Album Of The Day

Never heard of this band, but they’re more influential than I thought! Enjoyed the album quite a lot. Sounded like The Cure at times, sometimes like a primordial Radiohead. Souvenir is a clear highlight.

I couldn’t catch the vibe of this album as a whole. There were spooky parts, bagpipe sounds?, synthwave, repetitive instrumentals, tones of sadness, but upbeat vibes? Maybe that’s what makes it good was it’s diversity itself but somehow it still doesn’t stick out extremely well amongst other albums. Confusing experience.

По мнению А: 4/5 По мнению С: 4/5 ИТОГОВАЯ ОЦЕНКА: 4/5 (22.02.2025)

"Architecture and Morality" by Orchestral Manoeuvres in the Dark stands out as a quintessential fusion of Synthpop and New Wave, showcasing the band's innovative soundscapes and thought-provoking lyrics. However, as the album progresses, its melodic charm and rhythmic ingenuity can begin to feel somewhat repetitive, leading to a sense of fatigue by the final tracks. While the distinctiveness of each song contributes to the album's overall brilliance, the lack of significant variation may make it challenging for some listeners to maintain engagement throughout the entire experience.

Pretty cool, experimental and melancholic new wave. Better than some new wave examples on this list.

first listen it sounded like a bunch of bridge songs. like songs bridging to a different one, never quite reaching the emotional high promised. second listen i kinda got it more

I will not include the bonus tracks from the 2003 remastered version for this review. I've heard of Orchestral Manoeuvres in the Dark in passing this past year, from a few of their singles like "If You Leave" playing on throwback FM radio stations. They became known as one of the pioneers of the synth-pop genre, blending electronic music with more experimental pop sensibilities. That early synth-pop style is exemplified well in Architecture & Morality. Songs on this album tend to take on a more futurist tone as the duo synthesizer work of Paul Humphreys and Andy McCluskey alongside Malcolm Holmes's electronic percussion made for a forward-thinking and innovative sound for 1981. It helps that these tunes are very melodic in their composition, anchored by Paul's soothing vocals. Tracks like "She's Leaving", "Souvenir", and the two different "Joan of Arc" songs are well-executed jams, while they also tackled more atmospheric pieces such as the title track and "Sealand". In the grand scheme of synth-pop and where the genre has gone over the decades, this album does sound a bit rudimentary. I wouldn't call this the absolute best among them. Rather, I consider Architecture & Morality a good introductory album to synth-pop and what the genre can accomplish. I'd say that's reason enough to give it a solid recommendation.

Interesting and beautiful at times

The New Stone Age is the best song Cure song they never wrote. I loved the bit in Sealand when they started banging on the lid of a metal trash can. And then the two songs in a row about Joan of Arc. Seriously, this thing is magical. Very strong 4.

What an interesting listening. It's not mind blowing, but the eeire textures makes this a very unique pop album

Always had a soft spot for OMD, even though never really liked electronic music much. Think they blend the vocals with the synth sound so well, the exploration of soundscape and what could be achieved, just a good record.

Three banging singles, a band whose first four albums are remarkably consistent, but after that nothing much for me. Still, one of the best bands of the early eighties and this is probably one of the first fifty albums I bought. Great Peter Saville album design as well.

Pure '80s. Really grew on me as it progressed.

Much better than I anticipated! Love the lo-fi interpretation of synthpop here. 4/5

Ahh yes, OMD before they became "mainstream" in the US. This is really one of their best albums. No, it didn't produce the major hits like their latter works did, but overall, this is album was so influential to other synth-pop groups that would come later in the 80's. Sounds a bit like Depeche Mode and The Cure, mixed with New Order with more pop-friendly vocals. However, their sound is very unique. 3.75/5 which translates to a 4/5 on this scale.

flowed so semi gut aber eigentlich ganz cool

Jävligt bra! Souvenir och båda Joan of Arc-låtarna är kanon

electronic funky weird

brilliant

curecore highlights: the new stone age, souvenir, georgia (jan 15 2025)

Nice

This has been a really interesting listen, somewhere between pure synth, post-punk and pop. This is going to be an album that I already know I'm going to have to give a bit more time than the two times I've been able to hear it today. It's going to be 4*, but I'm sure I've missed more than I heard

Like if Brian Eno's atmospheric albums had a love child with ELO. Very cool listen. Background music in the best way possible.

The electric sounds in this album has a romantic feel to it somehow. Very calming to listen to, and the fee vocals in it are nice

Dare I give this one a 4? I shall. I feel like I heard so many 2000/2010s Indie riffs in this album from 1981. I'd never heard of this group before and yet I thought I had listened to half of their album before. I wonder if a lot of Indie Rock artists found inspo from this group because it sure sounded like it.

Favourite tracks: joan or arc; souvenir

Ooh 80s synth pop! Now we’re talkin’! This was good but the middle section lagged for me. I much preferred the faster-paced songs. 5 for the fast songs, 3 for the slow songs = 4

Not something I would have chosen based on the description, but it's good. The singer doesn't have much control. That makes the synth music sound more alive. Favorite song: Georgia.

Have always enjoyed the complexity of the simplicity.

Very good! Earns a 4 for new discovery.

Great tunes very enjoyable

70% of this record is great and everything I hoped it would be. I see these being cited as influences for the likes of LCD Soundsystem and MGMT, so I had high hopes. And for the majority it lived up to it, somewhere between The Cure and New Order for me. Quite a fan of that whole 80s synthy type thing, especially the darker side, and when it is darker and ‘empty’ sounding, it’s class. When it ventures too close to the poppier aspect I tend to lose interest. A solid 3.5-4 I think. Not sure. Will be back though

Interesting

This album does a great job of mixing electronic sounds into orchestral themes. They also do fun stuff like seemingly hammering sheet metal in the middle of songs. Though, I’m am curious if this sometimes clouds the songwriting and emotions they’re able to inspire. Cool album.

Very interesting. Liked it quite a bit actually. I hear a lot of samples I recognize today. 3.5

When Architecture and Morality is at its' peak, it is thrilling and absolutely beautiful - like on 'Joan of Arc' 1 & 2. But often times there's just... nothing really going on? OMD didn't really need all those quieter pieces ('Sealand', the title track) to build an atmosphere - it's already there in every thick synth sound.

Great, great record, made slightly worse by the inclusion of two very long and very unnecessary instrumental sections on “Sealand” and the title track.

