My Aim Is True

Habil singer-songwriter, några bra spår (no dance och Alison) , men fastnar mest i pastish-land. Många låtar kopia av andras hits, inte tillräcklig egen identitet och POV. Han är inte heller en jättebra sångare. Bruksmusik och bagatell. Lyssna på albumet igen: Nej Bästa spår: No dance Betyg: 4 av 10

I did not know, what to expect, knowing only Elvis‘ recent music. It is classic Rock and Roll, some Soul and RnB and sometimes it sounds like it was written for TV sitcoms. Fav: Welcome to the working week

Excellent

Very solid album, again surprising how much I liked it, especially swept away by the beats and production. Lyrically was pretty solid too.

Not bad

Welcome to the working week rules Watching the detective too Overall classic, but probably only going to relisten to those singles

Good stuff. I'm Not Angry is my fav track. 8/10.

Great post punk.

I thought I disliked Costello but i found this to be a pleasant surprise. I enjoyed hopping around from the 50s to the 90s and everywhere in between, including shades of Bruce?? My main complaint with the album is that our boy does not know how to end a song. Just kind of repeats himself for 30 seconds as the song fades out. But still! A success.

Elvis Costello seems like he's big with the crowd of people that flatter themselves for having correct political opinions and intelligent music tastes so naturally I took quite nicely to this album. Seeing as how he's somehow at the cross-section of Springsteen and punk/new wave, this shouldn't come as that big of a surprise. I like fishing, the movie Patton, and No Kings protests. Pat me on the back and give me a lollipop.

I don't know what I disliked more, looking at the album cover or listening to the actual music. At least it was quick. Ultimately, Costello tries to blend a bunch of different rock styles and wrap it in faux punk anger/angst which matches his fake blended image.

It feels like the rock and roll error got a needed modernization and has a great sound and feel.

Elvis costello- my aim is true 1977 Favourite songs- I'm not angry/welcome to the working week Overall rating: 3/5 If the rest of the album was like I'm not angry or welcome to the working week it'd be an easy 5, but he keeps jumping from genre to genre and the songs don't flow into each other really- massive potential and I'm sure his albums after his debut would be better

I'm not sure if I like it. I don't hate it. Listened to it twice and never wanted to turn it off but I wasn't thinking I want to listen to this later. I never wanted to grab my good headphones for it. It was in one ear and out the other. It's weird because it's not bad. The album tends to blend together though, all the songs sound a lot a like. I wish something jumped out at me.

With Elvis Costello you know what you’re getting into and I have to respect that of all his albums I’ve heard of him so far, they have all matched pretty much in quality which is really good if you’re a fan of his style of music of which I’m not but I still enjoy it and like it fire the most part. I think this might be a bit weaker than his work with the attractions as the instrumentals aren’t as good or powerful but it still definitely has the Elvis Costello feel, he also lives up to his first name ( which he changed to) with his own version of jailhouse rock with his own lyrics and title (mystery dance). Favourites: welcome to the working week, blame it on cain and sneaky feelings. Overall, 6/10.

One of the worst album covers I've ever seen. Who thought it was a good decision to make all of the typography illegible by placing it on a checkerboard pattern? It is shameful that this artist compares himself to Elvis Presley. He has none of Elvis Presley's qualities: He can't sing, can't dance, and doesn't have any charisma. If you want rockabilly, particularly in the seventies, just direct yourself to Cheap Trick and Bruce Springsteen and save yourself the irritation. If you want punk get real punk. The only thing going for this album is the band Clover. Everything that Declan McManus brings to this pretty much sucks. His lyrics aren't great at all. I personally think Sting, Peter Gabriel, and countless others writes lyrical circles around this guy. I don't understand how people got hoodwinked into this nonsense.

I enjoyed this a bit more than I was expecting, just felt a bit one dimensional for me.

A couple songs were fine, but overall a bit boring.

More enjoyable than the last few but still nothing spectacular

This was AMAZING! So much fun! I had never heard of Elvis Costello before, but I love his style. These songs are so fun, not too long, and just great! The guitar tone is soooo good! He gives me Beatles vibes. I love it! Liked Songs: "Welcome to the Working Week" , "No Dancing" , "Blame It On Cain" , "Alison" , "Sneaky Feelings" , "(The Angels Wanna Wear My) Red Shoes" , "Less Than Zero" , "Mystery Dance" , "Pay It Back" , "I'm Not Angry"

not bad 3

Most of Elvis Costello’s music is largely forgettable to me. I don’t know if it’s the style, the vocals, or both. I remember liking a few of his songs somewhere along the line. This album though, while it’s ok, not much stood out.

I imagine Elvis and this album are divided amongst many folks. Love him or hate him, this album deserves to be in the discussion as one of the more enduring debut albums. The songwriting, lyrics and fusion of so many genres is just great. Hits that became hits later. And all at the age of 22. Add to that the fact that it was recorded in just six 4-hour sessions with the entire thing mixed in just five hours! Brilliant. Not quite 5-stars, but that’s only because I’m holding out for his second and third albums which I’m assuming will be in the cue soon. 4.5/5

Not bad. I just don’t think I’m much of an Elvis Costello fan.

I probably would have enjoyed this more if we didn’t have another one of his records not long ago. Just not my style. But good enough for mid range rating. I do like the song, Alison, and that’s about all the praise I can’t muster. 3/5

nailed the zeitgeist

6/10 Enjoyable if not particularly exciting Highlights: Less than Zero Im not Angry Miracle Dance Watching the Detectives

As an immature, weedy, and timid 17 year-old, just about to go to university and in desperate need of an identity, I happened to read a short review of this album in my father's Guardian (as one did). On impulse, and without having heard any of the tracks, I bought the album in WH Smith in Canterbury while on holiday with my surrogate family. I sneaked off and played it on the record player in the house we were staying at every opportunity - and couldn't believe what I was hearing. Elvis Costello came from nowhere, fully formed. This and his many following albums became the soundtrack to my life, this is no exaggeration. Don't you think that I know that walking on the water won't make me a miracle man. I said this to my boss at the end of my annual appraisal about 20 years later and he just looked up and said 'Elvis Costello'.

I realise this may not be the most popular opinion but I have to speak my truth: I find Elvis Costello’s voice unbearable.

Wow, this sucks!! Just kidding 😉 a fun blend with elements of old school rock n roll with a more modern sound coming through. Can't go wrong!

In Ordnung, nix hängen geblieben

Yeah it was alright.

Every song sounds exactly the same. Not a fan.

A lot of pleasant songs

Nearly every song sounds like a sitcom theme.

At least with his debut there was some quality control. It makes a better listen, but I'm not a big Costello fan so far.

Why did he have to fade out every song in the same exact way? Still fun though. Curious what more he has to offer.

Solid Album. There are only a couple of songs I'd like to skip here.

Blonde on Blonde encore still not run out of classics! Bob is the greatest lyricist of all time. ❤️You Bob. End of encore Final Bob encore (you did scream for more) I was one of the many who couldn't get past his voice for years, but once I did it opened up amazing songs whose lyrics blow you away, be patient it's worth it Elvis Costello, never tried him before but what a great record this is, can't help thinking he is some what underrated? I could be wrong don't know enough about him. Another reason this list is so great😁

Rockabilly- and crooner-punk. Pretty good.

pretty boring, besides like 2 of the tracks. 5/10

Holds up well - not my favourite Costello LP but still a strong album.

absurdo! outro que dá pra perceber a influência em vários outros artistas. tem uma que lembrei de glassjaw até. tem outra que parece que o propagandhi copiou pra tocar fck religion haha. massa!

