Reviews (page 2 of 7)
Today would have been my dad’s 80th birthday and this was an excellent choice for the 1001 site to offer. Classic with a capitol C, this album is a wonderful gift. I got to spend a bit of this day with my headphones playing great country music, just like my dad.
I'd like every current country artist to listen to this album and get back to their roots. From the opening guitar picking, this album is pure country.eir roots. From the opening guitar picking, this album is pure country.
Honestly, I loved it. I've grown to appreciate some of these old-guard country artists as I get a little older. The music may be a little simple, the lyrical themes are direct, but I love these artists, albums, and songs for their clarity (sonic as well as thematic). Merle Haggard has a great voice, particularly in his younger years, and he delivers sincerely throughout this album. The final song, "Mixed Up Mess of A Heart" sounds like it was lifted right off a Buck Owens record. (This should be only a small surprise, as Buck Owens' wife Bonnie--later Haggard's wife--sings harmony on this record.) If you have any appreciation for that old-school AM Country sound, this album will satisfy.
Country <3
Not a fan of country music but I enjoyed this. I would listen to this again.
Wow, what a record. This really took me off guard. This is such a typical classic Country sound but just GUSHING with sincerity. Merle is such an astounding lyricist. I was on board from the beginning and really got taken on a journey through this album. Genuinely a huge pleasure to listen to, and I’m ashamed of all the so-called music fans on this site so quick to dismiss an artist speaking so bluntly and earnestly just because of the genre they happen to excel in. Top tracks: All Of Me Belongs To You, House Of Memories, Whatever Happened To Me, Someone Told My Story, If You Want To Be My Woman, Mary’s Mine, Skid Row
I loved it!
It’s just good folky country. Very consistent and accessible
This is good old real country.
Fun honkey tonk blues. Love this vibe
"I'm a Lonesome Fugitive" is the third studio album by country music singer, songwriter, guitarist and fiddler Merle Haggard and his band the Strangers. The song "I'm a Lonesome Fugitive" brought Haggard country music stardom. The Strangers included Ray Nichols (guitar), Ralph Mooney (steel guitar), George French (piano), Jerry Ward (bass) and Eddie Burns (drums). The album hit #3 in the US Country Charts and #165 in the US Pop Charts. The lead single "I'm a Lonesome Fugitive" was written by Liz and Casey Anderson and is based on the TV show "The Fugitive." Acoustic, electric and steel guitars playing. Great strong vocals by Haggard and backing vocals by his wife Bonnie Owens. He's runnin' from the law. It's hard to find a country album without a waltz and we get that right away with "House of Memories." Piano more in the forefront. Great steel guitar. Outstanding lyrics as his house is a prison. Speaking of prisons, Haggard was in prison and attended one of the Johnny Cash 1960 shows that would become the "At San Quentin" album. It's no wonder when Haggard sings "Life in Prison," it sounds authentic. More great harmony vocals by Owens and steel guitar by Strangler Ralph Mooney. Not all country has to be slow and "If You Want Be My Woman" gets the country dance beat going. A pouncing piano. Layered guitars and a guitar fade at the outro. Haggard does a cover of Jimmie Rodgers' "My Rough and Rowdy Ways." The steel guitar is more bluesy. The bass is loud and prominent. He wants to settle change and settle down but can't. This is a superb album. Great lyrics. Tremendous vocals by Haggard and harmony vocals by Owens. Top notch musicianship. He's checks all country song boxes: songs of love, about being down and out and being an outlaw. An album everyone needs to listen to no matter what your musical preference may be.
Man, what a fun, honky tonk time! This is another album that makes me glad I'm embarking on this adventure. Such neat, succinct, story-driven songs that just kept me boppin' the whole entire time. Even the slow ballads have their place here. I really, really enjoyed this, and I think the influence of several different genres really elevates this past their peers. Fav tracks: If You Want To Be My Woman, Mixed Up Mess Of A Heart, All Of Me Belongs To You, Somebody Told My Story
yay!
Good stuff
Makes me want to listen to more real country, some good rhythms
Terrific
Gem
No country music is more pure than The Hag. One of my favorite artists, always brings me back to memories of being a kid and my dad having this on. I normally just hear the greatest hits albums, so this was great to hear some tracks I'd never heard.
It's 30 minutes of Merle doing his thing. He gets in and gets out, leaving you wanting more. Legend. Best track: Someone Told My Story
I have spoken before, during my review of Buck Evans' I've Got a Tiger by the Tail, about the kaleidoscope of reasons why an individual wouldn't like country. But why would an individual like country? Well, country is often simple, unpretentious fun. It fits both a rowdy honky-tonk Saturday night and a contemplative moment with a glass of bourbon. Its best singers have qualities rare in other genres: grit, directness and authority. Someone once told me that country is the only genre focused of expressing the listener's travails: when a country singer wails about being unable to make that month's rent, it is sung for the members of the audience who can't make that month's rent. And perhaps the greatest strength of country is the same as the greatest strength of soul: both genres are unsurpassed in making the listener feel a deeper sense of emotion. With soul, the emotion it conveys most profoundly is love; the emotion that country expresses with similar insight is, of course, heartache. Every cowboy sings a sad, sad song. Merle Haggard is my favourite country singer. I am in no way an expert on country, but I know enough to have a favourite singer, and that's Merle Haggard. Merle Haggard was one of the figures representing the most credible stance of country artists: the troubled, wandering bad boy constantly evading the law, not always successfully, and whose unsettled past provided their songs with authenticity and toughness. This is the tradition of Hank Williams, Johnny Cash and the outlaw country movement. Merle Haggard's drifter jailbird country was damn more authentic than most. An Okie from California, Haggard's teenage years can be summarised by the extensive rap sheet he managed. After a few periods of reform school, Haggard got inspired to pursue music, but poverty led him to attempt a robbery, which led him to attend San Quentin. He then changed direction and concentrated on becoming the most adept country songwriter there ever was. Oddly, his most famous song is the rather unrepresentative, conservative protest song Okie from Muskogee, which opens with the line "We don't smoke marijuana in Muskogee"; in later years, Haggard would love himself some blazing up of a fatso JJ (I understand that's what the kids call it nowadays). I'm a Lonesome Fugitive is Merle Haggard's third album, and exemplifies the Bakersfield sound, which was a California-based anti-Nashville style of country that readily took lessons and rhythms from rock 'n' roll. So, I'm a Lonesome Fugitive has real pep, and If You Want to Be My Woman is a straight-up blues number. But it should be noted that, since it's a 1967 country album, the record serves more as a showcase of Merle Haggard's songs from early 1967 than as a coherent album interlaced with themes and leitmotifs. But like Are You Experienced and Wild is the Wind, I'm a Lonesome Fugitive is a really good showcase. We experience most of the standard rounds in Haggard's revolver: convict troubadour numbers, (I'm a Lonesome Fugitive), murder ballads (Life in Prison), paradigmatic love songs (All of Me Belongs to You), juke joint blues rockers (If You Want to Be My Woman), odes to drinking away one's problems (Drink Up and Be Somebody), odes to just drinking (My Rough and Rowdy Ways). Every song here is mighty fine, and every listen so far has just made them mighty finer. But one property of this album worth noting is that this is not an album for teenagers. The audience this album aims for is adult, even middle-aged. The album's humour is wry and drenched in rye. The sorrows of this album are adult concerns of penury and the losses of serious love, not adolescent infatuations. Even resorting to booze to ease a broken heart, while not necessarily a mature response, is by definition an adult one. So, this has set me to thinking if the snottiness against country stems from age. I can understand perfectly if a teenager has no inclination to seek out some Willie Nelson. How would that teenager feel once they hit 35? Does the predilection to country music depend on how close you are to your first prostate exam? NoRadio, signing off.