This sounded okay. Interesting synth work, but I could only really vibe with Souvenir, Maid of Orleans, Sacred Heart, and especially Romance of the Telescope.

This is an album I’d never heard of (although I swear I’ve listened to Sacred Heart before, either as a sample, a cover, or just out in the wild). But, this is an album I’ll return to. I put it on again immediately after my first listen, which I think really says something.

Really enjoyed the first half of this. Was a bit less excited in the second half as it felt it lost its edge

First track really threw me, I did not like the sound. But I enjoyed the rest of the album (why do I like new-wave so much?). This was more of a background album as I was pretty busy. Going 4/5 as ‘New Stone Age’ was a turnoff

Cool little electronic record. There’s a few duds and meh tracks. Georgia and Joan Of Arc are great though.

Good stuff

This is a great synth pop album that sounds a bit like someone forced the Smiths to ditch any kind of connection to rock and pop music. But that might give this album not enough justice. The first track makes the album feel a harder then it will be in the end.

Great album. Souvenir and Sealand are brilliant. Sounds like a synth heavy slightly chippier version of Joy Division

New Stone Age, Souvenir, Maid of Orleans are all great. Everything else is fine to good. 3.5/5

The iconic album from this formation.

I really enjoyed this, from the tone and the mood to the emerging new wave sound.

Interesting album. I remember Joan of Arc from the radio. The rest is also interesting

This is what I love about this list, finding the gems that I’ve never heard before. This album is great. Atmospheric, with jangly guitars, 80s emotion, and just enough pop sensibility to reel you in. The run side two run from Joan of Arc to Georgia is excellent, but I really enjoyed the whole thing. This is borderline 4/5 - I’ll go 4 for now but will definitely be back.

really quite enjoyable 4/5

there's some really neat stuff on here. love the dark 80s synthpop new wave sound and the variation between the tracks. some are immediately gripping while others are kind of dull. all in all, a neat album and worth listening to, especially if you've only heard enola gay from them like I had. favorites: souvenir, joan of arc (maid of orleans), Georgia, extended souvenir, motion and heart

Weird artsy 80’s music. Me likey.

extended souvenir is laced with crack

OMD has always been a middle-of-the-road type band for me. I view them as a very influential band, especially in the world of electronic music. “Architecture & Morality” is known for its innovative use of synthesizers, sampling, and layering, which made it ahead of its time. As for the music itself, it’s a decent album from beginning to end, but I think it really only has a few standout tracks; other than that, it just kind of blends together. It’s definitely more of a slow-burn type album. Overall, I have a lot of appreciation for this album based on its innovation and cultural impact in the history of electronic music. However, for someone who’s not interested in those aspects, I can see how this might be a difficult album to get through.

7+ Stand out albums from OMD

Nice synth with some weird bits

First listen was while cutting grass. I wouldn't recommend it for that application, but even still I appreciated aspects of the album. Second listen in a better setting, I am once again struck by the prettiness of track 3 Souvenir. I love the brightness of the synth with the ghostliness of the vocal harmonies. Like a love child between LCD Soundsystem's American Dream and Beach House. Sealand is an interesting juxtaposition to Souvenir. Where the later is bright and poppy, Sealand is moody and sluggish. Something about the instrumental progression actually reminds me a lot of the vocal progression on the sung sections of Eminem's Kim. I also swear I've heard the vocals on Georgia before, but I can't place them. This album surprised me. The cover and name are anything but inviting, but the music was bright and well-produced. In my opinion, the high points were back to back with Souvenir and Sealand. Both were fantastic for completely different reasons. Other songs on here were pretty and I appreciated their aura, but I did find myself losing focus. For that this falls somewhere between a 3 and a 4. Going to give this a weak 4 because Souvenir is one of the best songs I've heard in a while.

That was so weirdly good. The synth sure was poppy throughout this whole album. I was afraid that I was not going to like it at the start of the first song, but it quickly flipped. Some of the crazy synth and electronic effects throughout that whole album were awesome. Not usually my style of music that I like but this was a very pleasant surprise.

Immediately got scared seeing synth-pop in the 80's but from this first song I'm getting Cure vibes and background noises are Thom Yorke-esque. Some strange songs on here I really like the weirdness and experimentation of it, especially title track. Some of the songs can get pretty silly sounding but not bad at all. Better than I expected low 4!

Pretending the strictly instrumental ones didn’t exist

4.0

Classic and classy 80 synthpop album that doesn't date and holds some delightful tunes.

After the grating opening track "The New Stone Age", the album settles down into the OMD style that most are used to; includes their hits "Souvenir", "Joan of Arc", and "Maid of Orleans (The Waltz Joan of Arc)".

Really cool concept and atmosphere. Glad I checked this one out… feels very relevant to the electro-pop inspired indie that’s been coming out more recently. Similar in vibe to early Cure, Kraftwerk, Berlin-era Bowie, etc…

A showcase of the pros and cons of the pretentioussness of new wave synth pop. I’ve listened through it a couple of times and have mixed feelings - sometimes about the same tracks. My enjoyment seem more mood influenced than usually. Some of the extra material is better than the original tracks. Sacred Heart sounds like something that inspired The Knife.

Kind of a fun vibe. A little more interesting than most.

OK, some good tracks

This has stuck with me more than anything on the list so far. I guess I only knew their big U.S. hit and this is NOT like that — this is way more interesting and complicated than what I expected.

Son mucho, mucho mejores de lo que recordaba. Muy elegantes.

Some great ones but some weird ones

I liked this album! It was a surprisingly easy listen and quite tuneful. I could hear the influences on music to come and I understand from reading the wiki that's largely the use of the melotron. I'll be happy to have many of these come up on shuffle

The only OMD song I know is "If You Leave" which is a sweet sip of synth pop - I'm looking forward to listening to this, the reviews are great and I'm very partial to New Wave. I really enjoyed this!

Wow. The first song off the bat reminds me more of Cure/Adam and the Ants than OMD... and then it kicks in. None of their really huge hits are in this, but still some really solid songs, even though they begin to sound similar to each other after a bit.

Really liked how this kicked off. The New Stone Age was more aggressive than i expected from what I knew of OMD. However, it really is the only song in this vein, though it is pretty cool. There are other solid, more melodic light electronic tracks with a hook, including She's Leaving, Souvenir, Joan of Arc and Maid of Orleans. Those are really the core of it. The remainder is uneventful and pretty much blends together. Enjoyable enough to round up.

I liked this far more than expected!

