Reviews (page 5 of 8)
It is just too old anymore. I did not have fun listening to it.
surprisingly nice
..
Not my bag but OK.
This was interesting. Not quite my cup of tea, but it's a competent album with some dark undertones. Good instrumentals and vocal work. 'If You Want To Be My Woman' was my fave.
Let’s be real: Country music is more of a curiosity than a cultural cornerstone where I live (i.e. not in North America). It’s never been the dominant sound, and honestly, I’ve rarely gone out of my way to explore it. So pressing play on I’m a Lonesome Fugitive felt less like chasing a new favourite and more like ticking off a box: one of those "important" albums you’re supposed to hear at least once. I knew Merle Haggard for the headlines than the hits. San Quentin. Five marriages. The IRS. He’s a legend with a past, and you can hear it in his voice—it’s dusty, no-frills, and full of lived-in grit. Tracks like the title cut and Life in Prison have a slow-burn weight to them, carried by twangy guitars, brushed drums, and that classic Bakersfield sound that splits the difference between Nashville polish and barroom blues. It’s raw but tidy. Confessional without ever getting messy. And yet… I didn’t exactly walk away changed. The stories are solid, and the themes (freedom, regret, restlessness) are universal, but the melodies didn’t stick, and I wasn’t humming any refrains later. It felt more like watching a well-made film from another era. Interesting and important, but not something I’ll return to often. Still, I get why this record matters. It helped cement Haggard’s place in the outlaw country movement and gave working-class America a voice that wasn’t sugar-coated. And maybe that’s enough. I didn’t love it, but I’m glad I heard it. Albums like this offer a window into a different time and place, and for me, that’s the real value of going through these 1001 albums.
I'm aware that I like this kind of music because of my heritage. But taste is always valid. But not a huge fan of the crooooning
Pleasantly surprised by this.
Just some rootin’ n some tootin’
im a lonesome fugitive- 5 all of me belongs to you- 5 house of memories- 5 life in prison- 5 whatever happened to me- 5 drink up and be somebody- 5 someone told my story- 5 if you want to be my woman- 5 Mary's mine- 5 skid row- 5 my rough and rowdy ways- 5 mixed up mess of a heart- 5
Foundational album but not start to finish listening for me.
Solid 60s songwriter country, in the vein of Waylon and Willie and Kris. Maybe not at the level of those guys, in my opinion, but good stuff nonetheless.
I never could get into Merle. He’s OK, but probably not even in my top 10 country musicians. I don’t know what it is. Anywho. This was fine.
This album brings an interesting perspective in the life of an outlaw.
Did NOT need this the day after Waylon Jennings
I've had a good time with this one. Getting into country, I was interested about Merle Haggard. He has a very good classic voice and good presence in the tunes. The sound here is straight up country, in a good sense. Played and sung very well. Good song. Would go back to it. Ps. Great selection lately from the generator.
Falsches Genre.
cool 5/5
b tier country, nothing crazy but at least it’s better than morgan wallen
Artiste / groupe inconnu. Dès les premières notes je n'ai pas apprécié. Ce disque confirme mon aversion à la country ... Je n'y trouve rien qui puisse retenir mon attention, je me suis très vite ennuyé. =>1/5
# Album Name: I’m a Lonesome Fugitive # Artist: Merle Haggard # Rating: 2/5 # Comments: Not my cup of tea. Theres some good guitar riffs and slide work but the style isnt for me. # Top Tunes: None # Would I listen to it again? No
I liked "I'm a Lonesome Fugitive" and "Skid Row", but every other just sounded the same to me.
Tämmönen mainos-kantri. Puhdas, kiva kuunnella.
Nimikkobiisi ei omissa korvissani nouse muiden yläpuolelle, mutta levy tuottaa kokonaisuudessaan niin tasaista nautintoa, että kuka tahansa yllättyisi. Biisit erottuvat toisistaan, ja useimmissa niistä on "punchline", joka tekee tavanomaisesta kuulemisen arvoista. Ok: kappaleet OVAT aika tavanomaisia. Laitoin levyn silti välittömästi soimaan uudelleen. 3,5
This is a really great album. I mean, the subject matter is entirely generic and predictable, but the songs and musicianship are top notch.
Real good country music. Could be shorter perhaps but I enjoyed every song so perhaps not. 5/5
That's some pretty good country
Good old school country. I don't possess the musical vocabulary to express why I like this, but its good.
Just a good country album with good vibes, nothing much more I can say
Man all the hate in these comments remind me of my youth. When the days were long and free time was abundant. Merle is a legend in is and these are deep, dark yet simple songs about real pain of the mundane life. I love doing yard work to this era of country music, field songs, work songs, easy listening. Great for a booze session with the fellas or on your own. Roadtrips too, its Americana and in our blood. Merle fucking Haggard rules.
Standard country stuff.
I never listen to C&W willingly. But if I do it's gonna be some old school shit like this. Merle is a legend of the genre for a reason. The vocals, musicianship and production is all top notch.
What do we have today? Another country album? Alright, here we go. As I've said previously, country just isn't my genre, no matter how hard the generator tries. What I will say is that not all country is the same. While I really don't enjoy honky tonk and the Nashville sound, some Bakersfield and outlaw country has been better. Some of it is excellent. Merle Haggard leans on that side for me. He was a prisoner at San Quentin when Johnny Cash gave his famous performance there and he has ties to (the not terrible, in my opinion) Buck Owens. It's kind of interesting in that Haggard really was a convict and could use that image to sell records, a clear one up on Cash. And the music is ok. But it's no Johnny Cash and not one that I'd likely return to.
a couple of great songs - I'm a Lonesome Fugitive, My Rough & Rowdy Wats - but several pretty ordinary ones.
Gotta love some classic country.
Well yeehaw golly gosh darn it diggity woo!
O country sempre me cativou muito mais do que o sertanejo brasileiro
Luckily this was only half an hour
It was not bad, needed to be in The Dukes, at the bar, with a Whisky.
Straight-up country. Lots of longing.
aranyos country de nem az én hangulatom... untam és a szövegvilág se volt a kedvencem
Kedvenc/Favourite: Skid Row Egyáltalán nem volt rossz, érezhetően nagy zenetörténeti jelentőségű. Nekem kicsit talán túl tisztán country, kellene még bele valami kis csavar, hogy igazán megszeressem. Élvezhető volt, de nem hiszem, hogy sűrűn visszatérek majd hozzá. It wasn't bad at all, it's clearly an important piece of musical history. For me it was a little too pure country, I would have needed some twist to really like it. It was enjoyable, but I don't think I'll come back to it often.
Merle!
Formulaic country music. Sounds kind of like a Disney version of country, to me. So middle of the road - never changing direction in any way. Boring.
I'm not completely averse to Country music. I like Johnny Cash, John Prine did some great stuff, a bit of Glen Campbell, Nashville Skyline might just be my favourite Dylan album. So it's a shame but Merle did nothing for me. Twangy guitars and a twangy voice. The whole sound and the songs just add up to a big Country music cliche. Country music fans may love him but he's not for me. 31 minutes was more than enough, by the end I was dying to play some John Prine.
This didn’t really do anything for me. Also, the lyrics about going to prison for murder etc. are no more detached from our lives as narratives from gangster rap are. I feel in white society there is a double standard where we accept such talk from country musicians but do not from rappers. Not that I think it is good in either case, but it is an interesting observation nonetheless.
