Reviews (page 2 of 7)
Another brilliant album. This is my favourite of the fairport albums. The standout is Matty Groves. Richard Thompson ranks up there with Beck Clapton page Townshend and Gilmour in English rock guitarists. My one criticism is that a little of Sandy Denny’s vocals go a long way with me. She has a great tone but her phrasing seems to suggest she’s forgotten the words. Having said that you can hear her in Robert Plant. So what do i know? Musical DNA. 100 stars.
High watermark of English folk rock
Upped it to a 5 - brilliant stuff. Folk tales updated for 60s and still feels progressive and exciting in 2025
Like I said in my review of Unhalfbricking, I still prefer the more psychedelic incarnation of Fairport Convention seen on What We Did On Our Holidays. But after relistening to this one, I think it might actually have Sandy Denny's best vocal performance in "Farewell, Farewell"!
They did such a good job creating new songs in the british/celtic folk style that I would never know what was based on original what was based on classics without prior knowledge. Always been a big fan of this genre, and they've done a good job. Will be revisiting and visiting more of their discography. Bonus points for having my name in a song.
I love folk sounds like this. There were so many interesting layers and the vocalist's tone was haunting.
Fire!! The platonic ideal of folk rock. Timeless sound. Vocals sound like Joni Mitchell at times and with a gorgeous gospel fullness. Incredible instrumental arrangements of traditional folk songs that incorporate psychedelia and the rock conventions of the time. 1969 what a time to be alive! Reminds me a lot of Let England Shake in its concept
Between a 4 and 5. Rounding up. Great listen.
What a fun album! I wouldn't have thought I'd rate a folk album so highly, but I enjoyed the vocals/instrumental so much on nearly every track.
I love me the Irish folk crooners.
Holy shit dit was goed. Experimentele folkrock uit de 60s die ik nog niet kende. Beetje Jefferson Airplane-achtig en wat een stem ook! Ik overdrijf misschien, maar ik ben te enthousiast. Vijf sterren!
## Liege & Lief: Fairport Convention's Electrified English Epic - An In-Depth Review Released in December 1969 against a backdrop of personal tragedy and cultural upheaval, Fairport Convention's *Liege & Lief* stands as a landmark achievement in British music. Forged in the aftermath of a fatal van crash that killed drummer Martin Lamble and Richard Thompson's girlfriend, the album emerged as both a cathartic rebirth and a revolutionary manifesto. It fused centuries-old British folk narratives with rock's visceral energy, creating a new genre and redefining English musical identity. This review dissects its lyrical depth, musical innovation, production, thematic richness, and enduring influence. ### **1. Lyrics: Ancient Bones, Modern Blood** *Liege & Lief*’s genius lies in its radical reanimation of traditional ballads, stripping away Victorian-era folk preservation's staid formality to expose raw, timeless human struggles. - **Narrative Brutality & Class Warfare**: Five of the eight core tracks adapt traditional tales, foregrounding oppression, betrayal, and defiance. "Matty Groves" (Child Ballad 81) is the centerpiece: an 8-minute saga of adultery between a commoner and a noblewoman, climaxing in a duel where Lord Donald kills Matty, only for his wife to declare her preference for the dead lover. The final lines—*"But bury my lady at the top / For she was noble kin"*—underscore how class hierarchy persists even in death . "The Deserter" exposes state brutality against conscripts, while "Reynardine" (a werefox seducer) and "Tam Lin" (a fairy-cursed knight) explore predatory power dynamics through supernatural allegory . - **Original Songs as Homage**: The band’s compositions mirror traditional motifs. Sandy Denny and Ashley Hutchings’ opener "Come All Ye" is a rousing call to arms for "rolling minstrels," while Richard Thompson’s "Farewell, Farewell" (with its *"Farewell to the lands where I never was well"* refrain) echoes exile themes. "Crazy Man Michael" (Thompson/Swarbrick) is a psychological parable where a man murders his lover, mistaking her for a prophetic raven—a tale of guilt and madness that feels plucked from folklore . - **Reclaiming "Englishness"**: Rejecting jingoistic nationalism, the album excavates a people’s history of violence, sexuality, and resilience. As scholar Rob Young notes, Fairport restored "the guts and spontaneous vigour" to folk by freely merging lyrics and melodies from disparate sources, defying the rigid "authenticity" enforced by 19th-century collectors like Cecil Sharp . ### **2. Music: Electric Jigs and Spectral Melodies** The album’s sonic alchemy lies in its seamless fusion of traditional instrumentation and rock intensity, executed by a band at its creative peak. - **Folk-Rock Architecture**: Dave Mattacks’ drumming (replacing Lamble) provided a rock backbone without overpowering acoustic textures. Tracks like "Matty Groves" begin as acoustic ballads, then erupt into a 3-minute instrumental coda where Thompson’s snarling guitar and Swarbrick’s frenetic fiddle duel over a propulsive rhythm section, mirroring the song’s violent climax . - **Swarbrick’s Transformative Role**: The fiddler’s arrangements were pivotal. His "Medley" (a whirlwind of reels including "The Lark in the Morning") showcases virtuosic fiddle lines interwoven with Thompson’s melodic guitar, while "Tam Lin" uses dissonant viola drones and offbeat power chords to heighten tension . - **Denny’s Vocal Mastery**: Sandy Denny shifts from the ethereal whisper of "Reynardine" to the defiant roar of "Matty Groves," embodying characters with Shakespearean range. Her phrasing in "The Deserter"—especially the line *"May the Lord have mercy on them for their sad cruelty"*—infuses moral complexity into a soldier’s plight . ### **3. Production: Rustic Authenticity Meets Studio Craft** Recorded at London’s Sound Techniques studio in October–November 1969, producer Joe Boyd and engineer John Wood captured the album’s live-in-a-room energy while enhancing its atmospheric depth. - **Organic Clarity**: The mix prioritizes clarity: Denny’s voice sits centrally, Swarbrick’s fiddle is bright but never shrill, and Thompson’s guitar solos ("Matty Groves") pierce through without distortion. The sparse arrangement of "Reynardine"—acoustic guitar, brushed cymbals, and vocal—creates a haunting intimacy . - **Timeless Sonic Palette**: Avoiding psychedelic gimmicks, the production leans on natural reverb and minimal overdubs. The result feels both ancient and urgent—a stark contrast to the era’s studio excesses . ### **4. Themes: Oppression, Agency, and Cultural Reclamation** *Liege & Lief* dismantles romanticized Englishness, revealing a history of class struggle, gender inequality, and state violence. - **Class and Power**: "Matty Groves" and "The Deserter" highlight systemic oppression. The latter’s press-ganged protagonist suffers 303 lashes for desertion—a stark critique of militarism . - **Gender and Supernatural Control**: Women navigate male predation in "Reynardine" and "Tam Lin," where Janet rescues her lover from a fairy queen through physical determination. These songs frame female agency within patriarchal constraints . - **Reclaiming Tradition**: The album rebelled against folklorists who sought "pure" songs "untainted by outside culture." By electrifying and recombining folk sources, Fairport reclaimed the genre for a new generation, offering a "people’s history" of England . ### **5. Influence: The Blueprint for British Folk Rock** *Liege & Lief*’s impact is immeasurable: - **Genre Creation**: It codified British folk rock, inspiring Steeleye Span (founded by Hutchings) and Pentangle. Bands like Led Zeppelin ("Battle of Evermore") and Jethro Tull incorporated its aesthetics . - **Enduring Legacy**: Voted "Most Influential Folk Album of All Time" at the 2006 BBC Folk Awards, it birthed the annual Cropredy Festival, where Fairport still performs the album in full . - **Cultural Bridge**: It proved folk could be progressive, paving the way for artists like Kate Bush, June Tabor, and modern folk-punk acts like The Pogues . ### **Pros vs. Cons: A Balanced Verdict** | **Pros** | **Cons** | |-------------------------------------------|-------------------------------------------| | **Revolutionary Fusion**: Created a new genre by merging traditional folk with rock intensity. | **Pacing Issues**: "The Deserter" feels monotonous to some; "Reynardine" underutilizes the band . | | **Narrative Depth**: Lyrical themes of class/gender oppression remain resonant. | **Cultural Specificity**: Non-UK listeners may struggle with archaic dialects . | | **Denny’s Vocals**: One of rock’s greatest vocal performances. | **US Impact Limited**: Folk-rock was already established there; less groundbreaking stateside . | | **Swarbrick’s Arrangements**: Fiddle/viola work redefined folk instrumentation. | **Bonus Tracks**: Later editions added weaker outtakes (e.g., "Lady Is a Tramp") . | | **Production Authenticity**: Organic sound has aged exceptionally well. | **Lineup Instability**: Denny/Hutchings left immediately after, fracturing the magic . | ### **Album Track Summary & Themes** | **Track** | **Type** | **Key Themes** | **Highlights** | |--------------------|----------------|----------------------------------------|-----------------------------------------------| | **Come All Ye** | Original | Unity, Artistic Revival | Denny’s rallying cry; Swarbrick’s soaring fiddle | | **Reynardine** | Traditional | Seduction, Predation | Denny’s ethereal vocals; sparse arrangement | | **Matty Groves** | Traditional | Adultery, Class Conflict | 8-min epic; fiery guitar/fiddle duel | | **Farewell...