Reviews (page 2 of 7)
Great!!
Really enjoyed this one
Just love this one! Played it to death when I first got it and continue playing it ever since.
4.8/5 Existential Leather Jackets Because this album doesn’t want to comfort you. It wants to poke your brain with a very stylish stick. Howard Devoto isn’t singing—he’s delivering monologues from the inside of a decaying philosophy textbook while the bass player quietly panics.
I don't know how I haven't heard this before. It's pretty great. Definitely adding this to the library.
Another one I haven't heard of but really liked from the beginning. Great synth throughout. Shot by both sides is a good single. Nothing super original here but it's overall pretty solid. I would definitely listen to it again.
Yes! Never heard of this band before and I loved this!
I found Magazine like a month ago in my post punk deep dive and am shocked they don’t get talked about more in the same league as the big names. Magazine also highlighted how incredible John McGeogh is. His work with the Banshees is my favorite of theirs as well. Their other albums are pretty good too but think this is their best. How can someone not like Shot by Both Sides? That songs sends you into the stratosphere. Definitely one of the most accessible post punk albums Rating: 4.7
Frábært brautryðjendaverk í postpönkinu, minni uppáhaldstónlistarstefnu.
I am such a sucker for this genre. Listening to this album, I NEVER would've guessed this came out in the 70s. Really awesome knowing music that sounds like this was being made back then. Overall, really really like this album.
Killer album! Love a great new discovery.
Magazine is one of those bands that lots of people love but I've never listened to. So I'm glad to have gotten this today. Solid album that gets better with repeated listenings.
Excuse my language but HOLY FUCKING SHIT BALLS was this album everything and more. this album is being bought on vinyl, put on my playlist and a forever favorite. they were definitely ahead of their time. 10/5
post-punk new wave excellence, finishing with a Shirley Bassey cover !
Ok - this was a new one for me and was fantastic from the first note on. Bit punky, bit proggy Really enjoyable and I can’t fault it
I had only ever heard Song from Under the Floorboards from the Left of the Dial box set so I was excited to have a whole Magazine album to listen to. It did not disappoint. Such a unique band with a unique sound especially in 1977/78.
Ahhh the 80ies. Adorably tame by today’s measures, and very entertaining! I giggled lots 😆
I can’t believe I never heard of these guys before. I feel like they should be spoken of in the same breath as Talking Heads, Television, etc. This is a brilliant record with a distinctive sound, yet also ranging across the entire punk/post-punk spectrum. Clearly highly influential as diverse as Radiohead, Sopor Aeternus and Of Montreal.
The layers in this album are mysterious, ingenious, and enchanting. Real Life is an experience. Every track is meaningful to the whole concept. I love Magazine, one of the gifts that this life gave us.
Absolutely perfect
Shots by both sides i the light pours out of me su među najboljim post punk stvarima uopće
## In-Depth Review of the Album "Real Life" by Magazine "Real Life" is the debut album by British post-punk band Magazine, released in 1978. The album, produced by John Leckie, is often regarded as a seminal work in the post-punk genre. This review delves into the album’s lyrics, music, production, themes, and influence, providing a comprehensive analysis of its strengths and weaknesses. ### Lyrics The lyrics of "Real Life," primarily penned by lead vocalist Howard Devoto, are a significant aspect of the album's identity. Devoto’s lyrics are known for their intellectual depth, existential angst, and poetic abstraction. #### Themes and Imagery 1. **Existentialism and Alienation**: Many tracks explore themes of existential dread and alienation. For instance, in "Definitive Gaze," Devoto sings about the desire to find meaning in a disorienting world. The imagery is often surreal and abstract, which enhances the sense of dislocation. 2. **Social Commentary**: Songs like "The Light Pours Out of Me" reflect on the impact of societal pressures on individual identity. Devoto’s lyrics critique the superficiality of modern life and the struggle to maintain authenticity. 3. **Personal Reflection**: Tracks such as "Motorcade" provide a more introspective look at personal experiences and emotions, wrapped in metaphor and allegory. The lyrics here are introspective and often convey a sense of melancholy and reflection. #### Poetic Style Devoto’s writing style is marked by its use of complex metaphors, literary references, and a non-linear narrative approach. This style requires active engagement from the listener, making the lyrics a critical component of the album's intellectual appeal. ### Music The music on "Real Life" is a fusion of punk rock’s raw energy and the more experimental tendencies of art rock, making it a pioneering work in the post-punk genre. #### Instrumentation and Arrangement 1. **Guitar Work**: John McGeoch’s guitar work is a standout feature. His use of angular riffs, unconventional chord progressions, and effects such as flanging and phasing creates a distinctive sound that is both edgy and atmospheric. Tracks like "Shot By Both Sides" showcase his innovative playing style. 2. **Synthesizers**: The use of synthesizers by Dave Formula adds a layer of complexity to the music. The synths are not just background textures but are integral to the songs' structures, providing melodic and harmonic depth. "My Tulpa" is a prime example, where the synthesizers create an eerie, otherworldly atmosphere. 3. **Rhythm Section**: Barry Adamson (bass) and Martin Jackson (drums) provide a solid and dynamic rhythm section. Adamson’s bass lines are often melodic and prominent, while Jackson’s drumming incorporates both rock and funk influences, giving the music a rhythmic flexibility. #### Innovation and Complexity The music on "Real Life" is characterized by its willingness to experiment with form and structure. Songs often eschew traditional verse-chorus formats in favor of more complex arrangements. This complexity is balanced by a sense of urgency and intensity, ensuring that the music remains engaging. ### Production Produced by John Leckie, "Real Life" benefits from a clean yet dynamic production style. Leckie’s experience with bands like Pink Floyd and his understanding of studio technology allowed him to capture the band’s energy while also highlighting their experimental tendencies. #### Sound Quality 1. **Clarity and Balance**: The production on "Real Life" is notable for its clarity and balance. Each instrument is distinct in the mix, allowing the intricate interplay between the musicians to shine through. This is particularly important given the album’s complex arrangements. 2. **Use of Effects**: Leckie effectively uses studio effects to enhance the music’s atmosphere without overwhelming it. The use of reverb, delay, and modulation effects is subtle but effective, contributing to the album’s distinctive sound. 3. **Dynamic Range**: The album maintains a good dynamic range, which is essential for the impact of the music. The quieter, more introspective moments have space to breathe, while the more intense sections are powerful and immediate. ### Themes The themes of "Real Life" are multifaceted, encompassing both personal and societal concerns. #### Exploration of Reality and Perception The album’s title suggests a focus on the nature of reality, and many songs explore this theme from different angles. There is a recurring motif of questioning what is real and what is illusion, reflecting the postmodern skepticism of the late 1970s. #### Modernity and Technology Several tracks address the impact of modernity and technology on human experience. This is reflected both in the lyrics and the futuristic soundscapes created by the band. The tension between progress and alienation is a key theme, as seen in songs like "My Tulpa." #### Identity and Authenticity Issues of identity and authenticity are central to "Real Life." Devoto’s lyrics often grapple with the challenge of maintaining a sense of self in a world that seems increasingly fragmented and artificial. This theme is poignantly expressed in "The Light Pours Out of Me." ### Influence "Real Life" has had a profound influence on the post-punk genre and beyond. #### Impact on Post-Punk Magazine’s debut album is often cited as a cornerstone of post-punk. Its combination of punk’s raw energy with more sophisticated musical and lyrical elements set a template for many bands that followed, including Joy Division, Siouxsie and the Banshees, and The Cure. #### Broader Musical Influence Beyond post-punk, "Real Life" has influenced a range of artists in alternative rock, new wave, and even electronic music. The album’s innovative use of synthesizers and guitar effects can be seen as a precursor to the synth-pop and new wave movements of the early 1980s. ### Pros and Cons #### Pros 1. **Innovative Sound**: The album’s blend of punk energy and art rock sophistication was groundbreaking and remains compelling. 2. **Strong Lyrics**: Howard Devoto’s lyrics are intellectually engaging and emotionally resonant. 3. **Excellent Musicianship**: The band members’ technical skills and creative interplay are exceptional. 4. **Production Quality**: John Leckie’s production is clean and effective, enhancing the album’s impact. 5. **Influence**: "Real Life" has had a lasting influence on multiple genres, underscoring its importance in music history. #### Cons 1. **Complexity**: The album’s complexity and abstract lyrics may be challenging for some listeners, making it less accessible. 2. **Consistency**: While most tracks are strong, a few might be seen as less memorable or cohesive. 3. **Era-Specific Sound**: Some production techniques and sounds are very much of their time, which might date the album for contemporary listeners. ### Conclusion "Real Life" by Magazine is a landmark album that has earned its place in the annals of music history. Its innovative approach to music and lyrics, combined with high-caliber musicianship and production, make it a standout work in the post-punk genre. While its complexity and abstract nature may not appeal to everyone, for those willing to engage with it, "Real Life" offers a rich and rewarding listening experience. The album’s influence on subsequent generations of musicians further cements its status as a classic.
