Another Music In A Different Kitchen

Enjoyable punk album. Might get a bit repetitive after a while but i liked the first listen

Smart, dynamic, at times witty while also containing the right amount of social commentary…and just a kick ass rhythm section. It’s no wonder these guys were tour mates with the Clash. And you certainly don’t get other power pop/punk bands like the Plimsouls, Replacements or Hüsker Dü without these guys.

I’m a sucker for power pop punk and enjoyed this very much. Not much else to say. 3.75/5

I love tha contrarianism of their anti rock anthems. “Fast Cars, I hate fast cars” they have teen angst mixed with middle aged intellectual crankiness. The music is fun in its own serrated way.

3.9

Fun, loud and high energy. Good one.

punk rock 👍

Nije singles going steady ali je fora

This one really grew on my after a few listens - simple and direct in a punk style. I've added Fast Cars to my playlist

Nothing earth-shattering, just fun melodic 70s punk.

I really liked the energy

Everything i love about punk from the 70s-80s

Good album but not there best

Fun! Favorite track: I Need

First Buzzcocks album - fast catchy and fun - no complaints here.

4 great punk album. Favorite songs I need and what do I get

Good old fashioned punk rock, enjoyed it!

A bit clean and musical for pure punk, haha. Very enjoyable.

I really liked the energy of this record. I like Pete Shelley's solo output, so not surprised that I liked the vocals on this.

pretty solid punk album. definitely in the era of that first wave of british punk acts, but decidedly different than contemporaries like the sex pistols. the energy is fun, but the song mix here wasn't totally my favorite. don't get me wrong, there's some good stuff. it just didn't totally blow me away. also the weird bleep bloop scale at the end of "moving away from the pulsebeat." bleep bloop bleep bloop bleep bloop bleep bloop. odd. but mostly enjoyable.

I always liked the singer's voice, the flippancy he has in it. It feels like he's not taking any of it seriously. It's hunny, I thought he was singing "honey" in "I Need." As in "I need honey," you know? It's funny how easy it is to get lyrics confused (" 'scuse me while I kiss this guy..." ). It's funny that the bonus edition has the first song of theirs I had heard: "What Do I Get?" Even without it, it's solid and fun album. Definitely punk, no holds barred. Thumbs up! Top tracks: "Fast Car," "Autonomy," "I Don't Know"

Punk with some inventive guitar riffs/chord progressions. Strong rhythm section, too. The singer is pretty typical punk, but I probably have causality reversed - looks like Pete Shelley influenced a lot of punk bands with his style. Overall, it's a rocking album. Favorite tracks: Fast Cars (good rocking opener, although somewhat silly lyrics), I Don't Mind (sounds a little glam), Fiction Romance (liked the driving beat on this one), Autonomy (almost New Wave?).

Définitivement parmi les meilleurs albums de punk que j'ai eu dans cette liste, surtout si on parles des premiers albums qui ont façonné la scène. C'était accrocheur sans être quétaine, abrasif sans couper dans la musicalité. L'humour et les commentaires sociaux étaient super bien fait. Vraiment à part quelques passages qui m'ont laissé plus sur ma faim, ça reste un album que je vais devoir garder en rotation. 9/10

86% Best: You Tear Me Up; Get On Our Own; I Don't Mind; Fiction Romance; Autonomy; I Need; Moving Away from the Pulsebeat Must-Hear? Sure

Good work boyos

It's the Buzzcocks, you cannot go wrong!

Solid!

Great album. Fantastic early punk, and you can hear how they influenced so many other bands

A well loved album. Really, a singles collection is what feels right for Buzzcocks. Happily, all of their albums sound like they are made up of 100% singles. Probably my favourite punk band and pretty much the beginning and the end of pop punk.

I like it.

‘Sixteen’ is the one real stinker on this. The rest is awesome three chord pure pop punk goodness.

Surprising

Took me some time to really get into the vocals here but nonetheless such a fun record. More punk music by weird horny bisexual guys!!

Great punk album

A little bit of a Ramones kind of punk rock sound. Solid energetic album.

Cock buzzing goodness. 4

Felt the punk energy and loved it

My first exposure to the Buzzcocks was their brilliant singles compilation, Singles Going Steady, that I dubbed onto a cassette tape in the early 80's (on the flip with, Circle Jerks- Group Sex/Wild In the Streets) and I played that tape more than any other, even to this day. I would consider it one of the greatest punk records of the 70's. The Buzzcocks only released three studio albums during their first run in the 70's and it's the deep tracks that make these albums worth a listen. Their debut, "Another Music..." shines with energetic and catchy melodies that drive the music towards a pop-punk sound that never fails to put a smile on my face. There are a couple songs that are on Singles Going Steady, but the whole record is solid.

Favourite tracks: fast cars; autonomy; I don't mind; fiction romance; I need

Energetic first gen punk

waay ahead of its time

The raw, intense and gritty sounds of early 1970's Punk meets the bright and catchy Pop-influenced melodies of the times. A brilliant debut record from the UK Punk rockers!

"I like my music like I enjoy sex: Fast and quick!" Hahaha Good Punk Rock album!

Very punk. Got a bit repetitive with the guitar, but the album was short enough not to be a problem

This rocks!

Never gave the Buzzcocks a chance since I'd always written off early punk as Sex Pistols always felt so overrated. This was thoroughly enjoyable though, so maybe I unnecessarily cut them all off. Real groundwork being laid here for lots of future bands from a range of genres, poppunk obviously, but even stuff like Qotsa and Gary Numan I can hear here.

Let the punk-rock play. That's what i say.

Wanted to like it more than I did - I love the Singles Going Steady comp - but still very good. 3.5/5

Great. Very influential. Definitely stood the test of time so far. Favorite song: I don't mind (the title is I don't mind)

4/5. The fast and short songs don't really get old and each song feels unique enough despite a very similar style and rhythm. There is an intensity, not necessarily of anger, despite some lyrics, but more of a misunderstanding, like someone who has been betrayed and is standing up for themself. It doesn't always reflect in the lyrics but there is a sadness here too which is interesting. Maybe I'm only projecting but I did enjoy this one the more I listened to it. To be fair, there is an overall excited energy in general which is hard to not enjoy . Overall, it was a pretty good album, not perfect but still great. Best Song: I Don't Mind, Moving Away from the Pulsebeat, I Need

Superb record, edge of when punk became post

Solid UK punk with a surprising amount of melody that was often left out of similar bands' work at the time.

