Second Toughest In The Infants

I'm not into this kind of music. Everything lasts too long with minimal variation. The loops go on and on and it's just an exhausting listen.

Always funny listening to techno in the middle of the day for this project. Takes some of the edge of, but happy to imagine this in some darkly lit underground club. More layered than I expected though and a great flow throughout. Probably lose something to listening with full attention for 80 minutes, but would likely come back to it again. Im rushing through this a bit, but its good value. Maybe more suited to different context but it still slaps. Prefer tracks without vox. Almost 4, but last two tracks kill it (3.5)

The music was bad but the length was what drove me into angry territory.

I thought it was a bit too long but actually rather varied in its sounds and electronic beats despite this. Even though most of the songs were on the longer side, they did a great job of keeping it fresh, even sometimes the repetitiveness it did have worked in its favour when some of the electronic parts changed around the same drum loops. I think as a whole though it’s not something I would want to listen to much in deep concentration but it’s great to have in the background or to listen to on a journey or something as it was a still a good listen. Favourites: Banstyle/Sappys curry and Blueski. Overall, 6/10. (If it was less bloated it would probably be in the 4 star area).

Very monotonous.

Cerebral dance music? I don't know about that. I felt like the songs overstayed their welcome.

Better than DarkDancer, but not really into this that much.

Relatively benign and clubby chill, and certainly not the most soulless electronica one's ever heard. It's possible that this might be more subtle than one realizes, given one's disinclination to give such synthetic and borderline tedious beatfests much time when it comes to attentive listening. Net-net, though, is that one struggles to see how this would in any way prepare one's soul for the afterlife (assuming there is one). As such, this can be regarded as non-essential, pre-demise listening. They got their 15 minutes with Trainspotting OST so don't really need (or deserve) much more love than that.

Not a genre I have spent much time listening too. A coherent album. Good vibes with some tracks I particularly liked.

This bring me JOY!

Good background beats.

Mind numbingly repetitive but I'm feeling generous.

kept it on in the background

Pretty forgettable

Pulsing techno beats, fluid synth textures, and shifting rhythmic patterns build a hypnotic repetition that forms the album’s strongest core, while fragmented, stream-of-consciousness vocals drift through the mix, making this a mesmerizing yet detached Ambient downtempo. Unfortunately it is very long and didn't keep my interest troughout.

An essential.

I have heard of Underworld so that’s a good start. So far all I’m hearing now is light techno beats that don’t hit like they should to be. This album just doesn’t take off. Like, ever. It’s like the final production was forgotten. Could it be remixed. Hell ya. Maybe that’s the point. But this, this as it stands it just mediocre. Start to finish.

No thanks

Banger

Clever totle

Damn this was so much better than I thought it would be. I’m not an electronic guy but this is varied enough to keep me interested

A good album, I liked Blueski and Stagger the most.

meh

Finally a purely electronic album in the list,well actually the second on my list and i've already rated 62! I pretty much own everything from Underworld and what can i say for this great band that i actually heard a track of during the summer of 2025 in a Sasha/Digweed gig?This album is for the clubbheads,you have to have heard progressive trance,D'n'B and techno of that era to fully understand this. Techno is the sound of the clubs in the first place and still is what you hear in most oldschool djs sets. Tracks breakdown now: Juanita:Kiteless:To Dream Of Love, I can definately hear progression. the snare added late and the hihats and i also hear one track intersepting with the two others from time to time,i also hear a very addictive,haunting melody,this is a club track,a progressive techy trance for those who don't understand what this is,going further there are some acid techno abstact minutes and the melody interrupts dominating in a breakdown and more human vocals come in,builds up and goes high in tech energy and ends with sampling vocals in a 'Technologic' fashion.Basically they mixed all three original tracks to their taste so that justifies the long duration, Banstyle / Sappys Curry starts off with a drum 'n' bass beat,very moody and beautiful and with a lot going on in the background (samples,drops,effects) that keeps the interest throughout the track,nice vocals,sparse guitars from time to time,pads dominate at some point making it more emotional, intergrating with beats and heavy reverbed snare changing beautifully the tempo and guitars come back to shine in a hypnotic manner along with the almost whispery vocals,modulated synths strong presence along with exceptional use of hihats create tension leading to a totally experimental piece towards the end,complicated,diverse and genius track, Confusion The Waitress starts off darkly and powerful,nice hypnotic vocals,great techy structure,modulations throughout the track creates edges and tension, Rowla starts off with heavy synth and everything builds pretty much around it,highly dancable and addictive,constantly modulated bass changes the intensity and the keys of the track,reminds me of Laurent Garnier techno creations,those settings are not random and that's art itself,it kinda results in a acidic heaven,high voltage track-hear with caution, Pearl's Girl was the single from this album,lush pads and melodies,drum 'n'bass structure,nasty basslines, pretty much what Orbital were doing back in the days but more aggressive,vocoder vocals here ads to the power of the track,when pads and synths come back in the breakdown and till the end is like a catharsis,100% emotional,magic, Air Towel has definately some Kraftwerk vibes (Tour De France) from the beginning, it's amazing how they make it their own,maybe it's the silly 'lalalala' sample or the good English vocals, Blueski has the repetitive bluesy guitars intro in case you were missing some and pads underneath harmonises beautifully,ends up totally dry, Stagger starts off with heavy sentimental reverbed and delayed piano,the vocals here are amazing,synths and pads ad limbs to the emotional factor,plucky guitar and heavy reverb at both kick(almost boomy) and snare create something totally diffent towards the end,great electronica track proper for closing this album. I really enjoyed this album and i will give it a fair 4/5 only because i liked the previous ones more.

Quite excellent

Hooked by the second track-if danceable industrial goth and progressive house hooked up. Songs are allowed to fully develop layers like some musical chapter book.

It's ok I guess for electronic. But kinda all the same

I liked it at the beginning but it got boring fast. And the voices annoyed me

Beep boop 90s spy video game music.

It’s just a bit too repetitive and rough for my taste. While there are cool beats that might work in a club setting, it fails to hold my attention for long.

So repetitive. Your thin paper wings Your thin paper wings Your thin paper wings Your thin paper wings Your thin paper wings Your thin paper wings Your thin paper wings Your thin paper wings That said, it had me grooving a few times. Not as bad as I expected after that first track.

Didn't really understand why this made the list.

Good old school trance album but not like blow my socks off lol

This electronic techno sound is not my jam, and I will not lie when I say I didn't care much for Second Toughest in the Infants. At the very least, I found it interesting. The first track was extremely repetitive, but that aspect improved for the rest of the album. Underworld created an album with every song sounding different--I don't think I need to explain that this doesn't happen often in electronic albums. A lot of electronic albums are more ambient-sounding, and I liked that Underworld didn't fall into that common trap. The vocals were rare, and I always felt they added nothing of substance to the song.

I honestly didn't find this album noteworthy, especially not for this project. It wasn't bad, but it was pretty unspectacular. Each song had its own vibe, which was nice, but each song vibe just repeated itself over the course of several minutes.

This is good

Really just whattt???? 1.5/5

I'm struggling to really see the importance of this album or how it can be held in a high regard. I suppose it doesn't pretend to be anything it's not, but I can't really understand how someone could relate to this in a meaningful way. There isn't even much quality musicianship on show. Some of the really techno sounds reminded me of Ross 'Finding his sound' in Friends, lol. Maybe at 3am in a nightclub I'd feel differently?

Stunning. Dark. Timeless.