** | Original | Exile, Loss | Thompson’s melancholic guitar; Denny’s delivery | | **The Deserter** | Traditional | Military Brutality, Forgiveness | Swarbrick’s strings; Denny’s moral urgency | | **Medley** | Instrumental | Celebration, Tradition | Energetic jigs; band’s technical prowess | | **Tam Lin** | Traditional | Supernatural Love, Female Agency | Power chords; Denny’s storytelling | | **Crazy Man Michael**| Original | Guilt, Madness | Haunting melody; symbolic lyrics | ### **Conclusion: The Undying Legacy** *Liege & Lief* transcends its "folk rock" label. It is a radical act of cultural archaeology, resurrecting England’s buried voices through electric guitars and fiddles. While minor flaws exist—pacing unevenness, cultural specificity—its virtues are monumental: Sandy Denny’s voice, Swarbrick’s arrangements, and the band’s courage in forging beauty from trauma. Fifty-six years on, it remains a beacon for artists seeking to honor tradition while defying its constraints. As Richard Thompson reflected, singing centuries-old lyrics revealed their "urgency" and power—a power *Liege & Lief* unleashed forever . > **In essence**: A seminal work that transformed tragedy into a timeless, electrified tradition.
Really liked this, just a wonderful listen. I would get bogged down in it being an album of arrangements/covers. But that seems to be what folk is. The Simpsons: No
I adored this! I went in blind and came out ready to buy a cloak and a ticket to the Scottish Borders. Who knew centuries-old murder ballads, fae kidnappings, and jigs could charm me so? I apparently have to start planning a trip to Carterhaugh, Arundel, and Cropredy… purely for “research.”
5/5 - Folksy ... Immediate presence ... Can imagine them playing Newport - Relaxed at times, urgent at others ... Good flow - "Dreamy" production ... - Slides towards jam band territory at times - A record that feels like it was made by people who really believed in their art to transgress and transform.
Does not start out as strong as Genesis Hall, but takes a couple child's ballads and transcends - Matty Groves is a hard pipe hitter of a song, but Tam Lin sets standards that still haven't been matched.
It’s not often I give a 5 to an album I haven’t heard of, let alone an artist/band I haven’t heard of. Incredible music with unbelievable vocals. I’ve had Matty Groves on repeat for days.
Not particularly my thing but if you are going to understand music you have to admit this is the seminal modern English folk album.
really enjoyed this! i've liked other stuff i've heard by fairport convention, so i knew i would probably like this too, but i think this may be my favorite that i've heard. it's definitely got that folky feel but it's a little more rock-y at points, something that i really liked. sandy denny's voice is one of my favorites so that was also a plus. really great album that i am definitely coming back to!
Great stuff, I hear so much of later Americana, roots, and folksy music.
Matty Groves is, of course, a huge bop and there are some other great songs here. Enjoyed this.
Wow I loved this so much. Props to my boy Lief Erickson.
1969. London. Sandy Denny – vocals. British folk rock.
Love Fairport Convention. This is one of their best
This is a highly regarded album in English Folk circles and regarded as one of the best folk rock albums ever. Don’t feel qualified enough to agree or dispute this but it is an album I really like and have in my collection. Wasn’t always the case as Fairport Convention were not to my taste in my younger days. It is only becoming older that I have become to appreciate them so probably an indication as to the age group they appeal to. No I’m not elderly bearded chap who drinks real ale and cups his hand to his ear when singing. As regards Fairport it was more a case of becoming aware of Sandy Denny and what a brilliant singer she was. Two lovely songs highlighting her talents are on this album Reynardine and Quiet Joys Of Brotherhood (Ok I know this wasn’t on initial realease but its on my reissue, so good enough for me) I could and did today keep listening to these two tracks on a loop such is their beauty and calming effect they have upon me. Matty Groves always raises a smile when I listen and makes me wonder as a traditional song if it is actually based on a true story. Reading the songs history is very interesting. Jigs and reels are not everyone’s cup of tea and a reason why some may give the album a wide berth. Must admit myself I need to be a right mood to listen at home but in a folk club environment they come alive and i would defy anyone not to at least tap their toes in that setting. But as I say it is Sandy Denny that really makes it a favourite album of mine. Any album featuring her beguiling voice is a winner in my book but this one is exceptionally good. 5/5 6/5/25
This should be interesting.....very good just not my cup of sage
That golden mystical sound
Weee!
9/10 Traditional British folk is an odd genre - I listened to this on my way to a beer festival in the West Country (UK), and I couldn't think of anything more fitting! I love it because the band, and the guitar especially, lifts above the trad folk. And Sandy Denny's vocals are genre defining. Thoroughly enjoyable, much better than I expected
This album defined the British folk rock movement. With guitar from Richard Thompson - one of the finest guitarists anywhere - and vocals by the incomparable Sandy Denny, this album is the shit.
Fantastic vocals from Sandy Denny, influential and rocks hard.
Favourites: Come All Ye, Matty Groves, Tam Lin, Crazy Man Michael
Surprised myself by absolutely loving this.
Not familiar with a lot of Brit folk, this caught me by surprise with how much I enjoyed it. I am an overall folk fan and I like that this album stayed true to folksy roots as much as possible while using modern rock instruments and modernized arrangements. The vocals stand out as versatile and dynamic. The string arrangements in general were fantastic and the fiddling in particular was beautiful. Matty Groves and Medley stood out to me as favourites, probably in large part because of the fiddle. Yes Matty Groves was 8 minutes but every minute was worth the listen. Definitely an album that will stay in my library.
Following “Unhalfbricking”, this is another stellar 5 star album.
Chill folk
I think every moment of this album is perfect, jigs included. I also think of all the casualties of the era Sandy Denny is one of the saddest because I think during her time the UK music industry didn't really know what to make of her. If she'd been born a little later into the punk era her creativity might have had a better chance of taking centre stage and she could have presented herself more often on her own terms
As another reviewer said, I was only ever going to give this five stars. I’ve loved this album for years and it includes two of my favourite tracks of all time in any genre (Matty Groves and Crazy Man Michael, the former being the anthem of the late lamented Oxford Arthurian Society). If my entire music collection were wiped out this is one of the first things I’d replace together with Pentangle’s Basket of Light, which had better be in the remaining 800 albums or else.
Top marks for an album that could have been made just yesterday, while keeping traditional British music alive. And it's going in my Tidal library.