I liked it. Definitely a jam, but I won't be adding anything to my playlist.

Elvis Costello's debut album "My Aim is True" is an average example from the decade. Drawing clear inspiration from his original namesake, the album's sound is reminiscent of American rock from years prior retuned to fit the up and coming punk rock scene. While influential, the album suffers from poor mixing, lending the tracks muddy vocals and robbing much of the 'oomph' the music could have. This causes the listening experience of the album to be somewhat dull, with a few standout tracks, particularly the single "Alison".

Classic Americana rock. Sounds familiar and foreign, almost run of the mill. Unsure why it's special, but it's definitely special to someone.

Catchy music that sounds old (fifties-style riffs) but not old... he's carved quite a unique niche for himself. 3.7

3 a 4

Close to a 4 star, but not my favorite Elvis Costello album. It does have a couple of my favorite songs of his (Allison, Less than Zero)

Užasno neimpresivno u svakom pogledu.

Solid songwriting from Costello. Tender and petulant at the same time.

Young punk Elvis rippin shit up right out of the gate. He's had a million 'phases' but he started out strong and never really let up. My favorite of his is King of America, but how many first albums are this re-listenable?

Ei ollut Elvistä mutta ei kovin kaukanakaan, ajoittain. Menevää rokkimusiikkia, olikohan huumori otteella.

This is too british. Red shoes, swastika tattoo, eye-gouge worthy cover. Just british things, I find them really annoying. Couldn't care about the music

still dont like this guy

Langweilig

Very decent. Maybe a bit of it's time!

I've heard this album hundreds of times but haven't revisited it in years. And for whatever reason I never enjoed it as much as I did this time. Even Allison wich normally makes me yawn, this time I was appreciating it for the perfect rock ballad that it is, focussing on the beautiful bass line, the jazzy guitar figure and the other subtle touches made the song come alive for me as never before. Every song jumped forth from the grooves relealing new elements that grabbed hold of me kept me riveted throughout the 35 minutes or so. I've always felt ECs first 4 albums are about as good a 4 album start of any artist in rock history, rivalling Led Zeppelin in that department, however I there was always something about My Aim is True that made me feel it was a rung below the other three...but not today. Today it takes its place beside the other three as no brainer 5 star albums!

1001 Elvis Costello Albums You Must Hear Before You Die

I will likely regret this as there are so many Costello albums on this list but if there are 50% the quality of this then I look forward to all 1000 of them. This is a great album. Costello jumps across genres or sub genres and combines them all into a super well crafted/ well played album. I have no choice but to give this a 5.

An agreeable enough time. Pub rock not of the leaden variety, but this is unlikely to be one that I'd be itching to return to. A tad rudimentary for me by current standards, and perhaps a bit too carefree and joyful sonically for my largely grubby tastes, although one where I can understand the appeal it would have harboured.

I should like this more than I do. It never musters more than a “pretty good” or @just ok@.

I'm two minds about this. I was quite on board to begin with, quite liked the cut of his jib, songs were quite interesting and varied albeit in a particular straight laced rock style. As it went on it started to get on my nerves. The schtick is quite samey, it's a bit too breezy and lacks substance. Thinking back though there were songs I liked. I think an album is too much, 2-3 Costello tracks is the correct amount. 2.5.

It has been about 6 months since the last Elvis Costello album. I really liked this one. No Dancing, Blame It On Cain, Alison, and Watching the Detectives were all pretty jazzy, punky tracks. Watching the Detectives also had a reggae edge. Apparently it is his debut - the album as a whole is very, very accomplished. I appreciate he's not for everyone, but this is such an easy album to listen to. Also a double rainbow was in the sky as I was listening, which made me forget the rain.

Thought this was pretty good. More snappy than the other albums of his we've had so far. I like his voice but I still think blood and chocolate was the best one of his we've had. I do think that although I did enjoy this, nothing really blew me away and I think it's ultimately going to be forgotten. The highlights were Alison, blame it on Cain and watching the detectives. 3.5

Shoulder Shrug

Didn't finish but enjoyed what I heard. Fun sound.

solid... has some very fun moments here and there...

72/100.

I mean it's quite good actually. Maybe this album was the only one that actually deserved to be on the list? The album art is shit but they were obviously trying to catch the attention of someone flipping through records in the store. The real question is if he would have had any success if he hadn't gone by Elvis and the real one had died after the record was released?

This one was kind of mid for me. Some nice jaunty tunes, but they were all just kind of good. Nothing was super mind blowing. Elvis Costello has never really been my jam anyway. Standouts for me were "No Dancing, " "(The Angels Wanna Wear My) Red Shoes," and "Mystery Dance" My Aim Is True is certainly not bad, just pretty average in my opinion. Wouldn't really revisit much of this. 3 outta 5 for me.

I've kind of run out of things to say about Costello. He's a good songwriter but I don't think his oeuvre has necessarily aged that well. For me, it's fine but I wish his voice was better.

Classic

I haven’t listened to Elvis Costello much before, and that’s the joy of this project. This album was fun and upbeat and really surpassed my expectations. It didn’t overstay its welcome either, was just an overall pleasure.

I like Elvis Costello well enough but nothing on here wowwed me.

Upbeat, rock, buenisimo, las canciones varias bastante parecidas, would listen again, would recommend, 8/10

C’est vraiment pas mauvais, surtout que c’est seulement son premier album. Je voudrais aussi écouter son deuxième : j’ai lu sur Wikipédia qu’il avait un meilleur band avec lui pour celui-là. C’était bon, mais pas exactement pour moi, malgré qu’il y avait du potentiel. Donc, pas l’album pour moi, mais peut-être qu’en explorant sa discographie, je trouverai quelque chose qui me plaira plus. Après une nuit de sommeil, je voudrais donner la note de 3 étoiles et demi, mais c’est pas possible.

There’s something undeniably fresh about Elvis Costello’s debut. The album bursts with energy and has a certain lightness in its sound that almost recalls L.A. surfer rock, without losing its edge or British sharpness. The lyrics are witty and sarcastic, but the music remains accessible and melodic. A strong and versatile debut that still holds up today. 4/5

Wouldn’t listen again but I respect it

So... I've never heard a single song by Elvis Costello ever in my life. I can easily say that this is one of the greatest albums ever recorded. A New Wave masterpiece. Costello is an incredible lyricist and quite a proficient guitarist for new wave standards. When it ended, I wished there was more. Non stop quality, non stop fun. Can't wait to listen to more albums. 5/5

Impressive debut album the first EC album I can truly say that I have enjoyed will be listening again.

otro antiguo jajaj. Me mola. Está topppp. Mystery dance lets moooveeee let loooooose. Nueva fan de este tío ngl i love him. Me encanta todo, hasta la portada. Me lo quiero volver a escuchar.

5 out of 5. Great songs despite the hard to read album cover.

Another classic from beginning to end. I knew a few songs, but even though most were new to me and didn’t stick out, it was still a consistent mood that made it worth listening to.

