Reviews (page 5 of 8)
When I saw the year this came out and the genre I braced because my gut told me this would not be for me. My gut was MOSTLY right but I did find it interesting in a few spots. I still having gotten the taste for punk quite yet I don't think but I didn't completely hate it at least?
The first pop-punk record? Whatever you want to call it, this album is near perfect.
While many punk bands leaned into chaos and confrontation, Buzzcocks were masters of economy - delivering tight, hook-filled songs that are just as angsty as they are catchy. An album that perfectly bridges the raw power of punk with the infectious hooks of pop.
Gear: ZMF Bokeh Artwork: 🫤🫤🫤🫤 Production: 🔊❗️🔇😐 Music: 🧷🤔🤷♂️ Rating: ☎️☎️/5
I don't know, man. I just didn't understand this at all. 2.5 stars
This is the first time I've listened to a full Buzzcocks album. I've heard a few of their songs in the past, but it never really grabbed me. Some of the songs here are pretty good, and some really miss the spot. The vocals grind on me pretty quickly on a few of these tracks, which is odd, because it's the same voice on the other tracks, but it just works better. Lyrically, it's not the type of punk music that is going to make me come back for more. Since I didn't listen to them when younger, I've very curious what the nostalgia bias is with this band. The back half of this album really saves it for me. From Sixteen to the end of the album, I was WAY more interested in every aspect of the music than on the front end. But still not too interested. One listen was enough for me... It's what saves it from being closer to a 1 for me. I'll go for 2/5
good stuff
Very solid punk, but nothing to really write home about.
Early British punk that signals new wave with its energetic tunefulness and experimentation.
This is a solid-ass Buzzcocks album. There aren't too many of my favorite songs of theirs on here, but it's still the great smutty pop-punk that we've come to know from the Buzzcocks. It also shows that they weren't afraid to experiment a bit, as with the long instrumental section of the last track 4/5
Not my favorite thing. But the whole love/hate punk rock thing on this app is weird.
Short and sweet and entertaining.
That was a breath of fresh air.
It's very Clarrie-Anne. Might enjoy this after 8 pints.
Enjoyable punk album. Might get a bit repetitive after a while but i liked the first listen
Good ol' fashioned punk by a band I'm already familiar with
Decent punk rock, though we weren't overwhelmed with excitement. Probably would deliberately seek out Buzzcocks, but don't mind when they play.
Is it just me or are there like, at least 200 albums on this list that all sound identical to this?
I always think to myself that the earlier punk rock is simply not for me because a lot of the time it bores me since there isn't more to the aggression or the sound even if I do like the ethos. The buzzcocks got the poppier sound going for them and I do like some of the sings more than I'd think I would but it's not something I'd be coming back to any time soon, still it has some relatable songs and catchy tunes that I think someone more into this kinda thing would love.
3.7/5 can grow into a 4 if i get used to the first 4-5 tracks. as i’ve noticed with this project, i’m not a fan of most punk music. but this album feels more towards the rock punk genre and i have to say, i quite enjoy the second half of the album. the first four songs isn’t quite hitting me, but after love battery i’m really starting to enjoy it. the outro in sixteen is really cool. fiction romance is COOL, and the transition to autonomy is amazing. autonomy is my fave song from the album, but the last track moving away from the pulsebeat is a close contender. the drum beat absolutely slaps in that song!
Solid English punk
Pre punk pop? I wasn't impressed.
I liked this to some degree, some good riffs. In the end though nothing grabbed me enough for a save or a revisit.
Smart, dynamic, at times witty while also containing the right amount of social commentary…and just a kick ass rhythm section. It’s no wonder these guys were tour mates with the Clash. And you certainly don’t get other power pop/punk bands like the Plimsouls, Replacements or Hüsker Dü without these guys.
Excellent riffs, solid rhythm and an oh so eva’ British sound. I enjoyed it but didn’t necessarily stand out or wow me. 3.25
I’m a sucker for power pop punk and enjoyed this very much. Not much else to say. 3.75/5
La primera mitad es un punk bien básico y choto pero la segunda levanta y tiene una búsqueda más profunda y levantó lindo. Tiene un tema que es la base de 'Buenas Noticias' de Los Redondos.
I love tha contrarianism of their anti rock anthems. “Fast Cars, I hate fast cars” they have teen angst mixed with middle aged intellectual crankiness. The music is fun in its own serrated way.
Amazing punk album!
3.5
3.9
Not sure why is this on here... its pretty average..
2.5 - Meh
Fun, loud and high energy. Good one.
punk rock 👍
Another Music In a Different Kitchen is the first studio album from the Buzzcocks. The band were comprised of Sex Pistols fans, and tried to create a similar sound. Their music was more melodic and less political than the Pistols, and the result is a more accessible version of punk. Another Music In a Different Kitche is full of catchy, energetic songs that created a different side of punk than the Sex Pistols developed - one that is closer to pop than most of early punk.
Nije singles going steady ali je fora
This one really grew on my after a few listens - simple and direct in a punk style. I've added Fast Cars to my playlist
I like most music, but Punk ist just not my thing. This was Punk I can tolerate. But honestly every song sounds the same
Nothing earth-shattering, just fun melodic 70s punk.
I really liked the energy
A few surprises on here... There's some songs that go past 2.30, that's a surprise! Although they are usually filled up with guitar intro fillers or a repeating outro. Stick with the quick punky blasts. Top stuff.
Overpowering marching beat - vocal not strong enough to compensate. Can hear the sound of punk in the album but without much of the charisma.
It's punk. I'm surprised to say it's a little more melodic than usual and the guitar work in places is pretty good, but it's still got it's root in that punk rock sound. Buzzcocks sound a little more fun and joyful than your typical angry punk band. I'm not the biggest fan of the vocals either. 'Fiction Romance' and 'Moving Away From The Pulsebeat' are the best tracks here. The former has a great, driving, headbanging guitar and the latter sounds a little less punk and is on the verge of being almost heavy metal. I can't give it more than three stars. Decent album but there are others I've already reviewed that I'd much rather listen to than this.
i like the music. do not like the voice that would be more at home announcing the names of clowns at the rodeo
It's Britpunk
More British punk, like this list doesn't have enough
Enjoyed it.
