Reviews (page 3 of 7)
Лу Рид пидор Я тоже 8/10
I think Cale's performance is really smart here. He uses a lot of orchestral instrumentation, but it's organized in a very smart, even minimalistic way, so his act and his lyrics and voice still get most of the attention.
This grew on me as it kept going! Very lush and pleasant! I could see myself liking this even more with revisits too
Really enjoyed this! Felt adjacent to some of Eno’s more pop stuff.
John Cale has been such a big part of my music listening journey, from TVU to The Theatre of Eternal Music and his Terry Riley and Brian Eno collabs… i really like him and am finally exploring his solo work… who woulda thought - i love it!
The comparisons to Ringo Starr in reviews here make me chuckle. While there's probably some Welsh in the Scouse accent, John Cale's voice is unmistakably Welsh. That said, the outfit and haircut on the cover do resemble Dudley Moore... I've listened to this five times now, and it's taken that long to go from "this is very pleasant orchestral pop/rock" to "I'm finally beginning to get this and I'm happy to listen to it another five times". The production doesn't do justice to the richness of the sound on some tracks though.
Don’t love everything, but there’s a really nice, relaxed vibe. 4/5
dobry album, nie przesłuchałem całego ale dobry
A very cool project. Been a minute since I listened, but remember quite a bit of diversity. Respect the ambition.
Really enjoyed the tunefulness and inventiveness of this one.
There’s some really pretty stuff here. Don’t love everything, but there’s a really nice, relaxed vibe. Definitely interesting and complex.
I started really digging this album from the jump, and already by the third track I’m expecting to give it 4-stars. It has a little bit of a goofy vibe, which is the reason I’m hesistatant to give it 5 stars, but overall it's really charming. Love the instrumentation and sound. Some of the vocals and vibe remind me a lot of Brian Eno’s solo work, which I love.
Another album that proves that the 1970s is my favorite. It's not a perfect album, nor an album that I'll listen to every day, but it's very comfortable to listen to and I could play it all day and I wouldn't get sick of it. I'll leave 4 stars!
I’m not sure what qualifies this album to be here more than any other of Cale’s, but I do like it a lot. His voice is strong without showboating in a way that distracts from the music
cozy album
Underrated vegetable tbh Fave Tracks: Andalucia, Macbeth, Paris 1919 4.2/5
Child's Christmas in Wales Andalucia Paris 1919
I had never listened to any John Cale solo album before this, and I have to say, Paris 1919 is a hell of a record. I don't really know how to describe it, exactly, but the phrase "Welsh Harry Nilsson album" popped into my brain near the end. Make of that what you will.
Liked it a lot!
Never even heard of John Cale before, nor listened to The Velvet Underground, so this was a brand new experience for me. I thoroughly enjoyed this record; in fact I listened to it at least 7 or 8 times before reviewing. Favourite tracks: Child's Christmas In Wales, Hanky Panky Nohow, The Endless Plain Of Fortune, Paris 1919, Graham Greene.
I’m going to go out on a limb and say that if John Cale could sing like Paul McCartney, this album would be seen as an equal to “Band on the Run.” May this be the most controversial statement you see today.
4? Not bad lol
This albums always gets better every time I listen to it. My enjoyment for it seems to keep growing and overall is just a solid album to me!
This album started very slow. I wasn't super interested for the first half, but it picked up in the second. I liked "Macbeth" and "Paris 1919", and really all of the songs after Macbeth. It had a lot of very beatles-y moments. I added a few songs to my playlists. I'd never heard John Cale's solo work before, and I've only listened to The Velvet Underground a little. It's good! 7/10
Lost my notes. This was nice. Unexpected, glad I heard it
I liked this quite a lot. The title track in particular Felt like a bit of a ground zero for a lot of the literate indie chamber pop that came later Not everything worked but I found it grabbed me more and more as it went on
4/5. A well-polished collection of orchestral pop songs with a voice that does take away from the effort made to make this as beautiful as possible. There are epic moments here as well beautiful moments as well. The influence I hear through these songs on so many future albums is impressive and I would listen to this one again, just not a masterpiece. Best Song: Child's Christmas in Wales, Macbeth, Paris 1919
Note to self - listen to more John Cale. Beautiful album which I feel like I have only just scratched the surface of.
Pretty into this. It's like a Welsh Loudon Wainwright III or Randy Newman.
Excellent album. Pleased to pull it on this slow Sunday morning, it'd been a bit since I had listened to it.
Real pleasant but not awe-inspiring. Is that really so much to ask for
Surprise! This is always nice to find someone you think, oh this is going to suck…. Then it blows your mind! 4/5
Really enjoyed this.
Great baroque pop! Good on ya Cale
nog en cool en. Unikt
Almost touching at times.
despite the velvet underground being my favorite band of all time and me absolutely loving lou's solo works, i dont feel the same love for cale. this is a pretty good album but i struggle to see what makes it a masterpiece in some peoples eyes. no weak tracks and no great tracks. 7/10
I saw John Cale a decade later at the Capitol Theatre in Sydney, on a double bill with Jonathan Richman. My memory is that both of them were playing solo. The only thing he played from this album was the title track, indeed one of his best. In fact, I think this may be his best post-VU album. I’m a big Lowell George / Little Feat fan, but had no idea that George & drummer Richie Hayward ever recorded with Cale. They really rock out on Macbeth. And the whole b-side of the album is a real pleasure, with the title track & Graham Greene standouts. I also must mention that there’s something about the guitar flourishes at the beginning of the opening track, Child’s Christmas In Wales, that is so much like the opening of Slice Of Heaven by Dave Dobbyn & The Herbs (1986). And the keyboard opening to Antarctica Starts Here could be straight from a Carpenters’ track. Wonderful record that is never boring.
I've never listened to solo John Cale but i know him as a member of Velvet Underground. This is very dreamy, orchestral pop. It reminds me at times of the John Grant album that I loved earlier in this project.
Wow. 200 albums. It's kind of hard to believe that I've made it this far. For 200 days now, I have listened to an album nearly every day. Some of those albums are iconic masterpieces that everyone should listen to in their life. Others are the complete opposite of that. Fortunately, most of the albums have leaned closer to the former than the latter. Even more fortunately for today, Paris 1919 by John Cale is one of those albums! I was a bit miffed when I saw that this of all albums was #200 initially. I mean, a solo album from a former member of the Velvet Underground? I was hopeful that the album was good, but I didn't really see much of a reason for this to be on here at first. However, a few things happened that changed my perspective on John Cale's inclusion on this list. For one, I realized just how expansive his career is. He didn't just work with the Velvet Underground. He's also had appearances on some other albums on this list, with one of them being Bryter Layter by Nick Drake. I love that album! I didn't know he was on there. Also, apparently his version of Hallelujah was the one used in Shrek. That's just awesome. Being in a Shrek movie doesn't automatically mean I'll like an album from an artist (see my review of Nighthawks at the Diner by Tom Waits), but it adds some credibility to their name in my eyes. On top of all of that, in addition to some other instruments, John Cale frequently plays the viola. I play the viola! The viola is such an underrated instrument, and I'm always happy to learn of more violists. Finally, there's one more thing that happened that made me understand this album's inclusion on this list. I listened to the album. I know, right? Honestly, this album's really something amazing. The sound immediately hooked me with the piano on the opening track. The variety in each song is very respectable and I like it. The singing is quite good. I think John Cale is a good vocalist who is, dare I say, better than Lou Reed. The writing is quite solid as well. Songs like "Andalucia" and the title track are just great songs in every regard. Overall, this album is a very pleasant surprise that is, in my opinion, better than any of the other 50-album milestones I've gotten yet. High 4/5.
