Reviews (page 3 of 7)
Cool weird album with funny lyrics
00:20 after the album starts: It starts with a Beatlesque with no novelty, but ok, it's good enough. 18:00: I am listening to the "Greenman," which has slightly changed my opinion; it's nicer. 19:00: Let me fav some of their other albums, just in case. 20:00: Is this the real life?® 24:00: Thank you 1001albumsgenerator.com
Just the perfect amount of weird. I loved it. Wish it was on Apple Music. I always liked the song they had about Nigel
Gotta admit, not actually super familiar with XTC beyond the occasional "Making Plans for Nigel" from time to time. To that end, I feel like I'm working backwards a bit, not having deep dove into any of their OG albums. There's something very compelling about what a musician does after their glory days dry up, however, and I've always been very interested in that. What do you do artistically after the kids stop lining up and your aesthetics no longer symbolize the cutting edge? Do you dye your hair, stock up on botox and try to stay young forever? Or do you continue your artist journey, unbothered, while you cater to your smaller, but more unshakable fanbase that remains loyal to you and where your journey leads to? It's really commendable that they chose the latter approach, honing in on a robustly produced sound that really uplifts where their songwriting has landed. They are certainly doing anything but trying to fit in on anything edgey, but in that appeal their sound as elderstatesmen is perfectly mature for who they are. Beyond that, they are very unique and individualistic. The track "Greenman" for instance, really landing in it's own territory. Just look at them go with that flute! If your band doesn't rhyme with "Deathrow Skull", using a flute that much throughout the album is real ballsy.... and then arguably even then could be overload for some, but I'll be damned if XTC didn't pull it off. Nice work, gents!
A really solid tho a tad synthetic piece of chamber pop, though the highs make it worth it.
Unfortunately, the album is not available from my streaming provider. Instead, I listened to a collection of other tracks by XTC. I already knew the band and I like their music. I probably would have liked the album too. 4/5
this honestly really surprised me. the first song i thought was really annoying and your dictionary has some of the stupidest fucking lyrics i’ve ever heard in my life, but other than that, this creates a totally unique soundscape (sometimes for better, sometimes for worse) there are very few times when an album allows me to perk up and think that i’ve just heard something new, so thank you to this paul mccartney-meets-tears-for-fears! 1.) easter theatre 2.) i can’t own her 3.) knights in shining karma
This was fun, and I'll probably listen to more of this band. I only knew of them from They Might Be Giants song XTC vs Adam Ant.
first listen very interesting
Some good ones! I love greenman. Very zen. I wish it was easier to find! Not on spotify.
Loved it. Hurrah for English countryside pagan vibes. Like Skylarking it’s one to listen to again, if only I can find it somewhere other than YouTube….
I liked this lots. Please to bend down for the one called the Greenman
This was very cool
Album indisponible mais le groupe est chouette
Fíla þetta. Hef ekki hlustað nóg á XTC, þarf greinilega að gera meira af því.
Я не знаю чем меня это цепляет, но мне нравится. Оригинальный мужской вокал, разнообразная музыка, ритм чувствуется, подпевать можно, ну вот есть в этом что-то!
Took a little bit to click but it's one of those albums that just sticks in your brain for a while. Even when I was bored I was having a good time. Favorites were I'd Like That, Greenman, Fruit Nut, and Harvest Festival
River of Orchids creates a soundscape like a rain shower. I like the vocal panning done during the stage directions of Easter Theatre. Overall quirky set of songs. Wish I could add some of these to my Spotify playlists. Very glad I listened. Not a fan of Fruit Nut. Favorite songs were River of Orchids, Easter Theatre, Greenman, and I Can’t Own Her.
"Apple Venus Volume 1" is the 13th studio album by English rock band XTC. The band used more strings, acoustic guitars and keyboards expanding on their orchestral approach uesd on their last album, 1992's "Nonsuch." Lead singer and guitarist Andy Partridge coined the music "Orchustric." It took seven years between album releases due to personal conflicts, lack of money, false starts and a strike against their former label Virgin Records. They recorded enough songs for a double album but decided to have two volumes/albums with volume 1 being more acoustic and baroque and volume 2 more rockin.' The album did receive critical acclaim and had moderate commercial success reaching #42 in the UK and #106 on the US. Water dripping and strings open "River of Orchids." This sort of has a prancing feel to it with a cello. Partridge vocals come in and a layered chorus as well. There's a lot going on. It's eccentric. They switch over to an acoustic guitar in "I'd Like That." This song rolls along. Patridge is apparently rekindling a relationship. And, they go back to strings in their single "Easter Theatre." More vocal harmonies, really going Beach Boys on us. We get an electric guitar solo. It's a celebration of spring and a pretty good song. "Greenman" starts out with strings and a Middle Eastern vibe. There's a flute; this is really lush. Patridge said this song was about the masculine side of Mother Nature. Hmmmm. The album ends with "The Last Balloon." Strings, acoustic guitar and a flugelorn. It's jazzy and melancholic/bittersweet. I like the lyrics but I'm not sure if it's a song of hope or hopelessness for mankind. Maybe both. The album bounces between strings and acoustic guitar songs. There's songs about Mother Nature, middle age symbolism, relationships, season cycles and the harvest. The vocal harmonization and the lyrics are solid. They cover the emotional spectrum being happy, sad, hopeful and spiteful. This is a decent album. The more rockin' volume 2 is also pretty good. I'd have to say that I like some of their 80's albums more ("Skylarking", "Black Sea") but this is solid; I'd imagine most XTC fans would like this.
Too bad it's not on Spotify. I would listen to this more often, really interesting music.
great XTC, one whole record
I wasn't exactly present when I began listening. I found the first track interesting and wondered what would come next. Well, I found the next track very good...I was grooving! Then another cool track came on next, and I was really taken by the album thinking that this was my thing. About halfway through that third track (or maybe it was even the fourth), I began thinking how surprised I was to hear XTC performing this type of music. It was more hip-hop than alternative...then I slowly awakened to the fact that after the first track, my player had switched to a Doja Cat album. So, although I found this interesting, it paled in comparison to Doja Cat for me.
I was nowhere near as taken with this one as I was with Skylarking many hundreds of albums ago. Some fun lyrics here and there.
This was an interesting listen for sure… I’m still not sure how much I like this as a whole but the orchestral vibe was interesting, the lyrics kept me on my toes, and several songs I liked immediately. Not bad and I’m happy to have this appear on this list.
XTC have made a fascinating record and jt is interesting to see how the band evolved from spiky guitars to these lush orchestral acoustic sounds.
XTC is one of my favorite bands, so i’ve listened to this one before, but i liked the album a lot more on this listen. really wish it was on streaming, but happy to own it on CD. 3.5
The production values and quality of singing are not up to the high and ambitious standard of songwriting. I enjoyed the variety of songs and the content of the lyrics very much though. I would love to hear a modern cover of this, it done genius had nothing better to do with their time.
Probably a strange choice for the list, but still quite a good listen. I must have this buried in my CD collection somewhere because I knew the songs. It's music for grown ups to listen to on the couch - nothing too challenging dynamically but some intricate melodies.
3.5/5
New album for me. A surprising choice given all the classic albums XTC made, and just like their other work, one needs to listen to the songs a couple of times to recognize how good they are.
I fully expected to shit on this album in my review, what with it being a late career XTC album that I'd never heard anything about, and here I am happily eating my shoe on this one. Well composed, well produced, clever and quirky Beatles-esque art pop that has me wanting to spend more time in the post 80s XTC catalog
Oddball record which at times is actually very pretty sounding. A slight hint of Beatles and Beach Boys, interlaced with strange but interesting choices of instrumentations and songs. On the fence whether it's good or awkward, but it's overall more the former.