Really great stuff. Didn't know what to expect going into this one. Was delightfully surprised.
Never heard a single note by this band. I have been remiss in not listening to them. My daughter told me she liked the background music on the songs but not the words and she is wrong. Both the background music and the words are great. Really cool album and for every Duck Stab by the Residents there is a Real Life by Magazine and it makes this list worth it. Now I want to make a post-punk playlist so I can put Magazine in with the other bands like the Banshees and The Gun Club.
Amazing.
I feel drawn to this one. I want to listen to it at least one more time to pick up what I missed on the first pass. I'm surprised in a good way. The album goes all over the place, but it never stops being interesting and listenable. I really enjoyed this one.
Here I’m wondering why this rocks so much. Oh former by former vocalist of the buzzcocks.
Everything I have enjoyed about Roxy Music, Eno, Bowie, and then some. An excellent blend of the experimental and accessible, and yet their doesn't seem to be any clear "hits" to be found making it feel like a weird animal meant to be taken as a whole or in chunks. I love the keyboard/synth work, which gives some heavy prog/fusion vibes and the guitar lead lines are flat out wild. Each song has some twist or serious surprise while looking in the rear view mirror while simultaneously pointing to the future. Such a great discovery.
Als ik een staart had, zou ik kwispelen. Ik kijk nog altijd uit naar de dag dat ik langs deze hoes kom in een platenbak. En dan zonder exorbitante prijssticker. Meestal als je Real Life in real-life tegenkomt maakt je hart een klein sprongetje, om daarna de moed in je schoenen te voelen zakken. Voor €75 koop ik liever iets anders, maar ooit komt er een dag dat deze mee naar huis gaat. Met Magazine hebben we echt een post-punk plaat te pakken, waar ik bij Pretenders al even aan refereerde. Dit album is rauw, donker, lekker ruig maar heeft een enorm hoog tempo. De stem van Howard Devoto is typisch Brits en soms lekker een beetje vals. Het past echt perfect voor mij bij de rest van de muziek. De muziek is niet heel melodisch en het pakt je niet met hooks en ijzersterke ritmes. Het gitaarwerk (John McGeoch) vind ik sferischer en harmonischer. Ondanks het zwarte randje speelt hij veel majeur, wat de muziek toch positief stemt. Bij Burst gaat de snelheid wat uit de plaat, maar dat is prima. Tegen die tijd hang je allang aan hun lippen en mag de plaat best een tijdje in een lagere versnelling doortouren. 9/10 Highlights Definitive Gaze Shot by Both Sides Burst
Vaya sorpresa, me han encantado las melodías envueltas en esa vorágine sonora.
Now this is what post-punk is all about! It has the spirit of punk and is based on many of punk's stylistic choices, such as the forward vocal style and minimalist riff and beats, but is chock full of many creative ideas, including genres that haven't even existed yet. New Wave in "My Tulpa", proto-hardcore in "Recoil", Bowie-esque glam in "Burst", gothic in "Motorcade", and what I'd describe as dark cabaret in "The Great Beautician in the Sky". Every track stood out to me. I love the foreboding mood, the atmospheric use of synths and other creative tools (such as the piano in "Parade" or sax in "My Tulpa"), and the innovative stylistic choices. Production is clean, especially for a 1978 punk record. Very consistent, with no tracks out-of-place or feeling like rehashed filler. Track order is well-chosen, with 3 very accessible opening tracks that show their range, and a suitable satisfying closer "Parade" that sums up the experience.
Now we're cooking. A masterpiece of post-punk before there was a name for such a thing. Dark, artful, weird, and still catchy as hell. "Shot By Both Sides" will never not get me hyped up.
A post-punk masterpiece. As much as I treasure every post-Devoto Buzzcocks single and LP, what he brought to the group before leaving to form Magazine is truly special. This still has plenty of hooks, but with an angular guitar-led approach that makes it a completely unique album for its time. Essential.
Love the sound, love the album. Got a post-punk style that sounds like it would fit in today. The songs all all different and interesting, with my favorite being Parade. Reminds me a lot of Television, one of my favorite finds on this app.
yeah, honestly i really liked listening to this! definitely an album that's ahead of its time, being released in the 1970s but having a sound that's commonly associated with 1980s alt rock, trippy synths, drums reverberated to hell, and voices so crackly and gothic you can picture their pure black eyeshadow and lipstick. i am flat out embracing this vibe. it is a part of me.
Superb - a classic!
An incredible ride of alien-like synth, carnival-esque beliefs, and a downright whimsical yet oppressive nature to the whole album leads to an experience not found on many other big names in the post-punk genre. Its seemingly needless drive to weird out the listener than pull them in with the catchiest of hooks and breakdowns is fantastic, and its only when that purely punk side starts to shine do I lose interest ever so slightly, however that same heavy punk influence from the time in The Buzzcocks leads to an experience that feels sharper than its more dreary contemporaries, and I admire it all the more for it.
Initial listen: I liked it, but wasn’t blown away. In fact, on Motorcade, I was almost distracted by how it sounded like Midnight Oil (who I feel are glaringly omitted on this list). But taking into consideration the year of its release and the artists Magazine influenced—including Radiohead and The Smiths—I started to listen to the album with different ears. In fact, it predates “London Calling,” “10-1,” and “Drums and Wires.” A lot of the sounds that initially seemed derivative were actually quite the opposite: they were foundational! And given that it was founded by Howard Devoto of seminal punk group Buzzcocks, it seems quite likely that this album is responsible for Post-Punk existing at all! I gave the album a second listen, and it’s actually so well done—interesting melodic ideas, some polytonal guitar solos, creative instrumentation choices.
One of my favourite albums all times - postpunk does not get any better than this.
First impression: this is groovy. Overall, this was a fun album. I really like post-punk like this. Favorite track: The Great Beautician in the Sky, the eeriness gives me Danse Macabre vibes.
absolutely insane, seems like it influenced everything I love, the energy and riffs fit so perfectly together, the best chaos ever
Post-punk doesn't get better than this
I've never heard of Magazine before, but this album was fantastic. The instrumentation was kooky and strange, and while it reminded me of Siouxsie and The Banshees, it was still distinctly unique in its sound. I can definitely see how this album is seen as the first in the post punk genre, but I loved how there were still some elements of punk music present, especially the 'sneering vocals' that were present on a few songs. I loved the guitar playing, and the keyboards were fantastic as well. This is an album that will definitely make its way into my regular rotation.
New-wavey post-punk goodness
really glad I went into this with no knowledge this was so much fun, awesome blend of punk, new wave, and just that general wacky shit associated with talking heads etc. really enjoyable
Finally, some GOOD post punk. This was like Marquee Moon's younger brother.
Yes. Banging. Interesting. The light pours out of me.
I was completely unfamiliar with Magazine, so I went into this one blind. This is weird, cool, highly catchy and an absolute post punk weapon. The speed and aggression of Recoil, the spooky circus motifs of The Great Beautician In The Sky, the general implementation of synthesizers throughout, it sure had enough variety to keep me listening the whole way through. Definitely among my favourite post-punk records I've heard so far. Favourite: Recoil
One of my favorite albums from one of my favorite genres. You love to see it. Only 9 songs and 40 minutes and no dull moment to be found. "Definitive Gaze", "Motorcade", "Parade", and of course "Shot By Both Sides" and "The Light Pours Out Of Me". It makes me want to clap my feet together like a baby. Nutbuster Ultimate. The better proggy post-punk 70s album between this and Marquee Moon, although I owe Marquee Moon an apology for giving it a 2/5 and calling it "generic" - I was a stupid ass.
Great. Love "Shot by Both Sides." Definitely feel that nihilism and how it rubbed off on bands such as the Manic Street Preachers and Mansun.
Spiky brilliance.
My first impression of this album is that it predicts early 2000s British alternative rock. It incorporates electronic elements, garage rock influences, and surf rock elements to create dark theatrical music. The guitar work is very melodic, but the album also showcases a sparseness and bleakness that sounds like Joy Division like at times. Other moments sound almost like circus music. The use of mirroring the vocal melody in the instrumentation also stood out to me.
Weird and wonderful.
