Reviews (page 10 of 14)
Neil Pert stands alone. I've gotta say I am not the biggest fan of Geddy Lee's voice, but the artistry from Rush is second to none. they rock SO freaking hard.
It's interesting to read about the albums reception at release, I'm aware of Rush but hadn't heard of this, and I think I'll be remembering this as just "the other Rush album on the list". I can hear the band is solid, I'm not a fan of the vocals, but the main barrier for me is the song writing, perhaps that becomes clearer with repeat listens.
Kind of silly to have a 20 minute song that's just a combination of like 5 different songs. But all things considered this was a good album. Not a huge Rush fan (mostly due to the vocals) but this wasn't awful. 6/10 (3/5)
I can get behind the idea that each of these guys individually are masters of their instruments, but on the whole this is just a bit much for me. A little too hard, a little too prog, and a 20 minute opening number. I was a filler-inner on an open ticket to see them live once though and I was happy to have done that. Overall fine.
Just couldn't get into it
Bro I thought I was listening to Boston.
Whenever people talk about this album, I feel like they're mostly talking about the title track. That's not to put down the other songs, of course, but "2112" is such an incredible, iconic, towering piece of prog rock (any Randian infiuence it might have aside) that it's hard to compare. But then, I don't think this album would be as acclaimed as it is if it was just a "2112" delivery system and the rest was "Who gives a dang?" The second has to, and does, hold ifs own. "Something For Nothing" and "Lessons" rock on their own; "A Passage To Bangkok" has to the hookiest hook on the album; "The Twilight Zone" is classic prog nerd topic shit with a killer guitar lick to boot... Even "Tears", the ballad of the album, comes out an enjoyable listen as some kinda 70's cheese. I wouldn't entirely blame the mindset claiming that the second side of the record is filler to justify releasing the title track on an album. Sort of a weird take on how a lot of 50's albums were constructed, y'know? But that's missing the fact that the other five songs are classics in their own right. They're worth the time, just as much as "2112" is. And all together, it makes one of the truly finest prog rock packages I've ever heard. And from Canadians, no less! My people! Now **this** is some national pride right here, I'll tell you what.
The first side is just a perfect piece of music to me, plus the second side has some good tunes on it as well.
Yeah, that’s a 5. I’ve never heard Rush before today, but I’ve heard people cover Rush. I’ve never heard 2112 before today, but that has a case to be one of the greatest “long” songs ever right off the bat for me. Just a swirling song that really makes use of its 20 minutes; I don’t think there’s a single spot wasted in there, from start to finish. That shit was absolutely fantastic. Easy 5. Oh, yeah, there’s 5 other songs too. I really liked 4 of them. The only one that never really grabbed me was Lessons. Lessons IS still good though! It just felt too loose compared to the relative structure present in most of the other songs, and it just never really perked up instrumentally for me (unless I'm just deaf or I wasn't paying attention, that is). I say that, knowing that “Tears” is on here, but like… I really liked that one, sue me. Cheesy as hell, probably, but I’m just a big sucker for cheesy stuff when it’s done totally right. So, yeah, the back half of the album gets a 4 from me. Balance that out, and you get a 4.5, which… come on, I’d be stupid to not round it up. Just an absolute treat of an album to listen to; great lyrics, super good vocals, and incredible instrumentation. That was… man. Easy 5.
I'm a fan of prog-rock, but I'm not a fan of this album and can't see what all the fuss is about.
I think if it wasn't for rushes unique voice, rush would not be as big as they are
The meandering weirdness of rush amd geddy lee.
No no no no
It was okay
Didn’t hate it, didn’t love it
A 20 minute song to start is outrageous. I enjoyed "Twilight Zone" and instrumentally it's decent but kinda bland and the vocals are just not my taste.
Cock rock with extra steps
Pretty good
Soliloquy is still one of the top moments in all of rock history. 2112 is an amazing concept track front to back, but unfortunately, have to rank the whole album and not just the 20 minute concept song.
The music is good, but I hate the singing. Favorite song: 2112
I appreciate the creativity of this album, but it wasn't my favorite.
ATTENTION ALL PLANETS OF THE SOLAR FEDERATION ATTENTION ALL PLANETS OF THE SOLAR FEDERATION ATTENTION ALL PLANETS OF THE SOLAR FEDERATION WE HAVE ASSUMED CONTROL WE HAVE ASSUMED CONTROL WE HAVE ASSUMED CONTROL
Damn i cant even lie. This shit is fire
Seamless transitions, unique vocals, awesome pace throughout
Good band from the 70’s-80’s. This album not their best stuff. Some nice hits, though.
La pièce d'ouverture crée une expérience quasi religieuse par son envergure et la mythologie installée. Les références musicales pseudo asiatiques de la pièce A Passage to Bangkok écorchent les oreilles de nos jours.
While not my fav group or album by them no doubt this is a great piece of work. To miss quote the cat, I'd listen to 2112 but I'd be thinking of hemispheres.
Great album. Probably my favourite by rush
Creo que no es mi estilo pero se le puede dar otra oportunidad.
I like Rush a lot in general, but strangely this isn’t my favorite Rush album. Moving Pictures, Permanent Waves, and A Farewell to Kings all land much better with me. Still though, I like this album a lot, and it’s classic Rush through and through.
Sonzeira, curto das antigas já
I do love a 20 minute futuristic space ballad. Certainly some great moments in there. The rest of the album is ok I guess.
Hmmmm, liked this more than "Moving Pictures", I think. Doesn't sound very proggy to my ear - more like Led Zep style straight ahead hard rock. I did wonder if this was the album parodied in the Bob's Burgers planetarium episode, but the internet tells me that was Styx (the album "Mr Roboto" came from, in fact!) so maybe I should check that out too? 🤔 Fave track - Eh, "2112" I guess? It's half the album right there...
Compared to other Rush records I've listened to, the vocals on this were somewhat grating. Ended up being a pretty middling album.
First 5 minutes: ugh, this is such a slog. Next 15 minutes: wow, this is incredible! “A Passage to Bangkok”: this is pretty good, but that riff is kinda racist, isn’t it? The rest of side 2: ugh, this album just died. When does it end?
Eka biisi oli kuin vanhat klassiset mestariteokset, biisi oli niin pitkä, että siihen mahtui monta biisiä sisälle. Ei toki ihan samaa tasoa. Itselle a passage to Bang-cock oli tullut tutuksi Billy Talentin versiosta ja enpä aikaisemmin tiennyt coveriksi. Muutaman kerran pyöräytti helposti läpi ja neutraali fiilis jäi.
Ei ihmeellinen mun makuun. Ihan hyvää soittoa joo
STANDOUTS: Tears? Maybe? OVERALL: 1.5/5; sick of these 1970s albums at this point.
20 minute song right up front? Alright I’m in. I understand why people love Rush and thought this was a good album but I couldn’t pick a song that stood out.
