Reviews (page 11 of 14)
i like when they have a little intro track ken kaniff what am i listening to this feels wrong steve something there’s a lot of talking in this album was expecting more rap feels like snippets of some tv show kill you ok this is more vibe basic but satisfying instrumental parts i like i like the chainsaw noise lol the real slim shady i should probably listen to the lyrics more carefully but this is vibes who is slim shady i like the descending “eeeeee-eeeeee-eeee-eee” etc in the background towards the end who knew you make hype music do you bro this guy swears a lot like idm swearing particularly but it feels dominating/unnecessary? idk i sound like my mum. she has a point sometimes tho. bro why u trying to sneak a plastic gun through customs is it real or is this like joel and the watergun oo we’re beating our wife not sure i’m a fan of this guy even if it’s a joke idk the vibes of these songs are fine but i’m not sure i’m very much of a fan of some of his lyrics. someone tell me if this is meant to be clever/ironic or smth. but seems unpleasant in places. ty spotify ads for alerting me of the existence of silva bumpa, what would i do without you. drug ballad “you have the right to remain violent” i like this as like a vaguely clever line amityfair similar to others he wants to kill someone’s family this guy seems to be quite angry/upset :(
I avoided this when it was new. It wasn’t a genre I enjoyed, and young me didn’t get along with the people I knew who listened to it. But I gave it an honest chance for this project. There is definitely some creativity here that is worth praising. But it was hard to listen to. I get that it is intentionally offensive — he seems to be making a point with that. But sometimes it like he leans into that just so he can say hateful and gross things. Maybe I’m wrong and there’s more to it than that, but at the end of the day I just didn’t like listening to it.
outside his hits, all sounds the same
The Marshall Mathers LP is proof that even iconic albums can age like milk.
Overall Rating - 2.03/5 (4.07/10). Where it wasn't deliberately meant to shock, it wasn't bad. Marshall is skilled, but most of this album seemed like an excuse to swear and use every foul and disgusting slur in the book and get paid for it.
I don't understand how this album made it onto the 1001 list.
Eminem - Marshall Mathers It was ok. I don't know if it's all tongue in cheek or ironic or parody or whatever. I'm not clever enough to work any of that shit out. Too obvious to say best track was Stan so I'll say I enjoyed Drug Ballad as well. Worst track - Kim was hard to listen to. Maybe it was also the best track 🤷 But I'd never want to hear it again. 5/10
I know that this is supposed to be shocking and he doesn't (I'm hoping) feel this way about women, gay people, and Christopher Reeves. That being said, it still is hard to listen to many of these songs. His flow is creative, his wordplay is unmatched, but I would never come back to 80% of these songs. The beats are fine, but could be more interesting in my opinion. 5/10
Nicht meine Musik aber der Song kim war cool
I have to have a certain level of respect for this but holy fucking trash
Stan The Real Slim Shad Both those tracks stand up. Three dimensions and feel like a real deconstruction of self and fame. The remainder has some shock factor and horror elements that I think have aged terribly and also seem a bit one note after a while. You can’t deny Eminem’s talent with rhymes and his flow but this has aged terribly in terms of content.
meh
Eminem is effective at what he does, which usually involves shocking the listener with horror stories and plumbing the depths of repressed fears and desires. There are the album tracks, which are designed for maximum impact and generate a lot of buzz around the record, and then there are the hits which are carefully constructed so that they’re very offensive but softened enough to air on broadcast television. It’s a powerful marketing tactic, but what is to be found for listeners like myself, who are not interested in the gratuitous angst and looking for something beyond it? Some clever wordplay and a solid collection of beats. And, mercifully, a little Snoop Dogg.
eminem is frustrating. he's insanely talented, buty the violent nihilism and misogyny of this album is just hard to stomach. had i been 16 when this came out, maybe i'd have a different relationship to this album (duh, of course i would). that said, "stan" is a stone-cold classic of amazing writing, imagery, mood, and delivery.
Haven’t heard this since it came out, so after 20 odd years later it sounds completely different to me. It’s a bit cringy in parts and close to the bone. Did it in two halves cos it goes on a bit.
Точный и выверенный алгоритм. Очевидная и понятная легендарность. Каждый трек выверен и отточен до предела. Сам подход к написанию треков полностью и всеобъемлюще ощущается при прослушивании. Вся читка безусловно хороша и поражает слух, минималистичные биты, идеально сочетаются с манерой исполнителя. Вот что можно сказать прослушав 2 песни из 19. Далее минималистичность битов превращается в скучность и однообразность, читка и флоу - аналогично и также чудовищно перегружено. Целиком альбом слушать было в тягость. Конечно отдельные легендарные треки приятно разбавляли рабочую атмосферу, но получить удовольствие и отдохнуть сильно не получилось. Мне очень не понравился альбом, так долго я альбом давно не ощущал, несмотря на видимый и очевидный профессионализм и качество - это максимально грустно и скучно. Моя оценка альбому 3/10
About an hour too long. Curious how the best Eminem songs does not contain any references to fellatio.
Its alright. Really just dont really like Eminems music
Never understood the love for this album. Just Slim trying being an edgelord with very little actual meaning. It might actually hit if I found him at all threatening, but I just don't.
Not a word of his lyrics has aged well at all, but the flow's great. The whole piece struggles to provide a coherent message beyond shock value. I think he really had a hard time squaring the edginess and outsider stance that was an asset on the first album with his newfound fame.
Eminem is another in a long line of pop star assholes who think he invented being an asshole. The misogyny and homophobia is so over the top and moronic as opposed to edgy but the dope is talented and knows how to put rhymes together with enough hooks to make some of the album listenable. But some of this shit is just unlistenable ("Remember Me?", "Amityville"). And enough has been written about "Kim' and whether is legitimate art/performance, etc, etc. but it's just a really bad fucking song.
First time listening to an Eminem album in full because I hate the guy. This hasn’t done much to change my mind. Deserving of being on the list for its cultural significance and occasionally interesting production choices. I will admit that I appreciate Eminem’s ability to load a verse with internal rhymes. Just the lyrics and subject matter is turd.
Catchy songs that seemed to have gained popularity from the shock factor and the crude humor of the time. He points out society being hypocritical but still uses backhanded arguments. Dr. Dre definitely captured a sound that embodied him and it was well done, but I'm glad Eminem has matured from this, not saying his music has gotten better, but we should all move on.
In terms of lyrical content, this is a pretty easy 0. Still, there's a few decent tunes here. "The Real Slim Shady" probably the best thing here, but my god is there a sea of crap to wade through. 2 stars.
I think the song Stan is still so relevant to fandom culture and parasocial relationships nowadays, also I love Dido's "Thank You" which is sampled throughout, it's a great contrast to what's happening with the lyrics Growing up in the 00s/10s I feel like it was mandatory to know The Real Slim Shady by heart, like a lot of rap songs from this era you're never quite sure why you know it but you just do The rest of the album is very mid, I think you need to have consumed it at a very specific point in time to be into it, listening to it in 2026 is eye opening in a lot of ways
I knew Stan and The Real Slim Shady, but the rest of these tracks are just Eminem talking about himself in a less interesting way, with plenty of I'm-not-being-serious-so-it's-OK misogyny in there. I was expecting more.
Hasn't aged well. I prefer him when he's funny instead of just pure rage.
This is the first time I've listened to this full record, not because I didn't know about it, but because the people that I knew liked it in when I was younger were angry people who were cruel to me. I have obviously interacted with conversations online about it and I understand now that the anger, vitriol, and vulgarity expressed in the record is not a sincere statement of belief or intention. In other contexts, I even enjoy such transgressive elements. Maybe its just been too long or maybe I can never truly understand this record from outside myself, but I still can't get past the lyrics. Despite its intense and impressive introspection and musicality, this album will probably just never hit me right. I know he aims to provoke, and it I guess it landed. I feel like I "get it" now more than ever, and I still don't enjoy listening to it. If I do have a more serious critique to level beyond how it makes me feel, its that while the album is intentionally revolting, in both senses of the word, against popular culture, it misfires in many cases by expressing what were, or are, simply majority opinions in coarse language. While calling someone the f slur was gauche in polite society, a majority of Americans in 2000 thought that being gay was immoral. Eminem's misogyny on the record is uncomfortably violent for most, but it doesn't mean the sentiments behind it weren't broadly approved of. Too often on this record he sloppily picks easy targets, despite proving that he is capable of more on other tracks. Whether or not he meant what he said, the violent, bigoted, and hateful language present was extremely popular, and not just among people who understood that it was intentionally provocative.