Great album - the transition of folk into a more folk-rock hybrid genre is clear from this record. You can see the progression to modern artists like Frank Turner. In Matty Groves we have a cracking 8 minutes long folk song with a rocking guitar solo! What's not to like The vocals are amazing too - Sandy Denny has a captivating voice. I wasn't aware she'd died so young until today. The fiddle on the medley just makes me want to jig, so fun Can see why not everyone would love this but it definitely appeals to my taste
British folk rock was at its peak in 1968-1969 and Liege And Lief is one of the finest albums in the genre. The layers and depth of the music is just incredible. Sandy Denny had the best female British folk rock voice ever. I'm fortunate enough to have a copy of an early UK pressing and it sounds just amazing - produced by Joe Boyd on the Island label (it seems everything Boyd touched those years turned to gold). Perfection.
There was something undoubtedly authentic and grounded about Fairport Convention's 'Unhalfbricking' that I appreciated—almost like it was unabashedly human in nature while simultaneously showcasing this near-alien visage. There's a reason they're considered the best British folk rock band of the late '60s - their sound was so dense and each instrument held so much weight in these finely curated mixes. My feelings towards this record are nearly identical to that one. I'd say the song 'Matty Groves' off this album even trumps any other Faiport song I've heard. This record, in general, played up the band's pre-existent psychedelic tendencies - but the minstrel nature of this epic cover of the classic ballad was easily the most hypnotic thing here - boasting lead vocalist Sandy Denny's best falsetto. And she does have such an angelic voice that shines through on this album more than their last - perfectly hovering over these complex Celtic and medievalist grooves. 'Farewell, Farewell' was another highlight here, despite it containing the album's most conventional rock instrumentation, it still very much showcases Sandy's knack for writing these very heartwarming, yet somber lead melodies. I also feel similarly about the closer 'Crazy Man Michael'. On the lyrical front, I'm not ashamed to admit that it mostly went over my head. It's very allusion-heavy and follows that twisted story-driven style that many Dylan tracks from the '60s did. I'll save my lyrical diving for a second listen, I was just enjoying this experience at face value on this first one. And it was quite the experience, filled with unique genre fusions, evocative imagery, and above all else, the human soul. When I think of the genre "folk music", I mainly associate it with a particular singer-songwriter style. Though if there ever was a band that highlighted that "folk" bit of the genre tag, it'd be Fairport Convention. Because listening to their music feels like stumbling upon something important - even if you're not entirely sure why.
This album is awesome. Sandy Denny and Richard Thompson are British Folk/Folk-Rock legends for a reason. My Celtic Folk band used to perform Matty Groves. It's great to hear a more rock-oriented version (with a guitar solo!) that uses the darker version of the lyrics. The rockin' Irish fiddle tune set in the middle of the album is fantastic. 5 stars.
One of the greats - innovative and brilliantly played, the start of folk-rock. The mix I am listening to has the drums too far forward in 'Come All Ye' and it makes the song seem rather repetitive unless you listen to the soaring, almost jazz-like, instrumentation. Sandy Denny is just coming in to her own in this album and the vocals fly; what a shame she died so young. Ok it may not be everyone's taste (I am no great lover of long traditional ballads either) but the arrangements keep you engaged and the lyrics are so beautifully sung and clear that they allow you to follow the story. This is a real break for Fairport from their previous 2 albums and Dave Swarbircks fiddle must be a central instigator; it really does come to the fore here and, along with Thompsons guitar and Dennys vocals makes a real statement. Almost prog rock in places - listen to the last track! All-in-all, brilliant.
REALLY solid. What I imagine fairy folk rock to be
I don't really know why I liked this as much as I did. I figured it was either a high 4 or a 5 star album, even though it doesn't feel "perfect". I went and listened to some other Fairport Convention albums, and this does indeed seem to be the sweet spot between their American-tinged folk, and the pop-folk they ended up playing. I'm going with a slightly confounded 5 stars.
Amazing all around.
Just beautiful
na ez!!! ❤️ különösen imádom a medleyt a közepén.
Fantastic folk album. Loved every bit of it.
I really enjoyed this, although upon seeing the album art I could have sworn I had reviewed this one before (must have recently discovered it on my own somehow). Loved the traditional sounds, while also incorporating the sounds of the 60s in a more accessible manner. Soothing, sad, funny, this had it all. Beautiful smooth vocals, laid back melodies.. just great! 4.5/5
British folk rock. Venga, un 5.
9/10. A bit of a slower start than the last one but fantastic all around. Great story telling, great jams. Loved it.
The electric music blends perfectly into the old folk songs.
That voice is mesmerising, who knew I quite like folk.
After discovering this album, one thing that I really enjoyed about it, is that’s it’s really softened my heart to folk music. This is an album I’ll definitely be coming back to in the future.
Love this album. It's so weird but really drew me in. I tried looking for other stuff with a similar vibe (including other work by Fairport Convention) but nothing really hit the spot. Feel like they caught lightning in a bottle on this one
Me sorprendió gratamente porque no lo conocía. Qué buen disco, lo volveré a escuchar.
Honestly very fun. What a voice!
Wow what a masterful showing of talent. The breakdowns, solos, hell just the playing all over this album are incredible. Sounds like a description for somw prog or metal but this album sounds completely folk the whole way through. Amazing
I loved this entire album. It was a vibe, and now I’m listening to everything on the deluxe version.
Funny, I just listened to this two days ago and wondered if it was on the list. Glad it is. This album is fantastic, and I'm not even into this genre. These guys manage to do a lot with a little, as these songs tend to be very simple (often centering around one chord), and they also tend to be pretty long. And yet they find ways to keep things interesting: subtle changes in dynamics and intensity, sympathetic performances from the band, and of course Sandy Denny's understated and plaintive performances. Plus, the stories are great. Tam Lin is a favorite. My only complaint is that I wish the mix was a bit brighter and a touch more open, as these songs feel like they were recorded in a closet. So, 4.5 stars, rounded up.
Deep, dark, weird tales of crows and foxes and death and vengeance, intensely performed.
This album was incredible. Despite it being clearly folksy in nature, there's something about this album, and I can't quite put my finger on it, but it sounds really ahead of its time and quite modern. Really dig this one.
Nearly a whole album of my favourite Fairport Convention tracks. Crazy Man Michael the only dud for me.
I don't know what it is about Fairport Convention, but their music just hits the spot. Combination of beautiful vocals, great melodies, some guitar solos, a bit of melancholy in the music, it just creates a perfect blend, just like the previous record by Fairport on this list. Great music, easily 5/5. Looking for some vinyls straight away.
Folk rock perfection on this one.. Matty Groves is just outstanding.. Sandy voices and Thompson's solo at the end. Then there is Tam Lin.. Wow..
Been a fan of Richard Thompson for many years and Sandy Denny has such a great voice that can swing from folk to psychedelic rock. This record is a a great listen.
A magnificent meeting of Celtic and British traditional music and electricity. Utterly timeless with accomplished playing to boot. And, of course, Sandy.
A beautiful album right up my alley. It’s hard to overstate the significance this album had on the traditional music scene back in the day. It was met with scorn and derision by many and yet turned an entire generation of Romantics on to the literature of their tradition and culture. The musicianship here is too rate with Richard Thompson’s guitar and Sandy Senny’s string, controlled voice being backed by Dave Swarbeck’s fiddle. It’s a perfect marriage of traditional aesthetic and electric 1960s sound. You can hear the band trying to figure out how to work with this music behind the lyric. Thompson was the gift that made this all work. His little guitar fills and harmonic designs made the bridge possible and the band made the journey complete.
This here is a beautiful record. Sandy Denny's voice makes the fog lift. The view is perfect. The land is majestic and full of life. Listening to these songs is like witnessing the reconciliation of time, and this is what good folk music does. Honouring the tradition that brought us here while encapsulating contemporary emotions and atmosphere. The playing here is gorgeous, keeps us attached to the world and to community, while whatever Sandy Denny does brings out the magic, the heart, and the sense of something that is there without being seen. She sings the river that runs below the river and gives a voice to the ghosts. Beauty.
One thing I’ve really enjoyed about this music generator is that it has softened my heart to folk music, and "Liege and Lief" by Fairport Convention is another great album that I’ll definitely be coming back to in the future.