easy listening, on the edge of surreal folk music. Nothing caught me straight away, but with every song flick back (while I write this review) I grow fonder with a quick familiarity
This is one of those albums where if you were just given it and asked to listen without being told anything about it was you might say "not bad, so who is it?" The baroque or orchestral style is cool, kind of feels like the Bee Gees (maybe I wouldn't have chosen them if a couple of their albums hadn't come up recently). But it's John Cale. "What's that now?" Of the Velvet Underground. "Shut the front door?" I admire Lou Reed's solo stuff but the sound is still so different, he's just a clever lyricist. This? Well, the musical backdrop is so prominent that the lyrics get lost initially and I still haven't quite followed them. But the music is so warm and inviting. Apparently if I went looking for more John Cale (which I might) I wouldn't find anything else like this. Without that context and his VU background, would this Cale album make the 1,001 list? I don't know. It's got a good feel but it's not overly special. Favorite tracks were Child's Christmas in Wales, Hanky Panky Nohow, Macbeth, the title track, Half Past France. Graham Greene was kind of cheeky, had an almost Jimmy Buffett sound. Feels like a 3.5 at best but I'm rounding up for the pleasant surprise.
Pleasant surprise! Did not know he was a member of The Velvet Underground. Instant love.
I'm aware of this album's great reputation, I think I've listened to it once before but I do not know it. The title track is hugely Beatles-esque, and stands out for me. I'm not sure if that's a good or a bad thing in terms of the album. I love the, I would say very English lyrics despite knowing Cale is of course Welsh. But he's going on about Chipping Sodbury for crying out loud. Despite it's poppy facade I feel like this is a record that needs a few listens to truly love. I listened again later and I'm not a fan of couple of tracks like Macbeth but a lot to like.
I am not a fan of the Velvet Underground, so I had a fair bit of apprehension seeing this come up. But this was very good! Pleasantly surprised. I don't have much else to say about it.
Child’s Christmas in wales & Paris 1919
He sounds a bit like Ringo, lovely at times though. The recommendations I got afterwards were amazing
With "Paris 1919", Cale delivers a warm and melodic album that captivates the listener. I, for instance, loved his delivery and shiny instrumentalization. One can see the direct influence on some indie bands from the 90s, like Silver Jews or singer-songwriters like Elliott Smith. Great album
I loved John Cale’s album from last year. It went under the radar but I thought it was the on par with very late career albums of recent years from the likes of Cohen, Crosby, and Bowie. Paris 1919 is an interesting psychedelic album that previews artists like Beck and Neutral Milk Hotel.
Folk with orchestral layers.
I liked it a lot!!!!!
so good.
nice concept an lyrics
Loved it
Never heard this one before. Nice little album
Great!!
Very interesting and poetic…I like the orchestral influences.
I hear a lot of Bowie here, and echoes of Velvet Underground. Good stuff!
You're a ghost ladadadadadadadada
short and sweet. I like Kale more.
I really enjoy the sound of an orchestra mixed with rock. I'm sure that if I were more knowledgeable about history, the lyrics would have more meaning. Sounded good regardless.
Very impressive for a solo rock album from 73. I think some of the slower songs drag it down a little considering the album’s length, but still a solid and enjoyable listen.
I very melancholic experience, where every song has this tinge of sadness to it, despite often being mainly very pretty and touching, both lyrically and tonally, but it still feels as though there's this effect that makes one feel a sense of longing, perhaps nostalgic, and I genuinely think its impressive how well the album makes you feel that way. Even the songs I'm not as much of a fan of, such as the country-twange-esque ones, capture this feeling like no other, and it really makes one wonder how Lou Reed was able to catapult into stardom, whilst Cale fadded from the public psyche, because I'm sure, had this album been known better, that this would've been oh so popular in today's world.
I didn't think it was going to be as good as it is. Has a handful of slappers.
3.5/5. Definitely not my type of music but I was having a good time. Didn’t have the desire to skip any song. My favorite album I’ve reviewed so far.
It had a bit of a shaky start, but Andalucia on was excellent!
One of those really pleasing finds. I'll make the obvious comment that I wasn't expecting this kind of album. Very enjoyable.
fun sounds, weird lyrics, great sound mixing.
The title-track of this LP is a hidden gem, coupling a lively and wonderful string section with a pure vocal earworm. Just a perfect song. The rest of the album is pretty good--moody like the "transitional" albums of Brian Eno as he went from glam-rock to more cerebral landscapes. Maybe a notch under them, but good nonetheless. I'm glad I have this album in my collection. It's interesting to see John Cale exploring the idea of "decadence" in fashions that are radically different from the ones of his legendary former band, the Velvet Underground (very much under the helm of Lou Reed anyway). Here we have a classy, literary, European version of said "decadence", hearkening back to the "modernist" period mentioned in the title (as "rock" as John Cale's music is). The title-track is the cut you must not miss to understand this whole record, though. Don't forget to give it a spin. Number of albums left to review: 344 Number of albums from the list I find relevant enough to be mandatory listens: 298 (including this one) Albums from the list I *might* include in mine later on: 157 Albums from the list I won't include in mine (many others are more essential to me): 210
Sounds ok
Haven't listened enough to form a more profound opinion, but overall I enjoyed it. Good to know John Cale know. As the founder of the Velvet Underground, he definitely belongs to the list of music essentials. Before listening to the album I was a bit skeptical whether it's gonna be another flop, but I was pleasantly surprised. 7/10
Wasn't familiar with John Cale but a pleasant surprise. Very well crafted, melodic album.
Never really got into Cale but I liked what I heard here. Child’s Christmas was a strong opener. The title track sounded familiar and it was good. Half Past France was my favorite - loved the far away, eery sound of it. I imagine this at the more accessible end of his discography. Good listen.
I always liked this album but thought it sounded a little snobby, like English-professor-rock. Listening now it feels more emotionally deep. The songwriting is just great.
This was very joyful to listen to! Maybe too joyful to listen to when working on asylum applications…
Child’s Christmas in Wales - 8/10 Hanky Panky Nohow - 8.5/10 The Endless Pain of Fortune - 8/10 Andalucia - 8.5/10 Macbeth - 8/10 Paris 1919 - 8.5/10 Graham Greene - 8/10 Half Past France - 9/10 Antarctica Starts Here - 7.5/10 TOTAL - 74/90
Really enjoyed this eclectic and quirky collection of songs, I’d love to dig into this more.
I didn't expect this to remind me so much of early Floyd. Loved it.
Chill vibe
It was pretty fun to listen to. Couldn't decide what genre it was but liked it all the same.
This one is a good one! Vibes of Fleetwood Mac and Beatles
Very enjoyable album with lavish string arrangements. The only bad thing I can say about it is that there’s no real standout song.
Coming from the guy behind The Velvet Underground’s earlier and more experimental albums, I did not expect this one to sound as pleasant as it did Despite this change in sound, Cale still manages to put his talents as a songwriter on mass display here Favourite tracks: Child’s Christmas in Wales, The Endless Plain of Fortune, Andalucia, Paris 1919, Antarctica Starts Here
Honestly kinda dope, hanky panky nohow pr whatever goated
Pretty good
Good stuff. Great song writer. Not super into the genre but the songs are solid.