Nice relaxing country album. 3.5 rounding up
I kinda loved this! Such a vibe even though I would’ve never listened to it otherwise.
Not my type of music but it seems like it’s probably a great road trip soundtrack
Let's start with my biggest gripe. The storytelling or lack thereof. The album opens up with a compelling song about a man on the run. Even as a non-country fan I recognize this as a great song. Then a song about how our main character feels lonely because his life on the run prevents him for being with the woman he loves. The next song House of Memories finds our main character in jail. I also felt this was a great song. But how did he get caught? No idea. Feels like they missed a couple songs in between there. In this song the main character is depressed because the woman he loves is writing him less and less. From this point on the album devolves into a collection of country love ballads and any semblance of a narrative is forgotten until the album just abruptly ends with no real conclusion. My next gripe is the instrumentation. Many of the melodies sound the same and the guitar/drums don't do much to grab your attention throughout. This would be fine if the vocals were unique or the storytelling was compelling. But see my first gripe. Overall this album had potential but it fell short in my eyes. If I liked the genre more I'd probably forgive the divergence into a collection of love songs but that type of song is country at its worst to me.
Good classic country. From the time when musicians like this told stories. It's not my favorite genre, but certainly wouldn't turn it off if it came on.
Varsin hyvä kantrilevy. 3/5
Love the old C&W music. This is classic!
I can appreciate some good, old-fashioned country like this, although I rarely get excited for it. But what I like the most about classic country is the focus on strong, simple songwriting. The songs are usually pretty short, they have a clear perspective and some nice imagery. This Merle Haggard album has all of that. “Someone Told My Story” was a highlight. It's a fun, self-aware song about songwriting. And the upbeat rock n roll of “If You Want to Be My Woman” was a pleasant surprise too.
Beautiful country twang album. I think Merle is one of my brother's top 5 artists so I've heard a lot of his tunes but rarely have I sunk into a record. This is a solid one- gotta get the brother perspective though on where this lands in the rankings. For me it's a solid 3.
smooth soothing and beautiful , its a fun listen that is enjoyable but doesnt stand out in any unique way
I'm a Lonesome Fugitive is a very middle of the road album, even in it's own genre. It's an album that's not bad but also not great. The music, lyrics, and vocals are serviceable but not very interesting and are pretty much what you would expect from an album like this. There were a few tracks that were better than others but i don't think they were better enough to make a really huge difference. The album is pretty short and does not feel like it is making jarring transitions which are both points in it's favor. This album isn't a bad one but i still think you can do better. Best Song: If You Want To Be My Woman Worst Song: Skid Row
Yee-haw! Two stars though.
There has to be better country albums.
Old school country. Talented guitar picking. Mundane lyrics....not written for the intellectually minded. Very twangy.
Enjoyed it, rounding up for the pure country aspect and influence. 3.5/5
An outlaw singing about being an outlaw. Love this stuff. When country music sounded like country music. And who could forget him sharing the billboard in ‘78 with fellow UK outlaws the Sex Pistols at Dallas’ famed Longhorn Ballroom.
Brb gotta go pound a hundred Lonestars
I typically don’t enjoy a lot of country so giving this a 3.5 and rounding up since it was quite a solid listen. up since
Give me old school outlaw country over this modern stuff any day of the week. I’m rounding up given Merle is the grand pappy of outlaw. 3.5/5
He's a good lyricist. I'm less into the music, but it's not bad. I could see this one growing on me.
Is this style of country music too subtle for me, or is it boring and repetitive? Either way, Merle Haggard is a top tier name.
Really falls off towards the end but some solid genre staple stuff for most of it
Sure, whatever
Less fun for the lack of "Mama Tried" on here but still good.
Sad and boring.
Make it stop
Good shit.
Pretty standard country, but wonderful, mellow tunes that make me comfy in bed. 3.5/5
Back in the day, I had a few Merle Haggard compilations on CD, but this might be the first time I’ve actually sat down and listened to one of his full studio albums. Since I’m not the biggest country fan, I won’t pretend to be an expert, but when it comes to classic country themes, like drinking yourself blind, being an outlaw on the run, and wrestling with loneliness and sorrow, this album definitely delivers.
I have a love-hate relationship with steel guitar. Funnily enough, I enjoyed every other song on the record. The rest of it didn't do much for me. I guess this specific kind of country (the older country that people tell you to listen to if you 'don't like country') isn't always for me.
He’s a force with his outlaw country quintessence. By the end of the album you’re a little besieged by the heart brokenness, hard luckedness, lost long lovedness. But you’re not to sad about it.
I'm over honky tonk
Musically good, but damn the man is an american tool. Must be a psy op.
9/10
Country music, ugh! Country music is an abomination in the broad field of musical styles. Merle Haggard's is the best example of this. German "folk" pop music is similarly awful. Unfortunately, the English translation always uses the terms 'folk music' and 'pop music', but that's wrong! This music is a new pop music with mostly Bavarian-inspired instrumentation, ugh! So unfortunately we have something like that too. Again, this album by Merle Haggard is crap and I think if he hasn't developed musically, all of his albums are crap. I don't even know how many minus stars I can give here, let's stick with the system, five stars. 5-minus stars! Again, ugh
I enjoyed the steel guitar work. This album was easy to listen to and if I was in a small town dive bar I think it would fit perfectly. But nothing here makes me want to queue it up again anytime soon.
Authentic Bakersfield Sound, inspired by time in San Quentin. Album cover is Merle riding the ladder of a boxcar, so that's an automatic 5
This was a very unpleasant listen.
Love Haggard's writing, but the covers are good here, particularly the Jimmie Rodgers tune. Mooney doing the Lord's work per usual on pedal steel. Didn't know James Burton, Jim Gordon, and Glen Campbell helped out.
Great musician for this genre. Lots of heart and soul put into his songs. Genuine.
I've never been a fan of country music. I tend to enjoy the older stuff more than the contemporary trash; that said, Merle Haggard, despite being hailed as a giant in the genre, failes to impress. He has a decent voice, but there's so little variety here. Haggard does one thing well, and if you're not totally sold on that one thing, well..... ¯\_(ツ)_/¯
So so
Country music is not for me. I tried, spun it twice and no go.
Not my thing, but great nonetheless
Once again, I’m not the biggest Country fan but this was an enjoyable listen. I’ve checked out Merle before but not a whole album. I hear all the ”olds” saying things like “country’s not what it used to be” and I think to myself, have they listened to A Sailors Guide To The Earth or Passage Du Desire by Sturgill Simpson? Woodland by Gillian Welch and David Rawlings. Have they heard Chris Stapleton or Margo Price? Kasey Musgraves, Jason Isbell, Rhiannon Gordons, Billy Strings or Denita? These artists carry the torch for the olden days of Country and Americana and I would much rather listen to their contributions to the genre than most of the classics. Either way, for not being the biggest country fan, I did enjoy this album from Merle Haggard.
It doesn't get more country than this. The twang, the storytelling, the gospel harmonies with lyrics of debauchery. It's glorious. I have to be in a certain mood for this, but it is top of class for classic country. I'll give this a 4.