I absolutely loved this album. Sandy Denny's voice is incredible. Her voice, with the violins and mandolin playing in accompaniment, was just ethereal - and yet fierce. I am not a folk rock listener, but I will look for this album
Yes. OK maybe not the production but everything else about this album is perfect - Sandy Denny's singing, the playing of each of her five bandmates, and the compositions. Crazy Man Michael and Farewell Farewell are two of the finest songs ever created, and never performed better than here.
Drone-y occult folk
Love it
A stunning, genre pioneering album by the mighty Fairport. As someone who has seen them live many times, it was refreshing to hear all their well-known tracks as they were originally recorded with the unforgettable Sandy Denny.
That was really fun! I started this one completely blind, then looked up some background as I listened. I thought it was cool that most of the tracks were traditional Celtic or English folk songs.
Stoned at the Renaissance Fair. feel like i’m off that west-farthing leaf in a tavern or some shit. woodstock in the shire. want on vinyl pissed spotify took off two of the best songs - the fiddle medley and the deserter. but all the songs on this record are good ones i’ll just rip those mp4s
This is such a great record! I love sandy Denny’s voice and the arrangements here. I could listen to it again and again and again.
Sandy Denny had such a beautiful voice, I can still remember how shocked I was to read of her death. Such a loss. Great album, easy to listen to at any time of the day or night.
Te transporta a mood especial. Canciones con estilo celta y también a lo Daisy Jones. Un sonido muy natural.
Loved this! Very fun
Jag var rädd hela dagen för albumet från 1969 eftersom 1969 har det där distinkta överanvända ljudet. Ljudet... soundi... lehtinen suomessa.. laitto aluks unobjektinen review.. Sound of silver.. Huh sana jo kahdella kielellä ja yhdellä anglismilla tässä paragraafissa. Tuo ruotsin kieli pitää sieluni kaukana review boksista.. monta tuntia saa päivässä kerätä voimaa..
This is exactly what the late 60s and early 70s was supposed to sound like. Powerful music, then and now. If you're under 50, spend more time with Fairport Convention.
Very interesting and immersive album. It feels like I'm transported to a tavern in Middle Earth listening to a famous band play for a rowdy dancing crowd. I loved it. Especially the solo on Matty Groves. Albums like these make me happy I started this project. I doubt I ever would have found this on my own
Just got started but I'm loving it already. Surprised I've never heard of them before.
Now I get it. Having heard Unhalfbricking earlier, I was a little baffled as that album didn't seem as strong. However, this album definitely deserves to be on the list. A classic traditional blend of "plugged in" and acoustic Celtic folk that reminds me of bands like Clannad and Capercaillie and artists like Lorena McKennitt and Enya. So many good tracks on this album but Matty Groves is my favorite. Adding this one to my favorites.
I quite loved this. The folk with the rock bits just carried me away today.
I find Fairport Convention lovely and soothing but vaguely terrifying. Five stars!
Turns out I am a big fan of 60’s British folk music. Who knew? Just a wonderful salve to my aching soul.
Nice finding! I find it similar to Fleetwood Mac.
"Liege & Lief" is the fourth studio album by British folk rock band Fairport Convention. Many consider this the first major "British folk rock" album. The album was recorded following a motorway crash which killed drummer Martin Lamble and guitarist Richard Thompson's girlfriend Jeannie Franklin. It featured female lead singer Sandy Denny and contained both traditional British and Celtic folk songs and original compositions, both performed with a more rock back drop. Other band members included Dave Swarbrick (violin, viola), Simon Nicol (rhythm guitar), Ashley Hutchings (bass) and Dave Mattacks (drums). Commercially, the album hit #17 on the UK charts. The band comes out a stomping on the uplifting "Come All Ye." Acoustic and electric guitars, fiddle and Sandy Denny's fabulous voice. An original composition which is a rousing start. The traditional "Matty Graves" has layered guitars, more fiddle and just bounces. Thompson and Swarbrick's violin just rock this out. I did not know there was a folk rock "Freebird" but here it is. I actually heard prog elements. Denny tells the story of an adulterous tryst between a young man and a noble woman which does not end well. The band slows it up on "Farewell, Farewell." A melancholy song which is most likely the result of the recent deaths the band experienced. "The Deserter," a traditional song, starts out slow and picks up the pace. Dramatic, telling the tradional story and song of a solider forced to death for deserting. The band takes the traditional "Tam Lin" and rocks it out in the folk rock sense. Great Thompson guitar. For some reason, I kept hearing Jethro Tull's "Aqualung." The album closes with the Thompson penned "Crazy Man Michael." Slower. Another song Thompson admitted to writing over his loss and guilt of his girlfriend. It's a murder ballad where Michael mistakes a raven for his true love and the kills the raven ( his true love) with his dagger of fire and ice. I thoroughly enjoyed this album. Very strong vocals by Sandy Denny. The musicianship is top notch especially Thompson and Swarbrick. It's dramatic and at times uplifting. The pace changes between slow and more rockin' songs. The stories are compelling with the music fitting them. A very high recommendation.
oikein jytistelevää brittifolkkia! varmaa eka levy näistä mitä oon kuunnellu, johon ei ollu minkäänlaista aiempaa kosketuspintaa, josta oikeesti tykkäsin! miinuksena et spotifyssa on vaa joku ihme 2007 deluxe versio, mutta hyvin sai alkuperäsen osion kuunneltuu anyhow. matty groves sopi hyvin just tähän aamuun ja jäi kyl päällimmäisenä mielee.
To these ears it's more rock than folk, albeit raga rock. Sandy Denny had the perfect voice for this sort of material, being a little bit husky with the right amount of shrill. I love the sound of Dave Swarbrick's violin interchanging with Thompson's lead guitar. Folk music is a lot more dark than its given credit for ("Matty Groves" and "The Deserter").The only misstep is the diddly jig Medley: it just doesn't belong on an album like this. PS I have to admit that I didn't really like this (get this?) on first listen, but multiple listens through the years revealed a truly rewarding album. Great stuff.
Yeah I'm adding this to my library
Joooonge, was hab ich da verpasst / Jefferson airplane vibes - prog-parts, die nach Rush klingen /. Mega Texte / Legendäre Bass und Gitarren Riffs / Teils stark folkloristische Elemente 5/5
Un increíble LP de Folk británico liderado por la increíble voz de Sandy Denny, quien complementa sumamente bien las atrapantes melodías de la banda con un timbre casi ritualístico. Un disco muy cautivante que corona el año debut de la banda con un sonido que puede considerarse sumamente influyente para el panorama de la trova europea.
This album never gets old, and is no doubt the best folk rock album ever made - I am not a major British folk rock fan, but it is one of these albums that exceeds their genre.
Loved this, had never listened to it before. I only knew a few Fairport Convention songs from Spotify, but will definitely be listening to more of theirs now. Interesting to see what was going on across the Irish sea around the same time that Planxty, Rory Gallagher and Thin Lizzy were doing similar experiments with trad/rock fusion.
A superb album - an album that everyone should own. The standout tracks for me are "Matty Groves" and "Tam Lin", plus the hauntingly beautiful "Crazy Man Michael". Sandy Denny's vocals are sublime and her untimely death was a tragedy.
I prefer this to the last Fairport Convention album we received, which had a split personality, due to a handful of Bob Dylan covers, whereas this LP is 100% British Folk. Sandy Denny’s singing is wonderful, especially in ballads like “Crazy Man Michael”, as is David Swarbick’s ever-present violin over the understated guitar of Richard Thompson. My favourites are the traditional pieces, led by “Maddy Groves” and “Tam Lin”, though they run on a bit – but it was 1969 after all.
First impression upon seeing the album cover and that it's another goddamn British band - "oh no not again" My impression after listening to the album - "Can this play on repeat forever?" Maybe it's the sort of rainy gloomy day here but I was completely transported by every single track here.
Banging choons
Really enjoyed this album
S-tier folk rock!
Love this, I sometimes think there is no better sound in popular music than Sandy Denny and Richard Thompson together. Fairport basically invented the modern folk genre on this record (for better or worse!), their third of 1969 (and they're all great!), and it's highly entertaining throughout. So many classics on here, esp. Matty Groves which is fucking savage. I could play this all day long. A good week so far!