I confess I winced when I saw the album cover here, and expected to hate it. But I was pleasantly surprised, and actually quite enjoyed this listen. Macbeth was a glam rock stomper, and Cale's exaggerated Welsh accent is amusing in Graham Greene.
Thoroughly enjoyed this, and thought I was gonna hate it when it popped up. It wasn't perfect but it was so enjoyable and the lyrics were beautiful. Great listen.
Very calm album, fun concept
Worth a second listen, lyrically and muscially strong in the most. Occasionally a little soft for my liking
4+
I was previously familiar with the great title track but still struggled with this at first. But like a lot of these albums, especially the quirkier ones, it grew on subsequent listenings. New fave: Graham Greene.
Quite enjoyable album with catchy songs
I really enjoyed this album. It had a fun ethereal/shoestring sound that was well balanced throughout. I hate that hanky panky know how was my favorite song
Really liked this one. Had the full, lush orchestration that I always like, was the perfect length in terms of time and wouldn’t count
if you told me that a member of velvet underground created music that wasn't a discordant, experimental mess but full of beautiful orchestra pop, i would call you a liar. john cale discarded his punk roots and went in a completely different direction with paris 1919, and i absolutely love it. this is the kind of music i am a sucker for. the backing orchestra adds such a lovely, pleasant quality to this album. i am left to suspect that without the orchestra, i wouldn't be as interested. his voice isn't too remarkable, though it's interesting that he's close to whispering on "like on antarctica." the orchestra fills up the tension, higher and higher, on "the endless plain of fortune". the orchestra matches the increased tempo on "macbeth," which definitely sounds like your typical fun rock song from the seventies. the orchestra allows "andalucia" and other songs to be mellow and sweet. yet, cale makes himself known with a song named "hanky panky nohow." alright, cale, i see u.
A much kinder album than I would have expected.
Nice
John Cale's name is slightly familiar but I couldn't say from where. All of the music on Paris 1919 was new to me. The album sounds like early 70s. I'm having a hard time placing this album in the rankings. Nothing was bad on the album, but nothing stood out as a new favorite or something I should come back to = 3.5 stars almost exactly. I COULD listen to this album again with no reservation, so I'll round up.
Learning new things. John Cale was in the Velvet Underground. The sort of art pop you'd expect from someone formerly managed by Andy Warhol. It's very 70s experimental, and you can hear alot of elements of the time while also he's trying to do new things. Worth another listen.
Pretty good but not memorable.
Such a gifted songwriter, John Cale gently grabs you by the hand and guides you through this pleasantly accessible record of his. It's a pop record, but you still never quite know what's coming next, as Cale takes you on a journey from his home in Wales to the edges of the world in Antarctica. The most memorable stops along the way are 'Andalucía' and 'Paris 1919'.
A work of immense beauty. In many ways a straightforward pop album - but it’s never that simple when John Cale is involved. Paris 1919 is one of the more accessible albums in Cale’s discography. And yet it’s hugely innovative and challenging at times. An absolute genius, this man is.
After years of toiling in the darkness, John Cale allowed himself to let the light in and what a splendid way to do it with an album whose title comes from world changing events that eventually gave way to other world changing events. John Cale's Paris 1919 doesn't have such tools for such things yet it sparkles, shimmers and shines with character building songs and opulent instrumentation that's worlds away from the dingy, charcoal black landscape he excelled in. And this album proves that he can excel in baroque areas as well. Favorites: Child's Christmas in Wales, Hanky Panky Nohow, Andalusia, Macbeth, Paris 1919, Graham Greene, Antarctica Starts Here.
This album is doubly amazing insofar that I find all the rest of Cale’s solo repertoire (and a lot of his Velvet Underground stuff) utterly and unpleasantly impenetrable. Still, I like many of his production projects, so I know he can make an album that I like. And I did, this. I can see the impact of this on many artists. I hear late Beatles, I hear Level 42, I hear Sweet, I hear the Decemberists. I liked it all.
Great orchestration and composing. I should expect no less from John Cale but I had no idea he did pop.
Ich mags
4/5
Very chill music. It was nice for a weekend morning.
I like John Cale
Lush, delicate arrangements and compositions for interesting pop tunes.
Very accessible album: I enjoyed it!
Great finding
Good!
Old school bangers! I’d never even heard of this man, lol.
wonderful and amazing!! Some tracks are unappealing when they start but by the end are simply great. Best tracks: andalucia, Paris 1919, the endless plain of fortune
How peculiar - Cale goes from antagonistic noisenik to auditioning for the Zombies. This rather lovely baroque pop, with the same kind of laser focus on parochial life as the Kinks' ...Are the Village Green Preservation Society. Wry, mournful and wistful all at once - even if the first track does sound a bit like 'Walk Away Renee'.
Very nice, almost classical sounding. A very talented guy, I wish he had done more accessible albums like this one. 4 stars.
I fell in love with Child's Christmas in Wales and the title track immediately, such delights which I know for sure will be repeated constantly during Christmas. The album itself is short and sweet, though not as memorable as those two tracks. There are some great album cuts, but the rest blends in the background. Its a bit uncanny this can be compared to Lou Reed's Transformer, as both have are some fantastic highpoints but gets bogged down by some of its meh backbones.
A real grower…
its a peculiar album because its described as pop but no one would really think of this when they say pop. It reminds me of simon & garfunkel and john denver. Lyrically very intruing
I wasn't sure what to expect going into this album, but it was pretty good. Every song started in a way that had me hooked and interested in what was to come. I like his voice too. It kinda reminds me of Morten Harket's voice. It wasn't perfect, but this was a good album. My favourite song was Graham Greene.
Never heard any of his stuff before. A quaint album with interesting lyricism. Saved tracks: The Endless Plain Of Fortune, Macbeth, Paris 1919, Graham Greene
7/10 unobtrusive and with a few gems
The album sounds like it was ahead of its time, I was surprised it released in 1973. Actually never mind I was going to say it sounded Beatles-esq but it was actually released afterwards. I do like the orchestral influences. Did not finish last song tho
Reminds me of my grandparents
Jag tycker att det här albumet hade någonting. Var speciellt en låt som stod ut bland de andra.
Great use of the orchestral sound
Favorites: Child's Christmas In Wales, Andalucia, Paris 1919
A nice guitar pop record with some well-written songs. I’m sure this album rewards multiple listens.
I liked this a lot. Really unique and sophisticated.
Альбом понравился, прослушан был стремительно быстро. Но оказался добротным.
Been waiting for this one too Love Paris 1919 4 or 5 definitely Not perfect at least 4
This was a welcome surprise. Paris 1919 couldn't be more far removed from the Velvets. It's an uplifting pop album with a wonderful warm and homely production. Not exactly an album in which to take Class A drugs to. I'm never really a fan of concept albums. They require too much investment for a narrative that probably doesn't interest you. But a pop album about the Paris Communes worked well for me.
John Cale doing almost pop music, it works. Also helps to Lowell George on guitar as well.
That was surprisingly good. It does beg the question as to why Reed was the lead singer of the Velvet Underground. Because Cale can sing. In tune, even.
Weirdness all round. First, because it sounds a few years out of date, belonging more to late sixties psychedelic orchestral pop. Also, the topics explored make it an album you'd want to have Wikipedia at your side to make sure you get all the references. Picking Lowell George as the guitar player is a shocker since Little Feat (and all the other artists that George accompanied) are the exact opposite of this stuff. That said, I kind of liked it. It's good that there was a time when a record like this, hard to define and out of place, could get released by a major label.
geggjuð plata en hjef ekki endurjhlustað síðan í mr
Fun stuff, very eclectic but good pop sensibilities throughout. Not sure about the cod reggae track, though.