I'm more aware of XTC's reputation than their music. I know that Andy Partridge, the group's de facto leader, can craft quite the quirky tune. And indeed, this collection demonstrates an interest in the unconventional. The 40-piece orchestra (recorded at Abbey Road, which also allegedly ate up most of the album's budget) adds significant texture to the arrangements. Although they avoid obvious chord progressions, there is still a catchiness to many of these songs. "Greenman", a neat little number that brings to mind Indian influences, probably earns my favorite of the album. Apple Venus is probably not their masterpiece (the only other album of theirs that I've heard, Skylarking, was a touch better to my ears), but it was a good listen from a creative band nearing the end of the road.
Mostly enjoyable — and quite Beatley in parts.
XTC is one of those bands that when you finally listen to them, you wonder why they don't get more love. They're so quirky but the songs have that Beatlesque feel. This album, however, is not my favorite of theirs. Although the acoustic feel is great, I longed for more songs of old from them. But there are still good songs here, but just not things like "The Mayor of Simpleton" or "Senses Working Overtime". It feels like an album you have when you're having a Sunday brunch, and I'm not sure if that was the aim or not. So it's good and I definitely like it, but XTC definitely has better. Top tracks: "Harvest Festival," "Easter Theater," "Your Dictionary"
This album is definitely a mood. Atmospheric and interesting. There are a couple of head-scratching moments. For example, Easter Theatre's lyrics - "Chocolate nipple brown"? "Like the ground, your breast swell"? "Flowers climb erect"? Someone's horny, huh?? Also, the lyrics for Your Dictionary - such a pretty song for such bitter lyrics about divorce. I'm going with a 4 for the occasional weirdness, but it's a really good album that I would definitely revisit. Favorite tracks: River of Orchids (great opening. Very unusual styling - I like it. Makes me think a little of Sting), Frivolous Tonight (am I hearing a Beatles song? I like it), Greenman (caught my attention every time when I wasn't listening closely. Weird lyrics, but great music), Fruit Nut (very catchy, Beach Boys-esque), I Can't Own Her, Harvest Festival, The Last Balloon (great ending - love the transition from voice to trumpet at the end. Perfect).
VERY FUN!!! I LOVED THIS. I was quite surprised that I enjoyed this!!! Great sound and overall a fun experience. Great lyrics too
This was very unique and I liked it but didn’t love it
Not on Spotify
At first I thought it was too much effort to listen on YouTube. But I’m glad I persevered. I agree with the Beatles comments, but I think that adds to its charm. “I’d Like That” and “Your Dictionary” were particular highlights for me.
I can't rate this album higher than Skylarking and Drums & Wire. However, it is a very fine McCartney-esque pop album that deserves recognition.
T'was a bop, wasn't what i was expecting but i enjoyed it
For some reason this is a hard album to track down, but having finally heard it, I like it a lot. In places it is not dissimilar to peak era Squeeze and can also hear elements of Paul McCartney in the singing and the lyrics.
Spotify didn't have it so i have to listen on youtube. River of Orchids is cool. This is a real solid musical outting. I get a Steely Dan vibe from it, but not in terms of sound. In terms of craftsmanship. Greenman undercuts it, because the soundscape is just so generically "Arabic inspired". After that, it loses that shimmering quality that the opening tracks have, but still a very nice time.
Tough one to score. Some songs easily belong on a 5 star album but some songs have way too much Silly British flavour for my liking. Ultimately going to round up here on the strength of the good stuff, and add that I think XTC might be a sleeper Band For Me.
XTC is one of those bands that I feel like I could have really gotten into at some point, but for whatever reason never did. Honestly probably just random chance that I never delved deep into their catalog. They seem like a really interesting band with a unique vision. I love the use of strings and other instruments on this album. I just with it was on Spotify, I would definitely put it in my rotation. 4 stars.
My first exposure XTC. Having a hard time classifying this one. Good vocals backed by orchestrated soft progressive I guess. I like it.
Yes - enjoyed hearing XTC again.
Jammer dat die niet op Spotify stond, heb wel echt genoten
Isch mega a shame isch Das album nid uf spotify. Bin drum nur chli dure gskippt aber finds eigentlich würklich no schön? Aso chent mehr bi paar songs echt vorstelle das da würklich mir mal so recht ahlose usserhalb vo dem 1001 album thing. Wird halt nid passiere wells nid uf spotify isch aber ich würd voll mitvibe wenns öpper würd laufe lah. 4/5
Enjoyed the instruments
Between 1979 and 1982, I loved XTC. They had a really great and unusual sound. But then I thought they fell off the planet. I presumed they were resting on their laurels in a farmhouse somewhere spending the royalties. Little did I know that 20 years later they were still making music. And it ain’t half bad. Andy Partridge has such a distinctive voice you can recognise it is XTC without being told. Interesting that the album cover as depicted here is the wrong way round. Don’t know what to infer from that. I can hear lots of Neil Innes and The Kinks and that notable English whimsy. It’s incredibly witty and I was so intrigued I listened to it twice. It touches a quirky spot in a way that I recognise and love. XTC spells great in my dictionary.
XTC is clever and fun. I wasn’t familiar with this album but I enjoyed it very much.
More people would sing this album's praises if it was more readily available. Trust me, it's worth searching out. This little band had a lot more cooking besides "Dear God" and "Senses Working Overtime". I'd like something different for the album cover though if I'm being completely honest.
I wrote a long speel about the Beatles and Icarus but realised after Dictionary that it was nonsense. The album started a bit orchestral but then it was like they changed their mind or something and just gave up on that idea.. not sure if that was a good thing or not.. All that being said, it was an okay album which I'll probably never listen to again because its not on spotify. Thanks to Cheese Man. Favourite track - The Last Balloon - great outro song, trumpet?
Rating: 8.5/10 Great album, a lot of fun to listen to. The songwriting was consistently great throughout, loved the orchestral elements that were implemented. A lot of catchy vocal and instrumental melodies, the lush production really complemented the instrumentation. A lot of beautiful elements on this album as well, very pleasant and enjoyable to listen to. There was enough variety on here that it was interesting to listen to the entire time while having a consistent sound throughout. Favorite songs: River of Orchids, I'd Like That, Easter Theatre, Frivolous Thought, Greenman, Your Dictionary, I Can't Own Her, The Last Balloon. Least favorite song: Knights In Shining Karma.
Have I grown higher standards, or the illusion of such through such a thing like shorter patience? Initially a 2, a 1 but for Greenman. But honestly, this is a hell of an album. It's not a smooth ride. It feels like it should be, but it's not. But I was able to listen to it all the way through for a second time, just minutes after finishing it the first time. I can't say so much about too many other albums. There are few albums easily finished the first time. I'm not sure if I easily finished this the first time. The albums on the 1001 generator list are just background music for other stuff I'm stuck doing anyway, mainly CS practice. But this album was definitely something. And that means something, for whatever it's worth.
River of Orchids is an amazing opening track. Never heard it before, but it is incredible. The whole album gives me Beatles-vibes. Standouts: River of Orchids, I'd Like That, Your Dictionary 4.25
XTC turn their talents to acoustic-inflected pop and the result is predictably great. I simply and generally enjoy the band's output; Apple Venus starts with neither a hook nor a lyric, and that establishes the record's entire tone. All the band's stalwarts will return, less a pronounced rhythm section. Time figures, then, are up to the voice, resulting in a rather ancient mood.
I would really like to give this a 5, because it contains some of my favourite XTC songs with some truly fantastic arrangements and melodies, but then it also has a slump in the middle with songs that don’t hit the mark. It’s like 65% excellent. Definitely worse ways to close off your career (although they still released volume 2 after this one) but there’s still a bit of lost potential felt. I also find it a little strange that this is the only other XTC album included here besides Skylarking. Albums like Drums & Wires, Black Sea, English Settlement or Nonsuch would’ve made better candidates, I feel. All that said, there’s still a lot of great songs on this one
Smooth and melodic. A bit sing songy at times but really enjoyed the listen.
‘Apple Venus Volume 1’ doesn’t quite hit the same highs, and as consistently as ‘Skylarking’, but it’s still pretty great, even if it all sounds a bit familiar and Andy Partridge’s Beatles/PMac/Brian Wilson influences are more obvious than usual.