Fugitive country. The original OG. Brilliant storytelling, influential, charismatic.
One of the greats.
Hell yeah. This is just good old fashioned country music. Loved it.
Classic
Perfection
Je n'écoutais quasi jamais de Country, et c'est une révélation
Excellent album - very evocative.
Sorpresota. Otro disco perfecto.
Good road trip vibes
What a silky smooth voice and backing strings
The top review is a country hating one. Typical. Doesn't matter, none of us, *especially* that reviewer, will be half the man that Haggard was. A native of the Bakersfield region (look it up, it's the land that time forgot), he taught himself to play the guitar at age 12, and by 13 he was robbing and riding freight trains at a young age and then did time many times over. Later, as an adult and inmate at San Quentin, he attended Johnny Cash's concert, which profoundly influenced his desire to be a recording artist. It's like this guy was destined to be a country music outlaw. It's a shame that comps are not allowed, as I feel that they represent Merle a lot better than this album, but this was an important release for its time as he wrote almost all of the songs himself, and it sold well in spite of the rather rugged and in-your-face content. So, it gets a 4.5, only because it's the only Haggard album on the list. Plus, once again, this kind of country music is GREAT. True stories and wonderful melodies and harmonies. Can't wait when we get past the "I listen to everything but country and hip-hop" phase of humanity.
Ole Hagg never misses. Love the breezy guitar that he features in a lot of his songs. His songwriting is arguably the best of his era, always raw and real. He’s the working man’s poet for a reason.
Ripper of a 60s country album. If you can take this schmoozy time capsule at face value, it's very charming. The lyrical content is the star here, very "cowboy poet." Though Merle's voice is at the center, that doesn't stop the strings from providing some soulful solos, as well as some great call and response bits with the vocals like on tracks like My Rough and Rowdy Ways. This is one of my favorite eras of country music, so it's easy for me to look past this albums shortcomings. If you're not into country as much as I am, you'll probably rate this lower, but I implore you to cast aside preconceived notions of who this album is for. Do you get lovesick? Depressed? Confused? Ever had to drink to give yourself some liquid courage? This album is for you.
Old-school country, genuinely enjoyed.
this was shockingly soothing in like, a "yes, I would perhaps listen to this again" way
its funny I relate this kind of country music with Johnny Cash as if he was the only one in the genre with more serious and sometimes fun themes. I enjoyed this quite a bit more than I expected, its got that classic slide guitar all over it and some good ol' dirt road driving charm.
Really enjoyable country album. Life In Prison is one of the funniest songs about a man praying for the sweet release of death. And it will be sweet!
I like Buck Owens more, but I’m giving this a four because I owe a great debt to Bakersfield.
This was really catchy. I like his voice. I'll give it a 4
I didn't expect to like this album at all but I ended up really liking it
Reminds me of my childhood and listening to the radio in Grandpa's car
It doesn’t feel like a boast, but more like a statement. He’s a bad man who loves his woman. Nothing fancy just simple effective songs of life on the road and lam.
Great, nostalgic album. Didn't do anything new or exciting with the genre.
There’s definitely some bangers on this album a lot of songs kind of sound the same and they can get a tiresome, but this is a solid country album
I understand people’s gripes with country, and maybe I’m just biased from my nostalgia for growing up and listening to this kind of country on the radio with my dad, but there’s just something so pleasant and inviting about this era of country music. Haggard’s voice is very good and I even think these arrangements are a lot more fun and musical than other similar country albums. Writing is a bit cliche but not bad either. All in all, it’s short, sweet, and enjoyable.
I REALLY enjoyed this record. It's classic country that I'd not really dug into much before. The songs are catchy, there's a decided blues influence on the guitar and his singing is simply amazing.
Love me some old country. Why do they always kill a woman though? 🤔
Love this era of country music. Nice variety of songs, from ballads to even a rock n’ roller which I was not expecting. Great voice, great guitar work.
Old school country The bottle let me down Swinging doors
5/25/26. Didn’t think I’d like this as much when this came up. The songs are simple, but great storytelling that nails the country genre in my opinion. Vocals are spot on too.
This is so charming.
cool album. nice suggestions
I’ve heard this before. This is great classic country with some good outlaw tunes and none of the more reactionary songs he put out in the 70s. (He got his shit straight later during the Bush administration and I admire that about him) Like a lot of classic country from this era, some of the songs blend together, especially the slower ones with the kind of call/response thing with vocals and lap steel, but most of them stand out on their own. It starts and ends on a series of bangers and just a bit of filler as mentioned above. Solid classic Bakersfield country.
slow and sentimental
I think im a sucker for this music in the right setting
4/5
Yes I listened to this but it was an insta 4+ stars, let’s be real
When Hag passes on To the great unknown They'll find written on the front Of his headstone "Here lies a man Who had a hell-of-a-band And who would never had made it alone."
Good ol classic country.
achy breaky country
Loved this. I might even come back and give it a 5 later. For now it's a 4.5 falling to a 4, just because I'm not always in the mood for classic country - but when I am, this would be an excellent spin.
#933. Back before the ultra-commercialization of country music where all they sing about is cold beer and trucks, you had this kind of country. Where all they sing about is prison, trains, and sadness. And that's uh... better, I think. 4/5: good
Вкусненько
99 okies from Muscogee agree, this is a good album
듣기 좋은 컨츄리
Fun
Some solid, toe-tapping country from a real deal. Imagine being in San Quentin when Johnny Cash performed and deciding, "You know what? I wanna do that," and then doing it.
This was great, and unexpected. I love this era of country!!
i love whiney depressing old country this shit rocks
Merle’s velvety raspy voice and slide guitar?! That’s 4 stars all day.
3.8 This cant be the perfect country & western album because he hadn't said anything at all about mama. I guess he did have trains, trucks, prison, and getting' drunk, thats worth a 4 star in my books
I like the reviews of this where people talk about how their grandparents or parents liked this. That wasn’t my experience, though I remember we did have a tape of Willie Nelson and Merle Haggard’s Pancho and Lefty, so I suppose this music touched my childhood to an extent too. It’s not really my thing, but it’s a good listen. I particularly enjoyed it when he kicks up the tempo a little bit on songs like “If You Wanna Be My Woman”. This is one of those albums for me that I prefer on in the background over it being an active listen, and I don’t mean that as a criticism. Sometimes you want something to accompany you during your day and this one does that just fine.
This is definitely one of Merle’s best records, though once again, I think a collection would have been a more suitable selection. Down Every Road is an incredible box set, and probably not longer than Ella’s Gershwin record. Anyway, some great tracks here, most notably Drink Up and Be Somebody and the title track. There's also some creamy relics of the past, like If You Want To Be My Woman. Ick.
Honky Tonk
Twangy, old country feel
lowkey bissi hayday musik aber gut gut.. glaub 4 sterne, weil sehr angenehm zum hören
rootin an tootins :)
This is a very nice country RnR album with a south accent lovely if you re for it
This stuff works for me. Fun to listen to and quick.
Classic Bakersfield sound. The band soudns great, especially on "If You Want to Be My Woman". In that song we hear country music incorporating the rockabilly and blues that rock and roll merged it with to great result. Some of the other tracks were a bit more boring and replaceable, but this is a solid album.