Not really my vibe genre wise. Love the cover art though.

El debut de Elvis Costello (1977) abre boca para lo que sería su gran obra maestra, el This Year's model (1978). Divertido, dinámico y variado. Por ponerle un pero, creo que es demasiado corto. ¡Cómo mola el New Wave!

hold up. This is THE Elvis Costello? gah. kinda boring.

La producción es horrible. No entiendo cómo puede sonar un disco así de mal siendo del año 77. Parece que quiere resultar desagradable a propósito. Las canciones no están mal, pero tiene discos mejores.

ok but really generic 2/5

I really rate this album, it’s short and to the point the way LPs were and should still be. A very assured debut from young Declan and a sign of things to come. I know his vocal style isn’t to everyone’s taste but his songwriting is first class and the band are pretty tight too.

good! only chose a few songs that spoke to me

Loved it.

Despicable antisemitic

Eu nunca considerei o Elvis Costello como um grande cantor ou músico, mas o cara sabe escrever. "My Aim Is True" é um disco bem simples, de canções curtas, mas cheio de energia e boas melodias. "Alison" é uma balada muito bonita e um bom aperitivo para o que ele viria a fazer nos próximos anos. O álbum seguinte é ainda melhor.

There's a total of 6 Elvis Costello albums on this list and I'd argue at least 3 of them are fluff (either their inclusion on the list or the contents of those albums, your call). That said, I'm good with this one being included as it's probably my second favorite after This Year's Model. Some solid tracks throughout the album and definitely brings that old school rock sound with a little more of a punk attitude

Evlis costello is definitely not my jam

I really liked this. Good songs, a lot of Rock and Blues influences that I enjoyed. Alison and Mystery Dance were my favorites.

Couldn't make it through the album

Solid debut album, but nothing here that I overly enjoyed. Pretty samey after a while. Better things to come?

I generally like Elvis Costello. I generally like this album. Hence the 3 stars. There never really a day where I'd say no but there's also never really a day where I list him as my go to.

Fun Album, Always love some Costello but never listened to his full discography. Gonna listen more albums for sure

it's ok

Does not feel like an album from 1977.

Stilbildend für den new wave der späten Siebziger und der Anfang einer großen Karriere. Einer der besten Songwriter aller Klassen 4/5

I’ve never listened to him before. I didn’t really connect. Maybe because he’s a copycat. It’s not bad but something is missing.

Elvis is a great songwriter and performer. He takes tried-and-true rock-and-roll motifs and adds nuance and complexity. His lyrical cleverness is unsurpassed in the pop genre. Always enjoyable listening. This is a 4.

Zuhause, Heidenheim, Deutschland Vorher noch nie bewusst gehört, haut mich jetzt auch nicht vom Hocker.

The first impression this album gives, as soon as "Welcome to The Working Week" starts playing, is that it's an album from the 2000s... except it's 1977! As the tracks go by, the evidence of the album's real year becomes clearer, but it's still an album with a sound that's way... way ahead of its time. Despite being simple, it's catchy and fun. No technical or lyrical excellence, but it's really cool. 4 stars is fair.

Would need to listen to this a bit more to get into it.

I haven't listened to this album since the late 90's. I had a friend who was a big Costello fan and he loaned me this. I thought it was just ok. Fast forward 25 years and I'd like to think my musical palette has expanded. Listening now and this is really strong, especially for a debut. I miss that guy and his eclectic music collection. Extra stars for the nostalgia trip.

Yeah this should not be on the 1001 albums list

Few tracks that I love.

Sounds like all the bands my friends were in during high school.

This a pretty flat 2 star album. All the songs were very palatable and very similar to each each other in style. But no true great standout songs. Great back ground music for a book store or coffee shop.

Love Elvis

Second Elvis Costello album I've seen pop up on the list. Anything has to be better than "Blood And Chocolate" which was pure shit. This one sounds wayyyy better and more in his wheelhouse, a lot must have changed in 9 yrs between "My Aim Is True" and the "B&C" album. Very respectable listen counts across this album. I liked "No Dancing", LOVED "Alison" which is a classic, "Red Shoes" is a radio staple, "Less Than Zero" is a standout, "Waiting For The End..." is solid, and "Watching The Detectives" is an absolute killer of a final track and radio hit! He had influence, became a household name, still has a ton of songs on the radio including 3 on this album. Worthy of a spot on the T1001.

Liked it. Heard both Elvis and Beach Boys influences.

One of the albums that opened up the revival of the 50s sound on the pop chart. This led to some of my favorite albums like Born in the USA and An Innocent Man. I think this is okay. But if I listened to it more, it would be one of my favorites. 4/5

Was good, fun songs. Felt like songs people dance to in movies.

Classics again, solid but so 80s… 30 years early for my taste :)

Lovely upbeat album, lifting the mood all along. Elvis seems to be Elvis's little brother at heart. Most definitely an album to return to.

3,5

Album 6004 by Elvis Costello, and yes, this one is quite like all the others - good. Good enough, in fact to just about sneak a four. Maybe if this was the only one of these on here, I'd be mildly blown away, instead of wondering just how much Dinery is in the pocket of Big Costello.

Nice tunes thx

Enjoyed the rockabilly sort of style. Costello combines witty lyricism with fun rock-and-roll riffs. Catchy tunes that evoke that 50s charm. Fave Tracks: Welcome to the Working Week; Miracle Man; Alison; I'm Not Angry; Watching the Detectives Worst Track: Mystery Dance

Better than my previous Elvis Costello album but still not a huge fan.

i like the guitar. voice

I am a long time big EC fan and I think Alison is one of the best songs ever written. This was quite a debut but the songs are not all as strong as most albums to come. Also, it’s not the Attractions!

His bassist is great. I could do without ever hearing Alison again. Favorite track: Miracle Man

Awesome. I love the brakes in the red shoes one. It’s a little Springsteeny to me.

Yesssss. Awesome album, hits and lesser known gems. Anyone who's ever been in a relationship can relate to one or all of these songs about anger, jealousy, missed opportunities, secret feelings, etc. Still feels fresh almost 50 yrs later.

This is obviously a very fine album. But somehow I'm missing something, I'm not really getting it. I always have that with Elvis Costello. It has excellent dynamics - 12 very varied songs in 32 minutes. And it has surprising musical features for an English 1977 album - listen to the jazzy guitar in Allison, or the sixties-vibes of No dancing. But to the end it becomes a bit blurry. Closer 'I'm not angry' makes up for that - it might be the best track of the album. 7/10

It's alright for 1978. Bit too generic for my tastes.

I feel like this album is much more bearable than the previous Elvis' album I've had to go through. Colorful, with a various texture and rhytm, some enjoyable bits. Weaker 4, probably.

