Reviews (page 12 of 14)
Decent songs, very video game ost sounding but something I probably will never come back to
not for me
Kinda boring, just beats, annoyed me at certain points
This album came out at the arse end of UK rave crossing into 90s lad culture. The result is aggressive, misogynistic and unpleasant, and feels like you are about to be punched in the face by a drunk geezer in an England shirt. I like some of the music, but I really can’t cope with the lyrics or the way they’re sung. I get that the late Keith Flint is now seen as a sort of cuddly grandpa figure but he’s not very likeable on here.
Great album cover
a little bit aggressive, a little bit annoying. mostly the later.
I felt bludgeoned listening to this. I it 2 stars because I recognize that the group are technically proficient at bludgeoning.
I don't think electronic dance music is completely unnecessary but this is boring and annoying.
** Not my pair of shoes
Yeah, well, it was a thing I listened to. Not awful. Not very interesting.
Interesting! Add n to x does this much better
If I wanted bland pablum i would have gone to the grocery store. Not Kid Rock levels of bad cause you'd at least need a brain to comprehend how awful this tripe is.
Not my style of music but I liked it more than I thought I would.
What is it about people in the 90s absolutely loving electronic/techno music that just drones on and on? At least this one has some lyrics here and there, but damn this was a hard one to get through.
Really good for speedwalking, but a bit repetitive
This all sounds like it was from a video game based on the matrix. I was hopeful I’d like this, because I love good electronic albums, but I just don’t really like punky big beat/techno and so this isn’t for me. The second half is better but I don’t want to hear this again
So so so lbb. No wonder Radek likes this. Ooh interesting spooky sounds from a desert. This music feels like the camera work done on the album cover with the crab vibing with its paws up and the camera moving fast in spirals around him. Lbb. Piipaa sounds. Serial killer? Oh, thrilla. Drug music. I am too sober for this. Second to last song and many others sound like from the movie dune.
Franchement c’est pas bien. J’ai pas aimé mais je peux pas dire que c’est naze et je comprends qu’on puisse aimer mais c’est vraiment pas ma came
Club y2k-ish. Lil angry too. Not bad tbh, especially considering I don’t really enjoy/havent listened much to whatever genre is. Firestarter is kinda dope
Brilliant album for doing work to. Repeating patterns and beats help to concentrate on what I'm writing. Get into a bit of a transe. Although not quite might thing.
I've always felt I should have really liked the Prodigy, after all, they do fit my favourite genre of Electronic...however as much as I've tried, this has never been a go-to album for me. A lot of their older stuff I have and like, but I do not own an actual copy or for that matter have a streamed copy saved of The Fat of The Land. To me, they were just trying to sound like a "new wave" type of punk, trying to get a rise from being offensive but sounding quite sad & a little too commercial.
I struggled to get into it, reminded me of massive attack which isn't really my jam but wasn't bad
Couldn't finish it. Just not my type of music. Some real cool moments in some of the songs, but not enough to make it worth slogging through the repetitive drums. I can see why it would be good though
I don’t really like the sound as much, it sounds like music for a movie
Ooh great more 90s action movie music. This album is at least better than the OTHER 90s action movie music I listened to but I don't really like it still.
This is a tough one for me to rate. I really like the craft and the production techniques here, and fundamentally I would say the songs are all "good". Honestly though, it feels far too long for me. All these songs hang their hats on a couple of cool-sounding ideas but never develop enough new ones to hold my interest. So for as energetic and lively a record as this is, it was ultimately kind of a slog for me to get through.
Okay dance music, reminiscent of 90s-00s action chance sequences
I think these guys had an album before this one with no vocals. It was pretty good.
a little too repetitive for easy listening, would be great in a club setting
Trop électronique pour moi,je laisse à d'autres... 🎶🎶🎶
this was indeed some funky shit. I thought it won’t be for me (maybe because I don’t have any need to smack my bitch up at the moment) but I actually enjoyed it, though I did get tired of it pretty fast.
Although Fat of the Land was ubiquitous at the time, I was lent it by Conor Brannigan on cassette – that's not ubiquity or access. Because you can't skip tracks on a cassette, I just skipped the whole thing. That's probably because I was aware that it was it was a dance record: breakbeat or techno or rave or something. I'd heard dance music on the radio in the backs of taxis. Usually on a wet Friday or Saturday. It sounded dreary and repetitive. Why do taxi drivers listen to music meant for groups of people? But Fat of the Land couldn't be the dreary and repetitive, could it? It has three top ten singles. And, in my memory, they were okay – they had the shape of songs, they had hooks and choruses. There was an effort at arrangement, rather than the looping oblivion of a dance mix. It is with that hope – open mind and open heart – that I went into Fat of the Land. Breathe certainly has sections: distinct verse and chorus, textural changes that herald transitions. It is a song, if a lyrically meaningless one. Firestarter is more limited than memory suggested, merely alternating between Keith Flynn's two meteric banalities. Smack My Bitch Up doesn't really change at all. A generous reading of the song's two couplets suggests something of a story: by “chang(ing) (his) pitch up,” that is adopting a feminine tone or persona, the protagonist might “smack (his inner) bitch up,” meaning to bring his anima to the surface. He is briefly successful, as illustrated by the exotic female melisimas in the middle of the song, but he returns to his masculine voice, only momentarily transformed. This is evidenced in the gender-flipping in the single's music video. Indeed, it is the music video that gives the song any sense of narrative, any forward motion, anywhere to start and end – start at the beginning of the night and end at the break of dawn. And that is the narrative of all the songs on the album: cuts from excess; the soundtrack to nights partially remembered. They don't need to have structure or development, they don't need to have internal logic, because they have to fit around the dance, the length of the trip, the epic adventure that will become a blur. They are music cues for the movie you make by half-remembering the fun you had. These aren't really songs. There are pseudo-songs, here and there: Fuel the Fire, Serial Thrilla. But they are all tracks. Most are the same sick synth sound twiddled into a pulse by turning the filter knob one way then the other. Someone raps or rants over the top – nothing worth understanding. Sometimes, its a sample instead – the benefit of sample culture is that you can someone saying “This is the funky shit” and make it seem like they're saying it about your shitty funk. But it's all immaterial, as it is about the vibe rather than the content. And these tracks are content for a DJ's set. That they all appear on an album – strangely separate from each other, never mixing into a trip, like Screamadelica – is something of a mystery. They got three hit singles out of it and a massive selling album. But do any of the record's fans think this is the optimum way to experience the music? “Blows your mind drastically, fantastically,” Kool Keith raps on Diesel Power. I don't think anyone would have their mind blown listening to this on cassette in their teenage bedroom. Even on the better speakers I have now, I misheard it as “Close your mind drastically, fantastically.” That's where I'm left. 1.5 I love that crab on the cover, it looks like it’s having a great time. This was not my experience with The Fat of the Land. I may have never actually listened to this album all the way through despite its having sat on my cd shelves for many years. Well I did today and it was a grim experience. A mistake. I noticed for the first time that Breathe - a track I always thought I liked - has its chorus squarely on the 1 minute, 2 minute, 3 minute and 5 minute mark. This is the essence of what the Prodigy really do - mechanical repetition. Nothing truly free, nothing truly unexpected. The visual pretentions (the hair, the clothes) to being a punk or rock band of some sort spill over into the songs to some extent. There is more structure here than might be reasonably expected in techno tracks; even quasi-verses in Serial Thrilla, Firestarter or Fuel my Fire. It is always in thrall to dull, mechanical repetition in the beats, the sample noises, and Keith Flint’s one-note, one-idea voice. But worse than that, it is sort of embarrassing because it invites comparison with songwriting outside the limited parameters of techno. A real band would never have bothered with Breathe’s laughably redundant fourth chorus right at the end. I paid attention to this today. That is surely not what it is for. 1.5/5
Oh wow this is just kind of a generic background blur.