Just delightful
Dope
Great classic country album! Love merle haggard!
prison is sad, drinking is fun
A fantastic outlaw country record, honestly a great intro to the genre too
I am learning that I am a fan of this old country music style. Never heard of this musician but enjoyable cd to listen through.
Just as I expected, the knee jerk “country sucks” reviews flowed in like a polluted river. Correction: contemporary country fucking sucks, yes — this kind does not. Haggard, Nelson, Jennings, Campbell, Williams et al., knew how to write songs with heart and soul. Haggard sounds like he’s gonna open up his veins on some of these tracks. He might have been a redneck asshole — hell, most of them were — but he kept it to himself. And he has the most twanged-out countryfied voice you ever heard. Give real country a shot. You might like it, and that’s okay.
One of the best Country singers from this era, good to see he's represented on this list. I'm A Lonesome Fugitive isn't the first album I'd pick, but it does come from his best era. It's a really traditional Country album with exactly 6 songs a side, working around to a pretty short total album length, as was often the case for the Capitol albums of this era. It's a nice collection of songs and Merle Haggard is great at telling stories and hardship in his work. Just a simple, yet lovely Country album.
Country immer gut
1001 denkt schon Country ist mein Lieblingsgenre obwohl es nicht stimmt, aber dann kommt wieder ein altes Country Album und es ist Gangster Shit der nur 4 Sterne bekommen kann
Such vibes
Classic Haggard. I really like that lean, hardy Bakersfield sound on this album, even though only a few of the songs are all too memorable. Best song: Life in Prison
Lyrics that make you laugh and cry
Genuinely soulful country with occasional flashes of great musicianship.
Goes down easy. Some quality classic country
Oh Merle. I enjoyed this. Granted I grew up listening to this style of country in my grandma's kitchen. So I'm not sure how far this will go with "the kids today." It's twang reminds us what country once was. The lyrics are sad as it turns out Merle killed a lady and went on the run. Since then he can't find love on the lamb. Poor Merle. Now this is just from the album, but ole Merle was a hellion and did prison time and a wife of his did run around on him. So I'm wondering if the people that wrote this asked him what his thoughts were on the subject and he was thinking murder. It's worth it for historical context and it's fun in its twangy old time county ways. I enjoyed it way more and it lead me to listen to another of his albums. I'm not saying I'm a fan but with all music there is a time and place for it. Maybe not at your next house party, but a quiet rainy Sunday when cleaning out the garage fit it well for me.
I understand why a lot of people roll their eyes at “country music,” but if this record gets lumped in with the glossy, algorithm-chasing pop-with-a-fiddle that dominates today, that’s just lazy. This is something else entirely. This feels closer in spirit to punk or protest music than to modern radio country. There’s grit here. Restraint. Actual storytelling. The songs aren’t trying to charm you—they’re telling you something, whether you’re comfortable with it or not. Merle’s voice is the real anchor. It’s an incredible mix of pure and pained—clear, controlled, but carrying weight. It sounds lived in. Nothing feels theatrical or overcooked. The harmonies are tight without being slick, and the guitar picking is staccato and sharp, almost percussive at times. Economical, precise, and full of character. This isn’t a five for me—not because it lacks quality, but because it doesn’t quite hit that emotional-transcendent level I reserve for the absolute top tier. But it’s a strong four plus without hesitation. Deeply respected. Absolutely worth returning to. And miles away from the caricature people often reduce country music to. If this is what country can be, I’m in.
Moins facile à apprivoiser Merle. Je vais y aller avec la recommandation de la docu série de Ken Burns: Country Music. Never Underestimate the Bolo Tie, Baby.
Not normally my genre but I was really vibing with this.
oh my goodness
Classic country.
Man, I really liked this and did not expect to - catchy, sad-dad music. Another experience that really justifies participating in this.
Had never listened to Merle before but this is definitely worth a re-listen.
The title track is enough to get the album to four stars, and the rest of the material is solid enough to keep it there. Haggard wrote most of the songs, naturally, and you have to respect that. The cover of Jimmie Rodgers’ “Rough and Rowdy Ways” is pretty darn sublime.
I liked this! Tapping my foot, good solid tunes! Like the album cover too
Outlaw country at its best
Didn't make myself as a country fan but this is quite smooth and relaxing.
It took me decades to figure out country music, and I especially find it hard to figure out what folks find in older country which often has thin production and boring songwriting. This is not the case here. Incredible guitar playing with some cool pedal steel on top, Merle’s vocals are incredible and it makes for some great songs. I do find it weird that an outlaw would belt out such tunes rather than do something tough but this album is romantic and beautiful. Good choice for folks who “don’t like country”.
Nothing special, but nice country
A nice collection of road songs based on rebel life nonconformity and loss love.
My favorite Merle, before he became an angry, reactionary good ol boy.
It was okay, I guess. I actually preferred some of rhe unplugged stuff that wasn’t on the actual album.
Enjoyable
I really enjoyed this. I like country music like this - each song is a clearly-sung little story.
I could smell the Marlboros and stale beer while listening to this album. It's not so album I would have chosen to listen to, but I'm glad I did.
Solid Bakersfield sound right here. Hadn't heard this one before but I like it. No issue with including this so long as this list also has some Buck Owens on it somewhere, for he's the real king of Bakersfield.
This is a banger of an album. Songwriting, production, and musicianship are top notch. It's catchy, it's fun, it touches on serious themes...I love it.
Love some Merle softies
Wow, this was depressing in a way that only country music can be.
I enjoyed this listen as a fan of “outlaw country.” It’s morose and heartfelt at the same time. The songs are about hiding pain as a man, being forlorn over a woman, feeling wronged, fortunes gained & lost (monetary and otherwise), and facing consequences. It’s the platonic ideal of what country music should be. A couple goofy songs keep it from being perfect, but it’s a strong 4/5. I think only Willie might have a chance to beat this one in the country genre.
Outlaw Country before it was even a thing. Simple songs with complex subject matter. Great old school country from all angles- instrumentation, vocals, song themes. What a country stalwart and you can feel his experiences and emotions through the songs he sings on this record.
Classic countryyyyyy. I ate this shit upppppo. Didn’t save any songs but if I need a classic country album this and George Jones r getting put right on
Love his voice. Probably not his best album.
1)I’m a Lonesome Fugitive 3)House of memories В целом альбом ровный, но эти два трека понравились больше всего. Заряд радости и счастья с самого утра
Favorite Track: I’m a Lonesome Fugitive
30/09/2025 It wasn't too bad, didn't set my world alight as I don't really remember it, but it was okay. Spotify listeners: 912k
Great old school country. Really quick listen at only 30 min, but great sound
Better than I expected
Lindisimo!
Just a really good collection of classic country.
The title track is an all time great outlaw country anthem, the rest is rock solid mid tempo twang about women and liquor and the problems they get you into and the ever tempting promise of escape to the rails.
These are some impeccable harmonies, some high-toned chicken-pickin and greasy pedal steel, and some indelible outlaw vibes. Authentic as a faded blue denim button-up shirt and a can of Lone Star beer. A lovely high lonesome voice when he's sad, and a strange giddy joy when he steps forth in that proud dirtbag persona with something like "Drink Up and Be Somebody".
Klassisk country. Deilig laidback skive.
Mmmm, dette var godt!
Love these old cowboy tunes
Solid old school country album.
