Reviews (page 8 of 10)
Pjesma 6 jedina koja valja Pjesma 11 je zanimljiva Ostalo nije moj stil
One of the better electronic albums on here
sick as hell
First 2 songs were good, rest of the album sounded liked Daft Punk but shitter
Starts amazing,then becomes just kinda mid.Disappointing.Most of it is just fine.
surprisingly very groovy and fun despite what the dark album cover suggests!
Nice electro disco. It starts of great, but there’s definitely some filler on this record. Favorite song: newjack.
this album was fine. i don’t really like ever listen to something like this so i don’t know maybe that’s why i didn’t like it so much. i wish i could tell you my favorite songs but they all kinda just blended together. the ones i enjoyed the most though were “Genesis” and “D.A.N.C.E.” i definitely could’ve died without listening to this. it kinda kept me motivated while doing work though so that’s a plus
Once again an album with one great song and an overall average rest of the record. That one song is obviously D.A.N.C.E. such a great piece of electronic music, whatever the actual subgenre is. I think every party since 2007 includes some version of a remix of this song, and for a good reason. Other tracks maintain the tempo and energy of that song, but there is something lacking, you don't really feel the same atmosphere anymore, it's nothing as substantial as this. So once again, above average note, for an average album and a great song.
Every track a banger, no notes
In the haze that came from Daft Punk's dominant grip on dance music, there may have been those who wondered who would be next in filling the shoes of the robots. Justice, while wholly more human after all, not only were up to the task but they did so with the pizzazz and sway that was clearly their M.O. Upon listening to Cross, one can be caught up in how persistent it is in its "dance-opera" ethos, finding themselves moving their hips and cutting up the rug with unknowingly ease. Also unknowing, yet rather obvious, is the long leash the album wields throughout the years; from the obvious Daft Punk approach to music to the sonic world building to even Uffie's rap that Kesha would soon bring into much wider consciousness on The Party. All in all, Cross is an album that bears repeat listening and has all the tools needed for a grand old time.
So, so good
monotonous, nothing on it is groundbreaking or stands out enough to put it in rotation.
Genesis- 5/5 Let There Be Light- 5/5 D.A.N.C.E- 5/5 Newjack- 5/5 Phantom- 4.8/5 Phantom Pt II- 5/5 Valentine- 4.7/5 Tthhee Ppaarrttyy- 5/5 DVNO- 4.7/5 Stress- 4.8/5 Waters of Nazareth- 5/5 One Minute to Midnight- 5/5 Total- 4.9/5
Never heard of this group - picture of one of the guys looks like Aaron Rodgers in an Orioles jacket. Great start. First track "Genesis" has me grooving. Daft Punk vibes. One of those albums that doesn't have endings to tracks, they just flow to the next one. It works with this type of music. I have faint memories of the most popular track, "D.A.N.C.E," but surprised I've never heard of this. "Phantom" is FUNKY. So is "The Party." Definitely heard that chorus sampled before.
Sterk begin, matig midden, mwaa
All good except The Party…anything but that song
Pretty solid dubstep/EDM type album, nothing too overbearing. Some tracks were kinda average but some were definitely bangers. Good if you're in the mood for it
I'm not into electronic music so... it has some good vibes, but it's not for me.
Un álbum de nuevo electrónica sumamente influyente para las tendencias que le preceden. Sonidos originales y composiciones interesantes hacen del debit de Justice un LP sumamente cautivante y divertido.
Decent dance album, on the heavier side and actually I prefer the more instrumental tracks.
This † still sounds fresh and new to me. It's an excellent listen if you're looking for something to both engage with *and* zone out to at a BPM that can move you.
A fine dance album. Its' place on this list is questionable though as I cant find anything particularly revelatory or big influences other than D.A.N.C.E.
Great dance record.
Low expectations OBLITERATED
If not for 'The Party' (excruciatingly bad) this would be a 5. 'Let There Be Light'- impossible not to dance to it. Great dance album.
French Electronic dance rave music. Heavy, hectic. At some times haunting, at others melodic. Haven't listened to a huge ammount of electronic music, but really enjoyed Justice.
Not my style, but interesting
Please stop giving me EDM albums
Sorry but I can’t stand this record. Usually I’m a huge fan of everything electronic. But this record is too much for me. I didn’t like it back then and I still don’t like it now.
De mis discos preferidos brutal
Electrónica ruidosa horrible.
there were some bright spots but they were few and far between. a lot of songs that i really had to force myself to listen through
Warming up on additional listen but after the first 3 songs there is little to enjoy
D.A.N.C.E. Carries this album further than it should.
Not a fan, felt like it went on forever. Too much noise not enough direction. Only had a few moments that were enjoyable to me
used to bump this all the time while grinding D3 for 12 hours a day in high school. brings back memories of working at temple and smoking weed. 3
Strong 3 for the really good tracks but this kind of falls into the dance music groove and works more as background music to my brain
An erratic dial up internet connection in musical form. Nostalgic for interference, static and distortion. Stuttering, dark, dystopian, decadent, nihilistic. Also very catchy and accessible.
2.5/5 ok background electronica
This is kind of cool. They mix dance music with more experimental sounds.
Good strutting music. One always needs a fitting soundtrack to accompany a good strut, and this fits the bill. 3 confidence boosters out of 5 😎😎😎
Bastante duro.
Some parts were good but you can’t credit Justice for any of them
A couple of great singles and a good vibe, but too much of the album feels like filler.
ok??? 6.5/10
I don't listen to lots of electronic music, but this album is one I will likely come back to. Sounds great sonically without being overly dense.
This album is classic for me. It's like Daft Punk, but way more engaging for me because there are tweaks on each bar every time it's repeated. It's enough that I don't get bored. Also, none of the songs are too long, which is a real bonus. Other than their live albums, none of the rest of Justice ever clicked like this one does, but this one clicks like a motherf*cker. 5/5
I like the tracks with guest vocals more, but this is largely still not my thing, sorry. C-
I liked the clear production of the album but musically it was very repetitive overall. The sound of the whole album reminded me of Daft Punk here and there though in a less exciting way. It wasn't completely unlistenable, just a record that I couldn't get into it because it felt so samey.
Älä anna huijata juksuttaa..Erilaista 1001.. mutta ei exellenteä..
3.2 Objectively pretty good for the genre just not really something I'm in a rush to listen to again faves: genesis
this one was a mixed bag, i liked some of it alot, other tracks i didn't like at all.