Las vibras de este disco lo son todo 9/10 y nada más para agregar.
This came up on a strange day where I went on a 40ish-mile round trip after work to pick up a record player. It was a beautiful sunny evening at the very beginning of Spring, and the long country drive helped clear my head. This folk-rock record was absolutely the perfect companion for all that. Leige And Lief is a beautiful blend of rock music with adaptations of classic British and Celtic folk ballads, with a few original compositions added in also. Sandy Denny's beautiful voice ties everything together and creates a chill, moving album that never gets boring. Very good album with a few songs I will certainly come back to. Favourite: Matty Groves
Åh, Sandy!
Liked Songs: Matty Groves Medley: The Lark in the morning I like the jam sessions. I like the singers voice. I like folk music it turns out.
Cet album est clairement un 5/5, je le connaissais et c'est tellement bon que ca pas de sens. Je crois que j'ai 3 albums en 3 jours qui sont 5/5 je suis bel et bien sortit de l'enfer des moyens/mauvais albums.
Fantastic
love folk.
Some very nice compositions and skilled players. But what really sold me on this one is the vocals; they're an excellent fit for folk rock, remind me a bit of Comus.
muito bom, baita som
Yeah, I enjoyed this a lot.
British folk rock. Venga, un 5.
This was great. Loved it.
This is one of my favorite albums. I love that the idea of English "folk" is so different - and so much more ancient - than ours. Richard Thompson's guitar work is awesome, and Sandy Denny has one of my favorite voices.
I'm not a big folk fan, but that was really good.
1969 - British Folk Rock
I really dug this
Imagine one part traditional Celtic folk music, one part American west coast bay area psychedelia, and one part progressive rock, and voila: Fairport Convention, one of the greatest groups I’ve never heard. American folk rock emerged in the mid-1960s combining the energy of electric rock music with the lyrical depth of acoustic folk music- the Los Angeles quintet, The Byrds, being a prime example. Bob Dylan, who many crowned the King of folk rock when he went electric, hated the term himself, rebuking any attempt to define his new sound with this genre. But it stuck nonetheless, and off it went, spawning groups like the Mamas and the Papas, and the Lovin’ Spoonfuls. All that is to say that American folk rock is one thing, while folk rock emanating from the UK is a whole other matter. 'Liege & Lief' is one of the first major folk rock LPs from this tradition. Most of the songs are free adaptations of centuries-old British and Celtic folk material, containing a wide range of lyrical themes- werewolves seducing maidens, lovers’ rescued from the Queen of Fairies, humans in the form of ravens whose true identity is revealed in death- but delivered in such a way that any reasonably intelligent American with no knowledge of UK history would be able, easily, to follow the plot. One does not have to know that ‘The Deserter’ is concerned with Britain’s Recruiting Act of 1703 to understand the song’s general meaning. Musically, every member of the group possesses talent and passion, yet not without skilled restraint. The ‘jams’ are never over-prolonged, the vocals carefully synched, the arrangements tasty and tasteful. If there were any rogue egos at work here, I didn’t hear ‘em. Fairport Convention plays as a cooperative unit. Here’s the bonus, though: Fairport Convention manages to retain the authenticity of the original ballads while at the same time infusing them with a bit of Jefferson Airplane (NOT Starship, please). And then, to make things really interesting, from time to time they even toss in some changing time signatures, ala prog rock. ‘Tam Lin,’ a traditional Scottish ballad, is a great example. I doubt the bagpipers of old ever changed back and forth from 3/4 to 4/4, with a little double time 6/8 throw in for good measure. On the third cut, ‘Matty Groves,’ just when you think the downtempo ballad has come to an end, the band breaks into an uptempo jam, an electric hoedown, Grateful Dead style, but also seasoned with the flavor of Jethro Tull. Don’t hold me too tightly to any of this, though. It would be a mistake to affix any permanent boundaries defining Fairport Convention, at least on 'Liege & Lief.' This LP rambles over hill and dale, and down many winding roads. ‘So come all ye rolling minstrels,’ invites lead vocalist Sandy Denny on the opening number (and one joyfully extended, encouraged even, to you and I to become part of the chorus, a surprisingly clever technique that draws the listener in immediately), ‘and together we will try to rouse the spirit of the air, and move the rolling sky.’ That’s a tall order, lads and lasses. And Fairport Convention serves it up throughout this terrific LP, at times steaming hot like a plate of corned beef and cabbage, and other times creamy cool like a foamy pint of Guinness. An eight course/track delightful and satisfyingly filling meal.
The songs are really chill, everything is slow paced and calming. I could put this on anytime as background music.
Come all ye rolling minstrels And together we will try To rouse the spirit of the air And move the rolling sky
Fairport in their Heyday here with the wonderful voice of Sandy Denny sadly for the last time with the band. Some lovely songs on this hugely influential album that some see as the first proper English "Folk-Rock" album. Love "Tam-Lin" and "Matty Groves" which winds up the volume. Rightfully on the list.
A great folk album. It might've been the moment I listened, but this is one of the first albums I listened front to back in this project. The vocals really took me on a journey that I didn't mind being on, the execution of the ideas on this album are wonderful and made me feel very serene.
I tried to get into Fairport Convention when I was a teen after hearing the lady that sung on The Battle of Evermore was in the band. But since they had 20+ albums and Sandy Denny only sang on three of them I was more confused than anything. I wish I had heard this one back then. Absolutely amazing.
i was surprised the first time i heard them and realized i really really liked them. i hadn't thought i would, but here we are. this album is no exception - i really enjoyed it, especially the droning, washing guitar. huge soft spot for richard thomson after vincent black lightning.
Loved it
I think I liked Unhalfbricking a little more, but this record still felt like a time capsule into a fantastical past, and I loved it.
Loved this! An overlooked folk classic!! My favorite track was Medley: The Lark in the Morning!
lekker folksy
This taps into my childhood memories of going to the Kent State Folk Festival. Love British folk. Need to be an independently wealthy white woman.
I like this one. 5
Que voy a decir de este disco. El mejor del grupo junto al Unhalfbricking.
I like the folk songs, and the rock instrumentation is a welcome pairing. They strike me as a precursor to Fleet Foxes I like the female vocalist (reminiscent of Anne Briggs), and her somewhat Celtic way of singing. "Farewell, Farewell" is my favorite
Listening to this out of context, it just sounds like "another folk album," but when comparing to other folk at the time and what came after, especially with knowing this was Britains contribution to the sound, it does become more important and stand out as something that was in a sweet spot after the bands were finding their footing and influencing what was to come in Britain. I waver between a 3.5 and 4, so I'll bump up to 4 here.
This is probably the only album I like from Fairport. It holds a lot of influence cards. The biggest standouts being Sandy Denny’s singing and the guitar work of Richard Thompson, who was only 20 years old at the time. Still, if I had to choose, I’d lean more towards Steeleye Span who were also very influential in the Brit/Celt/folk movement at the time.
This was kinda silly but also pretty awesome. I enjoyed it. 3.75/5
For some reason this album was a nice mix for me. I like a good folk kind of sound.
I've learned that if Richard Thompson played on an album, I'll probably like it. I guess British folk is pretty great. This is pretty nice. Music is pleasant, Sandy Denny's voice is very nice. "Matty Groves" stands out, sweet solo/instrumental section. "Medley: The Lark in the Morning" is awesome too.
This is a weird one. It’s almost like if the Velvet Underground made an album of traditional folk music. I kinda like it though.
Languid and drawling, perfect for a hot summer weekend. If only I had that cool pitcher of ice tea I'm imagining myself with in this album.
Note to self: use this album as the soundtrack for a dnd character or campaign. That aside, great voice and much greater variety in instrumentals than what passes for folk on the other side of the ocean. Some parts just sound like the end of the Who's baba O'Riley but developed further, which is epic. The stories in the lyrics reminisce of stuff that wouldn't be amiss on your local ren faire. Excellent bardcore.