This goes HARD
Solid
A milestone for post-punk, with an adventurous spirit that goes way beyond the punk/"new wave" template of those times. The song topics, the melodies, the arrangements... Everything is terrific here. Some parts of those tunes are a little off-kilter, of course, but that's unavailable when you go wild like that. And most of them are instantly memorable anyway, as weird as they are. If only for "Shot By Both Sides" and its soaring guitar hook or "Definitive Gaze" and its bizarre synth line, along with "Motorcade" and the epic anthem "The Light Pours Out Of Me", this record deserves to be on this list. A quick aside: some key Radiohead members have repeatedly stated how this band had been a pivotal one for their musical upbringing. And if you delve a little into certain details, you can quickly understand why... *Magazine* was one of the very first productions by John Leckie, by the way. Yep, the same guy who would aptly produce *The Bends* later. It's always fun to point out connections between the albums in this list, is it not? Number of albums left to review: 652 Number of albums from the list I find relevant enough to be mandatory listens: 175 (including this one) Albums from the list I *might* include in mine later on: 83 Albums from the list I will certainly *not* include in mine (many others are more essential to me): 96
Voe vittu.. muutama kappale kuunneltuna ja tuntuu vitoselta.. Mutta miksi? Mikä saa minut antamaan vitosen? Mikä saa minut edes käyttämään albumiarvosteluboksin, eli tämän tekstikentän täyteen oman arvosanani selittelyä, julistuksia siitä mitä annan albumille? Oma saamattomuuteni albumin arvostelijana. Eli työn palkattomuus. Hauskuutan itseäni numeroilla, minulla ei ole mitään muuta elämässäni kuin vain nämä numerot, ne ovat tärkeitä minulle. Muistan nämä numerot, ja ne ovat tärkeitä minulle, pidän niitä lähelläni, ne ovat aktiivisen työn takana, sillä muisti ei ole mitään kovalevy tilaa, jota ei tarvitse kirjoittaa kirjoittamisen jälkeen, siitä on pidettävä kiinni. Muisti on aktiivista, ja se kuluttaa paljon energiaa, se on jatkuva prosessi. Mutta nämä numerot ovat minulle tärkeitä. Mitä ne numerot tarkoittavat, en tiedä. Keskiarvo pitää vain pysyä pitkällä tähtäimellä, ja nyt sen pitää pudota mutta pitkällä tähtäimellä supeta, supeta kolmepistenollanollaan, vaikka numerot eivät normaalijakaumaa toteutakkaan. Ja tärkeä asia: Jokaisen albumin numero on muistettava ja se on suhteutettava ja harmiteltava on myös, jos olisi sattunut käymään poikkeama objektiivisuudesta, huh onneksi niin ei ole käynyt.. heh.. näenhän maailman totena ja oikeana, havaintoni eivät tiedosta subjektiivisyyttä... ne ovat.. havaintoja.. Onko art rock anomalia joka saa minut väläyttämään vitoskorttia? - Noh, vastasin minä. Onhan taide suhteellista, ja poikkeavat työt voivat poiketa huonoonkin suuntaan, jatkoin. Mutta tänne valitut työt ovat "parasta A ryhmää" niinkuin kummelissakin sanotaan, vaikkei tässä 1001 albumi kontekstissa sanotakkaan. Eh, nyt menee kiusalliseksi, Onko kaikki art rockilla leimatut albumit tuomittu tippumaan summary osioon komeilemaan? Eih vastasin, kun päätin että jos tässä ei olla pysytty 70 luvulla, vaan vaikkapa 80 luvulla, saa albumi 4:sen. Sitten kuuntelin, ja sanoin yhtä uhmakkaasti: Jos Ei PERKELE Tälläistä Ole Saatu Aikaan 80- Luvulla, Vaan 90 lukuun on tämän tekeminen jäänyt artisteille taakaksi, on se häpeä, ja albumi saa minun kirjoissani, numeroissani, niitä joita muistelen, noh albumi saisi vain 3 tähteä.. heh.. Tämä siksi että se tekisi hyvää numeroille. Ennen tuomioita ja säätämääni lakia arvostelulle, muistin kuitenkin että albumi olisi vuodelta 1978, joten oikeudenkäynti oli corrupt, eli suomeksi korrupti. (heh tiesin et 70 luku albumi heh) Musiiikista voi sanoa sen, että todella hankala sijoittaa mihinkään aikakauteen, tämähän on hyvä asia. Oikeastaan se jää yhden lempi artistini, Jarren jutuissa vaivaamaan. Hän uurasti hyvin paljon. Painava taakka vetänä.. Obelix konsanaan.. Hyvä muistaa keneltä Roger Waters kysyi nimmaria ihmisoikeusjuttuunsa.. Jarre! Jarre!... Turkkilainen tomittaja vankilassa keissi..Jarre antoi.. Jarre onnistunut tekemään musiikkia joka saa jotkut ihmiset sanomaan, että musiikki kuullostaa siltä, kuin se olisi tehty tulevaisuudessa.. hauskaahan tämä on objektivistin silmissä. Verrattuna Jarreen tämä oikeasti hämää vaikka heh.. satuin tietämään aikakauden vahingossa.. MUTTA SANA KÄY, TOTUUS SOI SUUSTA, EI EHKÄ YHTÄ SEKAVASTI, sekavasti kuin tämä albumi soi mutta, olenhan oikeuden säilö. Numerot ovat totuus, ja objektia, eli objektiivisuus tässä ja nyt, aina ja ikuisesti. Aamen.
Pretty good
like XTC
cool
😎
Really enjoyed this
Fun find
Howard Devotos start in the buzzcocks shouldn’t deceive you. These aren’t the teenage symphonies of his original band. These are angular, confused songs full of distrust and misanthropy. Musically it’s a mix of styles from art rock to weird German cabaret but its weirdly cohesive
It's so hot in here What are they trying to hatch? Very apt for this bastard heat wave we're having.
Good
Awesome discovery! Up there with Wire and Gang of Four in terms of post punk coolness, with a slice of something a bit more classic in the guitar parts. Lost me a little in the back half, but I reckon that's just a sign of a grower.
Nice one
Probably the first punk-rock album (and bend) that I loved. Cool
I’m probably overrating this but there were sounds I enjoyed so giving the benefit of the doubt. 3.5/5
Very similar for me to public image Ltd. Because its a lead from a punk band breaking off to do post crap that I didnt even know existed. I like the buzzzcocks and sex pistols. And their followups are cool yet not really what im into. Like there is a huge reason that shot from both sides is my favorite track here. Its a punk song. It has some post type stuff in it too but it doesnt get bogged down with too much of that. I just dont see the need to move past punk and make stuff thats less interesting. Less punchy. Just in my opinion lesser as a whole. I do like these immediately post punk stuff much more than the stuff that people make closer to present. That stuff has gotten way too far off base for me. This is evolving but a generation at a time and not 100 gens. But I generally liked this. There were plenty of songs I want to return to. And its very worthwhilr for me without being my favorite thing ever. Still quite good for something of this genre. Helps to have a large presence on vocals
8 / 10
Surprise, never heard this one before. They sound ahead of their time. I like it.
Took a couple of listens but really grew on me. A little punk, a little rock. Good stuff
Gear: ZMF Auteur Classic LTD Shedua Artwork: 👹👽👺 Production (Remastered 2007): 🎧🙂↕️👌 Music: 🤔🔁❤️ Rating: 📰📰📰📰/5
Dit was oprecht vet. Nooit ven gehoord, maar best van genoten
The product of a Beatles and little green men from Mars cultural exchange program
I enjoyed this one, but I don't know if it was my mood, or the album but each track felt like it ran into the next one and nothing really jumped out. On the whole pretty solid 3.5 (but I'm feeling generous)
Great discovery for when I first went through the book. Artsy Post-Punk, but not too experimental. Dark but fun. Very sticky melodies throughout, but I would characterize it as ultra-accessible. I have listened to more of their albums but I have to conclude they're a one-album-wonder, unfortunately. Still, better one than none! Key tracks: Definitive Gaze My Tulpa Shot by Both Sides The Light Pours Out of Me
Number: 141 Date: 05/24/2026 Artist: Magazine Album: Real Life Year: 1978 Style: New Wave Post Punk Familiarity: Well-versed (4) Rating: 4 Before: ======= They're OK, but not one of my favorites from that time period. I much prefer Buzzcocks. During: ======= 4 Definitive Gaze 3 My Tulpa 3 Shot By Both Sides 4 Recoil 4 Burst 4 Motorcade 3 The Great Beautician In The Sky 3 The Light Pours Out Of Me 3 Parade ----------------------------------------------------- 3.43 WEIGHTED AVERAGE (accounts for song lengths) After : ======= The album is OK, but not something I would actively choose to listen to. Apparently it has been pretty influential to other artists that followed so for that reason, I suppose it deserves a spot on a list of 1001 albums. Favorite track is Motorcade. 3 my personal rating 5 suitability for this list 4 impact ----------------------------------------------- 4 composite rating
8/10
This is definitely a familiar record for me. Magazine is Howard Devoto's band after leaving the Buzzcocks. It's a post punk in as far as the album is an effort to break out of the constraints of punk, but its also a reminder that those sorts of efforts often look quite different from each other. This record, while still bearing the influence of punk, has a lot of earlier influences. I can hear a bit of Roxy Music and other earlier art rock records. I really like the inclusion of the keyboards and occasional saxophone. However, there are moments such as Shot By Both Sides, which have a more traditional post punk sound to it. Overall, a very good record.