The Good: An album by The King! The Bad: Turns out that Costello isn’t an Italian version of Presley… The Ugly: wondering what Elvis was aiming at… Holy moly! Obviously I had heard the song “Alison” as it’s been overly used in tv-shows and movies, and I know I’d heard “Welcome to the Working Week” as well… but the rest… This is probably the most replayed album so far on this journey, I think I am on spin #5 within 24 hours. And while listening to this album I couldn’t but make comparisons with another album that was released in 1977; Mink DeVille’s Cabretta which I doubt will be on this list, but should be!!! Anyway, 1977 seems to be one of those magical years when several of my all-time favorite albums were released. Don’t know if it is the music, or just the age when you start discovering the world that just reminds you of all those great memories… 5*

Impressions of this on my first listen, especially knowing this came out in '77 and there were people doing similar things at much higher caliber, like Billy Joel, I am fairly underwhelmed. I understand this album is a home-grown indie blue collar effort. I can see the rockabilly appeal, Mystery Dance is a bit of a heater. Alison is a banger too. I just cannot get behind the geekiness here, the cadence, the accenting. Nope. I can see the appeal and the charm of a record like this; I am just very glad we have evolved from this. The cover might be vaguely punkish too but it is one cluster fuck of an eyesore. Saying 'I'm Not Angry" in an angry voice is maybe not as cool as it was in 77. Awkward lyrics too, I mean I get that was the vibes but yeah. Just not on board for the majority of this one. Ending the album with a dub track is a g move though, wish there was a lot more of that on this album.

Good - not great for me. Fine to listen to, but I can't say that I'm going to reach for it. Never surprises me when he pops up on a soundtrack - just catchy enough to set the romcom mood.

It’s a good one

Album extremamente divertido e grudento. Vou revisitar muitas e muitas vezes!

I thought it was a fun, feel good album but I found it kind of boring and I didn’t really connect with it when I heard it. It could just be because I wasn’t in the right mood.

In a bad mood rn

Ah, Elvis Costello, the quintessential 3-star artist. My third Costello record and third 3. He’s pretty good! Honestly, impressively, consistently, pretty good. And impressively, consistently, never great. Who knows, maybe one of these will surprise me, I’m starting to think there will be another one or two of his records down the line. So yeah, I would say this album is worth listening to. Barely.

Algunas canciones lindas, la mayoría olvidables.

This was a fun listen. I liked the second half much more than the first. I would have liked more songs if they were just instrumental versions. I would listen to this again. I don’t need to own this on vinyl.

My favorite Costello album.

I hadn't listened to much of this guy before going this list, and now feel inundated. This is probably the best of the bunch, though.

I have mixed feelings about the Elvis Costello I know. I'm liking this though. He's like a pop Bruce Springsteen. I like this album. He's like if Billy Joel didn't suck. But the ska...all the ska. What is wrong with 70s and 80s British bands?

Cool bass lines, favourite is definitely miracle man. Every song has the same tones & mixing making them sound quite similar at times, but that’s a good thing at the same time making it feel like they’re supposed to be next to each other

Ok very average

Heard of the name, but couldn't link with any songs. Good energy, I enjoyed it, but nothing particularly stood out to me. I don't think I'd relisten, but I wouldn't complain if it came up on a playlist or whatever.

It was okay. It definitely doesn't match the hype

this was surprisingly cute! its giving grease I listened to this twice on repeat and I enjoyed it equally both times :)

The most uniquely sophisticated lyricist in the history of rock music, Elvis Costello spawns a universe of effortless wordplay, effective storytelling, and pop-punk compositions that stand alone in their capacity to move you cerebrally and lowdown corporeally. Lyrically, he knows that memorability has to do w/ word choices that surprise as much as they align w/ our expectations. He rhymes vengeance w/ sentence, punctured w/ disgusted, listen w/ ignition, visit w/ limit, parents w/ disappearance, as any deft rapper might. The only comparable lyricist I can come up w/ is Smokey Robinson, who likewise grasps the sticky materiality and objectivity of words. And in terms of the music itself, it boils down to rockabilly meets punkabilly. Superb.

Never thought I would love this as much as I did! Cook mix of several different musical genres. Punk, rock and RnB.

I’ve always felt I should like Elvis Costello more than I do. There’s nothing wrong with it but it leaves no trace.

Got a bunch of the big tracks (Allison, The Angels Want to Wear my Red Shoes) and is mostly fun and danceable.

It’s pretty fun and his guitar playing is nice, actually. I can’t help but feel he’s playing a character but it mostly works. I like the rockabilly influences. Diet Van Morrison. Standout tracks are: “Blame it on Cain” and “The Angels Wanna Wear My Red Shoes”

This came out just when I was switching my musical preferences from what you would call classic rock today phase into my punk, post-punk and new wave phase and this is one of the reasons for the change. Standouts are Allison, Red Shoes and Less Than Zero

Post-punk classic & awesome debut. Sets the tone for his early career with enough different styles to investigate.

A coupe of great tunes. Mostly mediocre

Some really witty lyrics in there with catchy songs! Highlights: Less Than Zero, (The Angels Wanna Wear My) Red Shoes & Watching the Detectives

Enjoyed this! Fun, felt nostalgic even though I didn’t know any of his songs. Favourites: blame it on Cain, Alison, watching the detectives

Watching the detectives is a great song. Great album to match, lots to enjoy

so good but it could be nostalgia? Love an album that mixes genres

Enjoyed it way more than expected, will check out some more. 4.5 stars.

Funky, but the album hurts my eyes to look at (more the elvis is king boxes than the yellow)

Little annoying, isnt?

WELCOME TO THE WORKIN' WEEK!! what an opener... i know it don't thrill you, i hope it don't kill you... lol... MIRACLE MAN... another banger... bam... bam... now this is rock n roll... bop city baby... NO DANCING... hey not every song can be a homerun... but not a bad little doo wop, throwback tune... almost, dare i say it, Springsteen like... BLAME IT ON CAIN... straight up banger... it's like EC is running through all the old versions of RnR... and giving it a punky overtone... ALISON... a standard... and what a vocal performance by Elvis... one of the great songs of my lifetime... SNEAKY FEELINGS... another cool rockin' throwback... i think he may be doing a Van Morrison impression here... THE ANGELS WANT TO WEAR MY RED SHOES, LESS THAN ZERO, MYSTERY DANCE... three of the best songs of the era... PAY IT BACK... another throwback sounding RnR tune... I'M NOT ANGRY... not a homerun, but strong... WAITING FOR THE END OF THE WORLD... straight up Banger... and a classic tune... and the album closer, WATCHING THE DETECTIVES... a reggae tinged, all timer... what a great album... five freakin' stars... he looked like a punk... but was a real rock n roller... Elvis Costello... legend.

Sounds pretty much the exact same as the other Costello record I listened to. Not much special to say

для любителей слова Элвис - пойдет.

Fun ,bluesy rock and roll

This is the third Elvis Costello on this list? Geez... I had a hard time getting through this one with any sort of enthusiasm. It sounded like I had heard it before, and I had no desire to hear it again. I found myself getting annoyed by his voice. This is a 2 from me.

It's an Elvis Costello album, the one with "Alison." Not bad, but not too exciting to me. I enjoyed "Watching the Detective." Everyone was adding a little reggae flair at some point back then, eh?

Still dont like his voice that much and although I enjoyed listening to it, I don't think I'll come back. Still, strong 3

In preparation to see Elvis Costello open for Bob Dylan when I was in college ~2008, this was the first album I listened to to get familiar with his music. I loved it from the beginning, and even though I think Costello has a remarkably deep catalog I still think it’s his best. It gets wrapped into British punk and new wave, but I almost look at it as Born To Run’s British cousin. Tremendous songwriting, passionate vocals, and great arrangements throughout.