My dad got me into merle haggard my dads to blame for 80% of my music taste and choices. My mums the reason why I know all of the words to cliff Richard’s hits.
I enjoyed this one more than I expected to. An open mind is everything
Love Merle Haggard.
Good old country fun.
I am impressed that Merle wrote most of these songs himself. Solid old school country album.
Very well executed
83% Best: All Of Me Belongs To You; Whatever Happened To Me; If You Want To Be My Woman Must-Hear? Sure
score inflated by two because my gma used to blast merle haggard while we’d bake together but also this FUCKS
Im here for the blues country twang
Like it, very country!!
Classy country
I'm familiar with Merle but have never heard this before. Love it!
I really like this era of country, I’m learning, and would like to explore more of Mr. Haggard’s work.
8/10
Wow the lyrics get quite dark
Classic Merle, I probably wouldn't be able to tell this album from his other earlier ones. But great stuff.
He had the iconic country vocals, the album was classic country the way I think of it. It wasn't really anything special. I did like The variety in his vocals a lot. And I'm on the cusp of saving if you want to be my woman to my playlist.
This one really surprised me in the best way. I went in expecting something a bit dated or too traditional for my taste, but I’m a Lonesome Fugitive actually hit a sweet spot. It’s raw but thoughtful, and Merle Haggard’s voice has that weary honesty that makes you believe every word. There’s a quiet defiance running through it all, but also a lot of regret and reflection. I found myself really tuning in. It’s also way more melodic than I expected—catchy in that understated, old-school country way that creeps up on you. Songs like “The Fugitive” and “Life in Prison” make you feel like you’re being let in on someone’s private thoughts, not just listening to a character. It’s a tight, moody little album with a strong sense of place and personality. Definitely a highlight of the more classic country stuff I’ve heard lately.
As someone who loves old county, I really enjoyed this. Album does not have any of Merle’s hit/radio songs. It’s all very sad but still easy to listen to.
Classic Merle, though he sounds a bit like George on some of these.
This is not my style of music. At all. However, if you put yourself in the shoes of a Country Western fan, this man would have to be one of the godfathers. I can appreciate his art and talent and how foundational this album must be for country music. It would probably be 5 stars from a country fan.
great old country. Stories in the songs are great. Songs of roaming and longing and loss. His voice is incredible.
🌟 Rating: 4.6/5** Short Review: A lean, twangy outlaw confession booth set to pedal steel and prison regrets. Haggard’s voice sounds like a cigarette left burning in a rainstorm—defiant and weathered. 🎧 Favorite Track: “I’m a Lonesome Fugitive” — it’s got that beautiful “I’m not sorry but I wish I was” vibe. ⚙️ Consistency With Me: 6.4/10 Why: I’m more robotic fugitive than country outlaw, but I admire the quiet existential crisis packed into two-minute tracks.
Need to listen to more Merle. I enjoyed this
I've been listening to(and enjoying ) more classic country lately and this one is up there. All solid songs but seems like the album(as a whole) is missing a hit single.
Really interesting to read about his backstory in prison. Love old country like this. Rating: 4.3
I dunno. I just liked it
Immediately calmed me down and put me in a better mood!
I’m still new to old country and this is old school for sure. I appreciate hearing some influence on Sturgill Simpson in the guitar solos. A couple songs definitely got me in my feelings when he sings about heartbreak. “Watched the back of the train as she left for good, I wish my this broken heart went with her.”
love me some country
classic
Great outlaw country album. It's like a breath of fresh air, with a cup of coffee or whiskey overlooking a grassy plain and lamenting to your friend about the world. And there's no happier feeling. Soft 4.5 stars.
Good country album
Love me some Merle.. Sometimes a collection of prison songs soaked in cheap whiskey really goes down well.
Great country and western classic from Merle Haggard. Love this sound.
Talk about old school cool. There's something special about how much these old country guys are just fill each note. Nothing trails off. At the end of the day, they all sound a bit the same as a result, but it's still interesting. More than a half hour of this would get old, but the length was about perfect. Nice little album.
Cowboy
Another album that I enjoyed that’s not on Apple Music 😠 I do find it funny describing all these woes when he seems like the jerk every time.
K-ROSE staples to fly your Sanchez around the map at warpspeed with 5 stars to. I imagine this album was fucking enormous when it came out, but alas it's been consumed by time and by the amount of other shit that came out that sounds exactly the same as this. I found this particularly generic, but in the best way. This album captured all the best elements of country/honky tonk and channelled it into one album. I really enjoyed this, but once you get through the first couple of songs, you pretty much get the point. That doesn't make it a bad album (I quite enjoyed my listen), it just makes it unworthy of being considered "perfect". It's fairly cookie cutter. Still, I could see myself coming back to this when my girlfriend decides to break up with me in the future. Highlights: All of Me Belongs to You
Criminally low global score (not supposed to be a Fugitive joke). Just pleasant and inoffensive classic Country. Haggard has an incredible voice that is an incredible match for the more somber tunes on this Album
Music that makes you want to kill yourself but in a good way.
It isn't Marty Robbins, but it's certainly great. Something about these country western artists is occasionally they'll write a song that's so bang on relateable it leaves you sitting there like : O 8/10
Before he became an outlaw country legend (both in the music world and the real world), Merle Haggard was still able to deliver down-to-Earth and real lyrics during the period of flashy country music. This is the sort of album that paved the way for his peers in the 70s to express themselves and after listening to this, you can see his and Hank William's lasting legacy on country music. To say this is a pleasant listen means you didn't hear what old Merle was saying. This is a very tight half an hour of introspection and regret. Without Merle, I wouldn't have my dear Waylon and Willie as they came to be. David Allen Coe said the perfect country and western song mentions trucks, trains, mama, prison and getting drunk. He doesn't mention mama, but four out of five ain't bad and that's what this album gets. Highlights: Life In Prison, Drink Up And Be Somebody, Someone Told My Story, My Rough And Rowdy Ways
This is exactly what you picture when you think of country music. And I didn’t hate it.
Merle Haggard is an American Icon for a reason. This album is a great look into his songwriting. Oddly enough the opening track and the biggest hit on the album is not written by Merle. It is however a great track that defines his previous life as a convict. My only issue with this album is that the first half has the typical 1960s polished Countrypolitan sound which after watching the PBS Ken Burns documentary “Country Music” I hear all the time on these late 50s to early 70s albums. thankfully, we break away in the middle to hear a glimpse of the Bakersfield sound and the outlaw Merle of the 70s starting with “Drink Up and Be Somebody” but that polished sound returns with “Mary’s Mine”. Thankfully it doesn’t carry the whole album. My other issue is the short songs that seem to fade out as they just start getting good. The album did end with a great upbeat tune “Mixed Up Mess of A Heart” that left me wanting more. I love Merle Haggard and this is young Merle at the start of an amazing career so I understand the significance but I feel like there are better albums in his catalog. I like all the songs on this album but favorites are “Drink Up and Be Somebody”, “If You Want To Be My Woman”, “Skid Row”, and “Mixed Up Mess of a Heart”.
Man, a good chunk of this album is such a downer, but that classic country honky tonk is such an upper. Makes me think of a road trip, or some movie, a rustic bar, with swinging doors and a jukebox. Also one of the best album covers we'veon the list so far. I'm A Lonesome Fugitive, House of Memories, Mixed Up Mess of A Heart are favorites!