Music in the kitchen hits different, and Buzzcocks music hits different no matter where you listen.

a lower 4 than the neon bible one but i still liked this a lot

I really enjoyed this The songs blended well together I like how it was a bit weird

Todella kova levy! En muistanutkaan näin hyväksi. Kunnon brittien ekaa aaltoa koko levy! 4/5

Mainio punkkijyräys! 4/5

I do like some old school punk rock.

### **In-Depth Review of "Another Music in a Different Kitchen" by Buzzcocks** Released in March 1978, "Another Music in a Different Kitchen" was the debut studio album by Buzzcocks, a pioneering punk rock band from Manchester, England. The album captures the energy and ethos of the punk movement while introducing a melodic sensibility and emotional depth that would become the band’s hallmark. This review will examine the album’s lyrics, music, production, themes, and influence, as well as its pros and cons. --- ### **Lyrics** The lyrics of "Another Music in a Different Kitchen" are a significant departure from the nihilistic or politically charged content typical of punk bands at the time. Instead, Buzzcocks, primarily through lyricist and frontman Pete Shelley, focus on themes of alienation, love, lust, and confusion. The songwriting is introspective and relatable, often exploring the complexities of relationships and emotional turmoil. 1. **Love and Relationships**: Songs like "I Don’t Mind" and "Love Battery" explore the messy, conflicted feelings surrounding romance and attraction. Shelley’s writing frequently touches on the vulnerability of youth, the awkwardness of social interactions, and the emotional highs and lows of love. His approach combines straightforward language with a sense of irony and self-deprecation, giving the lyrics an honest and raw edge. 2. **Alienation and Existentialism**: Tracks like "Fiction Romance" and "Autonomy" capture a sense of estrangement and introspection. "Fiction Romance" critiques the superficiality of human connections, while "Autonomy" speaks to the desire for independence and self-determination. Shelley’s lyrics are filled with ambiguity and open-ended questions, reflecting the uncertainties of life and the complexities of personal freedom. 3. **Humor and Irony**: There is a playful, sardonic humor throughout the album. Songs like "Fast Cars" take a jab at consumer culture, while "Get on Our Own" uses irony to critique societal expectations. This approach sets the Buzzcocks apart from many of their contemporaries who were focused more on anger and rebellion. ### **Music** Musically, "Another Music in a Different Kitchen" is an eclectic mix of punk rock's energy and the catchy, melodic hooks that would come to define the band's sound. 1. **Punk Energy**: The album is propelled by the frenetic drumming of John Maher and the punchy, driving bass of Steve Garvey. Tracks like "Fast Cars" and "No Reply" burst with the raw intensity and speed characteristic of punk rock. The aggressive yet precise guitar work of Steve Diggle and Pete Shelley provides a solid backbone to the songs, delivering rapid-fire power chords and sharp riffs. 2. **Melodic Sensibility**: What distinguishes Buzzcocks from many punk bands is their ability to marry this intensity with pop melodies. Songs such as "I Don’t Mind" and "Love Battery" feature catchy choruses and memorable guitar lines that are easy to sing along to, which contributes to their enduring appeal. Shelley's high-pitched, nasal voice cuts through the mix, adding an emotional quality that complements the melodic focus. 3. **Minimalist Arrangements**: The arrangements on the album are relatively simple and direct, with an emphasis on the guitar-bass-drums setup typical of punk rock. The use of repetitive motifs and hooks helps to create a sense of urgency and immediacy. There is little in the way of solos or complex instrumentation, which suits the raw, unpolished aesthetic the band was aiming for. ### **Production** The album was produced by Martin Rushent, who had previously worked with the Stranglers and would go on to produce for bands like the Human League. Rushent's production on "Another Music in a Different Kitchen" is clean and crisp, highlighting the band's tight musicianship while retaining the raw energy of their live performances. 1. **Crisp Sound Quality**: Unlike the lo-fi, muddy production that characterized many early punk records, Rushent's approach gives the Buzzcocks a polished but still edgy sound. The guitars are sharp and clear, the bass is punchy, and the drums have a solid presence. This clarity allows the intricate interplay between Diggle and Shelley’s guitars to shine through, making the album feel vibrant and alive. 2. **Emphasis on Dynamics**: The production also makes effective use of dynamics to add emotional weight to the songs. For example, "Fiction Romance" builds gradually in intensity, with the guitars becoming more urgent and the vocals more insistent as the song progresses. This contrasts with the straightforward, unrelenting speed of tracks like "Fast Cars" and "Get on Our Own," adding variety and depth to the album. 3. **Use of Studio Techniques**: Although the album largely avoids elaborate studio effects, there are subtle touches that enhance the songs. Echo and reverb are used sparingly to add atmosphere, while slight distortions on Shelley's vocals in certain tracks create a sense of disorientation and angst. These techniques add nuance without detracting from the raw punk sound. ### **Themes** "Another Music in a Different Kitchen" deals with themes of alienation, personal identity, and social critique, all filtered through a lens of irony and wit. The lyrics often juxtapose existential uncertainty with a desire for connection and meaning. 1. **Alienation and Isolation**: Several tracks explore feelings of disconnection, both from society and within personal relationships. "Moving Away from the Pulsebeat," with its repetitive lyrics and hypnotic rhythm, conveys a sense of being out of step with the world, while "Autonomy" speaks to a longing for freedom from social constraints. 2. **Desire and Frustration**: Many of the songs deal with themes of desire and frustration, particularly in the context of romantic relationships. There is a palpable sense of yearning in tracks like "I Don’t Mind," where Shelley sings about the conflicting emotions of love, desire, and insecurity. 3. **Irony and Critique**: The album often employs irony and a critical eye when addressing broader social themes. "Fast Cars" mocks the obsession with materialism and status symbols, while "Sixteen" takes a tongue-in-cheek look at youthful angst and rebellion. ### **Influence** "Another Music in a Different Kitchen" had a significant impact on both the punk and post-punk scenes. Buzzcocks’ blend of punk rock's raw energy with pop sensibilities helped pave the way for a more melodic approach to punk music, influencing countless bands in the years to come. 1. **Punk to Pop-Punk Transition**: The album is considered one of the earliest examples of what would later be termed "pop-punk." Bands like Green Day, The Offspring, and Blink-182 drew inspiration from the Buzzcocks' ability to combine fast, aggressive music with catchy melodies and accessible lyrics. 2. **Post-Punk Movement**: Beyond its immediate punk impact, the album also influenced the emerging post-punk movement, which sought to expand the boundaries of punk rock. The Buzzcocks’ incorporation of emotional depth, melodic complexity, and lyrical introspection can be seen in the work of bands like Joy Division, The Cure, and Wire. 3. **DIY Ethic and Indie Scene**: Buzzcocks were instrumental in promoting the DIY ethic that became a cornerstone of the punk scene. Their decision to release their first EP independently set a precedent for other bands, and their success demonstrated that it was possible to achieve critical and commercial recognition without major label support. This spirit would later shape the indie music scene in the UK and beyond. ### **Pros and Cons** #### **Pros:** 1. **Memorable Melodies and Hooks**: The album is filled with catchy melodies and hooks that are both immediate and enduring, making it one of the most accessible punk records of its time. 2. **Emotional and Relatable Lyrics**: The lyrics, dealing with love, desire, alienation, and existential angst, are introspective and emotionally resonant, setting the Buzzcocks apart from many of their contemporaries. 3. **Tight Musicianship and Dynamic Production**: The band’s tight musicianship, coupled with Martin Rushent’s crisp production, ensures that the album sounds energetic and fresh even decades after its release. 4. **Innovation and Influence**: The blend of punk aggression with pop sensibilities marked a significant innovation in rock music, influencing both the punk and post-punk movements and beyond. #### **Cons:** 1. **Lack of Musical Variety**: While the album’s directness and simplicity are part of its charm, some may find the lack of musical variety across the tracks to be monotonous. The songs tend to follow a similar structure and tempo, which might not appeal to listeners seeking more experimental or diverse sounds. 2. **Vocals Might Be a Barrier**: Pete Shelley’s high-pitched, somewhat nasally vocal style may not be to everyone’s taste. For some listeners, this could detract from the overall enjoyment of the album. 3. **Limited Scope in Production Techniques**: Although the production is clean and effective, it does not take many risks in terms of experimentation. The minimalist approach may be seen as too restrained by those who prefer a more layered or innovative production style. 4. **Short Track Lengths and Rapid Pacing**: The brevity of the songs (many under three minutes) and the rapid pacing might feel too hurried, giving some listeners the sense that the album rushes through its content without fully developing certain ideas or themes. ### **Conclusion** "Another Music in a Different Kitchen" is a landmark album in the evolution of punk rock, combining raw energy with a pop sensibility that set it apart from its contemporaries. While its lack of musical diversity and Shelley’s unique vocal style might not appeal to all, the album’s memorable melodies, emotionally resonant lyrics, and tight musicianship make it a compelling listen . The record's influence on punk, post-punk, and the broader indie scene cannot be overstated, marking it as a foundational work that continues to resonate with new generations of listeners.

