Want Two

I anted to like this more than I did. Never heard an album by him before and only knew a couple of songs. Some really interesting things happening on here but not enough to bump this up past a generous 3.

not TERRIBLE but also not very good

I just can’t with Rufus. I don’t like his music (although I acknowledge the interesting compositions) and he always just seemed so arrogant. This is about the music not the man - so 3 stars.

I do enjoy Rufus though aware he is pretentious AF sometimes. I loved Want One - has my fave RW song on it... so Want Two was always a teeny bit disappointing in comparison, but it's a good album.

I wasn’t super excited to listen to this when it came up… Then I got excited bc I thought jt was Rufus with Chaka Khan. Upon first listen I thought “this really isn’t for me. I am not the target demographic for this artist.” And while that may be true, I enjoyed this album more than I thought. It was a good listen and I have a bigger amount of respect for RW. I used to think he was just the guy who co-wrote “Hallelujah” with Shrek for the biopic of Shreks life.

he gets brownie points for being in shrek.

hi

Rufus is cool, but this one made me a little sleepy.

Very good

Det gick bra tills han började sjunga på franska

Sometimes boring Radiohead-like piano based songs that are hard to remember immediately after listening to. But it’s like- sure man, play your songs. Wait, what is that? Accordion? Um, ok.

Perfect listen for a Sunday afternoon. Wainwright has a beautiful voice, but it can wear thin after a while. The collaborations help break things up, unfortunately when those collaborators are other artists like Antony (whose music has also popped up on this list to much disdain), I kind of had to wince. But I totally get the Thom Yorke comparisons. Wainwright has that sorrowful warble that I love, but it’s set to the backdrop of a solo singer songwriter style. It’s good - I like it! But it sounds nothing like Radiohead, let’s be real. ✨

Interesting but to soft

It appear my keyboard i meed up. There i a certain letter that doent even wwork...

Slitsom intro, selvsagt meningen liker stemmen stemningsfull ingen enkeltspor som fester seg, men liker litt viben gjennom albumet The art teacher var flott

This is one of those albums that probably deserves a second or third listen, which may affect the rating. Unfortunately we must move on to the next album. The music here has some classical flavor to it in some of the tracks. Lots of piano too. Easy to listen to, with interesting lyrics. 7 out of 10.

It's Rufus

Thew first song was very weird, it was just a bunch of sounds, then the second one was really enjoyable to listen to and I was even ready to give this album 4 stars, but then the rest of the songs were just a bit meh - nothing really happened, althought they were alright to play in the background.

Blind album and artist. Gives me Walmart radiohead vibes and it was meh.

I feel a little bit biased towards Rufus being that’s he’s Canadian, there’s some lovely stuff on this album, and he reminds me a little at times of (fellow Canadian) Michael Buble, but also I just don’t love it overall. While moments are certainly interesting, I kind of feel somehow the overall effect is rather dull.

Have to say the only time I'd heard of this guy is his Hallelujah cover on the Shrek soundtrack (which is phenomenal). This sounds like something someone who loves Michael Buble would listen to, although the lyrics would say otherwise. I think it's probably a disservice to Rufus who seems like an interesting guy. But real Mum crooning vibes.

I like Rufus, he is a great vocalist. I saved 3 songs to my playlist. I think the overall vibe of the entire album was not for me, but some of the songs were really great.

I bought this one when it came out. It sets a mood—languid, adult, and queer. Those are very good things, of course. But is this one of the greatest albums ever? Hmm.

Wow. What absolutely gorgeous album. First time sitting down with a Rufus record. I’m a fan now.

If I was sitting in a café in Paris, drinking wine and talking about Sartre then this would be the perfect accompaniment. But I'm not. I quite liked the first two songs. After that everything trailed off a bit. I'm sure the lyrics are very deep but the music is very meandering and the vocals are almost identical to Thom Yorke of Radiohead. At least with Radiohead the music is interesting so there's more to balance out the whiney sound of his voice.

Awful first song. Singer has a voice like a funeral dirge. Enjoyed Little Sister. Actually the songs aren't bad when he uses his full range instead of whining.

Ніколи не слухав пана Руфуса, це був перший раз. Якщо прибрати першу пісню і пару останніх, то мені сподобалось. Місцями нагадало по гармоніях і загальній атмосфері редіохед, місцями якийсь барокко-поп типу аркейд файр. Не знаю, досить цікава музика, але без вау ефекта. Ну і за Gay Messiah окрема повага.

це напевно поки саме цікаве відкриття серед всього, що мені тут потрапляло. є така музика, якої ти хочеш підспівувати, і роблячи це, ти ніби плачеш разом з людиною, яка співає, і це допомогає тобі вивести з себе емоції, які накопилися. це як раз воно. тут багато порівнюють з томом йорком, і так, він як раз робить це саме. правда, якщо чесно, том йорк та його команда краще як музиканти, тому з музичної точки зору цей альбом не такий класний, іноді прям на межі з дженерік саундом. але він все ще дуже різноманітний (тому і було би складно зробити так, щоб прям всі треки сподобалися), і деякі треки, як перший, це пушка. нема питань і щодо текстів, людина дійсно прожила те, про що співає, і їй є про шо сказати. до того ж, послухати про квір експірієнс завжди особливо цікаво, і він відчувається в кожній з пісень.

On today’s review, we’ve got another rare case of “How on Earth is this album rated so low on this website?”. Just to be fair, I’ll start with the biggest criticism I have, it can be a tad boring for some stretches. I only know about this guy because he did the version of "Hallelujah" from Shrek, which is an awesome accolade to have in and of itself. This is the second of 2 albums released one year apart, both being on this list, and the first one of the 2 I have heard so far for this project. The way he stretches out notes is extremely impressive, and the music itself is very pretty. Looking into his backstory is also very worthwhile, dude has lived a hell of an interesting life. My 2 favorite songs from this one are “Old Whore’s Diet” and “The One You Love.” I reiterate, I don’t understand how an album this beautifully written and melodic can be rated so low. It’s quite good. I'm very interested in hearing the other Rufus Wainwright album to compare the two.