Fantastic album. Each track makes you feel as if you’re an old man from the Deep South reminiscing of what you once had. I was waiting for an album to hit as hard as Loretta Lyn’s “don’t come home a drinkin with lovin on your mind” this almost feels as if it could be a sequel to that album but from the perspective of the man she sings about. I can imagine putting this record on over an old spaghetti western like Django 1966. This album screams whiskey and Marlboro reds. Love it.
Country used to be, like, really good.
Unexpected big like
first listen solid stuff
This was interesting. Not quite my cup of tea, but it's a competent album with some dark undertones. Good instrumentals and vocal work. 'If You Want To Be My Woman' was my fave.
Let’s be real: Country music is more of a curiosity than a cultural cornerstone where I live (i.e. not in North America). It’s never been the dominant sound, and honestly, I’ve rarely gone out of my way to explore it. So pressing play on I’m a Lonesome Fugitive felt less like chasing a new favourite and more like ticking off a box: one of those "important" albums you’re supposed to hear at least once. I knew Merle Haggard for the headlines than the hits. San Quentin. Five marriages. The IRS. He’s a legend with a past, and you can hear it in his voice—it’s dusty, no-frills, and full of lived-in grit. Tracks like the title cut and Life in Prison have a slow-burn weight to them, carried by twangy guitars, brushed drums, and that classic Bakersfield sound that splits the difference between Nashville polish and barroom blues. It’s raw but tidy. Confessional without ever getting messy. And yet… I didn’t exactly walk away changed. The stories are solid, and the themes (freedom, regret, restlessness) are universal, but the melodies didn’t stick, and I wasn’t humming any refrains later. It felt more like watching a well-made film from another era. Interesting and important, but not something I’ll return to often. Still, I get why this record matters. It helped cement Haggard’s place in the outlaw country movement and gave working-class America a voice that wasn’t sugar-coated. And maybe that’s enough. I didn’t love it, but I’m glad I heard it. Albums like this offer a window into a different time and place, and for me, that’s the real value of going through these 1001 albums.
Pleasantly surprised by this.
Solid 60s songwriter country, in the vein of Waylon and Willie and Kris. Maybe not at the level of those guys, in my opinion, but good stuff nonetheless.
b tier country, nothing crazy but at least it’s better than morgan wallen
This is a really great album. I mean, the subject matter is entirely generic and predictable, but the songs and musicianship are top notch.
Just a good country album with good vibes, nothing much more I can say
Man all the hate in these comments remind me of my youth. When the days were long and free time was abundant. Merle is a legend in is and these are deep, dark yet simple songs about real pain of the mundane life. I love doing yard work to this era of country music, field songs, work songs, easy listening. Great for a booze session with the fellas or on your own. Roadtrips too, its Americana and in our blood. Merle fucking Haggard rules.
Merle!
Nice relaxing country album. 3.5 rounding up
I kinda loved this! Such a vibe even though I would’ve never listened to it otherwise.
Enjoyed it, rounding up for the pure country aspect and influence. 3.5/5
An outlaw singing about being an outlaw. Love this stuff. When country music sounded like country music. And who could forget him sharing the billboard in ‘78 with fellow UK outlaws the Sex Pistols at Dallas’ famed Longhorn Ballroom.
Brb gotta go pound a hundred Lonestars
I typically don’t enjoy a lot of country so giving this a 3.5 and rounding up since it was quite a solid listen. up since
Give me old school outlaw country over this modern stuff any day of the week. I’m rounding up given Merle is the grand pappy of outlaw. 3.5/5
Pretty standard country, but wonderful, mellow tunes that make me comfy in bed. 3.5/5
Back in the day, I had a few Merle Haggard compilations on CD, but this might be the first time I’ve actually sat down and listened to one of his full studio albums. Since I’m not the biggest country fan, I won’t pretend to be an expert, but when it comes to classic country themes, like drinking yourself blind, being an outlaw on the run, and wrestling with loneliness and sorrow, this album definitely delivers.
Love Haggard's writing, but the covers are good here, particularly the Jimmie Rodgers tune. Mooney doing the Lord's work per usual on pedal steel. Didn't know James Burton, Jim Gordon, and Glen Campbell helped out.
Great musician for this genre. Lots of heart and soul put into his songs. Genuine.
Not my thing, but great nonetheless
Once again, I’m not the biggest Country fan but this was an enjoyable listen. I’ve checked out Merle before but not a whole album. I hear all the ”olds” saying things like “country’s not what it used to be” and I think to myself, have they listened to A Sailors Guide To The Earth or Passage Du Desire by Sturgill Simpson? Woodland by Gillian Welch and David Rawlings. Have they heard Chris Stapleton or Margo Price? Kasey Musgraves, Jason Isbell, Rhiannon Gordons, Billy Strings or Denita? These artists carry the torch for the olden days of Country and Americana and I would much rather listen to their contributions to the genre than most of the classics. Either way, for not being the biggest country fan, I did enjoy this album from Merle Haggard.
It doesn't get more country than this. The twang, the storytelling, the gospel harmonies with lyrics of debauchery. It's glorious. I have to be in a certain mood for this, but it is top of class for classic country. I'll give this a 4.
Ol' Mel!
Completely depressing country album but damn Merle can sing. Also loved the guitar playing.
Been getting way more into this kind of country lately. Listened to this through enjoyably and would def listen again. 4/5
I love Merle Haggard and if I were honest, I’d tell you I’m giving extra credit on this one because of the bigger picture, but I’m not so I won’t. I hope this isn’t it for Merle on the list because this album feels like getting vanilla ice cream at a fancy homemade shop - great for sure, but there are so many better flavors!
Imagine hearing these songs for the first time in some honky tonk.
music: appreciated. (⌐■_■)
Listening to this nearly 60 years after its release certainly confirms Haggard's reputation as the original outlaw of country music.
That’s some country.
nice vibe
Really good, need to listen to more Merle
I'm a Lonesome Fugitive is the third album from Merle Haggard and the Strangers - the band Haggard recorded with at the beginning of his career. The title track, and the album, are the recordings that made Haggard into a country star. These are traditional, acoustic guitar driven country sounds. Haggard's rich, deep voice worked well with music produced in the "Bakersfield sound," a simplified style that developed as a reaction to the "over produced" Nashville style of country. .
Merle es uno de los puntales del Country, este sí que estuvo en San Quintín pero como preso no solo de visita. Fue el precursor del Country de California al que un concierto de Johnny Cash en San Quintin le cambio la vida. Sus interpretaciones son convincentes, su voz solemne pero dulce a la vez. Al margen del sencillo I´m a lonesome fugitive, uno de sus mayores éxitos. Presenta otros buenos temas como Life in prison que a buen seguro escucharon Gram Parsons (los Byrds publicarían apenas un año después su imprescindible Sweetheart of the rodeo, que incluía este tema). If you want to be my woman suena a country pero mezclado con la música de los 60, interesante. Skid Row es otra joya. Es un álbum muy influyente, regado de buenos temas. Otras obras enormes editadas ese mismo año 1967: Sgt. Peppers y Magical Mistery Tour, Forever Changes y Da Capo, The Velvet Underground y White light/White head, Surrealistic Pillow,The Piper at the Gates of Dawn, The Who Sell Out, Days of Future Passed, Disraelí Gears, Bee Gees´ First, Younger Than Yesterday, Evolution y Butterfly, Safe as milk, I never loved a man the way i love you y Arrives, Something Else, Scott, Bee Gees´ First (en realidad el segundo), Wild Honey, Sunshine Superman o Happy Together... Además excelentes debuts de ese mismo año fueron los de Jimi hendrix (además de Axis: Bold as love) , The Doors, Experience, Scott Walker, Pink Floyd, The Velvet Underground, y también aunque menores los de Van Morrison, Janis Joplin, Bowie, Electric Prunes o First Edition.