When you make the opening track a 7-part futuristic rock opera that spans the 20-minutes of side-1, you are making a statement. This prog-rock classic a masterpiece, though I have to admin this is best left to headphones and lava lamps in the basement rather than active passive listening at work or the gym. Obviously, the tittle track is a complex and masterfully artistic rock concerto. But (Rush fans please don’t judge) I prefer Something for Nothing as it keeps the same amazing musical range but in 1/6th the time. It’s a great album when you’re in the mood. How often that happens is a personal preference.
This is the only actual album by Rush that I own. Give me a futuristic 20 minute ode with thrashing guitars. YES PLEASE! This album is awesome. I have no clue what this concept album is actually about. Some day maybe I'll decipher the lyrics. But I will keep listening to this one.
I enjoyed this while driving across Pennsylvania on the Turnpike. Especially liked the first (saga-length) track and the last track
Prog rock is anything but prog
Wasn't my style, but entertaining enough! I thought the 20 minute song was varied enough to justify the length (although why not split it into multiple tracks?).
i think i dissociated through this bc all i remember was hitting play, returning to work, and then the beach boys being back on
I think I would have liked "Something For Nothing" if it wasn't after everything else.
*BIAS ALERT * I give the production an “Eh” I give Neal Peart’s drumming an “Eh plus” But otherwise I will never not see Rush and Geddy Lee as silly. 2112 Overture was not over soon enough. One listen to this album is sufficient.
Much better than I thought it would be. Even the vocals were pretty okay. Fuck, do I kind of like Rush??
It's a great sound, they're obviously amazing players. I like it when it's on, but when it's finished I don't feel any need to recall it or listen again.
2.5 that 1st song lasted a day and the Ayn Rand lyrics at the end were funny. Freedom isnt free!
Love Geddy and the boys, but this one is a bit disjointed...on the fence between 2 and 3 but will give them the benefit of the doubt.
Hadn’t heard of any of these tracks, but I didn’t hate it!
It's fine.
Rush has been a favorite my whole life. The musicianship is outstanding. 2112 is an all time classic in my book.
Never really liked Rush much, but have heard of this album, and after listening to it, my feelings haven't changed. Part of the opening 20+minute was pretty good towards the end, but the rest of the album was much as I expected. I don't like Geddy Lee's voice, and the music seems light - similar to some Police music with the drums. That being said, both Rush and Police drummers are just magnificent drummers. I like Geddy Lee - he is an incredibly interesting person too, which I found out years ago when listening to him discussing baseball and other stuff during an interview. And I appreciate their immense talent. So 2.75 stars rounded up.
One of my favourite albums of all time has assumed control...it has assumed control...it has assumed control.
Just sounds like Pink Floyd followers Rating: 3.0
Well its rush. The musicianship is amazing. There's not much to criticize. I've just never loved Rush
Amazing progressive rock master piece. This changed the landscape of hard rock in the 70s.
In danger of being dropped by their label, Rush asked for one more chance to prove themselves…and boy, did they deliver. There would be no Hemispheres or Moving Pictures or Clockwork Angels without 2112: the epic title track is by turns whimsical and brooding, and the collection of songs on the B-side displays their impressive musicianship.
Rush has some crazy extreme fans, but I've never been one. However, I greatly respect their talent. Neil Peart arguably the best ever at his craft. This album was a landmark for them and deemed "progressive" at the time of its release. Rush is a genre all it's own, while it alienates some...they have a sound all their own the devout seem to love. Who uses the word syrinx ever?
2112 is filled with phenomenal musicianship and creativity. If you take the Ayn Rand crap out of the equation and consider the subject matter within the context of the battle with record company execs and freedom of expression, it’s less douchey.
I'd never heard anything by Rush so I had no idea what kind of sound to expect. I ended up absolutely loving this album. The title track was incredible to me. I can see where such a long track is endless if you aren't feeling it but for me it flew by. The second half of the album was also a lot of fun to me. The only "weak" song for me was Tears which even still I like in the context of the whole album, and can see myself listening to in the right mood. Very shocked to give my first 5 star to a band that I couldn't name a single song by, but here we are! Glad to find a new album to love and looking forward to exploring any more of their albums that are on the list.
2112, the song which takes up side 1, is representative of the best of Spın̈al Tap's early work. Despite 2-3 solid songs, closer to 2 than to 4 for me.
I just don't like rush
Sublime. And weird.
Experimental, almost 4
Bang head till it bleads
Really thought I'd hate this... was actually alright
Impressive musicianship but doesn’t really do it for me.
3.5 Well its a pretty influential album, and people that like rush, really like rush. Their musicianship is off the charts but they kinda lose me when they have songs on how trees talk to other trees... I liked something for nothing, i don't think I have heard that before.
Hadnt really ever listened to Rush before, but obv there are tons of Rush fans out there. I enjoyed the music overall and this album. Not overly interested in hearing more, but I enjoyed Rush more than I was expecting to.
Strange hearing this album again for the first time in 40 years. I was a big fan back in the day but I'm not sure "2112" has aged that well. Side one is a tad pretentious but with some good rocking nevertheless; side two is not terribly memorable, Ayn Randisms aside.
Some weird prog/heavy metal sci-fi story about a found guitar and a priest destroying it. Falsetto voices bombastic guitars, it felt very 70's. My buddy said he made a movie about it in high school. I luckily missed this growing up.
Wow. Really good. Forgotten. 30 + years haven’t listened. Saw them live first time 9th grade Beaumont, TX Fall 1977
The Best album of Rush!
Doesn’t help that this is my parents favorite album ever.
2112 is simply not for me. Clocking in at over 20 minutes, the titular track is an epic journey that ultimately feels bloated and self-indulgent. The overuse of repetitive riffs and meandering instrumental sections makes it a chore to listen to. The rest of the album doesn't fare much better, with forgettable tracks that lack the energy and creativity that I had expected from Rush. NUMBER OF BANGERS - 0 STAND OUT TRACK - None
I didn't expect to like this as much as I did. Pretty fun and energetic rock album. I have never been a fan of the singers voice, but that is just a personal preference
The opening track is nothing more than 4 or 5 different songs. I guess the story meant to be told is the connecting parts, but the music wasn't much, especially when you have fade outs and back ins for the next part. Felt like an unnecessary 20+ minute song. The rest of the album was pretty subpar.
This was one of the first albums I got obsessed with when I started getting into music, so I know it very well, and still consider it to be my favorite Rush album. It's lyrically silly, but you can't deny the musicianship. A fun listen if you're in the half of the population that can stand Geddy Lee's voice. Strong 4/5.