Picture an average British punk album. You can probably hear it pretty clearly in your head, right down to the terrible singing. That's the Buzzcocks, with the exception of a short stretch in the middle of the record which had some really good and more varied songs. Favorites: Fiction Romance, Autonomy, Moving Away From the Pulsebeat
Итс окэй. Лучшая песня - I Don't Mind.
Best pop punk band ever and a great album
Everything i love about punk from the 70s-80s
Fast Cars!
Good album but not there best
It was OK. Not amazing.
Yet again, just give me The Clash.
This album took me back when I was 15-16 because that's when I got into classic punk, and I definitely was obsessed with the Buzzcocks. So, because of that I'll give it 3 stars. XOXO Maggie
Its fine. Too many punk albums on here
I fucking love this band. This not my favorite record of theirs. But Fiction Romance is a badass ass motherfucker. And the fact that they worked Ralph Nader into a punk song about driver safety, tickles my heart to no end.
the song will be called “goober” and the lyrics will be goober every day goober now my way goober goober you’re such a bloody goober
It’s brilliant. John Maher is an absolute animal.
Fast Cars: I hate fast cars. Preach brother. They are so depressing, going around and around. Sixteen: Bra driv.
very interesting! british punk isn’t my thing but it was worth trying out once
Fav song: Moving Away From The Pulsebeat Despite being one of the bigger UK Punk bands, I feel like Buzzcocks just kinda lack any attitude personally. Production sounds a bit weak and the lyrics didn't really hit home for me either.
The singing is so off-putting that it distracts from the exciting energy and decent (as far as punk goes) instrumentation. The melody is nearly nonexistent in every track, and yet the singer somehow manages to sing out of tune. And violently so. His hollering is wavery, untrained, even a bit grating. In addition, the Buzzcocks have placed this horrific tinny filter on the vocal that makes it sound degrees of magnitude worse. I don't normally pay attention to lyrics, but these ones caught my attention for being your standard fare of punk clumsiness: "My mad love battery wants to charge you / My mad love battery could maybe enlarge you" "Makes me wish I could drop / Dro dro dro dro dro dro dro drop / And I don't like French kissing / Because you swallow my tongue" "You tear me up, you're a bloody swine / All this slurping and sucking / You know it's putting me off my food" One criterion I always consider when judging an album is how it works as a whole experience. Does the album tell a story, even if only emotionally? Energetic ups and downs are a must for any good record. Punk tends to get this wrong (being high-energy by nature), which is why I think it's a genre that albums simply aren't equipped for. Another Music In A Different Kitchen is no exception here. There aren't any "down-tracks" or ballads to break up the tiring passion and anger. All that being said, this isn't the worst I've heard. Some of the riffs and basslines are pretty good. 2/5 Key tracks: Fast Cars, I Don't Mind, Fiction Romance
I thought this album was a ton of fun
Shameful display of punk rock (or something similar) by Buzzcock, offering us an album full of... punk rock. I'm fully disappointed, even though I had no expectations beforehand. It's just 15 minutes I lost and will never get back.
Ok
There's just so much better punk today. Sure they were some of the ones doing it first but this is outdated. Only interesting in historic terms
Fun! Favorite track: I Need
Another fun and energetic but not especially memorable punk album. It’s much more frenetic than their big single Ever Fallen In Love (which came out on their second album only 6 months later) but nothing really sticks in your mind like that one does. It gets a bit more interesting towards the end when things get a bit darker, but otherwise it sounds like a lot of other punk albums from the same time
Frantic, energetic and fun. This album makes you wanna party and drive fast cars
First Buzzcocks album - fast catchy and fun - no complaints here.
pretty straightforward punk, no complaints here
Raw at times but with enough melody through it to keep it engaging.
4 great punk album. Favorite songs I need and what do I get
It was okay. Just kinda average early punk that didn't do much for me.
Decent punk sound. Didn’t seem to do anything to novel
The Buzzcocks are smart and clean punk rock. This album shows them at the beginning, but in full stride.
December 27, 2024 HL: “Sixteen”, “Autonomy”, “I Need” Another Music in a Different Kitchen by the Buzzcocks is the 61st punk album so far
My instinct when seeing that a Buzzcocks albums was generated was to think, “I only know Ever Fallen In Love (With Someone You Shouldn’t’ve).” But then I started wondering if they’d be one of those bands that you don’t realise that you actually know quite a few tracks of. Well, not this time. I didn’t recognise anything here. It’s all somewhat in the same vain, and I didn’t mind it, but it didn’t really captivate me of keep me wanting more. I had it on while driving and it didn’t make me want to turn it off, but equally didn’t make me want to turn it up either. It’s fine.
Boppy, fun, but not really me.
Fast and fun, like Buzzcocks are wont to be.
Think I wanted to like it more than I actually did. Fast Cars and I Don't Mind the pick of the bunch.
Borderline 3; 2.8 rounded up. A little bump for punk cred.
I hate this British punk
Good old fashioned punk rock, enjoyed it!
Hrmm, late 70's Punk. Sounds exactly as expected. Not bad, just not much grabbing me.
Raw, in a good way with an infectious energy. This is a good showcase of punk at the time, but not an album I’d return to.
The Good: the words “another” and “different” in the same title… The Bad: grammatically it might be okay, the title makes no sense The Ugly: that they just didn’t stick to being the band that helped name one of the greatest punk albums ever… I don’t like punk, but I do appreciate the fact that they, at least, keep their songs to around 3 minutes max, so it’s easy to listen to one song without being overburdened. As I don’t like the genre, I wouldn’t be able to explain why The Sex Pistols used part of this bands name in their classic album, but maybe it’s because these lads are the OG? I don’t know… I don’t care… Will dish out 2*...
A bit clean and musical for pure punk, haha. Very enjoyable.
I really liked the energy of this record. I like Pete Shelley's solo output, so not surprised that I liked the vocals on this.
热血日漫了
Early rock style with teen angst vocals. A good testament to garage rock, but not one I'd listen to again.