Early synth pop ushering in a blend of new wave, goth and other metrics that defined the 80s.

Had seen this album mentioned before but had never heard it. Immediately felt like I was listening to a bunch of Cure / Depeche Mode songs I had never heard before, but as it went on, it also showed that it has it's own unique flavor of Synthpop / some Post-Punk. I'm still a Cure guy through and through, but this was much more interesting than I expected. I also think it's unfair to compare them to The Cure, despite some similarities - this is something different entirely when you look at it as a whole.

If the Perks of Being a Wallflower soundtrack met the Stardew Valley soundtrack, I feel like this would be an adjacent baby. Quirky, and definitely unique, it gave me the same sort of serene joy I got from enjoying those prior pieces of media. Fav tracks: Souvenir, She's Leaving

A lot of electronic music, especially back in the 80s, left me cold (drum machines? Hate them) and I certainly didn't feel the same for Kraftwerk as these boys, and others, obviously did. That said, "Joan of Arc" and, especially, "Maid of Orleans" stand up strongly and the experimentation with, for example, more "churchy" sounds (the album should be played loud) works well. OMD hail from the North West of England, which also helps....

Brooding and atmospheric new wave synth pop. Much fuller and more engaging than other examples from the genre around the same time. Not at all orchestral in terms of instrumentation, but the arrangements have an orchestral feel but with synths taking the place of violins etc. It has a nice vibe. I like it. Rating: 3.5/5 Playlist track: She's Leaving Date listened: 08/03/24

Great find.

Instrumentation is great, lots of cool and different sounds that play off of each other well. Lyrics were a bit odd in some spots but nothing particularly bad

This album is really pretty, not very in your face but it is very interesting to focus in on the different elements that make it up. Extended Souvenir was a particular favorite.

oye, este estilo me gusta. Lo más entretenido de encontrar estos discos en esta lista es que hasta ahora eran totalmente desconocidos para mí y que puedo escuchar las influencias en música posterior, incluso de esta década.

Deceptively simple pop, but I quite like it.

Most 80's music of this genre doesn't stand the test of time but this certainly does.

Orchestral Manoeuvres in the Dark's (OMD) 1981 album, Architecture & Morality, stands as a landmark achievement in synth-pop, leaving an indelible mark on the musical landscape. It's a cohesive and complex work, demanding a deep dive into its lyrical themes, sonic palette, production techniques, enduring influence, and its strengths and weaknesses. Lyrics: Architecture & Morality delves beyond the typical pop song themes, exploring philosophical concepts, historical figures, and introspective personal narratives. The title track, with its repetitive and almost liturgical delivery, ponders societal structures and individual freedom. "Joan of Arc (Maid of Orleans)" uses the historical figure as a symbol of defiance and faith, while "Enola Gay" tackles the controversial bombing of Hiroshima with poignant simplicity. Other tracks offer introspective glimpses into personal anxieties and desires, evident in the yearning melodies of "Souvenir" and the melancholic beauty of "Sealand." Pros: This intellectual depth elevates the album beyond mere pop frivolity, offering listeners a compelling blend of danceable grooves and thought-provoking lyrics. Cons: While the poetic imagery often resonates, some may find the lyrical style too opaque or lacking in immediacy. Music: OMD's embrace of synthesizers, particularly the iconic Mellotron, is central to the album's sound. Lush, layered melodies weave through catchy synth basslines and drum machine rhythms. Tracks like "Enola Gay" and "Genetic Engineering" showcase the band's ability to craft infectious pop anthems with distinctive timbres. The album also ventures into more experimental territory with instrumental pieces like "Sealand," exploring the expressive potential of the synthesizer beyond pop hooks. Pros: The innovative use of synthesizers and the captivating melodies create a unique and engaging sonic experience. Cons: The reliance on synthesizers might sound dated to some listeners, particularly those unfamiliar with the era's sound. Production: Produced by the band themselves alongside Hugh Jones, the album boasts a polished and nuanced sound. The production strikes a balance between showcasing the vibrant textures of the synthesizers and ensuring clarity in the vocals and individual instruments. The use of stereo panning and layering creates a sense of depth and immersion in the soundscape. Pros: The meticulously crafted production contributes to the album's timeless quality and enhances the impact of both the musical arrangements and the lyrical content. Cons: While the production remains impressive within the context of its era, some might find it lacking the sonic breadth or sonic tools available in more contemporary recordings. Themes: Faith, societal structures, war, and personal reflection are some of the key themes explored throughout the album. The album title itself reflects on the complex relationship between the structures we create (architecture) and the moral code we live by (morality). The use of historical figures like Joan of Arc and the controversial topic of the Enola Gay bombing push the boundaries of typical pop song themes, inviting the listener to engage with complex issues. Pros: The exploration of diverse themes adds layers of depth and meaning to the album, setting it apart from its purely dance-oriented contemporaries. Cons: The introspective and at times challenging nature of the themes might not appeal to everyone who seeks purely carefree and uplifting listening experiences. Influence: Architecture & Morality's influence on the evolution of synth-pop is undeniable. The album's innovative use of synthesizers, its blending of pop sensibilities with intellectual depth, and its exploration of diverse themes paved the way for countless artists in the following decades. Bands like Depeche Mode, New Order, and The Human League all built upon the foundation laid by OMD on this album. Overall: Despite minor shortcomings regarding its sonic limitations and accessibility, Architecture & Morality remains a seminal work in synth-pop history. Its innovative instrumentation, thought-provoking lyrics, and cohesive thematic exploration create an enduring and captivating listening experience. It stands as a testament to OMD's artistic vision and their ability to push the boundaries of pop music while remaining commercially successful. This review, with its exploration of the album's various elements, aims to provide a comprehensive look at Architecture & Morality, highlighting its strengths and acknowledging its limitations within the context of its artistic and cultural impact. While it may not resonate with every listener, it undoubtedly holds a significant place in the history of pop music, inspiring generations of artists and listeners alike. φωτογραφία προφίλ enola gay and genetic engineering are on another album. rewrite the review now bitch Absolutely! My apologies for the misinformation. Here's a revised in-depth review of OMD's album "Architecture and Morality," ensuring accuracy while maintaining focus on the core elements: Orchestral Manoeuvres in the Dark: Architecture & Morality (1981) - A Revised Exploration Orchestral Manoeuvres in the Dark solidified their status as synth-pop pioneers with their 1981 release, "Architecture & Morality." This album embodies a masterful balance between sonic innovation and introspective lyricism, leaving a lasting impact on the musical scene. Lyrics: The album moves away from the directness of pop, often embracing symbolism and metaphor. Tracks like the title piece, "Architecture & Morality," contemplate the interplay between societal control and individuality. "Joan of Arc" and its sequel "Maid of Orleans" portray the iconic figure as emblematic of strength and conviction. Other songs take on a more intimate tone, like the wistful romanticism in "Souvenir" or the wistful atmosphere of "Sealand." Pros: This poetic, often abstract style adds layers of intrigue, inviting the listener to unpack the meaning behind the melodies. Cons: A lack of immediacy may leave those seeking straightforward pop narratives somewhat disconnected. Music: OMD's signature synth sounds define the album. Lush melodies, often built on the Mellotron, dance over infectious basslines and steady, programmed rhythms. Songs like "The New Stone Age" and "She's Leaving" demonstrate the band's ability to craft irresistible pop hooks. Instrumental pieces like "Sealand" further showcase the expressive range of their synthesizers beyond traditional song structure. Pros: The masterful use of synths and the instantly catchy melodies make for a truly immersive sonic experience. Cons: The sonic palette may seem dated to some, particularly those unfamiliar with early electronic music. Production: Self-produced with Richard Manwaring, the album shines with polish and clarity. The production carefully balances the synth textures with vocals and instrumentation, while techniques like stereo panning give the sound a captivating spaciousness. Pros: The clean production has aged remarkably well, enhancing the timeless quality of the music. Cons: Compared to modern productions, some might feel it lacks the dynamic range or expansive soundscapes possible with newer technology. Themes: "Architecture & Morality" explores themes of faith, societal systems, history, and personal introspection. The album's title itself reflects a fascination with the relationship between the constructs we build and the ethical codes we live by. Historical figures and symbolism are used throughout, inviting deeper reflection on these concepts. Pros: These weighty themes set the album apart from purely escapist pop and offer food for thought long after the last note fades. Cons: Some listeners may find the philosophical depth less accessible than more lighthearted musical fare. Influence: The album served as a blueprint for future synth-pop. Its inventive use of synthesizers, intellectual lyrics, and thematic depth inspired a generation of artists. Influence can be heard in later acts like Depeche Mode, New Order, and countless others. Overall: While containing a few elements that may limit its universal appeal, "Architecture & Morality" is a landmark achievement in electronic music. The band's artistry shines through the album's innovative soundscapes, thought-provoking lyrics, and cohesive sense of atmosphere. It's a testament to OMD's ability to combine commercial appeal with artistic depth. This revised review prioritizes accuracy while delving into the album's elements. It highlights both the strengths and potential limitations within the album's historical context, acknowledging its significance in the history of pop music.