There's a select few albums that fill me with excitement when I see them come up on the list, and this is definitely one of them. What the hell is it with so much amazing electronic music coming out of France in the 90's and 00's? This is like Daft Punk's edgy goth younger brother. It's got a lot of funky disco flair, with bright strings that permeate through the music, and yet, It's awash with distortion, it's full of glitches and artefacts. While there's the obvious and possibly undeserved parallels between Justice and Daft Punk, it's clear that Justice were doing a lot of their own things and really venturing into new territory with this. Cross bridges the funky and danceable with the heavy and badass in a way I don't think a lot of electronic albums have done, and I imagine that this must have had a ton of influence on electronic genres going into the 10's: Dubstep, Glitch Hop, House and EDM as a whole, and more recent trends like Synthwave and Cyberpunk music. This sounds futuristic as hell today - I can only imagine how this felt in 2007. It's an excellent album that I definitely need a physical copy of. Favourite: Genesis
kind of poor Daft punk
Police partout justice nulle part
souvenirs de fou (le Crazy Dance de la fête foraine)
I already knew of Genesis so it's a great start to an album. I also recognise D.A.N.C.E which was a nice surprise. The rest of the album was a bit average though. Not sure I will bother to listen to the whole album again
Long time since I've heard this one. Its a bit like Daft Punks dirty sister. The beats are pounding and tbe distorted synths wear after a while. 3
Scratchy electronic dance sound "bloghouse". Good variety, ranging from party tracks like D.A.N.C.E to hardcore sounding Stress. Certainly a record of it's time, but a fun one at that. Highlight is Genesis.
JA, jeugdsentiment. Ik voel knallen, ik voel eerste keer Pinkpop in 2008. Eigenlijk zijn de nummers enorm simpel, maar die overgangen en algehele vibe pakken me nog steeds.
I’m on an EDM kick right now, so this album came at the perfect time. Starts out with a bang, and hooked me right away. Sone songs are best repetitive, but creative with the effects and sounds (apparently TONS of samples were used in this album). Good flow throughout. Listen again: yes Purchase for my collection: probably Favourite Song: Stress
Surprisingly, I actually enjoyed this one. This is more like what I expected that EDM would sound like... actually danceable.
Blijft een goed album. Wel iets heftiger dan ik mij kon herinneren. D.A.N.C.E. is ook echt een klassiekertje
Dit album is de soundtrack van mijn groep 7/8. Vond de clip van Stress altijd heel sick. Verder ook goeie nummers op het album, Justice is nooit echt echt groot geworden en voelt als het kleine broertje van Daft Punk. D.A.N.C.E was wel een mega hit en verdiend ook. Ik kan dit album niet niet een 5 geven vanwege de nostalgie, dus here we go
Really have loved this album for some time. Big beat! 4/5
Really fun electronic music! love the bass on it
I'm really disappointed: I got this album and new a really good song from it (D.A.N.C.E) and thought maybe the whole album would be similar, spoiler it wasn't. I just found it so incredibly underwhelming and honestly a massive let down with most of the tracks here just seeming like mindless sounds to fill time.
No totally my jam
oooh looks intriguing. 2007...Is it metal? 🤞🏽 OH FUCK YEAH, the first electronic album. Sounds synth waveish. I dig it! It's very Daft Punk-y. Apparently they are also a French Duo. Dug quite a few of those songs! One I will revisit.
3.75
I enjoy this album but it gets kind of "same-y" after a few tracks
Maximal ecstasy in the last years und a free and prosper western world. Like the after hour of the decade. Pressing, hedonistic anything else but subtle. Aged like a Young, simple wine being drunk too late. 2.3
It could be easy to dismiss this as a Daft Punk rip off but Justice brings an intensity and unique production style to the French house scene. There's often a fine line between sampling as a lazy way to make music and being a genuinely interesting process. With over 400 samples and micro-samples, Justice are firmly justified in their approach, akin to artists like DJ Shadow or the Avalanches. The result is an album that's deeply rooted in the 70s, disco and funk traditions but is coated by an industrial sheen. Perfect for a good pair of headphones.
Well having no idea at all who Justice are, I was worried this would be some kind of American Christian Rock album. Thankfully, it wasn't. What it was, however, was an impenetrable mishmash of various approaches to electronica, that manages to at once suggest the artist(s) are trying to experiment with sounds and to make pop music. The vocal tracks seemed wildly out of place. The whole thing sounds like it's recorded in a single iMac in someone's bedroom. Much of it is exactly the kind of 'doesn't quite work' composition I'd expect to hear from teenagers learning to use software. Whoever programmed the drums seems to be using presets. Then there are unexpected wild flights of self-indulgent slap bass, that are a reminder that these are actually some kind of professional act. Stress is a standout track that made me sit up and listen, and perhaps gave me a context that this is coming from a world view I have no part of, and probably don't want to explore. Which, of course, is ideal, if we assume it's from a younger generation than my own.
Electronic music often leaves me feeling pretty cold, but I cannot deny that is fun, danceable stuff! I own this one on vinyl, and I'm waiting for the right opportunity to throw this one at a future party -- I think it could get the crowd moving. On my most recent listen, I did notice that the album sounded a little more "2007" than it had previously. But, meh. I'm nostalgic for 2007 anyways.
I just love heavy electronic music like this! The album doesn't drag on too long, and I feel like Justice performs better without vocal accompaniment. Cross is crunchy and heavy and man, I love that.
More forays into the world of electronic music thanks to this project! It's doubtful that I'd ever hear any of these otherwise, so I'm genuinely grateful for this generator serving these up to me. Some good tracks on this one. I liked 'D.A.N.C.E.' especially -- it's fun. Sometimes things grated on me a bit, things like the buzzing sounds, but it's electronic music and I've gotten more used to it. I still don't really seek it out, but I get it in this context.
Great album, one of the best albums I have ever heard. Always thought this album was rock/metal whenever I seen the cover
a não ser que eu tenha tomado ÁCIDO não tem a menor CONDIÇÃO de ouvir essa bagaça. cruzemcredo!
First half very strong, last half, unmemorable. A good three.
Pretty strong album overall.
I don't know what to say about this, other than the fact that it was frightfully repetitive and dull as hell. This is a very poor attempt at I don't know what to call this abortion. They need to never pick instruments up again. ever.
french guys always make good house and electronic music; this album is no exception.