A nice, quite poppy punk album. Sounds a bit like Ramones (short songs, the vibe) but not quite as good. Pleasant but I miss a bit of rawness.
Buzzcocks sound very similar to what I imagine Chipmunk Punks would sound like. Did not enjoy this album as it seemed a bit amateurish throughout. (1.3*s)
This album was decent but didn't really do much to stand out from the sea of other BritPunk bands of the era. The guitar slips off-time and the songwriting is really basic but I didn't hate it. I think I just prefer more aggressive, dirty punk. This was like the Sex Pistols without the sex. A lot of the songs sound the same and I think something was wrong with the cymbal at one point but I liked that you can understand a lot of the lyrics (although very juvenile). I'll give them a 1.60 because of the upbeat, ongoing energy throughout.
Some pretty good gutter punk to start the first half of the album off. By "Fiction Romance" the cocks tighten it up and the 2nd half is better, more refined punk. Punk can sometimes be too repetitive and amateur sounding but this was a good snapshot of the early days in the genre and I was in for the whole thing. Less political and ill-tempered compared to other punk acts like the Sex Pistols...a good debut...2.7.
Another treat from the early brit pop genre. I'm always impressed when a group of 20-somethings can throw something simple like this together that manages to so effectively hit the mark. Another Music In A Different Kitchen is pretty solid 35 minute album. A handful of fun, varied pop punk songs with limited low points. This album holds up really well and seems to be ahead of its time as it feels like something that could have been released in the late 90's/early 2000's (or even more recently even) and still made a splash. I'll admit that I enjoyed my listen. Great selection by 1001, might have to check out some of the other Buzzcocks hits. 3.58 stars
pretty solid punk album. definitely in the era of that first wave of british punk acts, but decidedly different than contemporaries like the sex pistols. the energy is fun, but the song mix here wasn't totally my favorite. don't get me wrong, there's some good stuff. it just didn't totally blow me away. also the weird bleep bloop scale at the end of "moving away from the pulsebeat." bleep bloop bleep bloop bleep bloop bleep bloop. odd. but mostly enjoyable.
I’m never sure what to do with the Buzzcocks. They’re not BAD, but they’re so generic and don’t really do enough to set themselves apart from the standard punk band. It’s like they were made in a lab to be fine.
RAD!!
I always liked the singer's voice, the flippancy he has in it. It feels like he's not taking any of it seriously. It's hunny, I thought he was singing "honey" in "I Need." As in "I need honey," you know? It's funny how easy it is to get lyrics confused (" 'scuse me while I kiss this guy..." ). It's funny that the bonus edition has the first song of theirs I had heard: "What Do I Get?" Even without it, it's solid and fun album. Definitely punk, no holds barred. Thumbs up! Top tracks: "Fast Car," "Autonomy," "I Don't Know"
This is slick - love the sound, more melodic punk than normal, even if their vocals sound like too much of a Johnny Rotten/Sex Pistols ripoff. Loved the tempo, loved the riffs. Brings you in right from the start with Fast Cars and No Reply and they close awesomely with Moving Away from the Pulsebeat (drums really prominent on this last one). The one thing these guys don't do is political lyrics - it's more cheeky relationship stuff. Maybe that's why they're considered pop punk as much as punk. I can see where the US pop punk scene built off this (thinking Offspring). But I like that scene and I can't get enough of this full sound. Sixteen, I Don't Mind, Fiction Romance, Autonomy - what a sequence to close out side A and usher in side B (other than the fact those last two have very similar sounding intros). A definite 4 but I'm going higher because I liked it more and more each time and these guys are pioneers.
Punk with some inventive guitar riffs/chord progressions. Strong rhythm section, too. The singer is pretty typical punk, but I probably have causality reversed - looks like Pete Shelley influenced a lot of punk bands with his style. Overall, it's a rocking album. Favorite tracks: Fast Cars (good rocking opener, although somewhat silly lyrics), I Don't Mind (sounds a little glam), Fiction Romance (liked the driving beat on this one), Autonomy (almost New Wave?).
Yes another punk album. It's ok, nice harmonies in some songs. Enjoyed some more than I expected (autonomy, i don't mind). 3*
Définitivement parmi les meilleurs albums de punk que j'ai eu dans cette liste, surtout si on parles des premiers albums qui ont façonné la scène. C'était accrocheur sans être quétaine, abrasif sans couper dans la musicalité. L'humour et les commentaires sociaux étaient super bien fait. Vraiment à part quelques passages qui m'ont laissé plus sur ma faim, ça reste un album que je vais devoir garder en rotation. 9/10
2,5
I'm not a big fan of punk rock. Too simple in both song structure and technical musicality while also deliberately avoiding any form of musical beauty. A couple songs maybe stand out but not enough to figure out which ones they were.
86% Best: You Tear Me Up; Get On Our Own; I Don't Mind; Fiction Romance; Autonomy; I Need; Moving Away from the Pulsebeat Must-Hear? Sure
Mediocre.
I don't know how I feel about this album, but plus one on top of whatever I end up rating it because of the band name 3/5
Good work boyos
No. 291/1001 Fast Cars 3/5 No Reply 2/5 You Tear Me Up 2/5 Get On Our Own 2/5 Love Battery 3/5 Sixteen 2/5 I Don't Mind 3/5 Fiction Romance 2/5 Autonomy 3/5 I Need 3/5 Moving Away From the Pulsebeat 2/5 Orgasm Addict 2/5 What Happened To..? 3/5 What Do I Get? 3/5 Oh Shit 2/5 Average: 2,47 Don't like their style of punk.
Favorite Track: Fast Cars
buncha punks
Sopivan yksinkertaista ja melodista punkkia että tästä voisi jopa digailla. Jotain silti jää puuttumaan ja ei nappaa. Niukasti tipahtaa gagoseen.
Ei ollu kovin häävi
The buzzcocks are very influential in regards to punk and commonly considered the first real "pop punk" band. This album specifically is more straightforward punk, not too catchy but still light enough to make the distinction understandable. I like my punk, especially from this era, with a lot more give (and if it's "pop punk" it needs more power pop lean to it for me to fully appreciate) but it isn't half bad. No huge duds but no standouts either. Solid all around, if not a bit forgettable. 6/10
It's the Buzzcocks, you cannot go wrong!