The best thing about this album is the title. It's sixth form poetry mumbled above boring beats. Occaisonally it becomes more interesting, but that's probably because some of the tracks have multiple parts so if you throw enough shit at the wall, some of it will stick. Best Tracks: Juanita/Kiteless/To Dream of Love; Banstyle/Sappy's Curry; Pearl's Girl

Moody and complex electronica

1. Juanita: Kiteless: To Dream Of Love - 10 Brilliant sound. It it actually three tracks combined into one, but the sounds on each are so good. It sounds like quintessential Underworld and quintessential EDM. Fantastic stuff. 2. Banstyle / Sappys Curry - 8 Another combined track with Sappys Curry being the longer of the two. It mellows out a bit during the second half of the track before eventually building back into a great finish. Banstyle is absolutely awesome. 3. Confusion The Waitress - 7 Instrumentally it's a brilliant sound with some awesome beats under toning the track. Lyrically it's a bit stale. 4. Rowla - 10 Great EDM sound. A brilliant track to dance to. 5. Pearl's Girl - 10 Brilliant track. Amazing 90s EDM sound. This is absolutely a classic and would be immense in any set and on any track listing. 6. Air Towel - 9 More great EDM sound. Brilliant beat and pace on the track that will keep you moving throughout it. Really great sound. 7. Blueski - 8 Instrumentally it's very good but unlike anything else on the album. Still very enjoyable. 8. Stagger - 8 Solid track to end the album. Not as EDM-based as it contains a lot of heavy drums in it but still enjoyable. Average Rating: 8.75 Adjusted to 5-Point Scale: 4.38 Rounded Down: 4 Stars

Underwear

banstyle

EDM House type music. Ahead of its time maybe?

I feel like I've heard all these sounds before, just in slightly different configurations. I zoned out at certain points, but I guess it was OK.

Way more subtle, layered and interesting than I was expecting. Had a more boisterous 'born slippy' view of Underworld in my head. This gave me a very good different perspective to them.

I bought this album when it came out. It's still fabulous

Only really knew born slippy before. This album is excellent full of good beats

hypnotic beats I was going on a bike ride and this pulled me through. As a stand alone it seemed a little dated a good beat behind it but not much else at times . I expected more not for me

Club techno vibes. Honestly better than I expected and locked me into a work trance almost.

Headache stuff

Sorta boilerplate edm , I like the early parts that get me moving

A fun electronica album. Some songs make me want to dance & some make me want to lay back & get lost in the pretty. This is very likely the genre I knew the least about on the 1001 list when I first started this project and so far, I like it more than I thought I would while still not knowing much about it. I'm looking forward to more electronic music and wondering if there are any 5/5 albums in the genre.

Rather good electronica. Great background and not repetitive. Pleasant surprise

Disappointing that only 1 Underword album is on this list given some the other electronica albums that made it. I love Underworld and this is probably my 3rd favourite Underworld album. Its a 5* even without the later addition of Born Slippy - which still sounds amazing even though I've heard it 3 million times.

Second Toughest in the Infants Never listened to this before, despite liking Underworld and it being from peak Trainspotting/Born Slippy times. It feels like it shares a lineage with Orbital, taking Kraftwerk, Eno, House, Techno and Electronica and making something that feels like an album with suites and passages and movements. It is long, but it doesn’t feel like it, using the full 74 minutes fully, flowing though moods and feelings at its own pace, never hurried, but never treading water or getting stuck. House, Jungle, Drum’n’bass, Ambient all rub shoulders, sometimes forcefully, sometimes subtly, all with a meticulous sense of detail and consideration, and layered with a sense of pop craft. There’s some great instrumentation and little hooks scattered, the synth/organ part in Confusion The Waitress, the slide guitars in Banstyle/Sappys Curry and Blueski, the sequenced piano on Juanita: Kiteless: To Dream, the synth part on Air Towel, the thumping dance of Rowla. I I think this is fantastic, maybe the best dance/electronic album I’ve heard, combining great hooks and moody atmospheres with complexity and thoughtfulness. Easy 5. 👶👶👶👶👶 Playlist submission: Confusion The Waitress

'Juanita' shapes up to be late-night rave-club fayre, until that guitar hook comes in and transforms it into a club-culture anthem. The vocal pattern is almost Born Slippy, albeit roboticised. It's not the only one - 'Pearl's Girl' takes a further step - it basically _is_ Born Slippy, but with the ambient piano chords taken out with the industrial beats remaining. 'Rowla' has more incessant banging than Stevie Wonder's little toe. The only variation here is loud and soft. It's too often shades of grey with this album; there's no drama between light and shade, interesting layers, melodies - it's ad infinitum beats without something additional to spark them into life.

Too much percussion, Bluesky was OK though

Listened Before? N Nope. This is not my thing. Added to Library? N Songs added to playlist: Rowla

Obviously, I was dreading this one! It's 75 minutes long, British electronica, and starts with two songs longer than 15 minutes! But actually, I ended up sort of enjoying it somehow! Still too long for me, but it did way more in that time than I expected it to.

Likte det egentlig ganske bra. Kan putte på listen og høre mer. Bra å jobbe til

Perhaps this was innovative when it came out, but this was my first listen and I wasn't impressed. There were a few minutes of interesting ideas (particularly one that kind of reminded me of Peter Gabriel) but the rest I thought was generic noisy electronic music.

Fun album. Really long though.

Electronic music is one of the weaker genres for me. I don’t gravitate toward it and don’t know much about it. With that said, this album started off strong for me. The instrumentation and vocals on the first three tracks were quite interesting and pleasing to my ear. I found myself entranced; hyped yet mellow. This feeling unfortunately morphed into a sort of anxiety and annoyance with the intense and repetitive nature of tracks 4-6. I found the beats to be tedious and unimaginative at times. The album recovered a bit for me with the final two tracks, as I loved their melodies and more mellow vibes. Overall, this was just a so-so album that I probably won’t revisit.

Fine background music.

Drags a lot, nothing special

Decent.

#708. I suppose this kind of music has its place, but on a list of essential albums to listen to is not that place. 2/5: meh

Banstyle I’m really enjoying this. Feels like arctic monkeys decided to sing over some Bratz video game dress-up music? But in the best way possible. Blueski and Stagger were other faves

Been a while since I got an English club record, I thought “hey I’m in a good mood, I’ll give it a blank slate fair chance!” Still stunk

Not sure it's my thing and probably too long but honestly don't mind it. A little burnt out on 90s UK electronica after two Chemical Brothers albums in quick succession so maybe a little harsh.

2 out of 5. Nothing stood out to me but I also don't hate this album.

3,5

Some of these songs were cool, but it was also very long. I would have liked it more if it was just drum and bass without the vocals.

Elektro aus den 90s. Teilweise ganz cool, teilweise naja. Viel nebenbei gehört, dazu ist es cool. Vllt mal zum Laufen.

I was working in a record store at the time this came out. It was at a time of musical discovery and taste shaping for me. Albums I wouldn't have normally listened to by that point were now being found. While this isn't one of those albums I found at that point, other bands of similar vein, from Portishead to The Prodigy, were definitely in the mix. I hadn't heard this particular album before today. I'm most familiar with 2002s, A Hundred Days Off. I dig it. The layering here is super cool. While not everything works, it holds its own for keeping a vibe going. Just what you want from good electronica.

Dubnobasswithmyheadman is one of my favourite albums, this one is almost just as amazing. Easy 5 for me

I don't have any strong opinions on techno. I use it to drown out the neighbour's screaming kid when I'm trying to work from home. In that sense, it is the most useful music in the world.

2.5 some songs were good but way too long for those I didn't like

Sometimes it feels like this list was made exclusively by Brits who were 20 in 1996

Stupid electronic shit

Not a genre I’m familiar with nor really listen to, but this was nice. Kinda trance-y and vibe-y. Favorite track: Pearl’s Girl

Better than I thought it would be for a techno album, still not my cup of tea. There were parts of each song that I found genuinely pleasant though.

There were moments I locked in with this that I enjoyed, but also large sections that just passed me by, and the whole thing could've been edited down by about 30mins.