Less Than Zero is a decent alt/rock that I recognize. Most of this album is pretty boring, slower paced alt/rock. I'm Not Angry is pretty good. I could see Weezer being influenced by this. Pretty meh album, decent study music.

Ei omaan makuun

I think that this album was decent. I didn't like the washed-out, tinny vocals. I had to listen to this album a couple, too many times, because it felt like most of the tracks sounded the same. This album didn't appeal to me, but I can see how it would for others. Favourite Track(s): Sneaky Feelings, Mystery Dance Least Favourite Track(s): Pay It Back

Listened to this album all Summer in 1978, and still like it a lot. Saw the concert for this album but the venue was not great and concert was too short. I haven't liked anything he has done since then. 5 stars or A.

HE SAID IT!! HE SAID THE NAME OF THE ALBUM!!

"This Year's Model" is one of my all-time favorite albums, I first got into it in college, and as typical, listened to other key Elvis Costello albums, including "My Aim Is True". I think at the time, I didn't care as much for the album since it lacks the distinctive sound on This Year's Model, but with the distance of time (longer than I care to admit), it really shines. Elvis Costello is a great song-writer, and its evident from his debut. There are some great tracks here, it just doesn't reach the heights of his follow-up.

Best: Sneaky Feelings

um Elvis Presley adolescente

Only 1 more Costello album Rating: 2.0

This one might be his best.

Costello has been on my radar since my high school days - the man is legend in my book and been on my play lists for decades.

Started strong. Good sound and songwriting but by the last few songs I felt like I’d heard them earlier in the album. A welcome departure from the KISS album I previously got.

I enjoyed this, great album I only knew a couple of Elvis Costello’s songs before listening to this album.

Ugh fucking masterpiece. Love the vibe of this album in particular it is kinda saturated. So damn good

Oh man this album rocks hoo. Wanna give it a four but how could I have also given James Taylor a 4. Hmmm oh well

very catchy genius right from the very start

This is #day276 of my #1001albumsyoumusthearbeforeyoudie challenge, and... just yesterday I was crate-digging through vintage records at a local Craft Beer & Vinyl festival here in Lviv when I came across this very album. No, I didn't buy it; that wasn't my true aim. However, buying music and building a connection with it is something that brings me genuine happiness. The first time I got an Elvis Costello album (or rather Elvis Costello & The Attractions), I was mostly indifferent... Now, this one? It's kind of fine, but nothing outstanding that makes me want to come back to it. I'm giving this a 3 out of 5. Looking forward to #day277.

Ainakaan tässä ei ollu ”genrekokeiluja” vaan pysyttiin rockissa (johon lasken sen vikan reggaehkon, tän levyn ilmestyessä elettiin sitä aikaa… sen biisin ois kyllä voinut jättää välistä). Ihan kelpo. Jopa kivoja tarinoita. Miksi tämä tosin on merkittävä levy? Antoi varmaan pohjan Costellon menestykselle. Vois olla kolmonen, jos seuraavana päivänä kuuntelusta yhä muistaisin jonkin biisin.

Hänen prioriteettinsa on saada musaa nauhalle, mikä onnistuu, koska hän on sisäistänyt rock-genren formaalissa mielessä paremmin kuin melkein kukaan muu. Hän ei kuitenkaan odottele inspiraatiota, minkä vuoksi parhaatkin biisit, kuten Welcome to the Working Week ja Blame It on Cain, säilyttävät todellisen kiinnostavuutensa yleensä vain 2/3 kestostaan.

2/5 takie se nic ciekaewgo

Alison is a bop but idk Costello doesn't do it for me

Inject this directly into my veins. Take the punk, new wave vibes of Elvis Costello but strip it down and add ton of naivety and grit, throw in a production quality that's maybe a step below what he'd achieve later on and you have a hell of an album. It mixes genres (pop rock, new wave, blues, punk, and soft rock) and energy levels, varies itself in themes, and always feels genuine. The production, a little rough though it is, does feel pretty appropriate for the entire venture. There's something about the music this man created that really has stuck with me throughout this project. I haven't loved all of it ("Blood and Chocolate" didn't particularly blow me away), but it's always been interesting and pushed some boundaries. I'll never hate that, and I certainly don't hate this. Four stars. Standout Tracks: Welcome to the Working Week, Blame it on Cain, Alison, Sneaky Feelings, (The Angels Wanna Wear My) Red Shoes, Less Than Zero, I'm Not Angry

Man I can’t stand Elvis’s voice, but some of these songs rock. “Waiting for the end of the world” is a standout. “Alison” is a classic ballad. The rest I could mostly take or leave.

This sounds like something I would like if I were my current age in 1977. To current current age me, it’s sounds like a multi-layered throwback… 50s music from the 70s. I like music from both decades, but this seems to combine the types I don’t like from each… 50s white guys in suits rockabilly with flat 70s new wave production. The Wikipedia article describes exactly what this reminds me of… a data entry clerk writing rock music.

I really thought I'd like this more. I can see how it must have been a great development at the time, and the songs aren't 'bad', it just feels a little underformed. The fact that Watching the Detectives was added to later versions and is far and away the best song is really telling. I love a lit of his later stuff, but with a couple of exceptions nothing really stuck. 2 stars, pushed up to 3 if you include WTD.

Good, but not great. Power pop got better with time.

Eh, not for me.

There's some good songs here and there, Alison is an amazing song though

Great debut

Idk if it was the day or this just isn't for me at all. Didn't finish the last track or so.

Tiring. A lot of energy but the songs don't hit.

Short 'n' sweet, featuring "Alison," the greatest incel anthem of all time. I loved this album a couple decades ago but hadn't listened in years, and I was surprised how much stuck with me.

Likeable; energetic; geeky; smart. Really interesting blend of classic rock'n'roll and other influences.

I enjoy Elvis Costello, but don't regularly go back to his albums. This had some hits - Watching the Detectives is a great tune.

I loved this. Listened to it multiple times.

Not bad but I don’t know if I would crave listening to this. He’s a classic though.

Elvis Costello was something of an oddity and impossible to pigeon hole when this debut album was released in 1977. He sported Buddy Holly style specs, a greasy quiff and a punk sneer. Was it punk or rock ’n’ roll? Maybe we should just call it punk ‘n’ roll. The songs are great though, already showing the remarkable talent that would dominate the UK charts through the late 70s and early 80s. The music doesn’t quite match up, and it was only after this album was released that the Attractions band was formed.

This is a funny and simple rock'n'roll album. Maybe one of the first 'revival rock'n'roll' album of history? Because it feels like it and reminds me of more recent work by other artists or bands. My problem with this kind of genres is that it generally fails to stay interesting for a whole album. There are interesting songs here and there and the guitars are solid, but overall it's a bit boring. And sorry but because of my kids I can't listen to a song about red shoes without picturing Pete the Cat.

pretty solid. underrated by me before

Awesome! Like a 50's rock mix of Elton John, Billy Joel & Buddy Holly. Best album yet.

Elvis Costello surprised me. It's a pretty solid album

This might be the most vanilla, peanut butter & jelly, tasteless album I've ever heard. Every song is just too easy and no risks were taken. There's nothing wrong with the music it's just boring and not worth listening to.