Solid!
Decent punk music
Great album. Fantastic early punk, and you can hear how they influenced so many other bands
Scuzzy, sharp and electric! Riffs galore, shouty, sneery lyrics! Awesome!
Its alright!
Alright
1. carz - 1.5 2. reply - 1.5 3. tear -1 4. get - 1 5. battery - 1 6. zizteen - 1.5 7. mind - 1 8. fiction - 1 9. autonomy - 1.5 10. need - 1 11. pulze - 1
Bad
I get it for the time. I like the influence d bands better.
Sounds like they are having fun, although the lyrics can be a bit repetitive.
This was a hard one to get through. Al thoroughly by (thankfully) it was short, its style was not good at all. This punk is something I will never understand- it has always felt like an unsuccessful garage band stuck in their high school ways.
Actual original 70s punk would have been so much better if even 50% of the band members were halfway good at learning how to play their instruments. Shit like this gives everyone decent around them a shitty name. Run along back to class now, little boys. 3/10 1 star
Fun punk album, not as catchy as singles going steady
A well loved album. Really, a singles collection is what feels right for Buzzcocks. Happily, all of their albums sound like they are made up of 100% singles. Probably my favourite punk band and pretty much the beginning and the end of pop punk.
Nice punk but it really comes and goes fast. Great songs but not really memorable and very little diversity.
A fun and solid punk rock album which outside of pulse beat track does not offer much ground breaking , Regardless a fun and interesting listen , excited to run or workout to this … idk if a punk rock could ever make it to a 4/5 for me though as this is fairly solid
I like it.
good punk album. the instrumentals were better than I expect from a punk album
I was watching Nevermind the Buzzcocks last night. The adverts before it starts are as follows. Oura ring Polestar 3 Disneyland Paris John Lewis Michael Lors fragrance Singleton whiskey Nuromol The Buzzcocks would be turning in their graves if they were dead. This album was ok.
‘Sixteen’ is the one real stinker on this. The rest is awesome three chord pure pop punk goodness.
Meh. Punky
Sounded okay but it wasn’t very memorable
Among their contemporaries this was one of the punk albums that was easiest to listen to, but that was also probably why they were perhaps less influential to the late 70s and early 80s punk scene than say Joy Division, Sex Pistols, The Clash, Killing Joke, and The Ramones. I can hear how and why they influenced some of the artists I enjoy. Favorite tracks: "Fiction Romance" and "Autonomy"
Surprising
Yup. Late 70's angry punk. Nothing to spend much time listening to.
too rowdy for me
The vocals on the first track turned me off a bit, but things quickly improved after that one. Before I knew it I was longing for a crowd I could mosh with! Good energy for pogo-ing around the house. Fiction Romance is the highlight track for me.
Not bad, but they have one mode, and it does feel like the same formula over and over. But still fun. I'd actually be quite into a hypothetical scenario where this is re-recorded with a more indie rock production. With trumpets obvs 5.5 / 10 Good tracks: What do I get, Moving away from the pulsebeat, fiction romance
I seem to be saying this a lot, but although I didn’t hate it, I won’t be listening to it again.
Took me some time to really get into the vocals here but nonetheless such a fun record. More punk music by weird horny bisexual guys!!
Great punk album
A little bit of a Ramones kind of punk rock sound. Solid energetic album.
Cock buzzing goodness. 4
Felt the punk energy and loved it
5 out of 5. Really happy to see the Buzzcocks on here. Not as strong as, say, Singles Going Steady but I Don't Mind and Fast Cars are classics.
Ok, but a bit repetitive.
My first exposure to the Buzzcocks was their brilliant singles compilation, Singles Going Steady, that I dubbed onto a cassette tape in the early 80's (on the flip with, Circle Jerks- Group Sex/Wild In the Streets) and I played that tape more than any other, even to this day. I would consider it one of the greatest punk records of the 70's. The Buzzcocks only released three studio albums during their first run in the 70's and it's the deep tracks that make these albums worth a listen. Their debut, "Another Music..." shines with energetic and catchy melodies that drive the music towards a pop-punk sound that never fails to put a smile on my face. There are a couple songs that are on Singles Going Steady, but the whole record is solid.
Another punk album I wish was over by halfway through. Low 2.
Favourite tracks: fast cars; autonomy; I don't mind; fiction romance; I need
Energetic first gen punk
Op Spotify tref ik de 2018 remastered versie en ik verwacht dat ze dat goed uitkomt. Waarschijnlijk vond ik het origineel schel en vervelend, maar zo is 'ie wel lekker hoor. Punk, lekker to the point zoals het hoort, nog enigszins muzikaal, een lekker dikke baslijn eronder. De Britse zanger levert precies genoeg zonder echt te irriteren. Doet denken aan Tony Hawk Pro Skater 2 en dat is altijd goed. Ik vind dit niet perfect, maar ik ga toch gewoon een 5 uitdelen. Dit is gewoon een lekkere snack tussen alle culturele onzinalbums door.
A guy I knew called them the Lightning Choads. Funny. Good, not great
# 343 : They've done a pretty decent job, good album, it’s enjoyable and fun overall despite sounding very samey throughout. Not much musical ability required to make early Brit punk, just sayin'. Favourite Track : Get On Our Own
Favorite Track: Sixteen
waay ahead of its time
The raw, intense and gritty sounds of early 1970's Punk meets the bright and catchy Pop-influenced melodies of the times. A brilliant debut record from the UK Punk rockers!
"I like my music like I enjoy sex: Fast and quick!" Hahaha Good Punk Rock album!
I cringed a little when I first heard the singer's "talking" style but actually warmed up to this album as I listened - not my thing but quite fun. Rating: 3
I feel like I haven't had a woman in a while
Easier to listen to English punk rock. Late 70's.
It's not my sort of music.
Moving away from the pulsebeat is a belter.
Very punk. Got a bit repetitive with the guitar, but the album was short enough not to be a problem
This rocks!