Never heard this before. This is proper pop-punk. I really enjoyed this. So much better, than, say, Green Day's Dookie for example.

Listening to this while driving to something you’re late for is a good idea

At first I wasn't too fond of it because I thought it was just kind of flat, but there were enough catchy beats and punk energy to reel me back in

I really enjoyed this on a first listen! Great energy and fun, angry vocals and lyrics. Good discovery for me!

pretty teenage and angry but thats what makes punk fun! reminds of of being a teenage, wish I had listened to this while biking around because it was very energizing. Instead i listened while I answered emails at my work desk ... rip

A shrill rapid fire Guitars a rolling flame wheel A blast of punk rock

Fun!

Raw, intelligent, with beats that pummel your skull. Just what punk should be.

Really good

Above average punk driven songs about love and desire. Pete Shelleys vocals are a bit Marmite. Very tight guitars. I like

The tight punkyness of it all! Are the Buzzcocks reminiscent of the Undertones, or is it the other way around? Either way, I love both. I think that the best thing about early punk is how well-defined everything is, with concrete starts and stops to the songs. Never knew that I hated the fade-in or fade-out like I do.

Classic late 70's punk. It's exactly what you want when you want this vibe.

A bit of a soul cleanse for me after 2 weeks of crooners and Tim Buckley. great stuff

Fun album. Strong beats. A little adolescent at times, but aren't we all?

Although their biggest hit didn't come until the next album this is still pure power pop punk from the buzzcocks and I love it. I don't mind is probably the most well known song on the album but if you listen to bonus editions you get what do I get? and orgasm addict as well so you can't go wrong with that. All good stuff

Quality stuff old school punk not sure I have heard the debut before. Great from start to finish. Stand out tracks: - Fast car - No reply - Get out on our own - Sixteen - I need - I don't mind

What I like about the Buzzcocks is that while they come from a punk place, they find interesting, song structures, melodies, chord progressions, and other ways to make each track unique.

British punk that has fun lyrics instead of the political ones at the time

I was surprised by this album. I really hated the first song, and then it started to get better and better. There’s some sort of joyful punk here. I also got glimpses of math rock that reminded me of the movement that came out of the Midwest 15 years later. Really enjoyed it.

Great listen

This is GOLD!! STILL sounds and feels fresh today. I have zero complaints and this, 4 stars!!

Pretty classic and succinct UK punk record.

Angular spikey and young. Very enjoyable

I love me some cocks gub gub gub

British punk classic! Some say punk rockers can’t play their instruments, and they should listen to this drummer playing his arse off. Cheeky songwriting and attitude

De va dope

Why does everybody talk about The Sex Pistols? These guys can actually play!

Just a great punk record. I don't think it's quite a 5 but it's super enjoyable.

Fun, energetic, dynamic late 1970s punk album from the British band Buzzcocks. I enjoyed it quite a bit!

вжжжжжух... и он закончился. А в смысле всего 36 минут? Однородненько, по подростковому, тараторненько. Хрен знает чё тут сказать ещё. Ну панк и панк, чё бубнить-то. Рамонес напомнило, но они ж американцы (вроде...?)