3.38

Sitting at home in the middle of the day probably isn’t the desired environment for an album like this. I love underworld, think they are one of the best electronic live acts going but I don’t really enjoy listening to dance music outside of a gig environment. A generous 3

If I could put a gif here, it would be the one of the blond mullet kid at the computer giving an enthusiastic thumbs up.

not my favorite Underworld release but there's at least two stone cold genre classics on here so I can never be that mad.

This is fine.

I didn't hate this. It made me want to go a '90s rave.

I was insanely productive listening to this at work. Dunno if it tapped into my millenial brainwaves or what, but this was a winner. 4/5

banger techno

The incessant electronic beats are just too much. I can’t with this.

Great album with its own unique sound.

Possibly the most 90s thing I've ever heard. Great to work from home with. Maybe not as great with anything else other than an old wear house. Who's got the E?

yaaaaa i think ‘blueski’ is such an unbelievably gorgeous song. i enjoyed listening to this. shame ‘born slippy’ wasn’t on the album. fav tracks: blueski; banstyle/sappys curry

that was awesome i had the most productive hour of my life. exactly the vibes i’m looking for from an electronic album.

Opening the album with two 15+ minute tracks seems incredibly bold, although given the genre, perhaps not. The good news is that the opener, Juanita: Kiteless: To Dream of Love, is brilliant. This provided the perfect companion piece for a productive hour or so working away at my desk. I didn’t know any of the tracks on this album, but I am a casual fan of Underworld thanks in no small part to Danny Boyle. Naturally, I had to go and listen to some of my favourite tracks like Dark and Long and Two Months Off afterwards, I shall definitely be exploring Underworld more.

Good album

That was fun, even without Born Slippy. Not entirely my thing, not now or then, but in this, it's #193 Prodigy's "Fat Of The Land" again: I'm pleasantly surprised how much it still slaps, despite being so much of its time. A nice flashback. My ratings are always at least partly influenced by the question "Is this an AYMHBYD?" and "Second Toughest in the Infants" is probably the closest to a meaningful representation of techno we'll ever get in here - and I liked it better than the Prodigy album - so 5 stars it is.

First time I've listened to electronic music. It was surprisingly enjoyable.

Bloody hell I hated this. Absolute slog to get through. All I know of them is Born Slippy which is an all time banger of a tune so I had high hopes for this. Instead I was left utterly bored and disappointed.

I don't go to raves or take ecstasy, but I was running late to meet a friend, and this helped me get there a little faster 🏃‍♂️

Not terrible, just not what I like.

Were the 90s worse than the 80s?!

Video game music

Could've been a 5 if the songs were divided better

Not the worst thing ive ever heard but a solid contender for most boring

Put me in a warehouse immediately

Close but no

Inte lika "dålig" som mycket av den elektroniska musiken på denna lista. Det är dock långt ifrån ett.mästerverk. På sin höjd, meh.

Det enda jag kan påminna mig om att verkligen lyssnat på av Underworld är Born slippy, vilket känns dumt eftersom det är en fantastisk låt. Den här skivan är väldigt tidstypisk 90-talstechno och även om mycket har hänt inom genren sen dess så gillar jag verkligen denna, i synnerhet den första halvan är riktigt bra. Härlig atmosfär och varierade produktioner med inslag av trance, gitarrer och breakbeats gör att det aldrig blir tråkigt, även om det är långt.

The song titles are cracking me up. The repetitive nature of electronic music gives me a headache, and the songs are so long.

Pretty good electronic album

Some pretty great stuff on here. It's too long but as it wore on it won me over, so, mission accomplished I guess?

Meh

Not really my type of music, but decent enough for what it is. Really can't judge if this one is relevant enough to deserve a spot on this list. 3.5 rounded down.

Perfectly fine techno beats. Yes, the first two tracks alone equal 30 minutes of an 8-track album, but so what. Press play and focus on the task in front of you. It fueled my workout today. Thanks Underworld.

I quite like it, though not as much as the grade I'm going to give it - I'm grading very much on a curve. You see, this album should be 3.5 stars. It's good, maybe bordering on very good with the caveat that it's boilerplate BOOTSandHATS techno and should be listened to primarily while taking drugs or in the background while working in an office or cubicle well after your drug-taking days have concluded. But we don't get half stars in this project, so that's out. So this album should be 3 stars. It's good, but (prior caveats notwithstanding), it's not *very* good, you know? So then why am I rating it 4 stars? Because I have massively fucked up my own personal ratings. I've had some halfway shitty albums that I've rated 3 stars, because I didn't hate them enough to rate them 2 stars. but now I like this album way, WAY more than those albums, so is it fair to give it the same rating? I gave Tim fucking Buckley 3 stars, FFS, and now I'm supposed to give *this* 3 stars? yesterday's album was Let's Get Killed by David Holmes, a very pedestrian, albeit listenable, album of the same genre, and this one is way better. So how do I give it 3 stars? I don't know, but this is taking up too much space in my life. It's pretty good if you like techno. The end.

Electronic - not enough variation and the songs lasted way too long. Especially for the songs that sound alike.

Am I a skins character right now?

2.5 - Meh

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glizzy

nope

It's okay. 90s dance music. A bit of a hard edge at points which I like but felt like there was little variation. Around halfway through I couldn't see how anything was going to change and most songs had sounded the same to that point.

Like a mellower Prodigy.

COOL

1/10

2.5

2.5

Definitely not my thing but good for them.

I found it so funny that this album is in this list. Back in the start of July, I decided to give it a listen and review in AOTY without me knowing it was a part of the generator. This is my original review: "With only one listen: I felt that the two longest song do get a bit boring, even though they have some interesting elements. With the track 'Rowla' is when the album started to click, to the point that I ended the album before I could notice. Great electronic album with a nice atmosphere." Now that I had to dedicate more time to it, I have a more formed and different opinion. First of all, the first track has become my favourite one. In my very first listen, I didn't catch the main medoly, which is a bit of surprising as it is very very present, and I think is great. The second track did also grew on me, and one of the reasons why is because it sounds so similar to the Menu Medley from Mario Kart Wii, so the song ends up feeling very nostalgic. And this is a current theme through the record, and I'm not refering to the similarities with Mario Kart Wii, but to the sense of nostalgia, maybe due to it being a part of a movement that is very distinct of the 90's music scene and not so much in the following decades. Along with the nostalgia, this album also sounds very warm and atmospheric. It can be very relaxing. In fact, it can be so much relaxing that in my first listen of the day I almost felt asleep. Not a great thing when you are working... In conclusion, this is a very nice album. I've heard better albums before from or close to this style of music (like Orbital 2 or Selected Ambient Works 85-92), but it reamins very strong on its own, specially thanks to its very unique ambience.

I've never listened to a full techno album and this did not fully change my mind on the genre. While entrancing in the moment, there wasn't really a moment that stuck with me after listening at all. It is also quite daunting to relisten considering the 1 hour 20 minute runtime and consistently around 10 minute tracks.

Nice.

Fine constructed electronic music. Nothing else.

Always enjoyed this album though I do think the one previous should be on here instead. Songs do go on for a very long time but it generally works. I think you either will think this is great or you will be bored to death with it and I like this a lot more than I dislike it.

I was fully expecting to hate this since I despise this techno stuff, but this is actually pretty decent.

Garbo

An audiophile’s delight. These guys are trailblazers in the electronica genre. Reminiscent of earlier bands like The Art of Noise and Depeche Mode.