Muito bom.
Very sweet
Interesting to hear this one so close to Lou Reed's "Transformer": two former Velvets a few years on, taking the reins of their solo careers and moving in very different directions. Where Reed chased Bowie's glam-rock sounds, Cale (VU's "lunatic" according to drummer Maureen Tucker) also went commercial with a lush, sophisticated half-hour of orchestral pop. "Paris 1919" is a regal, stately album: full of bombast, intricate orchestral arrangements, classical influence and overt allusions to writers from Dylan Thomas to Shakespeare to Graham Greene. It puts its cards immediately on the table and rarely lets go of its dense arrangements and orchestra, used to greatest effect in the stunning title track. The biggest shock is perhaps the most conventional song, rocker "Macbeth". Upbeat, riotous and bringing drums and electric guitar to the fore, it sounds like it belongs on a different album... in the end, it's just another mesmerising trick in Cale's box. "Macbeth" and "Paris 1919" both add to my main take-away of this album: underneath all the sonic ambition, there are some real pop gems here. My favourites boast truly aching melodies: "Andalucia" is a straightforward three-chord folk song that could work as a stripped back, acoustic-guitar-only ballad. "Half Past France" is another winner, its wistful melody surrendering to floods of organ and reverb. Things end on an oblique, mysterious note with "Antarctica Starts Here". If anything lets the album down, it's "Hanky Panky Nohow" and "Endless Plain of Fortune", which don't reach the same heights of the other ballads here- maybe on account of feeling overbaked, over-orchestrated? It's a tricky line to walk. This is nitpicking though- on the whole, this is definitely one of my favourite new albums I've been introduced to on the list and will be added to regular rotation.
nostalgic yet hopeful 70s road trip montage music through Europe. Try not to fall over during the first 7 seconds of the opener!
I braced myself for the electric viola and was pleasantly surprised. Best track: Half Past France
Great album!
I liked this. Stunning instrumentation. And introspective quirky song styles.
Quite pleasant, not sure if I'd put it on again any time soon but wouldn't mind listening again.
If there’s one thing I can always rely on, it’s for John Cale to confound me a little with his music, but I love it. His music can be a bit of a rough listen for some because of his avant-garde sensibility. But this album is probably one of his most accessible and most enjoyable to listen to. The songs are a pleasant listen, with a hint of a pop vibe. Several reviewers compared Cale to Ringo Starr which at first annoyed me, but I can hear it, particularly in the piano. They also have similar vocal ranges, but that’s about it. What Cale is up to is a bit more left field, to put it mildly. There are some stunningly pretty songs on here, mostly with simple but elegant arrangements. In contrast, the kicky rocker “Macbeth” is kind of ridiculous, especially followed up with the masterful “Paris 1919.” It’s a tonal shift that will break your brain on some level. I like to think Cale had a good laugh over it. Speaking of “Paris 1919,” it’s a singularly lovely confection of a song, the best track on the album. I would have loved a whole album of songs in this vein. The lyrics on “Paris 1919” are also quite clever but won’t mean much to a casual listener. As with a number of songs on the album, the lyrics are peppered with historical and cultural references that tend toward the obscure. Cale is not known for his vocal talents, but something in his delivery is enjoyable to me. It's slightly off-kilter and wavering, but conveys a certain pathos that works really effectively with his musical style. Richie Unterberger describes it as a “lilting if thin Welsh burr,” which is about as perfect a description of Cale’s vocal style as I have ever seen. Combined with his beautiful arrangements, that wonderful viola, and a little warmth courtesy of Lowell George’s guitar work, you have a really unique collection of songs here. It may take multiple listens to connect with it, but it’s worth it. Fave Songs: Paris 1919, The Endless Plain of Fortune, Child's Christmas in Wales, Andalucia, Half Past France
fun! upbeat! poppy! everything i want in a good daytime music working cd.
Excellent baroque pop.
This is a fascinating album that I have never heard before. This is one of those albums that you just need to sit down and enjoy in its entirety. Will definitely put this into rotation. Favorite Tracks: "Paris 1919" "Child's Christmas in Wales"
Second half very good. Very weird
Con John Cale è stato subito amore (cuoricino su spotify per Child's Christmas in Wales). Mi ha trasmesso naturalezza e semplicità ma a tratti anche nostalgia (de che? boh!). Ha i suoi momenti geniali sia come testi sia come musica. Machbeth ha un po' interrotto la magia e ci sono rimasto un po' male, ma John Cale è tipo un di quelle persone che ti piacciono a prescindere. Non arriverebbe a 4 (3.75), ma mi ha fatto sentire meglio. Glielo devo. 4
There's no bloat on here, just a short snappy album. Little not to like tbh. I like the opening track especially.
Fantastic album, you can see why he went on to do soundtracks etc. Loved the variation of it. Favourites were Hanky Panky Nohow (best song title ever), The Endless Plain of Fortune, Macbeth and Paris 1919. Some really inspiring stuff in there. Highlight was the strings.
Child's Christmas In Wales: interessante, come primo impatto m'ha fatto molto anni '70 ma non in modo negativo. L'arrangiamento mi è piaciuto e il pezzetto col tempo dispari m'ha un po' conquistato. Hanky Panky Nohow: Wtf?? Parte come un pezzo un po' folkeggiante anni 70 ma il testo è totalmente fuori di testa. Il "ritornello" m'è piaciuto e trovo molto azzeccata la durata del brano che più lungo avrebbe perso d'impatto. "There's a law for everything And for Elephants that sing to keep The cows that agriculture won't allow". Ok..? The Endless Plain Of Fortune: Ammazza figo questo, l'orchestrazione m'è piaciuta un sacco. Parte un po' modaiolo anni 70 e invece quando iniziano ad entrare gli ottoni e gli archi diventa un pezzo totalmente diverso da quello che me aspettavo. Bello! Andalucia: L'ho dovuta sentì 3 volte perché non riusciva a catturarmi in nessun modo. Forse bisognerebbe sentì il testo che non ho sentito bene, però m'è sembrato un pezzo folk ballad tipico dell'epoca senza particolari pregi. Machbeth: Figa, l'influenza un po' country rock m'è piaciuta. Non è niente di super originale ma pure la transizione strana in quella sorta di bridge m'è piaciuta. Sta pure nel punto giusto dell'album. Paris 1919: Ho visto che è la title track e che è la più ascoltata quindi ero un po' prevenuto, però invece m'è piaciuta. Orecchiabile ma comunque con elementi stilosi e il bridge orchestrato con gli uccellini e il cambio d'atmosfera l'ho trovato geniale. Graham Greene: Carino il piano scordato però non m'ha detto molto. Half Past France: Niente di sconvolgente e forse un po' più legato agli anni, però m'è piaciuto. Antarctica Starts Here: Nonostante il Rhodes per come è suonato fa un po' David Bowie (e quindi buuu), comunque l'ho trovato un pezzo molto poco anni '70 e pure originale. Forse avrei voluto che ci fosse un po' di più di questo spirito pure negli altri pezzi. Complessivamente: Molto interessante, figlio dei suoi tempi da una parte ma anche con una visione artistica che secondo me regge ancora oggi e c'ha ancora qualcosa da dì. Secondo me se sente che s'è trattenuto un po' e voleva fa un disco più vendibile (tipo appunto considerando i pezzi più sbroccati) ma comunque se sente che c'è una mano esperta sia a livello compositivo che di arrangiamento. Probabilmente ci vorrebbe più di un ascolto e penso che qui i testi siano abbastanza importanti ma non ho prestato sempre attenzione. Quando l'ho fatto però c'erano sempre frasi abbastanza surreali che mi sembravano aggiungere all'atmosfera del pezzo/disco.