Electro Housea, ei ehkä ihan mun lemppari. Dance tietenkin tuttu kappale, lopussa vikat 3 muuten parhaimmat. Stress kuulosti aluksi nimensä mukaisesti tosi rasittavalta, mutta olikin kova. Kuuntelisin kuitenkin mielummin Feed Me:tä
Nostalgic
So much nostalgia with this, its essentially what got me into electronic music. Huge-production dance beats haven't aged well generally, but this still hits good for me. Strong 3.5 Fav Track: Let There Be Light
Dated? Sure. Silly? Absolutely. But boy, this is buckets of fun! Catchy melodies, fun and inventive production that leaves a lot of space and breathing room for unique synth tones and beats. Three and a half? Probably, but no. Four! Fave track: Genesis
At last an album from the ‘00s that has a bit more sense to be on this list - this record had a fair bit of impact on electronic dance music, and it has aged pretty well. It’s kind of refreshing to hear some really muddy beats mixed with some pop. The first half of the album is beated out pretty precisely, there’s a lot of flavour and range to keep things from getting dull. Somewhere in the second half (I think somewhere between Tthhee Ppaarrttyy and DVNO) things get a little tiresome and the more anthemic EDM ones don’t resonate as well with me. Still a solid blend of engineering and musical originality - 4 stars. Fave track: Genesis
fuck yeah
French electronic artists are the only people on earth who actually understand how music production works
This is a great French electronic album with rock influences. Standouts: Genesis, Waters of Nazareth, D.A.N.C.E. 4/5.
Normally not my style of music, but I really enjoyed this one. Cool electronic music. Not sure the sub-genre but I liked it.
Today’s album comes with a side order of nostalgia. A close friend of mine, known as Jam Scones, was really into some songs by Justice many moons ago. Back then, just like today, I tend to ignore most things he says so didn’t really give Justice much of a chance back in the day. Let’s find out today! Songs I already knew: D.A.N.C.E Favourites: D.A.N.C.E, One Minute To Midnight This was such a fun, feel-good album. The bass synth makes my throat feel like it’s rattling, and I love it. The composition throws some strings in here and there, making it feel like a funky orchestra playing alongside a DJ. This is the kind of album that is very easy to dance and let loose to, and a definite addition to party playlists. There isn’t much to really fault here. I had a really good time listening to it, and have been singing D.A.N.C.E to myself all day.
They have a knack for ear worms. Impressive debut. I don't listen to that much dance music but I think part of the appeal of this is that it easily crosses over into pop & rock realms.
Electronica you can really sink your teeth into. Meaty, beaty, big and bouncy (with just the right amount of noise and glitch).
It's fun and juicy dance music. Drunk and in da club? I could dig it. But as a home listening it's a bit too straightforward for me. D.A.N.C.E. is super overplayed, I am more a fan of Genesis myself.
3.5 stars. Solid house EDM album. Lots of sampling, it's a good listen but nothing extraordinary. Standouts are "D.A.N.C.E." and "Genesis."
Electronica not my thing
Bombastic and lurid, but still retains a certain delicate melodic quality. A modern classic.
wow, great find! epic, up there with Glitch Mob and similar, and wonderful to get introduce,d thanks!
There's something magical about this era of French electronic music – it reached an international audience, sounded quite unlike anything else, and still sounds good today. Love the hyper, cut-up sounds made danceable.
A bop. Had heard D.A.N.C.E. before.
"starting with their 2007 single..." their music sure sounds like that lol i feel like im watching a youtube rewind
this is how i imagine daft punk sound lol. i kinda wish i liked it better? would dance to if given a chance + i love works that are heavy on sampling but idk if i would return to it later. maybe i'm just allergic to french electronic music. I'll rate it 3 but it's like 3,7 to me
The French are known for two things; house music and protesting. Fantastic album. 4/5
Had not heard this before, but pleasantly surprised. Great beats. 3.4/5.
8/10
Fun
First two songs are pretty good. Valentine was a good song I do like Stress a ton.
I've never listened to this. I've heard some songs in other places, namely at shows or bars, but this is a first for me. I really enjoyed this album.
This is stressing me out and I don't love that
bangers
Not my cup of tea but it’s a great album to walk to
Eh, I liked a few of the songs, but I can only listen to so much of this type of music. I guess, objectively, it's good, but I'm not the biggest fan. D.A.N.C.E. is great tho.
Cat: This Rules. I’ve heard a couple songs and didn’t know who it was! Very fun, great dance beats, enjoyable stuff! A whole techno album is kind of intense to listen to in the middle of the day. This is late night DJ shit. AJ: overall… not for me. Just not where I’m living. I liked some of the sounds. I disliked a lot of the sounds. Phantom and Phantom 2 were my favorite. Don’t need anything else. Some nasty bass parts throughout, but not enough for me to be excited. High in a hotel room at 2:30? Maybe. Whatever. Drugs are fun. But I’m never gonna be the one to put it on.
Meh. Supposed to be disco influenced, but completely uninteresting.
I don't like this music but I understand it's a good album.
De va swag i början men sen ble de svag
Baanger
Jättecoolt, gillar hu dirty de samplar... låtarna med lyrics va int jättebra thouuu
Cool, chill album. Very enjoyable!
Lyden av tenårene mine!
Soms heb je platen als dit nodig in je leven en dit was de goede moment. Perfect om de dag te beginnen. Stress is die goede NBA 2k13 schijf
Ik vind dat een toffe ontdekking D.A.N.C.E pak ik zeker en vast mee
Wall to wall big beat bangers
Not quite as magical as I remember, but still a belter with a couple of stand out tracks.
Love this. Happy to relisten to it.
Daft punk if they were good
Meilleurs que Daft Punk. EDIT DU FUTUR: C’EST UNE DES PLUS GROSSES BOMBES DE LA LISTE, MAIS NE SHIT TALK PAS SUR DAFT PUNK MON PTIT CRISSE
C’est hot, y’a des classiques et tout là.
about as good as house gets… so not very
Perfect
Surprisingly enjoyed this. It capture the imagination of my ears.
Dance. Electrónica.
D.A.N.C.E.
Some of the tracks with vocals provided more interest, but I was less convinced by the purely instrumental tracks, on the whole.
Electronic music, not my thing
Super duper synth
Starts strong but tails off, the second half is much weaker than the first.
Not the biggest fan of EDM
I remember not really liking Justice when this album first got traction, I seem to remember being disappointed that they were this heavy abrasive sound when I was hoping for another offcut disco duo like Daft Punk. I think the album Woman really turned me on to Justice, and revisiting this now there are some great tracks on here and I can hear how the production of this still stands abreast of the rush of noisy music that was to swamp the pop scene a few years after this album. Would be a 4.5 if it didn't have The Party on it.