This was an intriguing discovery for me. For those who don't know, Underworld is a British electronic group, primarily consisting of vocalist/guitarist Karl Hyde and keyboardist/mixer Rick Smith. They started as an alternative synthpop act in the 1980s before pivoting to dance and techno from the 1990s onward. Listening to Second Toughest in the Infants gave me the sense of the breadth and depth of electronic composition that Underworld can conjure. Opening with the multiple-suite works of "Juanita: Kiteless: To Dream of Love" and "Banstyle/Sappy's Curry", they're capable of ebbing and weaving through various hypnotic stylings, from aggressive breakbeat to softer ambient, from popping house beats to lush synthesizers over a drum-and-bass rhythm section. All the while, they introduce elements that help identify and anchor the tracks, such as the acoustic guitar strumming on cuts like "Stagger", the distorted synthesizer on "Rowla", and Karl's observational lyrics whispered over the mix. The duo certainly did their best to give each of these compositions its distinctive flavor, with enough twists and turns to try and maintain listener engagement. That said, this album still runs rather long at 73 minutes, though paradoxically, the fault is not with the opening two tracks, as those were some of the most enticing electronic pieces I heard in some time. Instead, there was a more noticeable lull in the second half of the record, between the repeated synth notes of "Air Towel" and the spare acoustic melody of "Blueski" that felt underdeveloped. I wish these tracks had more time in the oven in comparison to others on this record. Still, Second Toughest in the Infants was a solid electronic record, as Underworld redefined themselves to become one of the more distinguishable electronic acts out there.

First two songs way too long. The second half of this had some great songs.

Not really for me. Not terrible though.

This was pretty boring.

Hell yeah! Let me in the drum circle! Oh. Oh no. Why is this song so long? It’s cool, but gets a little out of control.

I liked elements but I skipped through it. Too long baby

Def sounded like a synth album

It’s the Get Slippy band! I love that song. Some of this album reaches that peak, I think the first track in its entirety would have been a 10/10 LP. Even though I don’t necessarily have negative thoughts on it, hour plus is overstaying its welcome. I can see listening to this again & just jumping in at the halfway point to give the second half a more fair shot.

I liked this album a lot, I don’t really listen to much electronic music. I do have to wonder what exactly sets this album apart from the countless other electronic music but I’m not complaining.

p790. 1996. 1 star. 90s techno. Tedious beyond belief. Hard pass.

Slower burning and more background-y than its peers - if you're used to the bombast of Howlett, James, Rowlands/Simons et al. then this may hit a bit different. But that doesn't mean it doesn't hit, and by the time we get to "Pearl's Girl" you can hear what the fuss is all about. Now, who's in the mood for some Wipeout XL and a can or two of Surge?

Another 90s electronic. Surely one of these mattered more than others

Good lord this is one of the best DnB/IDM album, second only to Aphex Twin. Most electronic albums suffer from a sameness between tracks, but every one here has a very unique flavor and style. Incredible production, instrumentation, and style.

While their songs are more readily painted than hummed, Underworld share with Kraftwerk a romantic futurism, building imaginary worlds that are epic, self-consistent, hermetic but enticing. Cracking song titles, dreamy contours, bold cover art.

This kind of thing usually bores me, but Underworld possess my Goldilocks formula for "progressive techno" or whatever. Too long, as all their albums are, but totally banging in many places. Lager, etc

I thought I was getting close to the end of the album and then I realized I’m only 3 songs in.

I actually totally dug this album. It was that old school hacker shit kind of techno that you could never really dance socially to, haha. It made me want to download a car.

26/07/2025 I just couldn't connect with this.

Usually can handle stuff like this but it's was just all the same song and just went on and on. Maybe would be better on different drugz

Man, I loved 73 minutes of ANOTHER bri'ish techno noise album.

Good re-listen.

english electronic albums from the 90s be much longer challenge

The album could be trimmed, perhaps that's just the nature of the genre. Other than that, a deeply pleasant experience.

Kinda weird. Decent background music though. So 2.5 but I will round up.

Pretty sweet

This was surprisingly decent techno. Just a bit long.

sucked

Some real C.S.I. test tube and beaker shit. If you like the first 30 seconds of a particular song, you're in luck, because it won't change. No bridge, no chorus, no key change, just the same thing all the way through. The final track switches it up a bit, but too little, tool ate(I'm leaving the typo because Tool eats this shit alive). If you don't immediately like the song, save some time and go ahead and skip to the next.

A bit of a nightmare scenario for techno/electronic. Repetitive and long. The sounds and beats are good, they just go on far too long with little change.

I really liked this - will be listening to again.

What am I supposed to do to this? It's not enough to dance to, but it's definitely not enough to think about. Maybe the boots and cats works, but it doesn't believe in it. I'm not sure it believes in anything.

Just a rough listen for me

This was so incredibly boring. I think even when I listened to EDM back in the day, I would not have liked this album.

Some of it was alright. Some of it wasn’t. I love (mostly vocal-free) beats to listen to while I work but this wasn’t it for me.

This album got me dancing for the first part of it. Then it was kind of repetitive and depressing. I really enjoyed it.

I wish I had a chance to give this a second listen, unfortunately it just couldn't happen today. Second Toughest In The Infants is some really detailed, texturally interesting electronic music that I got a lot out of. The compositions here are lengthy and almost trancelike, with a kind of melancholic, chilly atmosphere. The sounds are tasteful, and the way the compositions evolve is really organic and makes these songs go by pretty quickly for how long they are. For example, Juanita : Kiteless : To Dream Of Love and Banstyle/Sappy's Curry are *both* longer than 15 minutes, and they are brisk and engaging throughout, as long as you are kind of willing to be carried away by the music here. Karl Hyde's vocals fit in nicely too, with some surprisingly good melodies. The only problem I could really have with this album is just that depending on mood, this can be better background music than something to actively engage with, but it works well like that too. Underworld come through with a really cool project here, and I could see it growing on me more, I will almost certainly be coming back to this in some certain settings.

3 / 10 - I feel like I needed to be 4 keys deep to like this album. Sadly I was 0 keys deep and bored on an afternoon, so didnt really hit the spot

Aphex Vibes but no where near as good. First track became boring as hell after 5 or so mins. second tune is babba, could sit through it so boring. bobbed a little confusing the waitress. some really nice synths and interesting effects, its just nothing seems to go anywhere. Rowla is somebody messing with a filter on the same 2 bar loop for 6 mins. Its pretty shit, could vibe to it. Time has never moved so slow as listening to pearls girl. Some interesting ideas, maybe i need to listen to it in on ecstasy or in a different setting to enjoy it.

One of the people in my group listens to video game music a lot. It's pretty common for him to point out that it's why he's so predisposed to liking electronica — it's the soundscapes and all that, y'know? And while I haven't listened to nearly as much as he has (and even then, I mostly only listen to the SONIC HEROES OST), I'll tell you, I can pretty often see where he's coming from. Most of the electronica my group's come across doesn't seem to be asking for much of your attention: there's enough going on to keep some level of engagement, but more often than not, it's not something you're supposed to be focusing too closely on. Y'know, it's supposed to be scoring whatever thing you're doing instead of the singular thing all by itself. It's the same purpose all video game music is supposed to serve, no matter how good it is. So thus we come across this album by Underworld, who, fittingly, has been named by some video game composers as a direct influence. Believe me, I can absolutely hear it. While I was listening to this album I was playing MARIO KART WORLD, but the entire time, I couldn't help but think that I should be playing, like... A puzzle game, y'know? This all sounds like music from a futurism-themed puzzle game, like... I'unno, HEXIC? Or ZUMA, or some releases of TETRIS or BEJEWELED... Those kinds of games, y'know? This is concentratin', thinkin' music, meant for deep focus on what your next move is gonna be. Alternatively, I suppose it could be music for some cyberpunk-style'd PS1 game, but I kept picturing puzzle games more in my mind, so... And I suppose this music would be fine for playing TETRIS DX or whatever to,'coz on its own... Y'know, just like I said, it's really not much of anything. I figure there's someone in the Discord server my group spawned who'd fill me in on all the deep intricacies of Underworld, but to my ears, it... Sure is jus' kinda wallpaper alright. I'll tell you for a fact, opening this album with two songs over 15 minutes is a bold as hell move, though maybe not the one I would have played? This track is only eight tracks long, but runs for over an hour — that's a nine minute average per song. Starting on the two longest songs, back to back, even listened to separately as "record sides" as I did, isn't exactly the best first impression. I mean, from what I did hear as I cruised the intermission routes... Well, I'm lucky I have the video game thing to talk about, because it's not like the actual music is giving me anything. Hard thumping techno with some vocals babbling about Colonel Sanders or something... Yeeeep. Mmffph... Y'know, I feel like I'm able to give most electronica music a pass. Even if it does end up largely being wallpaper (which, so you know, I will never rate an album lowly for), there's usually a couple melodies floating around where I can go, "Yeah, I really dug that part." A good synth line can do a **lot**. However, this album just... Doesn't have anything like that? At all? I'm struggling to even remember how any of it went, besides a general blob of "Yeah, that's some ambient-ass techno alright." It's only by the virtue of viewing this as video game music that I don't feel like being harsher on it. If that's the kind of stuff you're into, like my group buddy, you'd probably enjoy this a lot. Me, though... Well, I'll tell you this about most video game music: I tend to put it on mute so I can listen to other stuff. And this is no exception.