Rush's "2112" stands as a towering masterpiece in the realm of progressive rock, earning its place as one of the genre's greatest albums of all time. Released in 1976, this conceptual opus showcases the band's virtuosity, creativity, and unparalleled musicianship. From the moment the opening track, "2112 Overture," bursts into existence, listeners are plunged into a sonic journey of epic proportions. The intricate guitar work of Alex Lifeson, coupled with Geddy Lee's thunderous bass and Neil Peart's masterful drumming, creates a musical tapestry that is both technically dazzling and emotionally resonant. The centerpiece of the album is the 20-minute epic "2112," a dystopian tale of individuality and artistic freedom set against a futuristic backdrop. Rush's ability to seamlessly blend complex musical arrangements with thought-provoking lyrics is unparalleled, making "2112" a quintessential prog-rock experience. Tracks like "The Temples of Syrinx" and "Discovery" showcase Rush's knack for storytelling and their willingness to push the boundaries of conventional song structures. Each movement flows seamlessly into the next, creating a cohesive narrative that captivates from start to finish. Beyond its conceptual brilliance, "2112" is a showcase of technical prowess. Lifeson's guitar solos soar with an otherworldly intensity, while Lee's vocals command attention with their range and emotion. Peart's drumming is a tour de force, driving the rhythm forward with precision and power. Even decades after its release, "2112" remains a timeless classic, revered by fans and critics alike for its innovation and ambition. It's an album that rewards repeated listens, revealing new layers of depth and meaning with each spin. In summary, Rush's "2112" is a magnum opus of progressive rock, earning its place as one of the greatest albums of the genre. With its masterful musicianship, thought-provoking themes, and epic scope, it's a must-listen for any music aficionado. Prepare for a journey into the realms of musical greatness! 🚀🎸
82/1001 🌕🌕🌕🌕🌑
I've listened to this one many times over the years. It's fine, but it just doesn't really grab me.
Como se dice habitualmente de este grupo: o los amas o los odias. Rock progresivo, heavy, virtuosismo, temas que extienden minutos y minutos para disfrute de sus instrumentistas... Puedes darte la oportunidad de hacerlo (o ahorrártelo) , mejor que con este, con Moving Pictures (78) o Hemispheres (81). Comienza con una suite de 20 minutos, si eres capaz de disfrutarla aún te queda bastante goce, sino déjalo porque la cosa se pone peor... Otros discos de 1976, desde luego infinitamente mejores que este: Songs in the key of life, Hotel California, Love to love you baby, Desire, Dirty Deeds Done Dirt Cheap, el directo de Peter Frampton, Jailbreak, Station to station, Arrival, Black and blue, Fly like an eagle, The year of the cat, los debuts de Boston, Modern lovers, Ramones y Tom Petty...
I’m a fan so I gotta rate it high. Can’t be objective about it.
What's up with the voice of Geddy Lee? How did it get so high? I wonder if he talks like an ordinary guy? Either way, he's corny and Neil Peart can only do so much
Probably listened through about 5 times before. 2x this time. Good album, but not great. Somewhere between 2 and 3 stars, but I'm leaning toward 2.
“Attention all planets of the Solar Federation: We have assumed control.” Classic Rush concept album. Not my favorite but undeniably prog with lots of Who and Led Zep influence.
Amazing production value and timeless sound.
I read about a culture where, instead of saying they don't like a certain food, they say "I don't know how to eat this". I feel that I don't know how to listen to 2112. It's certainly not BAD.
Objectively, not good. Songs are ridiculous, Geddy Lee’s voice is awful. These guys got better, but without the benefit of knowing that, this album would never see the light of day.
Definitely a band that has been growing on me.
Great album had many good songs but the whole album felt like one continuous song,
So never liked Rush, singing sounds like screaming
As a proud Canadian, it is my duty to love Rush. I have fault my country. I fucking hate Rush. Rush is like that team of all stars who less than the sun of their parts. The band is unquestionably insanely talented (see Neil Peart) but they go nowhere with it. 4.0/10
Rush I love you 4ever
First track is pretty cool. Pretty long but I enjoyed it. 2nd track is cool but doesn’t grab me. The rest of the album is great. Will definitely have this in the playlist.
As prog-rock-Rush as it gets.
He’s a very whiny singer but he controls it well. The rest of them have mastered their instruments. It fits in well with the genre like KISS and Black Sabbath. If anything they’re a little pretentious with their song titles.
Doesn’t even need the other five tracks, what a ripper. Love that they stuck to their guns and went prog when asked to make it more commercial, really put up or shut up and they delivered.
Love this album.
8/10. Very good instrumentally and liked the overall pace. Finished strong I thought. I added Lessons and Tears to 5⭐️ song list.
I don’t love it but I don’t hate it . Prob a 2.5
Quite enjoyed listening to this. More of a 3 for me, but rounding down because Ayn Rand
This was almost immediately improved by listening to the 40th anniversary edition covers back-to-back with the originals, but regardless this is a prog classic.
# 211 : Can listen to this but it's not real good, had nothing I liked and I even skipped some of that 20 Minute opening track! Nothing stood out and I wouldn't go back to it. What an annoying sound!
My second favorite Rush album behind Moving Pictures. Really sick bass, the acoustic guitar sections sounded great, Neil and Geddy doing their things.
I just don’t get Rush. I by no means think they are bad. The 20 minute opening track that’s actually 4 or 5 separate songs. Some were decent, some not so much. I really disliked Tears. I just don’t get it. Props to those that do. Slapadabass
Rush generally sounds like they're screaming. And I can't understand the lyrics.
My uncle loves Rush. I just learned a lot about my uncle.
I am not a Rush fanatic, but I'm definitely a fan, and 2112 is a masterpiece for them and such a huge part of rock and progressive rock history. I don't feel there is a bad track or section on the album, and the way they were able to make the long epics while still making the album rock and grab a mainstream crowd is an achievement.
Ok Rush album, much prefer Moving Pictures, but the opening song was indeed epic. 3/5
Amazing!
A good album. A little messy but solid. I think their later work is better.
A prog rock masterpiece
Was not familiar with this particular album and I was hesitant at first. However, about halfway through the first 20 minute song I found myself slipping right into the familiar sounds and enjoying myself quite a bit.
That was a lot.
3.5
Epic.
