Reviews (page 3 of 13)
Absolute 5 stars. One of my fave finds on here so far. I think they’re better than Pink Floyd and other contemporaries, I’m so excited to listen to more of their stuff from here on out
Equal parts beautiful and weird. An absolute pinnacle of the prog rock genre
Exceptional album from KC. Perhaps their best.
This is pretty familiar to me as I had the cassette tape of it in college days. Excellent musicianship, and I see some of the ideas here being used by other prog bands later (there's a section in Moon child that influences Genesis circa Lamb Lies Down IMO)
Great
Had the privilege to see KC back in 1970. Just brilliant and this album is a triumph from start to finish. Who doesn’t like a bit of noodling about but the great tracks are great.
absolutely loved this album, great discovery. will listen again
Wow, this was some crazy early experimental progressiverock which I was vaguely aware of, but did not realize how good it was. Shit, I listened to it twice in a day
Fou
woah
Yurp its a banger
Incroyable, toujours aussi frais après plus de 50 ans.
Absolutely everything its cracked up to be - the music is expansive and exploratory, eminating with power and proficiency.
I knew the album already. Some sounds a little dated but the songs are great. A true classic.
One of the first Prog Rock albums and actually very good. Must have been ground breaking in its day. In all honesty I could have done with a shorter version of Moonchild but that is being picky. Rest of the tracks have been added to my "Likes" 5 Stars
I hope you're all sitting down for this review - it's what Robert Fripp would want. This record was a big part of me going from being a football obsessed teenager who just wanted to be outdoors all time kicking stuff around to a fucking weirdo who took music far too seriously and liked the INDOORS. My tiny mate Dan had got me into Pink Floyd so I was open to a bit more down that sorta avenue. We listened to this and became unbearable. It's mad that this is a 60s album. It's so far ahead of what else was going in in 1969 that you'd be forgiven for thinking it came out after Dark Side. The opener is class, and probably the most traditional part of the album (opening strong with a solid catch riff) but it goes off the rails already towards the end with just noise. It's been sampled loads since which is a testament to Fripp and Sinfield bridging the gap between accessibility and peculiar. I Talk To The Wind is one of my all-time favourite songs - a gorgeous almost soft folky tune with one of the only acceptable uses of flute as a main instrument in the history of music. Then Epitaph and Moonchild happen and it all gets fucking weird. Epitaph is a powerful tune, and the best example of how perfect Greg Lake (of the band with those other two nerds fame) and his vocals were to this iteration of King Crimson (of which there are 204). Moonchild goes wild with the keyed instruments and you're essentially just wandering through a weird Final Fantasy sidequest for a bit but it had it's moments. Then the finale hits and hits perfectly to begin with. You've been through a bit of a weird journey and then you get hit with safety in the form of a guitar part and vocals. I'm convinced when Roger Waters wrote Eclipse he just listened to this a couple of hundred times and came up with his own version. But then again they can't resist getting a bit medieval fairground amongst it all. But this is pure prog at it's best - heavy, atmospheric, a big vocal AHHHH chorus and weird fucking lyrics about fire witches n that. The record then ends but of course it doesn't cos its prog and we've gotta have at least ONE REPRISE WHEYYYY and it's a bit more upbeat and hopeful - then it gets weird one last time. Class. Love you. 4.8/5 JF - What an album to start off a Monday whilst I'm stuck at work till 8 o clock. First of all, arguably one of the most influential albums of all times in the genre of Prog Rock, without this album its likely we wouldn't see the likes of Darkside of the Moon, Meddle, Fragile by Yes and the list goes on. Its not a perfect album by any means, there are faults which i'll go into more detail about but for the mark it left on musical history, its a bloody giant. As I could write a thesis for every single track on this album, I will try limit the track discussion to not be several paragraphs long (Key word there being try). Starting off with one of the most well-known of King Crimson's discography, 21st Century Schizoid Man, its a powerful banging track, distorted and disjointed, with abrupt chaotic tempo changes and the wailing of electric guitars along with an almost terrified sounding yelling of brass instruments, all backed with tight bass lines and the controlled chaos of the drums. Lyrically it chants of the impact of war, more specifically the Vietnam War, as well as the rise and demand of consumerism in modern society. All in all what more do you want from a prog rock track and what a fucking banging opener. I Talk to the Wind takes the album in the complete opposite direction, where there was chaos and instruments screaming for freedom, there's now gentle serenity, a beautiful track speaking of a longing for connection almost pleading for understanding in a world that is quite hollow and lonely, with the flute being the outstanding instrument of the track. A beautiful bit of calm to differ from 21st Century Schizoid Man, I can see why this would be part of Jay's hangover playlist. Epitaph is probably the bleakest track on the album, not in a bad way, it carries across the image of defeat and hopelessness beautifully well, it paints a post-apocalyptic earth, destroyed by war, greed and humanities inability to learn from their mistakes, as if we are always doomed to fail, its a powerful look into humanity as a whole that can take place at any moment in time. Next we have Moonchild, which is one of my favourite tracks on the album, the soft voice of Greg Lake is hauntingly beautiful, almost like a calling to a far distant land, the first 2 and a half minutes of Moonchild stick to this beautiful haunting folky type theme, then comes the controversial type bits, the remainder of the track is entirely an improvised jam, executed very well but it does take away slightly from the beauty and simplicity of the beginning of the track, if I'm in the right headspace I'll listen to the full track any day of the week but usually? First 2/3 minutes of the track work just fine. Finally we have the albums closing and title track, sticking hard to that the theme of wars and the helplessness of the individual, this time with the added medieval theme. The track jumps between softer verses building up to a bombastic epic explosion of strings, brass and keys all with the familiar banging drums and bass. The track switches momentarily to a softer verse with return of the combined flute and bass as seen on Talk to the Wind. The closing track encompasses everything that makes this album as influential and poetically brilliant. Overall, holy shit what an album, its beautiful, dynamic, poetic, quiet, chaotically loud and one of the grandfathers of Prog Rock, always a happy listen from me and a great way to start a monday. 4.6/5 MTW. - Lots to unpack with this album as it holds a lot of value in the prog rock community, so let’s go. I feel like if it’s your first time listening to King Crimson (or any prog band from the same period) your gonna come away feeling that most of the songs start better than they finish, that’s how I felt first time round anyway. And I still think that’s the case for some of the tracks on this album, however I’d say that although this is a con for me, in the grand scheme of the genre it’s a necessary risk by the artist that’s helped to scape the movement. Schizoid man definetly finishes just as well as it starts tho, seriously this song fucks, and the vocals are the centre piece for me personally, sending it like he’s on the front line hot digging dog. I Talk To The Wind gives us a chance to calm down after being psychologically skull fucked for 7 minutes, which is thoughtful and appreciated, however I do think this song drags on a little bit too long for my taste, as is also the case for the song Moonchild. By fucking god is this song frustrating, the most angelic 2/3 minutes of a song I’ve possibly ever heard, then all of a sudden we enter a duel of two keyboards with half their keys missing, having a whispering contest for 10 fucking minutes. I just don’t think the instrumental elements are strong enough to warrant the runtime of this track sadly. Epitaph however I’d say has a lot more minerals and the structure plays to its advantages, this song rocks, as does Court which is a great way to end the album. Overall a pleasant revisit to an album I haven’t heard in time, will listen again sometime 3.8/5 FTW Hello, happy Monday :) This album is rare in every sense of the word, it practically invented progressive rock in real time, combining jazz complexity, symphonic drama, and psychedelic weirdness. Its importance can’t be overstated; without it, bands like Yes or Genesis might’ve just stayed polite rock groups instead of launching into epic, otherworldly sonic rollercoaster's. The album’s mood swings between haunting beauty and apocalyptic chaos, which is probably why it still feels so alive decades later. And honestly, listening to “21st Century Schizoid Man” at full volume might be the closest thing to time travelling back to 1969 without accidentally growing offensive sideburns and landing on the moon. 4/5 - HF xo
A Masterpiece, it is 5, just because there’s no higher option.
Absolutely fuck yeah. All-timer album cover and INSANE debut btw..... what?????
genuinely inconceivably good ... so impressive and still so fresh... love this album a bit too much
Probably the best album I've listened to in this series yet. Long on the list, but this is stellar.
++*: 21st Century Schizoid Man ++: I Talk to the Wind, Epitaph, Moonchild, The Court of the Crimson King 9,9/10
I've already listened to his album (12). The original prog rock classic. Never gets old.
Visionary. Not a light listen but a great one.
Love this album, helped kick off and entroe decade of music. So many great (and terrifying) instrumentals and lyrics
Favourite track(s): I Talk To The Wind; Epitaph; The Court of the Crimson King What a journey. From the distorted screams of 21st Century Schizoid Man to the soft flute in I Talk To The Wind (a favourite simply for its melancholic tone). Then the intro to Epitaph, longing and dramatic, with the song later morphing into what feels like a death march and ending in that phrase, repeated. You do need to be willing to take a journey in Moonchild when distant guitar and percussion become more vibe than music. And lastly the big crescendo of The Court of the Crimson King with the organ at the end. Then it is over. Not too long. Experimental, yes. But still musically so very enjoyable. Perfect album.
i have listened to this album before it was recommended to me and i heavily like this album, for example 21st century schizoid man and the court of the crimson king.
Another one I own on vinyl. #2. I love this album. Its all incredible. I don't know how they are so on time all the time.
Alright, listen up. If you're into rock music at all, there's one album you absolutely have to know about: In the Court of the Crimson King by King Crimson. This isn't just an album; it's a total head trip and, no exaggeration, one of the best prog rock albums ever made. In my opinion, King Crimson is one of the all-time great prog bands, and this record is the reason why. The first time you drop the needle on this thing, it's like nothing you've ever heard. It's got this totally unreal vibe, with these swirling Mellotron sounds that just take you to another dimension. The album shifts from intense, chaotic moments—like the opener "21st Century Schizoid Man" with its killer sax solo and heavy guitar—to these beautifully eerie, almost-sad tracks like "Epitaph." It’s a whole journey, not just a collection of songs. The production on this thing still holds up decades later; it's just so crisp and clear. I've had this on vinyl for ages, and there's just something special about listening to it that way. The artwork is iconic, and the sound just feels so warm and full. It’s the kind of record you put on when you want to really listen to something, not just have it on in the background. It's a solid five-star album for me, no question. If you haven't heard it, do yourself a favor and check it out. Seriously. And if you have a turntable, you owe it to yourself to go find this record and add it to your collection. You won't regret it.