Some of these tracks may be a tad too long, but they're still pretty good besides that. 4.5 bumped up to 5.

I’m at a 4 – closer to a 3.5 bumped up to a 4, but a 4 regardless. I always think it’s a little hard to write about an electronica album, since it really does usually just boil down to enjoyment of the beats, and in this case, I generally enjoyed them. This sounds exactly like what 1996 techno / electronica should be, and I don’t think there’s ever a bad track here. There’s certainly ones that didn’t click for me, like “Confusion the Waitress”, “Air Towel” & “Blueski”, but they’re not bad, just actively a little more stagnant & boring than the rest of the album. So, why only a 4 then? Well, it’s long as hell, for one. A lot of these could’ve been trimmed a bit – it’s not necessarily an issue in the moment while you’re just grooving & moving around, so much like a Nintendo game, the flaws aren’t really there until you hold it up to a microscope and take a deep, deep analysis. There’s sections of each track that just sit in a general soundscape just a little too long, and those slowly build up over the course of the album, even in a subconscious space. Like I said though, it’s not that noticeable. The big thing, at least for my ears, is that this album just gives a little too much space to the vocals, as opposed to letting the instrumentation shine at its brightest. A lot of these tracks don’t have super compelling lyrics, so giving the vocals as much space as they do, where they sort of trim around the instrumentals & the entrancing effect of the beats, makes it feel like the album can’t decide quite what niche it wants to fill. Don’t get me wrong, the balance between the vocals / instrumentals is still pretty correctly skewed towards the instrumentals, but when it’s noticeable that the vocals have center stage, it’s really noticeable, and drags down the album for me, since they just don’t blend as well on a number of tracks. When this album is rolling, though? This is damn good electronica. It’s much more into the trance / techno side of things, as opposed to the more dance-y / plunderphonics stuff we’ve generally been getting, but I’m not complaining about that one bit. Even for the first 32 minutes of this album, over the course of 2 rather long tracks, I thought that the layering and progression throughout both of them was incredibly satisfying. The plunk on a lot of the percussion / bass / synths here is super effective, especially with headphones in. When this album gets into a zen state, it’s very easy to feel, and those moments are where this whole thing shines. Big shoutout to “Rowla”, by the way. I want to really harp on the last track, “Stagger”, because I have a very strange comparison I wrote down, and yet it’s one that I think works – “This feels like if R.E.M. made an album like Kid-A, but chose to base it off of Kraftwerk’s electronica style.” The vocals throughout this album, even when they’re not really blending into the soundscape, do feel just a little bit like Michael Stipe. “Stagger”, with the way the synth melodies go, really feels like a sort of modern take (for 1996) on Kraftwerk’s general 70s style. It’s a bit washed away by choosing to end the album on some remarkably annoying drums, but regardless, I think it’s a super cool closer, and I’d kind of love to hear an entire album in that style, albeit with more polish. Hopefully, something like that is on the list. Overall, then, I did enjoy this. It’s certainly long at 73 minutes, but it’s never ever sonically boring & it’s always competently passable at its worst. For me, there’s moments that are more stale than others, but it all boils down to taste. I don’t quite hear some of the bigger acclaim this album seems to have gotten, but I can understand why it did, especially for 1996. I don’t think it’ll ever hit a 5 for me, but I like it enough where I think a 4 is pretty deserved.

In the flow

Pretty interesting. Under the right circumstances I’m sure it’s awesome!

In a nutshell: instant 90’s rave music. The same duo who brought you the iconic closing track to Trainspotting- “Born Slippy .NUXX” (which only appears on the reissues). It’s kinda like interval training but for electronic music. You have the techno/breakbeat stages to dance to then you have the ambient/downtempo stages to cool down to. Overall: 4/10

starter ret bling bling agtigt. Hader første sang. Hader også næste sang.

Futuristic cyberpunk ambient music - for running

Great to listen to while working.

This just isn't my thing.

Good as background techno but nothing to lift it up beyond that

This first half of the first song was great, then it kept going and going. That’s pretty much how I felt about the entire album…it just kept going and going. Excessively repetitive.

This is some fantastic background music. Unfortunately background music is not what I'm looking for here.

My hair isn’t enough different colors to enjoy this.

Sweet Christ, how many fucking Techno albums are on this thing??? I thought to myself “Well, this one is only 8 tracks long, at least it’s short”, but fuck me if this damn thing still doesn’t clock in over the hour mark 😒. Maybe this shit slaps if your online handle is Zero Cool and the feds won’t let you touch a computer again until your 18th birthday or if you got a bunch of molly in your pocket, but if you’re a normal person it’s kinda noisy & repetitive. I bailed after 4 songs which was still 43 god damn agonizing minutes of R2D2 noises.

Second Toughest in the Infants? What does that even mean? First track comes out swinging and I fucking loved it. Wish the whole thing was that uptempo/creative - love the upbeat stuff, but the lulls are too low for me. 3.5 stars

Absolutely LOVED this one! 90's warehouse rave vibes for sure. Great music to listen to while working.

I didn't expect to like this based on the reviews, but something about it really clicked for me. I was a little intimidated by the length of the first 2 tracks. It made me feel like I was in a 90s underground warehouse rave.

Weird album lol 3/5

Great memories of younger years on Belfast thx!

muy electrónico, en plan tecno cantado así os cirilo y tétrico, por lo menos me da esa sensación la primera canción, la segunda no da esas vibes pero mantiene lo electronico canciones mu largas