5/10…power pop

Enjoyed this, feels much more modern than the late 70s

Fav: Blame It On Cain Least Fav: Sneaky Feelings The first of many for Costello, if all of his stuff is this good then I’m not complaining

more Elvis Costello. Dammit. I don't care if it's his best album (if it is)- I do not like the guy. at all. I'll try it- briefly. If it isn't as dominated by low-grade keyboards as the last one maybe it'll be tolerable.... Ok, I listened to the first five tracks. It sounds decent this time, but I DO NOT like his vocals or inflection or phrasing or something. This music is not for me. It’s for the classic rock loving drunken thick necks that I grew up around.

Nothing groundbreaking, but a fun record

It's ok, but I didn't get it tbh. Was that his thing that he sounded like Elvis? Both Elvis and Elvis Costello are far enough in the past for me to not get tne nuances

Alors, me voilà face à ce monument, ce disque fondateur qui, pour beaucoup, a redéfini les règles du jeu pour les songwriters à guitares en pleine déflagration punk. 1977, une année charnière, un grand bordel sonore où les Sex Pistols appelaient à l'anarchie et où The Clash mettait le feu aux poudres. Et au milieu de ce chaos de crêtes et d'épingles à nourrice, débarque ce type, Declan Patrick MacManus, rebaptisé Elvis Costello. Un nom comme une provocation, un look de premier de la classe un peu coincé, des lunettes qui deviendront iconiques, et une plume trempée dans le vitriol. "My Aim Is True", son premier album, est un putain de manifeste. Mais est-ce que ça en fait un chef-d'œuvre intouchable pour autant ? Pour moi, c'est un peu plus compliqué que ça. Avant de se muer en Elvis Costello et de devenir le parrain de la new wave intello, le jeune Declan a bien galéré. On sent dans chaque sillon de cet album l'urgence d'un type qui a longtemps attendu son heure. Après des années à écumer les pubs londoniens avec son groupe Flip City, à tenter de refourguer ses chansons sans succès, il finit par taper dans l'œil de Stiff Records. Ce label, c'était un peu la cour des miracles du rock britannique, un refuge pour les tronches et les talents atypiques que les majors ne savaient pas comment gérer. Et Costello, avec sa gueule d'employé de bureau et sa rage rentrée, était le client parfait. L'enregistrement est à l'image de cette époque : fauché, urgent, quasi-artisanal. On raconte que l'album a été bouclé aux Pathway Studios – un endroit à peine plus grand qu'une cabine téléphonique – en moins de 24 heures de temps de studio cumulé, pour un budget qui ferait aujourd'hui rire n'importe quel stagiaire d'une maison de disques. Et pour couronner le tout, le groupe qui l'accompagne n'est autre que Clover, une bande de musiciens américains de country-rock qui se retrouveront plus tard, pour certains, à former Huey Lewis and The News. On a connu plus punk comme backing band ! Cette anecdote, loin d'être anodine, est la clé de la sonorité si particulière de l'album. Ce n'est pas un disque punk, ni tout à fait un disque new wave. C'est un son bâtard, un pub rock transatlantique, à la fois tendu comme un string et terriblement mélodique, le cul entre la tradition rock'n'roll américaine et la nouvelle vague britannique. Et c'est là toute la force et, peut-être pour moi, la petite faiblesse de "My Aim Is True" qui est un disque de transition, un pont fascinant entre deux mondes. L'énergie est là, brute, palpable sur des titres comme "(The Angels Wanna Wear My) Red Shoes" ou le quasi rockabilly "Mystery Dance". La rage est indéniable, mais elle est canalisée, disséquée par une intelligence redoutable. On n'est pas dans le "No Future" beuglé sans réfléchir, non on est dans l'analyse clinique d'un ressentiment profond. Car la vraie claque, le vrai poison de ce disque, ce sont les textes. Costello a lui-même résumé la chose par deux mots qui claquent comme une sentence : "revanche et culpabilité". Et putain, ça s'entend, c'est l'album d'un type frustré, qui en a gros sur la patate. Frustrations amoureuses, sexuelles ("Alison", ce slow qui cache une bile noire), professionnelles... tout y passe. C'est une œuvre d'une maturité d'écriture sidérante pour un premier essai. Chaque chanson est une petite nouvelle, une vignette acerbe sur la trahison, la jalousie, la médiocrité ambiante. "Watching the Detectives", avec son ambiance de film noir et ses accents reggae, est un pur chef-d'œuvre de narration. Costello est un boxeur qui monte sur le ring avec un dictionnaire à la place des gants. Ses mots sont des uppercuts précis, chirurgicaux. Alors, pourquoi seulement 3 sur 5 ? Pour être honnête, et c'est très personnel, si je reconnais l'importance capitale et le génie d'écriture de ce disque, il me laisse un peu sur ma faim musicalement. C'est un disque que je respecte énormément, mais qui ne me touche pas. Il y a quelque chose d'un peu raide, de pas encore totalement abouti dans le son, comme si le groupe et l'artiste se découvraient encore. C'est le son d'un homme seul, accompagné par de très bons musiciens de session, mais pas encore le son d'un GANG, de cette machine de guerre que deviendra Elvis Costello & The Attractions. "My Aim Is True" est un brouillon de génie, une esquisse formidable. C'est la photo d'un artiste en pleine métamorphose, qui ajuste ses lunettes, arme sa guitare et s'apprête à tirer sur tout ce qui bouge. La visée est juste, c'est indéniable. Mais les balles les plus mortelles, pour moi, arriveront juste après. Un album fondamental, à écouter absolument pour comprendre d'où vient une bonne partie du rock intelligent des 40 dernières années.

Growing up my best friend's dad was really into this kind of music. Although, I don't remember if he listened to Elvis Costello specifically. I was fairly indifferent to it then, and I am fairly indifferent to it now. Is it good music? I guess, it's not bad at least. Favourite tracks: Waiting for the End of the World, Watching the Detectives

Dieses Album markiert Elvis Costellos Debüt und präsentiert seinen einzigartigen Stil, der zwischen Punk und New Wave balanciert, aber auch deutliche Anleihen bei Country und Pop zeigt. Hits wie „Alison“ und „Watching the Detectives“ stechen hervor, doch die überlange Struktur des Albums lässt einige Tracks weniger prägnant wirken. Obwohl die Energie und der innovative Ansatz beeindruckend sind, könnten manche Songs etwas besser verdichtet sein. Insgesamt ein spannender Start in Costellos Karriere, aber nicht alle Stücke erreichen das gleiche Level wie die Highlights. Wie klingt das? Oder möchtest du Details zu bestimmten Songs?

Taka 2/5. Może lecieć w tle przy sprzątaniu. Nie będzie przeszkadzać.

Maybe no songs that stick out or that blew my mind but I did enjoy listening to it in general, so 3/5 🏁

i've recently read a book where elvis costello was mentioned several times and that made me (almost!!) curious to look him up: luckily for the me of a couple of months ago, i was lazy enough at the time not to do it, cause this album mmmh… was not it 2-/5 🏁

Pomalo smiješan album. Onako djetinjast. Mogu ga zamisliti na nekom sprdačina partiju 😂 ali više od toga ne mogu ovo ozbiljno ocijeniti. 2/5, 4/10.

Really annoying voice. Didn't care for.

This is another Elvis, but not as popular as the other one. The music is alright, nothing too exciting, and I assume that it would've been a bit meh amongst all the other cool music that came out at around this time, when things started going a bit crazy and music wasn't peaceful at all. Overall, not too bad though.