2112" by Rush, released in 1976, is a groundbreaking album that has left an indelible mark on the landscape of progressive rock music. Clocking in at just under 40 minutes, the album comprises a single, epic track on one side and a collection of shorter songs on the other. Here's a detailed review, dissecting its lyrics, music, production, themes, and influence, while also highlighting its pros and cons. Lyrics: The centerpiece of "2112" is its titular epic, a sprawling sci-fi narrative that unfolds across multiple movements. Written by drummer and lyricist Neil Peart, the story depicts a dystopian future society where creativity and individuality are suppressed by a totalitarian regime. The protagonist discovers a guitar and experiences the joy of music, only to have it rejected by the ruling elite. The lyrics explore themes of artistic expression, rebellion, and the struggle for freedom. Peart's poetic and thought-provoking lyrics add depth and complexity to the album, elevating it beyond mere rock music. Music: Musically, "2112" is a tour de force, showcasing Rush's virtuosic musicianship and innovative approach to rock. Guitarist Alex Lifeson's intricate riffs and soaring solos, coupled with Geddy Lee's agile bass lines and distinctive vocals, create a dynamic sonic landscape. Neil Peart's drumming is masterful, blending intricate patterns with powerful fills and driving rhythms. The band's tight interplay and seamless transitions between sections demonstrate their exceptional chemistry and musicianship. From the bombastic opening of "2112 Overture" to the haunting melodies of "Tears" and the frenetic energy of "Temples of Syrinx," the album is a showcase of progressive rock at its finest. Production: Produced by Rush and Terry Brown, the production on "2112" is crisp and polished, allowing each instrument to shine while maintaining a sense of cohesion. The album's rich textures and layered arrangements showcase the band's meticulous attention to detail. The use of synthesizers and other electronic effects adds depth and atmosphere to the music, enhancing its epic scope. Despite the complexity of the compositions, the production never feels cluttered or overbearing, allowing the listener to fully immerse themselves in the music. Themes: Thematically, "2112" explores the tension between individualism and conformity, creativity and control. The story serves as a cautionary tale about the dangers of unchecked authority and the importance of artistic freedom. The album's themes resonate with listeners on a personal level, tapping into universal experiences of struggle, defiance, and the quest for meaning. "2112" is not just a piece of music; it's a powerful statement about the human condition and the timeless struggle for autonomy and self-expression. Influence: "2112" has had a profound influence on the landscape of rock music, inspiring countless artists across genres. Its ambitious scope and innovative approach to storytelling helped redefine the possibilities of what rock music could achieve. The album's blend of intricate musicianship, thought-provoking lyrics, and epic storytelling set a new standard for progressive rock, influencing generations of musicians to come. From its impact on bands like Dream Theater and Tool to its enduring popularity among fans, "2112" remains a cornerstone of the progressive rock canon. Pros: Epic storytelling: The narrative arc of "2112" is ambitious and compelling, drawing listeners into its dystopian world. Musicianship: Rush's virtuosic performances showcase their technical prowess and creative energy, captivating listeners with their innovative approach to rock. Production: The album's polished production enhances its epic scope, allowing each instrument to shine while maintaining a cohesive sound. Themes: "2112" explores timeless themes of individualism, creativity, and rebellion, resonating with listeners on a deep emotional level. Influence: The album's impact on the landscape of rock music is undeniable, inspiring generations of musicians and fans alike. Cons: Length: The epic length of the title track may be daunting for some listeners, requiring a significant time commitment to fully appreciate. Complexity: The intricate compositions and dense lyrics of "2112" may be challenging for casual listeners to digest on first listen. Conceptual nature: The album's sci-fi narrative and thematic depth may not appeal to all listeners, particularly those who prefer more straightforward rock music. Production limitations: While the production on "2112" is generally excellent, some critics have noted occasional inconsistencies in sound quality or mixing. In conclusion, "2112" stands as a towering achievement in the annals of progressive rock, combining epic storytelling, virtuosic musicianship, and thought-provoking themes into a singular masterpiece. Despite its length and complexity, the album continues to captivate listeners with its timeless appeal and enduring influence. Rush's magnum opus remains a testament to the power of music to inspire, provoke, and transcend boundaries.
One of the best pieces of music to ever exist 5/5
Ok.
Old Rush
Heavy drums
Short and sweet album but left me wanting a little more.
Nice musicianship and tone, but I don’t like the singers voice
2112 / 5
Music for BO-scented old men who hang around in CEX. Neil Peart looks like he did some raping back in the day (RIP). 5 stars.
Notable track: 2112: Overture / The Temples Of Syrinx / Discovery / Presentation / Oracle / Soliloquy / Grand Finale
I enjoyed the music. Really don’t care for Geddy’s voice and never have.
The title track was the whole album for me. Perfect in itself. Not all of it is great, but as a whole it's a great prog epic. The rest of the album was mostly unmemorable to me. I almost liked Something For Nothing though.
I don't know why I just don't get Rush..
Amazing album. So bombastic and epic sounding.
The whole album is pretty solid and enjoyable, though I must admit I was a little disappointed to find out that the entire album does not follow the concept storyline that the first track, "2112", sets up.
I weirdly enjoyed this. Big, sprawling ridiculous stadium rock has it's place in the world and Rush seems to do this well.
Rush's second best album. 2112 the song is epics and a prog rock master piece. Honestly i love it. You can do air guitar, air drum, sing. Gives me goosebumps!
great album
It was okay, not my favorite but not bad
Wow all the screaming! Rush was never my thing. They had a few songs that were ok and musically they were talented but that vocal style was rough.
meh
just 1
So funny to me that people are complaining about a song being too long. I guess enjoy your subway surfers and Family Guy: Funniest Moments Compilation 6.
I like Rush as much, if not more than the next guy, and I understand the significance of this album to the fan base. That said, for me, I've never been able to shake the feeling that this one is severely over-hyped. In traditional prog-fashion, the album is composed as a two-sided adventure where the first side is a long-running, multi-part odyssey featuring widely varied instrumentation, storytelling, and technical focus. The second is devoted to more-consumable "single"-formatted tracks. 2112 is a nerdy dedication to one of the shittier philosophers to grace our planet in the past 100 years: Ayn Rand (who dedicated her life towards the proliferation of the idea of rational self-interest; basically the idea that one should value their own objectives and interests above all else). Shitty inspiration aside, the song certainly has some chops to it and I found a few of the sections to be really enjoyable. Overture and The Temples of Syrinx are the highlight in my mind with some weakness towards the middle. Also, by contrast to other prog acts (like Yes) who put together long-running opuses that actually blend from section to section, this song is very Rush in the sense that it is pretty formulaic and feels more like a distinctly segmented opera. Great instrumental work throughout of course -- I'd be lying if I wasn't drumming along while listening to this. Side two is weaker than most of their records IMO. I love Passage To Bangkok (top 7 Rush song for me) and Something For Nothing, but the rest is pretty throwaway for me. IDK man, I was excited when this came up on the list, but tbh it just doesn't clear a 3 for me.
Don't need to say much about the opening track, will always be a favorite of mine. I love the whispery bits in The Twilight Zone. Lessons has a bit more of a folky vibe which is a change up to the rest of the album, before getting right back into the rock. I really expected to give this one a 5 when it popped up, but besides 2112 being an all time song, the other songs were right in that 4 category. Maybe it's because I have listened to this album a bunch before, maybe because I think Moving Pictures is better, idk. All said, high high 4.
Finally some Rush! This album is so much fun to listen to with the goofy space rock opera that takes up the first half of the album. The slow build up in Discovery which then drops a shrieking guitar riff always gives me the chills. I love this album. It would be 5 stars enough with just 2112, but the songs on the b side add even more. Lessons is a sneaky top Rush song for me.
I've never been able to get fully into Rush, so what a perfect opportunity right now! Thanks 1001albumgenerator.com! The music is pretty solid (what up prog), but the one thing I feel like has always bothered me about Rush was Geddy Lee's voice. Just have never been able to get over it. It's ok in small samples for me but over a whole album it's a lot. The first song was by far the best part of the album to me. Started to falter after that a bit, but still solid. Going high 3 here and my inability to get into Rush continues.
It's one of those albums that I appreciate a lot musically because it's a really great album, but for some reason it doesn't resonate with me at all, and it's not something I'd listen to again soon. It's really hard to rate such albums, I guess it's something like a 3.5.