River of Orchids is pretty great. What a way to start the album! It's followed by the Beatle's-like "I'd Like That" and "Easter Theatre". Standouts: River of Orchids, I'd Like That, Easter Theatre.
At first I questioned why an album outside of their prime years of the late 70s and 80s was included, but the arrangements they crafted here really make this stick out in their catalog. Freed from major label scrutiny, they were able to tickle their own fancy to their hearts content. British eccentricity on full display.
Let's begin with the cliché surrounding this XTC album: shut your eyes, forget who you're listening to, and take in "River of Orchids" as it trickles into life. "Apple Venus Volume 1" could easily have been a hidden treasure of 1968, sitting neatly between The Beatles, The Beach Boys and The Kinks. Instead, it came thirty years later, from a band about fifteen years past their prime. It's a real curio even by 1999 standards, begging the question why it ended up included in the 1001 canon. All I can say is that I'm thrilled it was: after a few listens, I've decided it's a modest triumph. This, along with Vol. 2 which was released as "Wasp Star", were XTC's final albums. Principal singer and songwriter Andy Partridge suffered from severe stage fright which meant the band never performed live, and spent the best part of a decade refining these tracks in studio. I'm casually familiar with "Skylarking" and have always liked it, but this is something else altogether. "Apple Venus Vol. 1" is their "orch-oustic" manifesto: a blend between pastoral, acoustic-guitar driven folk and bombastic, symphonic arrangements. "River of Orchids" begins this in a stirring, hypnotic way, with droplets of pizzicato strings slowly building up to a bubbling stream. Layers of brass and vocal ripple over each other until there's a whole river of sound laid out before us: an entrancing introduction. "I'd Like That" is more of a lightweight acoustic ditty, but charming in its way with a satisfying flamenco outro. And then "Easter Theatre" misdirects us through meandering verses to an absolutely knock-out chorus. The moment the backing "stage left" lyric comes in, it's like the sky explodes in green and gold, and XTC are here to carry us all home. Later, "Greenman" is a grand old giddy joy that makes me want to dress as a shrub and dance round a maypole. "Harvest Festival" harks back to children's assembly, complete with recorders. And I can't not mention "Frivolous Tonight" and "Fruit Nut", the two tracks penned by Colin Mould. A little divisive with critics at the time, I'm happy to report that their vaudeville stylings work perfectly for me: they're shuffling music hall ditties which perfectly suit the songs of innocence package. If anything threatens to sink the album, it's the constant tension between superb music and really quite embarrassing lyrics. The ultimate example is "Your Dictionary": the lyrics are trite, corny and absolutely should not work. But in the end, I'm charmed by its sparse, acoustic instrumentation and the sudden, charming baroque-pop outro. Elsewhere, there's the middle-8 of "I Can't Own Her" - "when I say I can't own her, I don't mean to buy her, it's nothing at all to do with money" - hopelessly clunky. But in context of the song, surrounded by multi-layered vocals and swirling harmonies, it becomes breathtaking. So there we have it: "Apple Venus Volume 1" is a near-masterpiece. I'm stopping slightly short of full marks ("The Last Balloon" is a little underwhelming as a closer) but this is one of the best 90's albums I've been introduced to in a long time. And for all the talk about its forebears, what hasn't been picked up on so much is the subsequent albums "Apple Venus" may have inspired. "River of Orchids" and "Easter Theatre" could be straight out of an Animal Collective record, and there are shades of Flaming Lips' more symphonic work (which, incidentally, was drawing from the same sources in the exact same year).
Trippy throwback.
I was super impressed with this, and honestly only think that the CD era bloat typical among this era is what drags it down.
This list needs some Dukes of Stratosphere
Embarrassingly I don't think this is the first time I felt like I knew this band, got confused by what I was hearing, then realized I was thinking about INXS. This anyway was interestingly wierd and pretty unlike anything else. I enjoyed it.
Pretty good
Didn't think this was worth being on the list as we already have two XTC albums worth enough praise, but the magnificence of Easter Theater is enough to make me believe in the beauty of sound. It is unfortunate that Colin Moulding's two songs (Frivolous Tonight and Fruit Nut) drag down the overall quality. Otherwise, what a spectacular final showing for a band that should have peaked in the 80's.
Bien meilleur que l'album moyen de Britney sorti au même moment.
I like the mix of strings and 60s folk. It's sounds like XTC meets Pet Sounds. The Colin Moulding songs have more of a Scott Walker feel. It was brave to release such an ambitious and eclectic LP, that would not regiater on the commercila charts, since they were more or less broke. Andy Partridge's voice isn't at the same level as the arrangements.
Weird & enjoyable. Will revisit.
Alternatief, maar vrolijk en melodieus.
River of Orchids me deixou bem confuso do que seria esse álbum. Definitivamente diferenciado, isso é inegável. Só não entendi direito o que é isso. I'd Like That já foi algo bem mais compreensível, achei bem gostosinha, boa de ouvir. Adicionaria se fosse possível... Esse álbum é muito doido cara, essa Easter Theatre me fez perceber que essa banda tá me lembrando os beatles na época doidera LSD deles, do Sgt. Pepper e do Magical Mystery Tour. Com sons fora do comum, coisas meio tensas, bastante instrumentos de sopro, mas com melodias legais, interessantes e grudentas no meio disso tudo. Knights In Shining Karma começa bonita, profunda, calminha mas meio "pesada". As harmonias e melodias desse álbum são muito diferenciadas. Complexo de entender. Frivolous Tonight me lembrou um pouco música de natal, não sei porquê.. E foi antes dos chimes do final dela. Ah pronto, Greenman é a cota de George Harrison indiano da inspiração dos Beatles. E pior que ficou boa pra caralho kkkkkkk Your Dictionary é mó boa também. As músicas são muito distintas umas das outras. E é sempre uma surpresa agradável. Ah lá, foi só falar isso e do nada Fruit Nut começa com sonzinho estilo Donkey Kong uahseuasheuashuauhse I Can't Own Her e Harvest Festival baita músicas também, bonitas pra cacete. The Last Balloon fecha o álbum de forma mais darkzona. Esse álbum me chamou muito a atenção pela inspiração na época lá de 1967 dos Beatles, porém sem perder a própria personalidade. As músicas ainda se mantiveram características e únicas. Além disso, a diversidade ao longo do álbum, cada música era bem diferente uma da outra e tinha sua própria sensação. E a medida que fui ouvindo o álbum, eu ia ficando curioso pra saber qual a próxima coisa que viria, e nunca decepcionava. Fiquei positivamente surpreso. Músicas extremamente bem feitas, e muitas vezes meio complexas. Leva um tempinho pra digerir algumas. Acredito que esse álbum deve ficar ainda melhor com o tempo.
c est plein de choses qui pourraient me deplaire mais jaime encore ?
Rating: 7/10 Best songs: River of orchids, I’d like that
Alan Partridge works with the London Session Orchestra to produce a modern version of Pet Sounds-era Brian Wilson. From the chamber vocals, the triumphant atmospheric sound, and the whimsical instruments and effects, the arrangements are all lush, beautiful, and catchy pop tunes. I don't understand the hate; I thought it was all pretty good. There were a few tracks I didn't care for much (especially in the 2nd half), and the song structures are pretty simple, so I wouldn't put it up to par with Pet Sounds or even Skylarking, but it was hard for me to hate any of it. Favorites: River of Orchids, Easter Theatre, I Can't Own Her
The was a creative art-y album that worked well. Orchestra elements, some middle eastern influence. Overall beautiful sounding.
This album was only my second exposure to XTC. I found the music very reminiscent of the Beach Boys, Burt Bacharach, and the Beatles in instrumentation, song structure, and singing style. The orchestral elements were incredibly well placed and elevated the album into something that reminded me of SMiLE, Brian Wilson's unfinished masterpiece. Lyrically, the album deals primarily with themes of paganism though personal matters as reflected on the song 'Dictionary' occasionally seep in. I would consider this album a triumph of symphonic pop and though not every song grabbed me, the ones that did more than make up for it.