2 sterne
Not their best album unfortunately
ok no esperaba ese cántico en la primera canción jahsjs. puff estoy confusa no sé si me gusta o no, es raro están ocurriendo muchas cosas muy rápidas, creo que si fuera más lento me gustaría más xq me está poniendo un poco nerviosa y no me termina de gustar la voz del cantante. Diesel Power es la típica placentada que Kendall Roy escucharía. no lo volvería a escuchar 2/5
A mostly new one today. I think I've only heard two tracks before. Track 1 Despite the horrible title, which led me to mostly ignore this track over the years, the song itself its interesting. Electronic music isn't my thing but I found myself enjoying the beats and the female singer that came in halfway through the song was great. Track 2 is the only song from the album I've really heard before in a meaningful way. Once again, Big Shiny Tunes introduced me to this song. It's an exhilarating song that pumps you up, brings you down a bit and than fires you right back up. I enjoy this one. Track 3 opens with a hypnotic bass line that continues to drive the song throughout. Reminds me a bit of Rage Against The Machine, but rap-ier. Track 4 is a mostly instrumental song, save for the title being chanted throughout. I honestly prefer that to the rapping songs so far. Track 5 is back with a more traditional song structure. Within all of the crazy beats Prodigy comes up with. High energy for sure. Track 6 begins with some marching type beats. I feel like this whole album benefits from being listened to on headphones. All the layers on these tracks are really amazing. Track 7 is the longest track on the album. I feel like most of the songs on this album are a touch longer than needed. This song didn't hold my attention. Track 8 got my attention back. Great track with cool beats. Track 9 is more of the same. Nothing really stands out here for me. Track 10 grabbed my attention more than most of the previous tracks. I think I need words with my electronica. Not bad. Not great. Don't feel a need to hear any of these again, outside of Breathe. 2.4/5
A couple of good ones on here, also a lot that just didn't stick out/background music
We continue to rate albums from The Prodigy that sound like I left open a menu screen from a 2002 video game for 55 minutes. For 2002 video game music, it would be pretty good, but as a full album to listen to for any licit activities before 2 AM in the year 2025, there’s no reason to listen to the full album. Keep “Smack My Bitch Up” and “Firestarter”, skip the rest. 5/10 rounded down
Second half was better than the first one. Some songs dragged on and felt at least twice as long as they were
I can definitely appreciate parts of it and its significance (has its significance faded slightly - is it irrelevant what it's significance is now?) and undeniable impact - I'm just not sure I could listen to it in full for another 5-10 years!
Why? 2/5
NAH
Positives : From song to song, the album flows quite well. There’s a good rhythm to the project - no song really feels out of place. Negatives: The production was quite consistently average throughout, the album I thought was WAY too long for what it is, and there was very little substance to the project, incredibly repetitive from start to finish 3 out of 10 - 2 out of 5
Surprised I made it as far through the album as I did. Never been a fan of The Prodigy, and still not decades later. It’s not the worst I’ve heard, but it just is not for me at all.
Dated. Like worse than any Beatles solo record.
Not a fan of prodigy, but they do have some bangers, and then they have stuff that sounds exactly like their bangers
Very repetitive. I enjoyed the first 30 seconds of each song and then they just kept happening …
Enjoyed smack my bitch up because it was amusing. But this was not my album.
Fortsatt ikke min kopp med te, men vesentlig bedre enn Jilted-albumet. 2,5/5
This is an album I’ve heard before. It’s a shame it only has one good track.
Not my thing, never was and probably never will.
Ok in small doses. Wears thin after a while.
No nienawidzę takiej muzyki. Wszyscy o tym wiemy, że jestem największym hejterem elektroniki. Ale jednocześnie Prodigy ma swoją tożsamość. Jest charakterystyczne. Jakieś. Niestety nie zmienia to faktu, że po prostu nienawidzę takiej muzyki. Wybacz Prodigy, it’s not you, it’s me. 4/10
It’s probably a vastly improved listening experience if you’re off your face versus commuting into work at 07:30am. There were a few moments where intros got a bit more metal before returning to the exact same rhythm as every other song on the album. Brief moments of hope quickly dashed.
Smack My Bitch Up is the standout, though I did recognize Breath. After that it falls off though.
We should have had this album awhile back when Fat Boy Slim popped up! It could have been the Battle of Electronic Music of the Late 90s. Once again, like with my review of Fat Boy Slim ... this will come down to how well it ages, and how unique the production was creating this album. I listened to this album once or twice when it came out, but have forgotten all of it aside from the radio hits. This one just doesn't sit as well with me. I got it back in the day, but now it just sounds dated.