Elvis Costello, the king of the average album!

It's really hard not to like this, the songs are just so catchy and easy to listen to. This was my first time listening to an Elvis Costello album, and I really enjoyed it. 4.5 stars

Cover kinda hurts my eyes, but it’s distinct— I think it’s good! 1 Ergh okay really not my thing, just a pop song dressed up by tepid punk aesthetic and a least common denominator bit of anti-capitalism. That clap sound affect is particularly heinous 2 This has a bit more personality, drum and guitar have a bit more room to roam and the vocals are way more interesting. Kinda annoying lyrically, but the band just seems to be having more fun here. Fade-out seems like a cop out from having to actually end the song though 3 Recording’s a little lofi, gives it a nice little fuzz and crackle, I don’t hate it in the context. I think this just isn’t for me, though, like it’s decent pop, but it seems to suggest some rock edge that doesn’t actually exist? Like the vocals are passionate, but I just don’t buy the whole package as a whole is actually invested the way it seems to want me to think it is. I worry this is just me calling something formulaic because I’ve heard it before, when in reality it was actually watershed— like, I will say it’s an impressive debut? 4 But nah, this is just watered down blues. Vocals are still the best thing but everything else feels flat. I like the guitar tone but it all feels undermined by the stubborn pop sensibility. 5 Predictable sequencing to slow it down here, but I’ll allow it because it’s well done. More space in the instrumental means I have more room to enjoy the really impressive vocal performance, and I’m more emotionally invested in the lyrical content too. Guitar noodling is a little aimless, but the cool keys feel me back in. Feels like the fade-out here is a choice rather than a compromise. Could see Wilco/Jeff Tweedy doing a cool cover of this song. 6 Back to this pseudo honky tonk bullshit. Am I just in a cynical mood? Would I enjoy this rag piano more if it was a sunny day? The occasional clipping and insistent pingy ride reassures me that it probably doesn’t matter. 7 Obnoxious radio title is obnoxious, but this is the most I buy this pop-rock fusion thing. Specific, memorable lyrics with a more distinct psychedelic tone to the guitar. Fave song so far, o think, but three songs in a row that end with this fade-out as lyrics are repeated thing is really straining the album experience 8 Good god how were these drums recorded?! Intro has full on cuts, much less clips. This song sounds like shit and after the very competent and pleasing makeup of the last track, there’s no excuse. Sonic edge can work when you have something to be edgy about, and the lyrics do their part— the verses are legitimately interesting and feel like they have something to say. I just feel it’s undercut by a cloying hook and another goddamned fade-out. It feels formulaic, and consequently insincere— which sucks, because there’s a world in which this song works really well. 9 You’re kidding me, dude. Just because your name is Elvis doesn’t mean you have to whore yourself out to this sound. Nah ok I’m being an asshole, this song deserves a look on its own merits: the tempo is ever so slightly bumped up from the usual, and in tandem with the pointed vocals, there’s little bit of something punk here that feels interesting. Good god though, the mic clips every prechorus and the fade-out is cheaper than ever. Just end the fucking song you cowards! Not nearly punk enough to justify a 1:37 runtime, it’s just lazy. 10 Nondescript lyrics, but I they’re really well metered here, and the prechorus has a really interesting set of chords. Bass feels very competent throughout this album, and has a couple moments in the mix of this track in particular that prove it. This GODdamned FADE-OUT god FUCK it’s so DUMB. Okok this song was one of my faves though. 11 I could see someone who fucks with this sound more than I do feeling like this is a fun track, but I’m just not having enough fun to justify this kinda tone. “I’ve got this camera… / … smiling with your legs” are two really great lines sung really goddamned well. Hrm okay contrary to my prior assertion, I’m having fun. Twinkly guitar is nice, electric guitar rips, vocals are stupendous. Drums are good. Fade-out feels a little more patient this time at least— just hate this trend. 12 Really really like the lyrics on this, hook might be a little cheesey but the whole package has Allen Ginsberg vibes in a great way. Do I have to say it?— another fade-out. 13 Dude, what? Last track with a legit reggae vibe? Gotta be pretty forward thinking for the early 70s. His voice over this works, even if the actual makeup of the instrumental feels a little goofy. Kinda pouty. Might wear thin Second half of the album def came through with more personality, still inconsistent overall

If you’ve heard an Elvis Costello song on the radio it’s probably from this album.

kicking off is the debut album of elvis costello; if you're the kind of guy who loves classic rock, you'll LOVE this album. this to me is a brilliant example of mixing old and (at the time) new, catchy and original alternative rock music with vintage influence. i wonder if costello was a big fan of presley... his music also reminds me of weezer's, like if it was one guy in the 70s instead of a 90s band. he's delightfully strange and almost nerdy, unconventional when compared to the classic rock heartthrobs, but with music so full of emotion. it's an awesome listen.

Meh, until watching the detectives. Such a great song

I’ve dabbled in Elvis Costello, but this time I went through the entire album. Only ever listened to greatest hits. Really good stuff on here! Some of the songs had a Grateful Dead jangly vibe to them. I dig it!

Day469 - romeo was restless he was ready to kill. mystery dance should have been the first song on the album.

A strong debut, this album sounds interesting due to the strong punk and rock influences in the songwriting that somewhat clash with the more country style of the instrumentals.

Fine and some fun moments, with my favourite tracks being No Dancing and I’m Not Angry, but overall forgettable.

Not for me, if I had to chose a highlight: "I'm not angry".

Honestly, pretty mid, nothing special

An unexpected favorite. Right out of the gate I loved this album. The mix of musical styles and influences was great.

My computer darn done crashed on me when I was just about finished reviewing this album oh my fockinggg gorshhhhhh :v I put a curse upon this darn website for not having an auto-save Second album in the bleak and sordid Costellothon. I am now 33% of my way through the mind of this exceptional individual It's pretty good. I don't remember what the vocal performances were like on "This Year's Model", though I quite enjoy how they sound here. They're very confident and are heightened by the cool swagger that Costello has when belting out the verses. The songwriting is also quite clever, which is something I remember from This Year's Model. I like the sardonic, humourous style. The Instrumentals are mixed bag. There isn't much on this album that breaks the mold of music from the time, though it does have it's moments. I like the guitar hooks on "Miracle Man" and the dub influence on "Watching the Detectives" is pretty good as well. This album has "Alison", which is a track that I'm actually familiar with. Me pappy used to play it on the car stereo all the time, though I had no idea the song was by Costello. I enjoy being jumpscared by music that I recognise just as much as I dislike it in the "we're really doing this, are we?" kind of way. It's a great song and embodies the best qualities of this album. Fantastic songwriting, a great vocal performance and a distinct instrumental of high quality. My main criticism is that it's very fatiguing for a 36-minute album. I had pretty much checked out by the time that the second half of the album rolled around. The high-energy sound is fun in short bursts, but I value having a little bit of downtime in albums. The album cover/title is great for a debut work - I dig the confidence. I'm not very familiar with Costello as a person or artist, though I quite enjoy the exuberant, dorky persona that he has.

Not a fan

I wanted this to be better, but it never picked up for me. Alison and watching detectives are lovely songs. Definitely a huge part of the rock world regardless!