7.5/10 It has the edge and rawness (and questionable singing skills) of punk, but with a lot more expanded sound and rich instrumentation. Its a bit spooky and a bit weird. The lyrics are witty. Very much my cup of tea. Highlights: Shot by Both Sides Definitive Gaze Motorcade The Light Pours Out of Me Burst
I have a fair amount of Buzzcocks music as well as Howard DeVoto’s solo album, but had never heard anything by Magazine, so was not totally sure what to expect. The songs are generally pretty good, decent melody and rhythm. Songs are surprisingly long, with most clocking in in the upper 4 or low-to-mid 5 minute range, but generally do not overstay their welcome. I will likely explore the remainder of their catalog.
Post punk while everyone else was still mid punk. Very good. I had never heard this before and that honestly surprises me, because it is exactly my kind of thing. I can hear influences from Bowie and the Velvet Underground, Hawkwind, Kraftwerk, a huge variety. And it manages to sound original. Some of these guitars would sound modern thirty or forty years later. 4.5, a nice discovery
Pretty ok
Leuk album, beetje post punk. Duidelijk voorloper van veel Engelse bands
I wasn’t expecting much and I was pleasantly surprised!
Very solid British post punk. Parts of it sound like Bowie and that’s always fun
This was great, hard to believe it’s from 1978. I feel like this could have come out in any of the decades since and it would still make sense. Really feels like tons of the bands I love must’ve been influenced by this.
Kul med lite musikhistoria, visste inte vad sångaren i Buzzcocks sysslade med efteråt!
Känns kul och som något lite eget ändå!
Skön stil!
Great album. Made me appreciate post punk a whole lot more. Interesting instrumentation and lyrics. Absolutely worth a relisten.
Muito bom, me lembrou Eiffel só que menos homossexual, o que pra alguns pode ser visto como uma desvantagem (eu acho que é uma desvantagem). Mas é interessante ver como o cabra realmente era a mente criativa do Buzzcocks e que ele gostava de sintetizadores de verdade!
Pretty awesome album, so glad this is on the list so I could hear them
Hm, not sure what to expect here. Lets see what GPT has to say about this one. Really digging this album!
Every time I felt like I understood what they were trying to do, they switched it up again. From psychedelic to punk to a brief interlude of artsy baroque pop then back to psychedelic—it’s exhausting to keep up with.
Me gusto! Empezo muy mono diferente y luego me empezó a perder pero overall bien
I thought this group sounded familiar but I didn't have any previously liked songs on my playlist. I'll check out more of their stuff.
Pleasantly surprised. They have a real 70’s alternative vibe to them.
Don't You Wanna See Me? 1001 Albums Generator 266 (4/9/2026) It's amazing to me that Real Life is a debut album. It represents a very unique blend of punk and prog rock that is really unlike anything that I've heard, especially from the 70's. I mean, Magazine are a punk band with a keyboardist and a saxophonist on payroll. That's pretty wild. I think that they are used best on Definitive Gaze, which is as much synth-based as it is guitar-based, and My Tulpa, which also has a prominent and synth and a great sax solo at the end. There are also some really glammy moments that sound like Bowie, such as Shot on Both Sides and Burst. Unfortunately, I am not a big fan of everything here, as I find Motorcade boring for the most part, but the atonal guitar solo is just annoying. Overall, it's pretty good art punk. 4/5. Favs: Definitive Gaze My Tulpa Shot By Both Sides Least Fav: Motorcade
Magazinen esikoislevy Real Life on yksi kiinnostavimpia uusia tuttavuuksia, joita tämä haaste on tarjonnut tähän mennessä. Vaikka kyseessä ei olekaan täydellinen albumi, on sen soundi todella mielenkiintoinen ja omaperäinen. Levyllä kuuluu vaikutteita niin progesta, goottirockista sekä punkista, olihan Magazinen perustaja Howard Devoto kuulunut aiemmin Buzzcocksin alkuperäiseen kokoonpanoon.
Powerful yet simple lyrics. I loved the instruments and the post-punk sound. I'm excited that I discovered this album through this project. I suspect that Howard Devoto's voice will be an acquired taste for me. I guess time will tell.
It's a band I haven't heard before. I liked the album, how compact it is. It was released just month after Sex Pistols' album and it was already considered post punk. English punk and rock in general developed so fast in those years. The album is produced by John Leckie who continued to produce many great records in the 80s. The only thing I didn't like too much was the singing. 3.5 for personal enjoyment, rounded up for 4 for its influence.
You know what, not so bad not so good. Was fun but forgettable but I do like myself a good britrock album
Better than I expected tbh, I was pleasantly surprised!
Awesome
I haven't heard this album before. It was pretty good.
Definitive Gaze - 4.5/5 My Tulpa - 4/5 Shot by Both Sides - 5/5 Recoil - 3.5/5 Burst - 3.5/5 Motorcade - 4/5 The Great Beautician in the Sky - 4/5 The Light Pours Out of Me - 4.5/5 Parade - 4/5 This came out less than a year after the Sex Pistols? It sounds like it doesn't belong in this era, which tracks since it ushered in the era of post-punk. Which is mildly weird since I never realized how short the punk era was in the 70's. It still has the backbone of a punk record but with ahead-of-its-time instrumentation to pull it up from its peers. Overall: 4/5 Favorites: Definitive Gaze, Shot by Both Sides, The Lights Pours Out of Me
Det skal have en tur mere. 3,eller 4 --- Det fik altså 2 ture mere. Det er let smadret, let følsom punktet stemning. klaver, og sax. Standout track er "Parade"
Sometimes this list feels like a post punk playlist - so many bands I discovered from the Simon Reynolds book on 1978-84. That book (like his others, to be honest) completely changed what I hear in music, and broadened out my tastes. This is great, and like Pere Ubu, a reminder of how early the experimentation of post punk began. Some highs - not least Shot by Both Sides - if not perfect as an album. Plenty of depths for relistening, too.
I liked Real Life a little more than i was expecting to. Barry Adamson was involved on this (he was the bass player by the way) so i did at least expect this to be pretty good. While the album does lack the creativity that his mock film soundtracks, Moss Side Story and Oedipus Schmoedipus, I still found it to have a pretty enjoyable post punk, almost glam rock sort of sound. I think that this is an album where the back half shines more than the front half with a lot of those songs being really good especially on those guitars and melodies. In fact, i was initially gonna give this a high 3 stars but as i kept hearing those back half songs, that was enough to push it to a 4. Best Song: Shot By Both Sides (Single Version) Worst Song: Recoil
This is a pretty cool album and feels a good bit ahead of its time. "The Great Beautician in the Sky" had a very interesting funhouse vibe.
Siento que estoy escuchando un older MCR
Interesting album which sounded kinda fresh at this golden age of over production. There were plenty of variance in the songs also, so it wasn’t just the same old new wave without anything really new. Have to listen to this one again.
mi cumple y un álbum como la gente página dw re mierda
enjoyed this one! will revisit
Sometimes there just isn’t much to say about an album other than it was a great record and I really enjoyed it. That’s the case here. Nothing really sticks out in particular, it’s just a great overall post-punk album.
Wow!! This album was really really good!! The music was a five star for me!! The lyrics were a 4, and the singing was a 2. Throw in a different lead singer and this had the possibility of being a 5 star for me. I loved the complexity of the music, so many layers, but yet it sounded simplistic. I loved the energy and the beats. Just the singing was rough, but it's right for that genre, I just don't love that genre.
I liked this
Great set of songs, never drags. The Light Pours Out of Me is a classic.
the vocalist? weird. like genuinely weird. i don't even know if i liked it or not, but i can say it's too distracting. but man… the instrumental is insane. genuinely liked the lyrics too, very suitable, nothing too crazy, but cool. this album screams the rocky horror picture show and other cool cult movies. very theatrical. has a nice flow, nothing too extreme, but very nicely executed. 100% sure if i listen more i'll end up obsessed. i loved the guitar, it's dirt but not disruptive, everything matches. this is what if the clash, bowie and black sabbath had a funny child. That voice is sitting on the fence for me right now. the rest of the album is begging me to fall in love, but the vocalist keeps playing hard to get. if the weirdness clicks on repeat listens, this becomes a 5. for now, it's a "respect but not obsessed", with a heavy side-eye toward obsession. i can be totally wrong, but i believe alex turner is trying to bring this energy to arctic monkeys, it resembles something in the delivery.