The Fat of the Land is a defining example of '90s rave culture—a chaotic, high-energy record that captured the rebellious spirit of its time. I absolutely loved it when it first came out. Revisiting it over 25 years later, though, I have to admit the album doesn't hold up quite as well as I remembered. While Firestarter and Breathe remain absolute anthems—tracks that instantly transport me back to my youth—the rest of the album tends to blur together. Much of it feels repetitive, leaning too heavily on looping beats and aggressive energy without enough variation or depth. Favourite tracks: Firestarter and Breathe – timeless classics that still hit hard and bring back powerful memories. Least favourite tracks: Fuel My Fire and Narayan stand out as weaker moments. They feel more like filler—tracks where The Prodigy latch onto a groove and ride it a little too long without much payoff. Album artwork: Absolutely iconic. The crab on the beach is striking, weird, and unforgettable. It's one of the most memorable covers of the era—hard to beat.
This is third album from the British band Prodigy, who primarily do electronic music. Other than “Firestarter” I have been unfamiliar with their music until now. For the most part I found this album forgettable, just not my style. I (at least) give them credit for their energy.
hm
maybe because im sitting on the dock in watch hill or maybe EDM has passed me by, but i found this to be over the top
90's electro nostalgia. didn't stand the test of time all that much though...
I like electronica but not dance music. There's some good ideas here but it's so repetitive. Keith Flint always comes across as a performative tough-guy arsehole. "Smack my bitch up" - surely we can do better than this?
A fun album to revisit from my teenage years. Some of it comes off a little more campy than I remember it, like most things I liked when I was younger. Ultimately though, this is a pretty great album of you've ever connected with any of the techno and rave culture if the nineties, and it's obviously an important album to that sound. Is it something I'll go back and listen to on my own? Probably not, but I'm glad I did here. 2/5
1997. More Kinda fun 90's club music. More spacey on this one.
Too aggressive, too repetitive, not enough content, not that interesting, quite overstimulating.
- I haven't listened to this album front to back....ever, and it takes me back to high school. My brother has this CD but I wasn't allowed to use his stuff :P - Besides the couple songs that I know, and they remind me of movies that I really enjoy, this isn't really my vibe.
Muzak
I surprisingly don't hate this, although that may have to do with the Johnny Rottenesque vocals. Still don't like the lyrics or the music all that much though, but there are much worse 90s electronica albums on this list.
Ahh Prodigy. I swear they only made the first two songs on this album to drum up publicity. It's like a label went, "We like you but can you be edgy? We would move a million more units if your edgy." So they did and made cash off something that most folks wouldn't of bought otherwise. Remember kids marketing is always working for ways to take your money. Once you get out from under the "woman hating pyros" that was assigned to them it's not bad if you like electronic dance music. Fast paced, loud and you want to drive like a nut if you listen to it in a car.
I wasn't looking forward to this, but I guess it's not really among the worst. I even kinda liked Fuel My Fire. I guess my main problem is the vocals. I guess their high energy is jarring on the radio. Firestarter still fills me with dread.
This was very early 2000s but just so not my cup of tea. All worse versions of fire starter and not even a massive fan of that
Not my thing, but ok.
Not my thing, bit one note. The singles are all great, obviously but it’s a bit copy and paste.
All just kind of sounds like ‘YoU WOuLdN’t STeAL a CAr’ to me.
The album is OK in the fact that it's a little nostalgic, but I probably wouldn't listen to it very often. It is aged electronic music from the 90s, but has a few songs I've heard before.
Yeah not really into this one
this sucks guys
You know those "flashing lights" warnings that accompany some tv shows and movies ...
Cool but not for me.
Surprisingly, I did’t hate it. But three tracks were enough of this.
I thought I'd love this but it weren't that great. Turns out the singles are much higher quality that the rest of the album. Fantastic live band though.
**An ok album, too much rap for me
Feels epochal but for an epoch I don’t care much about one way or the other. Very listenable as background music.
Why the fuck are there two albums from Prodigy on this list?!? They had one song, and it’s about abusing women. Look, this is clearly their best work, but that doesn’t make it essential listening. This is what kids from nice neighborhoods think they play at raves. No legit club would ever have played anything this commercial.
I don't love the dance/electronic genre that this album falls under, so it's not a big surprise that I didn't love this album. I get that it was pretty groundbreaking for its time and probably really enjoyable for listeners that love this style of sonic adventure, but for me, it was kind of a slog and I didn't love it. Two stars.
Very one note
I genuinely don't know what I just listened to. I didn't hate it, but I cannot put my finger on what exactly it is. I do like that there is electronic music representation on this list and it was cool from a music history sense to see where some of today's modern EDM came from (although the true origins is disco). It is far from my personal taste though. Some of the songs went on for far too long and I don't remember a single one of them even though I just listened to it before writing this review. I wouldn't reach for this again.
how was this overstimulating and boring at the same time? almost sounded like damon albarn collabed with a swarm of adderall-fueled locusts
I get it. This is well crafted dance music. Intoxicating and mesmerizing. The kind of music that will get you grooving with the bass pulsating through your body in a live setting. Maybe even while a little high If you’re in your 20s. I’m not. To listen as album music, it is not my thing. I find the music to be sensory overload in a car or while wearing headphones. My rating reflects my personal interest in this kind of music in a listening setting and not a reflection of the band’s craft.
2.5
Every song seems like it should be playing in the background during a scene in a 90s futuristic sci-fi thriller where the protagonist has to go to a seedy nightclub. A few tunes are alright, but a lot of it is kind of irritating. "Diesel Power", featuring Kool Keith, is probably the highlight for me. There's a couple other tracks I don't mind, but I'll likely never listen to this again. 2.5 stars.
Pretty okay. But just okay
Classic cover, everyone into music in the 90's knew this one. I never figured out the attraction, not my vibe but it was pretty hard to not hear "Firestarter", "Smack My Bitch Up" or "Breathe" on the radio or at a party in 1997. Super popular album by listen counts, the three lead songs have over 150M listens each. The remaining songs are mostly over 10M. Someone is listening to them and they have 4M monthly listeners on Spotify. Staying power. His voice and their incessant musical pace just don't add up for me. "Diesel Power" has to be one of the first Brit-rap songs I can remember, setting the table for future artists. Popular, staying power, hits, it has all the right accolades to make this list but wouldn't make my personal T1001.
I can see these songs going hard at a club and understand why people like this but “Smack My Bitch Up” as the opening track put me in an uncomfortable mood for the whole album
Oh my god the songs were....so...long for what this repetitive 90s techno babble was. No.
Really not my thing. Will not be relistening
5/10. Feel like many people would hate this take but I just couldn't get into this. The songs just felt kind of angry at nothing in particular. I couldn't discern meaning from them and it reminded me of COD lobby music. I can appreciate the pioneering nature of the album here and the powerful beats but my appreciation for this one probably ends there.