Classic country, with some faster songs showcasing honky-tonk done right and some even bordering on bluegrass. There are no attempts to push musical boundaries or to venture into experimental songwriting. This is so middle of the road, I'd say it actually defines the road; all other music veers to one side or another, but as far as song structure, chord choice and movement, and vocal harmonization, this exemplifies the standard. Merle Haggard didn't define the standards, but he makes no effort to stray from it at all. At all. Having said that, it's not bad; it's just predictable, easy-listening music for the masses. If no one kept to the standard, would there be any standard? Any litmus test needs to define its 7 by which to measure deviation. I do prefer the classic country to the post-Garth-Brooks, soft-rock-with-a-twang bastardization of the modern incarnation. This is an honorable mention in music, but I wouldn't give it more accolades than that. Middle of the road = middle of the star rating. A solid 3.
Props to Merle for writing his own songs. He's an outlaw country guy, and sure enough the songs are about prison and such, but compared to some of the others I've heard in this genre, something about these songs are really clean, the arrangements are kind of predictable and perfectly executed, like songs from an old Disney film. It comes off incongruous and a bit hokey given the subjects of the songs. I think a lot of it is due to the simple bass lines (boomp..bomp..boomp..bomp), but I guess that was typical of honkey tonk in the 60s. The songs here get in and get out, though, so that's a plus.
You should take a lovely trip to Turkey. It's beautiful this time of year! They need you for the prophecy. Make haste for Turkey! What was not now is and shall make what is what is not, for all time. The patterns are deafening. You haven't much time at all. They are whispering for you now, so hurry. Drown the pattern in silence. Make it unknown, lest we all hear it. Goodbye.
We should really go to Turkey, something is calling us. The prophecy is calling, the time draws nigh. Clouds are gathering, storm is brewing and the clock keeps ticking stronger and stronger. Turkey calls impatiently for us. The moment is now.
not in 1001, inho
Ol' Mel!
I’m certain many people would agree that Merle Haggard was a very important figure in country music. I don’t have any personal experience with him, but I am able to recognize the historical impact of his music. Much like someone such as Johnny Cash, Haggard represented the Everyman. Someone who spoke for the average person. This came out during the late 60s, where true rock stardom started to become more common because of bands like The Beatles or The Rolling Stones. People were becoming fanatics, much like we know in modern times. And the gap between musician and fan was becoming even bigger. This is sort of what country, or even folk music has always represented. A more intimate and realistic connection with the music and the artist. But even this intimacy doesn’t last forever, as seen with Bob Dylan. And his fame is what pushed him to pursue electric music. This album sits somewhere in-between the worlds of traditional popular folk music and the growing electric movement at the time. But really it’s a very classic 60s sounding country album. I generally believe the further back you go with country, the better it is. But I can only go back so far before it starts to have the same issues as similar rock & roll music from the same time period. I just don’t enjoy it very much, and it’s not my personal taste. There are some good songs on this, but most of it sounds very similar, and it only benefits from being so short. Rating: 5/10
Mama used to pray my crops would fail
First time listen via streaming
This benefited from a week in which I had another pioneer of the Bakersfield sound and this is much more the superior work. Not a country fan by any means but this had enough tempo and crossover to be a good listen.
Completely depressing country album but damn Merle can sing. Also loved the guitar playing.
Been getting way more into this kind of country lately. Listened to this through enjoyably and would def listen again. 4/5
I love Merle Haggard and if I were honest, I’d tell you I’m giving extra credit on this one because of the bigger picture, but I’m not so I won’t. I hope this isn’t it for Merle on the list because this album feels like getting vanilla ice cream at a fancy homemade shop - great for sure, but there are so many better flavors!
Imagine hearing these songs for the first time in some honky tonk.
It’s fine for an old country album, if that is your thing. Couldn’t really distinguish between songs and found nothing that was overly impressive. At least it was short. 2.5/5 Probably won’t listen again
music: appreciated. (⌐■_■)
When I was in junior high my friends and I decided there was nothing much funnier than saying to each other, “You look like you listen to Merle Haggard!”
Not a country fan by any stretch, but I didn't mind this at all.
Country, 1967 -> 2
I know of Merle Haggard, but I don't think I could tell you a single song of his. Growing up, whenever the topic of Merle Haggard or concerts were brought up, my parents would lament about the time they went to go see him at Casa Mañana in Fort Worth, but he was drunk as hell and only played for thirty minutes. I don't talk to my parents anymore (long story), but I'm sure they're still mad about it. Even though that story is the first thing I think about when I hear his name, I always associate him with the 'good country music' before country music became synonymous with faux patriotism after 9/11. I've enjoyed a lot of the older country albums that I've reviewed so far, so I have high expectations for this album. Here's hoping it doesn't leave me bitter for forty years! Unfortunately, I wasn't that impressed by this album. I love a good pedal steel guitar, which this album had plenty of, but other than that and a few bits of clever songwriting, I thought this album was a touch dull. I went into this expecting a bit more 'outlaw country,' but I think this album predates that subgenre by a few years. Instead, this album has some fairly generic songs about heartbreak, love, and being a drunken degenerate. Musically, this album was competent, but other than the slightly more upbeat songs like "Drink Up And Be Somebody," "If You Want To Be My Woman," and "Skid Row," I found myself pretty bored. The songs that had the best songwriting tended to be a bit boring to listen to, while the songs that were the most fun to listen to weren't nearly as well written. It's like getting a bag of Chex Mix without any rye chips. Despite not really enjoying this album, I can hear the influence it had on country music, and it reminded me a lot of the popular radio hits of nineties country music. "Skid Row" could easily be an Alan Jackson song, and it was definitely my favorite song on the album. Even though this album was a bit of a letdown, it's TBD to see if I'm bitter about it for the rest of my life.
Not so memorable country
Nice enough
Very Texan Western Frontierland vibe Americana
I love old country and I like Merle but this one just ain't it for me. Production sounds a little too polished and the songs aren't anything too special. Still true outlaw country BUT he is from Cali and I think that's the problem here.
Listening to this nearly 60 years after its release certainly confirms Haggard's reputation as the original outlaw of country music.
Hard to beat Merle, but Ralph Mooney steals the show
heard this was crime album and was hoping it would be the 1960s white people equivalent to drill music. im sorrowfully disappointed to say its not really like that pretty whatever, but some songs are crazy tho. on the track life in prison he wishes for death and it lowkey caught be off guard. country music is crazy sometimes
Pretty good old country.
That’s some country.
I mean- it’s good if you are into country. But this ain’t it for me.
nice vibe
obsoleto
Old country I don't really like. Will I listen to again: 0%
Popular country was good before it sucked.
I’m not a big fan of country but this isn’t horrible. Most of it sounds the same.
Very of the time. Late 60's country with a real twang. Not bad, but nothing specifically stood out and I wouldn't actively try to listen to again. Not really my sound.
Nostalgic - this is the type of country music I grew up on and while it's enjoyable to revisit, not the type of music I enjoy as an adult.
General impression: pretty much the prototype for old-school country Detailed review: Not a country fan, but this is closer to the type I can enjoy…sometimes. I have to be in the right mood. Today I was not in the right mood. But I did listen to the whole thing, and I appreciate it for what it is. Deeper thoughts (context): didn’t make me any more of a country enjoyer unfortunately Score: 2 Number of albums left to review: 935 Number of albums from the list I’d consider “must-listens”: 38 Albums from the list I won't include in mine: 28 (including this one)
6/10 Straight down the line country music, done well. Excellent voice, able to tell a story very well Nice production, simple stuff that sets a backdrop Didn’t necessarily set my heart racing Best: Whatever Happened To Me
Good old country music album. Takes me back to my grandmother’s kitchen and a radio playing from the top of the fridge. They don’t make ’em like this anymore.