Enjoyed it up to a point, then the shock value wore off and I was just left with someone being offensive for the sake of it. Nice to hear some of the songs from my past again though
There are some classic songs on here, but there is enough other stuff that I would never choose to put this on.
This is the first album I couldn't get through - I think MM is a good maybe even great MC but just not for me - his range is so narrow and I'm not in it.
There is a whole star for nostalgia - this is just awful to put yourself through
I've never been a big Em fan but also recognize that he has a lot of talent and can be a very compelling performer. But the lyrics. Yeah, most of these are hard to get through. But there are some incredible tracks too. Stan and The Real Slim Shady are classic tracks. Bitch Please lends some nice west coast flavor. But there's also Kim, FFS. Overall, it's a slog and I really don't ever need to hear it again
06/11 Never was a fan of Eminem but I admit there are some interesting moments in this album
I enjoy the beats, don't like the misogyny and homophobia. I think I'll stick to listening to Eminem's greatest hits every once in a while.
i hate that there are remnants in here that make me go "i get it". i get why people liked it and felt seen by it, especially in 2000. there are parts of it, like the discussion of fan culture and the media reaction to him, that are interesting. not to mention the production and music quality have gone up significantly compared to the debut. but those are not really enough to make this listenable as an album in 2026.
Wtf
i respect eminem as an artist and all but man some of these tracks were vulgar and not necessary for my ears
hes faking
Listening to this album, I was reminded of those talented authors that use the foundation of a greek tragedy to justify whatever power fantasies they wish to indulge in with a veneer of prestige. This comparison is a poor one, as fascinatingly, Eminem is completely aware of this persona being largely a juvenile power fantasy. It'd be more accurate to say that in this comparison, Eminem's fickle intelligence is that power fantasy, and this indulgent and grotesque caricature of a juvenile power fantasy is that veneer. It's disappointing really, as these flashes of brilliance clearly aren't just flashes, but rather the foundation of his art, which remains obscured by blood, semen, and shit. I hear a person curbed by their nature, fame, community, beginnings, and that which runs through all of these things, their masculinity, or that which makes them slightly more than just a person. I hear the twin, nigh- inseparable fantasies of a man and a boy, and seldom, they seperate, and I hear an artist.
“how many records are you expecting to sell when your second record sends you directly to jail” made me laugh hahahhaa at times this was a truly tough listen, at times this was really cool - I can’t give it more than a two stars for the rampant homophobia and misogyny xoxo
2/5 - Wow, is this hard to rate. On the one hand, Eminem's talent and flow are probably the best I've ever heard, but his misogyny and homophobia are total shit. I listened to this a bunch when it came out, and It's an album I think you need to hear, but I really have no more stomach for the crap he has to say, no matter how good he is at saying at. I would given this a 4 or 5 at a different time.
This album was huge in late 90s and this guy was everywhere. The hits were hooky and popular and he seemed an alternative with clout in a heavily weighted genre. But none of it has aged well. He no doubt is clever and has a gift for phrasing but too many of the songs are violent, misogynistic, and offensive some 25 years later and this ends up feeling more like a blemish or stain than a beauty mark. I’ll give him points for talent but don’t really care to ever hear this again. 2/5
Kjedelige beats (med noen få unntak), pubertale tekster med sinnslidelser som krydder, irriterende stemme. Et sykdomstegn for samfunnet at dette ble så populært som det ble. Svak toer.
Slim shady is a jam, the rest of the album is filled with bigotry, homofobia and sexism, which I guess was the point.
Eminem has a reputation for some of the most technically skilled rap of all time. He also has a reputation for some of the most vulgar lyrics of all time. Technically, this lives up to Eminem's reputation as a rapper with a unique gift for flows. The hooks and beats are all strong. However, the lyrics are pretty much exactly what you'd think based on the reviews hear. There is some social and political commentary here, but there's also a lot of unnecessary vulgarity. The lyrics to songs like "Kill You" are an attempt to be as offensive as possible that just ends up sounding tedious. This music is very much from a particular point in time where the processed anger of gangster rap and nu-metal ruled the charts. It didn't really age well beyond that time period, despite a solid technical foundation. If he was more willing to write more relatable songs and less violent fantasies, this would be an all-timer. As is, I just can't do these lyrics(especially "Kim").
have you ever heard of a cartoon called the nutshack fave track: the real slim shady
The lyrics are really dark but give a thoughtful story, at least some of them. Not something I would pick and listen to but all in all the album was an ok experience.
So much homophobia.
Markoolio fast med ett par bra spår. Pajas
Eminem var ju riktigt tufft när man var liten! Fint med nostalgi och Stan är ju en banger än idag. Med det sagt så finns det så mycket skräp på denna alldeles för långa platta. Jäklar vad misogynt och homofobiskt det var! Varannan låt handlar om att slå sin fru, och det framställs som nåt coolt. Kim var ju bara hemsk att lyssna på, både pga text och förfärligt dålig musik. Jag stör mig på alla plojiga ljudeffekter som de lagt in också. Stan räddar upp plattan till en tvåa, men utan den hade jag satt ett. Ibland blir man förvånad av vad barn lyssnar på för musik ”nu för tiden”, men efter att ha hört detta inser man att det knappast var bättre när vi var små.
Började riktigt, riktigt skoj. "Oj vad snabbt han pratar", tänkte jag. Och vilka lustiga texter! Efter typ 3 låtar börjar dock rösten i mitt huvud viska "bjäääääring". Efter 8 låtar vill jag att skivan ska vara över.
Yeah, nah. He’s talented and there is some really nice production, but this is music for suburban kids that want to seem scary. And why the fuck is this so long?
Damn. I knew Eminem was an edgelord, but I guess I memory-holed just how violent and misogynistic this album is. Mixed bag. There are some great bars, and a few tracks really land. Where I struggle is that the Slim Shady persona looks suspiciously like the person he was at the time. Transgressive art has to walk a tightrope, and a lot depends on the distance between the artist and the transgression. I kept thinking about American Psycho, which works for me because the gap between Bret Easton Ellis and Patrick Bateman is easier to trust. Ellis hasn’t given us much reason to doubt that distance. And even then, plenty of people still miss the satire and take Bateman at face value. That gap is much harder to trust on this album, especially when you’re hearing a murder fantasy about his then-wife during a period when his real life made the violence feel less theoretical. “Stan” still works for me because it feels like a story with a point of view. “Kim” collapses that distance. It feels less like performance and more like a pressure valve for real rage. The rage is being performed by the guy who actually had it, aimed at the person he actually had it toward. Even in my most charitable interpretation, I’m not sure what point it’s trying to make other than catharsis. Which is pretty fucked. I’ll admit that my own proximity to domestic violence is shaping how I’m experiencing this album revisit. He got clean, became a dedicated father, and by all accounts grew past this version of himself. But knowing what was happening around this album changes how I hear it, and I can’t really unhear it. I can admire the songcraft, but “it’s just a character” doesn’t fully survive contact with the context. And outside of my incessant moralizing, large parts of it dragged for me. The skits wore thin fast. But it made me think. 2/5.
a couple of alright songs, but not really my cup of tea.
5.5 / 10
what the hell what the hell what the hell what the hell what the hell what the hell what the hell
This ia probably the best from this era of Eminem and it features the highs where his controversal style works (Stan, The Way I Am) and where it just comes off as edgy (Kim, Amityville). At least this had some good songs compared to Slim Shady LP, though the lyrics is arguably worse, especially in the second half.
There are some great songs on here but this didn't age well overall. The misogyny etc is exhausting.