These songs remind me of the Saw franchise. Or of like. Tony Hawk skating video games
Not my favorite genre. I’d rather listen to Lords of Acid if I’m in an electronic mood. It is an important album to the sound of the late 90’s
Bring on the stimulants and go nuts. Great for 18 year old moshing and spinning like a whirling dervish.
Dance music. Not my thing for listening to.
meh 2/5
It’s strange, I thought I liked The Prodigy more than I actually do. I like some of their individual tracks a lot (Omen, Outer Space), but that energy they bring in short bursts didn’t really translate in an album setting for me. Underwhelming.
Not terrible but not enjoyable either. Some interesting moments here and there. At least it has one of my all time favorite album covers.
Can’t take enough drugs
edgy, i just don't see it
Good for exercising but not quite my cup of tea otherwise…
Pre-listening thoughts: ur telling me this is an electronica album with a crab on the cover and it DOESN’T have crab rave???? Post/during listening thoughts: the first song is one of the funniest things I have ever laid my ears on. The repeating of smack my bitch up over fart-y bass is killing me. And not to mention when the singing came in. Almost as funny as the Life is Life song from Opus Dei. This is just fine electronic music otherwise. I would be satisfied hearing this in the background of a video game but not like overly tuned into it, ya know? It’s no Sonic R soundtrack or anything. 4.5/10 DID I NEED TO HEAR THIS BEFORE I DIE: nope Fav tracks: Smack My Bitch Up Least fav tracks: Serial Thrilla
Not a fan of the EDM/techno stuff but this one had some catchy hooks and was not altogether atrocious. Just tiring after a while, but that goes for the whole genre for me.
Singles are pretty iconic and all, but much of the rest is filler at best.
Listened to on 1/22/25, I struggled to listen to this one. The fast moving beats and synthesizer were not to my taste. The only song I liked a little bit was Diesel Power, and that had some decent lyrics at best. Everything was also extremely repetitive. This one was basically a DNL for me. I would rate it 2/5, not to my taste but could be for clubs and discos.
If you like boom sha wow na wow music repeating the same 5 words, this is for you. I listened to this on hydrocodine and thought it was amazing. On a later listen, it was annoying. 1001 album worthy: Yes - 35/61
Big beats. Silly lyrics. Toxic clown prince energy. That's all it took for rave culture to get a foothold in America. Certainly some tracks will get you moving but most go nowhere. And the ones that do “progress" follow the same exact structure. A time capsule - like Bud Fox on a cocaine bender - perhaps better left unopened.
Kind of catchy, but very repetitive, like a lot of the techno from this era. The sheer repetitiveness of this definitely made things get boring fast. I understand that Prodigy and bands like them brought us to where we are today when it comes to a lot of electronic and techno music, but the 3+ minutes of pure repetition just doesn't tend to do it for me.
Spotify No headphones Didn't like it 2 star
This seems like a great entry from a genre I really don't like. Electronic is just too repetitive for me, almost insanity-inducing. The famous songs on this are all memorable, but they all overstay their welcome for me. Better as 30-second snippets rather than 5+ minute-long opuses.
Jakoś na przełomie gimnazjum i liceum, pod koniec mojego pierwszego wyjazdu na Woodstock miałem w planie napierdalać z ziomkami pod sceną przy najwìekszej gwieździe tamtej edycji festiwalu - The Prodigy, jeszcze ze świętej pamięci panem "mam kolorowe rogi, skaczę po scenie i drę pizdę do mikrofonu", czy jak mu tam było [*]. Plany mogłem sobie wsadzić w dupę, bo wylądowałem w namiocie, wijący się w bólach, struty błotem z kąpieliska, nie mający nawet siły kazać stanowczo spierdalać jakiemuś randomowi lejącemu na moje schronienie (niepokojąco zresztą blisko mojej głowy). Przesłuchanie tej płyty uświadomiło mi dwie rzeczy: że jednak niczego nie straciłem, a poza tym moja agonia była na 100% podbita przez napierdalającą muzykę Prodidżejów. Nie jestem pewien, czy to się tak źle zestarzało, czy po prostu nigdy nie było dobre :S 2/5, bo jednak (1) to Brytyjczycy, (2) są jakąś ikoną swoich czasów, (3) udowodnili mi coś, co wydawało się niemożliwe - że można stworzyć elektroniczną napierdalankę, która jest tak nudna i powtarzalna, że można puścić ją spokojnie dziecku zamiast kołysanki. PS w przeciwieństwie do koncertu the Libertines, na the Prodigy mógłbym pewnie wyrwać co najwyżej ostatni włos z glacy nafuranego fana SmoCk Moi Beeech Op
Fire starter is a tuuuune but the rest of the songs aren’t up my street.
I don't know when I'm ever going to be in the mood to listen to this properly. Breathe is great though
Einzelne gute Stücke, in der Summe nervig
not my style of music
Very good bass danceable but ultimately boring. I need songs not just beats. I do admit these are GOOD beats and every once in a while a trace of a melody shows up. 2.5 stars
Liked the crab on the cover and that’s about it!
I went into this album expecting not to enjoy it. And I didn’t. But I didn’t expect how I felt about it. I thought I’d be giving it a 1/5 rating, but there’s something there, something I wasn’t anticipating. All the things I expected to dislike about the album—its aggressive tone, the snarled and sparse vocals, the repetitive nature of the songs (I actually accidentally listened to half of “Smack My Bitch Up” again because I hadn’t noticed the album starting over)—didn’t sit well with me. Until, at some point, I stopped trying to listen to it as an album. I thought dismissively, “This is the kind of music they play in movies when they want to disorientate the viewer,” and then something clicked. I began picturing chase scenes or futuristic video game levels, and suddenly the music made much more sense in that context. I’m still giving it a 2/5 because I can’t see myself revisiting it, but it’s surprising how much more I appreciated it once I changed my mindset. I honestly thought this album was destined for the 1/5 pile. Standout Track: Mindfield Score: 2/5
In August 2016 the Chicago Cubs fired a DJ who played Smack My Bitch Up after reliever Aroldis Chapman left the mound during a game against the St Louis Cardinals. Chapman served a 29-game suspension to begin the season under MLB’s new domestic violence policy for allegedly pushing and choking his girlfriend.
achei MUITO ruim bicho pelo amor de deus serviu de aprendizado pelo menos pra saber que a primeira música do álbum (smack my bitch up) tocava o tempo todo quando eu era criancinha
I know you can say this for every genre. But specifically this kind of music, to me, all sounds the exact fucking same. Except climbatize I guess
Not my thing and most of the songs sound alike. Diesel Power was my favorite aka disliked the least.