Had never heard of him before. Pleasant
Macbeth can do one but it's a solid 4 from me.
Weirdly good and it led to a few other great songs
A pretty fun pop album, it really grew on me after a second listen.
Very relaxing! I enjoyed it.
Loved this album. I have never heard any of these songs before. Had a great band and vocals. I would buy this album.
Nice smooth like it
Never heard this before.... unusual but at the same time catchy!
This was super nice. I don't know that any of it's memorable or striking enough to take it much higher, but this was a fantastic, easy listen. For the most part, the orchestra really works without seeming too melodramatic or cringe. Fan of this. Fave tracks: - Hanky Panky Nohow - The Endless Plain of Fortune - Andalucia - Macbeth - Half Past France - Antarctica Starts Here
It is unbelievably odd hearing John Cale’s solo work a part from his amazing work with the Velvet Underground. It is like there are two different people. This record which I bought in 1979 was such a detour as I was already deep into my punk rock conversion. And yet, this record with its conventional yet beautiful melodies was entertaining and engaging. In fact, I was truly taken back to the time when I purchased this record nearly 50 years ago. Wow. In many ways this record has aged remarkably well and I can actually hear it being released today. The only true anachronism is the word smithing of the lyrics which harken back to a time when details mattered and the quality and nature of language mattered. Still enjoyable but does it really fit on the list? I think not but only because time has introduced a new weight of worthy admittees to this list. 3/5
A sort of wistful travel folk music thing. 3 for its ability to escape any genre typecast I know.
I think this one might be a little too British for me. The music is ok, but I just think it's boring. 2.5
Me pareció un álbum extraño y particular. Prácticamente cada canción era un género distinto, uno sonaba a country, otro como folk, otro orquesta, etc. Curioso.
Honestly a surprisingly decent listen Fave track: Paris 1919
6/10 I wasn’t really sure what to expect from this. John Cale is obviously most well known for his part in the Velvet Underground, and his involvement in avant garde music, but with this album tagged as art pop and baroque pop, I wasn’t sure where he was going to go with it. It turns out that, for the most part, those genre descriptions are actually pretty bang on. There’s rich orchestrations, a touch of folksiness to the songwriting and an approach to melody that leans towards a recognisably pop music sensibility. It’s a tonally rich record and there’s some really beautiful soundscapes here, but personally, I feel that it sort of sits in a middle ground between a warm, ambient sound bath of an experience, and something that commits more to the pop side of things, focuses in on melody and rhythm to produce more memorable and directly engaging songs. As a result, it’s kind of neither one thing nor the other and ends up being a very pretty, but largely uninspiring experience that doesn’t really offer the hookiness that you end up grasping for as he works his way through the tracklist. There are some stronger moments, with the opening two tracks of the second side starting to embrace a clearer focus to the songwriting and latching on to some punchier rhythms and more engaging motifs, but for much of the record, I sort of felt a creeping inertia that it just couldn’t shake. I’d be interested to hear what else Cale has done through his solo career and I did largely enjoy the listening experience here, but there are a lot of albums in the world and this isn’t one I’m likely to head back to any time soon. Child's Christmas In Wales - This is quite pretty baroque pop stuff. It’s got a nice lilt to the rhythm and some enticing melodic moments. The bass work is great too. Actually, there’s really nice parts for most of the instruments on here. It’s not a vastly remarkable track in many regards, but it’s very competently done and is quite an engaging and enjoyable listen nonetheless. Hanky Panky Nohow - The vocal work is quite pleasant on this one, although perhaps a touch forward in the mix. The rest of it is pretty, but doesn’t really do anything exciting. The chorus hook is actually really good, but only shows up a couple of times because of how short the track is. It’s a bit of a shame really, because while this is good, it doesn’t really take its ideas anywhere and is a bit bland as a result. The Endless Plain Of Fortune - Moving on to something quite dramatic now. It’s got a thick, warm orchestration and there are some nice melodic moments in the vocal, but it’s quite rhythmically monotonous and thee’s just not really anything particularly memorable about it either. It kind of feels like it’s an exercise in pomposity and orchestration, rather than a particularly strong piece of songwriting. Andalucia - This is a better song than the last one and there are some great performances, particularly the subtle lead guitar work and a really nice turn from the drummer. It’s still a touch on the bland side, but it’s a warm and comforting listen, with a decent enough melodic flow. But again, there’s nothing really exciting about it. Macbeth - A bit more bite now on this one and it’s got a good groove and swing to it while remaining punchy. It’s quite a departure from the clean, baroque pop sound of the first four tracks, but it’s certainly more exciting. There’s some nice moments in the vocal melody and some great guitar work too. The sound design is fantastic too, with great depth and range to the production. Paris 1919 - Back to the standard sound of the album, but at least there feels like there’s a bit of punch dragged from the last track too, even if it’s more orchestral and clean. The vocal reminds me quite a bit of Mrs Robinson by Simon and Garfunkel, both melodically and in the delivery. I think this is pretty good actually. The middle eight is a slightly flouncy departure, but it’s a nice change of pace and we get back to the melodic core pretty quickly. I’d say this is the strongest track on the album thus far. Very good. Graham Greene - This adds a slightly off-kilter approach to what we’ve had before, but I think it adds depth and personality to the track that was absent from most of the first side of the record. The blend of rhythms across the instruments is very nice and it’s melodically strong. It’s super twee, but in a knowing way that embraces that side of itself and just runs with it. Very good stuff. Half Past France - This is pretty, like much of the record’s first side, but it definitely picks up a bit more when the beat kicks in to give it more depth and impact than some of those early tracks. It does sort of float along a touch in places and it’s another that’s a pleasant but not invigorating listening experience. The mix and blend of sounds is really lovely, but it just doesn’t do enough with it in either direction to be a lush, ambient experience or a more focused, engaging song. Antarctica Starts Here - I don’t quite know what he’s going for with the vocal here, because it sounds like he’s lost his voice and just couldn’t be bothered to wait a couple of days to record it when he felt better. It’s a folksy orchestral number that’s musically pretty and ebbs and flows really nicely. It’s a shame, because it feels like there’s a bit more to the instrumentation here than some of the more flat efforts, but the vocal just drags it down in a slightly weird way.
I heard the orchestral feel of the album, songs were fun and it felt lively. One of those albums that you can't quite put your finger on whether you like it or not. It was good, and would listen to it again.
I like John Cale and I really love his voice. I wavered back and forth with this album. At times really interested and other times nothing remarkable.
When I saw this album drop, I thought, "Finally! Four minutes and thirty-three seconds of silence!" But no, this composition was written by John Cage, and John Cale is the keyboardist for The Velvet Underground, whose abstract ideas even Lou Reed was stunned by, and, in fact, he parted ways with him due to "creative incompatibility." So, a solo album by such an artist should have something mind-boggling? And again, no, it's orchestral baroque pop. All the genre's hallmarks are there — references to Scottish poets, abundant use of strings, and a general airiness and pomposity. A record for wandering around a European palace, basically. How should I rate it? Well, overall, it's a decent album; I didn't feel like turning it off; but if it had been fifteen minutes longer, maybe I would have.