Green River - Good Commotion - Decent Tombstone Shadow - Decent Wrote a Song For Everyone - Decent Bad Moon Rising - Good Lodi - Decent Cross-Tie Walker - Good Sinister Purpose - Stylish The Night Time is The Right Time - Decent Broken Spoke Shuffle - Decent Glory Be - Decent
< the Beatles As someone who was the right age for Eminem when he released these albums, I have just never understood the appeal. Some of his more goofy shit is entertaining but holy shit this album takes itself too damn serious. No thank you
This is difficult because I find Eminem so off-putting and a lot of his shock value stuff is just tiring but then sometimes there is a song like 'Kim' that is so reprehensible and insane and yet this guy was like one of the biggest artists in the world for a minute. It's just very fascinating to me. He certainly has skill and the production is OK sometimes. And his vision of the world is so depressing. I have no idea how to square all this with a number rating.
No me gustó. Me gusta el rap pero no este tipo, no es mí estilo, me pareció violento de más. Es un álbum para angry wannabe black white boys qué se creen que por ser agresivos son más machos. Rescato una o dos canciones nomás.
JOOOOOOOOOOOOOOOOOJ kao što sam već napisao u osvrtu na album dr. drea (»the chronic«, inače žešće smeće), žao mi je što sam prvom eminemovom albumu koji sam preslušao u sklopu ove stranice dao kečinu, i to prvu. neki kasniji albumi, bilo rep bilo rok bilo šta god, pokazali su mi da postoji mnogo, mnogo lošija glazba. ispravimo zapravo nepravdu s evo drugim njegovim albumom koji preslušavam. je li dobar? nije. usudim se ipak reći da je trunku bolji od slim shady LP-ja, prije svega zbog stvari »stan«, koja je fakat okej, s dobrim refrenom. ostatak je eh, ali eminemu se ne može zamjeriti manjak reperske vještine, čisto formalno, jako je, jako dobar. sadržaj je takav kakav jest, meni glup, ali sam shvatio da mi je ipak bolji od tipičnog "jo jo niga, pul da čriga", barem eminem ima neku osobnost za razliku od takvih repniških dozlaboga ofucanih opetovanja. sve u svemu bezvezan i predug album, ali nije dno dna
There is an incredible level of skill, and talent on display here. Even as a “non-rap” person, I can pick up that Eminem is in a rare tier as a performer, and this album probably hits pretty close to his prime. That said, it kinda sucks that so much of that talent is in service of a particular kind of early 2000s edginess/shock value that I just find to be kinda gross. I know that the performing-to-shock has its place/validity, but this went a bit beyond “wow, what challenging themes to confront.”
Abrasive. Not interested
This one was hard to rate for me. First, I thought I was going to give it a three or a four but I had all weekend to think on it. I decided to rate it much lower. At first wall I was listening, I was struck by the message that people need to take responsibility for themselves and not blame the ills of society on musicians. While that might be the case in part, I also feel the majority of this album is shock for the sake of shock. I do realize that this is probably the point in driving home his message, but it was a bit much. There are some absolute classic songs on this album though. Definitely the hardest review that I've had so far.
really hasn't aged well
Memorable songs, it isn’t bad if you ignore all the lyrics. I do like Stan though
5/10
😅🤢 I like some of his work but.....not much. He's a provocateur and I don't wanna feed the troll.
eh, stan saves it
Too much homophobia
I have mixed feelings about this album. I’ll start with what I liked. I thought the actual rapping was really good. There’s something about Eminem’s flow that tickles my brain in just the right way. I think Stan is a masterpiece of a song. The storytelling was so captivating, that I stopped what I was doing to listen to it with my full attention. That is where my notable praises end. A big aspect of this album that I didn’t particularly like was the lyrics. The over the top lyrics felt like a gimmick, and I got tired of it by the end of the album. I’m not the biggest fan of his style of saying anything for shock value, and to make people mad. There may be some artistic merit to it that I’m not seeing, but it comes off as immature to me. Shock value can only get you so far. I didn’t necessarily hate this album, but I don’t see myself ever listening to it again.
More important than good. Eminem is a good rapper but his lyrics are often juvenile
This was an iconic album for me in college and thought that it was the best rap album of all time before I started really listening to hip hop
Wtf
This is more a calculated marketing piece than actual art. By very deliberate intent, it's provocative and polarizing. I would describe the experience akin to taking a nice, hot, soothing shower with toxic sewage water. The rundown: (-) Shock value for the sake of shock value. Lame. (+) Transparent self-awareness about using said tactic. Respectable. (+) Beats and flow are tight and make you want to listen again. (-) Lyrics are trite and make you want to never listen again. (+) Overall production. (-) Skits. (+) Tapping into and exposing some very real, very ugly human nature and hypocrisy. (-) Ultimately being just another artifact in that pile of ugliness and hypocrisy. Even though it deserves it (practically begs for it), I'm actually not going to fail this since it DID achieve what it set out to do: prove that people are easily triggered and manipulated. Any points for aesthetics? Nah.
There is a notable amount of nostalgia to this album. So there is that. I wouldn’t consider this Eminem’s best work. This also leaned into more shock value than intrigue.
It was ok.
5 for nostalgia, 1 because this really didn't age well
“These people think it’s a crime to tell them what’s on my mind”. Well bud. Everything on your mind is a crime.
man he was so big in the 2000 but 25 years allater this albumn just lands as whiney; an entire albumn about how hard it is to be famous/top of the rap industry... along with a desperate wish to not take any resposibility for thie things his music inspired in people
I do side on the thought group that a 13/14yr old did this. Kim was a head scratcher and I wasn’t surprised or shocked by the album because the first song made the rest of the album predictable
Quite a mad little dude. I would like to go back and lower by rating for the Slim Shady LP but I can't. This was better than that one just cuz it had some tracks that were actually solid (less than 3 though). Most of it is trash though. I get he just makes most of this up to piss people off, but why? There's just no need. I did find it funny how much he hates NYSNC.
Looking at the cover, I was expecting a deeper and vulnerable Eminem. I was wrong (with the exception of Stan), and I don't know why I'd even think that. Undeniably, his lyrics and his flow are masterclass but the music itself and what sings about doesn't really appeal to me. Stan is really good though. And Kim is one of the worst songs ive ever heard.
Despite being from Detroit and still living in the area), I never got into Eminem, though I certainly didn't hate him. His style can push some people's buttons, and I have no problem with that. I knew somewhat what I was in for. So after finally giving this a listen a quarter century after its release, I gotta say that I don't love this all that much. The man is a superiorly talented rapper, but his recurring shtick as a 'psychotic court jester type' gets really grating quickly. And in the other direction, songs like "Stan" or "Kim" are dark psychodramas, but I don't really want to listen to them on the regular. There is an art in that, but on the whole, this is too crass and infantile for me, despite a mountain of talent and a few okay songs.
I liked the beat and his style but so homophobic
I think I liked this a lot more when I was in high school. Can’t say it aged well 25 years later. There is something here, but I’m not sure I like it. Handful of good tracks. Bitch Please 2. Stan. Real Slim Shady. The Way I Am. Weighed down by a lot of shit. Strong 2/5
I've always liked Eminem. Great beats, unique cadence, and of course amazing rhymes. I was bopping along to the beat this morning, really enjoying the album but man....those lyrics are something else. It was way too much for me, relentlessly and offensive which I know is his shtick but give it a break now and then. Nearly 90 minutes of that got to be painful. I think he may even be angrier than Raekwon.
honestly i didn’t really like it. for the first songs i was hyped, but then they all started to sound the same to me and i got kinda bored. still i found a few really good, kill me and marshall marthers, but probably because i already knew them from back when i first tried to get into eminem. i recognized that it’s a good album artistically speaking, but it’s not my style and i’m not sure that i will listen to it again.
I don’t like it
Liked Stan !
It’s just so so so angry it’s exhausting and entirely off putting.
It's a well-produced LP, but you have to approach it in the right frame of mind - it leans into the very darkest of its jokes, and isn't half as clever as it thinks it is.
I am gay
Obviously talented, but the lyrics are off putting.
No sé porqué permitimos como sociedad dejar que un incel pajero se hiciera tan famoso.
The production slaps and his delivery is virtuosic, but i can't get pass some of the lyrical content. I've changed too much to keep bumping.