El grupo británico Underworld, guía al oyente en un viaje sonoro de música electrónica de los 90s, que sirve como referente e inspiración para muchos artistas en el mainstream. Escuchando este álbum he sentido cómo “Ray Of Light” de Madonna, que llegaría dos años después de este álbum, bebe de sus sonidos. Canciones como “Sky Fits Heaven” o “Skin” hace uso de sonidos propios de la música electrónica, de la música de este álbum de Underworld. Arca, A.G Cook, Charli XCX e incluso Daft Punk en el tramo final de “Juanita: Kiteless: To Dream Of Love”, empleando ese sonido robotizado, vocoder, que me ha transportado de forma inmediata a “Technologic”, son otros de los artistas los cuales, escuchando este álbum he sentido su inspiración a la hora de crear sus proyectos. “Banstyle / Sappy Curry”, más calmada que el tema que abre el álbum, pero con un final cañero, aborda el hecho de encontrar lo esencial en las cosas más simples que podemos encontrar en la vida (white room, blue Mercedes, full moon rising, white jeans, black top…). En “Confusion the Waitress” se detalla la confusión, el choque, la incoherencia, sobre una base instrumental fiestera, techno, que crea el paisaje auditivo e imaginario, de estarle cantando la canción a una camarera real de una discoteca. “Pearl's Girl” es un viaje por sí sola a través de países, ciudades y sus culturas; haciendo mención de Rioja, Marruecos, París, Andalucía… Acompañado de una instrumental psicodélica, ruidosa y bailable, que hace que te dejes llevar por el ritmo y no dejar de moverte en los nueve minutos y medio que dura la canción. Incluso las pistas instrumentales como la brillante “Rowla”, una de las mejores del álbum, consigue en sus seis minutos y medio englobar todo el sonido del proyecto, sin necesidad de decir una sola palabra y haciendo que no dejes de bailar y sentir la música electrónica. “Second Thoughest in the Infants” es un álbum que más que escucharlo, se siente y se vive. Ha sido toda una experiencia musical: dejarse llevar por la música electrónica de los noventa, por las letras, que aunque pueden carecer de un significado objetivo, hacen que el oyente las interprete a su manera, y esto, complementa y completa esta experiencia que solo un álbum como este puede conseguir.

The first songs are too long and combine too many ideas but the rest is awesome. I really enjoyed it. Perfect for relaxing and drifting aaround as in sound.

Not crazy about techno "music". This was just boring repetitive noise.

Whoaa mama this caught me by surprise! I was thinking it would be some '90s nostalgia for a few minutes but ultimately leave me ready for it to hurry up and end. Au contraire mon frère! This was incredible start to finish. Only thing holding it back from being 5 stars is I realize 85% of the time I won't be in the mood for this kind of music but it's just so perfect when you're ready for it! Maybe I'm being too precious about my 5 stars but this is riiiiight there. AND, totally justified long tracks which can sometimes be a drag but in this case, Underworld brought the goods and kept layering and taking me down a road I loved going down. Great listen, the '90s rule.

It was fine

yeah ok whatever man.

This has got to be some high quality Electronica/Techno/Rave/EDM shit. I managed to listen to all of it, felt teleported into the most underground illegal rave in some abandoned Berlin subway tunnel, and didn't hate it nearly as much as I thought I would.

3.3 - It was good, did drag a little though

Liked some parts, hated some parts. 3 overall. 3/5

Uninspired and repetitive.

Amazing album that felt like a mixture of Depeche Mode with some Radiohead influences along with the album for Trainspotting.

"Second Toughest in The Infants" is the fourth studio album by British electronic music group Underworld and their second album in their "MK2" lineup with DJ and keyboardist Darren Emerson. Electronic, techno, progressive house, breakbeat, ambient, downtempo and experimental are the Wiki-listed genres. They do cover a lot in the electronic world. A description of this album is that it "expands their progressive palette, while developing their signature sound of abrasive beats and anthemic melodies." Alright! In addition to Emerson, the core bandmembers are Karl Hyde (vocals, guitars) and Rick Smith (keyboards, mixing, backing vocals). The album did receive critical acclaim. The first song "Juanita: Kiteless: To Dream of Love" is a 16-minute three-song suite. The first song is layered electronic beats, distorted vocals and very much in the techno realm. The second song adds guitar slashes and is more bouncy. The third song is sort of a combo of the first and second with swirling synths and beats, still maintaining that hypnotic vibe. The band slows it down on the next song, another multi-song song, "Banstyle/Sappy's Curry. Lounge bass and drums, more in the downbeat and ambient areas. There are vocals and I'm starting to realize that the only intent of these lyrics is random thoughts, if that. The louder, more aggressive beats really get going in "Rowla," the second single. Synth and layered beats. We are in clubland. The first single "Pearl's Girl" starts out with an ambient synth and distorted vocals. More of the layered beats and stream of conscious lyrics. I think I hear a breakbeat somewhere. Synths that sound like helicopters. The last song "Stagger" has a light beat, an organ, a bass and a dreamy synth. Worth mentioning since it reminded me a lot of latter-day Radiohead. The only song that I had heard from Underworld was "Born Slippery" from the movie "Trainspotting." I liked that song quite a bit but had no idea what to expect on this album. And, as advertised in the Wiki-listed genres, they do cover a lot of ground: techno, ambient/chill, club and experimental. The songs are generally layers of beats and synth melodies which build and change throughout the songs. The stream of conscious vocals/lyrics work well with the hypnotic/chill/ambient atmospheres. Overall, this is a decent album and if you're any sort of electronic or EDM fan, there's plenty here to enjoy.

Dosta kul album! Iz nekog razloga mi je skroz promaknulo, nisam nikad čula za njih. Dobra brijačina, baš za vajbanje. 4/5, 7/10

i knew this wouldn't be for me, i swear i tried but no it's not for me

Is this Yello? When I started to listen I thought I would only like it on a rave event, but it is actually quite soothing and relaxing stuff

Electronic music at its finest

6/10

Not bad background music, I would put it on for a party. My daughter thought it didn’t suck… high praise

Didn’t mind it

4.5

This was not for me. This was just consistent noise and I couldn’t listen to it all

I don't totally hate this, but it's so incredibly long. Like, entirely too long. I am writing this during the 4th track. There is no need for these tracks to be this long at all, or there is no need for music like this to be considered albums. They are great dance tracks. But they don't fit the album aesthetic and have very little applicability to any listening scenario besides dancing

7.5/10 Very interesting techno album. Some hits, some misses, but overall I enjoyed the projects. Probably not going to listen to in full again, and I’d just go back to the songs I liked. Had my head boppin to Banstyle and Juanita. Despite being long tracks, they were my favorite on the project. The others felt more of droning but not bad by any means. Favorite Tracks: Banstyle/Sappys Curry, Juanita:Kiteless: To Dream of Love

Having O my really heard Born Slippy before this I was expecting an assault on my ears, but this is actually a really nuanced album. It's almost like jazz for racers. Wicked.

It’s probably quality on pills but I’m middle aged and boring.

I gave this a couple of listens before deciding that while it's a pretty good example of electronica, I don't like it enough to want it in my collection. Best enjoyed as background music I guess.

Electronic shit from a butt

Way too long. If you're into electronic music then maybe this is something you need to listen to before you die, but the average person could definitely skip this one.

you'll know your rating within 8 seconds of listening

Not for me.

I'm sure they made the exact album they tried to make. It's supposed to be entrancing. I can imagine it works perfectly when played loud in a dark club and you're drunk. It's just not what I'm looking for in music at all.

Nice and upbeat. Liked it but not my kind of music.

Don't have much t o say, but I did find it very compelling. Felt like a precursor to the aphex twin sound that I love.

It's taken me days to fully absorb this one. Very impressive listen that has a pull to it. This will be in my rotation for the year for sure. 5/5

Decent electronic I guess. As we get closer to the end though all these repeat sounds are even more questionable.

I can't imagine why you would want to sit down and listen to thjis start to finish. This is club music -- that's it. Monotonous and boring after 10 minutes.

Meh electronic music

I listened to the first third of this on a flight and it was weirdly hitting during the landing. This has some okay moments and it's fairly easy to get lost in but that didn't make it feel important in any way. I didn't dislike it and the plane vibe was cool. Two to a three.

I don't know. It makes sense that the album cover looks like a Jackson Pollock. It felt like someone exploring audio in the same way. Composition is most important. There were some fun bits. I just don't think I would ever tell someone that they need to listen to this.

More EDM. Some parts got my attention more than other parts, and some of those attention getting parts got it in a positive way.

Like that music from 90’s movies when people went to underground clubs

Is this good electronica? No clue. Has electronica contributed meaningfully to misic? Hard maybe. Is there a reasonable argument that digital recording has actually damaged music over time? Yup. Is it one of the 1,001 albums that everyone should listen to? Fuck no.