A bunch of samesy rave music that I remember enjoying as a kid and I just can't really get into it here. It's repetative, but not creative, which is essential for electronica for me. It's more rave than house and it simply sounds very dated in today's soundscapes. I liked Funky Shit and Fuel My Fire enough, but it couldn't save this album for me.
I don't feel anything when I listen to music like this. Except that I don't want to hear a man (or anyone) talking about smacking his bitch up. 2.
This is not for me.
didn't love, wouldn't listen to again.
I never got into this genre of music. It seems so brutal. Hard to listen to.
More like Prodi-F
Couple good tracks, but mostly on the dumb, repetitive side of rave. 2.5 🌟
There are some songs on this album that almost feels like cassics ny now. Listning to them today I get reminded why the Prodigy was a band I never got in to.
For some reason, I thought this was going to be a hard rock album. Like most of the albums on this list, there are some redeeming qualities. There aren't many on this.
Fat of the land is an underused phrase. I was born in the wrong century. I was meant to be a 1600’s peasant. Dying of old age at 27 type of shit. This first song is menu music to a snowboarding video game. The weird chanting is actually cool. Man. Will I like this??? I mean it’s background music for video games or maybe what’s playing in some 1999 hacker club in a movie. This is just the soundtrack for the Matrix isn’t it? I didn’t want to tip my hand but that’s what this was leading to. It’s kind of good. It’s pretty ferocious. Love the shouted vocals, the energy. It’s old as all hell, but this stuff has sort of come back anyway. Sounds fresh. This rap is a little mid. Yeah. Attack a whack pack a stack a black a Knickknack. Lame. Get outta here. Never has “funky shit” seemed so high stakes. I’m fucking shaking. Meh. I was hoping we’d stay with the more aggressive vibe of Breathe. This song is annoying. Weird end is cool, but that’s it. This is getting a little same-y. What was thrilling early, is becoming a little trite. Although this could easily be the opening to like an ECW show. Which would be cool. I wish I was watching ECW. If I can’t be a 1600s peasant, I need to at least be a fat guy knee deep in wrestling tapes. I’m 99% of the way there on that one. This song SUCKS. Cooler. More interesting beat changes and soundscapes. Singing. This thing started out so aggressive and driving and has fallen off a cliff. This is an 8 minute EDM song. Oh boy. What is this? Maybe it’s meant to be background music. It begs to be ignored. Oh now this is cooler. The whole appeal early on was the life and the energy. That has all but faded up until this point. Now, this isn’t great, but it’s a vast improvement. And it’s also bad. Yeah there’s too much repetition for me. I know that’s the idea for clubs or whatever, but I’m not in a club. This is supposed to be an album experience and it’s beginning to fail me. Please do something. I’m observing the details in the crab on the cover at this point. The horn ending on Climbatize is so good. That’s what I’m talking about. Different stuff. If it bores rave dorks, then I’ll probably like it. More punk-y vocals with a backing that has elicited a half hearted “meh” from me. Nice weird organ. This is what the half star should have been invented for. It’s just right in the middle of a two and three. What started as a andrenaline pumping experience that initially blew me away turned into a repetitive dumpster filled with off brand paintball and BMX game soundtracks. Not that I hate those things. The fat of the land was a little too much fat and not enough land. Whatever the hell that means. 2.5 HIGHLIGHTS: Breathe
couple of belters and plenty of filler. Listened on a short road trip and my mates couldnt handle it. Had to listen to some Ray Lamontagne to chill the fuck out.
This basically seems like 90s rave music... not ideal for a morning listen. I'm not a huge fan of EDM so it's tough to have a well informed opinion on this kind of stuff. I enjoy some of the rapping on a couple of the tunes. I have to admit it's growing on me a bit as it goes on, I don't hate it.
Very different and slightly appealing but not something I’d listen to often
Would be a fun soundtrack for a video game session in my teens playing GTA in a friends basement. High energy, relentless electronic music.
Techno. Not really my thing unless I revisited my 20s on the dance floor.
Pretty generic D&B music. Didn’t love the lyrics to the opening song, they weren’t great and I’m sure the sentiment has aged poorly. It makes for okay background music, but I wouldn’t actively seek it out to listen to.
Not my cup of tea!
Not bad but not my genre
While it had some fun songs, it seemed a bit samey-sounding of other earlier artists. Which is fine, but I don't feel like any new ground was broken.
One Hit Wonder mit Firestarter. Rest meh.
High octane, racy, feels like car-racing game music, but not in a bad way. Breathe will forever have one of the coolest bass lines of all time. The album is altogether kind of bad-ass and a bit scary. I'd enjoy this on the freeway. I imagine this would have been amazing to catch in clubs in the late nineties. I only really new Invaders Must Die, which isn't as a raw as this album, but it feels nice to explore an earlier side of this band. Favorite song: Firestarter
First listen. Ok. Really not a big fan of this, apart from the two first tracks.
Crab People. Crab People. Taste like crab, talk like people.
This album is another version of the soundtrack of the video game "Sonic Adventure". There was definitely some talent here, but the lyrics were often comically terrible, and almost every song sounds the same.
Wonder why they added lyrics? They aren't helpful. This album contains all the songs used in any action movie, whether there are chase seems, spying stuff, detail thefts, or cover B-roll footage. Can be used in Rio, Russia, Europe, USA, and Caribbean Island locales. Really. Think \"Italian Fast and Furious Job with the Transporter and Ronin at a Las Vegas Ocean Eleven Caper"
Will revisit the next time I’m on a lot of drugs and bet my score will be higher.
I feel like I’m in a ‘90s dance club. while that’s probably the vibe it’s going for, currently I am not in a dance club nor is it the last decade of the 20th century.
I remember when this came out and realizing that I was not the target demographic, and also feeling old. I think this was the British answer to Nine Inch Nails, but just much more spastic and gimmicky. If you remember, this is the guy that had the green mohawk flanked by two smaller green mohawks. That's right. Three Mohawks on one head. Nah. This isn't for me.
This album hit the same way it did when I was in the 7th grade. Breathe, Smack My Bitch Up, and Firestarter are all memorable bangers. The rest of the album is pretty forgettable, with some middling rap influences.