Chaotic, beautiful, theatrical. Absolute beautiful find, and why I started doing this challenge!
classic
My older brother introduced me to this album when I was, I guess 13 / 14. I didn't really understand it, but I knew that it was different and exciting - from the insane track lengths to the vivid album sleeve. I guess "Schizoid Man" is probably the most well know but I had to play "Return of the Fire Witch" twice because it's just soooooo good. The flute, the drums.................... *insert heart emoji*
One of (if not THE) the best debut albums ever made
Rather liked this -- kinda proggy affected jazz. Wasn't familiar with them, would spent more time with them.
Неделю назад я смотрел фильм "King Crimson at 50", просто охуенный, и в общем участники группы все как один говорят, что Фрипп - демон, и что с ним невозможно работать, но продолжают это делать, а сам Фрипп имеет полное право требовать, потому что уровень, которого он требует от себя в свои миллиард лет - просто космический. Чел тренеруется на гитаре часами каждый. божий. день. Потому что иначе он не сможет сыграть Larks. Я никогда не воспринимал артиста вот так. Это всё в дополнение с эпопеей по фотографиям Кинг Кримзон на ластфм, отсутствием легальных способов послушать хоть какую-то музыку группы, перфомансы Фриппа на ютубе в ковид. Сам альбом звучит только актуальнее в 2025, на мой взгляд. Лучшая песня - Epitaph.
# 103/1001. Words cannot really describe this album.
One hit after another wow
Mindmelted. I am still working on this one.
the court was welcoming. really balanced and still exploratory. intense and chill all at once. 5
Throughout this record, King Crimson absolutely nails the art of "theme and variation". Five lengthy tracks with (essentially) only five musical ideas spread across them – and yet you're completely hooked, completely engaged, for all 44 heart-wrenching minutes. The quiet, tense lead-in of 21st Century Schizoid Man with the lonely sound of wind whooshing past you – and then you're hit with an excellent riff and (soon afterward) an enraged, heavily distorted vocal. Greg Lake delivers a slew of disillusioned and disjointed lyrics about, well, a schizophrenic dude. Rapid time signature and tempo changes, a bluesy harmonic mode, fast horn lines, and extremely high-level playing on bass and drums definitely sell this piece. Then we get I Talk To The Wind with its largely flute-based instrument accompaniment and a chillingly desolate melody. Epitaph has one of my favourite uses of the mellotron in any piece of music. And again Lake's singing is very strong – possibly the best on the record. Upon a first listen, Moonchild is definitely a tough nut to crack. It has an almost ancient-imperial feel about it, as well as the dizzying fantasy element (à la side 2 of Queen II). I've seen a lot of criticism about the lengthy soundscape in the middle of this track, with many citing it as boring and longer than necessary. I kind of agree. It's the weakest point in the album, though it does have its place as a sort of semi-psychedelic downtime between the two darkest and heaviest tracks. Speaking of which, the heavy and dramatic title track is ridiculously good. It's a climactic way to send off the listener, that's for sure. The delivery of the title line and subsequent backing vocals is so over-the-top, so passionately done, and has such a great melody that it's impossible not to fall in love. This is around the time where the strange cover art really clicks. We're all just puppets, subjects in a terrifying mystical court. (Or something.) Not a perfect album by any means, but as prog rock goes, it's darn impressive for its time. A rollercoaster of emotions showcasing lots of interesting musical ideas, some excellent musicianship, and variation of mood. If that ain't a great showing, I don't know what is. 5/5 Key tracks: 21st Century Schizoid Man, Epitaph, The Court Of The Crimson King
I mean, what else can I even add to the discussion on this album? I'l just say thank you Guitar Hero 5 for having this song on there
Un álbum históricamente destacable. Una obra representativa del rock progresivo clásico, genera muchísimas atmósferas diferentes, tiene contenido político en sus letras, combina elementos del rock, el jazz y la música clásica (en términos de instrumentación, pero también de estructuras e improvisación). La duración del álbum es muy amena para ser una obra de rock progresivo, lo que mejora muchísimo la experiencia de escucha. Lo cierto es que siendo un álbum de rock, los temas tienden más hacia la balada y lo melancólico (con la excepción del primer y último track). Algunos aspectos a criticar para mi gusto: La calidad de la grabación es muy buena, pero entre tema y tema la mezcla es un tanto disímil y por momentos cada tema pareciera de un álbum diferente, no es que sea algo malo, pero es extraña la gran diferencia que tiene el sonido de la voz en un track en comparación con el que le sigue, siento que al oído le capta la atención este aspecto, hasta que uno se vuelve a acostumbrar. Por otro lado, la decisión de poner "I Talk To The Wind" como segundo track, luego de "21st Century Schizoid Man" me resulta errada. Son temas demasiado contrastantes, y creo que "Epitaph" hubiese sido una mejor elección como segundo track. "I Talk To The Wind" es un tema que pertenecía al grupo anterior de Fripp, y lo utilizaron en este álbum para también proponer un sonido más suave. Esto es notorio, y aunque son detalles que no le quitan para nada valor al álbum, porque los temas son excelentes, afectó un poco mi experiencia de escucha. Aún así, un gran álbum.
I first tried this when I was in a band in 6th form. 16 years old and my two fellow band members recommended it to me. I really struggled with it. I tried it again a few times in my life and slowly got to grips with it. I come back to it as part of this and realise its insane majesty and the influence it has had on some of the greatest bands on this list. I didn't know Fripp invented prog. I know, though that he did play some of the best guitar on some of the greatest albums ever made. Including this.
אין הרבה מה לחדש - אחד האלבומים הכי טובים אי פעם שיר מועדף - I talk to the wind
Can see why it's a classic. Clearly influential. But not my favourite King Crimson.
Superb
The fact that this album was released in 1969 is incredible. Very ahead of its time, very proggy and extremely well done. It just takes you on a great journey.
I think this album forces me to confront my own guidelines for rating. Is this the best Prog album ever? Probably not. Is this my favorite Prog album? No, probably not. Should everyone listen to this album at some point before they die? Absolutely, even if only to inform those who will continue a path down the genre. This albums popularity isn't a stain on its reputation, it's a marker of appreciation.
a perfect album - it keeps growing and growing - sum exceeds its parts
Great album. Not my favourite KC album, but a fantastic album nonetheless. 21st Century Schizoid Man aside, this is a moody listen. Like a lot of their output, you have to be in the mood for it. The musicianship is flawless. I love Michael Giles’ drumming on this. Production is almost claustrophobic - it has the intensity it needs. More than 50 years on, the songs still hold up. And of course, the iconic cover art.
I wish I would have a trial in the court of the crimson king.
A prog masterpiece that includes some of the best production but the jazz improvisation on moonchild is not very good 9.5/10
#51 In The Court Of The Crimson King ~ King Crimson There's a reason why this album can be so beloved to people. It's opulent, bombastic and over-the-top. Its solos are meandering and never-ending ecstasy-fests. Its arrangements are dense and rough around the edges. Its lyrics by Peter Sinfield are pretentiously abstract and delivered from lullaby whispers to howling shrieks. This is a hipster album. THE hipster album of the late 60s maybe. And there might be certain debate about whether this is the best KC album, its certainly the most fun. Cause really this album is designed to smash you with walls of sounds and you will be made to take it. 21st Century Schizoid Man is a showcase really of the band's ability to delve into excessive technicalities, especially the underrated ear of Robert Fripp's guitarwork. I Talk to the Wind a showcase of McDonald's multi-instrumentalism but also after the first track, the more mellow and sensual side of KC. Epitaph is probably the best track of this album, KC at its most dramatic: an orchestral march for mellotron and drums decorated with guitar and wind harmonics. This middle track is its most beautiful in the album. Moonchild is an interlude to the final titular track, which is basically a sum-up of the first three tracks' virtuosity, sentimentality and need for drama. The best way to approach this album is frankly just to be entirely relaxed because these tracks are all long, as expected from prog rock. Let your imagination go wild when you listen to these tracks; the fantastical titles of these tracks are not for show.
epitaph is in my top 5 best songs ever
en renodlad klassiker vad kan man säga
This album was a killer when it came out. Me and my brother would go to Dave's house and hang out because he had a Macintosh amp and Bose Speakers and a Dual turntable; this album would always be cued up and it just sounded so great with that equipment. His sister was dating a doctor and he had upgraded his stereo. Dave got the old items.( they were practically new!) Wish I knew what he upgraded to! 21st Century Schizoid Man was just so incredibly awesome.
🐣❤️
The opener catches me off guard a bit with a heavy main riff and distorted vocals. I Talk To The Wind is different altogether, dominated by flute and soothing vocals. The jazzy drumming stands out. It's ethereal and excellent. Epitaph closes the side, slow at first with deep bass but building into a cinematic tour-de-force. Pounding drums accentuate the middle section. The second side is two longer pieces. Moonchild starts off pretty and turns very experimental and sparse. I can't decide if I like it or not. Then the title track is big and dramatic again with a triumphant chorus. There's lots to love here: the variety of songwriting, tempo changes, the instrumentation. Everything sounds great and has space to breathe. Rarely matched atmosphere. Moonchild is maybe a bit arty for me but who are we kidding, this still deserves top marks.
Good
94% Best: 21st Century Schizoid Man; Epitaph; The Court of the Crimson King Must-Hear? Yes
Exceptional album
I'm not usually a fan of psychedelic rock but this album had a bit of a New Orleans vibe. I guess it was the horn section but I got really into it.
Fabulous album. One of the greatest of all time. Even the album cover is fantastic.
This is an amazing album, so creative and superbly made. Prog Rock sprinkled with a good dose of psychedelia. I especially like the drumming, very clever. The album is varied but it all fits together really nicely. An easy 5*.
even more beautiful than the previous one
Challenging and groundbreaking.
A huge sounding album. King Crimson really came screaming out of the gate with this one; that first song being responsible for one of the dirtiest riffs in music and would serve as an influence to an entire subsection of prog-rock. I think it’s safe to say they without King Crimson, there’d be no Rush, no Pink Floyd, and no Mars Volta. I know to some that would be a blessing, but they’re probably the three most pivotal bands in shaping my music tastes, and so I can only be grateful to this incredible album. On its Owen it still sounds incredibly fresh, and I know people who say them on the 50th anniversary tour for this album and said it blew them away. There’s incredible intricacy here in the movements and the way in which sections build and deconstruct. There’s classical and jazz influences as well as early signs of more complicated metal and post & math rock. King Crimson threw everything at this, and somehow it all stuck.