Punk Rock!!!

7.5/10

Really fun early punk rock album. They pick a sound and mostly stick to it, but they do it well and it sounds great.

Loved it -- old school punk, distinct voice. Just knew "I don't Mind" and "Autonomy."

Hmmm...well that was pretty good.

I'm a second-hand fan of Buzzcocks, one of my husband's favorites. Sometimes they play their songs at the grocery store we shop at and I feel very old.

I wasn’t sure another punk album was what I needed today, but it turned out pretty good actually. There was a lot of good playing on this. While I’ve heard of the Buzzcocks over the years, this was my first real stop-and-take-a-listen experience, and it was better than expected.

Solidly fun album, probably not gonna back to it too much, but hey. No real complaints.

Good stuff. Liked pretty much everything about it.

Some very enjoyable early punk. Upbeat and energetic. Nothing really stuck with me, but a pleasant listening experience overall.

Old school punk, love it

Liked it! Snarly, whiny garage rock. Particularly into Sixteen. The album breezed by.

This went by quickly! It was pretty fun, but nothing groundbreaking for me. I really liked the tone of the guitar on a lot of the songs. I'd listen again, but this isn't necessarily going to become a go-to album for me.

I liked this. The first 3 songs was not impressed with but after that I thought it got a lot better. More jamming, more hooks in the songs.

Loved it

Gusta mucho.

Despite Dick's (played by Todd Louiso)'s High Fidelity assertion that Green Day were directly influenced by Stiff Little Fingers, the fact is that the Buzzcocks are the INVENTORS of Pop Punk: short, melodic, catchy songs about love, alienation, and masturbation. The Buzzcocks's American children took this template, dolloped a spoon full of Cheap Trick, and blam! Squillion dollar success, which in Green Day's case, is richly deserved. This debut largely scraps the weird angularity that Howard Devoto brought to the group while still acknowledging his influence: the "Boredom" quote that opens "Fast Cars", the off-kilter rhythms of "Moving Away from the Pulsebeat". The album is chock full of infectious earworms; more importantly, it is just a fucking blast. Only edgelords and gatekeepers will deny its power.

Pubk rock

Very traditional British punk - decent instrumentals, terrible vocals. I don’t think there’s anything groundbreaking here that the other more well known punk bands hadn’t already done. It’s ok. It did grow on me as I continued to listen to it. Get On Our Own was my favorite track. Also really liked I Don’t Mind

Not bad

Loved this vibe - upbeat and fresh! Reminded me of the Ramones with their snappy and poppy bangers, but even more musically interesting. Loved Love Battery, Fast Cars, and I Need the most!

I actually quite enjoyed this. Some solid early punk, fun ride throughout.

It's so nice to listen to these pop-punk origins. I liked it very much

surprisingly fun and jumpy

Helvítis fokking stuð. Þetta er geggjað pönk. Hrátt. Melódískt. Geggjaðir textar. Fílaða!

Vá hvað þetta er hressandi og skemmtileg plata. Gæðapönk frá Buzzcocks, stutt og einföld lög. Engir hittarar en heldur ekkert leiðinlegt lag. Hressir, bætir, kætir.

Solid

Yes!! Love Buzzcocks and I love this album. The only thing that keeps me from rating a 5 is that Singles Going Steady is even better. Excellent and incredibly impactful band and record.

Not my jam but they are good for their genre.

punk mit etwas Melodie war ok

Pop punk. Un megahit. Venga, un 4 por el megahit.

My biggest sadness about listening to the Buzzcocks again, was that ‘What Do I Get’ and ‘Ever Fallen in Love’ are not on this album. Two brilliant classic pop songs, albeit punk pop songs. The Buzzcocks could craft a tune and even as part of the punk movement with their fast guitars and nasally performance those songs are artful and clever and damn fine. It could be that I was a Buzzcocks fan first time around and they are immortalised in a TV music quiz - Never Mind The Buzzcocks - but I am still very fond of them.

Before today I'd only ever listened to their awesome Singles Going Steady compilation. This was solid, verging on great. I think The Buzzcocks are better when they let their poppier, more melodic side shine through, though even their more straight-ahead punk songs were also cool. I think the album suffers a bit from the sequencing as the first several songs all sounded too similar, and I think side one needed some of the diversity found on the fantastic side two.

Distinctive, superior punk. Instantly and unmistakably recognisable as The Buzzcocks. The general Buzzcocks theme which runs through all their songs is a nasal whinging of 'boo-hoo, it's not fair' but it's none the worse for that. Punk isn't my thing, but if punk is your thing then this is clearly a cut above the rest.

"Another Music In A Different Kitchen" by Buzzcocks, released in 1978, is a punk rock classic that embodies the frenetic energy and DIY ethos of the era. This album, the band's debut, is a relentless barrage of short, punchy songs that waste no time in making their point. Tracks like "Fast Cars" and "I Don't Mind" showcase the Buzzcocks' knack for catchy melodies and biting lyrics. The album is a perfect snapshot of late '70s punk, combining raw power with a pop sensibility. "Another Music In A Different Kitchen" is a must-listen for punk enthusiasts, earning a solid 4/5 for its influence and unapologetic punk spirit.

Nice quick punk album, nothing crazy about it. 7/10

Excellent punk

Genre: Punk Pop Listened to the 1996 reissue version. Standouts: I Don't Mind, Orgasm Addict, Whatever Happened to...? Others: Fast Cars, No Reply, Sixteen, Fiction Romance 4/5

I really liked this album. I've never heard it before and probably only heard a few songs by the Buzzcocks, in general. This album reminds me of The Kinks but with a punk mindset. I definitely am intrigued to listen to more (early) Buzzcocks. Also, this is so much better than The Sex Pistols...

Ilahduin monista kitaramelodioista niin paljon. Ihastuttavan rallattelumaisia nimittäin ja kivasti kuului sama kädenjälki. Mutta kahdenkin kuuntelukerran jälkeen en jaksanut innostua muusta... Siksi jäisi muuten 3 tähden levyksi, mutta just annoin huonommalle levylle 3, joten se ois eipäreilua.