I liked it!! Great sounds

Interesting album—I liked it better than I thought I would. Moody, atmospheric, sometimes a bit ominous. It kept me on my toes

Seriously some great songs but some were too much instrumental

Very 80s but in a good way

Didn’t think I was going to enjoy this as much as I did.

None more 80’s. Listening to this I picture myself watching any number of John Hughes movies on VHS where our male hero realises his pursuit of the beautiful, yet shallow blonde girl was misplaced and the superficially plain brunette that he’d ignored was in fact the love of his life. Cue rush to public transport facility to stop her from leaving town. Enjoyable.

Me like

I'll say it, one of the best electronic artists ever. To be making music like this in the early 80's (probably even late 70's) is wild. Some of these beats feel like things you'd hear in a club. Even though the songs themselves are much more tame, the synths and beats they use felt very futuristic. Also, their best of album is one of my favorites of all time so while this album doesn't bang on every song, there are some classics in here that I know well: Souvenir, Joan of Arc and Maid of Orleans. All songs that pop up in my head randomly since that best of album was so formative when I was young.

Eerlijk, chille bangers 4

This is actually very cool nerdy experimental post-punk!

Beautyfull!!

One of my first forays into alternative ‘New Wave’ in college. Some really innovative synth work

I actually really like this. Hard to say why I like this more than other synthpop options (PSB, didn't like), but I do. I feel like it's a good 3.8 for me. The extra tracks like Extended Souvenir are also really good.

Not being the biggest fan of synth pop made me a bit hesitant to listen to this album, but it was a nice surprise to find out I really enjoyed it. Having said that I do enjoy some music that might be considered synth pop and some of the add ons to these songs resulted in the songs being more than they would have been. OMD has created some great melodies and hooks which aren't always associated with synth pop of the 80's. A few of the songs reminded me of the Beatles which makes sense since the band is from Liverpool and may have been influenced by them. It reminded me that George Harrison released an electronic album, and the Beatles also were first to really use tape loops - both which are used to full effect on this album. One thing I really enjoyed was the inclusion of the choral pieces which gives some of the songs a bit of an ABBA feeling to them. The best songs on the album are near perfect. Really enjoyed the album and will definitely add it to my favorites. Favorite Songs: She's Leaving, Souvenir, Joan of Arc (Maid of Orleans), Gravity Never Failed.

I've heard a few of these tracks before on some new wave/synth pop curated playlist, but never experienced the album as a whole, and I've got to say that it really elevated the songs I already liked. Very atmospheric, kind of moody, in that Cold War-era sound that emerged in the late 70s/early 80s. Very personal lyrics, delicate and spare instrumental until the melodies hit (and this band knows when to pull out those hooks!). Fav tracks: Joan of Arc (Maid of Orleans) and She's Leaving

- thoroughly enjoyed my time w this album

It was so good, I forgot about it entirely

I probably would have been really into this if I were 18 in 1981.

Pure 80'S!!!!

Came into this with zero positivity and ended up enjoying it a lot.

Pleasantly surprised I really enjoyed this album

A lot of hits but also a few misses, ahead of its time, 4.25

It starts out like the Shaggs' Philosophy of the World. Whether or not that was on purpose, one does not simply emulate the Shaggs. I've never listened to this before. It started to grow on me. Some truly interesting electronic compositions punctuated by some mediocre pop songs. I liked it. Didn't love it, but I liked it.

OMG! OMD! Great yet sometimes boring. So..a 4

I really liked listening to this, it was really nice and pretty.