Overall: 8/10 While I prefer Unhalfbricking, I think this is a worthy inclusion in this list and a hell of an album. The vocals are just gorgeous in every way, and I love the folk rock feel. Fav Song: Matty Groves
Doubt it’s very trendy to say it… but who gives a folk. Actually quite enjoyed this.
Ha! Just played in a band and "Come All Ye" was one of the tunes we did. After listening to it I let the whole album keep rolling so this was in my ears only a month ago. Fairport Convention does their thing damn well. One of those bands that I'm not always up for but when I am nothing else will do.
Definite add to any collection
1. "Tam Lin" 2. "Crazy Man Michael" 3. "Matty Groves"
Better than expected
This feels pretty seminal, and I hate that word.
I quite liked this
This album genuinely shocked me. Having never heard of this band and looking at the album cover, I thought I was in for a terrible ride. I was all prepared to ridicule and hate-review it. However, God laughs at the plans of man. From the opening song to the last track, this album shocked me at how much I genuinely enjoyed it. I love the singer's voice and the instrumentation is fantastic. There are a few harder rocking songs that I was blown away by, but the more folksy songs also took my breath away. A couple of the songs I could take or leave, which will keep it from getting a 5, but overall I enjoyed it a decent amount!
I'm here for this type of chill chill folk once in a while
Perfectly pleasant listening experience.
Likte denne veldig godt og kommer til å utforske de mer.
Glad for at de tar folk på alvor. Dette var dritbra! Hadde lagra Matty Groves fra før, no har æ lagra noen flere. Lot være å høre på bonussporan
Great sound, like american country music but better.
This was a fun listen. I just let it roll over me, and enjoyed it thoroughly. I've never been one for folk music, but this journey has me enjoyinig them almost most of all.
THAT'S WHAT IM TAKING ABOUT!! Imagínate crecer escuchando la letra de estas canciones y que alguien te diga que hoy en día (2026) el mejor compositor es bad bunny por sus letras tan buenas.
Красиво, но вообще мимо меня
Full of murders and madmen and kings and fairy queens this is such a glorious sound. The playing is brilliant and Sandy Denny's voice is beautiful. An album you can get lost in
There were quite a few fun ones! But this wasn't a no skip album for me so that's why it got a 4
Was not expecting to like this as much as I did!
Als der britische Folk endgültig elektrisches Rückgrat bekommt. Die Band verbindet hier traditionelle Balladen mit rockiger Erdung, ohne den alten Stoff zu verraten. Sandy Dennys Stimme trägt die Songs mit einer Klarheit, die fast schon mythisch wirkt, während Richard Thompsons Gitarrenspiel den Stücken eine kantige Modernität gibt. Der Longtrack „Matty Groves“ ist ein kleines Epos, „Farewell, Farewell“ ein stiller Abschied voller Schwere, und „The Deserter“ zeigt, wie lebendig Tradition klingen kann. Ein wegweisendes Album, das seine Wurzeln ehrt und zugleich mutig nach vorn geht.
Den her typen folkemusikk e vel ikke helt min greie, sjøl om det e ganske trivelig mens det foregår – men når æ ikke helt har konsentrasjon til å høre etter på teksten, og ikke helt har fot for rytmen, så ramle det litt mellom to stoler og æ blir bare sittanes.
I'd never knowingly listened to any Fairport Convention - this was a very pleasant listen. When my partner came into the room, they asked if I was listening to Chumbawamba! I will be happy in the knowledge that I'll be able to recognise their music in the future and may well play it by myself.
I was looking through my reviews and noticed one that prefaced the whole thing with ‘I’ve been to a work thing and had two beers …’. Readers, we are here again. Perhaps it is the optimum level of intoxication for music listening. But, despite this possibly being the whitest music conceivable, I found myself really enjoying it. Cut glass vocals. Mad fiddles. So very folk. But it’s genuinely interesting. The drumming, in particular. Folk > Country.
folk rock from the band who covered bob dylan a lot Favorite track: matty groves other picks: reynardine, tam lin, come all ye
Good rock band. Love their music.
I can dig the folky, borderline eerie sounds of the album. Not one I would spin regularly and if comes for British/Irish folk I am going with the Pogues but happy to be introduced to a band I had never heard of.
4.6
I can see the importance and kinda loved it. Gotta be in the mood but I think i'll listen again one day and share it
Sandy Denny’s voice really carries this for me — there’s something very natural about it that fits the songs perfectly. The fiddle helps a lot too, giving everything that traditional feel without it coming across as stiff or old-fashioned. It’s very folk-focused, but the band keeps it from getting dull. Not every track sticks, but as a whole it works really well for me.
Just read about sandy Denny's death. Bloody hell.
Kind of a weird jam
Zaskakująco dobre. Z dwie lub trzy piosenki do zapisania. Mocne 4
The generator, in its wisdom, currently claims that folk is my favourite genre. It is wrong (I am more of an alternative rock guy), but it has certainly been serving up some very fine folk and folk-adjacent albums. This is another one, with Denny and Swarbrick shining
Pretty bloody lovely
honestly i got really into these guys last year... i love folk music!!!
Sounds like the 60s, but quite good
Ihan mielenkiintoista, pitäisi joskus kuunnella uudestaan. 3,5/5.
Good Brit folk rock. Sandy Denny has a great voice (I believe she sang on a Led Zep tune that I can't remember right now) and Richard Thompson is fantastic l. Really good stuff
Not sure about Dimery’s fascination with Ren Faire music, but I’m kinda into it.
4/3/26. Really engaging folk album, loved the performances from the musicians and the lead singer's voice fits in nicely. Enjoyed the back and forth from pop-structure to larger instrumentals.
Absolutely lovely voice! I am surprised I enjoyed this as much as I did.
55 minutes of straight up good music. Gave me Led Zeppelin vibes. I’d never heard of this album before it was given to me, so I was interested in what I was about to listen to, and I was not disappointed. Everything hits and has great instrumentals with an awesome female vocalist to head it all. Really glad I heard this, will definitely listen to more of Freeport Convention’s music.
I was previously somewhat familiar with Fairport Convention and may have heard this album once or twice. This is pretty interesting. It's a nice cross between rock and old British folk. The strings really give this a Ren-faire vibe which is pretty unique across the 1001 albums list. I would listen to this again for sure.
I could get into this. Enjoyed it more than I was expecting, a little more rocky than I had anticipated.
Day814 - adam duritz had a podcast a few years ago and talked about fairport convention. it was my first introduction to them and i’ve been a fan since. sandy denny’s voice is interesting and richard thompson’s guitar playing is amazing
Turns out the key to having me enjoy 60s British folk rock is for there to be a woman singer
Like folk rock, except the folk is like medieval British villages.
First off, this is an excellent recording. Rich, full, and very satisfying. The production sounds very modern, and very much ahead of its time. I haven't ever heard of this band before, but English folk sounded interesting. I was immediately in love with the music, and that didn't change throughout the album. This was so good and I'm so surprised about how much I liked it that I can't even think of anything to say. Absolutely blindsided me. ⭐⭐⭐⭐.5
Fairport Convention is one of those bands I should know better given my Deadhead roots of adjacently liking this kind of music. And they're totally fine. Sandy Denny I think is what saves this album from being the boring kind of folk music. I have this love it/hate it thing with folk because I prefer uptempo fast paced music or some cathartic jamming, but I love a lot of music close to it. Maybe I'm just particular about it. Fine album.
Takes a bit of a dip in the back half. Gonna give this the softest of fours. This is really good.
British Folk music done well. Strong memories of my Dad and his love of the genre, but particularly of Fairport Convention. It has a summer's day feel to it, and the intro track is a galloping jaunt through the fun. I don't love Denny's voice, but it cuts against the music in a wavering fashion. Come all Ye my favourite
Kickass trad 4
Felt like an Irish bride in what I think is a good way. Similar vibes to Liz phair’s album.