After undergoing the kind of record label hell that would extinguish most bands, XTC reconvene for the type of album only they could make. Even if they were now a brand as opposed to a band, they didn't fall for the grandiose bombast that characterizes most albums after a lengthy hiatus (that was self-imposed). Instead, they went for something a little orchestral and symphonic whilst keeping an eye on the pop scheme of things. It's largely a success, even if the whimsical nature of songs does induce a feeling of indifference. Overall, it's a stellar return for an outfit that was approaching a bittersweet end. https://youtube.com/playlist?list=PLzm-I9MllufIRZHTd8NFpjxPP3cGyFvvy&si=xfDhWQ0lJzeWSk7n Favorites: River of Orchids, I'd Like That, Knights in Shining Karma, Greenman, Your Dictionary, Fruit Nut, I Can't Own Her, Harvest Festival, The Last Balloon.
A lushly, orchestrated Beatlesesque album from UK favs, XTC. I am a huge fan of the band and there have at least a couple records that I would deem essential, but this isn't one of them. It is a very good record with several excellent songs, but I would hold off in calling it a classic. I like it a lot, but I wouldn't place it in XTC's top 5, but still better than most music from it's era.
I guess, that's how the Beatles sounded were they still making music. No real banger on the album but a creative and surprising variety of pop music with some Bachian elements.
I’ve never had much interest in XTC but this caught me by surprise in the most unexpected way Dreamy, reflective, nostalgic, melancholic I loved this
Album number: 1048 First listen for this album. I know XTC and have never really been a big fan - until now. This album is something really terrific. Even without a well-known hit single. Every song on the album is quite nice to listen to. Standouts: River of Orchids, I'd Like That, Your Dictionary, Others: Easter Theatre, Knights in Shining Karma, Frivolous Tonight, Greenman, Fruit Nut, I Can't Own Her, Harvest Festival, The Last Balloon. River of Orchids is simply fantastic. What a powerful way to start the album. Complex and beautifully arranged. It sets the tone for the rest of the album. 3.75/5
As an appreciator of a good portmanteau, I'm on board with the band's description of this as an 'orchoustic' record. The combination appeals, and this album delivers the promised sound, along with lush harmonies and themes of paganism and the seasons. Whimsical and beautifully recorded, I like this a lot. Rating: 4.5/5 Playlist track: Greenman Date listened: 24/09/23
You know, XTC.
Dreamy and lush. Very beautiful.
Hard to find, easy to listen to. 4 stars/
Green man makes me feel like a safari
It was upbeat, happy and kind of different, but this far into the project things don't surprise me anymore. It all kind of melds together and this does the same. Nothing amazing but fine if it came on.
This had some cool dreamy moments and was a pretty unique collection. I didn't love it, but it was enjoyable enough.
I had to check that I hadn't accidentally shifted to an unknown Paul McCartney album in a few places. I admit I may have overlooked XTC based on the literally awful band name, but they surprised me on this album. Keep in mind, it's hit or miss like any other; there are definitely a few Jethro Tull Lite kind of tunes too....
I don't know much about XTC but given some of their stuff I've heard over recent years I was looking forward to this. I was a bit disappointed to be honest - it wasn't like their early stuff and was a bit too reminiscent of The Beatles for my liking.
Only heard few tracks but I'm liking it so far.
3/5. The production of this album was very fascinating to me, made the whole record feel very adventurous. Whether that be the bizarre horns of opener “River of Orchids” or my personal favorite on here “Greenman” which feels like it would fit right in a movie somewhere. my biggest complaint with this album is the lyrics, which are very clunky. The worst offender is “your dictionary” whose lyrics are hilariously bad. On the whole I’m glad I listened to this, though there’s enough misses in the tracklist to where I wasn’t fully in love with it.
Het is oké
They took the silliest parts of The Beatles and made them worse.
Begon met een lekker nummer, maar zakte daarna weg. Kon me niet echt boeien. 2,5
fine liked that greenman song
lyrics are a bit wanky and the orchestra is a bit much but otherwise has some great moments
Definitely not what i was expecting from a band name XTC. I'm into it though.
This album is like someone who listened to so the b sides on Beatles albums and thought I can do this worse. 4.5/10 Top song... I'd like that
first 3 songs were a slay and last 3 songs were good... others were ibanban except greenman and frivolous tonight which were turrible! your dictionary abit embarassing too
I really like XTC, but I'll admit I've never listened to anything after the 80s. The first 3 songs are really fucking great but it does level off a bit after that. Andy Partridge has had basically zero cultural influence in America but he really is a top-tier weirdo pop songwriter.
3 out of 5. This was ok.
Greatly British, decently an album.
Very pleasant. Need to spend more time with this band.
temu beatles
звучит и неплохо, но не могу понять почему именно этот альбом xtc был добавлен в этот список (надеюсь будут еще), поставлю все таки 3.5 с округлением в меньшую сторону
I ought to like this more but I often feel that XTC sacrifice musicality on the altar of quirkiness, and this has not helped 😐
Cool, first XTC. I was wondering when these guys would appear on my list. About nine months ago I relistened to Skylarking because I knew it was on this list. I'd previously listened to it about five years ago because the album cover looked cool, though I was unpersuaded by Andy Partridge's very English style of singing. However, the chorus to "That's Really Super, Supergirl" had persisted within my memory for all of that time, which was why I eventually wound up revisiting Skylarking with more mature ears. I'm a lifelong fan of this band now. Andy Partridge is a fantastic songwriter, and while I'm not as much of a passionate listener of XTC's other albums as I am with Skylarking, I thought they were generally quite sharp. All of that being said, I am surprised Apple Venus is on this list. I suppose it represents Partridge's headstrong, ardent approach to doing whatever the hell he wants, but still. If you're whittling XTC's discography down to two albums Skylarking and Drums and Wires would be the most obvious picks. Fortunately, I've expanded the number of XTC inclusions to four. I've added Oranges & Lemons to the list and had intended to replace another album with the aforementioned Drums and Wires, but haven't done so for whatever reason. Admittedly, two list albums is about right for XTC given that they've only achieved modest commercial success despite their widespread influence and acclaim, but fuck it. Andy Partridge is a generational talent and their discography is pretty immaculate on the whole, so I don't think I can be faulted for bumping their number of included albums up to four. Truth be told, I'll probably replace this album with English Settlement come the end of this review, though I'm curious to give it a fair shake nonetheless. Here goes. Yeah, not bad. Like all XTC albums, however, I do think this is a bit frontloaded. The first seven tracks are all peachy keen, whereas the remaining four drag their heels hard. The music slows down, becomes more sparse and loses the strong vocal hooks which define the first half of the album, altogether making the last fifteen-or-so minutes of this album a bit of a write off. Still, there's more good than bad. The instrumentals are generally quite varied and playful, benefiting the 60s psychedelic influence that is written all over the lyrics. The brass instruments are a particular highlight along with the evergreen strings and woodwind instruments. The backup vocals are generally quite good as well. A bit of a surprise as I rarely ever pay attention to them. Like all XTC albums, Partridge and Moulding are adept songwriters who bring fun, charismatic performances to their respective songs. All in all, I did like this album, though I can't shake the fatigue which sets in during its later stages. There's "River of Orchids". Funnily enough, I've had this song in my rotation as of late. Great tune. I like the strange, fantastical element that the plucky strings, warbling horn instruments and ambient dripping sounds add to the piece, though the highlight is obviously the songwriting. The free-flowing vocal melodies and strange, playful lyrics are a joy to listen to and contribute a lot to the gradual build up of the song. "The grass is always greener when it bursts up through concrete" stands out to me as a favourite lyric. All in all, a great song - both as an album opener and as a standalone piece. "Frivolous Tonight" is strangely familiar to me. I think my Dad may have played it in his car once. Funnily enough, I know for a fact that he has "Stupidly Happy" from Wasp Star on his phone, though he doesn't appear to have downloaded any of XTC's heavy hitter tunes. Good song! Another favourite of mine from this album. It reminds me of Billy Bragg's music but if it didn't completely suck cock. I love being positive. Anyways, I like the sentimental, if dated piano chords, blown-out trumpets and the string segments which bind the finer aspects of the song together. Good vocals and lyrics from Colin Moulding, too. Very earnest and sincere. All in all, a good outing. Book time. The entry opens with "If some joker had handed a listener an unmarked copy of XTC's Apple Venus Volume 1 in 1999 and claimed it was the then lost Brian Wilson masterpiece, Smile, it would have been easy to fall for the gag." "...another one of XTC's mostly overlooked later masterpieces, an exquisite piece of highly orchestral pop adored by critics and basically ignored by the public." "...one of the group's finest offerings." The album was mostly handled by Partridge, though the curator considers Moulding's two offerings to be among the album's best. Wikipedia says this album furthered the pivot towards orchestral music that was first explored on Nonsuch. Partridge has labeled the album as "orchustic" music, which is amusing. The songs from Apple Venus and Wasp Star were meant to be bundled together as a double album, though the band didn't have enough money to record both sets of songs. Had a very troubled production, with many rushed deadlines. The difficulties resulted in the guitarist of XTC leaving the band. Critics were very receptive, though the album only charted modestly. I'm all for late career picks because of their relative scarcity, though as far as a discography with as many highlights as XTC's is concerned I think English Settlement is the more noteworthy and necessary listen. For that reason, we're switching Apple Venus out. I switcharoo this inclusion.