Hätte nach den ersten 2 Lieder fast abgebrochen, aber ab dann wars ganz cool.
Overall: 8/10 What I love about this album is that they add in these strange sounds in sections of songs that end up being the ear worm that you can't stop thinking about. It adds a lot of texture to the album that would have been missing otherwise. On the other hand, lots of this sounds like circus music to me. I'm not entirely sure how I feel about that, it's very strange and different but also pretty catchy? I listen to Mr. Bungle so I don't know why it should be an issue. Fav Song: Recoil
Never heard of Magazine before. They made me a pretty good album here chock full of New Wave/Post Punk goodness. Kept me interested the whole listen. Will absolutely listen to again.
Conocía la banda pero nunca me había puesto a escucharla atentamente. Es un gran disco, la mezcla perfecta entre punk y post punk.
Sometimes you start an album cold, get grabbed by a promising opening, and then wait expectantly for the vocalist to take the stage. That's how I felt starting "Definitive Gaze," which builds through some different sounds until the singer finally comes in around the 1:12 mark. Unfortunately the vocalist who shows up, Howard Devoto, is the kind of stock English rock singer archetype that generally doesn't excite me. There's a quote on Wikipedia that describes him as having had a "speak-sing voice that veered between amused croon and panicked yelp." Okay, so the vocals might be a minor letdown, but otherwise I found a lot to enjoy in this album. It's post-punk, new wave, art rock and it sounds pretty great. The chorus on "Shot by Both Sides" has a great energy. The Bowie-esque "Burst" is another standout on Side A, especially when it launches into the "You will forget yourself" refrain around the halfway mark. I'd return to this one.
Been on a post punk journey so this is up my alley.
13# Reminds me a lot of mission of burma. And then i went to hear Mission of Burma and forgot about Magazines. Magazines rely on weird arpeggios, its interesting and I like the sound of it. Good record for it to be the start of post punk. I guess I'll just like everything that is going to be thrown here. Noice.
Actually kinda liked this one!
Listens: 2 Standout Tracks: Definitive Gaze, Shot By Both Sides, The Great Beautician In The Sky Pretty funky for a post-punk band. Good guitar licks and good organ. Seemingly quite obscure, barely any listens on YouTube Music (comparatively). I liked this.
unexpectedly good
I enjoyed this quite a lot. Not enough for a full five, but it's a high four.
Diferenciado esse rockzinho, umas partes tensas legais, me lembra um pouco Bovary com Tony Hawk. Teve uns solinhos zoados huheuhehu. Bem diferenciada a banda, uns sons estranhos e únicos. Não foi muito foda, mas vou dar 4* pela ousadia de tentar algo novo.
Former Buzzcock Howard Devoto released several albums with his post-punk outfit Magazine, this is the first and the only one I'm familiar with. The single 'Shot By Both Sides' is a classic of the era, with its instantly recognisable guitar riff. Devoto's vocals have mix of anger and self-righteousness typical of original punks, it's a great album still sounding good decades later.
I'm really enjoying the music here so far - upbeat, catchy, some great little guitar riffs and cool bass lines. "Shot By Both Sides" is my best track so far, and though at first listen I didn't like the vocals I don't mind them on this track. I liked hearing the switch up in styles with "Burst" and "Motorcade". I expected it to just be the upbeat catchy/heavy feel all the way through (nothing wrong with that mind) but always interesting to hear something different. They're both really good songs. Couple of tracks towards the end didn't hit the mark, and sometimes I can't quite take to the singer's voice - but it does work on most songs I feel. I'll give this a confident 4 stars as I really loved it musically. Another mention for the bass because that stood out for me here.
Another awesome new-to-me band and album.
post punk brilliance
An interesting album. This feels early new wave/goth, but at the same time it also feels ahead of its time in some ways. Shades of Bauhaus, definitely, and as this album was doing the rounds at the same time Bauhaus were forming it wouldn't surprise me if Pete Murphy & co were influenced by Magazine in some way. This is the first time I'm hearing this album, but it definitely won't be the last. A good four stars.
Favorite Tracks: Shot By Both Sides / The Light Pours Out of Me / Touch and Go Rating: 3.7 I listened to the 2007 remastered version on Spotify. Jagged, jangly, synth-y post-punk that rattles and rockets throughout a very to-the-point album. Some really cool guitar work here, and the keys are very in your face. Great album that I wasn't familiar with before this!
Fine album.
Inconsistent but occasionally VERY catchy album. Even the songs I didn’t like that much had a great chorus or some fun riffs. Definitely has some issues, and this post-punk production style isn’t my favorite thing, but I really enjoyed this album. Great songwriting.
3.9 Nothing really grabbed me the first listen but never really skipped anything either. Had some time today to give a 2nd run through. There is a fair bit of depth in the recording (burst), Shot by both sides is a catchier single.
- Bra sanger. Post-punk
Damn, I was a huge fan of The Buzzcocks in the late 80s... they were more punk than pop metal/ glam rock, but melodic. For some reason, though, I never got around to listening to Magazine. That was not a good decision.
Never heard of Magazine before. But post punk sounds good. The first half of this album absolutely bangs! Motorcade especially stands out to me. Really enjoyable album overall.
This is a first for me and it’s amazing! I don’t think all of the songs work, and not all parts of all songs work, but the ones/bits that do are mesmerizing.
As another reviewer wrote, this album sounds like a punk band gave the middle finger to their own genre: "it sounds like punk is already in the rear view mirror." (Good riddance.) I agree with this. The non-vocal instruments have an air of 80s about them without the horrific production that plagued the decade. Admittedly, the singing is pretty horrific, but after more than 800 albums (half of which seem to be punk or Britpop) I've learned to mostly tune them out. The remaining instruments do much better at dispelling the air of punk, apart from possibly the drums, which are halfway between that and glam/post-psychedelia (think early Nick Mason). Nice synth line to open the album (surely it's Eno-inspired), and Definitive Gaze commits completely to the electronic theme by using a synth for pretty much every melodic instrument. Throughout the album, the bassline is taken by either said synth or an actual guitar, which I think is a fun idea to diversify the band's sound. Another highlight is Shot By Both Sides, which features not only an excellent guitar solo but also several huge textural buildups that never fail to restore my faith in music. Burst is also a gem with a fantastic guitar solo – it could fit flawlessly into the Ziggy Stardust record – but the intro is just a little too long for comfort. I have the exact same comment for Motorcade, plus the bassline is kind of insane. The Light Pours Out Of Me is noteworthy for its guitar riff, but the rest of the song drags on a bit. (In fact, these songs are generally longer than I'd like.) 4/5 Key tracks: Definitive Gaze, Shot By Both Sides, Motorcade
I love this sound!! I was looking for it but didnt know where or how to start
Really enjoyed this
This was a fun surprise, I enjoyed this more than I expected! Kaiser Chiefs-esque (though obviously a few decades before)
Personal enjoyment: 4/5 Relevance to this list: 4/5
Aguante el post punk y el punk. Seguro no llega al 3 este álbum. No entienden nada. 7/10
More New Wave than post-punk, but it's still a good set of tracks, regardless. Solid 4 Stars.
This album is one the foundations of post-punk. And as an avid post-punk enjoyer, I was kind of surprised that (1) I never heard of this record and (2) (obviously) never heard this record. Yeah... this album is great. I don't think it is up there with some acts that owe a lot of their sound to this album. But nonetheless this is a seminal album.
First impression was that I didn't like the vocals but it quickly grew on me. Great musicianship, sounds ahead of its time
How did this website know that I've been going through a huge post-punk phase lately? I like very much, even if the vocals sound a bit pedo-ey. Shot By Both Sides is especially great.
I'd never heard of this band/album before, which is strange because I do like the music. The first song started off a bit meh but Shot By Both Sides sounds sort of like a titletrack for a more action-filled Bond movie, I really like it. The song after reminds me more of something you'd hear in a skate video, quite uptempo and alternative but not too loud. Many of the tracks have this feeling really. Overall this is probably the first time I've liked the music of a band that is described as post-punk.
Above average Wire-y angular post-punk
I was vaguely aware of Magazine without having consciously ever listened to them before. I was admittedly a bit thrown with the 2007 release date on Spotify, as I was thinking it’s a really good nod to the early 80s postpunk scene. Turns out that it was a ‘79 release, a classic of its genre, and a big influence on the movement. I can see why. It’s a really good album which kept me engaged throughout. Well until the last song that is which I felt was a bit of a let down and a weak sign off. Easy 4.