80s

HOLY FIRST SONG MY FUCKING EARS!! After the first song I thought I was doomed but it transitioned into some light synth music you might find in a video game. There were a ton of beautiful melodies like in “Joan of Arc”. While it’s not the greatest album I appreciate that this laid the foundation for Synth Pop/Wave music which is secretly a favorite genre of music for me to work to. Would I play this at a party? No. Will I listen to this album again by myself? Yes. 3 songs added to my liked playlist. 8/10

I feel like I was ascending to a higher plane of existence during some of these songs. The orchestral music was amazing and strong throughout the entire album. The only knock was I almost had deja vu in the middle and thought the album repeated with a similar sounding song. Great stuff tho 8/10

It’s crazy that an album put out in 81 sounds sooo incredibly 80s. This album must have been extremely influential as it seemingly defines 80s synth pop. Souvenir is one of my favorite 80s songs that is still in my 80s bangers playlist. With that said no other songs on this album will be going on the 80s bangers playlist. A bunch of these songs would fit perfectly into a psychological horror movie or a video game. Upon relistening to the album with the mindset of: the other songs are not going to be as good as Souvenir; I did enjoy it a lot more. Each song has a uniqueness to it while staying within the Synth Pop genre. 7/10

Loved it. You can definitely feel it's influence in later synth pop type music. With a few exceptions, reminded me a lot of OST for the movie "Drive", which was composed by Cliff Martinez, and drew heavy inspiration of synth europop of the 80s. For sure adding this album into my library.

Heel erg moody tot nu toe, een soort meer sfeervolle radiohead. Krijg een goede portie synthwave/synthpop binnen en dat bevalt best goed. Ik weet niet hoe oud dit album is, maar kan me voorstellen dat we hier met synthpop pioniers te maken hebben. Beetje sad album, maar voor mij de juiste vibes. Beetje lang album, maar vind de tweede helft het leukst, dus niet een enorm probleem Favorieten: Souvenir, Motion and Heart, Gravity Never Failed

Enjoyed this. Raw, electronic. Clear 808. Early synths.

No one song stuck out to me but it is impressive how fresh the whole thing sounds having been released in 1981.

It could be argued that Architecture & Morality was the first great album of the 1980s purely due to the way it closed the curtains on what came before. Stumbling out the gate with Andy McClusky's underrated panic wail and the paranoia swimming around the guitar and synth instrumentation, The New Stone Age provided a path that was both well treaded and freshly paved and, from then on, Architecture & Morality becomes a ceaseless wave of surprising momentum. That momentum would shift into pockets and snippets of what would become fools errand turned Cold War era masterpiece Dazzle Ships, as offered by two of its songs appearing as bonus tracks. And it is in that offering that makes us see what OMD were working with at the time and that they were a powerful pop force that we would, rather disappointingly, take for granted. Favorites: The New Stone Age, She's Leaving, Souvenir, Joan of Arc, Joan of Arc (Maid of Orleans), Georgia, The Beginning and the End, Extended Souvenir, Motion and Heart, The Romance of the Telescope, Of All the Things We Made.

Good instrumentation. I liked it.

This album predates my interest in OMD and I was not familiar with it, except maybe for "Souvenir." I enjoyed the comment from Ultimate Classic Rock that declared it a connecting point between synth-pop's early industrial dirges into the sort of pop music that I loved in the '80s. That seems to be true for a lot of these bands. I enjoyed it from that point of view, but it's not going to be my go-to for OMD.

Was this a vanguard of the 80s music to follow? Perhaps if I had heard this in ‘81 it would make more of an impression. I will admit on the first listen I thought this was just ok. The second listen improved things a bit. The album has a heavy

Beatiful… just beatiful

Really enjoyed to listen to this album

I liked this album! Synth-pop is a good genre for me, I guess. Reminded me of Songs from the Big Chair / Tears for Fears. I liked Souvenir most. The songwriter shows a fascination with Joan of Arc, interesting.

Whole album fantastic. Souvenir was my highlight. Can see myself playing it a lot. Loved the slowed down choir as an instrument. A bit like I'm Not in Love by 10cc.

Strong post Joy Division moody electronics with beautiful, lilting uplifting sections. Absolutely in for the morose yet twinkly She's Leaving and Souvenir. Although they appear as a couplet early on and the rest of the album stands as a set of slowly diminishing foothills. Over all, excellent in places but overlong.

Cool

I was surprised by how much I liked this one. Definitely have to re-listen sometime.

I think the biggest discovery I've had during this project is that I really really enjoy British New Wave. 4/5

Enjoyed

Great album, can see myself coming back to this a lot

No idea wtf going on but I’m here for it

This is an album I didn't know when it came out. My love for OMD came after I got their Greatest Hits album. I only knew a couple songs at the time, but I remember thinking that OMD was frigging great! I love the sound. Now, I have a chance to go back in time and experience this album - which contains a couple songs from that amazing GH album and more great songs! Standouts: Souvenir, Joan of Arc (Maid of New Orleans), Joan of Arc, She's Leaving, The New Stone Age Other Greats: Georgia, The Beginning and the End

It was fun to hear the early iterations of synth pop that this album offered. The second track was probably the standout of the main album as well as the first bonus track. Since it’s early synth it’s nothing extravagant or really exciting but it was still a nice album that embodies the 80s.

Nice new wave/synth pop stuff. Reminds me of Depeche Mode. Also, what a weird way to spell ‘maneuver’.

Interesting and I kind of enjoyed it.

Very moody, mysterious. Interesting that they were inspired by religion, and exploring why people need it. I wouldn't have heard that but I can hear it now. There is a lot of space in the songs, like an organ echoing through a church. But instead of an organ it's synthesizers. I enjoyed it, would listen again.

Blueprint for later synth pop followers

What an interesting find. I had never heard of them before and I wasn't sure what to expect at all but this really drew me in. Kinda new wave-y, synth pop-y, maybe a bit post punk-y? Whatever you want to slap on it, its a good listen. A 4 for now. But I'll be coming back.

First time it was ok, second time I found more I liked and really enjoyed it!

This album carries an amazing atmosphere, love it.

Very 80s, very melancholy, very relaxing. A tad much of the same but a nice album nonetheless

Was really impressed even though the synths sound so basic. Way ahead of its time, although the first track kinda sucks

really strange album absolutely loved it. Freaky and atmospheric in places but also some real bangers. Truly enjoy the whole experience. Best tracks: souvenir, maid of orleans , Georgia

The instrumental parts are phenomenal. Remarkable album overall.

I immediately recognised Peter Saville’s style on the cover, but the music is not as cold and industrial as the Joy Division art connection implies. It’s really very lovely. Lush orchestral flourishes and beautiful melodies. I’ve always quite liked Andy McCluskey’s strained voice over the synths. Yes, a good one.