Средне. Добавил I'd like that и greenman
XTC another band I never got super into but know a few songs - some cool instrumentation on this
I can see why the name Paul McCartney trends on this. Doesn’t quite live up to him though
I think this is going to be one of those reviews that’s a haphazard mix of things people have already said about this album, and things I’ve already said about other albums that sound like it. Let’s get the first thing out of the way right now. This dude is not Paul McCartney. This high key sounds like a mix of The Beatles attempting to make a Pink Floyd album, with a touch of Gentle Giant in the mix. That last band is pretty underrated, check them out if you like Prog. I know this isn’t Prog but it’s certainly got aspects of a billion different genres wrapped up into 1 very disjointed, very interesting album that I am extremely split on as a whole. On first listen I determined I’m not a huge fan of the singers voice. That didn’t change on my last listen several hours later, but the album seriously grew on me as a whole. Some songs did at least. Some songs, primarily “Greenman” and the closer, “The Last Balloon”, sound really good. Others, like “Your Dictionary”, are actually just god awful and I rather dislike them. I’m split on the opener, “River of Orchids”, for the same reason. Having cheesy lyrics like this in the 90’s is a deliberate choice by the band, and it’s one that makes a lot of these songs just really annoying to listen to. That’s unfortunate, because if the lyrics were good, this could be a 4. The production and instruments sound really good. They even do the funny “We just went to India” parody song that every Beatles cover band does with “Greenman”, and it’s actually my favorite song on the album even with the cheesy, terrible lyrics included. Now, I’m not familiar with XTC at all, so I didn’t know what to expect with this album. Coincidentally, this is the second album in a row where I have a song from the band saved on my Spotify already. In this case it’s “Dear God” from 1986. And wow, it’s so staggeringly different from every single song on this album that I was starting to wonder if I was playing another album by mistake. It is the closer though, so I don’t know if it’s a bad representation of the rest of the album, but the fact that it’s not even that much older than Apple Venus Volume 1 is nothing short of very surprising to me. And hey, you know what?? This is the first of 2 albums by XTC (I wonder what that stands for), I have rolled for this project. The other album is Skylarking, from 1986. The very same album I was talking about before. It’s got a higher rating than this one, but still pretty low as a whole compared to the site average. Now, I won’t lie to you, this album did grow on me a lot. Yes, it’s got a very annoying singer, that did not change. But a lot of the songs somehow end up sounding unique from themselves, and the closer, “The Last Balloon” is very well done. It’s beautiful and was difficult not having it as my gold metal. It for sure takes silver though. I truly believe that if they weren’t just copying The Beatles this might be a 4 star album. When I don’t like a singer, the album starts at a rough 2. A few albums break out of that rough start and manage to be good enough to rise to a 3, and I do believe this is one of those albums. It’s a low 3, but it’s a 3 nonetheless. I don’t like giving 1’s and 2’s. I see a lot of good things in this album, even if it is yet ANOTHER example of British bias and might not be something I had to listen to before I die. It’s alright. Not great. But I am actually curious to check out Skylarking now. I’ll wait for the bot to present that to me before hearing it as a whole for the first time, it’s more fun that way.
XTC is weird. I like a ton of what they do, but there are also a fair amount of decisions that I think they get totally wrong. Problem is that both of those extremes exist within the same song, and on just about every song on this record. Plus, half of the songs on this record are at least 30% longer than they need to be. I want to love them, but they just fall short for me. 7.5/10
I’ve always called XTC dorky. And this does nothing to change that opinion.
Not too bad.
I hadn't heard too much of XTC - only really actually listened to "Making Plans For Nigel" - this is not so new wave and is more like Beach Boys pop (maybe around Sunflower-era.) So, that means it's luscious as all hell. The harmonies and the very textured instrumentation are also present. I'm not too sure how I feel about this album, leaning towards more good than bad, still incredibly impartial to this one, but I think it was still well made. Highlight Song/s: "Eastern Theatre" and "I Can't Own Her"
Love this band, but not crazy about this record. It’s good, but not their best.
I quite like xdc's earlier stuff and have spent a good bit of time listening to it. That said, I did not know about this album. I think it suffers a little bit from being too tame? I like the lyricism but the subject matter leaves me a little unenthused. It's still XTC but it feels a bit too aged and comfortable. There's still a few excellent tracks on here.
At least if it had been the album with ‘making plans for Nigel’ on it would have had a bit more cultural relevance to today’s politics… the first track was promising but descended into surprisingly safe and rather boring MOR fare for the majority of the remainder. Can hear the Beatles influences in the harmonies and chord progressions used but I don’t think this adds anything to anyone’s cultural experience and so could easily be replaced by a number of other albums better than this.
lame ass psychadelic album. idk why but this album pisses. it so large sounding for what. every song is kind of directionless and or annoying, and i hated the dumbass songwriting. i feel like aminal collective perfect this more modern style of psych pop like a decade later. not a fan of this
This had almost ren faire vibes at the beginning. Not what I would expect for what I think of primarily as an 80s band, but I didn’t mind it
Caught us off guard, was a lot funner than we’d expected. Your mum gave this two thumbs up, and definitely ticked a lot of boxes for me. Good that bands and artists can span generations and still put out great music.
Lush and layered, but slightly stiff and akward. Animal Collective did a better job at this same idea just a few years later.
Quirky and hard to categorise but worth a further listen.
If you’re unfamiliar with XTC this is definitely not the right introduction album. It’s an ok listen, but nowhere near the quality of their earlier stuff like Drums and Wires, Black Sea, the excellent English Settlement and even Skylarking. They remain one of the most overlooked and underrated bands.
This kind of sounded like music to a play or movie, and had quite a “silly” sound (at least to me). I kept being reminded of ELO from what I heard. It was okay to have playing in the background, but it wasn’t really my kind of music.
C'était sympa mais sans plus
Not what I was expecting!! I was expecting EDM but just from the artist name and because I am a complete philistine. Animal collective a lil bit mixed a little bit with the Shins and Magnetic Fields... though I will say it starts off strong and then goes a but Duran Duran cheesy towards the end? peters off. Easter Theatre is fun!
This was a really weird one, like I like a lot of early XTC but they’ve thrown late XTC into the mix where some of it is really amazing and some is the worst somgwriting ever. Sometimes maybe good sometimes maybe shit!
I've always appreciated XTC but probably need to spend more time with them as they sound exactly like the kind of music I like. This was decent, will revisit.
There's a track in the second half of the album titled, "Your Dictionary" – with respect to that, I submit another suggested lyric: "B-O-R-I-N-G, is that how you spell music in your dictionary?"