I liked some bits but the "droning" noises present in most of the songs were all just a bit much for me
Favorite Tracks: Smack My Bitch Up Breathe
*raspberry*
Listening to this album just made me feel like I was back in my childhood basement playing video games on our PlayStation 2 in 2001
Peak 90s
It sounds like the soundtrack to every edgy early 2000s video game - and in reality it really should just be background noise rather than anything you actively listen to. This is more of collection of highly produced sounds than anything with a musical idea behind it. I can appreciate how how cutting edge this must have been for the time, but looking back from almost 20 years later, people have been able to use these musical ideas in a much more coherent and musical way that really makes me hate to listen to this.
2.5, good beats but probably better for night clubs than casual listening
This got old somewhere around track 4 2/5
The music wasn't very exciting and the edgy lyrics don't hold up.
I knew it was going to be a hard sell when the first song was called "Smack My Bitch Up" and that was basically the only lyric. The band (group?) made the choice to have that as the opening to their album, and it's not a choice I'm a fan of. The songs were fine -- big dance electro sounds that I can see playing at a rave or something, but overall, the initial statement of the album really tainted it for me.
2.5 Gotta be honest, totally shocked by the average rating on this. A little harder than it needs to be but I guess that's the point. I didn't hate it, but I am taking off half a star for the first track. I am far from a prude but it put me in a bad mood for the rest of the album. Breathe and Funky Shit were pretty good though.
Odd one where the more I listened the less I liked it.
Mediocre rave music that is boring.
Five stars for quality. What bangers. Minus one star for the cringy vocals on half the tracks Minus one star for over an hour of music without a single change in tempo (sure it's a dance album but come on SOME fluctuation would be nice) Minus one star for the misogyny. That fell off quick.
Really not my type of electronic music, but I see the appeal.
# 255 : one or two bangers does not make a classic, still they've done a pretty decent job, I think it's ok.
Drop the bass dance club/rave crap. Unimaginative, repetitive, and boring. I stopped listening.
Not so much…
This was very difficult to get through. I am not much of a fan. With that being said, if I was going to listen to this genre of music, I can hear notes of beauty in this and could be persuaded to listen to this again.
Organized noise. I would like it if I was working out in a gym, but that is probably the only time.
Dancing crab Electronic ass intro- corny ass lyrics Not liking second song but the guitar coming in was nice- vocals still bad Straight up silly hard to sit through full songs Science channel ass beat Oh fuck I know firestarter
I had an aneurism half way listening to this album doing some hectic minecraft parkour
Initially, I could not figure out why this album was in the book. A quick visit to Wikipedia revealed to me the reason. They are an English group. This book leans hard towards English groups and this is not exception. I still can't figure out why "Smack my Bishop" was such a controversial song, but it probably had to do with violence against a member of the clergy. There is some "sameness" to these songs, though "Narayen" has a pretty nice synth riff that differentiates itself from the other songs prior. I won't ever listen to this album again, unless I am being held hostage and my captors are blaring The Prodigy in an effort to cause me sleep deprivation in the hopes I will confess what they want me to know. Unfortunately, my only conclusion would probably still be that I don't think this is excellent music. Not my thing, but also not quite as abrasive as some of the other music here I didn't like.
Kæft jeg hørte det album meget i gymnasie-tiden. Faktisk var det nok det eneste elektroniske musik jeg overhovedet hørte dengang. Der er noget punktet over det. Det er skramlet og aggressivt. Måske netop derfor var det Prodigy der kunne få mig væk fra guitar, bas og trommer. Tilbage i tiden var det hele albummet der røg på. Når jeg lytter det nu tænker jeg tracks som Diesel Power, Funky Shit, Serial Thrilla osv. falder igennem når de står side om side med bangers som Smack My Bitch Up, Breathe og Firestarter. Mindfields husker jeg som en af mine favoritter på albummet. Den var yderst undervældende at genbesøge. Alt i alt må jeg konstatere at det her er første album jeg elskede i min ungdom, der ved et genbesøg virkelig har skuffet. PS: Live holder Prodigy stadig. Det er en kæmpe fest når deres energi rammer og masserer et menneskehav på en festival.
Energetic, sure, primarily noisy and inappropriate for any activity other than skateboarding; certainly, not appropriate for, you know, just listening.
So with the 1st track Smack my Bitch Up ?? I knew what my wife would think of this album Although there were appealing mantra like moments that might get her attention Overall it was at times interesting and even listenable although I doubt I’d voluntarily play it again or struggle to find a playlist I’d want to put a track in But mostly it sounded like teens weee set loose in a studio with dozens of sound effect and shaping controls and they were just trying them all Much of it sounded like a dystopian movie soundtrack In fact I thought the last track which I liked should have been the music in that Mos Isley bar instead of the silly synth jazz Johhn Williams came up with
Didn't find anything to like on here -combines several genres I find unlistenable. A waste of artistic time and talent. This album is a lot like getting hit in the head with a hammer - feels really good when it stops.
I listened to this album in the car with Britta, John, and Kristin. This review is a compilation of all of our ratings
I really hate this album - it very much is outside the scope of music that I listen to, and I do acknowledge how that creates bias when listening to this. The opener, "Smack My Bitch Up," was pure trash. I think I stopped listening halfway through. The band's message around the song, "doing anything intensely" also just seems like a BS response towards the controversy it created. This said, I did actually like Breathe. It some weird backwards world, I can see it being a Tori Amos song on the album, "To Venus and Back." It reminded me of "Blue Skies" and "Datura." I am really interested in her doing a cover of it with Datura. I stopped all together listening to the album during the song "Mindfields." I just couldn't take it anymore. There is something to appreciate about this album however. And maybe I will find it one day, but not today.
Could only listen to about 4 tracks before stopping. Not a metal fan.
Not at all for me. The distorted sounds take away from the “danceability” of the tracks.
Not even close to being as good as music for the jilted generation. Seriously middle of the road stuff. Sounds like someone who just got hold of Cubase for the first time.
Jeez almost every song in this album uses the amen break, were they running out of drum samples?
Never been a fan, still not but starting the week with Smack My Bitch Up was a talking point if nothing else.
I thought they seemed mysterious and cool when they made Music for a Jilted Generation. This iteration fits too well with 90s lads mag culture. Breathe is good.