Very amazing prog rock album. I even love the free improv track "Moonchild." It's oddly relaxing and makes for a great calm before the closing track.
The keystone of progressive rock. Absolutely brilliant. My introduction to the genius of Robert Fripp. A luscious, propulsive masterpiece.
Great album. I assume Kanye enjoyed the first song.
This album took me by surprise and blew me away. There was some brass wind jazz noodling that I could take or leave, but outside of that there was so many inspirational sounds. I will come back this for sure
Great
😎 cool
At a time when most of the best hard rock was blending with blues, and heavy metal was just around the corner, King Crimson instead blended their hard rock with elements of jazz and orchestral music. While some later bands did improve on this progressive rock blueprint, this remains a fantastic album and 21st Century Schizoid Man in particular is still a classic. I definitely could have done without the second half of Moonchild. But all in all a fantastic achievement, and highly influential to some of my top favorite prog metal bands.
This slaps. The bass tone on 21st century schizoid man is so good
Album is king for a reason people
This album has an amazing ability to turn what feels like 20 minutes into an hour - every song on here is so fresh and different, yet adheres to the thematics of the album. Not to mention it probably has one of the strongest starts to any record ever with 21st Century Schizoid Man, and an utterly amazing closing track. Everything about this record is utterly flawless. This is definitely a record you listen to from start to finish without skipping a single second. Even the artwork is so good you can just stare at it the entire time listening. If you ask me, this is the greatest prog rock album of all time. It's not even close (I don't count DSOTM as prog rock).
I don’t think it would be hyperbole to call 21st Century Schizoid man the most iconic prog rock song of all time. Hell, just that opening chord feels so iconic that I feel as though most would have heard elements of this song in one way or another. I see some critics of this album saying this song does a lot of heavy lifting for the album but I think that couldn’t be further from the truth. I love the willingness to pivot so freely in styles and weave genres together, it’s a lot cruisier of an album than the intense opener would lead most to believe. Epitaph might be my hidden contender for the highlight. Greg Lake’s singing works perfectly with the almost dream-like quality of the instrumentals on here are of the same ilk as what I have praised previously from his work on Tarkus. A fantastic album with more than one amazing song.
I've saved most of the songs on this album individually over the years, thoroughly enjoyed them all, but never listened to this whole album top to tail. 21st Century Schizoid Man, Epitaph and The Court Of The Crimson King are epic tracks that have been in my rotation for a long time. Moonchild starts very well, but after the first few minutes, it’s just too much jangling keys and other random percussion that didn’t build to anything on the track. Thank god The Court Of The Crimson King was up next with a strong start. Music ahead of its time by leagues, very impressive. GOATED debut album. No doubt influenced many of my faves.
A literally genre defining debut. Every song here is totally fresh and interesting and the fact this came out in 1969 is mind boggling. Even putting aside the standout hit that is the opening track, the sideshow here is still phenomenal. ‘I talk to the wind’ is such a tonal backflip you would think it’s a different band. Iconic in its truest sense.
Better than anything those Pink Floyd blokes have ever released 👍 9/10
The album that arguably defines prog rock is a debut effort? That's wild. There isn't a lot to say about an album that approaches perfection. Iconic album art (the only painting done by the artist who tragically died very shortly after), genre-defining hits and about as influential to music as it gets. An easy 5. Highlights: The whole thing but especially The Court of the Crimson King
Touched by the Crimson King!
I think this has to be a 5! 21st Century Schizoid Man is growing on me and Moonchild might yet, and the other three tracks are sensational.
Un lujo
Classic album, this rocks
Is this a JOJO reference? Realmente no habia escuchado el disco, algun tema suelto. Me gusto bastante, hay una de las primeras pistas que siento que podria ser tranquilamente ost de la parte 3
Lo escuche completito cuando volviamos de una excursion en Iguazú. Está tan bien grabado que temas como Moonchild se escuchan super espacial. Tiene algunos momentos medios abstractos y pasados de drogas. Pero no llegan a opacar el resto del disco. Es algo para escuchar cada tanto
10 / 10
PROG This album is fundamental to the modern understanding of wizards
Just a wild ride. Surprisingly palatable for how weird it is.
Recorded in 1969. think about that, that was over 50 years ago. It blows me away how innovative this album was for the time, so much so that it would probably be described similarly if it was released today. King Crimson took influence from the early psychedelic rock of Pink Floyd and The Beatles, mixed it together with free jazz and modern classical to create an album that would become among the most influential in rock and roll history. While Court is seminal prog rock, one can hear elements of so many modern genres like heavy metal, industrial and psychedelic rock. It is easy to see why so many musicians cite it as an influence and among their favorites. Including Hendrix who supposedly declared them to be the best band ever before this debut album was even produced. Crimson has stated that they wanted to album to be frightening, while I wouldn't describe it this was, it is deeply emotional which is something that would have been easy to lose track of through the improvisation and innovative musical elements. Part of what make this music emotionally impactful are the understated vocals (and poetic lyrics), but also the underlying structure taken from jazz and classical. Yet, other elements like the discordant woodwinds and experimental guitar riffs carry the emotional impact forward because they take you on a journey to new and unexpected places. I'd be remiss if I failed to mention the fantastic sampling, with one of the earliest uses of what would become resampling. Also, it has among the best album covers ever that conveys visually what you are about experience sonically. A masterpiece in just about every way possible!
Ya lo he escuchado, pero sé que es una puta obra maestra impresionante. Lo amo.
Classic, incredible prog masterpiece. 21st Century Schizoid Man is one of my favorite songs of all time. The guitar and bass with together so well. The transition to I Talk To The Wind is quite jarring, ditching the jazzy maximalism of the opener for a very mellow, folksy song headlined by the flute of Ian McDonald. Epitaph and Moonchild are excellent songs in their own right, but they end up being slightly overlooked between the two opening songs and the title track.
Amazing prog debut. Schizoid man is a force to be reckoned with.
Three lullabies in an ancient tongue...FOR THE COURT OF THE CRIMSON KIIIIIIIING I love love love love this album 100000/10
I completely understand the hype. My first crimson album and it was fantastic.
Hat mir insgesamt sehr gut gefallen. Favourite Song: "Epitaph"
In the Court of the Crimson King by King Crimson is one of those rare albums that feels like stepping into an entirely different world. From the moment “21st Century Schizoid Man” begins, the listener is thrown into a chaotic, distorted storm of sound that somehow still manages to feel calculated and purposeful. That track in particular is a powerhouse, jagged and aggressive yet deeply compelling. What makes this album so special is how it balances that harsh energy with moments of floating beauty and mystery, crafting something that feels both royal and surreal, like a sonic myth unfolding track by track. The album’s pacing and narrative arc give it the feeling of a cohesive story, one draped in the majesty of prog rock and filled with surreal poetry. Songs like “Epitaph” and the title track expand the album’s scope into something truly cinematic. While “I Talk to the Wind” does not fully hold my attention the way the other songs do, its inclusion still makes sense in the overall flow, offering a moment of stillness in the storm. This is a one-of-a-kind album, rich, strange, and unforgettable.
purely magnetic. perfect from beginning to end.
My bf loves this one. I never heard it before but knew he likes it. I like it too now! Really good, feels like a top 10 of all time.
goat album
A mega classic - best prog album ever
I loved it!
top 5 discos de la historia.
I didn't understand it when I was a young teenager, but I gave this a listen recently and now it's pretty amazing. Funny how that works.
I’ve always thought this record was really fucking strange, but in the most appreciative and reverent way possible. It’s a manic combination of rock n’ roll, very early heavy metal, prog rock, and jazz. There’s probably a dozen more genres one could pull out of the incredible and wacky soup this record is born from. I really struggle to put into words how fascinating this album is, I can only imagine how someone listening to this for the very time in 1969 would have felt. It was so novel and incredibly different than anything that came before it. This album has been ridiculously influential to a frankly inconceivable number of artists since. I would love to say more about it, but I fear this is one of those records that I cannot do justice to by simply typing words. This albums inclusion on this list is unquestionable, in my opinion, its definitely a record that everyone should hear at least once. 5*
‘In the Court of the Crimson King’ is often cited as the first indisputably prog rock prog rock album. While I think it’s exceptionally rare that an art movement peaks at its very beginning, this album is, note for note, the greatest prog rock album of all time for my money. It’s probably a top 5 English album of all time and a top 5 album of the 1960s for me. No matter how you categorize this album, it is best in class. I put off writing this review for a long time because there’s so much that can be said and I worried about leaving out something that’s important to me, but it’s really time to get on with this project. I’m going to go song by song because that’s how I generally think about the album. I don’t think the album was written this way, but I think one way you can listen to it which I will explain below is that each track highlights an instrument/instrument section. “21st Century Schizoid Man”; featured instrument(s): guitar and saxophone I think guitar and sax as the featured instruments here requires pretty little explanation. This song kicks the doors down on this album with one of the most iconic guitar riffs of its time. I love this riff. The first six notes are evenly paced but the last three are slightly slowed; the effect is like being underwater and holding your breath, knowing you have to hold it for just a few seconds more but desperate to inhale. After two verses, lest you think this subtle tempo manipulation is all the song has in store, the first six notes of the song hurriedly transition into a completely frenetic, frantic, schizoid jazz break. The time signature has changed. There’s syncopation. The guitar and sax are together, they fall apart, they trade crazy solos. The entire time the bass is racing. Eventually it falls back into familiar territory with another verse/chorus repetition and the song is over. It is shocking and electric and there is nothing like it. “I Talk To the Wind”; featured instrument: flute & Mellotron After the opening track, it takes no more than a few notes of “I Talk To the Wind” to make the contrast between the two evident. The flute and mellotron immediately envelop you in… cashmere, quicksilver, a moonlit lagoon, tranquilizers… it’s the total opposite of “21st Century Schizoid Man”. The flute solo around halfway through and again towards the end of the song are beautiful. The composition of these solos has an obvious from classical music, which will continue to be heard throughout the album. “Epitaph”; featured instrument: vocals The mellotron continues from the previous track into “Epitaph”, and it’s very prominent in this track as well, but what stands out in “Epitaph” is the vocals. The singing is much more involved than on other tracks and uses the vocals as a melodic instrument rather than simply a form to deliver lyrics. The lyrics of the song, to be frank, I don’t entirely understand on their own, but the emotion of the vocals leaves no doubt, combined with the swelling instrumentals… lovely track. “Moonchild”; featured instrument: percussion & bass This song begins in the orbit of “music” for about 2 minutes, before it entirely drifts off into the vacuum of improvisation, largely led by some superbly creative use of drums and bass. What strikes me about this improv section is that the drums and bass, the “rhythm section” of the band, are used in an almost completely arrhythmic way. They flutter and flit around like moths in a dark empty room. Eventually, like from the chaotic and senseless primordial soup, rhythm—order, life—emerges. “In the Court of the Crimson King” On the final track, all the components of the band come back together in a beautiful symphonic reprise. It’s soaring and completes the album perfectly, so satisfyingly. The choral vocals and the mellotron together, the guitar solos, the flute melodies… it ties up like the ending of a smartly written movie. This album is not only ahead of its time, it exists outside of time. It is THE definitive prog rock album, but it exists outside of genre. RIP Berlioz, Grieg, Wagner, Mahler, Saint-Saëns, y’all would’ve loved ‘In The Court of the Crimson King’.