I love punk so much. Tons of fun, high energy and sloppy in the best of ways. I don't find this especially compelling in that raw emotional or political way of the best of punk, but it's great.

Felt like punk before punk was a genre. Enjoyable and poppy

Fun fun fun

Interesting album for people who want to explore the Buzzcocks discography. Honestly recommend it

Buzzcocks>Sex Pistols.

Not my favorite Buzzcocks album, but pretty damn good

Really good classic punk rock in the style of, but superior to, Never Mind the Bollocks...

gran disco

The Buzzcocks walked so the Sex Pistols could run.

Grew on me. Particularly liked I Don’t Mind and Autonomy

I was vaguely excited for this album because I like a song by them, and it was pretty good! Surprising, given my track record with pink music. I quite liked the vocals on this, and the music avoided some of the issues I usually have with punk. My favourite song was probably Fast Cars.

Solid album, straight ahead punk with an emphasis on melody. Listened a couple times through, would listen again.

I find it impressive that they can make the whiny thing work. Good energy.

These guys are one of my favorite punk rock bands. They bring a wonderfully careless attitude that is perfect for the songs they write. Punk songs have never been very long and I usually attribute that to the rapid speed in which they play, but the Buzzcocks have a good range of speed going on this record that allows some breathing room in some spots while also letting you rock out in others. Not the say that the range here is perfect. The songs aren’t completely diverse, but that may be my only complaint. Personally, I wasn’t a big fan of that ending on “Moving Away from Pulsebeat”, but I’m willing to overlook it for ‘artistic choices’ or whatever. also, the decision to omit “Orgasm Addict”, “What Do I Get?”, and “Oh Shit” I think is atrocious if they had them ready at the time. I love the cheeky lyrics, chords, and intentionally sloppy instrumentation. Enjoy this one as always. 4/5

Hidden track = nostalgia

Energetic, properly noisy, snotty and fun. A solidly excellent album from one of the best bands to come out of punk. I think the songs on side two for the most part are more focused and musically diverse, while side one tends to blur together a bit. Fave Songs: I Don't Mind, Fiction Romance, Moving Away from the Pulsebeat, Autonomy, No Reply, You Tear Me Up. "What Do I Get?" wasn't on the original release, but it's my personal favorite.

Punk

Good fun punk rock! Fave tracks Fast Cars, Fiction Romance, Moving Away From The Pulsebeat.

Haven't really listened to non-singles Buzzcocks before, but this was great! High energy and enough going on to hold my attention, which isn't always true of early punk. Fave track - "Moving Away From The Pulsebeat" Hahhahah, what _was_ that? Fun! Also dug "Fiction Romance"...

Way back when!

A quick note about Buzzcocks: given that the compilation *Singles Going Steady*, originally released in the UK, was also the first record Pete Shelley and his band released in the US, I consider it as a full-blown album that should definitely be on this list. I understand why Dimery and co. used a different rationale, and so needed to include their debut album there instead, for example (I wonder if they included *Love Bites* as well--you know, the one with "Ever Fallen In Love..." ). But to me, the case of Buzzcocks is more simply dealt with if you use that legendary collection of singles to show how pivotal this band was. Not that "Another Music In A Different Kitchen" is bad, it's still excellent punk rock with sardonic pop sensibilities. It's just that it's a notch under the incredible tracklisting of *Singles Going Steady*. Number of albums left to review: 539 Number of albums from the list I find relevant enough to be mandatory listens: 221 Albums from the list I *might* include in mine later on: 108 (including this one--but you can be sure "Singles Going Steady" will be there!) Albums from the list I will certainly *not* include in mine (many others are more essential to me): 133

This is a superb punk album. I like the story about Pete & Howard travelling far to see the Sex Pistols, and afterward deciding this was what they had to do. The songs definitely have punch, the energy is high, the beat faster (than the SP), the guitar riffs are relentless and Pete Shelly's voice is made for punk and slightly reminiscent of Mr. Rotten.

He, Buzzcocks.

Some absolute bangers but not all gold.

Great energy

Into it, let down by a couple of song

Pop punk. Un megahit. Venga, un 4 por el megahit.

Gusta mucho

Half the album sounds great

buzzcocks were a singles band, the albums have their thin bits

I want to have Fast Cars played at mny funeral: "I HATE FAST CARS." They'll probably be the death of me, actually. There's some great melodies and harmonising here. It's on par with the Beach Boys. Seriously.

OG pop-punk.

The vocals hold it back a bit, but the snarling punk guitars and thrashing drums carry the Buzzcocks.

Really dig the guitars in this, nice find!

Yes its true The Buzzcocks are and always will be a singles band. Bt it doesn't mean they can't carry a full album and the do on this quite well, thank you very much. They stretch out nicely on songs like Sixteen and especially \moving Away From the Pulsebeat. You can see quite clearly that one thing that set Buzzcocks apart from others of their peers - hese guys can play. And they can write some excellent sonfs too. 4 stars

Fucking great rock and roll.

Smarter and more fun than much Punk. Generally in the sweet spot for my tasted in this genre.

First time listening. Is it fair to say that this is among the roots of pop punk? Catchy with an edge...just accessible enough to non-punk enthusiasts, but without having to sacrifice its authenticity. Rock solid consistency from start to finish, especially the closer. No question that my favorite track here is "Moving Away From the Pulsebeat".

A shouty punk album, slightly repetitive, but good when you’re in the mood for it Saved tracks: Love Battery, I Don’t Mind, I Need

Heel leuk album. Ik dacht dat What Do I Get en Orgasm Addict ook op dit album stonden? Buzzcocks mooie band jammer dat er niet meer van hun in de lijst staat

I keep thinking this record is called “Another Music in a *Distant* Kitchen”. I kind of like that title better. ANYWAY… “Different Kitchen” is the Buzzcocks first full length record following the release of a handful of seminal UK punk 7-inches. By and large, this record is a continuation of the sound of those singles. However, the band wisely opens up their sound a bit in their first studio outing, by way of thoughtful studio experimentation and a *gasp* 7 minute closing track… Who do these guys think they are? Television? German psych legends Can might actually be a better reference point. The ‘Cocks explosive sense of rhythmic repetition and the Michael Karoli-esque guitar leads throughout the record are indebted (and, from my understanding, in homage) to Can. It’s further proof that Can should be ranked among the all-time greatest bands in rock history: their influence on modern music was not only immediate and wide ranging, but continues to this day. Sorry for the detour, I’ve got a krautrock problem. The Buzzcocks are in top form on “Another Music in a Different Kitchen”. Their songs are concise and catchy with a chaotic experimental bent that sets the band well above many of their contemporaries in the 70’s UK punk scene.

