о чём
This album was really different from most music I listen to. Kate does a really good job of using sounds in her music from nature that add to the haunting and ethereal sound of her music. When it's done right it sounds really good but otherwise it gets repetitive. I really like her music but this is not my favorite album of hers. I would listen to it again though so 3.4 🌟