Meraviglioso, la creazione del progressive. Penso un o degli album più belli mai incisi, anche se come album dei crimson forse non il più bello. Per favore ascoltatelo ed amatelo.
This is an album I have heard before and I thought it was alright. This time, listening to it again, I really enjoyed it! It’s loud, chaotic but at times it’s also beautiful. It’s just such a fascinating album and deserves its place in history!
Whatever has been said about this album, this is truly a great, genre-defining album. Moonlight is a tad too long, but all great albums have their flaws, don't they?
A bit crazy to listen to but I really enjoyed
21st century schizoid man is probably one of the best songs ever written
Heard 10+ times. Axe Moonchild's noodling and this is the best prog album of all time. Always wish it leaned more into folk instead of the symphonic shit. Greg Lake shouldn't have left to go do ELP wankery, he slaps that god damn bass. (Red is still better.) 10/10.
As a 21st century schizoid man, I always enjoy the dreamy vibes of this record. I feel like a fuedalistic peasant having an acid trip. The album is both ahead of and behind the times. Middle of the album is underrated.
Probably could be a 5/5 because the bookend songs are legit some of my favorite of all time. The tracks in the middle are also great, just a little same-y. -1 star for Robert fripps wife’s nipples on instagram
Masterpiece. The standard for all the followed.
I'm blown away. 1969? Why did we keep making music after this? How did they have this fully formed ready to go as a debut? Why is Moonchild just another version of The Nightman Cometh?? Its not perfect but it's fuckin cool as hell and I had a whale of a time. Long live the Crimson King.
sooooooooooooooooooooooooooooooooooooooooooooooooo good
I have loved this album for a long time, so it’s hard to disconnect it from youthful memories. This art-rock is so creative, fun, and of its time; I still love it. The musicians are exceptional, deftly and cohesively weaving together jazz & rock & elements of klezmer — the overall effect is serious, humorous, very sad, and often beautiful. Most importantly, they only got a little carried away with themselves & self-indulgent (on “Moon Child”) and were not gawkily theatrical like many art-rock bands get sometimes. This is a five for me.
Moonchild is a bit of a snoozer but the rest is basically flawless and obviously the most influental prog rock album ever
Fantastic in every sense, need to fully embrace moonchild though in a quiet environment to get a better experience
Un classique chez moi
I'm not even bothered by the prog stuff. It's still an excellent album even if you only consider it in the context of psychedelia. There are layers and dimensions here. Sounds great on headphones.
This album is a masterpiece of Progressive Rock. It's particularly ahead of its time, it sounds great for a 1969 album. The performances are absolutely amazing, the drumming is excellent, the guitar sections are super interesting, the saxophone work is exceptional and the vocals are also perfect for the genre. I loved the saturated vocals on "21st Century Schizoid Man". The production is also fantastic, the effects work so well and are so well done. The composition is also one of the strongest parts of the album, each song is a long, well constructed piece. My favourite song I think is "21st Century Schizoid Man", because it's a masterpiece of a song. But really, all the songs are excellent on their own, "The Court Of The Crimson King" is also super good, "Moonchild" is great. Honestly, they're all excellent, even the songs from the expanded version. The best thing about the album for me is how cohesive it is though, just 5 very long songs that share a similar sound and style, but also work on their own. The mix of rock, jazz at times and the negative space of the quiet moments make this record a great experience.
Pure genius, originality, timeless, powerful, subtle, a journey.
Weird proggy goodness
The proggiest of prog. So fun. Loved moonchild
Ovo nije samo album koji je bio ispred svog vremena, ovo je album koji je izmislio svoje vrijeme i svako vrijeme poslije, otprilike svu muziku koju ja volim. Likovi što daju lošije ocjene nemaju sofisticirano progasto uho i tačka. Remek-djelo.
오 이건 굉장히 새롭고 연주가 멋있다. 다양한 장르가 크로스오버됐고 독특한 분위기가 연출된다.
Everything Pink Floyd fans claim PF to be, but isn't.
The end of Moonchild was a little long for my taste but apart from that oh man this was good
yeah this is a 5
Ez dump
Just an absolute magnum opus. One of the most stunning albums, so well done.
The mouth of madness.
Weird as hell, I love it. Not something to just add to playlists, but a lil masterpiece of a thing. Contains a lot of divergent energies, but still somehow cohesive. Can get a bit strung out in places
In the Court of the Crimson King is not a debut, it is an arrival. From its very first note, it presents itself as something complete and untouchable. “21st Century Schizoid Man” bursts open with a ferocity that still sounds dangerous. Saxophones wail, guitars rip through time signatures, and the lyrics howl like prophecy. Then, as if to prove it can speak every language of music, the album glides into the serenity of “I Talk to the Wind,” where flutes drift and Greg Lake’s voice becomes a soft, drifting thought. It moves effortlessly from chaos to stillness without losing intensity. This is not a band searching. This is a band revealing. The emotional peak comes with “Epitaph,” a slow-burning elegy that feels like it was written on a crumbling cathedral wall. The mellotron swells like mourning itself, and Lake sings with the weight of someone trying to hold the world together. “Confusion will be my epitaph” is not just a lyric, it is a cold, clear truth. The drums sound like distant thunder, the atmosphere is thick with dread, and yet it never feels hopeless. It simply stares into the dark without blinking. Even “Moonchild,” with its drifting, sparse second half, has a purpose in its refusal to conform. It exists in the space between composition and dream, pulling you into a place where time is irrelevant and sound becomes thought. The final track, “The Court of the Crimson King,” brings it all together with grandeur and weight. It feels ancient and futuristic at the same time, with layered mellotrons and marching drums evoking a myth that was never written but always remembered. This album doesn’t just play music, it creates atmosphere, history, gravity. Every choice feels earned. There is no filler, no fluff, no compromise. It asks a lot from the listener, but what it gives back is a reminder of what music can do when it refuses to settle. This is not background sound. This is music that stops you, holds you, and stays with you long after the final note.
In the Court of the Crimson King is the debut album from King Crimson, and is considered to be one of the first "progressive rock" albums. It is thought to be the band's best recorded work, and one of the best prog rock albums of all time. King Crimson combined the instrumentation and technical skill from jazz and classical music, with folk rock songwriting. The result is challenging, complicated, and incredibly influential. These songs helped to blur the lines between rock, jazz, and classical music
Amazing in every way. To me this album feels like wandering through a inconceivably large forest and stumbling upon all sorts of magical creatures. Some of these creatures are beautiful and others are hideous but they are all awe inspiring.
Classic prog rock
Epic
Ahhh I love this one!
Love it. 5 stars.
Increible album
god i love prog albums. 5 songs, 45 minutes, 0 filler
This is a great album. Except for that bit in Moonchild where the band got up to go to lunch but forgot to stop the tape. Then a bored sound engineer apprentice walks round the studio, idly tapping drums, twanging strings and fiddling with other instruments to pass the time until the band comes back.
No notes, perfect album.
An all time classic, pure 60s psychadelia
You see, most albums have a vibe. The vibe for this one is, fuck you, we are vibing Flute solos were a surprise but not unwelcome
epitaph resurrected my grandmother
Shame the volume is so low
One of the all time classic progressive rock albums. Honestly each song here is a standout.
One of my favourite albums of all time. Every song in this album is a masterpiece. Loved listening to this one again. Epitaph is my favourite track on here and it is one of my favorites songs of all time.
Inquestionável, uma das jóias do prog
Another classic! Heard before, always love
Another album I would give 6 stars if I could. It might be the best album of all time. A fantasy journey that is actually about the crisis of the time it was produced but it's also timeless. Lyrics, skills of the musicians, all that work so well together. Robert Fripp, who was the leader of later KC, is important here too but it's not an album that was developed under his reign but Ian Macdonald's. You hear that, I find. Just love all of it, even the often ridiculed 'Moonchild'.
5 stars
one of the best prog rock albums ever, quality
Makes me feel like im 17 again :)
AMAZING!!!
Didnt realize some of th emost popular hip hop/ rap songs take samples from this album
5
Amazing prog rock album! The wonderful Robert Fripp's guitar sound. Ballsy and with so much variety. A favourite!
To the court of the Crimson KIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIINNNNNNNNGGGGGGGGGGG
one of my favorite prog album of all time. I remember listening to a vinyl copy with my friends a couple years ago. Yes "Moonchild" is a bit too long and empty in its second half but I don't care. more of a 9/10. but rounded up.
i can't quite explain the mindspace this puts me in
Vinyl relisten. Took me forever to find the right moment to do so despite knowing ahead of time it’s a five. It has been since at least summer 2017. Put it on over dinner and drinks with a dear friend. I love you Gabe, I love you Oliver.
Levynkantta myöten klassikko. Uskomattoman kova taiderockpaketti. Just ehkä 13 vuotiasna oma prog-vaihe lähti PF:sta ja tästä. 5/5
I’ve seen this album cover quite a bit and never knew what it was. I wasn’t sure what to expect, but wow. This album is truly awesome. The flute, the bassoon, the timpani, the strings, etc. are all such beautiful and warm additions. I loved this album.