Very familiar sounding that I believe that my mom might've listened to (I know I probably said this about the other Faiport Convention / Jefferson Airplane album that we had)
Fun, harmless listen. Makes me want to hike.
Man this sounds good even for today! Are Irish/British folk dirges something I'd go to all the time, you know what maybe! Man, i oddly enjoyed this!
Lovely folk album.
i actually really loved this...if this had been assigned in autumn i would've been listening to this all the time. i added some of these to my autumn playlist so they'll make the rounds next year. i think it's an interesting take on folk and i liked how some of them were more drone-like to put you in a trance; it felt like psychedelic influenced folk, which i liked a lot.
Really Digging Matty Groves.. .and the medley? Wasn't expecting much from this album. but it's a banger.
Did not expect to enjoy that as much as I did. Even had some jam adjacent psych rock… 3.9
Not necessarily my ideal genre, but I found her voice beautiful, and plenty to enjoy here. 7/10 Quite Likeable
I liked how witchy it was. It inspired me to make a witch themed playlist. Not anything super grand but it was fun 4 stars? Maybe 3 ill see how i feel tomorrow.
Listening to all three albums that Fairport Convention released in 1969 was one of my favorite discoveries of that dive this was the least of the three, and it was still a four and a half star masterpiece. Between the voice of Denny, and the guitars of Thompson, the Convention could do no wrong. Definitely *Unhalfbricking* was my favorite, but this is a wholly pleasant listen as well. (9.35) ★★★½
Old-timey British folk, but with a rocking edge. It is good, but I prefer it more traditional. 4 stars
Cool Canterbury folk pops with just the thin thinnest leafiest crunch of Led Zep. About level bricking with Unhalfbricking. Lengthy medieval epic Matty Groves definitely the star of the show. Oh nonny nonny nonny nonny nonny no, a 4 for Liege and Lief oh nonny I must go.
I had Unhalfbricking less than a fortnight ago. I promised to have a refresher listen to my “History of..” double album to make sure I’m understanding them properly. I did that. I don’t think I misunderstood them before, but this album is fitting my imagined version of who they are much better than its predecessor. To my ears, this is late 60s folk rock whereas Unhalfbricking I described as a band of folky hipsters cosplaying as medieval minstrels. On Liege and Lief, they obviously still take influence from English and Celtic folk traditions, but they blend them with sounds more contemporaneous with their time. I may just be lacking in knowledge about all this and as a result may be “inaccurate” with my preference, but we all (should) know that opinions on music are all personal to the listener and I liked this album where I was a bit uncomfortable with the previous one. I still think I’ll just stick to my compilation though.
I really liked this, it just falls a little short of 5 stars.
Excellent album and a total surprise to me (which is always appreciated). I've always enjoyed folk rock and folk/folk-inspired music generally, but I'd never heard of Fairport Convention. Denny's voice is rich, certainly an aspect of the album that substantially improves the listening experience. I'm now interested in checking out her other albums when she was a part of Fairport. The adapted songs and original works blend quite well together. Notable Highlights: Matty Groves, Crazy Man Michael
This is abby bait like a lil cheese for a mouse
Lorena McKinnett, Nickel Creek, and every band in every Irish bar owes a lot to this band for paving a path to the mainstream.
Alright Medley has me toe tapping. I feel like this starts with me traveling around a town in the past and hearing a wandering band of minstrels. The sound is fantastic. I ended up listening to it multiple times and just enjoyed it more than soaked anything in. Worth being on the list.
Starts off with a very country, singer song writer vibe. Solid song construction and a good voice. Which made my mind drift away. A few moments peeked my interest, but I didn't lock in and got distracted. On the third listen Tam Lin broke through and smacked me. This song sounds like it wants to be a metal song. Like a folk cover of a Led Zeppelin song. I see it's based on a traditional ballad. Crazy Man Michael had a heavier vibe to it too, so I went back to the start thinking I had missed something. I did not. I had not heard of them before and I do look forward to seeing what else this band has to offer.
Really enjoyed this album, the folkyness, harmonies and rock and roll really blended
Decant a flagoon of fineste mead and embrace ye beloved maiden or lord, for verily, this slappeth.
I’ve got a soft spot for country and there are some of my favourites on here. I LOVE Matty Groves
En ole aikaisemmin kuullut kyseistä orkesteria ja tykkäsin kovasti. Harvoja bändejä (toistaiseksi) tässä projektissa, joita en ole kuullut saavat ⭐️⭐️⭐️⭐️
I didn't like too much of their earlier album, but they took what I did like and ran with it here. Really enjoyed the trad.arr's - great argot, almost pagan-y feel and wouldn't be out of place on Wicker Man soundtrack - huge compliment! Though not strictly on the original release, Quiet Joys of Brotherhood together with Sailors Life from Unhalfbricking are almost drone folk - excellent, as are Denny's vocals throughout.
I loved this album. Great blend of traditional songs and rock sensibilities. Her voice is smooth and compelling.
Fairport Convention is one of those bands I can have playing in the background when I'm doing other stuff, but also one of those bands where I can put one or two of their albums on and just sit and enjoy the music. They're super chilled and genuinely a pleasure to listen to. Definitely music from a happy time in my life. 4.5 out of 5 stars
This album makes me think of a quieter version of Flogging Molly. I like them both!
There's a lot of wanky folk music on this list, but this is the exception! The band are really tight, each instrument adds something to the mix, it's well paced and doesn't get boring. Bravo
There’s been a lot of late 60s slop so I didn’t have high hopes. However this was very enjoyable, especially the first song.
Pretty fun style and I like the lead singers voice. 3.5/5
After seein Regnix giving this a 4-Star review I had to listen in - what a lovely, folky album with some lovely singing. Matty Groves is a banger!
A welcome break from some of the crap we've had so far.
It would make my dad exceptionally proud to hear that I sat through an entire Fairport Convention album without turning it off, and even prouder to hear that I enjoyed it.
was nice, bit too celtic sometimes haha
A refreshing and well-crafted exhibit of a genre I rarely get in touch with. Hopefully that'll change, because this is absolutely wonderful.
Thank was much better than I would have guessed by the band name who I’ve heard of but never listened to. Standouts were “Matty Groves", "Tam Lin", and "Medley". Will definitely have to listen to this again.
Psychedelic. Droney. Folky. Just great. Will be coming back for more.
This is my shit for sure
Very good.
Legal porém não é tao cativante quanto o primeiro que escutei
This feels like an important album. It also rambles in places. The songwriting is crafted, the musicianship is outstanding for a band that was still so young. Sandy Denny sounds delightful throughout. It gets a little dark in places. This was the late 60's and bad drugs, natch. Somehow the Dungeons and Dragons elements are seen off with more uplifting, almost soulful songs.
I'd listen to modern folk rock if it sounded like this
Really pleasant, folky without being boring, jammy without being repetitive.
Fun and weird little album. Very good Celtic folk stuff. Not my usual pick, but thoroughly enjoyed it.
Own it -- prefer Morning Phase
78/100. A really beautiful folk record and a strong follow-up to Unhalfbricking. Sandy Denny’s vocals are the clear highlight here, so expressive and warm. The kind of record that feels best listened to on a quiet evening, preferably when nothing else needs your attention.
Perfectly cromulet folky listen.
Had pretty low expectations for the genre, but got a lot out of it - it's a really good blend of folk and rock, both old and (at the time) new. Some lovely songwriting and strong, nuanced execution. Still not exactly my thing, but I can admire it.
wow, so old
Simply just some nice folk, nothing else to say. Solid 4 Stars.
Grace Slick goes to a Ren Faire
y'all mind if a Yank speaks a little British? I reflexively assumed I wouldn't enjoy this very much, since I tend to prefer (or at least I'm more familiar with) American folk music over that of the British Isles, but Fairport Convention really sold me with their electric approach to this repertoire of traditional songs, and the original compositions inspired by it! there's hints of psychedelia, prog and the blues lurking underneath most of this material (especially the extended jam that makes up the second half of "Matty Groves"), but the band can also do a lot with a more contemplative, pastoral approach. the biggest highlights for me are Dave Swarbrick's dynamic fiddling and Sandy Denny's delicate, almost mournful vocal performances. Swarbrick in particular really shines on the instrumental medley on side B, which also incorporates a few Irish tunes alongside the British ones; and Denny, who died tragically young less than a decade after recording Liege and Lief, casts a haunting shadow over many of its finest moments as an album. decent 8/10.