Enjoyable punk album, fun riffs and singing, would listen again

4.0

Fun punk pop !

This is the debut studio album from Buzzcocks. I've heard the band name before, but never listened to any of their music. This summer I listened to an episode of The Ongoing History of New Music Podcast where Alan Cross, the host, was talking about the beginnings of punk rock. In the UK, Buzzcocks were very important in the increase in popularity or this genre. They were right up there with The Sex Pistols and The Clash. Pete Shelley, unlike those other two bands I just mentioned, wrote more polished material, and the music played by the band felt more thought out. It was still hard and fast, but it at least had a direction. This album covered topics that adolescents considered important, such as sex, romance, and hating things (lol). There is one song where Shelley, I believe, is referring to his cock as a "love battery".... "I got this crazy current that slips through my underwear, and when it really connects, I come and go everywhere". Overall, a great album, and an interesting look at the beginnings of punk in the UK. Favourite songs: Love Battery, You Tear Me Up, Get On Our Own, I Don't Mind, Fast Cars, No Reply Least favourite songs: Sixteen, Moving Away From The Pulsebeat (a 7 minute punk song is just wrong) 4/5

Great! Easy listening, solid guitars and a great tempo end to end

Classic punk rock but with a bit more sheen and production to it which I love.

that punk rock spirit and crappy sound we all love

Buzzcocks are unfairly known as a "singles band" but this album is a showcase for the bands talent and influences. It succeeds as an album from production to musicality to songwriting.

Classic post punk power pop from the mancs

im so surprised. this album is amazing. never heard of this band. pretty much every song is great. will be listening to again and again.

Best track = I Don't Mind

Better than some of the other old punk.

I liked the second half much more.

Fresh and delightful guitar and percussion

Solid punk but prefer Pink Flag (probs no Pink Flag without Buzzcocks but whatever)

This was great

Pretty Solid Brit punk. Normally not the biggest fan of that Genre. But these guys do it pretty fucking well to be honest.

Great punk rock classic. It's got great energy, great noise, and a lot of attitude to go with it. Punk rock hit a real stride in 1978, and this is the embodiment of that. Worth checking out the deluxe edition that has the excellent tune "What Do I Get?".

Really cool sound brought back memories.

Great album - surprisingly mature songs too.

I love high-energy early alt/late punk type stuff and this falls exactly that vibe

Great punk rock, especially after seeing GoF

Buen disco con mezcla de rock y de punk-rock, no muy estridente, bien acompasado y guitarrero en buena medida. Voz característica. No los tenía muy escuchados

muito bão

punk elegante

2/16/22

Shelley and Devoto met while studying humanities at Bolton institute and formed buzzcocks here. why the fuck bolton doesn't go bigger on claiming probably the most influential band for northern music is beyond me. maybe that's now my life's purpose. somehow convince the locals that they need to revel in their history. problem is i just know to engage wiv da yoof i'll have to put a fucking donk on it and get a rap verse in to it somewhere.

Juveline

Pink AF and fun

I still think Singles Going Steady is the best Buzzcocks album, even if it is a compilation, but this album is awesome.

Its got most of the classics on there

Awesome

Loved this. Like a better, smarter version of the Sex Pistols. 4 stars.

Really great!

Rating: 7/10 Best songs: I need

What people think the Sex Pistols sound like, but actual Punk music. 3.5/5

Für Punk erstaunlich originell

The Buzzcocks aren't my favourite punk band, but this album is still great. I Don't Mind is my favourite track.

This was fun and exciting!

Great energy

So much energy and inventiveness

An undeniable energy ran through this album. Songs started to blend together in my brain towards the end. They sounded pretty good, though.

Killer album! Great all the way through. Crazy great and clean for 60s punk - riffs, solos, bass lines, drums, all of it! Maybe a bit light lyrically but it's a punk album? And a nice contrast to much of the heavier and/or anarchist punk at the time. Also clean vocally. I'd listen pretty much any time. Only other exception is the lack of standout killer tracks.

This album has some super catchy songs and great punk vibes. Exactly the type of sound I love from punk music, and obviously influential.

классная альтернатива позитивная

like on a high speed car chase

As somebody who listens to a lot of punk with a pop edge, I know how important Buzzcocks are to a lot of my favorite bands. Great album. Favorite tracks: "Fiction Romance", "Sixteen", "Fast Cars"

Really good

Yessss love Buzzcocks. OG punk. First track starts with an instrumental that was used as the riff for Boredom. Don't recognise the other tracks but it's sick, love it. 4/5

Gusta mucho

Energetic. Not a fan of the vocals but they don't detract from the music that much.

Simple but effective riffs, songs are a bit samey but the high energy and occasionally spicy drums make up for it

Great punk album.

First Time Listening: 10/11 songs liked Punk usually isn't in my knowledge of music, this was a great album through and through EXCEPT that lost song....lol that ending was "okay..." Nothing noteworthy to hear as stand-alones. No songs saved

Great fun, the buzzcocks are kind of forgotten in the US, but I love’em

Surprisingly creative early punk album. Fun!

Solid

бля, шо у этого сайта за привычка «подготовительные» альбомы совать перед классикой? Впрочем в этом случае я не расстроен, исходя из пластинки Love Bites я и так считал базкоксов одной из самых интересных панк-групп, а рассматриваемый альбом уверенность не только не пошатнул, но и своеобразно укрепил. Если на последующей работе будет куда больше конкретно попсовой мелодичности и более-менее ортодоксальных инструменталов, то здесь во многих песнях группа пускается в интересные, пусть и не всегда работающие эксперименты. В какой-то момент в голову даже пришло сравнение с Devo, только в менее нердовскую и синтвейвовую сторону. А так ведь много схожего: дёрганные ритмы, быстрые пассажи, отрывистые вокальные фразы, небанальные мелодичные ходы, тексты про какую-то хуйню-малафью. Угар, в общем. Угар это хорошо. Это лучше, чем ёбаная скука. Но всё же до верхних оценок не дотягивает — в основном потому, что после нескольких прослушиваний банально башка начинает болеть от скорости и нервозности песен. Я на самом деле прошёл полный спектр эмоций за пяток прослушиваний, от неподдельного интереса и подпевания до просто невероятного раздражения. Так что ну 7 где-то, наверное, на позитив всё же больше ориентируюсь.