This is high on my favourites list, yes, even though "Moonchild" exists. Those guys easily made the best album of all time contender and then decided to stick their own version of "Revolution 9" in the middle. Nevertheless, if we pretend the last 10 minutes of "Moonchild" don't exist, this thing is packed with nothing but 10/10 tracks (although I found that it's okay-ish to listen to with your headphones on). Sometimes when it comes to prog rock I'd get annoyed with the musicians going overboard, but this never happens here. I genuinely think that "I talk to the wind" is one of the most beautiful songs ever made, I feel like I'm floating in a magical forest when I listen to it. "Epitath" sounds like if someone took the best of Leds and Floyd and combined it into one. "21st century schizoid man" is an instrumental masterpiece and the closer ties the album up perfectly. 5/5 for me.
Easily the best record in King Crimson's "whimsy" era, which is pretty much anything before 1973. It really is a whimsical, fantastical record, not progressive rock in the typical sense. Maybe it's the mellotron and flute all over this thing, or the dream-like imagery ranging from the titular Crimson King himself to the "Moonchild". The closest we get to a traditional hard-rock track here is the opener '21st Century Schizoid Man', and it is quite the opener, though not quite a tone setter, I'd say. I'd argue it's quite deceptive and misleading. It's just a much faster, blood-pumping, electric rock take on King Crimson's core sound of this time - the vocals are drenched in distortion, giving them a sense of urgency which perfectly complements the track's dystopian imagery. You obviously have those jazzy elements and the unconventional 6/4 breakdown in the middle. It's just a proggy masterpiece all in all, though I'd argue it even sticks out in the prog scene of its time. It's just super aggressive, high-octane with an almost punk-esque fury. It's crazy that the band was firing on all cylinders on the very first song in their discography. While no other song matches the sheer energy of this opener, the album's subsequent patience, I'd argue, rounds out the experience in a way very few albums can pull off. But it never gets boring, well, mostly. Songs like the title track and especially 'Epitaph' are some of the best sounding songs in the band's catalogue. They're so huge sounding, like on the song 'Epitaph' when that mellotron increases in volume so drastically before exploding and opening up right before the instrumental interlude. It's a moment of utter drama in an already really dramatic album. And it's warranted drama, given the global destruction depicted in the song's lyrics and the tragic emotion behind Greg Lake's vocals. The two slower cuts are just as effective, especially during their ballad segments. The flute of 'I Talk To The Wind' just hovers alongside the track like a butterfly guiding a lost soul through these treacherous woods at night. And 'Moonchild' has maybe my favorite vocal melody on the album, that is before it breaks into its, quite visionary, 10-minute Miles Davis-esque jazz-fusion ambient segment. I can take it or leave it, but I'd say overall, the album experience benefits from it. Just wish there was a version of this song without the ambient segment so I could listen to that ballad portion casually. I'd argue this isn't the best representation of King Crimson. I mean, legendary guitarist Robert Fripp, who's usually the star of these albums, isn't really the draw here. That pleasure, I'd argue, is shared equally between every player on this album. It's easily their most colourful record because of that. I mean, just listen to all the different interludes of the closing title track; it's overwhelming at points, but in a good way. I mean, really, for as influential as this album is to so many other prog bands, very few manage to top it. Such a cinematic experience and one that deserves every bit of acclaim it gets.
what a fucking trip! i’m not exactly sure what they’re trying to accomplish but i do know i love it never a dull moment throughout the whole album. the composition alone sans-lyrics tells such a vivid story I Talk To The Wind is so beautiful, and a perfect complement to the chaotic opener (POWER). Orchestration and harmonies are gorgeous. I’m definitely not biased from my years of clarinet playing. sure moonchild has some very experimental, some would argue expressive, moments and while it’s not perfect songwriting i think that’s the point. they’re not trying to make tightly packaged and produced radio hits - you gotta check out ZZ top if that’s what you want. it’s jazz, baby! 5/5 album cover. can’t wait for yall to review the lyrics for me bc we all know i didn’t listen to a word with all the layers going on underneath keeping this one in mind next time i get my hands on some boomers
I looooooooved this album. I’ve heard so much about King Crimson, but I’ve never gotten around to listening to them. Just after the first song, I could see all of the influence that this band has had on modern bands that I enjoy today. King Gizzard and the Lizard Wizard, Primus, Pink Floyd, and Tool are the obvious ones that stood out to me prior to Wikipedia-ing the others. The composition is so unique and interesting, and, even though most songs are lengthy, nothing ever felt like wasted space. The production of this album is so good. I could easily be fooled if someone told me that this album was released this year. Also, who tf is the drummer. My God, what an absolute beast. Moonchild is a weird one, but for some reason, the 10 minutes of spacious instrument playing randomness feels right. Usually that type of shit pisses me off. Schizoid man reminds me of my favorite parts of King Kizzard. I Talk to the Wind has a Beatles-on-acid feeling which is fun. Epitaph might be my favorite on the album tied with the Court of the Crimson King. I’m listening to their whole discography for sure. It’s a 5 for me.
This is just awesome to listen to. If there's anything this project has taught me, it's that I have a soft spot for Prog Rock, and this is primo Prog. All 5 songs do their own thing in enjoyable ways, I even loved the 10 minute song where they noodled around with the volume on 2%. I was excited to get this album and man was it as good as I hoped.
Interesting
It's insane that this came out when it did. 21st century might be the best prog rock song ever recorded. I didn't like all of the songs as much as that, but still this is an amazing album. Weak 5 or strong 4, it changes.
With its iconic album cover of the red screamy man, *In The Court Of The Crimson King* is one of those albums that’s widely considered a landmark in music. I can say with confidence that I agree with that statement. The influence of this album cannot be overstated. Its fusion of rock, jazz, and classical were hardly ever seen in popular music before this album was made, if at all. Those fusions come together to make an album that truly is an experience to say the least. The opening track, *21st Century Schizoid Man*, is a stone cold classic and is gloriously erratic and deranged. Greg Lake’s distorted vocals really help set the tone of the track. The instrumentals are also amazingly well done and fast-paced. *I Talk to The Wind* is a great contrast to Schizoid Man, with its serene and dream-like woodwinds and poetic lyrics. The next track however, *Epitaph*, is the definitive highlight of the album. Its symphonic sound and progression make for a truly captivating experience. Greg Lake’s vocal performance, Peter Sinfield’s lyrics, and the instrumentals are so emotional and poetic. The crescendoes on this song though are just so cinematic and breathtaking. It all makes for a true masterpiece. *Moonchild* is mostly a dreamy improv avant-garde jazz track. I find it interesting, however it does drag a bit for being twelve minutes. The title track though is an amazing send-off. The lyricism is so immersive and the harmonic chorus is iconic. In short, *In The Court Of The Crimson King* is a monumental classic that deserves the praise it gets. I HIGHLY recommend it.
Always loved it, still love it
Lol did not know Kanye "sampled" their song. Amazing album.
the real peak of all the music history, it gets better when you play it over and over again. greatest one 🙏🙏
A marvelous album with variety, great riffs and its lyrics make one think while listening to it. A great album.
Hello? I was just listening to this exact album before the generator pop out like this??? I think this album is probably everyone's introduction to proper prog Rock. I love it, and has a habit of revisiting it every once in a while. Very basic but "21st Century Schizoid Man" is still one of my favorite. A very enjoyable album, especially giving that it is one of the first that taught me deep listening, I do think every track on this one is simple master piece. Absolute 5/5 album, it's just classic.
I feel like in a dream and at the same time in the reality. This album blows my mind. Makes me feel not only the music but the music embeded in the moment. AMAZING
it's old. it's rock. but I do get the hype. except "Moonchild," I don't get what was going on there.
A perfect album. Bouncing between chaos and melody. Incredible musicianship. Legendary artwork on the vinyl. I'll be humming this the rest of the day.
Repeat listen
Ein Klassiker des Prog - es hat erst meine Tochter gebraucht, die mich darauf gestoßen hat.
I remember getting this album on CD because it wasn't available on Spotify and was iffy at best on youtube. Classic early 10's issues! I do think this was a major influence in my music tastes. Everything here is so grand and awesome. I think I still know all the drums to 21st Century Schizoid Man. Plus I know the sparse area of Moonchild was a bit eye opening to younger me. I'm at the point now where I think the saxaphone solo on 21st Century does not go on too long. I've still got plenty of Crimson to check out but I forgot Greg Lake was on this, still got so much more ELP that I haven't cracked. It's interesting that this is such a weird album but it's one of the most accessible prog ones. Highlight: Court of the Crimson King
I thought it was a fantastic album, I was really engaged with it and listen to it multiple times over the weekend. I definitely need to listen to more of King Crimson.
Amazing blend of styles. Bravo. I only wish one other track on the album matched the caffeinated chaos of “20th century schizoid man”.
In my defense, there is just so much fantastic music in this world, it really is okay to be late to some parties. However, this is the second album in a week I'm hearing for the first time - consciously? - that feels like coming home? Huh? Amazing! And the production is just ooof. The only other album in here so far that gave me the visceral reaction of wanting to lie in the bed of these sounds was The Beatles' Abbey Road. This one here hits even harder? Maybe? Anyways. Ten stars. Twelve.
An album that changed music when it was released. Yes, it was THAT important. The only question? Would it have had as big an impact if it didn't have one of the most recognizable album covers in history?
A prog masterpiece. You can tell the first track influenced Mars Volta. The whole record rips.
So much Math. I can’t count like that. But it’s good.
Fantastic.
Fav: The Court Of The Crimson King - Including “The Return Of The Fire Witch” and “The Dance Of The Puppets” Least Fav: Moonchild - Including “The Dream” and “The Illusion” Inject this into my veins NOW
Album cover is literally me when! Favourite Songs: YES Least Favourite Songs: NO
THE ORIGINAL Prog album and one of the genres pillars of greatness. Never miss that Greg Lake is the L in ELP, his voice is part of what makes this album so iconic. They brought the future and beyond to 1969. There are no bands that sound like this without knowing it, and few that could impart the level of complexity King Crimson did with the equipment of the time 4.5/5
Great album, true classic, all 5 tracks are good, and the opener and closer are really really great in my view. But 9 minutes of Moonchild is meandering nonsense, that could so easily have been better, detracts from the whole experience for me. 21st Century Schizoid Man feels so ahead of its time, it’s very impressive. 4.6/5
Was already a big fan of this album. I love the layers and discord of pros music and this is one of the firsts as I understand it.