I don't know - - -2.5? but gonna go 2. I hear the quality but just not connecting
I don't know if I have a solid opinion on this band. Definitely feels ahead of it's time in '78.
Never gave the Buzzcocks a chance since I'd always written off early punk as Sex Pistols always felt so overrated. This was thoroughly enjoyable though, so maybe I unnecessarily cut them all off. Real groundwork being laid here for lots of future bands from a range of genres, poppunk obviously, but even stuff like Qotsa and Gary Numan I can hear here.
Strange band out of the 70’s. Listened, just strange.
Borde kanske gilla det här....
Let the punk-rock play. That's what i say.
70’s British punk. It all sounds the same. Indistinguishable vocals, loud for loud sake garage sounds. Not for me.
Wanted to like it more than I did - I love the Singles Going Steady comp - but still very good. 3.5/5
Positivt överraskad! Skojigt punk album. Bästa låtarna: I don't mind / autonomy. STARK 3
Few album covers and titles have evoked such emotion as this. As with most early punk, I found this to become tiresome pretty quickly. Some decent drum/bass exchanges with a few standouts tracks in the mix: You Tear Me Up, I Don't Mind, Fiction Romance. I didn't hate it, but it's certainly not my cup of tea. 2 / 5.
Punky little brits. I like this more than the other punk albums lately but still not my genre. 3 stars
Fine enough punk. A little longer than most punk albums. Has a lot of the same criticisms where it sounds like a lot of the same, but I feel like this album had a bit more variety. Still didn't wow me in any sense.
Lot of punk, little bit of pop. Nothing really jumped off the page at me. Some of the guitar work was really good though.
Immediately thought I was listening to Pink Floyd with the dial tone in No Reply. Feel like I've heard worse punk but also way better punk. Low 3.
I liked it. No more.
Short and English, like a lot of the best punk, with all the best Buzzcocks songs that no-one knows
Rockiges Album der späten 70er mit teilweise powervollen Punkrock geprägten Songs. Es war ein ordentliches Hörerlebnis aber kein „Überflieger“.
I guess I should start by saying that the guitars and drums sound really good. They don't play many memorable parts, but at least those power chords sound good. If you played the isolated guitar part from any track I don't think I would be able to tell which song is which for the most part. However, the worst part about this album is the vocals. I just find his voice to be annoying. He is just a little too whinny, too high pitched, and too bri'ish. Despite all of this complaining, I didn't hate this album. It's just more late 70's run-of-the-mill punk. Low 3.
Great. Very influential. Definitely stood the test of time so far. Favorite song: I don't mind (the title is I don't mind)
Punk bitch
4/5. The fast and short songs don't really get old and each song feels unique enough despite a very similar style and rhythm. There is an intensity, not necessarily of anger, despite some lyrics, but more of a misunderstanding, like someone who has been betrayed and is standing up for themself. It doesn't always reflect in the lyrics but there is a sadness here too which is interesting. Maybe I'm only projecting but I did enjoy this one the more I listened to it. To be fair, there is an overall excited energy in general which is hard to not enjoy . Overall, it was a pretty good album, not perfect but still great. Best Song: I Don't Mind, Moving Away from the Pulsebeat, I Need
Superb record, edge of when punk became post
They really will put any old British album on this list, huh?
Solid UK punk with a surprising amount of melody that was often left out of similar bands' work at the time.
Music in the kitchen hits different, and Buzzcocks music hits different no matter where you listen.
*no music on this album. Just screaming and noise
I was concerned that a late 70s punk record would be a little too avant garde or noisy. But this was fun. I could see how this style evolved into some of the early 90s punk rock like Green Day
I couldn't believe this album was from the 1970s. The punk rock sound was so fresh and energetic that I thought it must be from a more contemporary time a la Greenday. This was a really fun listen, especially from a punk history perspective. Ultimately, the songs were good but blended together a lot. Not a bad thing, but it's the main reason I don't see myself listening to this one again.
Deece rocking
Probably my favorite of the first wave UK punk crop. Smart, funny, fast as hell, and hooks for days. There will never be another Buzzcocks
Meh.
Þetta er ágætt pönk, hressilega fjölbreytt og óvenju lagskipt miðað við stefnuna. Ekki mitt fyrsta val en ég gæti alveg meira af þessu.
a lower 4 than the neon bible one but i still liked this a lot
I really enjoyed this The songs blended well together I like how it was a bit weird
Todella kova levy! En muistanutkaan näin hyväksi. Kunnon brittien ekaa aaltoa koko levy! 4/5
Mainio punkkijyräys! 4/5
I do like some old school punk rock.
I started with I Don't Mind and got my hopes up. It went down hill from there. Not my genre I guess. Strong 2
Not part of a must listen to list
Didn’t care for the first half of the album. It’s a debut album, but it feels too isolated and rudimentary on some of the songs. Either the lyrics are isolated and sound bad, or the instrumentals are isolated and sound uninteresting. Garage band feel, which has its charm. Second half of the album changed up the sound a bit and got more consistent quality. Standouts: I Don’t Mind and I Need.
Straight down the middle punk rock for me. Nothing super amazing.