Country and Western
Country is music for a certain mood. I'm yet to discover what mood that is, but maybe my 90th birthday would change something. We'll see next year
at least it's short spotify fooled me and said it was from 2001
Imagine “old country music.” Got it? Great! Now you know what I’m a Lonesome Fugitive sounds like. Is it bad? Not really, no. In fact, some of it is pretty fun, proto-outlaw, even! But most of it is cliché as hell, and if it is one of the progenitors, it’s still an absolute chore to get through. Its best moments are the barn burners, and its worst moments are the ballads. Unfortunately, the highs are still pretty mid, and the lows are pretty exhausting. I also feel like 12 tracks is a lot of this type of material. None of this is bad, but it’s very stylistically-specific, and if you’re not fully into old-school country music, this isn’t going to change your mind. Also, from my understanding, this is a horrible record to represent Haggard’s legacy, so that might be an issue, too. I’m not mad that I had to listen to this, but maybe there’s something better out there to scratch the same itch. Unfortunately, I will probably forget the majority of this record by next week.
Maso
The lyrics definitely got my attention. Very focused, sad album.
Lidt kedeligt
The first song had a very twangy and interesting guitar solo, I will say that. Some of the... phrasing in the songs was a bit weird. Particularly "House Of Memories," where he sang "My house is a prisonnnnnnnnnn". Still, I enjoyed it as a classic country album, it did define the sound pretty well. I don't know if I will come back to it, but I appreciated it. Top tracks: "All Of Me Belongs To You", "Whatever Happened To Me," "Mixed Up Mess Of A Heart"
I like classic country artists more than pop country artists and Merle Haggard is definitely classic country. His voice almost sounds like Buck Owens at times and his sound is guitar-first yet stripped down. I liked this album but not as much as other classic artists. He's got some clever, sardonic, and/or ironic lyrics and I particularly got a kick out of the title track, House of Memories, Life in Prison, Drink Up and Be Somebody (my favorite), If You Want to Be My Woman, and Mixed Up Mess of a Heart. I'm just not sure I'm coming back to listen to more of Merle.
Nice enough country. Unfortunately, I generally don't like country. There are exceptions - I really like Johnny Cash (and found it interesting that Haggard was an inmate at San Quentin and saw J.C. play there). But even though this is also in that "outlaw country" genre, I just find this repetitive and a little boring. It's also sometimes jarring. Take Life in Prison - pleasant country, with lyrics sung from the point of view of someone serving a life sentence after killing his "darling" and he just wants to die - but it makes you want to just bop along, which is just bizarre. One notable positive to the album: Roy Nichols' twang country guitar solos are really good. I went back and forth between a 2 and 3. There's nothing specifically bad about it, and it was fine in the background, but on close listen my mind wandered and I was waiting for it to be over, even though it's just 31 minutes long. Sounds like a 2. Tracks I liked most: usually the most upbeat ones with great guitar playing - If You Want to Be My Woman, Mixed Up Mess of a Heart.
Typical old school country twang- good for what it is but not really my style
Thoughts before listening: I love Merle Haggard, but this album does not appear to have any of what I would consider to be his top songs. This likely isn't a top 5 Merle album, but I'll end up give this 5 stars to offset the asinine low scores and reviews saying something like "I hate country music". Merle Haggard is a legend that deserves better than that. Review: While this album does not contain Merle's big hits, its still a very enjoyable album of old school style country songs. I love Merle's voice and it sounds perfect with this album's barroom style honky tonk songs and their lyrics focused on prison, drinking, and lost love. 5-stars for being a great genre representation from one of country's true legends.
Wasn't my thing, but I can't say that it was outright BAD. I just didn't get much out of it from the lyrics to the sound apart from the opening track. I can get down to some twang, though. Kinda.
Really good, need to listen to more Merle
Boring country music. I did enjoy listening to "If you want to be my woman" though.
Perfect outlaw country record.
This was just a silly album to me. I am kind of bothered by the amount of ‘meh’ albums I’ve had in the past couple weeks but this is what it is. Nothing inspiring about this but it just went by super fast and blah blah blah. Gimme something GOOD!
While understanding and respecting his massive musical influence (on a genre that I often don't enjoy) - and perhaps this completely cements how influential he was - at this point in 2024 I can walk into any Nashville bar on Broadway at noon on a Wednesday and hear songs just like these. Probably these very songs. Again - maybe that's exactly the point, but it doesn't exactly pump me full of lead. I feel like this so-called "outlaw country" is a bit of a canard - I don't buy it here at all, or maybe anywhere - and isn't badass in any way if all it takes is extremely predictable 3 chord unimaginative progressions with milquetoast "oh my woman left me and i hopped a train after escaping from prison lyrics" accompanied by gentle vocals - ugh. Gimme Willie Nelson any and every day over this. 3/10 2 stars.
Fuck no way to country
It's fine.
опять эта музыка одного аккорда, не могу воспринимать
not my thing...
not my genre
I don’t like Country music and I didn’t like this album. But whilst listening I thought to myself that this music could not originate from anywhere else other than the USA. This type and style of music could not be from anywhere else in the world which made me think of how it originated anywhere but there. I can hear no influences at all from what I understand to be native Americans or any of the hundreds if not thousands of different nationalities who emigrated to America. There are other types of music which have their roots in America and I can hear the influence of other cultures. I’m thinking here of soul music and the influence of black Americans but Country music as far as I can tell is firmly in the domain of white Americans and so must have their roots in the founding fathers who in turn originated from Europe. This is my point. How can European musical dna go down two widely different paths? English folk music was about in pilgrim times so I assume it continued to be sung on those cold Newfoundland winter nights. Or perhaps they weren’t due to strict Puritan values? Maybe English folk music was looked upon as the work of the devil and anyone whistling hey nonny nonny no down the street had seven bells kicked out of them in the puritan pursuit of discouraging immorality and other sinful activities. So it gave birth to this clean cut inoffensive wholesome music we now call Country. So I blame the bloody puritans for this album. 1/5 17/11/24
2.5
God, I just don't care. This genre normally doesn't grate on me but it rarely fails to catch my interest. This album sounds exactly like everything else in the same neighborhood. Fav Track: Life In Prison (would be better than this album)
Rating: 5/10 Meh.
Overall: 6/10 This is a pretty solid country album, and it's very close to being the best country album I've gotten so far. Merle had a wonderful voice and a great band backing him up. I could see myself putting this on during my next playthroughs of Red Dead Redemption 2 or Fallout: New Vegas. Fav Song: Drink Up and Be Somebody Least Fav Song: Mary's Mine
Music from when country was country, not this pop bro country garbage.
I'm a Lonesome Fugitive is the third album from Merle Haggard and the Strangers - the band Haggard recorded with at the beginning of his career. The title track, and the album, are the recordings that made Haggard into a country star. These are traditional, acoustic guitar driven country sounds. Haggard's rich, deep voice worked well with music produced in the "Bakersfield sound," a simplified style that developed as a reaction to the "over produced" Nashville style of country. .