Out of 174 albums so far, this is the 15th electronica album! Last time I did the math, we were on track for 74 electronica albums. Now we are on track for 86. I can assure the creators of this list: I do not need to hear a single. other. electronica album before I die. I get it. Please. I’m begging.
aayyoo FUNKY SHIIITTT 🤑🤑🤑🤑🤘
I’ve rated enough electronic albums an average enough score because I know I’m a bit biased when it comes to the genre and I’m sure somewhere deep down they have their place. But now today I’m just not in the humor for it. Prodigy, you made my bad day worse and y’all can fuck right on off today.
it was ok, not my taste tho
Ugh. Definitely not the worst electronic album I've listened to on this list. I've even heard some of these tracks before in various media. But I'm just so over these electronic albums. I'll give it credit for being a cut above the rest.
I vaguely remember thinking this was kinda fun? But being glad when it was over?
The sound was recognizable as Prodigy and it was semi-enjoyable to listen to. No songs stood out to me, but the two classic were immediately recognized and appreciated (Smack my Bitch Up and Firestarter) and felt very late 90's. Would probably not listen to again as no other song was remarkable.
Payday 2 ahhh album
I liked 3 songs: Smack My Bitch Up, Breathe, and Firestarter. These are songs that I grew up listening to. Especially during the MTV/Much Music era. I liked them back then. I remember thinking that this was weird music. It appealed to me. The electronic stuff was pretty crazy. I don't think this type of electronic dance really resonates with me... But there are some industrial esque parts that grab me in. Especially in Firestarter. The drum beats are pretty great in this.
First few tracks were ok and then it became obvious they are all the same. Didn't really resonate with me. Great album art though.
Not a fan of this genre. I gave it a chance, listened to entire thing, but it's just not for me. 2/5
Enjoyed the breakcore elements but found the instrumentation too shrill at times. Favorite track: Firestarter
I guess you had to be there cause to me right now this doesn’t stand out as anything special. Climbatize was pretty cool. The rest was ok, annoying at times, but not too bad over all.
Starts out strong. Then it falls off a cliff. Listening to this whole album is a chore. Also. It's better, IMO, to hear these songs in a dark, very loud club. Maybe on some drugs
After a few songs this all kind of sounds the same. I guess it would be good rave dance music but that seems about it. It was decent to run to as I didn’t have to think about the few words and little meaning. Crab picture was cool.
I am not sure what to take away
I don't mind 1 or 2 songs-they're great to workout to or get some work done to-BUT after that they all start to sound alike. and the lack of lyrics really starts to show (so much repetition)
There was only one song outside of the singles that really stood out as relistenable, Climbatize. Otherwise I thought it was all a bit poser-ish. They claim to be bringing Punk to electronic music, and then make an hour long album with only 10 tracks, most of which was mid tempo and boring, and on the few songs that had lyrics, was quite misogynistic. Sounds exactly like Punk to me!
I was having fun during the first few songs, but as the album wore on I got more and more tired of the music. Breathe is always a cool song, though!
I never listened to this album straight through but was certainly familiar with it due to my clubbing days back in the late 90's. "Narayan" and "Climbatize". were a couple of standouts besides the hits that I forgot about. Overall, it's an OK album for what it is but I would not listen to it all the was through again.
If I was an angsty British teenager in the 90s who wanted to rebel against my parents but didn't want to do anything illegal or get my ass beat I would have blasted this album in my room 24/7. All the songs were 5-6 minutes which I found to be too long. My favourite was diesel power, but a lot of the songs sounded similar and it got repetitive. 2/5
bro i swear the artists discovered one (1) sound effect and just ran with it for an entire album. you know which one i'm talking about. i swear i'm about to have a stroke. each song indivudually is fine but the album just goes on and on and on and on and on. 2/5, it's pretty well produced but i just hated listening to it
Interesting and not my usual listening. I'm not at a 90s UK rave right now, and I probably won't be in the foreseeable future so I'm sure that also impacts my enjoyment of the album in some way. Songs I kind of liked were Breathe, Funky Shit, and Climbatize. 2, I cannot see myself listening to this ever again though one day I'll probably wake up and flip a switch and think this is the most incredible music ever produced
essentially a dark techno album, and as any techno album, it is nauseatingly redundant. not for me.
Not my thing.
It was fine, not my favorite kind of noise.
A little techno goes a long way.
#2/1001 CRAB RAVE WAS MY VERY FIRST THOUGHT. I have very little experience with electronic music, so I don't have much to compare this to, but a lot of the songs sounded the same. Overall: It wasn't a horrible experience, some of them played and it was like "yeah I could headbang to this if it was blasting and bass-boosted at a dark club." but then others just dragged on. The whole album just wears on you after awhile, however, I think hearing these songs *separately* would be fine, just not all at once. This is not an album you sit and listen all the way through, yk? Favorites: Smack My Bitch Up Diesel Power Serial Thrilla Fuel My Fire
Masters of repetitious, obnoxious digital noise. The Prodigy were royalty of the Techno scene, but I preferred the back alleys and lesser known bands.
Appreciate what this album means to the time period, but got in a fist fight with a neighbor due to his instance on playing it at top volume at 2 am every night of the week.
some good stuff but generally didn’t like it. not the kind of techno i like
Started the album but didn't enjoy it.
A definite product of its time. While I have found memories of hearing this back in 1997, it no longer resonates or holds up for my tastes.
Not a fan.
not the music I am used to
Very intense. A little bit dated. From track 7 to 9 much more interesting. Maybe a grower. Perhaps good for working out
The songs seemed repetitive and music sounded similar on all tracks. Lyrics were wanting.
Very disco-y. Cool effects, musical direction? Not the type of music I'd usually listen to at all. I probably wouldn't put this on by choice. Some of the sounds just felt like they were on to annoy the listener.
did not care for this
This veers too industrial for my EDM liking. There's a darkness here that makes me uncomfortable. Way too much good EDM to waste time trying to groove to this.
Pretty cool but not my thing
Breathe is good at least
Liked it a lot more than expected. Especially when driving
Every track was repetitive, but at least it felt a tiny bit more creative than I was expecting. Still mostly indistinguishable from any other electronica I've heard
1. zmack my bitch up - 1.5 2. breathe - 1.5 3. diezel pouuer - 1 4.funky zhit - 1 5. zeriah thrilla - 2 6. mind fieldz - 1 7. narayan - 1 8. fireztarter - 2.5 9. climbatize - 0 10. ful my fire - 0
Not my thing. Language. However, so.e of the instrumentals were good.