Fine, didn't love it, didn't hate it
Their Spotify profile states that XTC didn’t achieve commercial success because they were always behind the times. If that’s true, I wonder in which era “Apple Venus Volume 1” was actually in step with the times. It’s not as if this music couldn’t have existed in different decades: to me, it sounds like a combination of ’60s songwriting and ’70s sound. I just don’t think they would have been more successful at any other time. The band is technically excellent and the production is professional, but each of the songs seems to be waiting for its full potential to unfold - but that moment never comes. In that sense, the “Art Rock” label once again seems to stand for combining styles that, in the end, probably don’t mesh very well. That’s a shame, because given the band’s skills and ideas, this could have been an outstanding album.
another unique band. not the greatest but definitely a pleasant listen
I like XTC from what I've heard - Drums + Wires and a couple of albums are top tier for me, but apart from the (admittedly very good) orchestral arrangements, this is quite a middling album. You can tell they were towards the end of their working arrangement.
meh it was ok
happy happy happy
Es ist eleganter, kammerpopiger XTC‑Feingeist: reich an Streicherarrangements, sanft, detailverliebt und oft wunderschön. Gleichzeitig wirkt das Album stellenweise zu verträumt und verliert etwas an Spannung. Kunstvoll, aber nicht durchgehend packend.
Liked parts of this, Greenman and Easter Threate stood out
Not a bad album, just not that interesting either.
A decent enough listen, nothing on here I didn’t like but nothing I would rave about.
had a great start but after like the 4th song it went meh
Came out about 30 years late huh? Simultaneously good and corny bit of a confusing listen...
it was not really what I was expecting. Maybe a little bit ostentatious, but overall it was not awful and there were a few songs I did not mind. After a complete listen, I am not sure what to take from this album. I cannot see myself wanting to find out more about their back catalogue, but I would listen to another album with interest to see if there is some variation in the music they produce. Easter Theatre is mt standout track. 3 stars
I remember hearing a few tracks when it came out. Very Beatles-y, starts strong but track 5 and the other Moulding track are bad. Dissappointing as it started so strong. 3.5 rounded down Heard before? Some Owned: No, 91/344 (26%) Will I get: No
Expected worse honestly
Not actually sure how I felt about this... the lyricism was not always my jam, but the instrumentals were dynamic and interesting the whole while. And it DID remind me of The Beatles and McCartney in particular. And even if it reminded me of the "over-indulgent" era of the Beatles, I love them in every form, soooooooo I think 3 stars will do it.
Weird, quirky and odd lyrics. But it is fun. Would give it 4 but it is kinda of long
The first edition of a fruit on a planet.
hmm. fine
I have never heard of these guys and most of the songs were not songs I vibed to. But there were 2 songs that were so good and the first had some indian elements mixed in it that made it pop... Songs I liked Greenman Your dictionary Review - 5/10
This is a weird experience. Mid to high 3.
ALBUM #100. Finally reached the triple digits and about 1/10th of the way there. Now for this album I think it had a weak start for me but towards the second half I actually started enjoying it a lot more. 7/10
XTC is super nostalgic for me. This is a good album but not my favorite. The second of theirs so far on this list.
그냥 평범했다. It was just ordinary.
I listened to XTC quite a bit in the 1980s and loved their stuff. But I have to be honest and had no idea they were still together and had made albums into the late 90s' and 2000's. This wasn't at all what I was expecting from XTC. A lot of the songs have a very "Beatles sound" to them. There is a pretty big range of music from mellow and almost folksy, to very eclectic. I really liked a few of the songs and others I just didn't care for. Just an ok album for me and not one I'd listen to again as a whole, but I did add a couple songs to my playlist.
I've never heard of XTC before now. I gave this a couple listens because I really wanted to "get" it. The production is lush and there are some beautiful arrangements. But there was something on almost every song that irritated me just enough to keep me from fully enjoying it. Except the final track, The Last Balloon, which I do think is lovely. But man, I really disliked Your Dictionary and I Can't Own Her especially. 3 stars mainly for the musical compositions. I just wish the substance within those compositions were more appealing.
8/06/2026 I slowly warmed up to this! Spotify listeners: 732.2k
Yet another completely irrelevant record by some British blokes who nobody outside of the UK gives a shit about AKA 1001 records you must listen to before you die #301.
un álbum raro pero que dentro de todo se llega a disfrutar
gente a origem do Imagine Dragons e derivados
cool sounding sort of, not memorable.
I enjoyed this but I think it would get annoying if I heard it too often. 3/5
Was not familiar with XTC outside of Peter Pumpkinhead. This was a departure from that song or vice versa. This music is heavily influenced by the Beatles in a good way.
I know I'm jaded whenever we get another British rock album on the list, but this wasn't bad. I wouldn't go out of my way to listen to it again, but it was actually a fair enough entry. It seemed a little more personal compared to what else was coming out around this time, and from what I've seen on the list so far. 3.5 if I could.
Wasn't as bad as their other album on here, significantly less dreary. I quite liked Greenman. That dumbass dictionary song after that can get to fuck though lmao
British to a fault with stupid lyrics. The instrumentals were nice, though.
liked it more than i thought i would - easy to have on as background
A good collection of songwriting, production and performance by Andy Partridge/XTC. Why they never were hugely successful after 'Making Plans For Nigel' and 'Senses Working Overtime' is a mystery.
3 for Greenman. Shit slaps.
Light 3
Beautiful album- I enjoyed all the different instruments contained within. None of the songs really grabbed my attention, but it was a pleasant listen.
At a certain age, bands become more interested in art and experimentation than tunes. Safe to say this happened to XTC for this album. There are some tunes, but there's a lot of indulgent noodling too.
3/5
I don’t know I keep starting this and getting through half of it and something interrupts and then repeat so I don’t know tf yo tell you. Definitely taking queues from Paul and Brian. Need to circle back.
An absolute must revisit this one, I can see its potential. I was a big fan of XTC up to the big express, then I just sort of moved on. I’m sorry I did now based on what I’ve heard today. I’ll be on their back catalogue this week
I had no idea what to expect with a group called XTC. I think I thought it was something akin to 90's Deee-Lite style house/techno/funk/rap. Nope! Sure isn't! Kind of a random Beatles meet Moxy Fruvous choir boy + instruments + 60’s Brit pop/prog mash.
There's a few interesting songs on this album (the first track has an almost Steve Reich quality in the orchestral contribution), but overall, its just okay and not particularly interesting to me.
Все-таки цікавий гурт цей XTC. Слухаєш і не знаєш що на тебе чекає. Мені сподобався цей альбом і сподобався більше ніж той єдиний який я в них слухав повністю (там де dear god). 3.5
Fun with while listen…gonna check out more
peacock feathers are really fascinating
XTC has a pretty good sized catalog. That's why this choice is somewhat confusing. I suppose it means that there's several more XTC albums to come? I mean, there has to be; This can't be their only representation here. So basically, pretty good album. Just not a great XTC album.
Not my kind of music, but it's alright.
man this is kinda rough. 2.6
This album is a beautiful, gentle return after years away. While listening I felt calm, a little enchanted, and sometimes quietly moved — like wandering through an English garden in spring with a touch of magic in the air. It’s not really a concept album with a single story, but the whole thing has this strong “orch-oustic” vibe: lots of warm acoustic guitars, rich strings, and orchestral touches that give it a lush, almost pastoral feel. Andy Partridge and Colin Moulding lean into themes of nature, paganism, rebirth, middle age, and romance, wrapping them in clever, thoughtful lyrics. Songs like “River of Orchids,” “I’d Like That,” “Easter Theatre,” and “Harvest Festival” stand out with their playful-yet-deep energy. The arrangements are intricate without being showy, and the melodies have that classic XTC cleverness mixed with real warmth. It’s not their rockingest record (that’s more Volume 2), but as a mature, melodic, and slightly eccentric piece of British art-pop, it’s really lovely. I enjoyed sinking into it. Not everyone will click with the orchestral side, but if you’re in the mood for something thoughtful and pretty, this one rewards you.