Merle es uno de los puntales del Country, este sí que estuvo en San Quintín pero como preso no solo de visita. Fue el precursor del Country de California al que un concierto de Johnny Cash en San Quintin le cambio la vida. Sus interpretaciones son convincentes, su voz solemne pero dulce a la vez. Al margen del sencillo I´m a lonesome fugitive, uno de sus mayores éxitos. Presenta otros buenos temas como Life in prison que a buen seguro escucharon Gram Parsons (los Byrds publicarían apenas un año después su imprescindible Sweetheart of the rodeo, que incluía este tema). If you want to be my woman suena a country pero mezclado con la música de los 60, interesante. Skid Row es otra joya. Es un álbum muy influyente, regado de buenos temas. Otras obras enormes editadas ese mismo año 1967: Sgt. Peppers y Magical Mistery Tour, Forever Changes y Da Capo, The Velvet Underground y White light/White head, Surrealistic Pillow,The Piper at the Gates of Dawn, The Who Sell Out, Days of Future Passed, Disraelí Gears, Bee Gees´ First, Younger Than Yesterday, Evolution y Butterfly, Safe as milk, I never loved a man the way i love you y Arrives, Something Else, Scott, Bee Gees´ First (en realidad el segundo), Wild Honey, Sunshine Superman o Happy Together... Además excelentes debuts de ese mismo año fueron los de Jimi hendrix (además de Axis: Bold as love) , The Doors, Experience, Scott Walker, Pink Floyd, The Velvet Underground, y también aunque menores los de Van Morrison, Janis Joplin, Bowie, Electric Prunes o First Edition.
Prima album maar vind het ook moeilijk te plaatsen in het algehele genre. Niks springt eruit maar qua vibes gewoon chill.
Mwa ja zoals gezegd klinkt het gewoon als vrij standaard maar wel chille country. Heb niet lang genoeg met het album gehad om er meer uit te halen, might revisit sometime maar nooit zo'n haast met country.
Wel lache, favoriete nummer denk ik Skid Row. Prima lekkere country muziek. Ken country alleen niet goed genoeg om te kunnen zeggen waarom dit worthy of de lijst is en andere country niet v0v
Love that classic country sound
Intolerable country. Why would anyone subject themselves to this?
Classic country. Great voice, greater guitar playing. Some really catchy and well written tunes, just wish it was much more consistant. It definitely gets stronger in the latter half though
Really enjoyed this one! I love the quality of the sound too, all crackly and just old sounding Catchy songs and I really like his voice 4 ⭐️
Classic old school country with Merle.
That’s some country music all right
My dad used to play Merle all the time around the house, and I appreciate him very much as a uniquely American artist.
Not my cup of tea.
Merle sounds the same here in 1967 as his last album... wow. Sad and lonely lyrics, as if he's a fugitive...
You know you're in for the most forgettable experience of your life when the country album has a generic white man on the cover next to a tracklist written in Arial font size 12. After listening, I can indeed confirm that this was the most forgettable experience of my life. I can tell you more about my birth than what happened in this album.
Dull
I love me some country music, but this was a bit same old same old.
I love when he sings about his girl
My measurements for a good country song is whether it would sound good covered by Me First and the Gimme Gimmes. Not many of these would. It isn’t a bad album in itself, but it gets quite monotonous in spite of its short running time. I liked Drink Up and Be Somebody, though. More of those kind of harmonies!
music is decent enough, id prefer more outlaw than country… but you gotta give it up to merle keepin it short n sweet
Y'know, I really can't imagine hating country music just **that much**. I mean, hating it so vehemently that you give an album like this a 1 on sight. I suppose I can understand taking issue with some of the more... Erm, "modern patriotic" sides of the genre, let's call it ("WE'LL PUT A BOOT IN YOUR ASS; IT'S THE AMERICAN WAY"). But classic-ass country music like this? I suppose if you just **really** hate this sound... Lucky for me, I don't. And thank goodness I don't, 'coz of the other reason I'd suppose: I'm not really sure how this is different from a lot of other country albums — specifically classic country like this — that I've heard. The arrangements, the instrumentation, the topics, the voice... It's all a sound I love, but without a loudly defining character like Johnny Cash's, I find it a bit hard to figure out why I'd pick one country album over another. And maybe Merle has one and I'm doing him a disservice by not looking into him to find it, I'unno. Like, the only thing I knew about him before today was that Cledus T. Judd mentioned him in one of his originals. In fact, that's why I'm even talking about this sort of thing. I knew early on that eventually I'd run out of things to say about albums in this genre, and... Well, after managing to actually pay attention to some of the lyrics for once, I liked the title track. I dig its melancholy, and the way it describes the narrator's situation. For sure it's a good "feelin' down" song. But then once my attention inevitably slips away from the lyrics... Yeah. So maybe it's my problem for being as melody-first as I am, I'unno. I'm willing to put that forth, at least. I get the feeling, though, that even if I wasn't, I still wouldn't hear much terribly unique about this album. That's why I'm feeling a pretty nice 4 on this. Jus', I'unno. If I didn't already like country music the way I do, I don't think it would convince me, but since I do... Yeah. At any rate, I don't think it deserves a "1" on sight. It's just a bit too harsh, y'know? Goodness.
Good ol' Country never disappoints. Solid 4 stars.
Well, that’s a rather strong 5, ain’t it? I’m a sucker for this style of country music, what can I say? These are the sorts of soundscapes and storytelling I so desperately want to make a comeback – they’re intellectual, they’re honest, and they provide a storytelling bend that fulfills a different sort of thing other than the “drink beer and make love all day” that modern country tries to hit on. I’m simply realizing over the course of the several good to great country albums we’ve gotten is that it’s all rooted in Americana and folk music, just with its own style of instrumentation and a rather distinct vocal twang. I’m sure there are modern country singers out there that hit on this exact style, but I’m just too afraid to try to jump back in. Anyway, I’ve never heard a Merle Haggard album in full before now. I know the name. I probably know a hit or two in my subconscious. I figured this would at least be good, but I wasn’t expecting it to be this damn great. His vocals are fabulous throughout, and the steel guitar has never sounded better to me. There’s not a miss here – maybe a track or two that’s a little too quaint and instrumentally simplistic for my tastes, but everything here is rather good. It’s not perfect, but if it makes you feel something, it’s doing something right. House of Memories in particular got me pretty damn good. So, yeah, I’m at a 5. Super enjoyable album, from top to bottom, and a very brisk 30 minutes. I really wish people would bring this style back – I know I’m a broken record with each country album we get, but it just fucking kills me.
Classic country isn't that bad tbh
not his best, but definitely a good one in the catalog.
Love me some merle haggard.
I knew the name Merle Haggard but hadn’t listened to any of his music. Classic country that’s stood the test of time
At least it was short.
Yes
Country isn’t a genre that I gravitate towards and I guess this album, not really knowing that much about country music is OK. It’s not something that would get another listen, not because it’s bad more so I’d rather listen to something else.
Great voice and good performances but the songs don't pull me in. Let me be clear that these songs are vastly superior to modern country pop songs that try to do what these songs do. I just don't get any kind of feeling when I hear them. "Someone Told My Story" is my favorite of the collection.
A solid effort from one of the doyens of the country scene. Familiar themes of love and loss and the American Way are all present and correct.