### **In-Depth Review of "Another Music in a Different Kitchen" by Buzzcocks** Released in March 1978, "Another Music in a Different Kitchen" was the debut studio album by Buzzcocks, a pioneering punk rock band from Manchester, England. The album captures the energy and ethos of the punk movement while introducing a melodic sensibility and emotional depth that would become the band’s hallmark. This review will examine the album’s lyrics, music, production, themes, and influence, as well as its pros and cons. --- ### **Lyrics** The lyrics of "Another Music in a Different Kitchen" are a significant departure from the nihilistic or politically charged content typical of punk bands at the time. Instead, Buzzcocks, primarily through lyricist and frontman Pete Shelley, focus on themes of alienation, love, lust, and confusion. The songwriting is introspective and relatable, often exploring the complexities of relationships and emotional turmoil. 1. **Love and Relationships**: Songs like "I Don’t Mind" and "Love Battery" explore the messy, conflicted feelings surrounding romance and attraction. Shelley’s writing frequently touches on the vulnerability of youth, the awkwardness of social interactions, and the emotional highs and lows of love. His approach combines straightforward language with a sense of irony and self-deprecation, giving the lyrics an honest and raw edge. 2. **Alienation and Existentialism**: Tracks like "Fiction Romance" and "Autonomy" capture a sense of estrangement and introspection. "Fiction Romance" critiques the superficiality of human connections, while "Autonomy" speaks to the desire for independence and self-determination. Shelley’s lyrics are filled with ambiguity and open-ended questions, reflecting the uncertainties of life and the complexities of personal freedom. 3. **Humor and Irony**: There is a playful, sardonic humor throughout the album. Songs like "Fast Cars" take a jab at consumer culture, while "Get on Our Own" uses irony to critique societal expectations. This approach sets the Buzzcocks apart from many of their contemporaries who were focused more on anger and rebellion. ### **Music** Musically, "Another Music in a Different Kitchen" is an eclectic mix of punk rock's energy and the catchy, melodic hooks that would come to define the band's sound. 1. **Punk Energy**: The album is propelled by the frenetic drumming of John Maher and the punchy, driving bass of Steve Garvey. Tracks like "Fast Cars" and "No Reply" burst with the raw intensity and speed characteristic of punk rock. The aggressive yet precise guitar work of Steve Diggle and Pete Shelley provides a solid backbone to the songs, delivering rapid-fire power chords and sharp riffs. 2. **Melodic Sensibility**: What distinguishes Buzzcocks from many punk bands is their ability to marry this intensity with pop melodies. Songs such as "I Don’t Mind" and "Love Battery" feature catchy choruses and memorable guitar lines that are easy to sing along to, which contributes to their enduring appeal. Shelley's high-pitched, nasal voice cuts through the mix, adding an emotional quality that complements the melodic focus. 3. **Minimalist Arrangements**: The arrangements on the album are relatively simple and direct, with an emphasis on the guitar-bass-drums setup typical of punk rock. The use of repetitive motifs and hooks helps to create a sense of urgency and immediacy. There is little in the way of solos or complex instrumentation, which suits the raw, unpolished aesthetic the band was aiming for. ### **Production** The album was produced by Martin Rushent, who had previously worked with the Stranglers and would go on to produce for bands like the Human League. Rushent's production on "Another Music in a Different Kitchen" is clean and crisp, highlighting the band's tight musicianship while retaining the raw energy of their live performances. 1. **Crisp Sound Quality**: Unlike the lo-fi, muddy production that characterized many early punk records, Rushent's approach gives the Buzzcocks a polished but still edgy sound. The guitars are sharp and clear, the bass is punchy, and the drums have a solid presence. This clarity allows the intricate interplay between Diggle and Shelley’s guitars to shine through, making the album feel vibrant and alive. 2. **Emphasis on Dynamics**: The production also makes effective use of dynamics to add emotional weight to the songs. For example, "Fiction Romance" builds gradually in intensity, with the guitars becoming more urgent and the vocals more insistent as the song progresses. This contrasts with the straightforward, unrelenting speed of tracks like "Fast Cars" and "Get on Our Own," adding variety and depth to the album. 3. **Use of Studio Techniques**: Although the album largely avoids elaborate studio effects, there are subtle touches that enhance the songs. Echo and reverb are used sparingly to add atmosphere, while slight distortions on Shelley's vocals in certain tracks create a sense of disorientation and angst. These techniques add nuance without detracting from the raw punk sound. ### **Themes** "Another Music in a Different Kitchen" deals with themes of alienation, personal identity, and social critique, all filtered through a lens of irony and wit. The lyrics often juxtapose existential uncertainty with a desire for connection and meaning. 1. **Alienation and Isolation**: Several tracks explore feelings of disconnection, both from society and within personal relationships. "Moving Away from the Pulsebeat," with its repetitive lyrics and hypnotic rhythm, conveys a sense of being out of step with the world, while "Autonomy" speaks to a longing for freedom from social constraints. 2. **Desire and Frustration**: Many of the songs deal with themes of desire and frustration, particularly in the context of romantic relationships. There is a palpable sense of yearning in tracks like "I Don’t Mind," where Shelley sings about the conflicting emotions of love, desire, and insecurity. 3. **Irony and Critique**: The album often employs irony and a critical eye when addressing broader social themes. "Fast Cars" mocks the obsession with materialism and status symbols, while "Sixteen" takes a tongue-in-cheek look at youthful angst and rebellion. ### **Influence** "Another Music in a Different Kitchen" had a significant impact on both the punk and post-punk scenes. Buzzcocks’ blend of punk rock's raw energy with pop sensibilities helped pave the way for a more melodic approach to punk music, influencing countless bands in the years to come. 1. **Punk to Pop-Punk Transition**: The album is considered one of the earliest examples of what would later be termed "pop-punk." Bands like Green Day, The Offspring, and Blink-182 drew inspiration from the Buzzcocks' ability to combine fast, aggressive music with catchy melodies and accessible lyrics. 2. **Post-Punk Movement**: Beyond its immediate punk impact, the album also influenced the emerging post-punk movement, which sought to expand the boundaries of punk rock. The Buzzcocks’ incorporation of emotional depth, melodic complexity, and lyrical introspection can be seen in the work of bands like Joy Division, The Cure, and Wire. 3. **DIY Ethic and Indie Scene**: Buzzcocks were instrumental in promoting the DIY ethic that became a cornerstone of the punk scene. Their decision to release their first EP independently set a precedent for other bands, and their success demonstrated that it was possible to achieve critical and commercial recognition without major label support. This spirit would later shape the indie music scene in the UK and beyond. ### **Pros and Cons** #### **Pros:** 1. **Memorable Melodies and Hooks**: The album is filled with catchy melodies and hooks that are both immediate and enduring, making it one of the most accessible punk records of its time. 2. **Emotional and Relatable Lyrics**: The lyrics, dealing with love, desire, alienation, and existential angst, are introspective and emotionally resonant, setting the Buzzcocks apart from many of their contemporaries. 3. **Tight Musicianship and Dynamic Production**: The band’s tight musicianship, coupled with Martin Rushent’s crisp production, ensures that the album sounds energetic and fresh even decades after its release. 4. **Innovation and Influence**: The blend of punk aggression with pop sensibilities marked a significant innovation in rock music, influencing both the punk and post-punk movements and beyond. #### **Cons:** 1. **Lack of Musical Variety**: While the album’s directness and simplicity are part of its charm, some may find the lack of musical variety across the tracks to be monotonous. The songs tend to follow a similar structure and tempo, which might not appeal to listeners seeking more experimental or diverse sounds. 2. **Vocals Might Be a Barrier**: Pete Shelley’s high-pitched, somewhat nasally vocal style may not be to everyone’s taste. For some listeners, this could detract from the overall enjoyment of the album. 3. **Limited Scope in Production Techniques**: Although the production is clean and effective, it does not take many risks in terms of experimentation. The minimalist approach may be seen as too restrained by those who prefer a more layered or innovative production style. 4. **Short Track Lengths and Rapid Pacing**: The brevity of the songs (many under three minutes) and the rapid pacing might feel too hurried, giving some listeners the sense that the album rushes through its content without fully developing certain ideas or themes. ### **Conclusion** "Another Music in a Different Kitchen" is a landmark album in the evolution of punk rock, combining raw energy with a pop sensibility that set it apart from its contemporaries. While its lack of musical diversity and Shelley’s unique vocal style might not appeal to all, the album’s memorable melodies, emotionally resonant lyrics, and tight musicianship make it a compelling listen . The record's influence on punk, post-punk, and the broader indie scene cannot be overstated, marking it as a foundational work that continues to resonate with new generations of listeners.