I mean, come on. This is one of the best albums ever made. One of the godfathers of progressive rock, arguably one of the best, most innovative, and most creative bands ever, with this being their magnum opus. The opening suite into Passage to Bangkok is enough to make it an all-timer on its own, and they still have 4 other songs afterward.
Good clean rock/hard rock (Canadian band) with good vocals Geddy Lee and guitar. I like the British influence. A bit long winded
Ik vond het een erg lekker album. Echter bespeurt mijn neus toch zeer zeker wel rock en dat was niet de afspraak
Helemaal niet verkeerd opzich
Fun album from a great band. These nerds can play. I normally don't like it when multi movement pieces are all on one track but I so feel like it works here. Lee and co remember that for all of your chops, funky rhythms, and stories, the music has to come first. The restraint in these songs is what really makes them all work.
Absolute monster of a first “song”. I love it. It varies from sci-fi to hard rock instrumentals, to acoustic, but even within hard rock the rhythms and progressions aren’t very repetitive which keeps it interesting. The rest of it is pretty good as well, but nothing crazy.
3 stars for being unique and cool/interesting. I’m curious to know where the album came from conceptually. Also, was it just me or did the last part of the first song sound a lot like don’t get fooled again by the Who?
I listened to this album over a two hour drive and didn’t look to see what the song titles were, but I did look to see how much of the first track was left. This album had some great guitar solos and instrumental sections. But it seemed like every other song the lead singers vocals would almost ruin the song. I still really enjoyed it and it made for great road trip music.
If you like Rush then you're going to love this album! If you don't like Rush then you can go ahead and pass on this one. I'm going to pass on this one
This is a masterpiece. 5/5
Classic
Pretty self indulgent feeling to me, and nothing in particular grabbed me.
I like Rush and I'm not as bothered by Geddy Lee's voice, or by their hokey scifi lyrics. That said, the songs on this album don't hook me as much as other albums.
The first song is a 20+ minute sci-fi story about a guy finding a guitar in a cave based on a story by Ayn Rand. So, yeah, I'm out. If you removed the vocal from this album it might be a 3.
Felt like someone took the arena rock of AC/DC or better hair metal bands, and blended it with the falsetto cockiness of Axl Rose. It might help I didn't really catch the Libertarian lyrics? While the cheese is strong with this one (the Oriental flourish on 'Passage to Bangkok' is especially bad), I think if I'd been exposed to this as an eight year old, I would have been a fan.
2112 is probably my favorite Rush song. There are so many great riffs, solos and such great energy. The drumming is out of this world, there are so many great drum fills (a great song to air drum along with). My only complaint is that the discovery kills the energy and flow of the song. Despite loving the song 2112 I never listened to the whole album before. After listening I am a little disappointed that the rest can't live up to 2112. Most of it is just run of the mill Rush songs that are all okay/good but not great. Which sucks because I think they keep me from giving this album a 5. 2112: 5/5 The rest of the songs: 3.5/5
Really enjoyed the multi-movement Side A on this thing! Prog rock at its absolute best. I’m surprised I haven’t gotten more into Rush, since I love Moving Pictures and I put the title track of this right up there with anything from that album. Side B was fun to listen to and have on, but nothing on it struck me in quite the way that first side did. I did think the closer was pretty strong. 4/5.
Amazing guitar skill, great rhythm, feels very grand
It’s got some cool licks in there, solid overall
Great album but making a 20 minute song should be criminalized
Pretty slick, I was confused with the first song not knowing it was broken up like that I said they really needed to have a better album arrangement. Then realized it’s just an awesome song. So
This is the dad Rock I hoped I’d find on this journey! Not too cheesy, lovely level of guitar that doesn’t make you feel like you’re listening to a support band off spinal tap. 4.0
Best Song: Something For Nothing. Of the more standard rock tracks on the album, this one rocks the hardest. I really like the shrieking nature of the vocals on this one. Worst Song: Tears. Basically a ballad, which given everything else here is quire boring. Overall: A really fun progressive rock album. What I like is that they give the best of both worlds: a 20-minute sprawling prog adventure and also a side of well-curated, hard-rock tracks. Good stuff.
Ну альбом 1981 года был более крепок Для прог рока он довольно роковый и простой. И здесь просто все упирается в очень красивый крепкий звук на фоне. Но он хорош просто Алкоальбом: виски кола
Крепкий звук, прям супер объёмный. Вспоминая Таркус... ну, там я наверное за глаза четвёрку поставил. У меня где-то была пластинка Moving Pictures, но теперь я не могу её найти... там конечно прям басец прям офигенный был, что я прям только ради него готов был этот альбом переслушивать. Здесь пока басика не так много, зато Чайковского подвезли.
Canadian heroes! This little three piece sure packs in a ton of sound!
naja..(.
Now THIS is greatness! Three of the world’s most talented artists, deep meaningful lyrics, strong melodic arrangements- this is just so frigging good it stands head and shoulders above so much of the crap on this list.
Rush kicks ass
Probably my most replayed album so far. I thought it was musically really quite great. I didn't get in to the story...
You want an album where one track takes up over half the runtime. Boy do I have news for you
Rush are undoubtedly legends of prog rock. I'm no expert in the genre but from what I know, this album doesn't feel like it represents the best of the band, or an early landmark in the style. It's maybe a breakthrough for Rush themselves, as they're previous works weren't very successful. It's definitely good, just maybe not the best example of the genre out there.
I knew this album since high school. I loved Passage to Bangkok, the rest of the album was a snooze fest. My opinion was not changed, good music nonetheless
me hace acordar mucho a led zepellin y sacando el primer tema de 20 minutozzzzzzzzz está muy bueno
buen álbum
That's the kind of rock I like.
Temples of syrinx, etc
3.5/5
Helt fin!
Bedre end jeg havde regnet med! Jeg har aldrig hørt en rush plade før og jeg havde regnet med det ville være mere syre og mindre hård-rock.
Den var ganske fin!
Don't have the patience for that first track. Not particularly in the mood for such a slow build up. Got to the vocals and threw the record out.
Pretty over-bloated wank as far as I'm concerned. Pretty sure it is of it's time and hasn't aged well. Voice is annoying, lyrics are awful. Some quasi racially inappropriate Asian riff on the Bangkok song. Definitely all very good musicians, some good riffs here, but it's lost in the muck, doubtful of a second listen.
I think I’m the only white of certain age and temperament who is just so-so on Rush. I dig their instrumentals and arrangements, but their lyrics and vocals just don’t do it for me. Especially their goofy Ayn Rand “rock is illegal” story. Give me Joe’s Garage for that one. I’ve always liked the title track, but the rest is just… yeah, that’s a Rush song.