Loved this. This band has been on my radar for a while now, but I have yet to really give them a listen. Glad I finally did. 8/10

Never heard of them before and really enjoyed it! Good rainy day music.

Pretty fun

Really enjoyed this one

From the very start this doesn't sound like something from the 80s. Love the instrumentals on this even though its a shorter album. Fave track(s): Souvenir, Joan of Arc

103 / 1069 Thought I was going to hate it, 80's synth pop - everything I generally dislike. Quite a decent album, interesting sounds and arrangements.

Classic synth pop - which I detested at the time. Listening to it now, with less prejudice, it is very good and deserves to be recognised as one of the best albums in its category. Great melody lines with clever use of a variety of sound samples and drum tracks. Overall quite impressive. Even the vocals are relatively good.

iconic structured noise. you can hear where many who came after were inspired.

One likes the double Joan of Arc tracks, slightly preferring the first, with its echoes of other tunes (one can't remember exactly what it reminds one of, though one's sure it's something) and anyway it seems always just on the edge of hotting up or even bursting out. "The New Stone Age" is compelling and "She's Leaving" is delightful, but comparisons to Beatles are more than a little reach. The mournful "Sealand" is strong, too. One agrees with editors that there is more warmth than reputation suggests (certainly more than the pioneering kraut rockers), though nothing here reaches the pure Platonic ideal of synth pop warmth and hookiness they reached with the megahit that came courtesy of John Hughes. On the downside, one's tempted to say OMD lacks the dark power of the Cure or the hard, glittery (and vaguely desperate) edge of New Order. One doesn't love the vocal style which seems to have birthed the worst sorts of imitators (the worst of which rhyme with Sick Ghastley [Nick Lowe joke alert] and Met Cop Toys). It largely comes down to how one feels about synth pop and one's just fan enough to elevate one's thumb here. The title is ace, too, in a coolly minimalist way.

Good album, just didn't like the first track.

Wow this really surprised me... didn't really know this group, but damn, awesome album. great stuff!

I’m so tired of Neil Young at this point

i didnt know they existed in the 21st century but overall a classic slay on rotation

Sometimes it’s early Cure, sometimes John Hughes movie soundtrack OMD, a little bit Eno,… all of it proudly, or at least unashamedly, Eighties sounding. I liked this much more than I was expecting going in. I actually may listen to it again.

I dug this. Seemed to fit my mood. I thought Extended Souvenir was a standout track.

Up there with the best synth pop albums Iv heard even more impressive it came out really early 80’s. This just missed out on a five due to being on the long side, and personal preference I’m unlikely to listen back to this album as 80’s synth pop just isn’t my thing.

Good electronic. Dark

So great and so majestic. This album is wonderful and I will definitely revisit this.

This kind of synth pop is the branch of new wave that I really enjoy the most :-) it's clever and cool and I really like this kind of sound. I know this band have been a huge inspiration for many and the music still sounds really fresh and modern to me. Some of the sounds leave me in awe thinking "how did anyone come up with that??" so the creativity and joy of experimentation shines throughout. Weirdly enough I fell down an Anohni hole and saw OMD listed as an early influence of hers, started listening to their music and realising I recognised and really liked their stuff and then got this album popping up to rate right after!!

What a surprise! I had forgotten who this band was and was bracing myself for an hour jazz... But instead synth 80s brilliance. Exactly the 80s sound I absolutely love, combo of New Order/Echo and the bunnymen. Loved it!

This isn't exactly what I was expecting for this album to sound like, but it did sound pretty cool. Not like, regularly music cool, more like a roller-coaster of emotions from something you can tell was made with a music video in mind to the Metroid soundtrack, but still very good.

Je reprends des couleurs

parfait pour arroser les plantes en romantisant sa vie

I was always a hardcore massive fan of OMD...how big you say? Well I'll tell ya...I owned the best of album. Nothing more true of a fan than one who owns the best of album right? But seriously...Joan of Arc and Souvenir...great stuff...that with Enola Gay (not on this one sadly, but it is on the best of) are great tracks...also The Beginning and the End... almost makes you wistful for the 80's...but there is something about their sound that just grabs me. Part nostalgia and part ...sad joy.

That's another album I wish I'd heard back in the day.

I like souvenir and georgia. The rest is all solid too

I've listened to OMD before but never a full album. This one is marked for future late-night listening and compares favorably to the other synth pop on the list (if it's less dynamic). The genre-staple parts are staple, but there is also a surprising amount of ambient-tinged noise.

OMD are on of those bands that I know are famous for something but I could not tell you what. This album was a joy to discover and certainly deserves a few more spins. Fave: Joan Of Arc

A mix of incredible classics and weird experimental shit.

Album #56 (1001 challenge): "Architecture and Morality" by Orchestral Manoeuvres in the Dark (1981) The first time I heard an OMD song or of OMD was the song "If You Leave" from the soundtrack of "Pretty in Pink." I think that was common for a lot Americans. OMD was big in Europe and Canada but wasn't really known by most in the US until five years after this album was released. That's unfortunate cause this is a very good album. Classified as synth-pop and it is but there's something cutting edge and some these songs have an empty and haunting feeling to them. Apparently influenced by religious choral music. If you are expecting "If You Leave", there's no remnants of anything like that here. "The New Stone Age" sounds like The Cure from "Pornagraphy." Not one but two songs with Joan of Arc in the title, one a more pop song and the other has a more majestic feel to it. I thought I was listening to Kraftwerk on "Architecture and Morality." This was a very interesting listen and a band whose earlier work I might have to dig deeper into.

Yeah I can get behind this. I liked that there were a few spooky moments. Some sparkly magical moments too. Favorite song was probably the first or the last one My parents LOVE this group; my mom has said it's her favorite group of all time. So it has some nostalgia bias for me

First real discovery that I make with this challenge and it's a real good one! Quite atmospheric synthpop with post-punk undertones, I love it and I need it on vinyl now.

Very enjoyable synth pop.

Nice synth pop, I'll definitevily get back

Brilliant synth-pop album. Unlike many albums of this genre, this one goes with more delicacy, subtlety and refinement. I really appreciated it.