Never heard this before. This is proper pop-punk. I really enjoyed this. So much better, than, say, Green Day's Dookie for example.
Hohum... AH, this was just after the departure of Howard Devoto as the vocalist. That's probably why it doesn't resonate with me.
Melodic punk. My main takeaway was the drumming. Although it could be because the last 7 minute song was almost entirely beats (good beats). Glad I stayed for the "credits" though. "You do you do you do you do too"
Not as edgy as some punk, and the singer is a bit more melodic than some punk singers (although still very punk-ish? punk-ey? punk-lik?). I think this is a good overall representative of the genre. It's not one of my go-to genres, but I listened to this album several times without getting annoyed or tired of it... but also without falling in love with it either. I did enjoy the last one (Moving Away From The Pulsebeat), which had a bit of a beach rhythm to it.
Think I had heard of them but had never listened to any of their albums...enjoyed this one. Punk edge that never went too far.
Good. Didn't get to spend much time with it..
just that standard, british, light punk-esque music. fine
This is just super fun and incredibly high energy. Short and sweet and I unexpectedly loved it
Solid 70s British punk. A lot of Buzzcocks best stuff wasn't on studio albums though; given that compilations seem to be fair game on this list, maybe "Singles Going Steady" would have been a better inclusion.
Listening to this, I realized that this is just about exactly what I want from a punk rock album. Still not my favorite genre, but this one rules. Favorite tracks: "Get On Our Own" and "I Don't Mind."
I'm not entirely sure I heard a groundbreaking sound within Buzzcocks' Another Music in a Different Kitchen, though I recognize they were early on that pop punk scene. The vocals weren't anything spectacular, but that is often the case with punk from the seventies and eighties. The pop punk made for a fairly easy listen at least. I felt real kinship with the song "I Need," particularly with the lyric "I need cash".
Not bad for something in the punk space! It was coherent, wasn't too hardcore, and had a mix of new wave in it (which is a win in my book). As I have come to realize, a lot of punk is quick, short, and to the point, and this album is pretty much the same; it clocks in at just over 35 minutes. The longest song on the album (also the last) occupies nearly a fifth of that time, clocking in at 7 minutes. The majority of it is an epic closing jam, but the last 2 minutes are occupied by some silence and weird beeping. So...there's that. Really, it's too bad that this album is relatively unknown, because it's a great intersection of punk and new wave.
Listened Before: N Sex Pistols, is that you??? British pop punk from the 70s! Cool stuff. And much less political than the Pistols but very similar sounding. I dig it. Added to Library? N Songs added to playlist: What Do I Get?
Listening to this while driving to something you’re late for is a good idea
God I fucking love punk. Favorite track: Autonomy
At first I wasn't too fond of it because I thought it was just kind of flat, but there were enough catchy beats and punk energy to reel me back in
It’s okay, it’s very retro and buzzy, it’s not clean for the most part but it’s okay to listen to, I guess I would probably recommend it to a very particular amount of people because it’s not very, very good IMO. 7.12/10
I thought I would like this one a little more than I did. I really like late 70’s British punk for the most part, especially the Clash, but after three listens this one didn’t really grab me fully. I liked it, especially the punk guitar work, and I don’t mind the vocals (much more listenable than Sex Pistols), but I personally don’t think it has very strong songs. Autonomy was the only song that I really gravitated too each listen.
I prefer the Singles going steady comp, but some good songs on this
A good amount of fun! That drum breakdown towards the end of the last track is very cool and rousing!
I really enjoyed this on a first listen! Great energy and fun, angry vocals and lyrics. Good discovery for me!
pretty teenage and angry but thats what makes punk fun! reminds of of being a teenage, wish I had listened to this while biking around because it was very energizing. Instead i listened while I answered emails at my work desk ... rip
Not my kind of music
I’m surprised by how good this is.
A shrill rapid fire Guitars a rolling flame wheel A blast of punk rock
Never heard of them. Nothing really impressive.
No thanks. 1.45
Not my jam 🤷♂️
Buzzcocks are am underated band thats one of the best to ever to play punk. Not many have done it better even afterwards. This is a masterpiece of its genere. This was recorded in 1977. This sound was hard, fresh, raw and they did it first amd better.
STANDOUTS: n/a; I'm going to start adding DNF to these reviews, because DNF. OVERALL: 1/5
3.5 I liked it but not enough to revisit
Hell yeah.
Fun!