This is probably my favorite RUSH album. This is the trio at their most experimental and weird laying down grooves across time and space. A pseudo-concept album that was a wild statement in the musical landscape of its time. While I believe that they individually are some of the most talented technical musicians in rock, especially of that era, I always feel somewhat let down by their albums. I know and appreciate just how spectacular they are in their instruments, but I guess I expect that to result in a better whole product. I don't think I have been surprised at a RUSH album, no matter how much I enjoy them. Still 5 stars here for 2112
Sure shot is sure a great opener. This album is so great!! I don’t think I’ve ever listened to this entire album and it is just gold. This album is fantastic from start to finish
Literally someone last week told me I should listen to this album all the way through as it was the best Rush album and not Moving Pictures. Comparing track lists I'd be inclined to say the latter but now I'll at least be giving 2112 a listen. Second album in a row with an opening track clocking in at over 17 minutes, however this one is more digestible and commonly broken into several songs. Now I'm trying to figure out if there was a video version of this that I watched at some point or if Rush is just that good at painting mental pictures. The one video I can find is a comic book, but I am pretty sure I've seen some people in a tatooine-like environment finding instruments. The other tracks here are pretty forgettable, so it's not quite perfect, but the first side is really good Favorite track "2112" - first 2 sections in particular 4.5/5
This is their second best album after moving pictures
Not really a skip on this one, proggy as you could hope for in the opening combined with classic rock bangers afterwards.
I was already familiar with this one. It's a very good album, and Rush was not even at its peak yet.
the first song is 20 mins 4 stars
Pretty much a straight forward pop-guitar album with some weird time signatures that give fedora-wearing a/v kids a pass to listen to pop music.
Amazing classic!
It was cool. A good follow up to Pink Floyd. But I didn’t love it enough to make sure I finished it.
Bien. Tampoco me parece excepcional.
Not a huge rush fan, but this was pretty good considering it didn’t have any of the songs I knew.
Meh. Not for me, nothing on this I’d ever intentionally listen to again
I wanted to love this so bad!I listen to a lot of progressive metal, and Rush is the godfather of the sound. It started off well then it just kind of petered out. It's a decent 70s rock album, but it's not very proggy, to be honest, and it's no better than the Led Zeppelin album from yesterday. So, a sad 3 stars.
Hebben!
Loved it!!! his voice is out of this world!!
I hate Rush. Musically they are great. However, Geddy Lee has about the worst voice I have ever heard. It absolutely ruins the music for me. Nails on a chalkboard bad.
4.5 - It's pretty close to a 5, as a lot of the songs on here are bangers, but there's just a track or two that I don't love enough for a 5 to feel right. They're not bad, they just don't hit as hard and that's hard to ignore when there's only six tracks. I trust that it'll grow on me enough to be a perfect 5 eventually. This is a hot take apparently, but I think the album cover is cool.
Gutes Konzeptalbum, aber halt Rock. Fast 4 Sterne.
This was an entertaining album. Instrumentally all 3 members are top class. Vocally I’ve never been a massive fan of Geddy’s voice, but this album was a bit more listenable as he had a more Robert Plant approach to melody which I much prefer. But the thing with Rush and prog in general is while being a fun listening experience, I never feel the need to rush (lol) back to listen again. Great experience with no stand out songs because it’s basically a demonstration of great musicality as oppose to songs to put on repeat. Nothing but respect for the band but as far as an album goes I can’t give it a much higher rating due to lack of a need to listen again
Rush are hit or miss form me. I can see why a certain group love them and as a drummer I should too. But this could make no sense but it doesnt stand out to me so much. I imagine it would in 1976 but I would rather put on an Iron Maiden album then this one. I have no idea why you would make that first song all 1 instead of 7 normal ones. It feels like they made an ep, chucked it on the first half but forgot to change them to individual tracks then needed to make it a bit longer to be an LP. Although I do like the second half it would've been better to do a similar thing throughout. Also what is up with old songs and fade outs. Was it that hard to finish a song, let alone not have a fade out at the end of the album? I gave it 7/10 but to be harsh it will be 3/5 on here. Stand Out Songs: The Twilight Zone Lessons Something For Nothing
Revenge of the nerds
Coole Musik
Definitely out of my usual Rush experience here, but also so familiar. Such ridiculously talented musicians, composers, arrangers. Loved it.
ok
Not brilliant.
I remember hearing this album years ago (after Moving Pictures came out) and just being so underwhelmed by it. It took this long for me to appreciate it for the classic that it is. 4/5
second best next to hemispheres
Interesting. Didn’t like as well as moving pictures
Not bad music but kinda long songs and not particularly special to me.
That was good
Actual Libertarian propaganda. Sounds good though.
Utter utter utter utter shite
I am not a Rush fan to begin with. The opening 16 minute song was a bit much.
you need to have severe brain fungus tot think, that writing an 20 minute song about any rend is a good idea in any way shape or form. and the rest of the album is kind of meh and forgettable.
Fucking awesome.
One of my all-time favorites! I've seen them perform the entire album through live many times. Love it!
Interesting album, never heard before. When looking at the cover art I thought I was going to get something synth related, but that is probably just because I've been listening to lots of Synthwave lately. The music itself was not too shabby. The first song had some quite good and interesting parts, but I've come to the conclusion that I really am not a fan of long songs like that. I think my favourite song is probably 'A Passage To Bangkok' which has a really sick opening riff. After going through the whole album you can definitely see where Iron Maiden got their inspiration from as well. Seeing that Rush formed in '68, they must really have been ahead of the curve back then as I don't think this type of music existed then. Overall really cool album that I'm glad I heard, very strong 3!
Listening to the intro the thought struck me that I don't really enjoy long guitar-solos. Then I remembered I like heavy metal so I thought "Ok I like long guitar solos as long as it's about dragons or devils". Low and behold when lyrics started it was about devils but I still didn't really enjoyed it. Can't really put my finger what it was but it just lacked a bit of oumph. I guess I'm just not a particularly big fan of prog-rock.
I can’t see the band name RUSH without thinking of a minor character from THE GOLDBERGS, Johnny, who is obsessed with them. It’s not the band’s fault that I now associate them with a long-running sitcom joke… but it certainly didn’t help me take this album seriously. Prog rock just isn’t my cup of tea.
The first Rush album that mattered. Doesn’t quite hit like their other stuff, but a good start.
I was exposed this album in my mid-teens. I liked it, but my musical tastes were starting to expand from the sixties and seventies rock, R&B and easy listening music that I was had been exposed to by my mom as a kid. It wasn't until Rush released Moving Pictures that they started to become one of my favorite bands. When I rediscovered this album later in life I began to know how great it is. One of my favorites.
I immediately put this on again as soon as it had finished, then went on to more Rush. Good thing lyrics bounce off my brain because that philosophy sure isn't mine.
3.5
East to listen to. Never really have listened to Rush other than the hits on the radio. This is pretty much what I thought they would sound like.
Rush just doesn't speak to me. I don't know what it is. I just don't get it. I can hear that they are epically talented, but I just don't enjoy listening to 95% of their music.
Not for me
Klingt wie Led Zeppelin. 70er Konzept. Oft überstrapazierte E-Gitarre.
Canadian Prog Rock! Pretty distinctive really, thanks to Lee’s cat-fight howling in the night vocals. Talented for sure, but definitely wasn’t my thing.
Out of the incel frying pan and into the fire! There are Rush songs I like but none of them are on here. The best thing I can say about this album is, like my favorite dental procedures, it's over before you know it!