This is the first time I've listened to one of his albums all the way through instead of just the singles, and honestly didn't find much to go back to outside of a handful of tracks. Obviously Eminem is incredibly influential and deserves a lot of the success he's gotten, but there just isn't much material here that justifies it being over an hour long. But again maybe it's just not my cup of tea. Standouts are Stan, The Way I Am, and Drug Ballad.
(2.5) something about his voice tickles my brain
I don't know how necessary this album is compared to Slim Shady. I listened to it a lot at the time but it seems leaden, over-macho and kinda no fun to me now.
Do not need two Eminem albums Do not need two Eminem albums Do not need two Eminem albums Do not need two Eminem albums
You cant deny the sampling artistry but the anger and misogyny is hard to sit thru. Inspired use of the Dido track, though.
The music is catchy and the quick rhymes. But I dislike the misogyny so much it ruins it for me.
Hates his mom Beats his wife Loves his daughter Kim was a hard listen. Def a few classic songs here but I think it did not age that well as a project. Very influent in terms of style and aggression and persona building. The general perception of teen listeners who grew up in eastern europe in the early 2000's thought this is what hip hop is all about.
Hay temazos y al mismo tiempo una colección insoportable de misoginia
It's so funny how there used to be a whole community of people who were like "all rap except Eminem sucks because it's about women and violence" because they clearly never listened to a single song of his. I don't see so much of that type of thing on the internet anymore, which is nice to see. I didn't particularly like this aside from the Dido sample, but it's interesting how much of it I was already passively aware of, certainly one of the more significant albums I've heard for this.
I don’t think this will ever resonate with a version of me that’s not 13
⭐️⭐️ I started this shit and I HAD to turn it off a third of the way through. Idk if the second half somehow redeems the album, but DAMN that first portion was unbearable 💔
Not edgy or angry enough for all of Eminem. It's also not all aged great, it's fairly juvenile. But man, Stan is amazing. I mean, it gave the English language a new word!!
I understand the cultural significance of some of these songs but it’s not my cup of tea tbh
Eminem is very talented in what he does. His is some of the only rap I can tolerate. This record, however, wore very thin. It lands somewhere between sketch comedy and hardcore hip-hop and doesn't seem to do either very well. There's certainly very little relisten appeal here.
Go on kid, get that anger out.
Eminem has the ability to make some genuinely good music but I spend more of this album cringing than actually enjoying it.
I think this album is kind of good, but **deeply** flawed, but I do think that to even approach this, you kind of have to tackle the phenomenon that Eminem is. I have so many thoughts about this and about the particular way in which it annoys me a little bit that I kind of don't even know how to start. I think there's a disconnect between Eminem, his fans, and the negative reactions to his work, and I've really been trying to get to the bottom of it for a while now. I think the thing is that on The Marshall Mathers LP, Eminem is really pushing against the conservative purity culture of the 2000's. At a time when politicians and the larger cultural hegemony tried to push US society to embrace traditional values, and happy families and God Fearing Americans. Eminem is one of the many who felt the dissonance between that and a life of poverty, broken families, substance abuse etc. And I think the thesis here is kind of "Why are you complaining about my violent little poems when we bomb people in the Middle East", "Why are you accusing me of being homophobic, when you're trying to push queerness out of society". And in a world where this album ends up as a cult classic, I think maybe it works better. But the problem is kind of that this ended up selling millions and millions and millions of copies. Eminem's technique here on a social level is pretty much to lash out indiscriminately. He takes shots at politicians, radio, The Grammys, his family, his ex, gay people, his label, rap culture even. So while he isn't exactly punching down, some strays end up going down. And because of how society is structured, those are the only people that really got hurt by this album. For example, I am queer, and I honestly do not think Eminem is homophobic. And I think that on some level, his use of slurs and occasional focus on the queer community is his own weird, imperfect way of trying to include us in his band of outcasts, flying in the face of "polite" republican society. But he uses the language of homophobia, and that, coupled with his insane popularity and audience of teenage edgelords added fuel to a culture of homophobia. And I think he ultimately exacerbated the problem of anti-queer sentiment in the US. Because the thing is that he had an audience of white teenagers eating out of the palm of his hand. And this is an audience that could just connect with his because they were at a time in their lives when lashing out at everyone and everything in response to feeling socially wronged is just the thing that you do. Lets face it, the highschoolers listening to Eminem weren't saying "hmm, I see, Eminem's usage of the word "faggot" hurls the beliefs of white America back into it's own face while including queer folks among his army of those wronged by this culture", they were saying "Dude, I also think it's cool to say slurs because gay people are gross". And I honestly just wish he was more honest about it. I also wish he was more honest about the fact that a lot of his popularity is an Elvis situation, where a majority white audience could only stomach Black art when coming from a white face. Let's be honest, even if you love this album, *that* is why it sold so well. It's a situation where I can see what he's doing, and I kind of get it. But I just don't think he executed it well on some level, especially since I'm living in the cultural aftermath of it. As for the album itself, the beats are good, Eminem has a great flow, and at his most earnest moments, he has some interesting content here. But I think some of his voices are annoying, I think the mixture of edgy, tongue in cheek, and earnest results in some really off moments, I think his singing usually sucks, and I think that any feature here trying to "do the Eminem thing" has aged badly. For example, the Bizarre feature on the otherwise good Amityville is fucking *terrible*. And even though it's a really interesting song, the tone issues are the worst on Kim. I understand it's a character portrait kind of, but Eminem can only really write from the perspective of people who are sort of just him on some level. So the song about killing his ex sits weirdly. Weirder still because of the theatrics and the jarring difference between Eminem screaming his brains out, and the hokey acting from "Kim". I like it on some level, but it comes across as ugly in a really odd way. Especially when surrounded by some much goofier songs. And there are all kinds of weird instances of Eminem putting his foot in his mouth here. I have some real problems with this album. And it has a lot of good too. But I just don't know if I can personally go higher than a 2 on this.
I realize that Slim Shady is a character and that some of this veers a little into satirical territory. And, while the delivery and clever turn of phrase on this album is really very good, the overt homophobia, misogyny, and over-use of the "r" word is just too much. Furthermore, those with the inability to recognize a character or satire tend to take the use of these words as an endorsement of their own hateful ideology. So, while I appreciate the quality of the art and the talent of the artist, I cannot in good conscience give this more than a 2.
el rap no es para blancos
ehhh
bruh it started feeling hella repetitive thats all
Liked: Stan Added: Stan (already added)
Kim is the fucking Incel anthem
When the songs slap, they slap. Some of the rest of it is not my cup of tea.
Luigi’s Mansion sounding ass album
It's the first time I listened to this album cover to cover. Almost all songs are about how influential he is, how talented he is, how he didn't want the fame but it found him etc. It has a couple of classics though
Meh
A few good songs here. Classics even. But the rest? Sophomoric but I don't think my 14 y/o self would even like this.
Oof. Despite being much more sonically polished, this aged even worse than the slim shady LP. Too many winces and cringes and foreshadowing of the even worse version of Em. His discography may be the most poorly aged in the rap canon.
God, this is difficult. As a pre teen, I was solely devoted to 90s alternative rock and had sworn off hip hop. This album was amongst 3 that opened my eyes to how good hip hop could be. Since then, I haven’t revisited the record much. I suppose it’s the severe downfall Eminem had in the late 2010s. It’s a slightly dated album, but it has its merit. It’s stacked with classic hip hop songs, but Eminem’s delivery is off putting most of the time. Regardless, it’s not something I will listen to with full enjoyment.
I’m pretty sure I owned this at the time, it might have impressed a teenage me but it’s just a bit cringeworthy in places, I know a lot is in character, but it wouldn’t really wash today. It’s overlong, with the usual skits and to be honest, too much filler. It has some good tracks on it, I’ve always felt Stan was well written but on the whole, he just doesn’t interest me these days.
There is 1 genuinely great song "the real slim shady". The rest is cartoonish and not that funny when compared to redman or wu tang clan of the time. It veers from mock threatening to silly and there isn't much nuance. Always thought that Eminems greatest hits album would be excellent as his choice of singles are but this album is a bit of a chore.
Although there are some "classics" on here (Stan has always been wildly overrated to me), this is mostly just edgy lyrics for the sake of being edgy over some lackluster Dr. Dre beats.