Wel lache, favoriete nummer denk ik Skid Row. Prima lekkere country muziek. Ken country alleen niet goed genoeg om te kunnen zeggen waarom dit worthy of de lijst is en andere country niet v0v
Classic country. Great voice, greater guitar playing. Some really catchy and well written tunes, just wish it was much more consistant. It definitely gets stronger in the latter half though
Really enjoyed this one! I love the quality of the sound too, all crackly and just old sounding Catchy songs and I really like his voice 4 ⭐️
My dad used to play Merle all the time around the house, and I appreciate him very much as a uniquely American artist.
I love when he sings about his girl
Y'know, I really can't imagine hating country music just **that much**. I mean, hating it so vehemently that you give an album like this a 1 on sight. I suppose I can understand taking issue with some of the more... Erm, "modern patriotic" sides of the genre, let's call it ("WE'LL PUT A BOOT IN YOUR ASS; IT'S THE AMERICAN WAY"). But classic-ass country music like this? I suppose if you just **really** hate this sound... Lucky for me, I don't. And thank goodness I don't, 'coz of the other reason I'd suppose: I'm not really sure how this is different from a lot of other country albums — specifically classic country like this — that I've heard. The arrangements, the instrumentation, the topics, the voice... It's all a sound I love, but without a loudly defining character like Johnny Cash's, I find it a bit hard to figure out why I'd pick one country album over another. And maybe Merle has one and I'm doing him a disservice by not looking into him to find it, I'unno. Like, the only thing I knew about him before today was that Cledus T. Judd mentioned him in one of his originals. In fact, that's why I'm even talking about this sort of thing. I knew early on that eventually I'd run out of things to say about albums in this genre, and... Well, after managing to actually pay attention to some of the lyrics for once, I liked the title track. I dig its melancholy, and the way it describes the narrator's situation. For sure it's a good "feelin' down" song. But then once my attention inevitably slips away from the lyrics... Yeah. So maybe it's my problem for being as melody-first as I am, I'unno. I'm willing to put that forth, at least. I get the feeling, though, that even if I wasn't, I still wouldn't hear much terribly unique about this album. That's why I'm feeling a pretty nice 4 on this. Jus', I'unno. If I didn't already like country music the way I do, I don't think it would convince me, but since I do... Yeah. At any rate, I don't think it deserves a "1" on sight. It's just a bit too harsh, y'know? Goodness.
Good ol' Country never disappoints. Solid 4 stars.
Love me some merle haggard.
Favourite tracks: skid row; somebody told me story; I'm a lonesome fugitive; my rough and rowdy ways
Definitely prefer this to modern country. Nice lil songs, nice sad stories. Totally enjoyable. The lap steel is lovely, singing is spot on stylistically (he rhymes "Denver" and "finger", brilliant), and the solos are great. "Drink Up and Be Somebody" is relatable as hell.
Classic
He’s a cool cowboy, no doubt. I spent some formative years on a working ranch in Texas, and brother, this fella’s voice takes me back to the boys shooting the breeze around the corral. Tough, real, and thoughtful.
Solid tunes, but some of the themes are a little cringey by modern standards
like the blues classic country always sounds a bit fake to me, but it’s just because they’re working in a very strong tradition
I was going to go with a 3-star review, just because this is so out of my wheelhouse I wasn't feeling fit to render a real judgment. But as the album played, I realized I couldn't find a single thing to criticize. Merle's voice is golden, the arrangements are solid, it's just plain well done. I took a quick look to see where this fit in Haggard's discography, and it's amazing: this was his fifth album, coming within three years of the release of his first. What a different era. These days, if an artist knocks out an album in three years it's a quick turnaround. Pretty amazing. Anyway, not a 5 because I'm never going to be a hardcore fan of the genre, but good music is good music.
Yeah I liked that a lot, it was cool, fun stories, had sass and some banging guitar breaks
4.0
**Title: In-Depth Review of Merle Haggard's "I'm a Lonesome Fugitive"** Released in 1967, "I'm a Lonesome Fugitive" is Merle Haggard's third studio album and a pivotal work in the development of country music. As a significant milestone in Haggard's career, the album embodies the essence of the "Bakersfield sound" and showcases Haggard's distinct blend of traditional country themes with his own unique stylistic innovations. This review will explore the album's lyrics, music, production, themes, and influence, while providing a balanced assessment of its strengths and weaknesses. ### Lyrics The lyrics on "I'm a Lonesome Fugitive" are steeped in the hard-living, rebellious spirit that would come to define much of Merle Haggard's work. The title track, "I'm a Lonesome Fugitive," co-written by Liz Anderson and Casey Anderson, sets the tone for the album with its narrative of an outlaw on the run. Haggard's portrayal of the fugitive is vivid, capturing the tension between the thrill of freedom and the loneliness that accompanies it: *"I'm on the run, the highway is my home."* This lyric encapsulates the duality that runs through much of Haggard's work—the yearning for freedom versus the costs of that freedom. Another standout track, "Life in Prison," delves deep into themes of regret and the harsh realities of a life of crime. The song's stark and somber narrative reflects Haggard's own past, having spent time in prison himself, which adds an autobiographical depth to the lyrics: *"I wish I had someone to love me, someone to call me their own."* The lyrics throughout the album reflect a deep understanding of the human condition, especially the lives of those on society's margins. Haggard's ability to craft songs that are both personal and universal is one of his greatest strengths, and this album is a testament to that skill. ### Music Musically, "I'm a Lonesome Fugitive" is a rich tapestry of the Bakersfield sound, characterized by its blend of traditional country instrumentation with a more pronounced backbeat and electric guitar work, setting it apart from the Nashville sound of the time. The album features prominent use of steel guitar, twangy Telecasters, and the steady rhythm of bass and drums, all of which combine to create a sound that is both authentic and innovative. The opening track, "I'm a Lonesome Fugitive," features a driving rhythm and melodic lines that capture the urgency of the fugitive's flight. The electric guitar riffs are sharp yet melancholic, complementing the lyrical content perfectly. "Life in Prison," on the other hand, takes a more subdued approach, with a slower tempo and a mournful steel guitar that underscores the song's themes of regret and sorrow. Tracks like "Someone Told My Story" and "House of Memories" exhibit Haggard's skillful use of melody and harmony, with the former song's chorus offering a memorable, singable hook. The album's arrangements are relatively straightforward, emphasizing the lyrics and the emotional delivery rather than complex musical structures. This simplicity is one of the album's strengths, allowing the listener to focus on the storytelling and the emotional weight of the songs. ### Production Produced by Ken Nelson, a prominent figure in the development of country music in the 1950s and 1960s, the production on "I'm a Lonesome Fugitive" is both polished and understated. Nelson's approach allows the rawness of Haggard's voice and the musicianship of his band, The Strangers, to shine through without unnecessary embellishments. The production emphasizes clarity and balance, with each instrument given space in the mix. The rhythm section provides a solid foundation, while the steel guitar and lead guitar add texture and depth to the sound. Nelson's decision to keep the arrangements sparse and direct works well for the material, as it underscores the album's themes of loneliness, longing, and outlaw life. However, some might argue that the production is almost too clean, lacking the grit and rawness that might have further accentuated the album's themes. While the production quality is undoubtedly high, it could be perceived as a bit too polished for an album that deals with such rough and raw subject matter. ### Themes The themes explored in "I'm a Lonesome Fugitive" revolve around the concepts of freedom, regret, love, and the harsh realities of life on the fringes of society. Haggard, drawing from his own experiences and the stories of those around him, crafts songs that resonate with authenticity. The title track explores the romanticized yet lonely existence of an outlaw, a theme that would become central to Haggard's persona. The song presents a man who is constantly on the run, yearning for freedom but ultimately finding himself isolated and disconnected from the world: *"Down every road there's always one more city."