I got a fevah and the the only curah is moah music from that othah Velvet Undahground guy!
Art pop, baroque pop. Worth a revisit.
This isn't really what you'd expect from John Cale after Velvet Underground, but it's a solid foray towards baroque pop. Paris 1919 is not an album I was ever particularly in love with, but I respect it. Cale's voice is constantly at odds with the music, however there is a lot to appreciate here, especially when you focus on the lyrics and the overall atmosphere. These songs are also surprisingly diverse. It's probably going to be another couple of years until I reach for this album again, but it's definitely a solid listen. Favourite track: The Endless Plain of Fortune
I don’t know about this. Hanky Panky Now made me cringe.
Very interesting sounding-album. I remember hearing "Paris 1919" with the ominous intro and very orchestral-focused music with pop elements made me feel a bit weirded out, totally wasn't used to it at the time. Now hearing the album, no song quite matches it in sound, the others are quite more tame. My description of "Paris 1919" applies to most other songs, very luscious songs. But I'm not the biggest fan of this album, it gets a bit dull near the end. It's alright, but this isn't an album that is a must-hear one. Highlight Song/s: "The Endless Plain of Fortune"
An ode to Victoria-era Europe, a major low point in human history. Every once in a while this would rise to some good heights, but overall pretty meh.
This is fine. Honestly not much I'll remember about this one. Macbeth was really the only track that made my ears perk up. I much prefer the Velvets.
This was a creative record, and I enjoyed most of it. Favourite Track(s): Antartica Starts Here Least Favourite Track(s): Hanky Panky Nohow
This is not at all what I expected from a John Cale album. It's not bad but I almost would have preferred some of his weird shit.
Hadn't heard of John Cale previously, but thought I knew what I was in for as soon as I identified him as the co-founder of Velvet Underground. I was mostly wrong, as this was a much more piano driven, orchestral sound than I would have guessed. There were certainly songs here that fit the bill (particularly Macbeth, which easily could have been a VU track), but it also gave a sense of differing experimentation that I found mildly compelling. I didn't love it, but I didn't hate it, so it slides neatly into a 3/5 that I may never revisit.
when i realized this guy was in velvet underground i liked it a little more. but not much more good but something about its kind of nondescript to me idk. half past france is gorgeous though listen to that song fs
This one was chill. I got a lot of Beatles vibes from it.
Wasn't bad but nothing memorable
It’s one of those albums with such esoteric lyrics that critics claim they love it just so they don’t feel stupid.
Enjoyed this considerably more after re-listening to a few of the tracks
Maybe closer to a 3.5, that hanky panky song was a real low point
I'd not heard of him, quite nice
Kind of forgettable
Comfy and cozy.
This was not quite what I expected but was worth hearing. Music >>> singing here.
It’s just over mediocre for me. Can't quite give it a 4 but I did enjoy listening to it. Just that there’s as many good aspects as there are bad ones. I liked the production, the distinctness of the songs, and the baroque elements. I didn’t like the plodding at times, the whisper vocals of the last song, and the cheesiness overall. Also, he kind of looks like Christian Bale on the cover.
A couple of tracks are pretty interesting. Nothing I would pick up on my own though.
Visai žavingas, kai antrą kartą perklausiau.
Well I didn't know what to expect but it certainly wasn't this. I thought it would be some avant-garde plinky plonking. I instead got late whimsical Beatles crossed with Manhattan Transfer. Not unpleasant but certainly nothing special.
Primer musiquita en franchute
2.5 c’caine
some solid tracks about the end of WWI
The title track is a firm favourite but I was surprised how much o found the rest of the album a bit dull and ordinary. I do generally like JC but most of the album was just a bit ordinary.
613/1001 2026.05.13 🌕🌕🌗🌑🌑
The first thing I'm struck by is all the beige in the artwork, and the music mostly matches. Macbeth and the title track are standouts, however.
bem produzido como esperado de um multi-instrumentista formado em música, mas chatinho. gostei de antarctica starts here, sonoramente é mais 'inovador' que o resto do album.
Surprisingly good listen, probably a 3.5 at best, but not good enough to put down as a 4
I thought this was an interesting album with only a couple of songs that stand out. Interesting lyrics & excellent compositions. 3
Not bad. Definitely where John Graham gets his inspiration.
Very good album with little interesting bits sneaking in here and there.
I Must Not Sniff Cocaine is a great song name
OK, it’s fair to say that this album is not quite what I was expecting from the founder of the legendary Velvet Underground. It opens with some perfectly fine 70s arty pop, but the lyrics pretty soon take off into surreal flights of fancy with references to murdered oranges, singing elephants and a glam rock stomp about Macbeth. The title track, a Beatles-esque reference to the post-WWI Treaty of Versailles, is probably the highlight, even if it’s an unlikely subject for a pop song. The reason for all of the random whimsy quickly becomes clear on the second disc of this deluxe edition with a series of demos and outtakes that openly reference the prodigious amounts of cocaine that Cale was evidently doing during the recording with much sniffing and odd bits of studio chatter. Probably not going to listen to this one more than once, to be honest.
It’s that Beatles-esque psychedelic big sound that is supposed to be captivating and interesting but somehow isn’t. Just a bit tedious.
2.5
A set of sturdy tunes, delivered pleasantly enough by the artist. Sounds somewhat like a mating of Village Green-era Kinks with Richard Thompson. Unfortunately, both of them do this kind of thing better than Mr. Cale.
interesting, a bit avant-garde
Title track is good - the rest isn't really grabbing me Some of these later tracks are nice. I think its probably a grower
Nice orchestral popish music with arty lyrics which is the kind of thing that might grow on me.
I dunno, it was just eh, didn't do anything for me.
Kinda like a folky musical. Its alright.
I enjoyed this very much actually. Probably not going to revisit too often but this is a stroong 3
Fitting for the time the album was released. Nothing was great and nothing was horrible. Solid 3.
What a difference a letter makes. I was expecting something from John Cage, but got this. And I rather enjoyed it. The problem i now have is how to score it. It is most definitely better than either of the 3s that I have just awarded, but doesn't measure up to a 4. Sorry John, but I can't do it.
Well, after all these years I never knew John Cale was Welsh! I have never listened to his solo material and I now wonder why I didn't, I guess it was availability of the records back in the day. I thoroughly enjoyed it, very avant-garde sort of stuff, luckily he left his viola at home, which may have destroyed the ambience he was trying to create.
Good
"Hanky Panky Nohow," "Paris 1919," and "Half Past France was nice in their concepts and sound.
Good.
Was not the biggest fan of this album. Some songs utilized sounds that seemed to ruin the flow they had going and it totally took me out of the experience. Overall not the worst but in no way was it special.
A forgettable Beatles style English rock album. If you want this, abbey road or Sgt peppers will do you better. Not terrible but not exactly amazing either
Pretty forgettable album of English rock music. A lot of variety but nothing really stood out, except for Macbeth, which was a surprising folk/country rock jam that I enjoyed. Cale mostly used other English pop rock bands (read: Beatles) as inspiration and replicated their orchestral style but to much lesser effect, especially because so many other artists were doing the same thing at the time. I noticed the guitar on some tracks featured a twangy country sound, and feel that incorporating more of this in his otherwise English pop sound might have been a more novel element of his "experimental nature" if it had been a larger focus of his music.