On first listen, I'm not as high on this as *Unhalfbricking*, but it's still uniformly excellent, especially in direct comparison to yesterday's Pentangle record. Sandy Denny is just fantastic, Richard Thompson always crushes, and the arrangements in general are equally hearty and tasteful. 4/5
Great voice
Vaguely heard of them. This was my first listen. Happy and relaxed. Perfect for a pre-Christmas rush. Slow down and enjoy before you rush off.
Is this this ultimate British folk rock album? Maybe. I'm not going back to listen to the others, so I'll just say yes. This list has worn me down, and I now look forward to something that (1) I haven't heard, and (2) I don't hate. This would not be a daily (or monthly) listen, but it hit all the beats to get the stars.
Really liked that. Definitely going to be listening to this one again, sounded like a cool halfway point between Vashti Bunyan and Led Zeppelin. Is that a crazy way to put it? Whatever, that's what I was thinking as I listened to it. 7/10, four stars.
Not quite sure why, but I did enjoy this
From something like Irish folk to super trippy. Was ok. Too much reverb and echo though. 3.5
Folk rocky, but would listen again
Day 119 Four stars for Liege & Lief. “Matty Groves” rips with gleeful drama, and “Tam Lin” charges ahead like a horse that’s late for battle. Those two alone carry the album into classic territory. The rest is solid, but those tracks make it shine. 8/10 Highlights Matty Groves Tam Lin
Rolled my eyes at this one thinking I was going to hate it, but this was a great album. I always assumed Fairport Convention were very dry folk but this was quite experimental and gritty in parts. Big surprise.
Every time I listen to Fairport Convention, I am reminded that I need to listen to them more often. Out of the albums I've heard of them so far, this one does the best at combining Medieval music with the Contemporary sounds of the 60's. There's less vocals and more focus on improvisation here. It's a very easy listen and also manages to combine some very different musical styles. Just another solid record from 1969.
What a sparkling example of English folk/rock. Striking vocals and bristling musicianship.
Tfw the couple at the Ren Faire comes over and says they like your style.
This is REALLY good. I'm a sucker for traditional British/Irish music. It definitely drones after a bit, but Sandy Denny's voice is tremendous, and I love the late 60s production that utilizes stereo in nice ways. Also, Richard Thompson is a tremendous guitarist. I will return to this for sure. 7/10
Like dropping acid and hitting up the ren faire. Love Sandy Denny's voice, would listen to her sing anything. Unlike some contemporaries who just wanted to do the lame medieval folk band thing, these guys built on that really rich tradition by imbuing it with a bunch of 60s psych rock tendencies. I love the sound of electric guitar blending with the fiddle on folk stuff like this. Also lyrically, a lot of the songs are pretty engaging, which is cool considering theyre centuries-old ballads.
very very good
I only knew Autopsy before (discovery via Groove Armada many years ago). At first I thought this was like the music my parents listened to (in a good way) - kind of folky. I enjoyed it and then the last few tracks really grew on me. Really liked Tam Lin.
I thought I would hate it but I really enjoyed this album.
Honestly torn between a 4 and a 5 on this one, but I think it'll probably land on a high 4. I love English Folk Rock so this was right up my alley. I really enjoyed the mix of traditional ballads with original pieces.
Really nice album
Legendary sunday morning album pull. Went on a nature walk with this album and it was an amazing experience. Might return for the 5th star but for now high 4*/5
Chill and pretty modern faux medieval troubadour rock.
These guys have a nice vibe
I really enjoyed the folk rock. The vocals really stood out for me.
Never heard of this group, quite like folk in general though so was looking forward to it. First track I wasn't sure on but everything after was great
Great folk album, very influential. Low 4
Blending rock into traditional English folk music in a way which doesn't destroy the delicate nature of the folk is no small achievement, Fairport Convention get the balance exactly right. Its very listenable and manages to bypass that self-consciousness that very earnest music can sometimes summon. I see them as a cornerstone of contemporary acts I love today, such as This Is The Kit.
A low 4 for me today, traditional English folk mixed with rock and a small touch of psych and prog, not quite the right blend for me, I prefer the folk elements in this record but it is lovely to hear English folk music feeling revitalised by some great players - I think I know the fiddle player’s (RIP) niece
The 1960s folk genre is becoming one of my favorites.
Folk rock may have been dead in the water in the grand scheme of things by 1969 but it was picking up new forms of vitality in Great Britain with Fairport Convention leading the way. Liege & Lief is where the Convention turned a leaf and took a leap, merging original material and well trodden standards to create an exhilarating collection that helps tip the bucket with overflow. Sandy Denny makes her presence felt throughout the record, lending an unforgettable hand that sent ripples to her contemporaries and listeners that would soon pay dividends down the road. A new lease for the folk genre. Favorites: Come All Ye, Reynardine, Matty Groves, The Deserter, Tam Lin.
Medieval storytelling delivered with a groovy bass. Love it!
Great exemplar of the timelessness of old songs. Beautifully recorded too. These folks have been at the edge of my awareness for a while so grateful for a focused listen
Fantastic english folk. I think I give unhalfbricking the edge because of it's addition of electric guitar solos and heavier drums. This one is more traditional, which I really enjoyed as well. The singer's voice is incredible and is a large part of what makes this album work so well
I've heard of this band before, but hadn't really sought them out or listened to them before. This album is actually really good and Sandy Denny's voice is amazing and perfect for the style. Glad this one is on the list!
Good folk rock
Je pense que je préfère la carrière solo de Richard Thompson (+/- avec sa femme Linda).
Yet another band I had never heard of, but enjoyed. I also thought that it held up pretty well, having been released in 1969. I am feeling generous and will round up to four stars.
She has a stunning mystical voice against the backdrop of some great storytelling and musicianship. I really enjoyed it from start to finish.
This was a nice surprise this morning. I really loved the first track, the rest was a little less appealing but still good.
I really enjoy the singer's accent and the Celtic folk sound. Combining this with all the different instruments builds a unique sound I really enjoyed.
Fun and exciting. Liked it a lot
Fantástico. Folk inglés. Album lleno de himnos folkies y canciones tradicionales. Esa voz inexplicable!
Some amazing tracks, and lot of not so great compositions. The opener had me questioning my will to listen to this, but it does pick up from track 3.
First two songs were a bit slow on the first listen. Matty Groves is a beast of a song, definitely the early standout as I listen. The guitar in the second half of the song is really great. I really like the first minute of Medley: The Lark in the Morning. I think that song is really fun and helps break up the album in a handful of ways. Really nice singing, but the vibes remind me of a renaissance fair a bit more than I'd like. I would buy this album and spin it in the Spring, though. Favorite Tracks: Matty Groves, Medley: The Lark in the Morning, Crazy Man Michael. Listened to on Apple Music with Airpods Max in the office.
Somewhere between beatles, led zepplin, and fleetwood mac. Sounds kinda like an irish stevie nicks
in my library. I really like Fairport Convention.
I can see that I’m going to be the one to skew our group rating here. Lol. Call me crazy, but I really enjoyed this album. They took old timey ballads and Irish jigs and made them into 60’s style folk. I loved the fiddle, a lot of times on the upbeat songs it sounded almost like bagpipes, which I love. The singers voice was beautiful, she’s what I wish Joan Baez sounded like - I appreciate Joan’s music but could never get past her voice enough to listen to it. The last song should have been dropped, that was the one song I didn’t enjoy. Otherwise, I would, and will, listen to this again. Anyway, it really did sound like I was at a renaissance fair, but being there on a beautiful fall day, swigging a beer..how is that a bad thing?
Not too bad. Enjoyed it but will probably never listen again