I will not include the bonus tracks from the 2007 remastered edition in this review. I had at least heard of the English post-punk group Magazine before; their single "The Light Pours Out on Me" from their debut album was later covered by Ministry. Formed by frontman Howard Devoto after he left Buzzcocks, and also featuring a young Barry Adamson on bass in the original lineup, the band would become highly influential, and Real Life would be considered one of the first British post-punk records. How does it hold up decades later? I can certainly say this is a real kooky record, complete with squelching synthesizers, John McGeogh's crunchy guitar riffs, Barry's thick bass lines, Martin Jackson's tight percussive beats, and Howard's rowdy talk-singing vocals. The tracks here are stacked with distinct and memorable hooks, all the while Howard described the seedy underbelly of his view of society with such dark, twisted lyrical imagery. Songs like "Shot by Both Sides", "Motorcade", "My Tulpa", and the aforementioned "The Light Pours Out on Me" effectively captured the lingering danger in this world. That said, I'm not sure every track fully gripped me. I wasn't into the carnival-esque waltz that opens "The Great Beautician in the Sky", or how slurred Howard's delivery was on "Recoil", even if the fast-paced instrumental composition was stellar save for the stilted outro. Still, I enjoyed Real Life and can recognize how instrumental Magazine was for the post-punk genre and the acts that would follow.
punk. trippy. psychedelic. rock.
Could easily be a contemporary rock band. Really holds up well.
Stick with the vocals if it's not something you usually listen to and feel out the vibes before dropping this album - it's a certified banger! Best = Burst Skip = The great beautician in the sky
A really different record. Was thinking to myself "this sounds like a bizarro Buzzcocks" until I looked more into them and learned it was a couple of the same guys. Seems they kept the Buzzcocks energy and combined with some artsier American influences, like Television and Talking Heads. I'm into it, would definitely listen again
Great - liked this and had never heard about this album. Exactly the reason why I am doing travelling through this (very strange to say the least) list.
Never previously heard of them, but this is good stuff
yesssssssss
I like it. Sounds a bit like early punk? But very raw and still clean at the same time
This is the kind of experience I’m hoping for every time I get a new album. Completely new to me, never would have stumbled upon it myself, kind of weird, totally enjoyable.
Apparently I have listened to this album before, though I don't really remember it. I had already saved a couple songs to my likes on Spotify. I think I was expecting a little too much from this. After reading a couple reviews I was sure I would love this album a lot. A few songs in and I'm not exactly sold. I really do like it but I'm not quite to the 'oh man I love this and will listen to more from them' point yet. I ended up really liking this a lot. I don't think it is a perfect album but as I listened I liked it more and more. I can see why people say it was ahead of its time, but maybe just by a few years. I'll definitely revisit this one to see if I was just off at first or if this is a better/worse album than I thought. As of right now I call it a 4/5.
I listen to maybe more than half of it and liked it, I added it to my library.
Early post punk? I like it!
This album is so much demented fun, right off the bat there’s a weird mix of post punk and synths that crashes into a beautiful piano jingle. A shout out to Shot by Both Sides - it’s is one of my all time favorite tracks. For fans of Diamond Dogs era Bowie and Siouxsie and the Banshees. It sounds like a funhouse of swirling dystopian 80s ideals presaged in the late 70s and writ large. Real Life is indescribably filthy.
Magazine were always a bit too prog for me to really get into them, but they had a few great tunes, and Devoto's sharp lyrics and languid presence hide a few sins in places too. The opener, Shot and The Light Pours Out Of Me alone make this a classic, but I struggle with some of the other tracks here - brave given the times, but a bit too grandiose for me.
Probably getting 4 stars because I was so surprised I didn't hate it.
We have had some dreadful British post-punk lately. However I quite enjoyed this album.
Wait, 1970s UK post-punk can actually be enjoyable?
Some solid rock and roll. Never heard of these guys, but I liked their style.
Very much from what I would consider the "smarter" end of the punk spectrum (Buzzcocks obvs, Stranglers etc) with Devoto's unique choppy snarling vocals powering everything along. Gets a little bit samey, but "Shot By Both Sides" is an absolute masterpiece that is worthy of a re-listen any time. The drum build into the chorus that then just keeps going..........*chefs kiss*
In my music, I like to be able to at the very least understand if not wholly relate to / sympathize with the lyrical content of a song. I wasn't getting a ton of that here, probably due to my lack of familiarity with post punk, so it's down a star because of it. However, with lots of fun riffs and other weirdness that didn't make a ton of sense but tickled the ear, I think I'll be returning to a few of what's here. An enjoyable ride despite my qualms with the vocals
New to me
puike post punk
Really enjoyed it compared to the last punk album. 4/5
oh, its an associate of nick cave. seems like the streak happily continues... and also 1978? wdym that this album was released in 1978? it sound like a blend of every post punk and new wave album but it is not released in the 80s? wtf 4/5
Never knew of the band and that it was by former Buzzcocks. No wonder it's good
SHOT BY BOTH SIIIIIIIIIDES
Wild
This was a cool Bowie-esque punk rock discovery. Rating it a ‘4’ so it stands out but would really prefer to go with ‘3.5.’
Plutôt ma came! J'aime bien le mélange rock expérimental, pas mal de bonnes pistes 4/5
Very solid album, some standout songs. Mid 4.
Back to the post punk albums. Shot by Both Sides is a banger
Dave Formula's keyboards absolutely make this band - shimmery and grimy and stately and wild and everything in between, as the mood suits him. The keys propel this slab of Tense Britannica with high energy throughout - even the lulls, as on the first half of "The Great Beautician in the Sky," have a purpose. "Shot by Both Sides" proves they can rock plenty. And while I'm not certain that Howard Devoto's thoughts are *quite* as original and insightful as he thinks they are, that doesn't mean he has nothing to say. "The smart ones understand how your heart bursts," he sings with veracity on "Burst." Think of this as a companion piece to the first couple Specials albums in the same way that a Matisse compliments a Picasso.
It was fun and different. They were a little edgy in a good way.
This gave me Television vibes. I think it’s interesting and I enjoyed it greatly, but on first listen it sounded like every other band from that time period. After discovering how influential Magazine were on Jonny Greenwood of Radiohead, Johnny Marr of The Smiths, Simple Minds and Jarvis Cocker of Pulp, I gave it another spin to listen deeply from those bands’ perspective, which helped me to appreciate this album far more.
This album had really good energy, and I liked how artsy and abstract it felt. Definitely one I want to come back to again!
Only ever heard shot by both sides before … this was unexpectedly excellent 👍
I love Buzzcocks and I love post-punk so really surprised I've never heard this band before. A pretty great album but "The Great Beautician In The Sky" is pretty bad, almost Sex Pistols "Who Killed Bambi?" bad. This album was really ahead of it's time, post-punk before punk had even got off the ground.
With this group sometimes you come across something truly unique. Magazine has done that here. From spacey beats to wild post punk lyrics. They have crafted an album that truly stands out to me.
One of the bands I know, but haven't heard enough of. Such a cool album.
I always thought the name of the genre Post Punk was a bit misleading. Most bands or albums that are described as Post Punk really don't feel very connected to punk music at all. Real Life by Magazine somewhat connected the dots for me. I saw this album described as "the first Post Punk album." As an arbitrary classification of a genre that's obviously impossible to prove, but I did hear the lingering gritty vibes of the early British punk scene while listening to this - probably due in part to their close connection to Buzzcocks. While this album did totally connect the dots for me between Post Punk and Punk music, there were still elements that felt just a bit dated and cheesy. I also think I may be a bit over saturated on this genre at this point , I might have loved this album if I was listening to it another day.
Trodde detta skulle vara rätt meh, men det visade sig vara en riktigt bra skiva. Perfekt dos av pre-punk och new wave. Väldigt melodiskt och roliga låtar. Burst låter extremt mycket som space oddity, tydlig inspiration. Kan nog lyssna mer i långa loppet. Kul överraskning.
Never really listened to this guys before, I dig it. Will listen to more
I wasn't expecting to enjoy an album from 1978 that's a debut from a post-punk band, especially with new wave and art rock tendencies. Art rock is typically way too pretentious, and post-punk can sound too similar to the abrasive proto-punk. No, Magazine used these genres to create catchy and fun music with good lyrics. The instrumental bits caught me by surprise, especially in the beginning of the first song. The keyboards stood out. And I was reminded of Arcade Fire several decades later! (I'm 90% I didn't imagine it.) In that regard, Real Life sounds ahead of its time.