* This line encapsulates the endless cycle of running and the impossibility of finding true freedom. "Life in Prison" and "My House of Memories" delve into the consequences of a life marked by bad choices and lost love. The former speaks to the finality of imprisonment and the longing for redemption, while the latter reflects on the lingering pain of lost love and the memories that haunt the narrator. There is also a strong sense of fatalism throughout the album. Songs like "Skid Row" and "All of Me Belongs to You" deal with characters who are acutely aware of the hand they've been dealt and the inevitability of their paths. Haggard's ability to convey this sense of fatalism without descending into despair is a testament to his skill as a songwriter. ### Influence "I'm a Lonesome Fugitive" had a significant impact on the country music genre and solidified Merle Haggard's place as one of its most influential figures. The album helped to popularize the Bakersfield sound, which offered an alternative to the more polished and orchestrated Nashville sound of the time. This sound, with its roots in honky-tonk and rockabilly, would go on to influence numerous artists within and beyond the country genre. Haggard's portrayal of the outlaw figure on this album predated and arguably influenced the "outlaw country" movement of the 1970s, which was characterized by artists like Willie Nelson and Waylon Jennings. His ability to infuse traditional country music with themes of rebellion and hardship resonated with a broad audience, including those outside the traditional country music fanbase. The album's influence can also be seen in its impact on subsequent generations of country artists who have cited Haggard as a major influence. His storytelling, grounded in real-life experiences and delivered with emotional honesty, set a standard for songwriting that many have aspired to but few have matched. ### Pros and Cons **Pros:** 1. **Lyrical Depth:** The album's lyrics are poignant and powerful, offering insight into the lives of those on the margins of society. Haggard's storytelling is compelling, and his ability to convey complex emotions in a few simple lines is remarkable. 2. **Authentic Sound:** The Bakersfield sound is one of the album's greatest strengths. The blend of traditional country instrumentation with a more modern edge makes for a sound that is both timeless and innovative. 3. **Strong Production:** Ken Nelson's production is clean and balanced, allowing the musicianship and lyrical content to take center stage. The production complements the album's themes without overshadowing them. 4. **Influence and Legacy:** The album's impact on country music is undeniable. It helped to shape the direction of the genre and influenced countless artists who followed in Haggard's footsteps. 5. **Emotional Resonance:** The album's themes of freedom, regret, and isolation resonate deeply, making it a powerful listening experience that connects with listeners on an emotional level. **Cons:** 1. **Lack of Grit in Production:** While the production is high-quality, it can be seen as too polished for the subject matter. A grittier, more raw production might have better complemented the album's themes of outlaw life and hardship. 2. **Thematic Repetition:** The album, while cohesive, tends to dwell on similar themes across multiple tracks. This can create a sense of monotony for some listeners, as the same emotional territory is explored repeatedly without much variation. 3. **Pacing:** The album's pacing is relatively uniform, with few dynamic shifts in tempo or energy. This consistency in pacing might cause some listeners to lose engagement over the course of the album. 4. **Limited Musical Exploration:** While the Bakersfield sound is well-executed, the album doesn't venture far beyond its established musical boundaries. Those looking for more musical diversity might find the album somewhat limited in its sonic palette. ### Conclusion "I'm a Lonesome Fugitive" stands as a defining album in Merle Haggard's career and in the evolution of country music. Its lyrical depth, authentic sound, and emotional resonance make it a classic that continues to influence artists and connect with listeners decades after its release. The album's exploration of themes such as freedom, regret, and the outlaw lifestyle is delivered with honesty and empathy, qualities that are often lacking in contemporary music. Despite its strengths, the album is not without its flaws. The production, while polished, may be too clean for the rough-and-tumble subject matter, and the thematic repetition and uniform pacing might not appeal to all listeners. However, these criticisms are minor compared to the album's overall impact and legacy. In the end, "I'm a Lonesome Fugitive" is a powerful statement of Merle Haggard's artistry and a cornerstone of the Bakersfield sound. It is an album that captures the spirit of its time while remaining timeless in its appeal. Whether you're a longtime fan of country music or a newcomer to the genre, this album is essential listening for its portrayal of the human condition and the American experience.
I'm a Lonesome Fugitive is the third studio album by Merle Haggard, originally released in 1967. I've always known Merle Haggard as an important country artist. I was really only familiar with "Mama Tried", as the Grateful Dead would often cover it. The album captures the rawness of the outlaw persona that Haggard would come to embody, moving away from the more traditional heartbreak themes that dominated the genre at the time. Instead, Haggard delves into the complexities of freedom, regret, and redemption. The title track, inspired by the real-life story of a prison escapee, sets the tone for an album that speaks to the darker, grittier side of life on the run. Haggard's ability to tell stories that resonate with authenticity makes this album a standout to me. Haggard's impact on both country music and broader counterculture (ironically) is undeniable. His gritty realism and rebellious spirit resonated with audiences far and wide, including bands like the Grateful Dead (as mentioned above), who admired his authenticity and raw storytelling. Overall this was a really fun listen. His storytelling kept me attentive throughout the whole record.
A nice half hour of good ol country music. Can’t complain.
Outlaw Merle could be pretty smooth and slick, huh? But perhaps it's just the cover shot (which is more television actor than outlaw troubadour). The ease and buoyancy belie considerable darkness ("Insane with rage/I took my baby's life" and "If I could die/my pain go away" from "Life In Prison"). But the humor is just as clear on "Mixed Up Mess of a Heart" and other cuts. "Drink Up and Be Somebody" is relatable and regrettable at the same time. That song, as well as "Someone Told My Story" and "Whatever Happened to Me," are sufficiently meta to seem almost post-modern (about 30 years too soon). Even if one prefers scruffier later Merle, this is awfully – indeed, unimpeachably – good and fully vintage.
Made me want to become an outlaw
Criminally underrated - pun intended
Sad country tunes, perfect for break up.
This is not my typical genre of music but I mostly enjoyed this album. I love how rough the recording is. It has such hazy vocals that sometimes get clipped in the peaks but it gives it this feeling like you're sitting in some hillbilly's kitchen watching him smoke a Marlboro in his Marlboro jacket next to his Marlboro ashtray and Marlboro table. You can smell this album. It smells like cigarettes and desert sand. Not sure why but that was the feeling I got from this album and if an album can transport you to a time and a place it can't be all that bad.
I love this style of country music and Merle does not disappoint!
As far as old country albums go, that one was one of my favorites. Just had the classic "country" sound and voice that made for a pretty solid album. Don't normally like country in particular but this album was a step ahead of a lot of others. Low 4
Straight up classic outlaw country. A breezy half hour. This is great road trip music.