Punk but very melodic with a lot of good riffs. Nice interplay between guitars and bass on Fast Cars and the guitar tone is great. You Tear Me Up has a neat double time section, and Get On Our Own even has a solo. Fiction Romance is another catchy one. The drum intro to Autonomy bears a striking resemblance to Run to the Hills - coincidence? It's another strong song in any case with the dual guitars shining. Loses momentum with the long Moving Away From The Pulsebeat followed by the somewhat cringeworthy Orgasm Addict. I still liked this overall.
Fun style that reminded me of the Ramones
Pretty high energy. 2.5.
Gets tiresome after a while.
Is this the same song on repeat 10 times? Not 11 because the last song actually sounds different than the rest
The whole album sounded exactly the same, from the first song to the last. 4/10.
Not as much screaming as on other punk albums so it still deserves 3 stars.
Fun British punk album with good energy and some humorous bits. Nothing remarkable here though. Most of the songs sound really similar so I found myself tuning out a lot.
Raw, intelligent, with beats that pummel your skull. Just what punk should be.
Really good
Pretty average 70s Brit punk. The vocals became annoying pretty quick.
Above average punk driven songs about love and desire. Pete Shelleys vocals are a bit Marmite. Very tight guitars. I like
I wish I a) had a friend in a band and b) could say the band sounded like this
The title is accurate because I really do wish I listened to another music
I got into the Buzzcocks way late, but better late than never. Love this band. My kind of punk. 4.5 stars.
LOVE this band. Managed to catch them in concert a few years before Pete Shelley died. All those years after this album came out, they were still killing it onstage.
This was fine. It may have been more impactful when it came out but it's just a 90s album to me now
i need is probably the stand out for me on this album . again another album i imagine young kids in the 70s/80s listening to and their parents being like wtf is this trash and the kid is like you dont get it MOOOOMMM its MUSIC!!!!! its LIFE!!!!!!!!!!!!
The tight punkyness of it all! Are the Buzzcocks reminiscent of the Undertones, or is it the other way around? Either way, I love both. I think that the best thing about early punk is how well-defined everything is, with concrete starts and stops to the songs. Never knew that I hated the fade-in or fade-out like I do.
Fast cars No reply You tear me up
Classic late 70's punk. It's exactly what you want when you want this vibe.
A bunch of wallies
A bit of a soul cleanse for me after 2 weeks of crooners and Tim Buckley. great stuff
Fun album. Strong beats. A little adolescent at times, but aren't we all?
Brit punk. Nothing noteworthy.
Nee, fijn, super joh, weer een of ander punk album... Wanneer komt men er nou achter dat punk alleen een excuus is voor slechte muziek? De recording klinkt slecht, maar goed he kan ook aan de leeftijd van het album liggen! Dus die geef ik ze nog. Maar als de zanger een slechte wolven imitatie doet op Get On Our Own, dan ben ik er toch echt wel een beetje klaar mee. 'Maar Punk gaat over fuck de establishment!!!1!!!' Prima, heb ik ook niets mee, maar moet het dan perse zo kut klinken? I don't mind klinkt best prima, en ik kan waarderen dat het pioneers zijn, krijgen ze een sterretje extra mee. FAVO: I don't mind
Definitely sounds ahead of there time, was surprised this sound came out in the late 70s. Good quality early punk.
It was okay, didn't stand out much
Although their biggest hit didn't come until the next album this is still pure power pop punk from the buzzcocks and I love it. I don't mind is probably the most well known song on the album but if you listen to bonus editions you get what do I get? and orgasm addict as well so you can't go wrong with that. All good stuff
With the best will in the world I cannot give this more than a 3. That Fast Cars one is a banger though and I do agree with him there
The best thing to come out of Bolton other than the Mighty Wanderers.
Pretty much a wash, rinse, repeat album. Not much that really moved my needle.
This was a fun, low key punk album. I doesn't sound revolutionary, but I'm sure it helped bring punk to a more general audience. I'm a little disappointed they don't speak to larger topics at large, like punk generally does, but it's still a fun album. Best Songs: Fast Cars, I Don't Mind, Fiction Romance Worst Songs: I Need, What Do I Get?
This album like many others on this list demonstrate why this is such a bad list. Now many English punk rick artist are in this list. Answer way too many. This album only made it 55 on the charts. Why is this even considered as an album that you must listen to before you die?
Ok, nothing special
Quality stuff old school punk not sure I have heard the debut before. Great from start to finish. Stand out tracks: - Fast car - No reply - Get out on our own - Sixteen - I need - I don't mind
Prime punk
Fast Cars was straightforward enough for me to enjoy it. The rest was straightforward enough for me to get bored. I don't even know what I want. Not this, apparently
Offensively boring
good punk pop
I didn't care for the style of music, although it did have a little weirdness to it, which I liked.
Probably should revisit when I get more into punk again
I saw British punk in the description and thought ohhhhh nooooo. Two things I don’t love haha. But pleasantly surprised! Not to much screaming, and actually melody to most songs. Guitar rips! Listen again: probably Purchase for my collection: if I found it cheap Favourite Song: Moving Away From the Pulsebeat
What I like about the Buzzcocks is that while they come from a punk place, they find interesting, song structures, melodies, chord progressions, and other ways to make each track unique.
There were maybe 3 songs that I thought totally sucked. I almost stopped listening after the first song. Dumb lyrics, crappy vocals, simplistic. The rest was ok for me. But def more background than something that I am going to intentionally que up. But the first song was so bad the album gets a 2. Who the hell does that. It’s like putting your slow weak hitting catcher in the lead off spot.
British punk that has fun lyrics instead of the political ones at the time
I put it on while working, and didn't take notice of anything until it was over. Well except for one thing - my concentration was briefly interrupted by irritating flailing of instruments which must have been at the conclusion of one song. Not good when that's the only thing that catches my attention.
I was surprised by this album. I really hated the first song, and then it started to get better and better. There’s some sort of joyful punk here. I also got glimpses of math rock that reminded me of the movement that came out of the Midwest 15 years later. Really enjoyed it.
Proto pop punk.
Fairly good. It seems more fun and joyous than some of the other British punk bands from that era
This was kinda fun, I’d say.