2.1/5 I had a mate who used to listen to Eminem all the time so Ive heard alot of these songs many times. A few good songs but so many skits that unfortunately bring this down because I have to skip them. Also the team ups with like D12 etc bored me.
Stan is great but the rest is just a load of homophobic wank
Yeah, he’s good and all but the “I’m just playing” doesn’t really excuse some of the lyrics. He sounds kinda incel.
Я поважаю Емінема за його вклад в музику, але крім пари пісень не моду нічого слухати. Тексти занадто агресивні. Я не люблю реп і цей альбом не змінив думку
Look he's clearly a talented rapper and can write hits, and there's some brilliance on display here. But the whole being shitty to shock people schtick comes off as contrived and sure doesn't do it for me.
I very much dislike the misogynistic lyrics, but I can’t deny that the beats are very good.
It's got the Slim Shady song, but that's about all that's kinda good.
Some very good songs, but some very, very weak songs, making this album overall not enjoyable.
some good beats but overall YIKES
I imagine I'm probably not the only one who has mixed feelings about this album. On one hand, nostalgic slim shady classics like 'Stan' and 'The Real Slim Shady' are always fun. I enjoy, and regularly listen to hip hop, rap, and pop from the early 2000s, so the genre is my style. However, listening to this album all the way through was...tough. All of the lyrical misogyny (especially doing the song Kim...yikes) was hard to swallow. Idk if it was meant to be received as tongue-in-cheek or somehow subversive, but it just read as Good-Ole-Classic-Angry-White-Guy misogyny to me. And don't get me started on the anti-queer lyricism in 'Criminal'..! Lowkey, I feel like this is the album that Red Pill guys and incels listened to growing up lol. That said, ALL of the beats on this album are fire. 2/5.
βαρέθηκα λίγο
Did not fuck with it very much.
This was so cartoonishly violent wtf, why do you hate women. Still giving it two stars bc of Stan + Slim Shady though.
nicht ganz gehört, aber eminem cool
It's undeniably a work of art as music, but damn are some of these songs hard to listen to. Not just because of the upfront homophobia and misogeny and whatever other heinous shit he says, but some of these songs just so amateurish. The highlights of this album are amazing however. Stan is incredibly heartbreaking, and eases you into the rest of the album, and Slim shady is hilarious and catchy as hell. Favorite song: Stan.
un poco bastante disgusting im back nice
Nokre som får meg tilbake til barneskulen, nokre nye bra for min del men òg ein del som eg tykte lite om. Høyrer nok Ikkje gjennom HEILE albumet igjen.
An angry album featuring unwell people was not to my taste
Stan is great and I like The Real Slim Shady well enough, but the rest is… just not good.
I think I understand now why, for much of my younger life, I did not like rap. In my predominantly white, small, rural hometown, rap was synonymous with Eminem. And I do not like Eminem. Now, I do not dislike Eminem because I am offended or pearl clutching or anything like that. I am fully aware that the shock value is all a bit. He literally says so in Stan - which is a great song by the way. Maybe one of the most prescient songs of the 21st century. He then repeats this in the last track on the album. No, my issue with the shock value Eminem is going for is how trivial and childish and boring it is. It is equivalent to the torture porn horror films of the era. Trying to be shocking for the sake of it. Not much to say. Empty gesturing. Once you get over the initial shock of what you are hearing (if it even perturbs you in the first place) it becomes so mundane and uninteresting. I think the album does work though as an interesting time capsule of the late 90s early 2000s when politicians spent a decent chunk of time having congressional hearings about the dangers of Grand Theft Auto games, Eminem, and South Park. And I will hand it to the album for calling that out.
Fav song-Stan
Feels very childish, in subject matter and when Eminem sings hooks. Though horrorcore in general is definitely not for me. Stan and Eminem's sometimes-used rap skill pull it up a bit.
No thanks M&M
Disturbing for the most part but some nostalgic bangers like bitch please 2
I just dont like rap. I can appreciate the message behind some of the lyrics but this was not the vibe for me today.
I’m surprised at how little I liked this album. I heard Eminem was considered great and this was almost a trash album. 1st half much better than the second
Rap is definitely not my genre. But there’s no denying how talented Eminem is. Hated Kim, Hated Kill You. Loved Stan
I’ve never been able to get onboard with Eminem. He is undeniably talented, but he applies his talents in a direction that makes it difficult/impossible to enjoy his work.
You really just need like two songs
Great production, skilled lyricist, but none of the writing aged well. This was some 13-year old fantasy stuff, and it was a really tough listen. I don’t think I’ve ever heard a more consistently homophobic or misogynistic album.
Two great songs
you listen to this and wonder whether all those old people were right about his music
There are like two good songs on this album. The rest is bad. Some of them are downright annoying. I thought I would like this album considering I've been getting into Hip Hop and I knew I kinda liked some of his songs. But this is just not good.
Yes, Stan is a provocative song but the anger of this album as is the case with all Eminem albums turns me off,
Definitely mixed, few known iconic songs. Couple definitely not his greatest work that’s for sure
An unreal wide sunny
It's fine. I still like some songs on it, but it has aged poorly.
Struggled with this. I believe that Eminem has talent as a wrapper and is clever. This album goes too far into being offensive and shocking people for me to enjoy.
Just too much
Two things can be possible at once. The Marshall Mathers LP is an artistic breakthrough AND inexcusably misogynistic, homophobic, and sophomoric. Twenty-five years later, this sounds like edgelord rap, basically a 4chan full-length. Eminem can talk about Slim Shady being a character and how the Marshall Mathers LP reflected his real experiences and mindset at the time. Fine. But none of this shit is OK, and I can't get beyond its more noxious moments ("Kill You," "Who Knew," "The Way I Am," "Under the Influence," etc.) Dre's production is great, Eminem is undeniably talented, and the Marshall Mathers LP sold 25 million copies, so its legacy is set. Counterpoint: Fuck this album. Rounding up to two stars because of "Stan," which owes as much to Dido as it does Em's lyrics.
Med numre som The Real Slim Shady og Stan havde jeg forventet mere. Der er 18 numre, fraregnet de tre instrumental-versioner og de to skits. Og det er ikke rigtigt fedt. For rap er det klart bedre end noget af det andet, jeg har været igennem her, men jeg havde troet, han havde flere fede sange.
I understand that Mathers is a rap god, but I just cant divorce the bangers in this album from the absolutely disgusting and disturbing content interwoven in all the other lyrics. Genuinely some of the most vile and sophomoric stuff I’ve ever heard.
I started listening to Eminem when I was 21 or so (I distinctly remember being infatuated with his BET cypher from 2016), which may explain why I really struggle to enjoy his music. I think ‘Revival’ came out that following year or the next and it was enough to convince me Eminem was not worth my time. ‘Kamikaze’ was fun to listen to the first couple times. Anyway, I certainly don’t have the associated nostalgia that others do. Edgy humor just doesn’t make me feel good and I don’t think his content aged well at all. That being said, his talent as an emcee is undeniable. Certainly in the top ten of all time. “Stan” is a classic for a reason.
I expected to give this a higher score actually. I have this CD somewhere. I’m not an Eminem hater, which I expect several in our listening group are, but my fandom is mostly in the past tense. I think he’s quite talented in spite of his more obnoxious qualities, and honestly I project that onto his fanbase more than him. I think you can listen to pre-2009 Eminem without reaching for the Mountain Dew and Xbox controllers, but that’s just me. He goes through these phases of going in and out of style. He’s like the McRib of music. I’d say I’ve outgrown the horrorcore elements but I also don’t find them particularly offensive or whatever. Just kinda try-hardish. Like, overall, as a person, it seems like he’s only ever really hurt himself; I’d rather him say fucked up shit than do fucked up shit. Maybe a hot take but I can pretty much find a 1:1 comparison in a B.I.G. song for every “shocking” moment here other than the celebrity name drops so I don’t quite know why Eminem is held up as being uniquely offensive. “Kim” is a bit much but it’s supposed to be. I don’t think even at the time he was treating it as anything other than some primal scream therapy. I don’t like it but it accomplishes what it is supposed to accomplish and if you listen to it in the context of being a prequel to 97 Bonnie & Clyde (as intended), it’s an interesting juxtaposition and actually pretty effective. On the censored version that my brother bought from Walmart back in 2001 or whatever, they replaced it with a South Park themed song about drugs that’s pretty fun. Anyway, the good stuff here is very good but like probably north of half of this album sucks. I will say without qualification there’s some excellent songs on this album (the singles, Bitch Please II), and there’s some other pretty good stuff (Kill You, Criminal), but we’ve also got the aforementioned Kim, three stupid edgelord skits, two songs with D12 members who are not especially good at this, and some other very forgettable stuff. And the album is like 75 minutes long and I’ve made my stance on that very clear.
