My 1001 Albums Journey

895

Albums Rated

3.03

Average Rating

82%

Complete

194 albums remaining

Rating Distribution

Rating Timeline

Taste Profile

1970

Favorite Decade

Metal

Favorite Genre

Top Origin

Tough Crowd

Rater Style ?

5-Star Albums

1-Star Albums

Breakdown

By Genre

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Top Styles

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By Decade

By Origin

Albums

You Love More Than Most

Album	You	Global	Diff
Chocolate Starfish And The Hot Dog Flavored Water Limp Bizkit	5	2.51	+2.49
Justified Justin Timberlake	5	2.67	+2.33
Slipknot Slipknot	5	2.68	+2.32
All Hope Is Gone Slipknot	5	2.7	+2.3
...Baby One More Time Britney Spears	5	2.7	+2.3
Live / Dead Grateful Dead	5	2.81	+2.19
The Only Ones The Only Ones	5	2.9	+2.1
AmeriKKKa's Most Wanted Ice Cube	5	2.92	+2.08
Devil Without A Cause Kid Rock	4	2	+2
No Sleep 'Til Hammersmith (Live) Motörhead	5	3.07	+1.93

You Love Less Than Most

Album	You	Global	Diff
The Joshua Tree U2	1	3.66	-2.66
Head Hunters Herbie Hancock	1	3.54	-2.54
War U2	1	3.45	-2.45
Ágætis Byrjun Sigur Rós	1	3.37	-2.37
Achtung Baby U2	1	3.29	-2.29
Trans Europe Express Kraftwerk	1	3.15	-2.15
Another Green World Brian Eno	1	3.11	-2.11
Suede Suede	1	3.1	-2.1
Autobahn Kraftwerk	1	3.09	-2.09
Vento De Maio Elis Regina	1	3.03	-2.03

Artists

Favorites

Tap an artist to see their albums

Artist	Albums	Average
Pink Floyd	4	5
The Smiths	3	5
Metallica	3	5
Black Sabbath	3	5
David Bowie	8	4.25
Nirvana	3	4.67
Eminem	2	5
Green Day	2	5
ZZ Top	2	5
Motörhead	2	5
Amy Winehouse	2	5
Slipknot	2	5
Grateful Dead	2	5
Beatles	6	4.17

Least Favorites

Tap an artist to see their albums

Artist	Albums	Average
U2	3	1
Kraftwerk	3	1.33
Brian Eno	4	1.75
Public Image Ltd.	2	1.5
Baaba Maal	2	1.5
Captain Beefheart & His Magic Band	2	1.5
Björk	3	2

5-Star Albums (55)

View Album Wall

It Takes A Nation Of Millions To Hold Us Back

Chocolate Starfish And The Hot Dog Flavored Water

Popular Reviews

I had two CDs back in the day. One for the stereo, and one for the discman.

1-Star Albums (31)

D.O.A. the Third and Final Report of Throbbing Gristle

All Ratings (895)

Near perfect album. The beats and flows completely slap. A couple of songs on the album seem to slack off compared to the rest. The repetitive content across the tracks keep this album stuck in its own time, even though the beats and lyrical delivery have aged wonderfully.

It might be my love of 2000's era punk-rock, combined with my love of 1970s-80s classic rock that makes this rating a little biased, but this is a hecking good album. Classic European rock sound that sounds like it helped plant the seeds for the evolution of punk-rock. This album flows from cover to cover, and you can fully immerse yourself in the dreamy, trance like quality of the music.

They're like The Hives, but the singer has more vocal range, and is a woman. The second half of the album is significantly better than the first half of the album.

Is this album good because of the music, or is it good because of Iggy Pop's influential disruption of the musical scene during the time? I was going to give this album three stars, but the blues inspired riffs throughout the album, combined with the overuse of cowbell in Gimme Danger really elevate the album to four stars.

You can't have a concert at a prison today, because the prisoners are busy working as free-labor for the privatized prison system...

Its aight.

I didn't think it was going to be as good as it is. Has a handful of slappers.

An album of hits and whiffs.

It's weird that that this album came out three years before Eddie Murphys album and sounds like the copy. And I think someone was playing Mega Man 2 when they were in the recording studio, which is also weird because that hadn't been developed yet. ALSO weird that the singer sounds like a Dollar General version of David Bowie. But the album isn't too bad except that one song where they forgot they were making a pop album and reverted back to that experimental sound, which the Grateful Dead did four times better a decade earlier.

Not sure if they were trying to invent EDM, or create a new soundtrack for Centipede, but Daft Punk probably loved these guys. Me however, not my kind of electronic sound.

It's almost as good as St. Anger.

The album gradually gets better with each passing track, Then about halfway it starts gradually getting bad again.

It's a good album, but I don't think I like Motown as much as I thought.

I will either thoroughly enjoy metal music, or I'll find it exquisitely awful. This is the latter. It reminds me of going to local hardcore shows back in high school. But unlike those shows, I'm not happy to be a part of the experience. A good gripper of solid riffs and rolls keep this from being completely unpalatable.

I had decided that I didn't like Beck without ever listening to any of the music, and now, after having listened to an album, I can confidently say that I still don't really like Beck...But also, I don't necessarily dislike Beck either.

This album actually slaps, and offers a solid mix of sounds.

Album is four stars, but man's life story is five stars.

Could've just put Hey Hey My My nine times and called it an album.

This that smooth that you lay ya girl down to.

A couple songs are good, a couple songs are real bad, but mostly, this is just an album of normie music.

It all slaps.

L E G E N D A R Y

It's good.

Two stars all the way.

Great sounds.

There Is Nothing Left To Lose is a better album.

This album introduced me to RHCP

Sometimes Neil Young hits. Sometimes Neil Young wiffs.

Big yikes.

Language barrier. Still good.

I didn't want to like it as much as I did.