It was okay
67?????????? 1967????? jos olisi 1067 niin 5 tähteä. 1967??? insane album from 1967 bc... the middle kingdom of egypt looking ass... aa olikin 1967 jeesuksen jälkeen nvm... vähän jälkeen jäänyt mies tämä merle haggard karakteeri...... ainaki poko osaa raiskailla päätellen lyriikoista. jotain taitoja sieltä elämäm koulusta sentään saatu... once upont in the west. tänne sieltä nainen... tänn prkl..... duuuuu du duuuuuuu duuuuuuuuuuuu... mahtava albumi joka tehtiin vuonna 67... sama vuosi kun gaius julius vindex kapinoi, ensimmäinen sarjassa joka johti keisari neron tuhoon... nvm olikin 1967 vuosi jolloin suharto kaappasi vallan sukarnolta indonesiassa... life in prison
Fun vibes. I’m not all in but he’s creative so country
I’m never going to like country. This is slightly more palatable that the 5 or 6 country albums that have already come my way via the process. It’s 1.5 in that respect. But there’s no way I can round that up.
Demasiado country para mí. Es interesante la historia del artista y las canciones no están mal, pero aparte de la primera las otras parecen muy genéricas y no soy capaz de disfrutar las letras.
2.5/5. Pretty simple, not bad. Given the other albums in this genre, I don't think this one sticks out.
The only thing I liked about this was that the album was very short
Expected this to be a 2, maybe a 1. Wasn’t that bad. Go Merle.
This grew on me a little. Just a little, though.
Classic Nashville! This has interesting song writing, but it's like a musical dinosaur with how poorly that old twang has aged. Even modern country has moved on from this sound.
Enjoyable album all-round
Ok. Boring as shit, repetitive lyrics.
Favourite tracks: skid row; somebody told me story; I'm a lonesome fugitive; my rough and rowdy ways
Definitely prefer this to modern country. Nice lil songs, nice sad stories. Totally enjoyable. The lap steel is lovely, singing is spot on stylistically (he rhymes "Denver" and "finger", brilliant), and the solos are great. "Drink Up and Be Somebody" is relatable as hell.
Classic
Yep, really good, class old country. Can't pick any holes in this at all. Probably won't ever listen to it again.
He’s a cool cowboy, no doubt. I spent some formative years on a working ranch in Texas, and brother, this fella’s voice takes me back to the boys shooting the breeze around the corral. Tough, real, and thoughtful.
Låter som vilken jävla countryskiva som helst, utan att sticka ut.
Although this is a far cry from the pandering to mythical America found in modern pop country, you can certainly see its roots in the “misunderstood murderer” theme of several tracks here. There’s a line in John Hiatt’s “Memphis in the Meantime,” lamenting how one more heartfelt steel guitar chord is going to do him in. I’ve never related more to that line than I do now.
I respect the music, but the twanging country is not for me.
I was a bit surprised that I liked this as much as I did. I like the steel guitar and Merle's got a good voice, IMO. Some of the lyrics were clunky, though. But it was short, which probably helped. Oddly enough, I think I'm getting a bit more country in my old age. Just not modern country. That's still the worst.
Solid tunes, but some of the themes are a little cringey by modern standards
I’m a Lonesome Fugitive was extremely dated when it was released in 1967. It’s not 2024. I can’t listen to this, it may as well be from another planet. I’m sure it’d be great in 1951. That being said, I do really like Drink Up and Be Someone 3.9/10
like the blues classic country always sounds a bit fake to me, but it’s just because they’re working in a very strong tradition
"Good old" country sound - not my taste in music, but listenable
Country sh*t
i mean okay if you heard one country album you heard them all its not bad, just isnt special NNN
While a bit of "outlaw" country seems just another marketing trick, this has a certain realism to it that is immediately present. Everything is up front, the tropes fresh, the guitar new, no dogs; trains, yes, but I can't recall any trucks. A line like "fingers claw the darkness in my dream" is more poetry than typical country.
Toe-tapping-tastic!
I was going to go with a 3-star review, just because this is so out of my wheelhouse I wasn't feeling fit to render a real judgment. But as the album played, I realized I couldn't find a single thing to criticize. Merle's voice is golden, the arrangements are solid, it's just plain well done. I took a quick look to see where this fit in Haggard's discography, and it's amazing: this was his fifth album, coming within three years of the release of his first. What a different era. These days, if an artist knocks out an album in three years it's a quick turnaround. Pretty amazing. Anyway, not a 5 because I'm never going to be a hardcore fan of the genre, but good music is good music.
Yeah, Merle's all right. A bit corny for my tastes, but he can write. I usually prefer covers of his songs over his originals. This album gets a bit tiresome after a few songs, though. I like Merle when he shows up in shuffles.
Music is amazing if you think about it—similar instruments and basically the same language construct (notes, scales, tone) yet the vast differences that come from the human mind to make sounds are endless. This is where my mind went while listening to Merle Haggard.
This is #day30 of my #1001albumsyoumusthearbeforeyoudie challenge, and... I messed up the numbers in the previous review and wrote #day28, which should have been #29 instead. Anyway, country... I've nothing to say except this music leaves me indifferent. Sorry, but we're back to square one with, you guess, a 1 out of 5. Looking forward to #day31.
2.5☆/5 09.05.2025
174/1001 🌕🌗🌑🌑🌑
Beautiful voice, good lyrics, okay music. I'm not a huge Country fan, but overall a good album.
Too much country bumfuck twang. 2.0 stars
T w a n g
Loved the first song and he has a good voice but it’s country
This left Little impression on me I'm afraid to say. Not much to think or feel about it
Yeah I liked that a lot, it was cool, fun stories, had sass and some banging guitar breaks
If you enjoy twangy country you'll love this. I however do not.
the OG country ballad
This was a proper country sort of album. I don’t love country music but I could imagine myself driving into the sunset with a piece of grass in my mouth and my cowboy hat resting on my lap whilst listening to this at full volume. Aside from me living my cowboy dreams vicariously through this album, I thought the guitar was so cool on tracks like Life In Prison and Skid Row. It just sounded so authentic and gritty when paired with the laid back vocals. Overall better than I thought.
Interesting selection to represent the minimal country on this list. I'm not a big country music buff, so this one is new to me - hearing some folk, Rockabilly and quasi-classic rock shows how similar the lanes on some genres can run. 3.5/5
4.0
Album 507 of 1001 Merle Haggard - I’m a Lonesome Fugitive Rating : 3.5 / 5 Another old country album comes my way. I do like this period of country music. It is what how I was introduced to country, so it is appreciated. A decent album but got tired of the continuous "woe is me" whining. I get it...it is the genre....just not a favorite.
Solid Cracker Barrel music. 2.5 stars.
This album was not for me. Its a poor mans Jonny Cash, with a little more cowboy and sad songs. Its not the type of country music I like and enjoy.