Every single song sounds like Smack My Bitch Up.
not my cup of tea. Managed about 3 songs.
Not an album or artist I had ever heard of before, but I did recognize some of the songs. I can appreciate when they're doing and I'm sure it was great for late 90s Euro techno, but it just isn't for me. Repetitive, grating at times, with corny lyrics. Some catchy beats though. 4/10 (2/5)
Pretty sure this became the soundtrack for every reality TV show for the next 2 decades.
It’s alright. The songs themselves aren’t bad, but to me they all sound the same. Background music at best.
Every song does the same: sets up an interesting groove but then doesn’t go anywhere. I could listen to these grooves but only in small doses.
Not to my liking.
There was a time I would’ve enjoyed this, but that time has long since passed.
Meh
Gritted my teeth through this one.
It was good. Not really what I would go for. Sounded like the soundtrack to those "you wouldn't steal a car, so why would you steal a movie" commercials.
Smack my bitch up still slaps! The rest all blend together for me but remind me of gritty 90s underground films
I appreciate the significance of the album and the importance to electronic music, but it's not for me.
Some of the singles are quite catchy in low doses, but everything overstays its welcome and becomes quite repetitive.
Never heard of this band. This should be interesting... I'm only on the first song and I find it incredibly repetitive. I hope not all of the songs are like this. So far I like the second song a little better. There's not a lot of vocals and when there are I can't really tell what they're saying. I wish they would switch up the drumbeats a little. It's kind of annoying. The third song is the best so far. Different drumbeat which is nice. But holy crap these songs are so loooooooooooooong. Cool transition between tracks 4 and 5. Track 5 is giving me low-key Deus Ex vibes with the alarm thing going off in the background. I don't hate it. Track 6 is a nice change of pace. Track 7 is 9 minutes long. Send help. Okay this song is semi-interesting but there's still like 7 minutes left. No thank you. 2 minutes left. I can do this. Aaaaaaand track 9 is 6 and a half minutes long. What is this for?? Thank goodness, it's the final track. 2/5. This wasn't for me. I prefer lyrics with my music. If I'm listening to mostly instrumental music, this isn't the type I would go for. I can see that appeal I think, but it just didn't work for me.
Didn't listen to the whole thing, but wasn't a fan of what I heard. Just not my style.
House music isn’t my jam.
This really makes you feel like you're 1997.
interesting but just seemed to be just instrumental and no vocal so wasn’t a big fan
The music is funky and reminds me of a soundtrack to a dystopian future movie. I enjoyed a thorough listen The Fat Of The Land is not an album I feel I need to listen to again.
mom did not approve. she wants to listen to « her music ».
This is what crabs listen to
Pretty intense. I’m sure there are times for that but yesterday was not it for me
Eh, I don't really get down with the edge lord, industrial rave stuff. This one has merit, and I don't want to criticize it too hard. The Matrix is a good movie, but one of the things that dates it the most to me is the music, and more than one song off this record is on the soundtrack. It's very much of its time. I don't like using the word 'cringy' to describe anything really, but that's the main feeling I get with this record.
2 nicht alles gehört, einfach nicht so meins.
Nicht sonderlich mein Fall. "Firestarter" habe ich schonmal irgendwo davor gehört. Es ist nicht schlecht, aber nichts, was ich mir einfach so nochmal anhören würde. 3.2/10
Gets tiresome
Mind numbingly repetitive. I actually kind of liked Breathe, but nothing else
The Prodigy are beloved, and this album has rave reviews. So I feel bad to say that I've never been a fan. It's sorta fun, in that it sounds like the cheesy background music in a late 90's chase scene. But on that same note, it's just relentless and too noisy, and yeah, sounds like the soundtrack for a Fast and the Furious videogame for PS2. Electronic music, beyond going on way too long, tends to age like milk, and this sounds so much like a product of its time. I guess this is why I've never been invited to a rave. The crab on the cover is cool though.
see what they accomplished, but it's not for me. 2.5* fav.: breathe
Hated it. It was all over the place
I didn't hate it as much as I thought I was going to hate it, but I didn't really like it either. I do appreciate some of the middle eastern/Indian influences but still not my thing. Like most electronic dance music, it's just too repetitive. 2 stars.
...
2.5
A few tracks I recognize from my youth. Something about this type of music makes me feel like I should be on amphetamines at a strobe-ridden rave taking e from someone I’ve never met before. I’d much rather listen to the Chemical Bros than this. Better yet, Aphex Twin.
Pretty unremarkable electronic
Not the kind of music I like but some parts were pretty hype. Stand-out: Climbatize
Is it me or does all of this style of electronic music have the same beat? I was listening to this album and when it ended Spotify put on a similar artist and I swear that they had the same drum track. I guess this music would be good to dance to but otherwise I didn’t have much use for it.
Too aggressive
Literally got headache, may be my own fault but I *do not* have the energy for this one at the moment. It's also very very similar and LONGG.
90's dance music with some white-boy rap on top. It's okay. A bit repetitive
That was a long 57 minutes. I fondly remember the hits from this album when I was a kid. A few of the tracks were popular. Not really my thing nowadays. Wasn't really back then either.
S Tier————————— Diesel Power A Tier————————— B Tier————————— Climbatize Breathe Narayan Funky Shit Firestarter Fuel My Fire Smack My Bitch Up Mindfields Serial Thrilla
I am not a fan of this genre. Some tracks were fine but I don't see myself listening to any of it again.
Lots of the samples were cool but I just couldn't finish this one
Some decent beats on here but I couldn’t really get into the lyrics. High 2
Sound of an era. I don't think it aged that we'll, and felt a lot more repetitive as an album than I remembered it. Still a good album
What in the UK electronic basement music is this 🚮 First song in the album are words to live by tbh
Test
It sounds like it was made on a drum kit and 808s, not too my style
I believe there is a time and place for this, but today at work was not that time and place. Sick cover tho!
Indifferent with points taken off for Smack My Bitch Up. Crab was cool tho
Hip hop type instrumentals, maybe a little EDM lean
Not bad. Some creative and some fun music.
Eh it was fine. Not really my vibe
a few catchy tunes, but overall would not recommend
Sounds like a remix I would hear while playing street fighter
definetely influential but not my music taste
I’ve tried with Prodigy but damn this all just sounds like the same crap
Meh
Yes, you can dance to it, but I hope someone smacks The Prodigy all up for glamorizing abuse.