Child's christmas in wales - 3 Hanky panky nohow - 2 The endless plain of fortune - 4 Andalucia - 3 Macbeth - 3 Paris 1919 - 2 Graham greene - 3 Half past france - 3 Antarctica starts here - 2
Middle of the road a steady 3 !
This didn't do much for me. I think the artist may be an acquired taste. It's not bad, just not what I want to listen to.
Meh. Fine I guess. It was an album. Entertaining that this is most notable for not being experimental/avant-garde. Translation "This is great, it's his most boring album ever!".
I really wanted to, and expected to, love this one. But other than the title track which I really loved, it was a bit forgettable for me.
His album cover kind of describes the music...beige. No reason to dislike it but also no reason to like it. It just exists in the middle ground. The lyrcis are deep but almost too deep that I don't really understand what he is singing about at times (even lyrics meaning sites can't really explain them). The orchestral music is pretty but so mellow that it just fades into nothing special. Just beige
Agradable
Interesting
Good listen.
este disco fue bastante bizarro de la mejor manera posible, me gusto y veo posible dos opciones, que crezca en mi o que simplemente envejezca en mi de muy mala manera.
This was quite pleasant, but I think its accessibility is also the albums weakness. John Cale has such a storied history between Velvet Underground and producing Patti Smith that I was expecting something a bit more out there. What I got instead was just good 70s art pop with the emphasis more on the "pop" then the "art" part. I did enjoy the more Baroque elements quite a bit on songs like the titular Paris 1919 but I would prefered it to have more presence throughout the entire album. It's a very odd miss mismatch, everything this album has going for it paints it as something that I would like and would excite me, but inbetween the singing and the structure everything just falls into the same "its okay". I'd enjoy it in the background, but I can't imagine listening to it again.
Hanky Panky meNOknowHOWthisalbumgothere. It sounds like every other late 60s-early 70s record. Okay but forgettable.
Tiesin John Calen entuudestaan The Velvet Undergroundin jäsenenä ja levytuottajana. En ole suuri VU-fani, mutta tämähän oli aivan erilaista musiikkia ja ihan kelpo levy. Cale on vähän vaisu laulaja, mutta orkestraatiot olivat oikein miellyttäviä ja hyväntuulinen tunnelma kantaa loppuun asti. Ihan neljään tähteen tämä ei kuitenkaan yllä, sillä kahden kuuntelun jälkeenkään biisit eivät juuri jää mieleen.
I definitely prefer Cale's more ambitious work, but this was decent for what it is. Some great moments here, but many of these tracks didn't do much for me. Anyways, looking forward to some Velvet Underground later on this list! Favorite: Andalucia, Macbeth
Not bad
it was nice 3.5
weird but fine. More rock-y than I expected which was a pleasant surprise.
really enjoyed this! kind of a cool mix of songs here. the strings are divine
I liked this album, you can hear John Cales welsh accent coming through, I did see him a few years ago - but obviously found him with the Velvets.
i wish i could give an album including the song title hanky panky nohow more than 3 starts but its just kind of boring
Pretty nice
No. 130 Okay album. Macbeth was a pretty fun track.
Hmm, I sort of liked this in a way - it's quite silly in the main but in an endearing kind of style. Considering how short it is though, it really shouldn't have lost me halfway through. Side note, I went into this thinking this was the same person as John Cage, the guy who wrote 4'33''. There was more going on here than there is on that.
You had me at European history and lost me at “hanky panky nohow”
5/10
I had this album a bit lower on the 1973 dive. I raised it about a half point (or a quarter star) this time around. But quite frankly I still find it a bit snoozy for my taste. The music's fine I really have nothing bad to say about it. It just really didn't move me much except for maybe the title track. (6.7) ★★★
It’s ok but not uniformly interesting 3.1
Nothing super crazy
Paris 1919 is an excellent song. The album surrounding it was also enjoyable, though nothing grabbed me quite like that title track. I'm super glad I listened and I'm not dead, though! 6/10
He won me over with the line about toast (I'm big on toast).
Not too bad but nothing special either.
not bad
I know John Cale is the guitarist for the Velvet Underground, a band I just never got, but other than that, I’m going in blind on this one. I know he would later go on to produce a ton of albums. He produced albums for The Stooges, Patty Smith, Nico and Siouxsie and the Banshees, to name a few. Track 1, Child’s Christmas in Wales, doesn’t sound Christmas-y at all. But it sounds really good. Not what I was expecting at all. Reminds me of George Harrison’s solo stuff. I really dig this song, but I’m not sure if it’s because I really like it or that it doesn’t sound like the Velvet Underground. Hmmm, turns out Cale is Welsh. I thought he was just a New York City punk. He had Lowell George and Richie Hayward of the band Little Feat play guitar and drums on the album. I know Little Feat and the songs I’ve heard I liked, but I never did a deep dive. Though I’m quite certain one or two of their albums are in the 1,001 Album list. The bass player was a session guy who played on the Jackson 5’s I Want You Back and ABC. So, this album has great musicians, so it ought to be good. Track 3 is The Endless Plane of Fortune, and it sounds like a lost Pink Floyd song to me. The track includes a big booming orchestra. I love it. It makes the song sound much bigger than it is. I have no idea what the lyrics are about, and Cale isn’t a great singer, but this song is so beautiful. My favorite song thus far on the album. Track 4 is Andalucia, and it’s another rather quiet song. I’m surprised, as Cale was someone who was kind of looked at as one of the fathers of punk, or at least avant-garde rock music. Most of these songs are just beautiful little pop songs. Also, it just hit me, these songs sound evergreen. Andalucia could be released today, and it wouldn’t sound out of place. Can John Cale be a timeless genius? Near the end of the song, you get these subtle elements of country music as a steel guitar can be heard. Track 5, MacBeth, is a rocker. The first rocker on the album. This song sounds like it was released in 1973, which it was. Just the production style sounds a bit dated. Still a great song. With Lowell on slide guitar, the song has a bit of a southern feel, though Cale’s vocals are decidedly not Southern sounding. A short, but rocking little joint. Track 6, the title track, sounds big right off the bat with an orchestra with a tuba? Trombones? French horn? I love this song. It has a very Beatles feel to it. It makes me feel happy. The music is so uplifting. Now, a lovely little breakdown where you really hear the French horns, I think they’re French horns. Then back into the main riff, though I’m not sure there’s a guitar in the song. It kind of reminds me of Our House by Crosby, Stills, Nash and Young, at least the main melody. Great song. Track 7, Graham Greene, is a song that sounds like it would be on a Paul McCartney solo album. Cale had to have been a huge Beatles fan. Track 9, Antarctica Starts Here, does sound like it could be a song from the Velvet Underground, but one that I could like. It starts slow, then builds into a fuller arrangement of instruments. The vocals are almost whispered by Cale. This sounds like a song you’d sing while at sea. And just like that, it’s over, at least the original nine-track, 31-minute album. There are, of course, a couple of remastered versions with more songs, but the songs are more demos. After consulting with my good friend, Wikipedia, I found that this was one of the few “straight” albums Cale has made, as he usually is very experimental and avant-garde when it comes to music. The album is called Paris 1919 due to the 1919 Paris Peace Conference, which set the terms at the end of WWI. The lyrics explore early 20th-century European culture and history. The orchestra used on the album was the UCLA Symphony Orchestra. Wikipedia says the album takes its influences from Brian Wilson and the Beach Boys, the Bee Gees, and Procol Harum. I guess I can see that. Anyone under the age of 50 probably doesn’t even realize the Bee Gees had hits before Stayin’ Alive. Upon further listening, I can hear the Brian Wilson influence. I really enjoyed this album. It totally changed my view on what I thought of when I heard the name John Cale. I’m not sure I’d call this album a masterpiece, but it’s one I would recommend music fans listen to. The songs are so beautiful, and there isn’t a dud on the whole album. The songs are also short, so even if you’re like me, who can get bored sometimes with overlong songs, Cale doesn’t give you time. He’s in, and he’s out. I’m definitely putting this in my rotation of new finds from the list.