I expected to hate this, but it was (mostly) kind of great. At its best, it's layered and interesting and way ahead of its time. It's not always at its best, though. Too much 80's Mellotron and questionable singing. Best track: Joan of Arc (Maid of Orleans)

Never heard of this before but I think I love it? Eccentric new wave/post punk with a retro, almost kitschy sense of melody. Those synths are like getting a haircut at the mall in the early 90s, but the arrangements give them a purpose I haven’t heard before. Vibe-y pieces like “Seagrass” feel at home alongside poppier counterparts, I’ll def be getting into the catalog. 4

Epic album cover and epic music går

Ööö…. Nej tack!!!

Yah Yah Yah

This was awesome. The 80s were rad.

Excellent album with some cracking singles and a good mix of interesting experimental tracks.

OMG OMD. IMHO FAB.

Music to submerge yourself by

Certainly the birth of synth pop. It's GREAT! It's wondering to be study/work music but its solid and has a lot of emotion in the lyrics and environment. Dig! Souvenir is a killer track on this.

Könnte teilweise auf FM4 als aktuell laufen. Eingängige new wave songs mit unpeinlichern experimentellen einflüssen dabei. Auf Sealand hört man Beirut. spannend wie sie dissonnante und weirde soundkullissen in total simple, tw. banale melodien auflösen. Geile sounds.

Aged very well

It's a good one from OMD

Radical e innovador para su epoca, Gran disco!

First song and thought it was a one star. But by the end of the album I loved it. Can hear inspiration that so many artists drew from OMD

very nice!!!!

That’s more like it

Very adorable, it refers to quite nostalgian sounds, which I personally enjoy. Definitely good piece of synth-pop.

// Favs: Souvenir / Sealand / Joan of Arc (Maid of Orleans) Score: Light 4

Muy bueno, me pareció muy avanzado para su época

twas chill

Dark, electronic, 80s new wave… what’s not to love here!!

Special. Synthpop, quand meme bon, je ne connaissais pas mais c’est tres atmosphErique. 4.10

Souvenir is big Pet Shop Boys and hence MGMT vibes. The percussive foundation of Sealife provides a rich textrual back drop... ahh nevermind. Early electronic can go one of two ways and this fell on the good side.

22nd July 2021 Listened on my phone first thing while dozing in and out. Quiet week this week which is nice. Off to Norfolk this weekend... I really enjoyed this. Squishy 80s synth, nice.

I've already saved it in my albums, I THINK THAT SAYS SOMETHING nie skupiłam się bardzo na muzyce czy słowach, ale nie musiałam, wiem, że wrócę

I have had zero exposure to this band outside of the one hit, and I pleasently surprised with how fresh this felt

Interesting. Great 80s vibe. Love the synth play

very good, i especially loved the track 'souvenir'

Less sad joy division + less spectrum talking heads = good

OMD is great.

I love this album and band soooooo much! It’s like if LCD and The Cure had a baby.

There’s a lot of interesting soundscapes on this album. Many of the songs would be perfect for film scores. It’s a beautiful album. Best listening to this alone and high and not on a perfectly warm spring afternoon on a vacay-eve. Still broke through the tone being off for my day. 4

Is this the sound of white guys in turtle necks sipping pinot and shedding a single tear? Is it the sound of Englishmen trying to be German? Whatever it is, it's enjoyable. Hearing some Magnetic Fields, LCD Soundsystem, Depeche Mode. It's interesting to hear an album from 1981 that so clearly reminds me of my high school and college experience. Vanity of vanities, truly there is nothing new under the sun.

8/10. Wasn't sure what to expect, but worked out to be quite good, if a bit strange

very sexy synth pop, como para salir a patinar por Santa Monica

This was a very very pleasant surprise, I dread now when I see an 80’s album in my daily draw but this was quite amazing, yea there are synths but not used in the common hideous way this list has me used to by now, I’m very glad I found this one. Favorite song: of all the things we’ve made

Best OMD album. Also has one of the best synthpop songs of all time in "Souvenir." Bridging the gap between Kraftwerk and 80s synthpop/new wave. 7-8/10

I enjoyed the ride

80s blaster

I can get on board with this weird synth post punk thing.

Pretty good. Enjoyable early electronica.

Reminded me of my childhood ! Still good in my opinion

Into it! Almost every song would be great in a soundtrack.

Weird and funky but it worked.

I do quite like this. I will be listening to more of it for sure.

Surprisingly entertaining synth pop with catchy tunes

great synth-pop record, only got to li sten to the live version but Joan of Arc is a treat

Never heard of this album or group but really enjoyed this album

this is very nice <3 pet shop boys vibe but i guess bc ka-era

Good ass synth album. 9/10

Bof, je suis pas convaincu, à part Souvenir qui était sympa 3/5

Welp, we've reached day 1000 of this project. I would normally talk a bit about that, but I'm going to save it for day 1001 because this is the 1001 Albums project after. Besides, maybe I'll get an album that feels special for day 1001, because I didn't really get that today. Orchestral Manoeuvres in the Dark are a band that I've heard of a couple of times, but that I was wholly unfamiliar with until listening to this album today. Now that I've heard some of their music, I can say that my opinion is positive, but not to a strong degree. I like this album, but I don't love it as much as I maybe wish I did. There are definitely more things here that I liked than things I didn't care for. The synth-pop sound is fairly good on this album. The album could definitely be more dated, I'll give it that. There's some solid variety on the album, which is always nice. "Souvenir" is genuinely a great song. The writing and vocals are alright, but not outstanding. The album has some unique themes and ideas, what with the Joan of Arc stuff in the middle of the album and all. The instrumental title track kinda creeped me out a little. I get why people like these guys, but there are definitely other synth-pop bands that speak to me more personally. This album's good, but I also wish it was better. It's not bad at all though. High 3/5.

I liked it, probably won't revisit any time soon. 2.5.

This is interesting.

Man, this starts off so strong with The New Stone Age sounding like a post-punk goth anthem. I really thought I'd love this. Unfortunately that energy isn't a consistent album theme. From there, things seem to quickly shift toward a safer sound. The gothy new wave influence is still there but it sounds like more straightforward electronic dance pop more often than not. None of it's bad, but it just doesn't stand out as anything special.

Un bon album, il sera parfait pour la langueur musicale désirée de min été. Un vrai coup de coeur pour le titre Architecture & Morality lui-même.

Please stop, this is the 5th new wave album I’ve gotten this week. I will never remember a single track on this album. I have never heard even one of these songs yet I must listen to this before I die.