Not a fan of electronic music. D.A.N.C.E. was a good song tho
I knew I was in for something good when I saw that Daft Punk (my favorite electronic artist) offered Justice to open for them. I generally don’t like the vocal songs - ‘D.A.N.C.E.’ is an obvious exception - and ‘The Party’ and ‘DVNO’ are the low points, although the music is still good. Otherwise, good instrumentals all around.
The back half of this album seemed a lot more electro than the first to me. Preferred the first half by a good bit.
There’s some interesting house-y? stuff going on. Sounds like Daft Punk’s Discovery but punkier and more repetitive. The first half in particular feels kind of same-y. I like the second half better, Ig when there’s more vocals. The synth bass makes it very funky.
I'm a bit conflicted about this album. I feel like every song is indicative of the album itself - it typically starts off strong, groovy, with a driving beat that makes me want to get hype... but then it goes on and on and doesn't always make changes that make sense to me. Maybe I just don't really understand electronic music, or maybe I'm not listening to the album as a whole enough? I'm not sure. I'm sure that if I was at a rave I would really dig it if it was playing.
I gotta say, I find Justice a little overrated. They apply the same formula to basically every song on the album and it wears on me after a while. That said, lots of great tunes on here. Album is a tad too long and bloated for anything higher than a 3 3/5
Nifty glitchy electronic music often with a housey flare.
Kommt zwar nicht an daft punk aber trzdm stark. Strong 8/10
Great electronic album kinda like Daft Punk but not as good. Will most likely revisit this a fair bit! Best Songs: - D.A.N.C.E - Newjack - Phantom I + II - The Party
Not my personal favorite of Kendrick but one of the best albums in general for him and rap
Not usually a dance music kind of guy but this goes hard
Rating: 10/10
Somewhere along the way you heard an album that changed everything – an album that transcended your personal understanding of music and showed you that there was so much more. I wasn’t unfamiliar with Justice as a group before I listened to Cross, but I hadn’t taken in much of their musical output. Even as a 12 to 13-year-old the cross iconography seemed a bit edgy, and what tracks I had encountered on Pandora hadn’t resonated and most always used up an hourly skip. It took a particularly boring day in freshman Bio to give in to Youtube’s insistence I listen to “Justice - Cross [FULL ALBUM]” after it had languished in my recommended section for a good long while. The opening brass section of ‘Genesis’ was all it took to get me locked in for the next hour and redefine what I knew an album could be. Cross’s strength is managing to build up a completely logical hourlong LP out of the most disparate, batshit-insane bloghouse tracks produced in the genre’s short span in the spotlight. Each track is a small little world in its own right, an escapade through corners bright and dark alike. ‘Genesis’ wastes no time in wiping the floor with expectations, delivering a massive brass overture that tumbles into the grimiest, slitheriest club staple known to man. Any other album would take the hint from the jet-black album cover and keep things in the dark of the dance floor for the next track, but no, ‘Let There Be Lite’ is a slippery, nervous romp that goes for blowing the tweeters instead of the subs. This constant reinvention never stops once over the LP’s 48-minute runtime – from the absolute earworm smash that is ‘D.A.N.C.E.’ to the claustrophobic ‘Stress,’ Gaspard Augé and Xavier de Rosnay create, destroy, and demolish any kind of consistency while maintaining an incredibly tight sense of cohesion. The seamless bleeding of tracks into another (something which blew my mind as a 14-year-old raised on Top 40 and Red Dirt radio) definitely helps keep this paradox afloat, each auditory assault seeming to both rise from the ashes of the previous track and simultaneously rush into existence from the vacuum. But so too does the airtight production and omnipresent sense of goddamn slickness contribute to the sense that this album knows exactly what it is and what it’s meant to do. Not one of the 400-odd microsamples across this thing feels out of place, each distorted, chopped, and twisted beat or melody fitting effortlessly into Justice’s chaotic jigsaw. What should be an absolute mess of ideas is instead a laser-guided missile made up of jagged 808s, slap bass, overdriven synths, and a few Britney Spears samples, a motley crew of influences that lands the mark every single time. The dynamism here astounds; while all loosely assembled under the dance/electronica umbrella, the tracks cut a wide swath across all parts of the era’s electronic sound. ‘DVNO’ leans into club music with a vengeance, forging a 4-on-the-floor tongue-in-cheek banger in both melody and lyrics alike. ‘Newjack’ presents a twitchy take on acid house, the sound unmistakable but the composition unstable and spastic. ‘Waters of Nazareth’ is a close personal favorite, a take-no-prisoners onslaught of gritty synths and triumphant organ that finds the album at its sonic peak (both in dB and rising action). The ‘Phantoms’ present Justice’s spirit the best, the domineering Pt. I reimagined with a dancefloor-friendly swagger on Pt. II immediately preceding. It was unlike anything I’d ever heard before – not just the brimming, untouchable textures each track contained, but a fully-realized artistic vision, a complete statement in its own right. Cross was the first album I listened to as an album, and even today I can’t dip my toes into one track without throwing the whole thing on from front to back. Justice’s opus isn’t without its Achilles (‘The Party’ is an unfortunate bit of label meddling, with Uffie hogging the spotlight on a wholly unearned and uninspired guest vocal), but this humanizes the ordeal if anything. It’s still by far the closest an album has gotten to perfection in all my listening, and little has done to touch it in the years since I clicked play on an unassuming YouTube album rip.
Not what i expected, and still a bit too edm for me, but it was imminently more enjoyable that the others of the genre that have been on my daily listen. I dare say that I may actually listen to it again.
I think this album was my second step of my relationship with electronic music (the first one being Daft Punk). Justice with their kind-of-chaotic music opened a door to a whole new world to me. The thing I appreciate the most about Cross album is the feeling of unity of the whole album, I love it.
I could rate "Cross" without listening - just based on my memory but every excuse is good to listen this album one more time. It is one of my favourites electronic music. Songs fading out and fading in from one to another makes listening it very smooth. I love those a little bit noisy sounds, I love this energy 12/10
Some bits were too much and repetitive. The bass heavy tracks had some major stank though.