One of THE best Prog Albums of all time. Weird and Wild and Complex and Beautiful in equal measure.
Starts off with a stone-cold classic and takes you on an amazing odyssey.
Nächster goat 🐐🐐🐐🐐🐐🐐 Paar Songs hier sind so lush und belohnen dich so sehr. Peak prog rock
masterpiece
This is an experience. I was entertained for this album from start to finish and really felt like this could be the kind of album I put on and actually do nothing else while listening. Each song was so dynamic and varied. Some of the later songs reminded me of Moody Blues. I am especially thinking of 'Epitaph': an epic ballad with wide-open orchestrations. I think my dad would like this band. You can tell just listening to is that this is a late 60s British rock band. '21st Century Schizoid Man' had a great rock jazz breakdown in the second half that inject energy into your veins. Then 'I Talk to the Wind' slows you down and says, "let's go for a stroll through an English garden." The title track had some beautiful chord progressions that subvert the easy route over and over again. The whole thing sounds so noble, you just want to imagine the scene that the music is expressing I had already listened to "Larks Tongue in Aspic". I said that one was "noise music". Having come first, this album was just noisy music, BUT we did get a little taste on 'Moonchild' of some lovely soundscapes. I genuinely loved every song on this album and it might be one of my favorites of all time.
Simply incredible.
Cult classic. No less no more.
Great album. If i didn't know, I'd never guess it was released in 1969.
Even though it's really not my type of music at all, I can still tell that it fucking rules.
Aboslute perfection.
This album totally blew me away. I rolled my eyes when I first saw prog rock and 1969, but every track surprised me in the instrumentation, the soundscapes. As soon as the title track started, I knew it would be a 5. Loved every single track and the big cohesive world they built within this album. I can’t think of anything else like it.
Very few albums will get the same visceral reaction upon reveal If this came out today it would be futuristic and not out of place, but it came out in 1969 5/5
4.9/5 i love this album so much. it’s grown on me over time and it’s just such an incredibly beautiful album! the first track is always a bit challenging for me but i appreciate it more and more with each listen. my favourite tracks are basically everything after that. epitaph is an incredibly beautiful and epic song. the only place where i tend to lose my focus is during the slow, improvised part in moonchild. i generally don’t mind it but it drags on for too long. one thing it does well tho, is when the title track finally hits, you instantly go YES!! the title track is another insanely beautiful song that gives me goosebumps. i want to learn these chords because they have such a nice sound to them! the album cover is cool tbh, it makes for a perfect emote in a discord server 😆 i bet barry godber never could’ve predicted that xD
"I talk tuah wind" Such a monumental record, like this is THE prog rock album. I can't imagine what it was like listening to this in 1969, it would've blown my mind. Hell, it still blows my mind 56 years later. Right from the opening track you know you're in for a ride. "21st Century Schizoid Man" is absolutely electric, one of the best songs that the prog rock genre has to offer. Then you got "I Talk To The Wind" and "Epitaph" which are both fantastic. "Moonchild" is where it loses me for a bit. Not that its bad or anything I just can only take so much experimental prog bullshit before tuning out. Fortunately The album finishes on a high note with that incredible title track. The whole album as a package is very satisfying even down to the legendary album cover. As someone who has never been huge about King Crimson I can safely say "I get it now". I think this is the first true 5 star album I've received so far. It's just that good. Favorite track: 21st Century Schizoid Man
100/10. Oh, yes, yes, yes, yes, YES!!!!! This is quite simply one of the greatest albums of all time. And it's prog. And I fucking love prog. It bursts with the iconic number 21st Century Schizoid Man, and then the album diverges into a TDSotM-esque masterpiece...except this came BEFORE TDSotM. Sorry, it's past midnight right now, I need to go to bed, and I'm just scrambling a lot of thoughts. JUST LISTEN TO THIS ALBUM!!! You probably won't regret it. It's just so incredible. I want to scream like the guy on the cover of this album. 100/10. Also, I find it quite funny that the eighth keyword of this album is "Kanye". I didn't really realize that so many people know about 21st Century Schizoid Man because of Kanye West.
They sure started with a bang! Possibly the most majestic record of all time.
Although the album does show its age at times, especially the live recordings included on the deluxe version on Spotify, a lot of it still feels extremely fresh, especially the full version of 21st Century Schizoid Man, which, if I had no previous knowledge of the song or album, I could easily believe as having come out within the last year. Fantastic music, which is a lot of fun, and it's easy to see why King Crimson is considered an influence to many bands across the world!
HOW DOES IT WORK?!?!?!?!?!?
Yeah I really like this one
One of the best and most important albums ever released by one of the best and most important bands ever formed. A masterpiece that founded an entire genre of music, and laid the groundwork for so much musical creativity. An all-time classic
We talkin about one if not the best album existing. This album means feels and sounds a lot to me. Crazy how it gets more appreciated in time somehow. Epitaph a all time fav song personally and always a full album listen
Psychotic. Serene. Mystical. Human. Ethereal. Corporeal. The first track shoots you out of a cannon to an another world where you float along observing for a while until the last song welcomes you home (to this other world, where you always belonged. Not the place you formerly thought was home). Unique and creative song structures and arrangements with top tier musicianship across a wide range of sounds (these guys can shred jazzy circles or set sprawling ambient soundscapes). Surrealist poems, lyrically and musically. An early prog masterpiece.
soms iets te langdradig... maar altijd goed... twijfel tss 4.5 en 5...
i mean this was always going to be a 5 and i've only just started to listen to it, this is front to back classics of prog!
This is just a known masterpiece. No one noodles like Adrien.
What a beautiful album. Aged really well for the birthplace of a genre. I love every bit of it, even the weird noodling on Moonchild and the other unorthodox musical moments.
I've always meant to listen to this album at some point. This project gave me the kick up the arse I needed to finally get round to this, and holy shit I've been missing out. Easily one of the best prog rock albums ever. I would give it a 5 immediately for Epitaph and 21st Century Schizoid Man alone. Ends on the title(ish) track sublimely making this the best album I've had in my (just over) 2 months of generating albums Only downside to this is the 8 minutes or so of whatever-the-fuck at the end of Moonchild. Why they decided to add in random noises beats me tbh
Any album that can get me to stop in my tracks and bring me to the brink of tears gets 5 stars. Epitaph, whew, what a song.
What is there to say about this album? One of the best and most influential prog rock albums of all time. Fantastic top to bottom, and delightfully weird in that very specific 60s way. Practically flawless. So good. I hate the album cover, though. So, so much.
One of my favorites. Somehow this album manages to do everything and make it sound not only good, but cohesive. And the cover is just fantastic Fav Songs: 21st Century Schizoid Man, Epitaph, The Court of the Crimson King
This is seriously such a great and diverse album. The first track is more aggressive, but as the album progresses, you get to hear a few tracks with that beautiful and colorful orchestral sound, very similar to The Moody Blues. Then there’s another track that’s slow, minimal, and avant-garde. This album is widely accepted as the very first official prog rock release, and based on this one album alone, King Crimson really set the tone for all the different directions prog rock would go in as it became more and more popular throughout the 70s.
Discazo. La canción esa larguísima con los soniditos raros no me gustó, pero tiene al menos dos que son una absoluta maravilla y le merecen la fama y las 5 estrellas.
Going into this I was expecting a great album and I was proven right! The first and last song are just perfection. The guitar, drums, bass are all incredible throughout. Moon child was definitely the low point of the album as it's pretty boring, but the concept is cool. Overall an obvious but necessary choice for this list.
Bought the LP, classic Crimson
Really is one of the best albums ever, the drumming is insanely good and the keyboards add another level to the music. A+
One of the most influential albums ever made, In the Court of the Crimson King essentially created a genre (progressive rock) out of thin air. On top of this influence, the album holds its own to this day. It's a potent mix of heavy riffs, bizarre folk, and weird jazz fusion, all while remaining chock-full of great melodies, memorable hooks, and astonishing virtuoso performances. Quite easily one of the top ten records ever made.
Probably my favorite prog album of all time. What an incredibly dark atmosphere.
It’s a great album
Outstanding musicianship 4.6
Amazing album. I’ve listened to it before and enjoyed returning to it. Played it twice at work yesterday. Moonchild does run too long for me, but the first half is great. Standouts: Everything.
progressive rock before the green party of canada vietnam war protest music before the rolling stones did it concept album from the same time as modern art before modern times would listen again
I've tried listening to prog rock in the past and I didn't really care for it. Pink Floyd is kinda bad, I didn't care for Rush (kinda annoying), and didn't hate Yes' album (with Roundabout) but wasn't feeling it. My fault for making assumptions in the limited box that is a genre, but I digress. Track reviews (my favourite segment): I'm not writing the names lmao figure it out. 1. Starts off with an incredible riff, then starts popping off Baccano OP style, then hits you with the Risk of Rain 2 beats, then overloads your circuits, then transitions back to Baccano, edges you for a minute, then builds up back to the main riff again. You always think it's going to pop off, then it never does, making it go ballistic when they finally pop off. All the while throughout the tonal shifts, there is an underlying progression that grounds the song. It's barely controlled chaos, but controlled nonetheless. Really makes you *feel* like a 21st Century Shizoid Man. 2. Big monster vibes here. I never watched the anime but I've heard the ending. The way I see it is, the most insane thing happens then a tonally clashing songs plays as a stark contrast. This is what this feels like compared to track 1. Maybe some persona vibes as well?? Guilty gear even a bit???? Not my favourite song, but fits in well, and you know what it is pretty good. Quite pleasant. 3. The VLR vibes holy man. So immediately significant and ig imposing. Seems to be telling the tale of senseless violence for reasons unknown to those fighting and maybe even those demanding violence. A tale as old as time, and this song takes a personal approach detailing the suffering of man. "The wall on which the prophets wrote / Is cracking at the seams" is such an amazing line. In other words, the foundation of their beliefs and hopes for the future are being fundamentally disintegrated and (in the context of the song) there is no ideological recourse, just confusion ("confusion will be my epitaph"). I could probably keep going but the point is that this song is actually amazing. 4. The beginning of Moonchild is somber, beautiful, and tragic. Not sure what the lyrics mean but my best and only guess is that she's waiting for someone to come home (from war) but "the sun" will never rise again hence why they are a moonchild. The next 6 minutes is some quiet, fleeting, and ultimately abstract instrumentation. I think it's mysterious and interesting but falls into the category of "good for the album as a piece of art but not as good for normal listening. To its credit, the album is so generally good and cohesive that it works for me more than most, which it really needs because this is so long. The next 90 seconds is more of the same but a bit more musically pronounced. The final 90 seconds is even more pronounced. 5. Not too sure on the meaning of the lyrics, but they seem to be an extension of some of the themes from Epitaph contextualized in this world King Crimson have created. Better worldbuilding than Arcane season 2 :speak:. I didn't have too much to say about this song, but that doesn't mean it is worse, in fact it's amazing. --- This album is literally peak fiction and it's just music :sob:. The huge one in Moonchild aside, there are a lot of "art" moments but actually not really because they are still really good somehow since the songs support such a strong atmosphere or something like that. p.s. since I forgot to mention: some of the lyricism and even sometimes the tone of voice reminds me of black sabbath if it wasn't ass, pretentious, or "random." p.p.s. definitely listen to this album with mostly full attention, it's worth it. Not sure if I'll regret this and think it's a bit lower later, but I think this is the first 5/5 album. Super cohesive and it goes absolutely ballistic. No misses either (more or less) which is a big factor. I listened to it twice before rating it. Not checking over this so hopefully the review is good.
what else was it going to be?