I know Rush isn't many (most?) people's favorites, but if we're talking about a band's great albums, it's hard to ignore 2112, or at least Side A. I first listened to this somewhere around 6th-8th grade, and it never occurred to me that this was corny or might be somewhat painful to listen to decades later (besides, I was and am a big sci-fi fan). And as much as the other side of this record has pretty much *nothing* to do with the 2112 story, I've always enjoyed those songs too. Music-wise, I think I'd rank "Permanent Waves" and "Moving Pictures" as my favorite Rush albums, but it's fun to re-listen to Rush's more prog-rock-oriented stuff too (and cringe at some of those photos from that era). A solid 4! (And for those who can't really enjoy (too) much of Rush, just remember Dave Grohl's great homage to Neil Peart after his untimely death: "I still vividly remember my first listen of 2112 when I was young. It was the first time I really listened to a drummer. And since that day, music has never been the same. His power, precision, and composition was incomparable. He was called ‘The Professor’ for a reason: We all learned from him.")
This was much less interesting than I wanted it to be. I didn't follow the rock opera as closely as perhaps I should have, and the songs on the second side seemed lame. I'm sorry, Rush-ians.
WAY TOO COMPLICATED for my simple brain.
No.
I'm not a big prog fan because it tends to get really ponderous to the point of feeling overly indulgent and grating on the nerves. But 2112 proves the exception to that taste rule for me. Why? No idea. But I do like this album and will pop it on when the mood strikes me. 4 stars for the legends from Canada.
after 15 minutes i thought i was already 5 tracks in but then discovered i was still stuck on the first track
1. 4.5 2. 4.1 3. 4.2 4. 3.8 5. 2.5 6. 3.5
Just ok for me. Can't listen to much of them in a row.
My wife’s favorite album from her favorite band. We have Fly By Night framed on the wall and Neil Peart quotes in her band’s classroom. The impact Rush has had on my life through their impact on her is huge. Even if I were inclined to try for ‘objective’ ratings, with this band, I could not.
Beautiful album
Ok in parts, but wasn't my favourite listen.
What else can I say about this one? The opening suite is enough to achieve the 5-star rating, but the rest of the album does not consistently live up to the first half. Great album.
RIP Neil Peart "2112" by Rush, released in 1976, stands as a monumental achievement in the progressive rock genre. This conceptual album showcases Rush's virtuosic musicianship and ambitious songwriting, offering a journey through a dystopian future where music and individuality are suppressed. The titular track "2112" is a sprawling epic, clocking in at over 20 minutes, featuring complex arrangements and thought-provoking lyrics. Other standout tracks like "The Temples of Syrinx" and "Something for Nothing" further showcase the band's technical prowess and thematic depth. With its blend of intricate instrumentals, philosophical lyrics, and captivating storytelling, "2112" is a quintessential prog-rock masterpiece. Earning a resounding 5/5, this album solidifies Rush's place as one of the most innovative and influential bands in rock history.
Good album, never been into Rush but they are growing on me.
😳
good memories.
Music was okay but not memorable
Thought this was an excellent album but I think I was hoping for a little more. I'm also not a big fan of long overtures; 20 minute songs with multiple songs rolled into one long track. Outside of that, singing, drumming, guitar, bass... it's all so, so great. 8/10.
Monatlich Grüßt das „Nicht-Speicher-Tier“.. egal! Wieso es 15 Songs in einem sind, werde ich nicht verstehen, es ist aber nicht schlimm für mich. Ich gehe davon aus, dass das früher die eine Seite der Schallplatte war. Im Spotify-Zeitalter nicht mehr zeitgemäß aber völlig egal an der Stelle. Ich mag Progressiv-Rock (ist es doch, oder?). Der Vibe gibt mir irgendwas. Insbesondere die einzigartigen Stimmen von den (meistens) Männern der 70s. Nicht zu hart, nicht zu weich. Nicht zu schnell, nicht zu langsam. Toll. Habe ich sehr gerne gehört:)
- Ich habe mich schon gefragt, wann endlich das erste Rush Album kommt - Ihr kennt meine Meinung zu 20 minütigen Songs. Ich wünschte Rush hättten mich mit dem ersten Track vom Gegenteil überzeugen können. Aber es sind dann halt doch „nur“ 7 Songs in einem Track. Die Titel bestätigen das wieder. Und es ist wieder mal eine Prog Band. Ich sag ja, das war damals wie so eine Art Zwangsstörung bei diesem Bands! - Ich wollte mal möglichst kritisch in die Rezension einsteigen - wenn man das überhaupt als Kritik verstehen kann. Aber viel mehr fällt mir auch nicht ein. Man könnte natürlich die Eingängigkeit bemängeln bzw. das nicht alles bei mir hängenbleibt, aber ich kritisiere einen Fußballspieler ja auch nicht dafür, dass er den Ball nicht mit der Hand ins Tor wirft… - Rush ist einfach ein super geile und derbe kreative Band. - Das kommt auch auf diesem Album mal wieder raus! - Ich kannte nur „A Passage To Bangkok“ aber der Rest hat mir auch gut gefallen. - Leider hab ich zu den Alben „Permanent Waves“ und „Moving Pictures“ eine deutlich größere emotionale Bindung. Vielleicht liegt es daran, dass ich die einfach kenne, aber es viel mir in Teilen schwer mich hier emotional komplett zu involvieren und ich kann nichtmal sagen woran das liegt. - Insgesamt trotzdem ein tolles Album Rating: 3,5-3,75/5
- Rush, eine bemerkenswerte Band, mit einem der 100 besten Gitarissten, einem der 10 besten Bassisten und, einem der 5 besten Schlagzeuger aller Zeiten. Ich finde es immer wieder erstaunlich, was für ein Sound diese Band mit nur 3 Mitgliedern entwickeln kann. - Rein handwerklich (und da geht es im prog mehr drum, als in anderen Genres) findet man wenig Bands, die, vor allem in ihrem Jahrzehnt, virtuoser und krasser waren als Rush - 2112; Das zweitbeste und -bekannteste Album der Prog-Götter (Moving Pictures wird unter Garantie auch noch kommen) startet ganz seicht mit einem 20 minütigen, mehrepisodigen Song, der den Charakter einer ganzen Geschichte, fast eines ganzen Albums in sich vereint. - Aber es ist nicht nur der erste Song, der meiner Meinung nach total überzeugt. Auch der Rest des Albums strotzt vor Kreativität, ist aber auch so erstklassig komponiert und arrangiert, dass sich trotz stilistischer Unterschiede und Dramaturgie eine absolut gleichbleibende Qualität und ein rundes Hörempfinden einstellt. - Rush und Led Zeppelin sind der Grund, warum ich heute so sehr auf bands wie Mars Volta, Wolfmother, Crown Lands und Greta Van Fleet abfahre. - Das einzige, was ich 2112 vorwerfe, ist das abrupte Ende mit einem sehr schnellen Fade-Out und das mir die Stimme von Geddy Lee auf anderen Alben besser gefällt. 4,5/5
War ganz gut eigentlich, selbst der 20 Minuten Track hat irgendwann Spaß gemacht, nachdem er dann nach langer Zeit endlich mal richtig ins Rollen kam.