Absolutely loved this album, such a unique listen, nothing like I’ve heard so far on this list. Yes, the 15 minute tracks can be long and repetitive, but they are well worth the wait for a patient listener

Very rhythmic, very groovy. Enjoyed… probably never going to seek out anything from this genre on my own but really creative project I’m glad I listened

This is what I’m talking about. House, techno, trance feel good continuous rhythms. In rotation and other albums listened to. This is what I’m looking Don when I just want that uhn tiss uhn tiss uhn tiss.

Another electronic album. Still can't convince me this style of music is good for anything but being at a club. Kind of stale. 2/5 Won't listen again

Decent EDM

в принципе дальное приятно на фоне, но сознательно не повторю

3.4

Another electronica album that blends in with the crowd. I really don't know enough about the genre to tell the key differences in these albums, but I know there aren't any hooks or riffs that completely pull me in, and that hurts my enjoyment of this quite a lot. I did like the back half of Banstyle/ Sappys Curry, but not enough to add a 15 minute track to my playlist, so I'm going with Rowla instead.

This is get-shit-done music. Turn on the drone techno and just get in the flow. That said, it's not something that I find myself thinking I'll seek out when I want to actively listen to something. And if I'm really wanting some vibe driving background tracks, there's a lot of other stuff I'd put on first.

Had some good jams, and some bad ones as well. I enjoyed it though

Any sort of techno album is always going to rank low on my list. I can't tolerate a whole album of it, no matter how well the record fits the genre.

Outside of daft punk EDM is not my thing

First listen

yawn

Not a fan of EDM. Repetitive and uninvolving.

This was a throwback. Really good but eventually wore out its welcome. Kind of got tired of the vocals which is Underworld's "thing"

All 5 in the world 🖤🖤🖤

Guess we're all on the same page about this :))))

Surprisingly enjoyable

Good to chill out and as background but not my genre. Appreciated it, like another review said multi-layered.

## In-Depth Review: *Second Toughest In The Infants* by Underworld ### **Overview** Released in 1996, Underworld’s *Second Toughest In The Infants* stands as a landmark in electronic music, cementing the trio’s reputation as genre pioneers. Following the critical success of *dubnobasswithmyheadman*, this album expanded their sonic palette, blending techno, house, drum & bass, and ambient textures into a cohesive, immersive experience[1][3][4]. The album’s title, a whimsical phrase from Rick Smith’s nephew, hints at both its playful spirit and its position as a confident, mature follow-up[6]. --- ## **Lyrics** **Style and Approach** Karl Hyde’s lyrics on *Second Toughest In The Infants* are surreal, cryptic, and delivered in a stream-of-consciousness style. Rather than telling straightforward stories, Hyde paints impressionistic scenes, using fragments of urban life, overheard conversations, and abstract imagery to evoke mood and place[1][4][6]. This technique is especially evident in tracks like “Juanita: Kiteless: To Dream of Love” and “Pearl’s Girl,” where phrases like “your rails, your thin… paper wings” and “crazy, crazy, crazy” become mantras, looping and mutating with the music[5][6]. **Themes** - Urban alienation and euphoria - Nightlife, clubbing, and altered states of consciousness - The interplay of menace and calm in modern life - The search for transcendence amidst the mundane **Strengths and Weaknesses** *Pros:* - Lyrics enhance the music’s hypnotic, immersive quality, acting as another instrument rather than a narrative device[1][4]. - Hyde’s delivery is emotionally resonant, ranging from detached observation to urgent exclamation. *Cons:* - The abstract nature of the lyrics can be alienating or impenetrable for listeners seeking clear meaning or traditional song structures[4][5]. --- ## **Music** **Composition and Structure** *Second Toughest In The Infants* is characterized by long, multi-part suites—most notably the 16-minute opener “Juanita: Kiteless: To Dream of Love” and the nearly 18-minute “Banstyle/Sappys Curry”[3][4][5]. These tracks unfold gradually, layering intricate rhythms, evolving melodies, and shifting textures. The album deftly balances uptempo dancefloor energy (“Rowla,” “Pearl’s Girl”) with introspective, downtempo interludes (“Blueski,” “Stagger”)[1][4][5]. **Stylistic Range** - **Techno and House:** Pulsing beats, hypnotic basslines, and propulsive synths drive much of the album. - **Drum & Bass:** “Banstyle/Sappys Curry” incorporates breakbeats and jungle rhythms, showcasing the band’s versatility[4]. - **Ambient and Experimental:** “Blueski” uses slide guitar loops to create a dreamy, calming atmosphere; “Stagger” closes the album with a slow, organic build[1][4]. - **Progressive Influences:** The album’s epic structures and dynamic shifts evoke the ambition of 1970s prog rock, but filtered through a modern electronic lens[4]. **Highlights** - “Juanita: Kiteless: To Dream of Love”: A masterclass in tension and release, building from minimal beginnings to euphoric peaks. - “Pearl’s Girl”: Combines choppy, stuttering vocals with relentless, driving beats. - “Rowla”: A club anthem with distorted synth riffs and infectious energy. - “Blueski”: A brief, beautiful respite featuring steel guitar over electronic textures. **Strengths and Weaknesses** *Pros:* - Exceptional pacing and dynamics, with seamless transitions between tracks and moods[1][4][5]. - Rich layering and textural detail reward repeated listens. - Balances cerebral complexity with visceral impact—equally effective for dancing or deep listening[4][6]. *Cons:* - The album’s length and sprawling structures may test the patience of those seeking concise, radio-friendly tracks[5]. - Some listeners may find the more experimental passages meandering or lacking in focus. --- ## **Production** **Sound and Mastering** The production on *Second Toughest In The Infants* is notable for its warmth and clarity. Unlike many contemporary dance albums, it eschews heavy compression and hyped highs, resulting in a sound that is dynamic, spacious, and inviting[2]. The mix allows every element—Hyde’s vocals, Emerson’s synths, Smith’s programming—to breathe and interact organically. **Techniques** - Use of field recordings and found sounds (e.g., car alarms, public announcements) to create a lived-in, urban atmosphere[1]. - Intricate sequencing and automation, with evolving patterns and subtle shifts in timbre and rhythm. - Careful attention to stereo imaging and spatial effects, enhancing the immersive quality of the music[2]. **Strengths and Weaknesses** *Pros:* - The album sounds “fresh” and “wonderful” even decades later, thanks to its un-crushed mastering and analog warmth[2]. - Production choices contribute to the album’s longevity as both a club record and a headphone experience. *Cons:* - Some may find the overall volume quieter compared to more aggressively mastered modern electronic albums, potentially requiring more attentive listening environments[2]. --- ## **Themes** **Exploration of Modern Life** Thematically, *Second Toughest In The Infants* captures the exhilaration and confusion of 1990s club culture, but also delves deeper into the internal, reflective side of that experience[1][5][6]. The album oscillates between moments of communal euphoria and solitary introspection, mirroring the emotional highs and lows of rave culture. **Juxtaposition of Menace and Calm** Throughout the album, Underworld juxtaposes anxious, forward-pushing beats with moments of serenity and calm, reflecting the unpredictable nature of modern urban existence[1][5][6]. This dynamic tension is a key part of the album’s emotional impact. **Transcendence and Escape** The music often feels like a search for transcendence—a way to escape the confines of daily life and enter a heightened, almost spiritual state. The album becomes a “soundtrack to our lives,” offering both escape and reflection[1][6]. --- ## **Influence** **Impact on Electronic Music** *Second Toughest In The Infants* is widely regarded as a high-water mark for 1990s electronic music[1][4][6]. It helped to: - Bridge the gap between underground dance music and mainstream audiences, showing that electronic albums could be as ambitious and artistically rich as those in rock or pop[4][6]. - Influence a generation of producers with its blend of genres, sophisticated production, and willingness to experiment with structure and form[1][4]. - Inspire the development of live electronic performance, with Underworld’s energetic, improvisational shows becoming legendary. **Cultural Legacy** The album’s influence extended beyond music, helping to define the sound and spirit of an era. Its tracks became staples in clubs and festivals, and its innovative approach paved the way for later electronic acts to embrace both the dancefloor and the album format[6]. --- ## **Pros and Cons** | Pros | Cons | |----------------------------------------------------------------------|---------------------------------------------------------------------------| | Masterful blend of genres and styles | Lengthy, sprawling tracks may be daunting for some listeners | | Immersive, dynamic production with analog warmth | Abstract lyrics can feel inaccessible | | Surreal, evocative lyricism enhances the music’s atmosphere | Experimental passages may seem meandering | | Exceptional pacing and track sequencing | Quieter mastering may not suit all listening environments | | Balances cerebral complexity with dancefloor energy | Not as immediately accessible as some contemporaneous electronic albums | | Influential, genre-defining work with lasting cultural impact | Less focus on traditional song structures or hooks | --- ## **Conclusion** *Second Toughest In The Infants* is a towering achievement in electronic music—ambitious, immersive, and emotionally resonant. It captures both the euphoria and the introspection of 1990s rave culture, blending genres, moods, and textures into a seamless whole. The album’s surreal lyricism, dynamic production, and willingness to experiment have ensured its status as a classic, influencing countless artists and listeners in the decades since its release. While its length and abstraction may challenge some, those who invest the time will find a rich, rewarding experience that stands as both a document of its era and a timeless work of art.