First time listen. Liked it.
An ambitious album that is inconsistent and lacking memorable songs. The song structures are fine and there is a strong nod to the past. The production and instrumentation is good. The vocal variation is expected and on occasion is really off.
im sorry- hanky panky nohow? what? i liked the first song's opening a lot, then it got slow and weird must be some 1900s thing idk oh andalucia is goin on the slow dancin in the snow playlist i hardly ever skip songs on these albums but antarctica starts here made me feel uneasy with that weird whisper situation he's doing oh he just snorted coke in my ear okay favorite song: macbeth
Easy listening album. Love the arrangement and found it pleasant to listen to.
Nice
The title track is really really good. The rest are decent but nothing earth shattering.
I’m honestly torn on this one. I’d probably land at a 2.5 rounded up to a 3/5. It’s a solid album, but not one I’d rush back to. I didn’t hate it, but I didn’t love it either. On first listen, nothing completely grabbed me, though there were moments I liked enough to consider giving it another listen. Considering how highly it’s regarded, I do wonder if it’s a grower and something I’m not fully connecting with yet. I found myself wishing there was one standout, defining track that really lifted the whole album. Vocally, Cale occasionally reminded me a bit of Ringo — not in a bad way, just in tone more so than anything else. Favourite Track by far is the title track.
As a long time fan of the Velvet Underground and Lou Reed's solo work, it's surprising I've never looked into John Cale's solo work. Honestly, I don't really have much to say about it. It was enjoyable enough, but nothing really blew me away. I don't usually listen to bonus tracks or extended editions, but I accidentally left this one playing a little long. I've got to say, the drone mix of Hanky Panky Nohow sounds much more interesting to me than the actual album version.
Eh
3.5 rounded down. Ethereal and cosmic in production, easy to slip in and out of attentiveness.
Not much to really like there except the title song. 3/5
Bit of a strange one this, hard to think this guy was in the Velvet Underground! Can’t really make my mind up one way or the other.
Better than expected.
Pleasant surprise, like a Jimmy buffet and beetles vibe
This album started out strong, but it didn't follow through with it all the way. The overall sound was pretty good, but got old quickly and didn't do enough to change things up. Really short albums (much like really long albums) can be a mixed bag, with some of my favorite albums and least favorite albums being extremely short. This one felt fairly middle of the road, but I did find myself wishing it was longer, if only so that it had more time time to grow/evolve throughout the record. Favorite Track: Paris 1919
Pretty good.
A bit like an excited Simon and Garfunkel. Not bad but showing its age something desperate
This was a smooth listen man, had it in in the background while I was cleaning and I felt like my parents. Solid for sure!
The Good: We get to visit Paris in 1919! The Bad: We don’t get to hang out with the cool artists… The Ugly: We don’t get to hang out with anyone… John Cale… In my mind, I keep humming “Cocaine, running around in my brain”, but we all know that’s another J Cale… Anyway, I kind of like this album, if it is playing in the background. Yet, if we go and take a critical listen, then the album becomes harder to listen to… weird how that happens. Also, and this has to be said, I am being partial, as my musical mood is too heavily influenced by the shit that has been appearing on the list for a while now. Oh how I wish I wake up tomorrow and am greeted by a stellar outing… but the odds are against me… Will just have to sit back and think of Paris in 1919 again, when the war was over and cubism was dead… 3*
Some of the music was OK, but I didn't like the vocals. It didn't stand out much to me.
They said "Amanda" in The Endless Plain of Fortune :D
not a bad little 70s euro art pop experience. if you start this album at france, it'll be over at about half past france.
It's not bad. The music is nice, all throughout the album. It just neves strikes a nerve. But it's great to have on the background. 3/5
The first 4 songs were bland, but then Macbeth hit (stood out) and boosted it up at least a star. Paris 1919 continued the more upbeat transition in the album. 3/5
Ei oikein iskenyt tämä John Calen soolo veto ja "Art Pop" genrenä. Ihan taustalla menevää mutta ei kyllä lähde levy omalle soittolistalle.
Paikoitellen menevää, mutta ei kovin hyvin lähtenyt omaan korvaan ainakaan ensikuuntelulla. Not bad, not good
2.5 rounded up
This was fine, but there are much better Cale albums. Slow Dazzle is his best, but it’s only streaming as the last 5 tracks on CD 1, and the first 5 tracks on CD 2 on “The Island Years” compilation.
I thought this was a decent album but the whole time it felt like it was missing one thing to make it amazing. In no way is this a bad album, it's just not my album.
I enjoyed a good bit of this album, but it all blended together in the end for me. Not much stood out in particular but i found myself enjoying a lot of the melodies.
NOT what I thought it was going to be. Very enjoyable sort of orch-pop.
This is my second time trying this. Paris 1919 always seems to get lauded by people as being one of those life changing albums, but I don’t really get it. When it’s good, I really enjoy it. Songs like Graham Green, Paris 1919, Andalucia, all great songs. But then there seems to be quite a few that passed me by. If it wasn’t by John Cale I wouldn’t have given it as much time I reckon, which is wrong but there we go. Given it’s legendary status I’ll definitely be back, but possibly more of its reputation than what I’ve heard
Didn't know what to expect of this from the album cover. Quite enjoyed it though. Very folky, little weird in parts. Oh it's one of the guys from the velvet underground, I didn't know that. Glad I only realised after listening I think 3.5, the eponymous track was the best
Listening to both discs in the deluxe version was interesting. I could hear how it might have influenced bands I love like Bright Eyes. I like the travelogue style lyrics
Good? I mean, it was relaxing music but its not the type of music I search to listen to.
A Velvet Underground fan but I hadn't heard much solo John Cale. Not exactly what I was expecting and it's not even remotely like the VU at any point. Cabaret-style baroque pop, this sounds like a Welshman getting off his tits on drugs in France on his own, and I assume that's exactly what it was. He's really pleased with himself with an irritatingly catchy tune called 'Hanky Panky Nohow' which appears in various forms throughout the album on the Deluxe version. I'd question that decision, but thankfully in its original format (the one you want) it's only there once. 'Andalucia' is lovely and Paris 1919 I had heard before but not known who it was - good song. Some of this manifests itself years on in the Super Furry Animals, some of it even resembles the Ben Folds Five, whilst 'Graham Greene' recalls Lola vs Powerman-era Kinks. There are lot of points in songs that really remind me of some other songs, but I can never quite place them. I like some of this but it also grates a little bit at times and is a little pretentious (which I don't mind), so surprises me that it's so highly acclaimed.
I found this a little bit disappointing. Given he was the force behind a lot of the Velvet’s more experimental output, I was expecting this to push more boundaries. It was pleasant enough and may bear another listen but it didn’t take me immediately.