Can't say this didn't age well, it was real edgy then and now. I mean, it's infamous. It 100% should be on this list. It's a solid rap album. It also feels like crinkling styrofoam in many parts. I wonder how the trajectory of my life would have changed if the Scott County public library would have actually let me check this CD out when I was in 5th grade. Sadly, the world missed out on getting E-Mudreezy: Kentucky's best rapper.
There are some tracks that I like, but overall its quite uneven and goes on a bit too long.
I'm just not wowed. All I learned about Eminem is that he hates everyone except his wife and daughter (and I'm not even sure about them). Too long, and most of it isn't that great.
Sumt er ansi skemmtilegt og grípandi, en ofbeldislýsingarnar og hómófóbían eru verulega fráhrindandi og ég hef litla löngun til að hlusta á þetta aftur.
It would have been a lot better without the homophobic slurs
I do like a Couple of songs on here, but he’s not really my kinda muzik- did listen though
Not really my thing.
Uh no. Can’t believe this is what my 10 and 11 year old kids were listening to.
This did not age all that well...
I can see the humour and defiance in amongst the bleakness it good at what it does but not an easy listen.
i will never enjoy this mans music. i don't even care about the lyrism, i find outrageous shit funny, this shit just sounds so bad. like a hate his aesthetics so much. the production so ass, the rapping so corny. all of the bar about people being offended by him and him not giving af reads so sensitive, shit corny af. buddy just stand on business. lame ass shit i'll never understand why he's so beloved stream boolymon thats real rap
I have to rate it lower for all the slurs and hateful lyrics
boooooooo
I have never really been a big Eminem fan. I enjoyed 8 mile and can appreciate his lyrical ability but I don't like particularly his delivery. My bigger problem is him hiding behind his alter ego's to rap provocative statements that his less educated/ mature fans take a face value without realizing that Eminem does not actually mean it...
Overall pretty unmemorable and pretty boring but couple of bangers like Stan, The Real Slim Shady and Marshall Mathers but also some absolute stinkers like Kim. Not my kind of music really either which doesn't help.
It's definitely a classic of the genre, but I am not Slim Shady's target audience.
Well, I'd have to say that this kind of music isn't exactly my bag. I did listen throughout and for what it is, it is well produced and aside from most of the lyrics it is clever and thoughtful.
The only Marshall Mathers LP is Infinite.
Eminem is a unique figure in music and pop culture. So popular, so many classic hit songs, yet so few good albums? This album is such a good example of that rule. Stan is fantastic: a wonderfully well written song, depicting some dark themes in a surprisingly tasteful manner. It had a wonderful bass-line, and an awesome sample from Dido to string it together. The Real Slim Shady is also an infectious, groovy, and funny early 2000s rap hit. Some pretty left-field lyrics, but sat within that territory of what you’d expect from someone like Eminem. The Will Smith bar is hilarious and always will be. Notice how I’m talking about the 2 biggest hits from the album, though? Off the bat, Kill You is just an uncomfortable listen and it doesn’t get any better from there. I know part of his whole thing is, “if you are listening and not enjoying what I’m saying I’ve still won”, and he is right, but doesn’t mean I’ll ever listen to this album from start to finish again. Always here for some classic Dr Dre production though!
I understand Eminem is huge and he his album is one of the best, yadda yadda. Couldn’t listen for more than 15 minutes.
I have a soft spot for Eminem because everyone around me used to listen to him when I was younger. Even still, this album is a brand of edgy 2000s shit that just hasn't aged well.
Not a fan of rap but I didn’t hate this.
Yikes! Sorry for me classics, but a little too offensive for my delicate little heart. Heh
1. public - 0 2. kill - 0 3. ztan - 3 4. kneuu- 1 5. zteve -0 6. uuay - 1.5 7. Shady -2 8. Remember -0 9. Back -1 10.Mathers - 2 11. Ken - 0 12. Drug - 0 13. Amityville - 0 14. Bitch - 2.5 15. Kim -1.5 16. Influence - 0 17. Criminal -1
Hmmm. Great beats, often enjoyable rapping, Eminem is a really funny guy with some clever lyrics that make him stand out from other rappers, but man does he like to just go off on some rant about nothing and just try to say as many trigger words as possible. He spends so long trying to convince everyone on here that his words aren't a problem and that anyone who's bad will be bad regardless, but he protests too much. I'm certain he knows he's lying but he's made a career out of it so doesn't want to change now. It's a shame cos when he tells a story, like on Stan, it can be really quite moving
I can't say much more than what I did back when we listened to the other album on this list from Eminem. Its perfect for the late 90's early 2000's but its so juvenile now and just edgey for the same of pushing buttons. Not one lyric on this is considered art in my opinion, just a razor sharp brash statements. Sure they are clever but, in the way that is almost trashy. The beats are one dimensional, computerized. The features are lame, the skits are stupid. The ONLY shred of redemption on this album is Stan. Long form allegory about this fan base that he developed. So dark, so raw, so creative.
Stan still an interesting tune
Could be good but is too weird.
It’s a good album for what it is, I just don’t think I like what it is. Some great music, some lyrics that just don’t age well and it soundtracks a part of my life id rather not remember. Respect (some of) it for what it is, but didn’t enjoy
I don’t even know what to say about this one… I really respect Eminem as an artist. But goddamn this dude is angry. Some of these songs are incredible how raw and open and honest he is with the lyrics. But other songs are very gratuitous. Just like any other rap album, I’m sure this is a reflection of the world he was living in. But some of it hasn’t aged well at all. Half of this album is really wild and great, and the other half did literally nothing for me other than make me cringe. Probably could’ve been amazing if it was shorter.
Wow. This was pretty tough to get through. Much like his other albums, this one shows off his talent as a rapper, but also his desire to make shocking music. When it’s good, it’s done really well. But his imagery of violence and sex are hard to get through. 2/5 Won’t listen again
It's strange to listen to all these songs without the censorship. I'm used to the radio edits, where when I sing along I include the pauses and sanitised lyrics. This one is tough to rate because logically I can hear how smart the lyrics are, and when it slaps it really slaps, but I can't get over his immature it is. Even if it's a persona, it's tough to take seriously.
Eh, denne er vrien. På en side, så er dette et lite mesterverk av et album. Hiphoppen tok over albumformatet etter rocken, og dette er en av de best konstruerte albumene der ute. God historiefortelling, bra musikk, gjennomført konsept og en meget god flyt og form på albumet. Jeg prøver å kose meg, men man kommer ikke unna den enorme mengden med misogony og homofobi i dette albumet. "Faktisk så er det ikke Eminem som er misogyn, det er Slim Sh-" bla bla bla bla. Jeg vet det er et forsøk på å fortelle noe om sin egen samtid, å satirisere og sjokkere, men det er ikke godt nok. Dette er intet ironisk feministisk prosjekt. Dette er et album som egentlig fortjener langt mer, men det er vanskelig å gi bedre karakter når albumet får meg til å føle og tenke på alt annet enn musikken.
The actual beats were good, but this album did not age well.
Listen - it hasn't aged fabulously but there is some drops of good in here.
This album is corny overrated and aged like milk but is still somehow kinda okay. Its crazy to me there was a time this idiot was considered the GOAT. What were people thinking, seriously, how many references to fucking his Mum are on this thing? Mr Mathers has a major Oedipus complex. He also approaches the album with this, you can't cancel me for being homophobic when its not so much we're trying to cancel him but people were begging him to write about ANYTHING else besides his Mum, his ex or gay guys and nothing has changed. Your goat has the depth of a puddle. He knows how to write a catchy song but thats about it. Also Kim might be the worst song ive ever heard. That being said it still has its moments and is catchy as hell. 5/10
I remember the controversy around this album at the time but had never actually listened to a full album. It was a shock then to discover just how nasty, misogynistic, homophobic and centered on violent fantasy this album was. A hour of this is just boring, once you become desensitized to what he's saying. I'll give a low 2 but only because I acknowledge that Stan is well written and the last track ended on a slightly less sour note than everything else here.