One of the best concept albums ever. Just incredible. Does it make sense? Not really. Do I absolutely love it? Yeah I do.
I like this Prog-Rock especially the long Overture. In some parts it reminds me to the early Genesis. The krautrock impact is evident, but Iike it.
Prog-rock being prog-rock. Didn’t mind it, but didn’t have a sense of direction
A rock ballad starting it off then more traditional songs. It was enjoyable and worth a listen but I don't think it's something I'll go back to.
Love this, i´m a fan. Just like the four albums after this one. I want to say classics :)
The music is great, still like it a lot, but minus 1 for the lyrics.
Classic progrock album.
Musically it's really quite nice; the vocals prevent a higher rating than 3 stars.
I love this more than I thought I would, only really ever listened to the first album without Neil Peart.
Great musicianship but doesn't really have the hooks necessary to click with me. The opening song (7 songs and instrumentals arranged across one track) has a weak story and the parts don't particularly distinguish themselves. The one-off numbers of the second half, mostly classic blues rock material, are a bit more fun. Aside from the terrible and cringy 'A Passage to Bangkok'.
I get the rock feel and liked the instrumentation of the music itself but was never a fan of the lead vocals. give it a 2 for good 'ole rock.
Definitely not the best Rush album nor is it my favorite. However, I'll never not 5 star Rush.
It's Rush. Epic prog rock and I enjoyed most very much....that said, fuck Ayn Rand.
Love, love, love this band. So innovative, such incredible performers -- my ear always bows when they play -- and to me, they hold up well even so many decades later. Saw them in concert when I was a teen and it was truly amazing.
Awesome guitar and drums but I'm not a huge fan of Neil Pert's voice.
Verrassend! Hier en daar met bas- en gitaarlijntjes die doen denken aan Queen of Fleetwood Mac. Helaas de zang te schreeuwerig. Instrumentaal zat het toch wel tegen de 4 aan, maar daardoor helaas net 3 sterren.
Not sure what it is, but all of these songs bring me back to a time that never existed in my life. Like they all sound eerily similar to a lot of songs I’ve heard, and I’m attaching them to those experiences I guess? Idk. Fire album. Samuel is a hater bro
WHAT A BEAUTIFUL START TO A RECORD OMG THAT STORY MADE ME CRY AND I LOVE THE WORLD THEY BUILT, OTHER SONGS WERE FINE BUT THIS REVIEW IS JUST FOR THE OPENING AMAZING
Not bad, but the length of some of the tracks is taking the piss. I think this annoyed me enough to give this score.
Okay old school rock album. Annoying voice but good musicianship.
First Rush album I've ever listened to. I do enjoy a bit of prog but maybe not this prog? Also didn't help that I listened on crappy headphones at the library, while studying. 3.5 - would probably listen again to see if I like it.
This shit was fucking awesome
Yup Rush rips. We know this. Dom knows it, Jim knows it, Jason (if you're still out there) knows it. The 20 minute song rips, the rest of the album rips. Yuh^2/10 (yuh squared out of 10)
First song was epic. Was listening in the car on full blast. solid album. Rush drums always rip cmon
Prog-tastic. Like much prog it has the disadvantage of running for approximately 47 years. Other than that, it's dandy.
Rush is one of my all time favorite bands and as such it is impossible for me to be fully objective. This album contains one of my favorite all time songs (A passage to Bangkok) as well so... This album seemed intended to be a progression from a dystopian future to an idealized rebellion. Like Star Wars with guitars. It is probably not their most accessible album but is a real gem for anyone already familiar with the trio.
Proggy Prog Prog Jr. Progadoo
Awesome vocals and instrumentals. The lyrics however, were not great. They were too silly to be profound, but too serious to be campy. The album was fun, but was just ok.
I can see why these guys are treated as the Progfathers and it struck me how early this album seems in comparison to the well-studied acolytes I later heard and were enthralled by in my youth (i.e. Dream Theater). 2112 is well into Rush's recording career, and in 1976 was only 5 years after Led Zeppelin IV. Still seems like a band I would like more if I'd discovered them as a teenager. Doesn't have the wider pop and rock appeal of a Zeppelin but all the same intrigue, grandiosity - and ultimately, nerdiness - of Plant and Page's cinematism. Geddy Lee has an absolutely stunning vocal range, and Lifeson demonstrates pretty cutting-edge chops in a pre-Halen world. Won't be mad if Moving Pictures comes up somewhere else on the list, though.
Ramblings on Rush's 2112...I'm going to do what the album does here which is have a super long start without a strong enough through-line as to why the initial elements are strung together rather than made distinct. I had a cousin who was a huge Rush fan, later he became a massive Radiohead fan. Are the two connected? Possibly! But I don't feel like this is the album to stake that claim on. What a swerve, but then we're called back again maybe with a hint of a motif but not strong enough. So now I ask: What if 2112 was broken down into its constituent parts on a streaming service? Would we see The Temples of Syrinx vastly outstrip the other movements in this piece? If they weren't intertwined would this record feel less like a prog album? Would Rush have had to edit down some of the weaker aspects in writing these "movements" to make stronger songs out of them? Do people really dig all of 2112? I think A passage to Bangkok and Something for Nothing along with (but to a lesser extent) The Twilight Zone are solid enough that if paired with some better version of the piece 2112 I suspect this record would be even more well received (by me at least, lol). And now like 2112 does I'll end with some shorter statements, or at least one (which you can probably guess). 2112 meanders too much for my tastes, and despite some very strong elements a 20 minute opus as opener was not a successful gambit by RUSH despite my love of Geddy Lee and Neil Pert's playing.
MUITOO BOM. Adorei de verdade, me cativou o rockzinho bom. A batida da pra sentir todos os instrumentos (me surpreendi).
Ich vorher noch nie ein Album von Rush gehört. Was mich sehr wundert, weil Rush in der Progressiv (Metal)Rockszene einen großen Namen hat. Vorteil für mich: ich gehe lasse mich überraschen. Um es gleich vorwegzunehmen: Track 1: 2112 Track 2: A passage to Bangkok und Track 5: Tears sind der absolute Hammer und absolute Highlights. Tolle Stimme, tolle Arragements und tolle Soli . Tears begeistert durch die Stimme gepaart mit einer wunderbaren harmonischen Zartheit von einer Melodie. Mega Cool. Die restlichen Nummern sind solide, ganz nett, einfach guter Durchschnitt. Dennoch lohnt sich der Erwerb ganz allein wegen der drei Nummern. Track 1 fällt natürlich durch die Länge und den symphonischen Aufbau auf. Brilliant. Absolut hörenswert.
Un excellent morceau en 7 parties aux sonorités power rock tout juste ce qu'il faut progressives.
LOVE this album. One of the few cassettes I had in my car growing up.
Solid classic rock album with the opening track being a banger
Naf