Wow, an album I actually know. D.A.N.C.E is such a modern classic that it might rocket this album to an instant 4. This album fucking rules. The bass lines are fantastic, and the overall production is great. There are only 2 or 3 songs that I don't completely vibe with, but they are still good and I would rather listen to them than most of the other albums we have had to listen to. This album feels so ahead of its time for something that was released in 2007. Super influential to whatever this genre of electronic music is. It sounds like something that would get released in the late 2010s. I would say this was a precursor to Dubsetp without being as annoying as dubstep. This isn't quite a 5, but it's pretty close. A strong 4/5 (4.5)
honestly disappointing. came into the album already knowing & liking Genesis and DANCE, but most of the other songs just picked a theme and never actually went anywhere with it. no new discoveries for me here.
Not for me
Nope, techo dance
God this takes me back immediately to freshman year of high school, which may be upsetting to our 2 resident dad reviewers - Borat had just come out and Justice came out of nowhere. Dunno what it is about electric funk/dance but its biggest records are always produced by duos, invariably European, and tend to not have follow ups of the same magnitude for YEARS if at all (thinking Daft Punk and the short lived duo Oliver). D.A.N.C.E was inescapable and is still really fun today but I think this whole album is sequenced really well and maintains an interesting variety of textures - which makes sense coming out of DJ culture. It's one unimpeachable set. I'm definitely biased because Funk/Dance/Disco is one of my favorite genres (My parents fed me a steady diet of Tower Power, Earth Wind and Fire, MJ, Isley Brothers, Brothers Johnson and loads of disco greatest hits compilations) and exposure to records like this led to one of my current faves Flamingosis who chops and screws samples in a similar spirit. But yeah its really hard for me to find anything to be critical here. This week really satisfied!
The French duo referred to this as opera disco. I think this is more like samples gone wild. This is not my type of music and at times it is a bit of a mishmash of styles, but it is always stylish. And, in the end, I guess that is the point.
Why is this on this list. Did not need to hear this
I don’t think this was bad per se but it was just really not what I was looking to hear today. I also don’t like that only some songs had Melodie’s and there were a lot of scratchy sounds that grated on my ears. First and last tracks sounded the same to me, I think that must have been intentional? If so helps bring the album full circle. I did like the funky bass line on DVNO a lot.
Gud vad tråkigt!
Liked it much more than the other electronic albums so far. Very catchy
it was alright, ive heard the first song before and it made me think the entire album would be as good but alas not
Well that was less fun than playing in traffic.
French Electronic House Music? Interesting. Ah, this includes D.A.N.C.E which had some radio play. It's a good song. Overall, I enjoyed this album. The last few songs lost me, but the first part is great.
Music for the hoes
Not for me
One of my favorite albums from the 2000s. This record is funky, danceable, and consistently interesting. The use of glitches is just impeccable. It's a shame they could never quite recapture the magic but this (and the live album) will always be there.
To be frank this album bored me. Most of it was just fine with some being a little bit worse than others but nothing on this album was above a 6 for me. It had good ideas but it got lost in all of the synth sometimes which got repetitive after a while. The beats I can say were pretty nice for the most part but overall it was just a pretty boring experience of not so dancey dance songs.
Funky electro beats that defined their own genre at the time
Highlights: "Genesis," "Phantom," "Stress," "Waters of Nazareth" In the past, I would have assumed from "DANCE" that this was just someone reheating Daft Punk from 10 years before, but this is actually something you hear huge names cribbing from 3 years later. Literally 3 years. Kanye's MBDTF? 2010. Skrillex's first singles? 2010. Crystal Castles II? 2010. Sleigh Bells? 2010. Tell me even the infamous "Party" is not Ke$ha? 2010. Come on. All of synthwave was waiting for this development in mixing. Carpenter Brut was 5 years, and there's no way as a Frenchman this wasn't something that made him quit metal and pick up some keys. Slamming the mids on samples to hell is something everyone is still doing under pretenses like "breakcore" or whatever. I don't really like it. Some of the things that are meant to build tension and hype just annoy. Even the satisfying cadences are textbook and don't carry the heavy repetition too far. But '10s-'20s have been The Great Clippening, so no matter what, you absolutely have to hand it to them.
Loved
bangers på bangers
⭐ Let There Be Light
good electronic sound, unique and interesting.
I still don't think it's possible to find a better one-note DJ set. The second half features mix things up but also break some of the glossy conceit, not sure to what effect.
Enjoyed the album. Would listen again.
D.A.N.C.E. is a classic from when I was younger, but nowadays this style is not really my favorite type of music.
I've jammed to tracks from this album before, however yesterday I was stressed and voy did this album come at my at stress inducing noise haha
7/10
Oh. EDM. Not my thing. They don't sing. Just go bling.
Not bad as background music, but if that's the best one can say does it really belong on this list?
I don't really like the synths on the album
1/5 didn’t hear anything interesting or new here. chirpy/clipped sounds were more annoying than anything else.
A little noisy, but great album
Daft Punk, Air, Justice - damn, the French really like their EDM. I remember that Waters of Nazareth song. I used it on the treadmill to get my RPMs up. It’s nice to hear that the rest of the album has the same stucco-like syncopated feel. Not sure that MJ tribute song aged super well, but oh well.
I did not like it
This album is about 15 minutes too long. They could’ve trashed “The Party” and it would’ve improved the album significantly. It had a strong start but kept getting weaker with each passing song.
A very enjoyable electronic album, I really wasn't sure what to expect going into this one. A pleasant surprise. Genesis and Phantom pt2 are probably my favourites
Dig it.
It’s a dance album, keeps you moving but nothing to insane going on
Starts off with a kind of cyberpunk-like sound, and I gotta admit, I dig it. Album kept going, and my love only grew. I thought I would dislike the songs with vocals, but they're actually pretty unironically good. Even 'TTHHEE PPAARRTTYY,' which, yeah, was a traditional party girl song. I dug it. Maybe a little grating towards the very end, but still a really solid album.
Fav songs: - The Party - DVNO
Glad they iterated on this on Woman Worldwide
Pretty good
Not a fan of electronic music but this album was fun. I enjoyed quite a few songs and the entire album flows incredibly well. It almost feels like a book, with chapters, a beginning, and an end.
I can appreciate the effort here - didn't do it for me though
Is this even music? Just noise..
A fantastic dark, moody, dance, synthy techno album, verging on all the qualities that make Dark Synthwave a powerhouse genre today, just a bit earlier than id ever expected. I liked, quite literally, every song on this album.
Not the biggest fan of EDM but this was alright. Somehow managed to go for under an hour, which must be a new record in this genre. Still managed to get pretty samey, and I'd totally zoned out by the end, but 3/5.