Rich Evan voice: Embarrassing!
A couple of good songs (Stan Real Slim Shady) and better production than Slim Shady LP (eg Bitch Please 2). But mostly, this suffers from the same lack of direction that the Slim Shady LP had. It only has a couple of things to say. Stan is a standout song with something unique to say and done in an interesting way. The rest of it is basically "you can't shut me up!"
Meh. Rap’s not my fave. Some beats are cool but nothing special. Questionable lyrics.
The production on this album is undeniably high-quality, filled with catchy beats and memorable hooks. Even though I’m not a fan of Dr. Dre and don’t follow his work, I have to admit that he’s a top-tier producer. Now, onto Eminem. I know my opinion might be outnumbered by the masses, but I’ve always struggled to see him as a timeless musical legend. His wacky, silly, and goofy wordplay, laced with provocative and sarcastic humor, just doesn’t resonate with me. It feels more like satire with a level of maturity that specifically targets a young adolescent demographic. Sure, it’s a phase we can all relate to at some point in our development into adulthood. And yes, maybe his music spans generations, but it’s also a phase that we’re meant to grow out of. As one generation moves past that stage, another younger generation steps in to take over where the last one left off. But here’s the thing: if you found yourself relating to Eminem at 20 and are still listening to him at 60, that might be a pretty good indicator that you never really evolved or grew up.
I liked this when I was young and there's still some good songs and it was important 25 years ago but I'm going to rate it through modern lens
Genuinely embarrassed that I used to listen to this as a ten year old with my parents within earshot. I begged for this album for Christmas, I think my parents actually might have taken it off me after hearing some of the lyrical content. Found myself cringing a bit at it today, I don't think you'd get away with writing an album like this these days. Am I woke? Some bangers on here right enough though, Stan still slaps, but there's so much filler too.
Better than i expected, but I got bit tired of the all dicks and bitches towards the end
Eminem is an artist I have very mixed feelings about. On one hand, he’s an extremely skilled rapper and has some very insightful songs, but on the other hand, he leans too much into the humorous side. This album — or more precisely, its hit songs — were played so much on MTV and other music TV shows back in the day that they’ve gone stale in my mind.
Hit songs have wore through, rest of the tunes don't really interest me at all. Not enough music and way too much "lyrics" for me to enjoy this. It's like watching a juggler or contortionist who perfected their art, after the first few tricks I'm bored and mind wandering I can't really follow the act anymore. He is a very talented lyricist, witty with his words and jackhammer with his lines, these are practically the same reasons (but ones applicable to the guitar) I don't listen to Yngwie Malmsteen.
I was impressed by Eminem's raw ability to rap and he channels his anger well and even has a sense of humor—though I don't think he's funny. By the time I got to Marshall Mathers, I also realized he can fuck off.
18 tracks, a lot of shit, but some really good ones to balance it out. Plus he added stan to the lexicanum. 2.5 stars
a melhor parte é a produção do dre
This felt very 2000s. The fictional conversations between the music company 'suit' felt cringe, and is that... what....? I had to skip that. But in other senses I liked some of the 'hits'.
I didn't like him when I was young and I still don't like him now. 1 extra star for Stan
First of all, I hate this. Entirely putting aside the arguments about negatively influencing children, I hate it because it's got that "haha just kidding" shit that inspires the most insufferable so-called humor coming out of dudebros at the bar. I think the outrage I feel is mirrored back at me. These fucked up, angry, cruel, gross lyrics are coming out of impoverished, abandoned communities that live in survival mode. It's flipping off the hypocrisy of the rich and the lack of solidarity from the middle class. There's a lot of pain, violence, and cruelty that festers in poor communities and I think Eminem reflects that. At the end of the day, I find it to be artistically impressive but immature and repulsive. Glad to have listened to it for the music education aspect though.
Some good beats. Great wordplay and flow. Also though, the misogyny and homphobia wrapped up in its little, rage bait, satire bow is hugely unpalatable. I love hip hip and this dudes talent is massive, but it''s fucking gross. Not a Stan....
It sounds great and I get the appeal, but the edgelord lyrics are rough to sit through. I’m not a prude or easily offended, I just know when someone’s trying way too hard. It’s just a pretty cringe listening experience.
I don’t get the appeal of this guy’s music. He has some good songs like Lose Yourself but this album is largely devoid of those types of songs. The song with Dido was good and the real slim shady is funny but ugh. Glad this one is over
All over the place. I just can’t rate an album highly if I have to listen to a (total shit) song about graphically killing your ex that lasts two minutes longer than your single.
Didn’t Mather that much to me.
Never got into Eminem when I was younger. Definitely a slice of nostalgia of that era, but not my cup of tea, even if it's a "shock, but just kidding" style of album.
Not for me
No me gustó mucho, ya tengo suficiente con vivir en Latinoamérica como para aparte estresarme con la música.
оййбляяя... это его лучшая работа? ок чувак, я тебя услышал. Он читает как уебан, сильные фроубэки к домашним рэперам с 10ых годов, джоннибойчики, вот этот дурачок с видео который читает у ковра. И ведь дело даже не в ассоциациях, это просто плохо состарилось. 2/10 Highlights: The Marshall Mathers LP MUTED VERSION. ps:Биты полная хуйня
Orkar inte… CD eran har så sanslöst långa plattor! Sträcker mig till en tvåa för att den går att ha på i bakgrunden. Ingenting jag nånsin skulle lyssna aktivt på.
I picked up on a lot of influence from Dr Dre. I like the beats but not a fan of the lyrics.
I'm aware of the influence and impact Eminem has had, and the fact that as someone who doesn't consume this genre, I had already heard song from this album such as "Slim Shady", "Stan" or "Bitch Please II" is an indicative of how universal of an artist he is. That been said, I don't really like rap music so I don't think I can be fully objective when rating this album. But overall It was a fun experience.
Not the WOKE-est of WOKE albums. I quite enjoyed hearing Stan once again.
The Dre beats sound surprisingly timeless, and the overall production clarity is refreshing. But the content is very much of its time. The hits are interesting curios.
5/10
Off the cuff remark: never got this at the time, still don't. Is it about being as offensive as possible? Is it about self-aggrandisement? Quite like the "sound" but otherwise it's just a bit dull. Revisit?: unlikely
It’s very violent and hateful. Not my cup of tea.
No es lo mío.
A couple of catchy bits; but overall, not worthy. 5/10
Eminem is…. Not rlly for me
The radio hits are decent, the rest feels like suuuch a slog
This album didn’t age well. 2 stars for the 2 songs I enjoyed. I thought “Kim” was never going to end. Longest 6 minutes of my life! I do recognize the skill of Eminem and what he did in the industry. But this album is painful to listen to at times.
Aside from drug ballad it's tough as an adult who isn't an edge lord stalking the local mall corridors to relate to this album. It's well made. The rhymes are excellent. I don't fault it for what it is. To quote and appropriate episode of Ren & Stimpy: "it's an excellent representation of its sickly breed."
Not a fan...
Some of the dumbest music ever created. It’s almost impressive how consistently it avoids anything resembling taste, talent, or thought. If there was a prize for artistic misjudgment, Eminem would be a lifetime achievement award winner. The sad part is there some of it I don't mind.
The “hey, this is what you get when you listen to my music” record. Which I was the expectation. Low expectation met.
I think I liked this one a little bit more than The Slim Shady LP, but I still didn't like it at all. At least it was funny this time, making fun of the reasons I hated the first album (though it got real bad with Kim.) There's so much talent here, but I just don't like anything about it.