This was great. I hadn't heard of King Crimson before, but I like ELP and this was wonderful. I would've listened to it twice but I ran out of time in the day. Five stars.
Excellent. I had a bit of an issue with 'Moonchild' sounding too improv and ill thought out, but everything around that moment was cohesive, well executed, and overall excellent. 'I Talk to the Wind' was my fave, but 'The Court of the Crimson King' was also an amazing track. I can see myself listening to this again easily.
9.5/10 Progressive Rock/Art Rock. 1969. I Talk To The Wind 21st Century Schizoid Man (Including "Mirrors") The Court Of The Crimson King Epitaph (Including "March For No Reason" and "Tomorrow And Tomorrow") Moonlight
## In The Court Of The Crimson King: An In-Depth Review **Introduction** Released on October 10, 1969, *In The Court of the Crimson King* is the debut album by the English progressive rock band King Crimson. Widely regarded as a landmark in the genre, it encapsulates a blend of rock, jazz, and classical influences, characterized by its complex compositions and profound lyrical themes. This review will explore the album's music, production quality, thematic depth, and its lasting influence while also discussing its pros and cons. ## Music King Crimson's musical approach in *In The Court of the Crimson King* is marked by intricate arrangements and a diverse instrumentation that includes electric guitars, mellotron, flutes, and drums. The album consists of five tracks that showcase a range of styles and emotions: - **21st Century Schizoid Man**: This opening track is a chaotic fusion of heavy guitar riffs and jazz-inspired rhythms. Its lyrics critique war and political corruption, encapsulating the anger and disillusionment of the era. The song features powerful vocal delivery from Greg Lake, complemented by Robert Fripp's searing guitar work. - **I Talk to the Wind**: A softer piece that contrasts with the opener, this song features ethereal flute melodies and contemplative lyrics reflecting doubt and introspection. It showcases King Crimson's ability to create atmospheric soundscapes. - **Epitaph**: Considered one of the album's highlights, "Epitaph" combines melancholic lyrics with lush mellotron arrangements. It addresses themes of existential despair and societal collapse, resonating deeply with listeners. - **Moonchild**: This track is notable for its experimental nature. It begins with a gentle melody before transitioning into an improvisational section that can feel disjointed. While some listeners appreciate its avant-garde qualities, others find it less engaging. - **The Court of the Crimson King**: The closing title track is grandiose and theatrical. It weaves together various musical motifs and features an anthemic chorus that encapsulates the album's overarching themes of power and societal manipulation. Overall, King Crimson's musicianship shines throughout the album. The interplay between instruments creates a rich tapestry of sound that remains captivating even decades after its release. ## Lyrics The lyrics of *In The Court of the Crimson King*, primarily penned by Peter Sinfield, are notable for their poetic abstraction and social commentary. They reflect the tumultuous spirit of the late 1960s: - **Themes**: The album tackles issues such as war, alienation, and existential dread. For instance, "21st Century Schizoid Man" vividly depicts the horrors of conflict with lines like “Blood rack barbed wire / Politicians’ funeral pyre,” which resonate with anti-war sentiments. - **Imagery**: Sinfield’s lyrics are rich in imagery and metaphor. In "Epitaph," he paints a bleak picture of humanity’s future with haunting lines that evoke feelings of hopelessness. - **Abstractness**: While some tracks feature direct political commentary, others embrace more abstract themes. This duality allows listeners to interpret the songs in personal ways, contributing to their enduring appeal. ## Production The production quality of *In The Court of the Crimson King* was groundbreaking for its time. Engineered by Pete Sinfield and Robert Fripp, it utilized innovative techniques to enhance the listening experience: - **Instrumentation**: The use of mellotron was particularly significant; it added a symphonic quality to tracks like "Epitaph" and "The Court of the Crimson King." This instrument became synonymous with progressive rock. - **Layering**: The album features complex layering of sounds that create depth. Each instrument occupies its own sonic space, allowing for clarity even in dense arrangements. - **Mixing Techniques**: The panning effects used in tracks like "Moonchild" provide an immersive experience that draws listeners into the music. This attention to detail in production set a standard for future progressive rock albums. ## Themes The thematic content of *In The Court of the Crimson King* reflects both personal and societal concerns: - **Existentialism**: Many songs delve into existential questions about life’s meaning amidst chaos. "Epitaph" serves as a poignant exploration of despair in an uncertain world. - **Critique of Authority**: Tracks like "21st Century Schizoid Man" offer sharp critiques of political figures and systems. This theme resonates strongly in today's socio-political climate. - **Isolation vs. Connection**: Throughout the album, there is a tension between feelings of isolation (as expressed in "I Talk to the Wind") and a longing for connection (as seen in "The Court of the Crimson King"). This duality reflects universal human experiences. ## Influence *In The Court of the Crimson King* has had an indelible impact on music history: - **Pioneering Progressive Rock**: Often cited as one of the first true progressive rock albums, it laid the groundwork for countless bands that followed. Its fusion of genres influenced artists across various musical landscapes. - **Cultural Significance**: The album captures the zeitgeist of the late 1960s counterculture movement. Its themes remain relevant today, reflecting ongoing societal issues such as war and political disillusionment. - **Legacy**: Many contemporary artists cite King Crimson as a major influence on their work. The album’s innovative approach to composition continues to inspire musicians seeking to push creative boundaries. ## Pros and Cons ### Pros - **Musicianship**: Exceptional instrumental performances from all band members highlight their technical prowess. - **Lyrical Depth**: Thought-provoking lyrics that engage listeners on multiple levels enhance emotional resonance. - **Innovative Production**: Groundbreaking use of technology in production creates a rich auditory experience. - **Cultural Relevance**: Themes remain pertinent decades after release, allowing new generations to connect with its messages. ### Cons - **Experimental Nature**: Some tracks (particularly "Moonchild") may alienate listeners who prefer more conventional song structures. - **Abstract Lyrics**: While many appreciate poetic ambiguity, others may find it difficult to connect with or understand certain lyrical themes. - **Uneven Track Quality**: Opinions may vary on specific songs; while some are universally acclaimed ("21st Century Schizoid Man"), others are viewed as less engaging. ## Conclusion *In The Court of the Crimson King* stands as a monumental achievement in music history, blending intricate musical compositions with profound lyrical themes. Its influence on progressive rock cannot be overstated; it not only shaped a genre but also provided a voice for societal concerns that resonate even today. While it may not appeal to everyone due to its experimental nature and abstract lyrics, its artistic merit is undeniable. Ultimately, this album remains a timeless exploration of human experience through music—a true masterpiece that continues to inspire both artists and listeners alike.
Amazing
My god there was so much bad prog around the late ‘60s / early ‘70s, so I’m extremely glad albums like this exist. It helped to make prog rock worth the phase that it had. A highly influential, mesmerising rock record, KC were completely off their rocker for this thing. Insanely tight drumming, broad and fascinating soundscapes, engaging progressions that stay interesting throughout. Just a masterfully executed rock record, and absolutely mad that it came out in 1969. So ahead of its time.
On the verge of chaos with 60´s sensibilities lurking to ground the album
Goated prog rock and will always be King Crimson’s best
Finally! I've been meaning to listen to this for so long. Maybe I was worried it would be a letdown if I didn't love it, knowing how adored it is. I just never got around to it, and then knew it would generate on here eventually, so I waited. It's incredible and deserves all the love it gets. The more prog I've listened to throughout the years, the more I've grown to appreciate it, and all of it shares a common heritage with this album. I want to highlight one track, which is I Talk To The Wind. It's gorgeous and lonely and makes me think of Odyssey and Oracle which came out the year before (though I think it was actually inspired by Joni Mitchell). It's a little breath after the frenzy of that opening track. Overall, the seamless flow of this album is incredible. Once I was through, I realized these songs express such a dynamic range of emotions. Even if there were no lyrics at all, the storytelling would still be there. This is one of those albums I can loop over and over and find something new to appreciate each time. And to realize this is a debut - whew!
Awesome Album!!
was in my rotation semi-recently but its never a bad time to listen. much like violator this has never quite hit my Favorite Album instinct but has been a reliably perfect piece of work with nothing else that quite scratches its itch, especially impressive given its such a thorough stylistic almanac of so many ways in which prog would evolve from here...i talk to the wind sounds ripped right from the canterbury scene, moonchild's jam is in the dna of so many avant prog bands, and all the other tracks take up spaces inbetween from theatrics to jazz to metal. they are ofc also just perfectly crafted songs with a sweeping escapist atmosphere u cant find anywhere else. this album deffo didnt Invent prog rock, the moody blues/procol harum/the nice/probably a bunch of other bands had already been confirming that the existence of prog rock or at least something with a similar philosophy was inevitable, but its this album that set down the shape of the genre as something other than a general direction, like how black sabbath's self-titled set down the shape of metal beyond the simple instinct to make rock music heavier and louder. im prob due for a king crimson dive...
Really enjoyed this.