Out of all the French Disco revival bands these guys have always been my favourite. Less disco than daft punk, less grandious than M83, more developed than Les Ryhmes Digitals (Yes yes that last ones an english blok called Stuart but I still count him). But I just love their alternative edge, selling dance music to the rock kids, and as one of those rock kids I loved it. Some of their synth sounds are incredibly dirty, they seem to sculpt sawtooth waves into these jagged weapons which are capable of going up against the heaviest guitar. But then they offset it with these amazing catchy palate cleansers like D.A.N.C.E. Phantom part II has long been onc of my favourite electronic tracks of all time, it just blasts out of the gate with that looped tape stop sound from the first part (I think its some heavily processed vocals although I have no evidence for that) and then tha bassline drops in blows me away every time, such a powerful sound. The album is mabe a little bloated, I think it could have had a few tracks cut and been a belter of a 40 minute album but if thats their biggest crime then I'd sa they have more than got away with it.
I swear I’ve heard the first song on here before I just can’t remember where. Very interesting electronic album! Some of the songs I didn’t like, others I did. Felt like a very specific sound with how technical it got. Though eventually the beat started to sound repetitive as the tracks when on, whenever the beat came on.
Good lord, this hot streak just keeps going doesn't it? Here's an album I can really sink my teeth into. Aside from Daft Punk, I feel like we don't get many severely dance-y electronic albums. We've had a lot of proto-pioneer stuff, but not much to assault you with bass until your body is simply forced to move. Enter Justice. More specifically, enter "Genesis." For years, the only Justice song I knew, but I know it by heart. What a pleasure to hear the rest of this album, because gee whiz it goes hard. So many killer songs on this one. A few that don't work for me, but not enough to rain on the parade. Killer stuff. Favorite tracks: Genesis, DANCE, Phantom pts. I and II, Waters of Nazareth, One Minute to Midnight. Album art: A 3D outline of a cross, at a very odd angle. It's simple, but incredibly foreboding. Perfectly suited to music this hard. 4.5/5
For an EDM/house music album it was decent. I heard samples from many songs I recognized but couldn't quite place as the samples were so short and combined with others. It was an interesting approach, rather than sample whole beats or melodies. The best song on the album was D.A.N.C.E.
Surprisingly I didn't mind this - enjoyed some of the dark/retro vibes.
Listened Before? N Meh, it was okay. Doesn't really fit my style. Not big on dance/electronic music, and I don't particularly enjoy instrumental stuff. It does have some redeeming qualities but I doubt I'd listen again. Added to Library? N Songs added to playlist: D.A.N.C.E.
D.A.N.C.E D.A.N.C.E D.A.N.C.E
God how I loved this album in my teens. First contact was of course the big hit „D.A.N.C.E“, but the album is just one great dance experience after the other. Everything flows so seamlessly! It’s hard to overstate how new and exciting this all sounded to me back in the late 00s. There‘s probably just one song I regularly skipped: „Stress“. It‘s not bad per se, but pretty hard to listen to.
The kind of electronic music I can't stand. Primitive
I really liked this album
Just some solid, fun electronica
There are like 3 great tracks on here. The rest range from pretty good to skippable, but not awful.
This album is sick. It starts off super strong with Genesis and feels like a birth is about to happen. It progresses to a “dance party” with certified bangers and winds down to an “end of the night” feeling. It feels like all stages of entering, dancing, and leaving a nightclub. I enjoyed pretty much every song, except for Stress, but even that song couldn’t bring my rating down. Overall a fantastic experience. Favorite track: D.A.N.C.E.
Justice was able to make one of the greatest electronic music albums of all time by incorporating micro samples with a heavy and dark sound. To this day, there hasn't been an electronic album like it. Moreover, the drums are some of the best I've heard ever, and I can't get enough of the weird 'flipping' noises on the album. Highlights: all, but 1, 3, 5, 6, and 11.
I truly do believe there is no such thing as "not my genre", only music that isn't to the listener's taste. This is definitely a good example of that for me. I get how this album may have influenced some modern electronic music that I do like, but this.. well... Not my cup of tea.
Turned it off after a couple of songs, not my kind of music.
I was discouraged when I saw another electronica album today. However, this one definitely brought a different vibe. Ultra compressed and distorted and funky as well. Pretty cool listen.
Yeah not digging this one. The biggest hit D.A.N.C.E. sounds like the Wiggles on ecstasy or something. The rest of it sounded like 8-bit sound clips mixed on a Radio Shack Tandy 1000.
A generally fun D.A.N.C.E. record (🙄).
D.A.N.C.E. is great. I'm always happy when it comes up randomly on a playlist. The rest of the album is enjoyable and I had a fun listen this morning with it.
It's a dance album, so it's not something I'm usually going to look to put on. But there were a few songs on here that I found myself tapping my toes to, so it's successful in that at least.
Very Daft Punk. I like it, but it will never be anything more than a very good Rip-off. Good to listen to as background but surely not dance rhythms?
4.5 winner winner
Crazy diversity in one album. Favorite track - Genesis. Made me want to go dance for 3 hours, which sadly was not an option at 7pm on Thursday. Will listen again.
Simply not a fan of electronica
I don't listen to a whole lot of electronic dance music. I was only vaguely aware of who Justice were. But damn... this is really fun stuff. These guys are great!
4/10 idk why this was super hard for me to get through. Rather repetitive and I didn’t like the vocals at all.
3/10. Started out okay, and then I got to a track with vocals and it got worse, and then everything just started to go on too long and feel miserable to listen to.
I’m surprised at how much I like this, I guess electronic albums can be good when each song is unique and they’re not like 2 hours long. 8/10
Not really my bag but the French do EDM really well. Shades of Daft Punk here.
Top 3 Songs: 1 - Stress (10) 2 - Genesis (1) 3 - Phantom (5)
Some of these tunes were pretty good, others made me feel like I was having an epileptic seizure. 2.5 stars, rounding up to 3.
I didn't hate it... but I don't like it. Electronica is not my kind of music. It might be good for exercising to. "Waters of Nazareth" has a nice uptempo beat.
Fat as fuck French funk from da future.
A beautiful homage to Daft Punk from this french duo with funky beats and head bobbing tracks including the familiar "D.A.N.C.E" an enjoyable romp would listen to again. Favourite tracks D.A.N.C.E and Phantom Pt II
I went in fully open-minded again, but Electronic Dance Music fails to enjoy me. Some parts were ok. Even a few small parts were nice, but is was mostly terrible. Maybe a 8am train ride isn't the best setting, but I can't image any other setting would make this better.