The cover made me hope I was listening to some edgy girl punk group. Unfortunately, this groups under another 70s punk inspired album (English perhaps? I don't know, I went in blind). The bad: the vocals. It's that 70s talky/shouty and hard to pick out a melody. It's the one thing that really annoyed me about this album. However, by the back end of it, I'd gotten over it (and myself?). It's a product of the times. The good: I'm going to guess here, but I feel like the guitar player is a genius. The album varies greatly which a great range of instrumentation. There's a nice dottering of synth (is that a word?) and the musical style jumps in and outwards around the aforementioned 70s punk/new wave. In a world where I have to listen to one album each day, I've now decided that 3 stars counts for 'more of the same' and this wasn't. I'm really sorry, Taylor Swift, you're album should have been 4 stars. This took me on a journey, and while the lead part was played by a 1 dimensional actor (I'm thinking Vince Vaughn), the ensemble cast were eclectic and exciting, with a little visit from Rodney Dangerfield (I don't get any respect at all!) to hold it in a consistent territory. Did that make sense? 4 stars
4.25
I have been assigned so much post-punk in the last few weeks I'm starting to feel like this is a targeted psy-op. 3.5/5
Really liked this whole thing. Definitely my kind of sound, though not perfect. Favorites were Definitive Gaze, Shot by Both Sides, Burst, and Parade. 9/10, 4 stars.
like 2 really good songs in the second half, while the rest of the album is not as amazing
Good fun.
Heyrðu, bara nokkuð ágætt. Sum ekki alveg að hitta en ég er í góðu skapi af því ég bjóst við mjög slæmu.
Cool 80's dark wave vibes
Likte det, mange kule sanger!
I thought this was a really solid album. Especially loved definitive gaze, my tulpa, and touch and go. Some of the stuff in the middle was less my taste, but I can definitely see how this was a very influential album. I found some of the songs were almost verging on a rock musical theatre sound, kind of like phantom and rocky horror which was pretty cool.
Fun
Good interesting rock album.
"[...] a pioneering post-punk record. It has also been described as new wave and art rock." The way I went from "Oh, no!" to "Ohhh!?" needs to be studied. No, really, this presses a lot of the right buttons and I don't know what or where they are. Someone tell me. I should be put off by the voice, but it doesn't even matter. Dope. A bit later. Not 5 star dope - it starts to drag after Motorcade - but easily up there with Television's "Marquee Moon", as far as my enjoyment with this list's pre-80s post-punk goes. I'll keep this one around. Nice.
Took a bit of time to get into but grew on me more with each listen. A lot to like in this one.
The whole post punk genre is something I am slowly getting the hang of. Generally it lacks the energy of actual punk and the melodies and sophistication of indie rock, but this one really works for me. The initial listen exposed the poor vocals but on a subsequent listen it really grows on you. Happy to add a few tracks to my playlist and possibly only one or two duds.
Sharp, forward-looking post-punk from one of England's best. Full of melodic hooks and instrumental color. Couples top-notch songcraft (including Howard Devoto's pointed lyrics) with tight, sure-footed performances. Track after track is exceptional (with the minor exception of "Recoil" which seems more like a jam than a complete song).
Det här gillar jag, lyssnade lite på Magazine för många många år sen och det är nog dags att börja igen. Härligt arty postpunk som på denna skivan (debuten) fortfarande har ena tåspetsen kvar i punken och så den karaktäristiskt mixade postpunkbasen som vi hör i Cure eller NewOrder t.ex. Inledningstrippeln låtar är sensationell, med Shot by both sides som juvelen i kronan., skriven ihop med gamla Buzzcocks partnern Pete Shelley, vilket jädra drag! Även om det tappar lite tempo och direktheten sedan finns här en uppfriskande nyfikenhet med flörtar bland annat till den begynnande syntpopen och man har aldrig tråkigt. Motorcade låter lite besläktad med Television i sina lugnar partier på ett brittiskt vis och är förstås kanon. Parade avslutar på topp med underskönt piano och den klassiska postpunksaxen kanske egentligen före sin tid eller så var det här den föddes. Väger mellan trean och fyran men det här var så kul att upptäcka igen så vi går uppåt. Lyssna också på Imperiet - Rasera, Wire - 154, Kommande Suede albumet
First listen, the singing grated. Glad I gave it another couple of listens as it really grew in me. 3.5 rounded up to 4 as I feel it'll keep growing
I had never listened to this band before. There were a few songs that I'll add to playlists: Definitive Gaze, Shot By Both Sides and my favorite The Light Pours Out of Me.
Awesome Post Punk and new to me.
Not sure I have really heard any of this bands stuff. Good album, liked it!
4 stars - some really good instrumentals on here
An absolute treat of a listen - very quirky, weird and fun instrumentation.
fun and surprising
Liked it better than I normally like this genre.
Post punk from 1978? Wow. Well done.
Wow. The late 70s had some real surprises for me. First, Television blew me away with Marquee Moon earlier on the list. And I have to say, Magazine didn't disappoint. I was wondering as I listened about what an amazing concert it would have been if they had toured together. I'll give Television the technical artistic nod, but I found Magazine more accessible and relatable. Both are now in rotation for me. I hope you'll give them both a spin!
I love albums that surprise me. Never heard of it. And at first I thought I read the year wrong because of how modern it sounded. Then the verses kicked in and that vocal sound is definitely from the late 70s. This is fun so far. This album is a wild ride and I’m only on track two. It’s fun and provocative at the same time. For a minute I thought that “recoil” was a ramones song. “Burst” is fantastic and has a David Bowie like composition to it. It makes me wonder which came first. This is another case where once they hit a groove each song feels like it gets better. This feels like an intentional progression through songs. This album is great!!
Yeah, I'm into this one. You can hear the remnants of the early punk movement in the lyrics, while exploring psych and proto-80s electronic tones in the music. There also seems to be a big switch-up in theme/mood from the A-side to the B-side of the album. A band, that based on this album, some would consider underrated, deserving the popularity the Banshees or Gang of Four got. Perhaps they're perfectly rated. Good album.
enlightening prog rock
It was interesting to read about this and it sounded pretty damn good for being one of the first post-punk joints. I liked it, but I like what spanned from it even more. Lower 4
A refreshing take on what punk can become when it’s elevated by more musical and experimental ambition. Real Life builds on punk’s raw energy but adds layers of intelligence, melody, and arrangement that make the album both exciting and accessible. While there’s darkness and edge, it never becomes too heavy, there’s also light, rhythm, and a sense of innovation. A strong debut and a key release in the post-punk movement. 4/5
Will be listening to again.
Don’t know why the album has the slightly worse version of Shot By Both Sides. The Light Pours Out Of Me is the stand-out here, but a pretty good post-punk album
I can hear so many bands this album must have 8nfluenced (Supergrass, Minor Threat, Fugazi) also some contemporaries that shared a similar mindset (Gang of Four, Specials, Buzzcocks) An album like this is the whole reason I started this journey. (Almost) Makes sitting through all the shit European electronic albums worth it
Hard to be more in my wheelhouse than an artsy, spacey post-punk album closing with a cover of Goldfinger.
I had never heard of this album or band either but wound up loving this one. Reminds me of television a little bit. Some tracks feel like they would fit in well in a Tony hawk soundtrack
Just listened to this for our house 1001 albums. I usually put less effort into those reviews, which is a shame, but I don't have much else to add here at the moment, except in an ideal world I would listen to this again and hopefully give it a 5. But I won't, so here's my review: Very good (it's good stuff!). Only really listened to Buzzcocks, but really enjoyed this. Don't think I've heard anything that similar from that time period. On the art side of punk - ska and Elvis Costello-esque piano. Would like to listen to this again ⭐⭐⭐⭐
82/100. A strong post-punk album. While it doesn’t always hit with standout hooks, its atmosphere and confident execution make it a compelling listen.
some will see this as post punk nonsense. I think it's rad.
This band is very much my alley so surprised to be hearing about them for the first time. Seems in a similar vein to Television, really into it.
Delightfully weird, diverse, and ahead of its time. 4/5
Are we post-punk here? Are we just straight up late-era punk? I don't know to be honest, but I do know that Magazine are a band regularly cited by James Dean Bradfield as being very important to him, and I guess that makes them very important to me. Also, on a base level, this is just really good songwriting, a cracking vocalist and very enjoyable songs. Dark, but not Joy Division dark. The right kind of darkness.
Such a great sound, arrangement and structure. Was surprised by how much it drew me in. Feels accomplished, skillful and unique. Post-punk with a much more skillful side in the composition and arrangement, bringing a nice rock edge, but that still surprises. Ahead of its time and impressive. Surprised that the songs didn’t feel too long and actually appreciated the story and journey they went on, with familiar elements to bring you back. And wanting to go straight back and listen to the album again. Something quite infectious about it
a step both sideways and forwards from the first blast of punk rock - propulsive, deliberately difficult in places, aloof, singular 4 stars
It's great, has enough punk vibe but also much more clever than what came before in terms of musicality. The songs are varied and I'll definitely listen to this again.