Gear: Grado Hemp Artwork: 🦑🔮⬜ Production: 🎧✨🔥 Music: 💊😵‍💫🌃 Rating: 💿💿💿/5

It's so funny how music originally meant for getting off your tits on e at rave is also so good for drowning out the world to really zoom in on a couple of fuck off spreadsheets.

So, Stereolab released an new album today, “Instant Holograms on Metal Film”, their first in 15 years and I am having a very hard time staying invested and not bailing on this record to listen to that one instead. Not because it’s bad, it’s fine or whatever…I really liked Stagger and Banstyle/Sappys Curry…it’s because I am very hyped for this new Stereolab record - it’s really excellent. They managed to make a record after 15 years hiatus that feels like they never left, while also exploring new territory. It’s exactly how a comeback album should be done. As for Underworld, this record is a bit long for me today (holy fuck, is it long) and doesn’t really feel too different from a lot the 90’s electronic on the list, but it is definitely in the upper tier of the choices here. That said, it will definitely make a decent segue into the new Stereolab record, which I plan on listening to the very second I am finished with this record.

Only in electronic music can you get away with song titles like “air towel” and “sappy curry” and be considered essential listening. It’s rare for dance music to keep me interested and this never came close.

3.4 Leans closer to the Earls lounges of 2006 than Berghain but I enjoyed the listen

Kreativ melodisk elektronisk musik som är skön att lyssna på, men inte tillräckligt spännande för att få mig engagerad. Trea.

It’s a difficult album to rate. It’s too long and some of the tracks don’t know where they’re heading. However, it’s important, it is self assured, and it’s good on a purely sonic level.

Background techno. Too long, too boring. It didn't stand out. This album has their biggest hit added with the deluxe edition, but I didn't listen to the deluxe edition. I hope the electronic music on this list doesn't only consist of British artist. But I'm afraid it will be....

Meh

A solid walkthrough of the mid 90s underground techno scene.

Je suis peu sensible à l'électro en général, mais il y avait quelque chose d'incantatoire dans cet album, et une infinité de détails qui ont su capter mon attention.

Album 777 of 1089 Underworld - Second Toughest In The Infants (1996) Rating : 1.5 / 5 More electronica I don't really care for. I will say that this was some decent background music for some deep excel work. Keeps the pace up.

uhhhhh no thanks Will I listen to again: 0%

Incredible record. Some of the best Electronic music I've ever heard. Those beats and the production mixed with the vocals and guitar... it's an album I will return to for sure.

After a while it all sounded the same to me.

Also ewige Wiederholung macht die Musik nicht unbedingt besser - obwohl es auch was meditatives hat.

Pretty good

Not my cuppa, but respect the cultural impact Underworld have had on music and film

Not bad as background. Can't imagine listening to with intention.

1996. Late 90's club electro music. repetitive and droning

Love Underworld, but a little slow tempo and prefer their debut.

Goes hard. 4/5

Very atmospheric. Felt inside a Boiler Room and a play1 game at the same time.

Boring in that everything blends together.

Unknown band. Not my vibe at all. I find this type of music too 'repetitive' and 'head pounding'.

Doesn't do much forme

Nicely atmospheric in parts though overall too proggy for my electronic tastes - but that is the inevitable outcome of inviting a musician named Emerson to join your band...

Solid, yet underwhelming and not offering a huge amount of variety. Sounds exactly like I’d expect an underworld album to sound. The last two tracks broke the pattern but were not strong. This badly needs Born Slippy to justify its place on the list

Some really nice electronic grooves & some other stuff.

damn so tough

As with a lot of the classic electronic albums on this list, this felt overly long, which makes sense at a time when the main output for producers was 12" singles, not albums. The pop/rock constraints of fitting 12 songs on one 45 minute LP were irrelevant to an electronic act in the mid 90s. I'd love a version of this that was 35 minutes long. That said, this was fun and it sounded great. The last few tracks brought in some variety.

this sounds like stuff i would have heard while getting my hair cut at the Visible Changes in the mall where they constantly showed fashion shows on the tv

I never really know how to describe techno/electronic music I dislike vs what I like. I liked this a lot! Embarrassing to know Born Slippy and not ever find this album. Four stars for the album but a fifth for the deluxe version.

This isn’t an album, it’s a fucking endurance test. It starts with two 15-minute tracks, like it's daring you to keep going. I don’t care how cool it might sound in the background of a hacker movie or while grinding in a JRPG - this isn’t something I’d ever press play on with intention. There’s mood, but it goes nowhere. Great for ambient distraction. Terrible for active listening. Spins: 1 Playlist Additions: - Pearl's Girl - Blueski

Superb crossover electronica album. ‘Juanita’ is one of their best tracks, ‘Pearl’s Girl’ is also a fantastic driving breakbeat track with wonderful pads. Sone of the 1/5 reviews of this are hilarious, these people should really just filter “electronica” out of their albums selections.

This is the type of music that robot guy from Grandma’s Boy listens to

aktuaalista tulta! karmivaa jynkytystä. laiskaa paapatusta. kahdeksan biisiä venyy miltei tuntin ja vartin pituiseksi pätkäksi pahkuraiseksi elektroninihkeilyksi. ei tarvi kokoajan saatana huolestua biisienvaihtelusta, saa hengittää, saa nauttia. annetaan kuuntelijoille aikaa, tätä ei musiikki harvoin tee. popitus usein tähdätään keskittymiskykyä vaille autisteille ja liipaisinherkille hätähousuille. ei tänään. tänään me NORMAALIT saamme vihdoin nauttia. mutmutmut audiostimulantti ei ole tarpeeksi äääh tarvitsen myös visuaalista syöpää ääh pitää skrollata pitää skrollata mööpelillä pitää skrollata ja tsiigaa mitä somes meneil... mitä vittuuu somes meneil... juanita kiteles to dream of love

This album goes so hard. I never listened to Underworld or much house music at all but I'm such a sucker for the effortless gothic cool of tracks like Confusion the Waitress and Pearl's Girl. The first two songs are great but too long for me and it makes the album feel top-heavy whereas I think the most interesting ideas start with track 3.