**Title: In-Depth Review of Merle Haggard's "I'm a Lonesome Fugitive"** Released in 1967, "I'm a Lonesome Fugitive" is Merle Haggard's third studio album and a pivotal work in the development of country music. As a significant milestone in Haggard's career, the album embodies the essence of the "Bakersfield sound" and showcases Haggard's distinct blend of traditional country themes with his own unique stylistic innovations. This review will explore the album's lyrics, music, production, themes, and influence, while providing a balanced assessment of its strengths and weaknesses. ### Lyrics The lyrics on "I'm a Lonesome Fugitive" are steeped in the hard-living, rebellious spirit that would come to define much of Merle Haggard's work. The title track, "I'm a Lonesome Fugitive," co-written by Liz Anderson and Casey Anderson, sets the tone for the album with its narrative of an outlaw on the run. Haggard's portrayal of the fugitive is vivid, capturing the tension between the thrill of freedom and the loneliness that accompanies it: *"I'm on the run, the highway is my home."* This lyric encapsulates the duality that runs through much of Haggard's work—the yearning for freedom versus the costs of that freedom. Another standout track, "Life in Prison," delves deep into themes of regret and the harsh realities of a life of crime. The song's stark and somber narrative reflects Haggard's own past, having spent time in prison himself, which adds an autobiographical depth to the lyrics: *"I wish I had someone to love me, someone to call me their own."* The lyrics throughout the album reflect a deep understanding of the human condition, especially the lives of those on society's margins. Haggard's ability to craft songs that are both personal and universal is one of his greatest strengths, and this album is a testament to that skill. ### Music Musically, "I'm a Lonesome Fugitive" is a rich tapestry of the Bakersfield sound, characterized by its blend of traditional country instrumentation with a more pronounced backbeat and electric guitar work, setting it apart from the Nashville sound of the time. The album features prominent use of steel guitar, twangy Telecasters, and the steady rhythm of bass and drums, all of which combine to create a sound that is both authentic and innovative. The opening track, "I'm a Lonesome Fugitive," features a driving rhythm and melodic lines that capture the urgency of the fugitive's flight. The electric guitar riffs are sharp yet melancholic, complementing the lyrical content perfectly. "Life in Prison," on the other hand, takes a more subdued approach, with a slower tempo and a mournful steel guitar that underscores the song's themes of regret and sorrow. Tracks like "Someone Told My Story" and "House of Memories" exhibit Haggard's skillful use of melody and harmony, with the former song's chorus offering a memorable, singable hook. The album's arrangements are relatively straightforward, emphasizing the lyrics and the emotional delivery rather than complex musical structures. This simplicity is one of the album's strengths, allowing the listener to focus on the storytelling and the emotional weight of the songs. ### Production Produced by Ken Nelson, a prominent figure in the development of country music in the 1950s and 1960s, the production on "I'm a Lonesome Fugitive" is both polished and understated. Nelson's approach allows the rawness of Haggard's voice and the musicianship of his band, The Strangers, to shine through without unnecessary embellishments. The production emphasizes clarity and balance, with each instrument given space in the mix. The rhythm section provides a solid foundation, while the steel guitar and lead guitar add texture and depth to the sound. Nelson's decision to keep the arrangements sparse and direct works well for the material, as it underscores the album's themes of loneliness, longing, and outlaw life. However, some might argue that the production is almost too clean, lacking the grit and rawness that might have further accentuated the album's themes. While the production quality is undoubtedly high, it could be perceived as a bit too polished for an album that deals with such rough and raw subject matter. ### Themes The themes explored in "I'm a Lonesome Fugitive" revolve around the concepts of freedom, regret, love, and the harsh realities of life on the fringes of society. Haggard, drawing from his own experiences and the stories of those around him, crafts songs that resonate with authenticity. The title track explores the romanticized yet lonely existence of an outlaw, a theme that would become central to Haggard's persona. The song presents a man who is constantly on the run, yearning for freedom but ultimately finding himself isolated and disconnected from the world: *"Down every road there's always one more city."* This line encapsulates the endless cycle of running and the impossibility of finding true freedom. "Life in Prison" and "My House of Memories" delve into the consequences of a life marked by bad choices and lost love. The former speaks to the finality of imprisonment and the longing for redemption, while the latter reflects on the lingering pain of lost love and the memories that haunt the narrator. There is also a strong sense of fatalism throughout the album. Songs like "Skid Row" and "All of Me Belongs to You" deal with characters who are acutely aware of the hand they've been dealt and the inevitability of their paths. Haggard's ability to convey this sense of fatalism without descending into despair is a testament to his skill as a songwriter. ### Influence "I'm a Lonesome Fugitive" had a significant impact on the country music genre and solidified Merle Haggard's place as one of its most influential figures. The album helped to popularize the Bakersfield sound, which offered an alternative to the more polished and orchestrated Nashville sound of the time. This sound, with its roots in honky-tonk and rockabilly, would go on to influence numerous artists within and beyond the country genre. Haggard's portrayal of the outlaw figure on this album predated and arguably influenced the "outlaw country" movement of the 1970s, which was characterized by artists like Willie Nelson and Waylon Jennings. His ability to infuse traditional country music with themes of rebellion and hardship resonated with a broad audience, including those outside the traditional country music fanbase. The album's influence can also be seen in its impact on subsequent generations of country artists who have cited Haggard as a major influence. His storytelling, grounded in real-life experiences and delivered with emotional honesty, set a standard for songwriting that many have aspired to but few have matched. ### Pros and Cons **Pros:** 1. **Lyrical Depth:** The album's lyrics are poignant and powerful, offering insight into the lives of those on the margins of society. Haggard's storytelling is compelling, and his ability to convey complex emotions in a few simple lines is remarkable. 2. **Authentic Sound:** The Bakersfield sound is one of the album's greatest strengths. The blend of traditional country instrumentation with a more modern edge makes for a sound that is both timeless and innovative. 3. **Strong Production:** Ken Nelson's production is clean and balanced, allowing the musicianship and lyrical content to take center stage. The production complements the album's themes without overshadowing them. 4. **Influence and Legacy:** The album's impact on country music is undeniable. It helped to shape the direction of the genre and influenced countless artists who followed in Haggard's footsteps. 5. **Emotional Resonance:** The album's themes of freedom, regret, and isolation resonate deeply, making it a powerful listening experience that connects with listeners on an emotional level. **Cons:** 1. **Lack of Grit in Production:** While the production is high-quality, it can be seen as too polished for the subject matter. A grittier, more raw production might have better complemented the album's themes of outlaw life and hardship. 2. **Thematic Repetition:** The album, while cohesive, tends to dwell on similar themes across multiple tracks. This can create a sense of monotony for some listeners, as the same emotional territory is explored repeatedly without much variation. 3. **Pacing:** The album's pacing is relatively uniform, with few dynamic shifts in tempo or energy. This consistency in pacing might cause some listeners to lose engagement over the course of the album. 4. **Limited Musical Exploration:** While the Bakersfield sound is well-executed, the album doesn't venture far beyond its established musical boundaries. Those looking for more musical diversity might find the album somewhat limited in its sonic palette. ### Conclusion "I'm a Lonesome Fugitive" stands as a defining album in Merle Haggard's career and in the evolution of country music. Its lyrical depth, authentic sound, and emotional resonance make it a classic that continues to influence artists and connect with listeners decades after its release. The album's exploration of themes such as freedom, regret, and the outlaw lifestyle is delivered with honesty and empathy, qualities that are often lacking in contemporary music. Despite its strengths, the album is not without its flaws. The production, while polished, may be too clean for the rough-and-tumble subject matter, and the thematic repetition and uniform pacing might not appeal to all listeners. However, these criticisms are minor compared to the album's overall impact and legacy. In the end, "I'm a Lonesome Fugitive" is a powerful statement of Merle Haggard's artistry and a cornerstone of the Bakersfield sound. It is an album that captures the spirit of its time while remaining timeless in its appeal. Whether you're a longtime fan of country music or a newcomer to the genre, this album is essential listening for its portrayal of the human condition and the American experience.