The first half was great, but stopped listening midway through Kim due to the disturbing content. The rhymes and production's great though. Tracks to Track: The Real Slim Shady
Ugh...I really don't care for Eminem. Too gimmicky, too much shock value for the sake of shock value, too much cartoony production. And it is probably way to overplayed from my college days. 2/5
..............oh, holy hell Like, ok, so I was around during the 90s and am familiar with how normalized hateful words were........... and I know part of the idea of this album was trying to make a point about what we say vs what we actually do...... but my god this was a rough listen. The music itself was probably good, but all of the misogyny and homophobia and ableism were so much louder. *cue Disney's 'this piece of art was made at a different time with different cultural values' message *
Bit of a tough listen tbh. Maybe I'm too soft but a lotta the lyrics are just kinda icky. The sound is obviously still iconic and a couple songs are classics
Väldigt kluven lyssning. Rätt starka låtar, clean och krispig produktion, tydliga hooks och många hits. Text och persona är dock väldigt tvek och rätt tjatigt. Funkar i vissa låtar, men i längden blir det bara gnällig incel. Hatar även artister som gnäller om hur jobbigt det är att ha lyckats. Känns inte heller som att han säger så mkt med all sexism, ilska och homofobi. Till slut tröttsam stapling av nedsättande epitet som mest triggar dålig stämning än att säga något. Kommer lyssna igen: nej Bästa spår: Stan (D) / The real slim shady (D2) Betyg: D: 4 av 10 / 2 av 5 D2: 3 av 10 / 1 av 5
There is no question about Eminem’s ability to rap - his is a rare quality. And there are tracks on this (and other albums) which reveal his genius. The problem is that very few of them stand up to multiple listenings except as examples of his verbal skill. Thematically they are repetitive and frequently boorish. Listen to a track or two - ‘Stan’ is the standout of this album - and then listen to something else, something more cohesive - something better. Perhaps ‘Straight Outta Compton’ if you want some proper rap.
It's too bad he can't use his powers for good. I've got a lot of throwing up to do too.
Before listening, I was already familiar with Eminem but nothing from this album. The standout track for me is Stan, which is great in its sampling, story-telling, and overall sound. The rest of the album I don't particularly care for. Kim, is also particularly memorable, but more for its horror than for being a good song. Stan is good, but wouldn't listen to the album again.
God I remember listening to Stan on repeat towards the end of my Junior year of high school. What a sample and song. The rest of the album, hard for me to get into after expanding my musical taste to the classic rock roots I now know and love. The vulgar, violent, and agressive nature of this type of hip hop is hard for me to sympathize with, but I do like Eminem. 4/10
Didn’t like much, but Eminem was in Real Steel. Not revisiting.
Eminem has aged worse than his actual albums. That said, the album's shock factor has decline heavily in the last decade or two. There's gems here but it has lost novelty with age. I dunno. Hard to say.
El concepto a comprender para poder escuchar este álbum es que Eminem está representando un personaje, un alter-ego violento, misógino y homofóbico. Parecido a lo que ha hecho Kendrick Lamar más adelante. No puedo decir que me guste el álbum, la música es muy repetitiva (entendible para el estilo musical, pero considero que con unos pocos detalles de variación en los arreglos la música podría haber cobrado más vida). La voz de Eminem es excelente para el rap y varios de los temas son icónicos como "The Real Slim Shady" y "The Way I Am". Insisto finalmente en que aún más que en otros discos, es muy relevante comprender el contexto alrededor de la producción del álbum.
Best viewed generously as a transgressive provocation piece, like if the most messed up kid you knew turned out to be very good at writing rhymes, and decided to try and make everyone hate him more. Elevates outrage to an art form, and extremely self-conscious about what it’s trying to be. But still jarring to listen to the degree of homophobia and misogyny. Weakly tried to palm it off saying the F word was just a contextless insult - not credible if you ever listened to the album. Music deliberately simplistic to avoid distraction from the lyrical limelight, but sounds hollow and aged.
He's brilliant and all, but by fuck is this painful to listen to in 2025 (and I could barely tolerate it at the time). A whole album of a guy you just want to tell to shut the fuck up the whole time.
Objectively good album, but not for me. Stan was good(probably as it was more suitable for people like me). Not a fan of the skits, put me off it.
A musically brilliant and lyrically ultra-violent album. The rhymes and rapping are pretty incredible. But to me, it's as if every song Lou Reed wrote was "Kicks" or "The Kids". And then he turned it up to 11. Over the course of the album, the shocks wear off. I think he gives himself away in the lyrics of Stan. "I say that shit just clownin', dawg, come on, how fucked up is you? You got some issues, Stan, I think you need some counselin'." I can see why there was controversy. But why anyone would play this whole thing straight through more than once is beyond me. I gotta go listen to some Beach Boys or The National or something.
I understand the whole other devil persona bit Eminem goes for with Slim Shady, and I knew what I was getting into with this album. Did not make it any more enjoyable, he has better songs/albums than this.
Just Cringe.
A bit dated
Einzelne Lieder sind gut, aber insgesamt ist es mir einfach zu misogynistisch.
Overrated
Top 10 White Boy Crash Out
25 years later, I just can’t listen to this one. Am I old yeah. But that shouldn’t matter. I can still listen to other 20+ year old hip hop albums. This one is just too much for me. Two stars since I do recall it’s got some good beats and rhymes (even if it’s absolutely vulgar).
Aged poorly in nearly every way
too much sweAring and machismo
So, this is a bit hard to rate. I don't like the violence, I don't like the misogyny, and I don't like the profanity. That said, it's got some of the elements of a great piece of work... it's clearly heartfelt, there are some meaningful contributions from others, it's creative, it definitely adds to the genre it is part of. I've been consistently giving one star to artists that I think are douchebags, and to albums that seem to be profane and violent for no purpose. Though I'm tempted to one star and move on with my life, I have to give this two stars. The artist has shown signs of trying to work on himself and improve himself, and the profanity and violence on this record are autobiographical.
High highs and low lows.
Good singles, rest is kind of meh.
Not my dealio
2.5 its ok
Meh
Transgressive art is an interesting thing. Sometimes it ages well, often times it does not. This, as an album, hasn't aged well. Even Eminem thinks so. He apologizes for his older material on Kamikaze-- a record that, when it came out in 2018, sounded like good ol' Eminem again. Eminem used to really like slurs. Especially homophobic ones and this album is chock full of them. It honestly makes it borderline difficult to listen to in 2025. But, the record does have a couple of great songs that still hold up, especially "Stan" and "The Real Slim Shady".
Only the Singles are worthy
Surprised by the repetition in this - how many times do you have to say that you say whatever you want to say and don’t care who cares? Eminem’s diction is impeccable, which is a shame because you’re not able to miss a single word. And what is the purpose of sharing a personal cathartic fantasy like “Kim”? Who the hell listens to that more than once?! Ugghhh
Had a very hard time getting through this. Other than "Stan" and a couple of others it's just tedious shock rap and some songs are unlistenabe. I know it's a persona but give it a rest.
Soo edgy and hateful for no reason. It's a shame because Marshall Mathers was a generational talent but in his prime he loved to waste it on trying to be as shocking as possible, to often really embarrassing results. A soundtrack for an angry suburban white kid who hates his mom and is weird about women. Give me the real slim shady and Stan and the rest can go fuck its mother, as Eminem circa 2000 would probably say. He also sounds like Linda Belcher when he sings on the godawful Kim
No es mi palo
Meh
Mwah wel goeie throwback
I haven't listened to this since I was a kid and I can see why, it hasn't aged well, lyrically most of it is violent, misogynistic and homophobic, it's just not something I want to be listening to, bar Stan and one of two other songs there's not a lot that makes me want to come back to. Admittedly I'm not a big Hip Hop / Rap fan, I just feel there are better and more interesting rappers out there from the 90s.
No matter much I try, I just can't get into Eminem. The only songs that did anything for me were Stan, The Real Slim Shady, and Kim
When I like the instrumentals I dislike his delivery, and when I like his delivery I dislike the instrumentals. Too circus/horror-influenced. The music doesn't hold up.
2000 really was a different time. I really liked these songs when they came out but now it’s just a little cringy. I understand he’s joking and putting on a character but I feel like it’s not something I want to listen to any more.
Knew the hits, but was unaware of how bad the rest of this album was
This album is like a cringe fest where Eminem tries way too hard to be edgy. I only enjoyed the tracks I recognized, but I won’t be revisiting them anytime soon.