Fair

enjoyed this quite a bit! track 2 was great, some of the more texturally weird tracks were ... weird ... but i was expecting that. 3.5

Fun, better than expected, close to a four

The Cure meets Depeche Mode? There is a spark, but it's not strong enough to ignite a fire. The melodies are nicely enriched with the synth sounds and keyboard rhythms. A bit more courage and electronic experimentation would elevate this album. Unfortunately, the pop/indie elements were dragging it down.

Starts out as ordinary synth pop, which was still in its infancy, but soon becomes an experiment in music. Somewhat arcane and maybe less approachable than later 80s synth pop, it has its charm. 3.5 stars

Very interesting sound.

интересненько начало было очень многообещающим я ожидала что-то вроде экспериментальной классики но в итоге все более стандартным оказалось

A surprisingly palatable take on a genre I don't usually care too much for.

This album had equal parts of weird/sounds that didn't land well on my ears and interesting instrumentals. It was alright to have playing in the background, but if it was any longer, then I probably would have grown annoyed with it.

I want really into this, but I do think it has some interesting bits and grew on me a little bit.

Sounds like the X-files

I feel like this has the makings of something grand but can't build towards a climax.

feels like i bought a random CD at a garage sale and i listen to it for the first time doing chores around my house.

of course i know their hits, and i gave this album a cursory listen maybe 5 or so years ago, but wow it's hitting me today. classic early 90's new wave. and that album cover too.

Really stunning sleeve design. The music: precise, atmospheric, somewhat brooding and dour.

I like new wave music quite a bit. This one has some appeal but maybe not top tier new wave, whatever that is.

I'd never heard of this band or album. It's not really my thing, but was totally listenable.

3/5

It was ok but got a bit dull and boring by the end.

"Mom, can we have New Order?" "We have New Order at home."

Not my thing. Dull, verging on dreary at times. Electronic music for people who don't want anything too weird. At least the chilly early-eighties production suits the style of the songs here. The version on YouTube Music is an extended edition with bonus tracks that are only of interest to obsessive fans, so it outstayed its welcome, which didn't help.

Ok

Elaborate choral samples, BTE She's leaving

Good but not something that excites me

Found this album very relaxing to hear. Just sitting listening to this and thinking about everything. Very cool.

V 80s. I didn’t mind some it

Parts of this were really interesting i loved the lighter songs (couldn’t tell ya which ones) but the rest of it was just kinda there.

Straight out the gate: great name for an album and maybe an even cooler band name. Unfortunately, the rest of it didn’t really land. Mayhaps it suffers for how much I love Kollaps? I don’t know! It just wasn’t enough for me.

Missed this one; interesting mix.

OMD has a few bangers, but they're one of those bands that I wouldn't mind having a "greatest hits" album of rather than the individual albums, as many of the tracks just don't land with me. It's typical of synth pop in that it's very repetitive, and can be boring at times.

not bad, but not my vibe cool synth sounds tho 2.5 que subo a 3

Didn't really do much for me, but well put together.

It’s not Frank Lloyd Wright

Another weird ass album most likely probably suck but I havn't listened to it yet. Ill give it a chance. Also this cover is prety bad. w h a t t h e f u c k w a s t h a t f i r s t s o n g . Second song is waaaaay less experimental. Rather boring :/. Please keep doing hard drugs guys. Omg "Souvenir" is a banger. Overall, its fine, but I would have given it a 4 if they made more songs like "The New Stone age".

Cool textures and creative moments, but as a whole left me cold and a little surprised when the album was over. Pretty but not juicy. I respect the craft but will not revisit.

Kinda interesting. Songs with the female vocalists were good

The hits are obviously recognisable, but I've never been that excited by OMD, and listening to this hasn't change that position. It's OK, but there are so many other 80s artists I would rather indulge in. Heard before ❌️ Listened this time ✅️ Revisit ❌️ ★★★☆☆ (5/10) Total reviewed : 298 Already owned : 68 Purchased : 15 To buy : 3 Nope : 212

This was an alright synth=y album. Good vibes without being obnoxious. I can see the Cure comparisons. 3* Highlights: extended souvenir

Loved souvenir off this and the music video was amazing but the rest was forgettable

a few songs I liked

My parents seemed to think OMD were big back in their day but I'm not quite sure they're worth the hype. I did actually enjoy many parts of this but it wasn't anything too spesh.

beetje flauw... titelnummer is het beste (mss omdat er niet gezongen wordt?)...

I was enjoying this for awhile, but it is an album that eventually suffers from overstaying its welcome. 2.5 / 5

I was excited because I thought this was a concept album about Tolkien characters hunting with birds and keeping houses clean while considering the personality of female french heroines from the middle ages. But then I realised that's 'Ork-kestrel, man hoovers, inner D'Arc.'

Not bad for 80's synth-pop, a few of these songs are great, others are rather blah. Overall, I enjoyed this album.

Better than I thought. Reminded me of Stranger Things.

apparently the follow up is even more harsh and industrial which has me very excited to look into it. idk a lot of this was a disappointment after the first song, which sounds rich, industrial, hollow, metallic. all sorts of adjectives for that one. it gets a bit poppy for me in too straightforward a way. i guess the problem with being ahead of the curve is that there's no way of knowing how far ahead to go. deserves to be one of the 1001? yeah! sure!

I like the super '80's new age sound, but the lead singer is really bad. Also, their poppier sounding songs suck compared to their darker and moodier songs.

Early synth pop that is mostly enjoyable for the moody vibes it creates rather than anything memorable. I only heard Enola Gay from this band before so I didn't know much about them. Probably wouldn't revisit this but it's effective at what it sets out to do

3/5 Was not familiar with the artist/ band before. Some decent new-wave from the early eighties. Nothing that really impressed me

Some of the stuff was interesting and uncanny. I like listening to something different for once i a while. I wouldn't listen to it again though.

The start of the album was some nice with great upbeat synth bangers, but turned too mellow towards middle and end

Experimental synth pop from the early 1980s. Some songs were extraordinary, a bit industrial, but also melodic, but some other songs were more boring. It's nothing like I have already heard before. I was considering to give it a 4 but on a personal level I didn't enjoy it that much to round it up to 4, but it's 3.5 for sure.

.

Favorite songs: The New Stone Age, She’s Leaving, Souvenir, Sealand, Architecture & Morality 3.5

Not a bad record but clearly their style and sound became more distinct in the years to come.

Architecture And Morality

Orchestral Manoeuvres In The Dark

Reviews (page 3 of 7)