Great band. Catchy melodies. Pete Shelley was a hell of a singer.

Catchy and energetic punk music. Most of these poppy songs still hold up, save for maybe Fiction Romance and Moving Away from the Pulsebeat. Favourite tracks: I Don't Mind, What Do I Get? and Oh Shit. 3.5/5

Pretty good

Interesting

Never really was a punk in the 70s. More of a David Essex fan! Nevertheless was surprised how much I enjoyed the nostalgia. Reminded me of Sixth Form parties when I really started defying authority. I think I missed two whole lectures! Always loved I Am An Antichrist by the Sex Pistols from their Never Mind The Bollocks album. Mainly because Paddy Lewis liked it in my A level History class and I fancied him!

Above average early punk for me. More melodic. Song structure. Understandable lyrics. I get it.

Awesome

classic punk

I like my classic punk rock but this one seems kind of tame decades later. Still respectable.

yeah, was fun.

Happy punk without the Green Day political edge. This would be right up my alley, but the production and musicianship is rough to say the least. I'll give an extra star for being the Buzzcocks.

Første halvdel 4/5, anden halvdel 2/5. Punksange skal ikke være over 4 minutter lange!!

Kunne godt have brugt en kæmpe-banger eller to, men generelt fed! Kunne ret godt lide de lidt længere post-punk kodede sange på b-siden

Don’t fault those for giving 1s or 5s.

punk considerablemente más trabajado 3.5

Not for me, but I like that they’re punk but not obnoxiously punk.

Decent punk record, if not particularly memorable.

Buzzcocks… there’s a joke there. Buzzy cocks. Hahaha. Idk man. Like a vibrator on a cock. Or like… no probably the best joke there is vibrator on a cock. Whatever. This album is ridiculously boring. Save for the closer, which is hilariously good in comparison to everything else here, this is a really boring standard punk album that’s not emotional enough to cut deep, not heavy enough to be interesting, and not original enough to be worth my time. 6.4/10

Anything that wasn’t a straight up love song was great.

Bit one note. But not in a bad way

Definitely feels a little fitting listening to a song about hating fast cars whilst driving a van down the motorway 15mph under the speed limit It was enjoyable, but not that enjoyable 3

A fun one from early brit punks. I had fun.

Hey, do you like the Sex Pistols? Do you think the Sex Pistols would sound better if they tried to be a little more pop? This album is for you. Its good. It's only great if you *love* 2nd wave punk.

eka lätty on parempi

No Reply

In a nutshell: we've been spoiled! You either found the Buzzcocks via their compilation "Singles Going Steady" or by way of a later studio album. If you were like me and are more familiar with their compilation, we were spoiled. There's great material on here, definitely. What lets the album down for me is the recording quality. It sounds too clean, too lo-fi. It lacked umph for a post-punk/pop punk album. Perhaps that was the style at the time? Overall: 5/10

Much more enjoyable than expected

True to its genre, this is loud, fast and simple. CLASH it ain't.

Guess it was alright punk. Never really kept my attention though

Generally alright I suppose

Adequate

El riff de guitarra de Boredom me ha recordado al Me and the farmer de los Housemartins, solo por eso me lo guardo.

Þetta var reyndar bara fínt pönk

Good enough to shake me back into enthusiastically continuing this death march. Only 41 more to go...

6/10 It's alright, but 50 years on it doesn't have the same punch - dare I say it even sounds a little flat. At their best, Buzzcocks wrote some of the most urgent and vital songs to come out of punk, but I'm not sure the album still holds up

It's ok, yet another britpunk, the adverts were better

Expected to enjoy this more than I did, as I quite liked the Buzzcocks when I was younger, maybe it was the later stuff I liked? This was interesting, but I would not revisit. I was tempted to give this a 2.

Good stuff 3

The music and songs on this album are good or great. But after 4 tracks I get so bored by the singer his voice. For some reason his voice sounds like he's a character in The Chipmunks. So that's why this album gets: 3/5

Guitars are fun. Vocals are...something. "Sixteen" is wild. Neat album.

Decent No comparison to Singles going steady but good enough

Not bad. I still prefer American punk, but this was pretty good, as far as Brit punk goes. Name funny.

Who they influenced is better than anything they did but this wasn’t bad

Sound like the Sex Pistols. 3.5

There are better Buzzcocks records. This isn't bad but there are certainly better ones.

thought it wasnt that special but i guess this kind of music in 1978 was revolutionary, still an alright album though

не мое.

Liked it - but feel like their second is better. Maybe 3.5

High energy and pretty solid. Esp the opener. Def inspo for Automatic

Fine punk rock but didn’t really grab me.

3 1/2 I Don't Mind < - -

More inconsequential punkrock

It was better than I expected it to be, and the production quality was fantastic, even on the non-remastered version. It's pop punk, but done right. However, none of the songs really stuck with me, so I feel three stars is a fair rating. A high three, but not quite enough for four without some classic track to elevate it further.

Not as good as Love Bites, I Don't Mind is a great tune. Still a solid album (3.5)

Good

didn't like it at the start but it grew on me, music was great, vocals I could take or leave

I'm glad punk progressed beyond this. Fuck fast cars tho.

The Buzzcocks have the dubious honour of being the worst band I've heard live. That's not to say I think the band is inherently bad, but their particular set on that particular day was pretty damn rough. Opening act for the Stranglers, outdoor venue, not sure if the sound check was just weirdly, the acoustics of the venue didn't fully fly on a blustery day, or just a phoned in performance, but it was a real din. Very disappointing for me given I tend to really try and pay attention to the opening band. With that as my baseline my bar here was pretty low. The good news is they cleared it. This album certainly didn't blow me away, it had a little cluster of songs I enjoyed just fine, a lot more that in the week or so between listening and reviewing have drifted back out of my skull, but I certainly didn't hate my time here. Things could certainly have been a lot worse given my previous track record with the band. Don't exactly see what all the hype is about per se, but at least I can now more confidently say that at the very least they aren't just a bad outfit. I'll keep my ears primed to see if this redemption arc can go any farther.