Disco to dance-punk to electroclash. 4.5 but rounded up because I’ll never not be in the mood for this.
Enjoyable electronic music, works really well while doing something else
Energetic, fun, hypes me up. Not a song I want to skip
Amazing gritty sound. Lacks a bit of 'breathing room'. Pretty much two songs that aren't driven by the heavily distorted bass sound. D.A.N.C.E. is an absolute banger but I'm unsure if it belongs on this album. Still very cool though, could've gone 5 stars with a bit more room.
Muchos años atrás, durante un periodo de descubrimiento musical solía recorrer las listas de mejores del año o la década. En una de esas listas estaba este disco. Recuerdo que me llevó a explorar la discografía de Justice. Me quedé con algunas canciones solamente, pero el disco que más me llamó la atención fue este.
I hate electronic music. “Music.” every song got worse- the repetition along with the horrible sound just tied in my hatred for the entire album.
This sounds exactly like 2 guys got hopped up on goofballs and had access to Ableton Live for 72 hours and endless sound patches. Individually on a very micro level the sounds are really interesting. Drop in at almost any point for 20 seconds and something cool is going on. The problem is that *none* of these work as songs. And after wayyyy too short a time this is exhausting, literally. It's an assault on your ears. Like "let's cram EVERY hardcore saw wave synth patch into these and change sounds every 30 seconds!" enough, please. And fuuuuuu... the sidechain pumping is off the charts nauseating (that sense of pumping on the beat every 2 or 4 beats. it's too too much. all.the.time) Headphones on for a "whoa!" experience but take them off after half a minute before you get dizzy. 2/10 1 star
Is there a school in France where they teach kids how to make great electronic music, like The Jean-Michel Jarre School of Synthesis or something? Because from the late nineties into the aughts they were churning out great record after great record: Daft Punk, Air, M83, Justice…it’s almost unreal how consistently great the records coming out of France were. Justice sits squarely on the Daft Punk side of things, with their glitchy, aggressive house music. Cross is definitely stronger in the first half. The tempo gets ratcheted back a little after “Phantom, Pt. II”, but after the aggressive first half a little reprieve is welcome. As the second half goes on, things pick back up with “Stress”, “Waters of Nazareth” and “One Minute to Midnight” ending the record on a high note. Fun to revisit this record, a solid 4/5, even if you’re likely to be glitched-out by the time it’s over.
Ok. Not my thing.
Fine, noughties-y funky housey something or other. Think basement jazz and daft punk. People went wild for that sort of sound but it washed over me a little bit. The album art is Sarah Lucas, who is excellent, and that's the highlight. If I recall, she did tlher crosses based on the crucifixion of Sebastian Horsley who was a very interesting man. Massive fan of top hats, heroin and sex workers. Basically, this album refers to more interesting stories happening elsewhere.
Woww ca a vraiment pas de sens cette album je m’attendais a du metal ahah. 3.5
Jú, töff. Svolítil læti, þyrfti betri heyrnatól til að njóta vel, og kannski minna jólaskap, finn að ég vil heyra ljúfari tóna um þetta leyti, en sko, samt skemmtilegt.
Прослушано! Типичная электроньщина, не моё.
House. Ni fu ni fa.
Mola. Electro houseFrench house
Liked D.A.N.C.E but not really any others
u was at the club
Starts off super strong. Gets a little redundant/cheesy in the second half.
I had heard a couple songs off of the album before, so I was interested to see what else this album had on it. I was surprised that most of the songs did not have vocals, as most of the songs I knew did have vocals. Still, it was pretty good. My favourite song was DVNO.
Good album, though I do not recommend listening when you have a headache
48:13 seconds of just French Noises.
Eh.
Love love loved it! A discovery. Bit like Daft Punk crossed with Air?
HL: “Stress”, “Phantom, Pt. 2”, “Genesis”, “Valentine” Enjoyment may have varied (I’ll have to think whether any of the guest vocals were necessary), but other tracks are deeply funky and kind of addictive. Idk is “dark disco” a thing? Daft Punk 🤝 Quincy Jones 🤝 Deadmau5 3.5 November 19, 2022
Rubbish. Painful.
Not at all my usual genre but this is pretty fucking fantastic.
More enjoyable electronic than I was expecting.
This was the electronic album I disliked the least so far, I think
Not great, but one or two songs I didn't mind.
Hmmmm....felt contrived and lacked something important...
Very.... electronic. OK.
I really like this. This is the kind of electronic music that I'm looking for. More like this and leas like so much of the rest in the genre, PLEASE! The only downside is that The Party is so wretched that it gave me some stank face, and not like the kind of stank face you get when you hear some awesome, grimy death metal. Naw, this is the stank face you make when you hear something that makes you envy the deaf. It's just so bad. What a turd in the punch bowl. The rest is just great though.
Works well enough in the gym and, one supposes, at the club, though you'd really have to ask the kids. Besides the pure energy aspect, this, like most dance music, gets repetitive to the point of tedium awfully quickly and, thus, falls well short of one's minimal requirements for worthwhile listening. Perhaps there's craft one might notice if one knew more about the subtleties of the genre, but any sense of artistic merit is nowhere to be found and further study seems a non-productive exercise given that one's time is finite and one is, as the book title reminds us, going to die some day, which will certainly come to pass before one hears this record again (at least intentionally).
Solid
Ok beats.
I don't normally like dance, but this s*** f'in slaps
I liked some of these songs in college. But I really did not like it on repeat listen, and overall as a CD it’s not very good. They’re just way too long on truly unpleasant sounds- songs like “Let There be Light and “Party” are so tremendously unpleasant to listen to. “Dance” is still fun and catchy, but hardly anything else is. There’s two main reasons why I didn’t like it this time. One is the distortion- now I’m a fan of a little distortion. But every track has these massively over-saturated lead lines on it- it sounds like a guitar novice who doesn’t know how to use the amp, and it’s a thoroughly ugly sound. That sound pollutes the entire album- I guess they liked it, but not for me, and like I say, distorted guitar never bothered me. The other is how repetitive it is- it’s dance music, so I guess that goes with the turf, but every song is basically one idea run into the ground, and I like a little more variety.