This is what I came for. Exposure to shit I would never listen to otherwise..... One of my fave doves songs is built upon the KC song Moonchild 🤯
Wow, it's mint. The 12 minute song though...
One of my all time favourite albums. Way ahead of its time!
The ultimate in Prog Rock!
cult album of the progenitor of progressive rock. now it is clear what influenced genesis. soft sound of many tracks and their "non-pop" was good
This is probably a prospective five but this album demands to be registered to over and over. It's exciting and interesting.
It's a cosmic mix of the action of The '80s combined with the exploitation films of The '70s, but with modern touches. It's hyperviolence, but it knows what it is. It's a bit Tarantino, definitely a bit Michael Mann. It's sort of a cosmic gumbo. It almost moves to the beat of jazz.
It’s incredible to think this album came out in 1969 - an achievement, in my opinion, greater than the moon landing. The first , third, and final track are just outstanding and obviously have a huge influence on so many great bands. “Blood rack, barbed wire. Politician's funeral pyre. Innocents raped with napalm fire, 21st century schizoid man”
The vocals, the sound, the crisp bass lines. What an amazing album!
Fucking peakkkkkkkk
A fantastic debut record that is amongst one of the greatest albums of the prog rock genre.
King Crimson is one of my favorite bands! This album is a masterpiece, I like it very much! It is really progressive.
Terrific
4.6
Never would have guessed that this proto-metal/prog record came out in 1969. It sounds like something from much later, though I suppose The Beatles had already done "Helter Skelter" and Black Sabbath was already working on their debut at the same time. I've known of King Crimson for decades because of Stephen King's Dark Tower series — one of my favorite series of all time — which incorporates the idea of the Crimson King for its central villain. But I'd never gotten around to listening to them aside from a song or two. This album is pretty trippy. It alternates between high-powered hard rock (21st Century Schizoid Man) and slower jazzy ballads like something The Beatles or Pink Floyd would do (I Talk to the Wind, Moonchild). There are flute and oboe solos on this! A lot of this album feels like a more sophisticated, better executed version of what Led Zeppelin were going for. I've listened to this a few times now. The first couple were more of a background listen while I was doing other things. I found it enjoyable but wanted to do a deeper listen. Really sitting down and listening with headphones and reading the lyrics is a very different experience. It goes from "hey, that's pretty cool" to "whoa, this is something special." I'm not always a huge fan of meandering, noodly prog songs. They often feel overly long and pretentious. But with a concept album about the apocalypse, it kind of has to be ambitious, you know? The big symphonic elements on this album lend an appropriate gravitas to the subject matter about a man feeling disconnected and disillusioned from a society that seems to be crumbling before his eyes. The lyrics are poetic and well done, the narratives managing to feel expansive and epic but claustrophobic and personal at the same time, really putting you in that end-of-the-world mindset. It's very cinematic. The length of some of these songs was off-putting to me at first glance — the shortest song is 6 minutes, with the longest getting over 12. But somehow it never feels overly long. There's always something new and interesting happening, and it's always moving forward rather than just stalling in place so the band can show off their musical chops. The music is organized intentionally to build atmosphere and create a specific mood. It's incredibly cohesive as a concept and an album. And even if each individual track is long, there are only 5 of them, so it doesn't feel like too much. The more I listen to this, the more I like it. It's clear that this was a massively important album that influenced a ton of artists. And it still holds up today. The content matter feels evergreen and the music timeless. 5/5
9/10 Almost flawless. Beautiful instrumentally. Mixes jazz, rock and some classical elements too Favourite Song=21st Century Schizoid Man Least Favourite=Moonchild
Dude. Dude. I don't really like prog, I never have. But dude. My friend Felipe always talking about how good this album is. I'm sorry I never believed you brother. Hail King Crimson. Hail Prog. Hail the red screamy man. HAIL. HAIL. HAIL.
Original Prog Rock LP that helped define a music genre! A Band that continued to define Progressive Rock for decades!
Probably the best concert experience I've ever had was seeing King Crimson Discipline tour on Halloween at Carnegie Mellon in 1981. All the students were in costume and the band seemed to eat it up. KC has always meant Halloween music for me ever since. Up until that point, I only knew Court of the Crimson King. I 1st heard it when I was about 9 years old and my brother brought it home from college. Of course I had never heard anything like it. And although there was pre-prog like Sgt Pepper and Pet Sounds, and classical rock like Days of Future Past which preceded it, CotCK is credited with being the 1st prog album because everything about it was an example of full on prog at its peak. And although prog is often discredited in hindsight, in some cases not without good reason, its influence was huge on almost all music that followed. For me, there was enough great music in the prog era that still holds up today; & CotCK is one of the best examples. The power of the opening number 21st Century Schizoid Man is undeniable. It is meant to be heard as loud as your equipment can handle. Talk to the Wind is a nice number to come down with. It incorporates avant guard/free jazz sensibilities that hold your interest even after years of listening. Epitaph is a great number with the apocalyptic message of the times at the front. The line "Knowledge is a deadly friend, if no one sets the rules. The fate of all mankind, I see, is in the hands of fools." still rings true today. ANd you got to love the use of the Mellotron. Moonchild is another experiment into the avant guard and that segues into the wonderful Mellotron driven title track. All together a monster creation and a milestone in the rock pantheon. 5+
10/10 no notes. I love prog and this is the quintessential prog album in my eyes.
(10) ★★★★★
"Moonchild" is too long an plodding, but the rest of the album is fantastic, especially "Epitaph", my beloved! 5 stars
Ive been listening to 21st century schizoid man since i heard it 5 years ago at Zeitgeist. I always thought this was was from a new band.. my mind was blown when I read that this was from 1969. I have a hard time thinking about what it wouldve been like to have experienced the prog rock ideas mixed with early metal before 1970. That mustve been tremendously avant garde I really appreciated Talk To The Wind (duo version) as well
Amazing
I have been aware of this album, like most, due to 21st Century Schizoid Man. The sheer mayhem of its funky riffs and the barrage of saxophones are legendary in their own right. It’s definitely one of the heavier 60’s tracks in existence for sure. Until today, I have never ventured deeper into Screamy McScreamFace’s Venture Through Hell until now. And I have to say this album was absolutely not what I was expected. The album never quite gets as vicious as that first track, becoming somewhat more mellow in some areas. But despite that, it never loses its focus and it never disappoints. I Talk to the Wind is a perfect breather to the previous Schitz Fitz that still keeps a very slight feeling of unease. Epitaph then takes that unease and runs with it through a dystopian soundscape, as it’s subject tries to hold a small hint of optimism, but can’t (If we make it, we can all sit back and laugh. But I fear tomorrow I’ll be crying). Then comes Moonchild, which feels like an apology from the generator for giving me the meandering At Fillmore East and showing me that songs that seem to stretch out past 10-minutes can be bangers. It’s such a weird, bizarre miracle of a song that never overstays its welcome. Then comes the climax with The Court of the Crimson King, a powerful end that brings back some of the chaotic vibes of 21st Century Schizoid Man. I feel progressive rock is a love-it-or-hate-it genre for some and this album is considered essential for its progression (no pun intended). I’m still not sure what I think of prog as a whole, but I what I can say is this is a hell of an album. Favorite track: 21st Century Schizoid Man Other hits: the rest of the album
lovely
This is a great album. Just incredible.
If you put a gun to my head and asked me what the greatest band of all time is, I'd say I have no idea since that's a really subjective thing and also you're being really mean to me right now, but if you then also proceeded to say "pwetty pwease" with big puppy dog eyes, I'd probably cave in and say "King Crimson, I guess.." This is just a completely flawless album. An honest to god masterpiece that does everything right. ...And it's not even their best work! "Red" is somehow like 3x better!
First listen. Been on the list for quite some time now. It was ok.
One of the defining prog rock albums, still sounds amazing today
Very beautiful
Invented a whole genre. Good stuff!
the best of all time
As far as this list is concerned, this record is a 5/5. However, as far as prog rock is concerned, or even King Crimson's discography is concerned, this record is a 4 out of 5. Ten minutes of noodling noises on moonchild eliminate it from being truly a perfect record like a 5 out of 5 would suggest. Always funny when I see people put this record as the greatest of all time and then their #2 record will be like Travis Scott or Kanye West or something. It seems like at one point or another everyone was told that this record is the best that prog rock has to offer but really it will probably only take you a few hours digging in to the genre to find that isn't the case.
I've listened to this before. Last time I liked Epitaph, and I like it even more this time! Moonchild was my favorite last time. This time I liked Talk to the Wind also. I love the use of strings in this album!
This really is THAT prog, despite a flawed track it still manages to be relatively interesting, even if i believe Disciplines the best King Crimson album
transcends music, hype, legacy, reputation, influence...a work of pure magic and motivation to revisit Crimson's discog now that my ears work 10/10
Good very good album man one of the OG 5 star
Everyone's favourite acronym ITCOTCK makes an appearance. Good lord - the moment 'Epitaph' kicked in I knew this was special. I sat this one out for so long, perhaps assuming it was all just noodling, instead of just partly. I still hate the cover though. That said - it's hilarious how much they've stretched this out to 44 minutes, especially the second side. Torn between a four or five...bonus point for this being from the 60s and therefore its influence.
This has been on my list of classics to check out for ages. I ended up loving it. I have many thoughts on it, but not the capacity to verbalize them right now. Album cover: A+
This album was sweet. I had never heard of King Crimson. Before I'd even started, the album name was appealing to my fantasy sensibilities. The opening song is the sample for Power by Kanye, which is crazy. MBDTF is one of my favorite albums ever, and I'd never thought to look up any of the samples. I foolishly thought he made those himself. The song itself was awesome. So many instruments. "I Talk To The Wind" was a beautiful peaceful song. "Epitaph" was an epic ballad that gave me strong Metallica vibes. I was expecting Hetfield to cut in during the intro. "Moonchild" didn't do much for me. "The Court of the Crimson King" was awesome again. The entire album felt like a journey, and I really liked being on it. I also like the album cover. This is a very unexpected 5 for me. I didn't like Moonchild much, so it won't be a 10/10, but the other songs were impressive. 9/10
One of the biggest masterpieces from the late 1960s in the sea of so many great albums from that era. It had profound influence on many bands that came after them. The production is top notch, it sounds so good even after 55 years...This albums deserves 5 stars no doubt.
Große Kunst! Ein Meilenstein!
this is gr8
classic progressive rock. a beautiful record.