3/5

Yet another album and artist that I've never heard of, though I think it can very easily be guessed that the genre of this album is punk. The album name and graphic design of the album cover are a lot artsier than what I traditionally associate with punk, but the late-70s release date and fashion of the band members is a dead giveaway. Anyways, here goes. Yup, on the money. This was an alright album. I'm not a punker by any means, but this release stands above the other punk offerings I've listened to thus far. The sound toes a fine line between being shitty/overblown and having a rich sound, with the guitars in particular having a nice, deep sound to them. Given that they make up the overwhelming majority of this album's instrumentation, I'd say that it was job well done. Moreover, the songwriting carries these tracks far, with the jumpy vocals pairing nicely with the aforementioned guitars. The vocals aren't much to write home about, but they get the job done. The runtime is about right for an album of this nature, and I came away with a mildly favourable impression as a result. Overall, this was a competent album. Book time. "Buzzcocks are rightly remembered as the poppiest of the original punk bands. But they were also the most sleekly modernist, and their debut album [...] shows a band who had not an ounce of spare fat. The band deliberately excluded their big singles from their albums because that was anti-corporate or whatever. The "...vulnerable boyish Englishness opened doors that many others, from Morrissey and Edwyn Collins to Damon Albarn, would step through." Wikipedia says this album was well-received by critics and appears to be revered by a few contemporary punk bands. Yeah, solid pick - this was definitely the best of the punk bands I've listened to thus far. I cosign this inclusion. ================== Album numero five hundredo. We are halfway through this mofugger, and I've enjoyed a considerable amount of it. These past hundred albums have been a real slog, and not just because I'm lazy. Over the past hundred listens I've picked up the pastime of assembling pre-written reviews for the albums I've yet to hear so I can offset the pain and misery of having to keep up with this list. Last I checked, I'd smashed out ~70 pre-written reviews, including all of the hip-hop albums, 69 Love Songs and Sings the Gershwin Songbook, the latter of which I actually rolled 6 albums ago. I'm now working my way through the albums that were removed from later editions of the book, which I'm close to finishing. I've kind of slowed down my pre-written review operations because of how long the removed album reviews take to write, but here's hoping I can get back in the saddle soon. On the subject of albums that were actually in this past hundred, I had some pretty fantastic pulls. I rolled five albums that were both new to me and were rated 4 stars, which is pretty fantastic by my standards. It more than makes up for how stagnant the previous hundreds of albums were. "A Walk Across the Rooftops" by The Blue Nile immediately comes to mind as a highlight. The album is pretty fantastic, though it's a crime that their follow-up, "Hats", never made it onto the list. That album is next level. "Casanova" by The Divine Comedy was another album I liked. There isn't much to say about it, really. It's just a fun and funny album with a ton of great songwriting. I've listened to it numerous times since first hearing it. "Halcyon Digest" was another album I took a liking to as a solid early-2010s indie rock offering, though I admittedly haven't given it a relisten. I'll need to hear it again sometime. "Timeless" was a solid drum and bass album, though there's only a specific time and place for listening to such music. "Music from the Penguin Cafe" was a rewarding album. Modern classical is a genre I need to sink my teeth into more, especially since one of my all-time favourite albums is a modern classical release (I Trawl the Megahertz). I've dipped my toes into some of the Penguin Cafe Orchestra's other works, though I don't think their other songs are as satisfying or engaging as their debut album. To round off this hundred-in review, I'll prattle off some miscellaneous points. It was good to revisit "The Bends" and "Duck Stab/Buster & Glen". My opinion on The Bends is more or less the same, but Duck Stab grew on me quite a bit. I think that album is fantastic. Bite me, thousand-and-eighty-nine albums generator website. My review of "Slipknot" stands as one of my favourites. I finished off The Smashing Pumpkins' discography with Mellon Collie. I can't say I liked the album, though my one-star review was certainly a little excessive - 1979 is a fantastic song. The first half of The Specials' follow-up album didn't interest me, but side B was pretty great with how unusual and experimental it was. I'll need to give that stretch a relisten. That was also the review where my forbidden autism powers unveiled eight fake list albums that were erroneously added to this website. It was good to listen to "Life Thru a Lens", if only for cultural and historical reasons. Morrissey's first solo album (it's ridiculous that there are four) was a major disappointment. Hopefully his other offerings are better. And, finally, it feels good to be rid of Joni Mitchell. Taking a look in the favourite artist trunk reveals that I'm down two albums since my last hundred. Not good. I'm about three favourite artist albums lower than where I should be if I'm to make it through this list with some of their albums in my reserves. Fortunately, The Flaming Lips have gone half the list without presenting themselves, so I'm glad to still have two great albums in my holdout. The Beatles: 2/7 Eels: 1/1 The Flaming Lips: 2/2 Gorillaz: 0/1 Pink Floyd: 1/4 (-1 since last hundred) Radiohead: 1/6 (-1) Total: 7 albums remain

Quite enjoyable punk romp.

Pretty standard early punk, does the job it sets out to do. Not particular standout tracks, but none that were annoying either.

definitely English and definitely punk, I respect the hustle. Favourite track: "Orgasm Addict" I guess, whatever man

A blast of an album. Had kind of a slow start for me, but tightened up pretty quickly and was a lot of fun.

They have a fun sound, but I thought a lot of the songs were too repetitive and sounded pretty similar.

Okay...punky, but repetitive

Not too shabby, some punk I can get behind.

Decent album, but didn’t quite grab me. Favourite track: Fiction Romance

solid

Pretty standard tunes for the time.

Nothing earth shattering. It’s just an average punk album from back in the day.

I like the Buzzcocks and it was fun to listen to this. They’re always labelled as punk but this leans much more into that post-punk sound of Wire, etc al, which is a good thing. Whatever the label, this is a fine burst of frantic, melodic, guitar pop that paved the way for so many, even if it does all sound a bit samey…