Wspolczena elektryka, bo album z 2k07, o ile nie kojarzylem wczesniej tego francuzkiego duetu, to jednak charakterystyczna okladka tej plyty gdzies juz siedziala w pamieci, tak samo jak jeden z trakow, chyba najbardziej grany kawalek duetu czyli D.A.N.C.E, dawno nie slyszalem tak rownego krazka, przez cale 48 minut housowego grania nie bylo chwili nudy, mocno basowane granie polaczone z prawdziwa sampledelia, wedlug wiki na tym materiale mozna znalezc prawie 400 sampli, co zreszta slychac od stukan po blatach po klasyczne linijki innych artystow, czego najlepszym przykladem bedzie spomniany juz dance, ktory jest swojego rodzaju tributem do michaela jacksona, plyta byla komponowana jako disko opera i tak sie wlasnie slucha, nie sadzilem ze spokojnie bede w stanie wysluchac tak klubingowego nagrania w zaciszu pokoju, a jednak dziwnie przyjemny spokoj ogarnia czlowieka podczas sluchania tych pozytywnych nutek, na plejke elektrykowa dodam, poza szlagierem plyty, otwierajacy traczek genesis, ktory nie jest jedyna biblijna referencja krazka, oraz oba phantomy, chociaz calosc trafi na poleczke biblitekowa, bo chyba jeszcze nic housowego mi nie podeszlo jak ten material, zaczynam dostrzegac, ze jakos francuzka elektronika lub moze nawet europejska podchodzi mi bardziej niz granie zza wielkiej wody, przynajmniej jesli brac pod uwage tylko krazki losowane przez liste
It’s not air or daft punk
from the very first beat of this album, the music leapt out of spotify and into the world. every single song comes across as cool, though that doesn't quite seem to cover it. these instrumentals are wonderful and vivid; they carry the entire album well and the minimal vocals don't even matter. because of how commanding the instrumentals are, it's kind of weird when a guest vocalist is on a track. electronica's foundation in disco is so clear here, too. the disco beat is undeniable! side note: this album is great to walk to, with a peppy beat in every song.
This album really slaps. I was familiar with a couple of Justice songs and remixes (if you do not know the Justice remix for MGMT's Electric Feel, do yourself a huge favor and listen). This album has shown me that Justice definitely has a signature sound, and I am here for it. The music here is edgy, dark, and dramatic -- just the way I like it. As the duo has noted before, their music is derived from disco, distorted, and made electronic. This may be why I like it so much. Either way, I am able to hear some of those disco roots when I really listen. The heavy use of organ makes things seem very operatic at times, too. Regardless, this album is just full of energy and is incredibly danceable. Good, modern EDM was harder to come by in 2007 (when this album was released), so I have no doubt that this album has been among a privileged few albums that have set the tone and stage for EDM music today. I would also go as far as to say that this album, now 15 years old, is still better and more unique than so much EDM that is released today.
Dance music like this appeals to people like me because the songs are structured more like pop/rock with clearly defined sections and melodic elements. I really enjoyed this and would definitely play it again for party background music or just when I want something upbeat but not ‘sing-a-long’
Extremely formational album for me as a teen. Had this CD in the car and would blast phantom pt1-2. - 4.5 stars
First impressions: This is not my style...but trying to stay open-minded. I don't really "get" the album art + album title + song titles correlation or meaning. It's kind of hard to judge it as a cohesive album. Genesis has a good opening for an album but then has a part where it sounds like a plane is taking off which I hated. Let there be Light has a nice beat for dancing but then very quickly becomes straight up noise pollution. I think most of these would make for great, mindless lose-yourself dancing, high at Red Rocks or drunk at Bowery Ballroom. I just would never put it on at home, or on a road trip, or really when sober, period. It's just really really hard for me to accept that I needed to listen to this before I died. There are better albums out there. OH DANCE. Yes okay I've heard this one. This one is way better. Okay but then we're right back with Newjack and the static noises making me think my phone/headphones are experiencing technical difficulties. Such a frustrating song. I'm just...angry now. I made it halfway through the song but had to skip. This album is stressful listening personally. I dipped my toe into a few more of the songs and it's pretty repetitive. Valentine was better than most; The Party was worst than most (DNF). I listened to the last four all the way through. Stress was aptly named. I had to give up on it after 2 minutes because it was just winding me up. Not really what I turn to music for, especially dance music. Just sounded like a horror movie with that background noise. DVNO, Waters of Nazareth, One Minute to Midnight were better than the others. After 3-4 songs, I stopped, and following day had to grit my teeth and muscle through the rest of the album just to be fair to the artist. Only song on here I'd ever think of listening to again is DANCE.
Honestly, it was fine. Definitely buoyed by a few songs but overall pretty repetitive. If this album came out in 2022, I'd probably have hated it. Cool cover but mostly boring music. Standouts: Genesis, Stress, Waters of Nazareth, One Minute to Midnight
peak HS album for me, used to go for runs on forest trails near my house and listen to Stress on repeat. that being said, I never really listen to this front to back -- Genesis, D.A.N.C.E, DVNO, Stress, Waters then repeat
This was call electronica that I really enjoy was kinda a heavier version of daft punk
Fun post Daft Punk kinda sounds but heavier. Some tracks outstayed their welcome though
What a treat. A post daft punk electro dance thing. I felt like I'd heard every song before somewhere. Enjoyable low calorie fodder.
Having never heard of Justice before, I quite enjoyed this. Some tracks felt a bit too long, but in the right setting that'd be fine. Some parts felt Daft Punk-ish, maybe more like Daft Grunge, anyway still enjoyable. Iconic album artwork too!
First 3 tracks - 5/5, the rest of it going between 3-4/5. a total of 3.5/5 brought up to 4 because of the initial trio I love how the first three tracks flow into each other seemlessly. Genesis is a great opener to the album setting the tone of the entire record, then followed by Let there be light constatly repeating the same melody over broken beats and amazing bass lines to ultimately flow into D.A.N.C.E. - just a perfect dance track (the bass on this!). This trio of tracks is just perfect. However, I feel like this was all there was to the album and the rest of is ok but does not go back near anywhere to the quality of the three openers. oh and I don't mind the Party and kind of like it - on the other hand, i thought DVNO was much more annoying
Was surprised I didn't know any of this before considering its exactly what I would usually listen to. A lot of good stuff that is already in my playlist but a few tracks were not as good as I had hoped.
Classic House/electronic music - Just in the year 2007 and not 1997. Very listenable
Dope dance tracks
Well produced and decent electronic music album, but nothing extraordinary for this list or for even this genre.
Another electronic album full with loops, random noise and repetitive beats
This list has really been hitting me with the EDM and related ilk lately. This was all right, I had nothing against it. But if it’s not just more of the same, it’s beyond my capacity to discern in this genre.