I'm a Lonesome Fugitive is the third studio album by Merle Haggard, originally released in 1967. I've always known Merle Haggard as an important country artist. I was really only familiar with "Mama Tried", as the Grateful Dead would often cover it. The album captures the rawness of the outlaw persona that Haggard would come to embody, moving away from the more traditional heartbreak themes that dominated the genre at the time. Instead, Haggard delves into the complexities of freedom, regret, and redemption. The title track, inspired by the real-life story of a prison escapee, sets the tone for an album that speaks to the darker, grittier side of life on the run. Haggard's ability to tell stories that resonate with authenticity makes this album a standout to me. Haggard's impact on both country music and broader counterculture (ironically) is undeniable. His gritty realism and rebellious spirit resonated with audiences far and wide, including bands like the Grateful Dead (as mentioned above), who admired his authenticity and raw storytelling. Overall this was a really fun listen. His storytelling kept me attentive throughout the whole record.
Ome Merle, hier afgebeeld hangend aan een goederentrein, knalt er in sneltreinvaart 12 Amerikaanse smartlappen doorheen in een strakke 31 minuten en 5 seconden en dat kan ik zeker waarderen. Geen nummer gaat te lang door en dat vind ik goed. Aan het eind van het album weten we niet welk merk truck hij rijdt, wat op zich ook opvallend is bij een countryplaat. Tot zo ver het positieve eigenlijk. Het blijft knauwerig gezongen country waar het hawk-tuah-accent er ontzettend dik bovenop wordt gelegd en daar heb ik niks mee, of zelfs een beetje een hekel aan. Tussen de 2 en 3. Een 2 qua persoonlijk genot maar een 3 omdat het zo heerlijk compact is.
Still can’t stand this kind of music. This guy sounds like a problem.
I’ll take classic country over that modern pop country garbage any day. Still not my favorite genre, but it has its place.
I mean, his voice is nice enough, but dear lordy... yaaaawn.
A nice half hour of good ol country music. Can’t complain.
Outlaw Merle could be pretty smooth and slick, huh? But perhaps it's just the cover shot (which is more television actor than outlaw troubadour). The ease and buoyancy belie considerable darkness ("Insane with rage/I took my baby's life" and "If I could die/my pain go away" from "Life In Prison"). But the humor is just as clear on "Mixed Up Mess of a Heart" and other cuts. "Drink Up and Be Somebody" is relatable and regrettable at the same time. That song, as well as "Someone Told My Story" and "Whatever Happened to Me," are sufficiently meta to seem almost post-modern (about 30 years too soon). Even if one prefers scruffier later Merle, this is awfully – indeed, unimpeachably – good and fully vintage.
Bit boring
i found this pretty charming. great album cover too
Average
Nahhhhhh
It's some c£$t from Preston!
Not for me
Country
I cannot fucking believe me they gave me my dad's favorite artist on my birthday. There is a reason I gave Purple Rain five stars and this one a single star, so please stop complaining about how everyone "cared more about Prince dying than Merle Haggard dying", dad.
Gonna brag. I hit 600 days sober and ran 42 minutes today. I was hoping for a great fun album to celebrate. This wasn’t it haha.
Great earlier country. Much imitated voice.
Country crap
I knew I’d really enjoy it. The classic folk albums on here always have to be excellent.
Made me want to become an outlaw
Pretty standard
Sounds like me Grandas house on a Sunday after mass. Avoids 1* for reminding me of me Granda
Fav: All Of Me Belongs To You Least Fav: Life In Prison
Criminally underrated - pun intended
Countrytastic
Sad country tunes, perfect for break up.
Netter Country.
I enjoyed it more than I thought I would. I went out with my dog, sat with her on a bench in our local park and put this on on my headphones and it was a pretty nice moment. I have never really listened to anything country and I definitely enjoy the cowboy/Wild West stylistic so that was a nice listen. Merle has a great, charismatic voice! I think I might give it a couple more spins in the future, let's go with 3.5/5
This is not my typical genre of music but I mostly enjoyed this album. I love how rough the recording is. It has such hazy vocals that sometimes get clipped in the peaks but it gives it this feeling like you're sitting in some hillbilly's kitchen watching him smoke a Marlboro in his Marlboro jacket next to his Marlboro ashtray and Marlboro table. You can smell this album. It smells like cigarettes and desert sand. Not sure why but that was the feeling I got from this album and if an album can transport you to a time and a place it can't be all that bad.
Favourite song - Someone told my story
Another album where the "related songs" that played on Spotify after it finished were more interesting than the album itself. Nothing against ol' Merle or anything, but there's more interesting honky tonk music out there -- some of which was on the old K-Tel "Keep on Truckin'" album. Still, it's fine and good to get another genre after all that damned crooning. Unexpected bangers: Drink Up and Be Somebody, My Rough and Rowdy Ways.
Not unlistenable, but not good
I love this style of country music and Merle does not disappoint!
That sure is a country album.
This was some fine old-school outlaw country. Not much more to really say. Solid high 3 / 5.
yeeeeeehawwww mother fucker. Not a terrible listen because it was a short album but this is a little bit to western country for me. 2.5 stars
One of those albums that are just a solid 3. I feel like a lot of these older country albums are just good music, but that's about it. Happy it wasn't any longer than ~30 mins.
As far as old country albums go, that one was one of my favorites. Just had the classic "country" sound and voice that made for a pretty solid album. Don't normally like country in particular but this album was a step ahead of a lot of others. Low 4
Don't have a great feeling about this from the first minute but going to keep an open mind. Yeah this ain't for me
2.3 - I thought I was going to like this but it was soooooo boring. Also the lyrics did not match up to the vibe of the music at all. So cheery whilst singing about dying in prison. Just quite generic
I liked the title track but then it kinda fell off for me and was too samey. Fave Tracks: I'm a Lonesome Fugitive 2.9/5
excellent
Merle was a name I always associated with country and that is a genre I typically avoid, however this is more in the lane of a Johnny Cash on some songs. That kind of country I can take and probably need to investigate more of. Another unexpected name that came to mind while listening to this is Ice Cube. All of the prison related songs are the same kind of theatrics that Cube has. Obviously Merle isn't getting life in prison or on the run as a fugitive, so I don't really know what to make of the obvious lack of authenticity for those songs. If I turn my literal/logical side of brain off it becomes a decent listen with a couple songs to that may make a country type playlist of the songs I actually like from the genre. Favorite track "I'm a lonesome fugitive" 3/5
What a terrific album! Classic country at its finest. I’m not positive but I think this was recorded live in studio, there are little mistakes at times that I think add to the humanity on these recordings. Not a bad word to say about this one!
Rolls out all the country clichés. Maybe he even invented them - either way this offers nothing for me. Twangy guitar, brain dead bass lines and dead simple drums, and then just that classic affected country vocals style. Urghhh.
Twangy crooner. Country is *really* not my jam, but I honestly did not hate this. Songs about alcoholism slap me so much harder than any about heartbreak.
A nice southern twang and meaningful songs.
Straight up classic outlaw country. A breezy half hour. This is great road trip music.
Outlaw music. Makes me wanna shoot a gun and chew some baccy.
Pretty good storytelling and voice. Not my all time favorite country though.
Always the same
I was hesitant on the country music at first. But it really grew on me mostly because of the stellar keys and lead guitar. Country music just hits great sometimes
What a voice. What classic country righting.
FFS
I enjoyed this!! This is the type of country music I prefer and I'm glad that the list has several albums like this. Somewhere between a 4 and 5 for me. I'm not sure I'll actually keep this on my phone so I guess it's a 4, but a high 4 nonetheless.
Old merle
Yeah, not bad. Not my favourite