I enjoyed this!! This is the type of country music I prefer and I'm glad that the list has several albums like this. Somewhere between a 4 and 5 for me. I'm not sure I'll actually keep this on my phone so I guess it's a 4, but a high 4 nonetheless.
4 Stars only for my old roommate Steve
3.5/5
This was a fun western album that I really enjoyed listening to.
Grew on me as it went along.
I’m not really a fan of country music, but I found myself tapping my foot to pretty much every song.
I enjoyed this one. Not a 5 but above a 3, sounds like a 4 if my math is right. Was not a good album to run too, tempos were just too slow. But since I can't run well, it was fine music to walk to, which was most of my outing, anyway. Looking forward to playing this album backwards so I can get my dog, wife and job back.
Favourite songs: Skid Row, If You Want To Be My Woman, Drink Up and Be Somebody, Life in Prison, Mixed Up Mess of a Heart, Someone Told My Story, All of Me Belongs to You, I'm a Lonesome Fugitive, My Rough and Rowdy Ways Least favourite songs: Mary's Mine 4/5
This is a decent old school country album. It's a good example of the way the genre used to be.
This was much more enjoyable than I thought and it makes me feel like the Ranger with the Big Iron on his hip
The blueprint that everyone is trying to copy from. Some of the later country albums that appear on this list (looking at you, "Buenos Noches from a Lonely Room", or whatever you're called) are merely the palest imitation of Merle Haggard. Was surprised it wasn't all heartbreak and ballads on here, there's a few tracks that are just straight-up blues cuts on here. Great record. Favorite tracks: "Mixed Up Mess Of A Heart", "All of Me Belongs To You"
A juxtaposition between the positive energy of country and jet-black lyrics that tackle male mental health issues with admirable, almost heart-breaking honesty.
I’m shocked that I liked this as much as I did
THIS is Merle Haggard?? Wow. Not what I was expecting, in the best way. Ready for a deep dive now. If you think you don’t like country and want to skip it, maybe give it a chance; it’s classic country, more melancholy than redneck.
A bit of Bakersfield sound for your morning. When rock and roll broke through the mainstream, country found solace in it's electric guitar and leisurely backbeat. This, at it's core, is what gives Merle Haggard his smooth, warm sound. Listening to Haggard is like smoking menthols or drinking good whisky, and it's a delight. I can sleep easy knowing I can wake up early and put on Merle Haggard while watching the sun rise.
It’s crazy that Beyoncé really ended up being Destiny’s child after all.
Wonderful melodies, some songs have utterly depressing lyrics. It's Classic Country - Bakersfield sound. Favorites are My Rough And Rowdy Ways, and the more upbeat numbers, If You Want To Be My Woman, Skid Row, and Mixed Up Mess Of A Heart.
I listened to this sitting in a coffee shop by myself at 8am drinking a black coffee and for some reason I felt down on my luck. He's got a great voice, the guitar work is simple but well done and fun. Vibe is there through and through. I was listen to Mixed up Mess of a Heart and kept just thinking it's a damn shame, and I have no idea what I was referring to. I jogged across a light when relistening and Drink Up and Be Somebody was on. It weirdly felt like a powerful song in that moment.
Right away the sound quality is top tier. Great voice, solid musicianship. Good music to dance to or hit the road with the windows down. Favorite, All of Me Belongs to You. For the most part this is a solid album and still has the country sound, but nothing really pops. Much respect.
I'll often say I don't like country, but I like old country. This is old country.
Trying to shake off “The Blue Brothers”’s précis of country music as a hostile bar eternally alternating ”Stand by your man” and “Rawhide”, I read up on Haggard and remembered that the genre is a modern movement, born of 20th century capitalism and technology, John Dilinger as much as John Wayne, and that it is profoundly odd, as well as occasionally moving. Merle Haggard hits these markers, and the sequencing of this record is a simple pleasure itself, undulating, speeding up and slowing down as he lays down a series of images and regrets that have stick. Skid Row managed to get my two year old singing “Welllll!” within a single listen, which by itself made me grateful for this record. Nifty guitar work’s throughout, which I only noticed when I started listening out for it.
This is a nice album. It really shows the outlaw country vibe that some artists had in the 60s. Merle’s voice really is the key here. With a Johnny Cash inspiration, he gave way to country crooners. Some of the lyrics, though, do sound a bit out of place at times, like “Life in Prison”. I guess that means I wouldn’t like a lot of Johnny Cash songs. The album does have 10/10 songs in the form of “Mary’s Mine” and “All of Me Belongs to You”, though, but it deserves an 85.8%, or a 4.29/5.
Country may not be my favorite genre, but I always enjoy listening to it!
Great country music. I was never a big fan of country music, but i lived in the US for sometime, and you inevitably end up listening to it, its part of their culture. Never heard of this guy Merle Haggard, but i will sure keep on listening to gis music.
really enjoyed this
3.5 rounded up.
Loved it. Don't think of myself as liking country, but this is so good.
A lot of songs sounded the same, but all in all a very enjoyable listen.
Some old country was a good change of pace.
yee haw
Good old fashion country music for two steppin and drowning your sorrows in a bottle of whiskey. Not the feel good album of the year but classic.
A Good Country Album
a mix of beautiful and fun
Good stuff, even though country is not my “go to” genre.
I just enjoyed the album. It didn’t blow my away but it was fun and made me smile. He was no Johnny Cash but he was good. Mixed up Mess of a Heart was particularly fun.
I have always loved Merle. I have not heard this album but it was refreshing to hear some deep cuts not just his songs you hear all the time.
I’m going to give this a 4. Day 14. Okay. So It’s late right now, and I’ve listened to the first 3 tracks on this record, they’re pretty solid. I’m sure the rest is just as good. Unfortunately, it’s time to get my next album and I didn’t have time to listen to the whole thing. I wish I could go back and edit my reviews, but I can’t. But I will still listen to this one. I’m basing my rating on the first 3 tracks and also how Country music usually sounds to me, so a 4/5 but it’s not entirely correct if you know what I mean.
I really enjoyed this, I had not listened to much Merle Haggard previously.
I liked it, You can hear how he influenced a lot of the Outlaw Country artists.
Very much enjoyed.
Hier blüht das Pfadfinder Herz - Feine saubere und klare Country Musik, ehrliche Geschichten, passende Musik - abwechslungsreich um nich langweilig zu werden aber schlüssig um im Album Kontext zu bleiben. Nicht so wild wie Johnny Cash und nicht so reißerisch wie John Denver. Mein Favorit ist “House of Memories”.
cool idea/backstory, she’s a little too rural pool bar for me but she ain’t overstay her welcome and she is what she sets out to be. mostly.
Great album
I liked it a lot, it requires a certain mood, but will definitely revisit. Also reminded me of the Bloodhound Gang song The lapdance is so much better when the stripper is crying, which is an absolutely disgusting masterpiece.
4.2 - Merle Haggard covers most of the classic country themes on this early record - murder, running from the law, heartbreak, vagrancy... The simplicity of the arrangements and production allows the richness of the stories and the voice to really shine. Here's another record that affirms Rhett & Link's advice to "listen to more Merle."
4.5 stars. This is prime country. Title track is the standout. Other greats are "Drink Up And Be Somebody" and "Mixed Up and Messed Of A Heart", but start to finish this is just really good old country. Interesting music with steel guitar, piano, catchy hooks, and Haggard's iconic singing.
Albums like this make you realize how good country can be when the artist is talented and actually gives a shit about the music.
Country!!!
Country ❤️
Jättebra
Are you really, Merle?