I think I'm only familiar with the song "Easter Theatre" because of the "Strong Songs" podcast. Otherwise, I don't really know much of anything about XTC. I feel like I thought "Easter Theatre" was just an odd song based on the podcast episode, but we'll see what happens with the rest of this. I think the vocals are just too off-putting. It's like they're constantly way at the top of their own range. It also seems like they might have taken a lot of drugs during the making of this, but not the right kinds of drugs that for great music... not that I'm condoning doing drugs. It's not bad, but I thoroughly don't get why it's on this list.
Why does this feel like a Disney movie soundtrack
3 1/2 Stars: It's kinda like if the Beach Boys did the soundtrack for Midsommar.
Meh
I felt like I was listening to show tunes. Nothing necessarily wrong with that, but it was a little weird. At least it wasn’t unpleasant, and I’ll give them points for the 40 person orchestra in the studio.
World's okayest beatles soundalike band. Not terrible, not great. Not going to become part of my rotation, but I didn't hate it.
Not bad, unexpected. Beatlesesque in spots for sure. Might listen to more from this band
Although I find this album unique in the sense of style, it's just not my type of music. On the one hand, it got the theatrical features that reminded me of Bowie and Talking Heads a little, and I can imagine this record as a musical, which is cool for an alternative album. On the other hand, it was kinda boring, and there wasn't enough dynamic and contrast to my taste. I waited for some kind of culmination, like when you're listening to Electric Light Orchestra or Queen, but it was more or less monotonous.
Technically good, just not my style
Not bad
River of orchids - 3 I'd like that - 4 Easter theatre - 4 Knights in shining karma - 2 Frivolous tonight - 3 Greenman - 3 Your dictionary - 2 Fruit nut - 2 I can't own her - 2 Harvest festival - 3 The last balloon - 2
Ah shit I don't know. I actually really think the songwriting is great. But it is on the cornier and overly happy-go-lucky side at times. My concentration fell off at the end of the album, so I think I will have to return for this one. For now: 3. Potentially 4 in the future.
Equal parts quirky, melancholy, and mysterious, just as any XTC release should be. I consider my self a fan and had never heard of this one. Not much of a fan, apparently.
i didnt love it but it was interesting
Not my favorite XTC
een niet onaardig plaatje maar ook een plaatje dat niet echt in deze lijst thuishoort
3/5
XTC Exist on the edge of my consciousness but never listened to them seriously until today. Always make me think of Nigel which is a name apparently nearing extinction. My wife’s b-in-law is called Nigel but as far as I know he isn’t an XTC fan. If I was called Nigel I think I would be more attracted to this album in the same way I’m attracted to Wreckless Eric or Clapton. 3/5 16/3/26
Jumping into this album having no clue what this thing is. Alrigth this sounds very experimental so far. Yeah this is so weird, but in a cool way. Easter Theatre is really good wtf. The lyrics of "your dictionary" are so bad lmao. Its very diverse in sounds actually. Its not for everyone so I can see the very low rating of this album (on this site atleast). I liked it. Id give it a 3.5 if I could.
Not what I expected but a cool album cover can do wonders. It was fine
75
Thought this would be more band past their prime than it was - I enjoyed it not sure if it’s going on repeat but I enjoyed more than I thought for sure - a 3.5
Will listen to this at some point. I usually listen to music at work and can’t get more rate options for some reason since I skipped this one for now.
Pretty chill, doesn't stand out much though
This was great! A solid album that I will come back to and very nearly a 4-star album, because it introduced me to a completely new band. Until, that is, I listened to some more of XTC’s music. AVV1 is good, but not great like some of their earlier albums.
Good to let it run in the background. But I don’t need to listen to it again.
There is definitely a huge Beatle-influence here. Somewhat enjoyed it 3/5
La primera canción no me gustó pero conforme fue avanzando el disco fue creciendo dentro de mi Greenman es mi highlight
Surprised to see a 1999 XTC album on this list and even more surprised when I heard that it wasn't that great. But it wasn't that bad either. I was able to do my work without it distracting me so something to be said about that. What this album was all about I have no idea.
Overall Rating - 2.86/5 (5.73/10). Not bad, but not great, either. Very middle of the road.
Very interesting music. Enjoyed it.
I liiked the album. "Elaborately arranged pop", Quirky, well produced. Lots to listen too, it's not background music. I am familiar with their popular songs but will listen to more if them.
Never heard of XTC. Liked some of the songs. At times sounded a bit like musical theater music lol. The last song with the trumpet is awesome.
Derivative in the best way. Like listening to a mixtape of your favorite bands without knowing any of the songs
I hear a fair amount of Beatles influence here. This didn't really grab me but I think it might grow on me if I bothered to listen to it again. (Don't hold your breath!) 2.5/5
Somehow ok
Dit is een weird album, wel positief weird, maar er is gekozen voor een soort super experimenteel progrock achtig album. Het bevat invloeden van bijna elke cultuur die je mogelijk kan bedenken, kan me heel goed voorstellen dat dit een super ambitieus album was toen. Niet alles werkt even goed, maar bijvoorbeeld Greenman is een heel grappig nummer, bijna een beetje Midden Oosters? Het is allemaal gewoon nogal spacey en klinkt bij tijden heel vreemd. XTC voelt een klein beetje als een progrock band, een beetje als een ontzettend experimentele band, maar toch klinkt het grotendeels niet zo spannend als ik denk dat had gekund. Wel een grote shout-out voor de prachtige saxofoon solo aan het einde van The Last Balloon, sowieso een heel mooi nummer om het album mee af te sluiten. Kende deze band niet, maar was zeker niet verveeld of dat ik het een saai album vond. Maar ik heb heel sterk het idee dat het nog wat vreemder en spacier kan, daarom 3 sterren. FAVO: Greenman, The last balloon
Nomás no le doy 2 estrellas porque las letras son top aunque esté chaforro
I don't mind XTC, however this album is a bit of a mixed bag, there are quite a few I really enjoyed, but there are a few that are quite weak.
I am surprised. I've never heard it before. Most songs are interesting when it comes to songwriting.
The Beatles knock off. Not terrible but like come on.
Fun listen from a fun group
It's nothing special but I kinda liked it. It was good background music while I was working.
An almost pleasant listen. But nothing really remarkable on. Weak three stars. 2,5
I wouldn't have guessed that XTC were still making music in 1999. XTC are fine bt never really clicked with me. Same with this one.
Musically interesting, too many cutesy lyrics
Definitely different than Skylarking - a lot less 80s and more instrumental, experimental styles. The music made sense.
Lät bra och med intressanta och varierade inslag. Kan nog behöva fler lyssningar för att jag riktigt ska sätta mig in i det mer.
Jävligt konstigt, men också ganska välgjort o najs? Oklart.
Definitely different like a mix between the talking heads and late Beatles, but never as good as either of them in their own.
Приклльна
This was a curious album, swinging between genre influences. The final track was interesting in that it seemed like a down tempo, bluesy Beach Boys song. I'm inclined to give it an average rating of 3 because I liked it but don't necessarily see returning to it often—but I think I may return some time. The cover art seems really fitting too—just as abstract and open to interpretation.
Meh. This was fine but not for me. 2.7
Although I'm not a big fan of Indian music, it was nice. The Last Balloon was a great ending
Good for sure, but far from my favorite XTC album and I don’t really think it’s in the top 1000.
Really mellow, much different style than I am used to from XTC
Kinda like the beetles. I actually like some of their songs though. they had a calming feel but toward the end of the album they lost me.
*Cool and different sounding album *At times gets a little too unique for its own good
I appreciate that XTC are a very clever band, but perhaps by 1999 they'd gotten a bit too clever? "Dictionary" is super cringe. Other than that, there's an awful lot to like here sonically (and lyrically, too, sometimes). Makes me want to dive into some of the classic XTC records, but I'd file this one as just ok.
Good
I love XTC but this album doesn't really do it for me
Lite gulligt, påminde mig om soundtracket till någon Disneyfilm(?), men blev lite bored. Svag 3a.