WTF why don't I know this, why don't I own this. Well now I do on both accounts. This is a fascinating record, so much going on and sounds so right. 4 Stars
I enjoyed this a lot… though it feels weird. This is also “post-punk” apparently but is very different from the minimal approach of Wire. It has a sort of prog / glam rock / Sparks feel to it. Another one I’ll return to.
Zaczynają mi się zlewać te wszystkie zespoły postpunkowe, ale ten ma na tyle dziwny i interesujący wokal, że nawet się wybija. Ma w sobie coś takiego surrealistycznego i mrocznego ta płyta. Podoba mi się to. 7/10
Old School, this was pretty fantastic and very much late 70's early 80s style
i liked it
4.0 - Very Good
This record feels ahead of its time coming out in 78. I love the weird post punk sound. The vocals were fun and I really loved the instrumentation.
One of the things I love about punk music is that almost immediately after the first wave of punk, these guys all took the ethos of the genre and starting pushing the movement in different progressive directions. Its happened time and time again from Ian McKay (Minor Threat > Fugazi) to Tom Delonge (blink-182 > Angels and Airwaves). This record feels like one of the early transition points that took the genre new places. I'm not sure that every song totally works or is the best, but I love how it takes that punchy aggressive punk sound and adds in different instruments and movements in each song. It has a lot of energy behind it.
Nice mix of punk and new wave
Mucho menos importante que, digamos, Marquee Moon de Television, pero ha sido un descubrimiento en el mismo sentido para mí. No tenía idea de su existencia y me he encontrado con un disco que puedo volver a escuchar inmediatamente.
really liked this. some of it was familiar but i can't think of from where. in my wheelhouse for sure.
this was surprisingly enjoyable!
Fun album. I don’t think it’ll be in heavy rotation, but I’m glad I listened
postpunks gothica
was not really familiar with this one and didn’t get too much from it. Missing the bite and wit of the Buzzcocks (although Shot by Both Sides is clever. Always fun to listen to these bands with their take on Punk building up to what would be post-punk.
Was pleasantly surprised by this album, from a band I've never heard of, adding several songs to my library. Vocally and lyrically, it goes with the status quo of post-punk, but instrumentally it was very unique and appealing. Close to a 5 Star album, but there are enough ho-hum songs that kept it at 4.
Buzzcocks Lite. Good album. Actually would listen again.
Nice
Better than your average post punk effort. Shot by Both Sides - love that ascending guitar line. Bass on Recoil is superb.
Hey this ruled! It really real life ruled! First track put its claws in me!
This is from 1978? Wow this was clearly lightyears ahead of it's time. I personally also do enjoy a bit of punk, and this album scratches the itch in all the right places. Again, its from 1978. Fantastic. 4/5
Jozo Division Ähnlichkeit
Yeah fun! Pretty out there!
A very much enjoyed this post-punk/art album! I saved many of the songs to playlist so I can listen to them again. I would definitely recommend this album to others!
Great album. I think I'd enjoy it even more after another listen
I enjoyed this very much. Reminded me of Bowie and The Clash and it sounds so ahead of its time. Definitely strange, but in all the good ways. Favourite songs: Shot By Both Sides, Motorcade, Parade
This is why I wanted to do this. An album from a band I’ve never heard of. But it is so good. It’s like Bowie meets the stooges. I know that’s iggy pop solo stuff. But it’s more of an amalgamation of Bowie and the stooges. This is one of those albums where you want to check out everything else they’ve done.
weird and interesting
"Real Life" is the debut studio album by English post-punk band Magazine. Post-punk, new wave and art rock are the Wiki-listed genres. That works. The band was formed by ex-Buzzcocks' member Howard Devoto who handles the vocals and guitarist and saxophonist John McGeoch. Other band members included Barry Adamson (bass), Dave Formula (keyboards) and Martin Jackson (drums). The album received critical acclaim and is considered a pioneering post-punk album. Commercially, it reached #29 in the UK. "Definitive Gaze" opens with drums, 1970's-sounding keyboards and a weird, funky bass. The song changes to a more straight-forward rock beat. Devoto with snotty vocals. The song goes back and forth between the weird and straight forward. Good start. The only single "Shot By Both Sides" has an ominous-sounding guitar riff and rhythm. Keyboards in the background. The lyrics appear to be about a political position and discussion where both sides can take shots at him. "Motorcade" takes us on a ride. It's pretty clear it's about the JFK assassination. High-pitched keyboards notes and and a slow and dramatic guitar and rhythm section. The song gains momentum and becomes super fast. A couple chaotic guitar solos. This is more like it. Why not get that roller rink keyboard sound going? It is the 70's. And that's what they do in "The Greatest Beautician in the Sky. A vocal chorus makes this more a rock-pop song. Even though they were contemporaries, Magazine channels their best Joy Division and post-punk in "The Light Pours Out of Me." A song about erasing your sole. A heavy drumbeat and two fuzz-toned guitar solos. These songs are either synth or guitar led. With the sax and keyboards, their sound really reminded me of early Roxy Music. The synth sound is definitely of its late 70's period. At times, they also have an intriguing eerie sound to their music. Elements of rock, new wave and post-punk. That's fine for me and it worked on this album. A recommendation for everyone; I think there's something here that mostly everyone will enjoy.
Actually started to enjoy this more than I thought I would.
I love the guitarwork and keyboards. Very cool album!
new wave proto post punk???? pode mandar pro pai. delicinha demais. embasbacado com a barulhada desses mano. possivelmente ficarei obcecado durante a semana. vamo que vamo.
Excellent
preeetty good
me sorprendio para bien, pero se me hizo largo. 3.5
Good.
Really interesting album. Sounds like they take a lot of elements of British rock and make it work. Lot of good guitar work here and some songs feature that synth/sonic sound with the keyboard. Drums and bass were good. I couldn't quite put a finger on who exactly they sound like. Maybe like David Bowie or Genesis influence? I don't know... Anyway, I enjoyed it all the way through. Shot By Both Sides was one of my favorites, along with My Tupla and Burst. A lot of the album is upbeat and fun to listen to, but even on the change-of-pace songs I still enjoyed it. I can see myself coming back to this album again. Pretty solid 4.
This was a welcome surprise of an album with an interesting mix of post-punk and art rock. It's a bit campy in tone, but I feel like the instrumentation and synth-work throughout were stronger than some similar albums in the same field that have come up on this list. I particularly enjoyed opener Definitive Gaze, with its hopping bass and goofy, Scooby Doo-like theramin/synth tones. Something about it just works for me. At times, it felt as if they were doing their best to impersonate Bowie; particularly Burst -- a trudging ballad with glistening synths and crusty guitar. Also really enjoyed Parade as closer and a late album standout. It had the right energy for a party winding down and I found it's chorus to be incredibly catchy for what it is. Very solid 4 in my book.
Magazines are just slightly less good Televisions, and that goes for the two bands as well. This was a really cool spooky rock album which I was digging the whole time. Had some nice guitar and also some cool effects throughout the whole album. Pretty solid 4 which was a nice surprise.
I've listened to some Magazine but have never really dug into their stuff. I know they've influenced a bunch of guitarists I love so hopefully this'll stick. Really loving Definitive Gaze out of the gate. Shot By Both Sides also jams. These songs sound so familiar in a strange way. Some songs start off a little rough for me like Parade but turn into something completely different as the song goes on. I appreciate that. So many sounds on each song I really enjoyed that.
I loved this. Sounds like it’s influenced by so many artist but at the same time itself influenced future artists. Definitely be coming back to this one
I fw this.
Good this. I knew Shot From Both Sides before which sounds dead similar to Lipstick by the Buzzcocks - looking it up, apparently they shared the riff and both writers are credited on both songs which is cool. Enjoyed the surprise sax in My Tulpa, Recoil sounds like early Fall, Motorcade and The Light Pours Out of Me are v good, it's a 4
Quite liked this, the general sound was a lot like Cardiacs, the synth in particular was the same tone. Eccentric choppy art pop. Was enjoyable all the way through but could have done with being a little crazier on a few tracks to leave a stronger impression. Will definitely give it another go.
Strong start to the album, the first two (Definitive Gaze, My Tulpa) are fun rock tracks, and the guitar riff on Shot by Both Sides is amazing. One of those bands I probably should have heard of - former Buzzcocks members, heading to Siouxsie and the Banshees. Perhaps a transitional band? Plenty of influence on The Smiths. A great sum of parts.
I quite enjoyed this album. This era of punk tends to miss more than it hits for me, but for whatever reason this seemed to be one of the exceptions. It was fun all the way through, and the Goldfinger finish was the icing on the cake. It’s a little rough and ready, but never so much that it detracts from the music. Definitely worth a listen if you enjoy 70s punk music!
Barry Adamson!
Leuke verassing, punk met een verfijnd randje
cool, low 4