4.5

Enjoyed this one.

Good solid rock

A solid album that falters in the latter half of side 2.

This album feels like punk-rock for the conservative and nerdy crowd, a safe dip of the toe into the world of rebels and riots. Punk-rock straight from the church juke box. Standouts; Miracle Man and Less than Zero

I've never been a big fan but I recognize the talent. I had an old boyfriend that listened to him too much and it put me off it forever. But this is an iconic album. Favorite track: Watching the Detectives

I know all of EC's pre-1990 albums like my own heartbeat and this is nowhere near the best of the lot. What strikes me, revisiting it now, is that its main contribution is in the cleverness of the lyrics; the songs are straight-up rock & roll tunes (only Watching the Detectives, which was not on the original album, sounds like any kind of departure). Nonetheless, I have to give it at least a 4 for cultural significance and announcing a major talent, not to mention encapsulating my youth. (Also, do yourself a favor and listen to a remaster--the old one sounds like crap)

I'm guessing mom's review is gonna say something similar, but the music here isn't as good as his later work, but the lyrics are really incredible.

Seriously did Elvis Costello put this list together himself?

I read Complicated Shadows a few years ago and was disappointed to learn that Elvis Costello (born Declan MacManus) really didn’t have anything in his history, upbringing, or story that justified his being such a significant musician or such a significant asshole. And yet here he is. This is great music made by a tedious person. I love this album, and whether or not he is rehabilitated from his dickhead years, I’m glad I’ve never been locked in a walk in pantry with Elvis Costello.

Very obviously influential on artists to come

This has nothing to do with anything, but it occurs to me that Costello is an almost exact contemporary of Springsteen. Perhaps, if this list were America-oriented, I might have been bludgeoned into submission vis a vis Springsteen too.

Honestly better than I expected. The guitar solos are better than I remember Elvis Costello being and there are so genuinely good songs on this album. Not to mention the cover is a brutalist masterpiece.

Und immer wieder ein Push nach vorne. Großartig!

Possibly the strongest debut of all time. Simply fantastic

Some standout songs on here but for the most part songs are very similar to each other. Seems like good background music for a road trip.

I’m Not Angry

I enjoyed this, but mostly just the songs I already knew. No new gems.

cool funky album working week and alison are damn classics but the whole album is a fun vibe. ahead of its time.

This is the sixth Elvis Costello album I’ve had to wait out. Getting real tired of this guy’s ironic rockabilly-bubblegum-hipster shtick by now.

Good background noise but I couldn't tell you much about any particular song

Too gen-x. I'd rather listen to The Boss.

- If you don't understand what a great songwriter Elvis is, I can't help you. Another stellar debut album ..... -

Such a bland album. It was ok, and it was an interesting blend of styles to put on a single album, but nothing jumps out.

SUCKED

Kinda fun , I skipped initially but went back and enjoyed it first song right off the get had the energy for the whole album

There have been a few concerts I've attended where I went in knowing the bare minimum about the artist -- a few hits maybe -- and came away as a fan. Seeing Bruce Springsteen bring the noise for three hours was one. Seeing the Old 97's in a historic ballroom was another. The third? Elvis Costello. Emmylou Harris opened for him. He was astoundingly good as a performer, his stage banter was top notch, and his guitar tech was the hardest working roadie in the biz. And it all started here with this hard-to-look-at-the-cover album. What a tight set of tunes. No skips -- just rock and roll in all its awesome variations with songwriting that's tight as shit. (Seriously, few lyrics in rock history go as hard as "She's filing her nails while they're dragging the lake.") So many good, hookable songs on here. Just turn it on, turn it up, and enjoy. Unexpected bangers: Miracle Man, Sneaky Feelings, Mystery Dance

Have loved this album ever since the first time I heard it back in college. Overall I enjoy it more than later albums that lost some of the punk feel. 4.5 stars

Very plugged in sound - incredibly listenable. Absolutely part and parcel of a movement. Ear worms for days on this album.

I worked at a natural food store in college where this album was about all that I and the hippies I worked with could agree on musically. I heard it A LOT that year. Then the store closed. I still like this album though.

Didn't hate this album but didn't love it either. Nothing particularly memorable for me. First exposure to Elvis Costello.

Enjoyable listen but I wouldn’t do it again I think

i get a great vibe off this guy. clearly better than this years model

I don't know why it takes me longer to rate these Elvis Costello albums than others. I'm not as familiar with his music as other legends on this list, and I know I like it, I know I should like it, and I know I want to like it more. I preferred this album to "This Year's Model." His discography feels like something I want to spend some time with...longer than a day, and I could see this sliding up higher on the scale. I need to dig through my Dad's records, I feel like I remember seeing this album cover in there and that would be the best way to give this repeat listens. One of my favorite album covers yet, actually.

Some good fortune that the US release has watching the detectives. Great album

Another excellent Elvis album. Something about his music I just really vibe with.

Great rock'n'roll. Gotta love it!

Not the biggest fan but I see why people like it, and it's well crafted

classic album from MY YOUTH

It’s alright, not really my thing

absolute jam of an album

Me no like. His music does absolutely nothing for me.

Think I must be at least now halfway through the Elvis Costello marathon part of this process. So the end is in site which I hope includes is best work Armed Forces. I like just one track on this album Alison. Which wasn’t enough to convince me to buy it at the time despite all the chatter in the music press that it was the best thing ever. Hasn’t improved with age. 2/5 19/3/25

The first half of the album is kind of standard 70's rock, it didn't really blow my skirt up, but the last 5 or so songs are really good and brought me up to a 4/5

What a great new-to-me band! 4.5 stars

Albumi #180, 19.03.2025 Elvis Costellon debyyttialbumi julkaistiin vuonna 1977. Aika perusmeininkiä. Ehkä vähän liian perus.

Modern take on classic rock and roll. Fun album that holds up.

24/1001 I don't know many people who claim to like Elvis Costello - well, I don't know any at all to be more accurate. I like him. Quite a lot, actually, but here's the thing, I'm not sure how I'd go about recommending him to a friend, but if I did it would not be with this album. So, presuming he will appear on this list again, giving me more chance to enthuse about the one-time Mr Declan MacManus in a better context, all I need to say is that this debut - while loved by critics - is pretty underwhelming. While Costello's trademark vocal venom is present from the off, the wit and musical nous is not yet fully formed. Session band Clover pull it off on opener Welcome To The Working Week, and the guitar ornamentation throughout Alison is tasteful within the context of a single I have always had a soft spot for. (The Angels Wanna Wear My) Red Shoes is passable, but beyond that My Aim Is True reveals only brief flashes of Costello's genius. The problem is everything is played dead straight - this is mostly rock 'n' roll, MOR AOR trying to cosplay as new wave and rarely in a convincing way. Later editions benefit vastly from the addition of Watching The Detectives.

Troisième album de EC proposé par le générateur. Toujours rien d'intéressant en vue, cet album propose un rock très basique sans aucune originalité (mais pas désagréable), comme les 2 précédents. Incompréhensible qu'il ait 6 albums dans la liste ... plus que 3 en ce qui me concerne. =>2/5

I cannot stand his voice unfortunately

It was fine. I have a feeling Elvis Costello is slightly over rated.

Really fun power pop! A few songs drag but more bangers than not.