Vad var det där? Man slår på webben och ser XTC, 1999, då förväntade jag mig absolut inte det här! Mycket kul. Sen blev jag snabbt besviken när jag insåg att bandet bildades redan på 70-talet. jaja. Albumet startade bra, men blev något segt mot slutet. Hann tyvärr bara en lyssning men skulle faktiskt vilja höra mer.
What a beautiful little album late in XTC's run of making great-sounding records. Definitely not that popular but should be listened to more. Opening track with the long delay was weird though.
A few great songs here and there. Might have to listen to it again.
Pretty nice music, not brilliant. Nice sleeve.
Sadly, another example of a great high-energy band going flaccid in their middle age. Sure, recording and performance-wise it's of high-quality, but the songs don't move me at all.
I've never heard this one before. Only flashes of what I liked about XTC. Green Man stands out for me.
I thought that some of this was fun and some of it was unbearable. Seems like the kind of band that the more you listened to them, the more you'd like them though. It was definitely an interesting listen though which I appreciate.
This was.. not what I was expecting? It was definitely cool and unique. I really liked a few songs. The more indie / post rock songs definitely drew me in, but then some of the more "musical theater" vibing songs kind of took me out of it. I bet this has a cult following, I'm sure some people absolutely love this shit.
Perfectly serviceable Britpop. That's all, folks.
chilliges, ich glaub eigentlich eher unbekanntes album. Kann man gut durchhören. Wird glaub ich ein großer für mich. Aktuell an der Grenze zwischen 3 und 4. Highlights: Greenman
delightfully quirky.
I did not know this band. Pleasant music to listen to. Overall a good album.
Give it at least one star for the album cover art, but after that, this is odd. Experimental? Instrumentation syncopation is good (harpsichord and other unusual instruments). Follow that up with I'D LIKE THAT (given the Abbey Roads influence, I got a kind of had a Beatle-esque vibe although the vocals weren't quite on the same par as Beatles). And I get a bit of Indian influence in Greenman. Overall, I like this album though I cannot state exactly what attracts me to it. Listened before? N Saved tracks? Y Favorite tracks? I'd Like That, Knights in Shining Karma, Greenman, Your Dictionary, I Can't Own Her, ⭐⭐⭐ Liked it. Saved a few tracks.
Love the cover. 🦚 I appreciate the anti-car sentiment of River Of Orchids. Cars are killing us. Don't think walking on your hands is a very efficient mode of transportation, though. I'm getting Beatles and Ben Folds, and I don't hate that. I love Greenman. Otherwise, it's okay but probably not going to listen again. Despite the trumpet, The Last Balloon was not a great ending.
Interesting lyrics, and nice vocal harmonies in many songs. Difficult to find a specific direction though
Not for me at all.
ça va
Odd, new agey. Not bad. Not great.
sonically interesting, lyrically a bit weird
This is apparently number two from XTC on this list for me. I don't really remember the first much so we'll see if this one is any better. I think I said this about the last record of theirs but I find it hard to believe this came out in 1999. Totally unlike anything else happening at the time. Not that they were ahead of themselves or anything, quite the opposite - this still sounds like Donovan in the 60s to me. It's ok. There's some fun things on this one but given the time difference between the two albums of theirs I've listened to, there isn't a whole lot of growth as a band. If any growth at all. There are a couple of high spots here and there but this one is not something I would come back to and I think I'm done with XTC as a band. 2.75/5
It's weird from the get go. And at first I thought "this is my kind of weird." But it took it a little too far and while I didn't enjoy it, I was glad when it was over.
Orchestral pop, blah Greenman Your dictionary
Uno de esos casos en los que las partes superan al todo. Es extraño, pero aunque varias de las canciones me gustaron, como que el disco en general me pareció algo aburrido. No tendría ningún problema en escuchar las canciones que me gustaron por separado, pero echarme de nuevo el disco completo, la verdad me da pereza. Está bien, pero sí aburre un poco.
achei super bom! mas em alguns momentos achei meio theatrical demais pra mim,,, tipo a musica "i cant own her" me lembrou de um dinsey song
Paul McCartney-esque with a mixture of Brian Wilson thrown in for good measure. I enjoyed this much more the further into the album I listened. By the last track, I was wanting more.
Strange 3.25
XTC were one of the more interesting and art damaged bands of the original post-punk and new wave scene. But frankly, I didn't know they were still making new music in 1999. And it doesn't sound a ton like their old stuff, but it's still interesting. The sound here is kind of an orchestral/psych/pop-rock thing, but honestly, the top review on this site kinda got it in one by saying that this sounds like the weirdest and silliest Beatles songs. This is kind of a series of Beatles-esque experiments, with a lot of color willingness to experiment and a strength of vision, but the results end up as a mixed bag. Even the best songs here aren't precisely my thing, but they *are* interesting. River of Orchids is compelling, and a couple of eye-roll inducing lines aside, I like I'd Like That too. Knights In Shining Karma has cool textural work. Harvest Festival is pleasantly pastoral. And my favorite here is probably the beautiful The Last Balloon. But the bad here is a real problem. Firstly, I'd more say I have mixed feelings on Frivolous Tonight: the music is a little silly, but I like the sentiment a lot. But I just think that Greenman is a straight-up slog. And Your Dictionary manages to be the worst song here. The music is actually good, it should be a good song: but the lyrics on this song are so bad that they need to be studied. It's frankly improbable, it is so bad that I cannot really enjoy the song at all. But despite this, I did enjoy a lot here. And the sound here is so unique and interesting that I am willing to throw XTC a bone. I do know they've made much better though.
Hvað skal segja? Áhugaverðar hugmyndir og stundum áheyrilegt og fínt, en samt ekki eitthvað sem ég myndi leita uppi til að setja á aftur. Tæpi þristurinn.
River of Orchids // Easter Theatre // Frivolous Tonight // The Last Balloon 3.5/5
Strange album for me, it came across as a very good tribute band compilation.
Kind of fun, kind of irritating, weird music.
Very cool. I think I had some blindness about this artist. I never heard them before and somehow build the idea that they were some kind of commercial pop act. Really pleased to discover that this has some very credible soulful music. Their is something about the vocal style that feels quite experimental. Not a very smooth listen for me, but one I can imagine learning to really love
It sounded to familiar and similar to the Beatles
Flaming lips and Beach Boys with a hint of Talking Heads and yet it's not a slam dunk. It's got some of that surrealist lyrics from the Love era but it's just not working that well for me. Lots of ideas but nothing to return to while not being terrible. It's a hard one.
Weirdly I did not expect XTC to sound like this, from what I heard of them before it was pretty standard new-wave post-punk type of stuff which I liked. This is more like baroque pop, beatlesque type of stuff. Not bad, but I don't care about it too much either so probably yet another 3 stars. Rated 3.5/5.0 on RYM. I think I should REVISIT this artist, not neccessarily this album though. I want to check out their stuff from the 80s
499/1001 🌕🌕🌗🌑🌑
This was a weird one. Yes, some strange lyrics, although some of the music was ok. Vocals sounded like Paul McCartney but of course nowhere nearly as good. Overall nothing significant. Not awful enough for a 2 although nothing I’d care to listen to again.
Some songs would have made a great acapella arrangement
Spotify keeps trying to push early XTC on me. I can understand why, as I like a lot of similar music from that time but, Making Plans for Nigel aside, I've never really got into it. This album is quite different to their 80s stuff, with more melody and less edges. It was fine apart from Your Dictionary, which was a bit shit, but nothing more.
Never realized these guys had such a boner for the Beatles. Jesus. Good stuff, but I prefer the hits. 3.3
6/10 Interesting ideas but it doesn't quite come together. Highlights: Greenman Easter Theatre Your Dictionary Frivolous Tonight
Nice
Ne Drei, weil Einheitsbrei
es dudelt so dahin, hab mir mehr erwartet, wenn eine band xtc heißt. dudeldidu
Interesting
i was pleasantly surprised by this album.
M'eh
Quirky, strange, Beatle-esque kind of album. Description says that the band was not on good terms… you could sort of tell. It had a ton of intricate and complex melodies, but some of these lyrics REALLY should have been cut. Overall, pretty solid 👍