This sort of thing is just not my genre. The more broody, ballad-y songs do very little for me. The man has a wonderful singing voice, and I think the arrangements and lyrics are perfectly lovely, but I often found myself pretty bored. Had a few real highlights, however, especially "Crumb by Crumb," which I thought was truly delightful.

Okay - 3 stars

The One I Love ❤️. Vilken fantastisk låt. Hela albumet är behagligt att lyssna på men det är bara en låt som fäster på riktigt

Love, love Rufus' voice. Sometimes clever lyrics. I guess I just prefer Rufus singing the classic songbook.

Started strong but faded away a bit towards the end.

Typ 3,5 stjärnor ibland lite tråkigt men skulle passa väldigt bra i en film. Väldigt känslomässigt och påminner en del om Jeff Buckleys album Grace

Another boring album. I played it while working and it never really hooked me

I really liked this, the melodies are sensational and what a voice. But because I preferred Want One, which I will give four stars two, I will give this one three stars.

Good album, but definitely not made for me.

I've always loved Rufus's voice in small doses, but feared that listening to an entire album of his might just be too much eccentric crooning to bare. My fears were largely confirmed. Three or four songs in, I was really digging it. The classical arrangements and melodies were doing for me. But by the end, it has turned into background music.

Not my cup of tea

Crazy vocals and rythm

Rv/G

I was relieved to discover this wasn’t more country music and “Agnis Dei” was a promising start, but I had trouble getting into his Radiohead-derivative moaning with the occasional incongruous symphonic background. He strikes me as a rather less dynamic John Grant. Still the music does have a certain elegance to it. And cool to get an ANOHNI feature on here.

It's an incredibly pretty piece of work, but I didn't fully connect first listen. Maybe on relisten, I might rate this higher. 3 Stars.

Pretty enjoyable but perhaps a bit self indulgent and “thom yorke at home” at times

Interestingly bland ⭐⭐⭐

Oh I know this album had the Starbucks ROCKIN in 2004

I think he has a great voice but a little over the top at times with the theatrical. Want One was a better album this seems a little like the stuff left over.

он очень приятно поёт, но на этом альбоме какой-то треш + неоправдавшийся гамбит стартовать со звука настраивающихся струнных

I really enjoy Rufus Wainwright and everytime I listen to him I spend about a week checking out his music and then for some reason I forget about him for like a year, and then something reminds me to listen to him again. His voice is sharp, piercing almost? And I love the arrangements and instrumentation on his songs. The one thing that I want more of though is hooks. Not everyone likes to write hooks, and it just might not be his style, but I feel like his songs that have more memorable choruses really stand out for me, and unfortunately when he doesn't have them they tend to be forgotten about. Maybe that's why my listening habit tends to be that way?

When this is good, it's really good. There's not a ton of range, though, and there's ultimately a bit too much wailing on some of the songs (even songs that I end up liking overall).

I respect what's going on here but the relentless vibrato was too much for me.

I enjoyed it.

First Rufus Wainwright album I've listened to in a while. Its just ok. Some nice songs but most of it was just ok.

Back with more theatrics! I didn't find this as catchy or interesting as Want One but it was all decent and an enjoyable enough listen. I hovered on the 3/4 fence with that one and fell on the 3 side. So now I'm hovering on the 2/3 fence with this, it seems only fair to round up this time.

Vraiment drôle comme album, feel indie

Cool exploration of various styles. First 3 songs are amazing, less of a fan of the rest of the album.

Calming background music, but not my most favorite.

I simultaneously love and hate saying Gay Messiah was the peak of this album. I have nothing more to say.

I enjoyed this one. Some of the songs kinda sounded the same but I enjoyed the album as a full body. Some songs I did save. Some of the stand outs to me were The One You Love and Gay Messiah. I listened to this in the airport while people watching and it felt perfect for that. I also enjoyed the Agnus Dei as it made me think of a prayer. I enjoyed the nods to antiquity.

Accidentally listened to Want One 1st. Did I Want Two? Maybe. The more I listened, the more I enjoyed it. Sounds a bit like we got a solo Thom Yorke project. Bit too soft and slow at times but very peaceful. Stand out tracks are "The One You Love", "Peach Trees", and "Waiting for a Dream." Rufus has skill and I will explore more, may just throw some on to a nice slumber. Want Part Deux gets 3.1 stars.

Radiohead wanna be. Too Whitney for me though.

Very weird but some redeemable songs. Solid voice.

I liked the first song and I was hoping it was all going to be in that style, but it wasn't. I like his voice but there's nothing grabbing me enough to listen again.

If you were on an island ten miles out to sea and you lost power, would you devote your phone battery to this? I listened to about half of each song. I liked a couple of songs but overall it felt like a lot of caterwauling.

As much as this one was a surprise on how much I didn’t hate it, I’m glad I slept on what to rate this so I didn’t overhype myself on the surprise. The vocal comparisons to Thom Yorke are very apparent after the opener, as much as it lends itself to looking a bit egotistical, I think that the more folky/baroque instrumentals actually work with that style of singing well. As a package it’s not something I can find too many faults with other than it just not being my favourite kind of music. The album duration may not be helping things but I did also feel that the moany style of singing did start to drag by the end

3/5 Dramatic and atmospheric baroque pop songs with a wide range of instrumentation and influences. Rufus’ vocals are strong and create a lasting impression on you. Would be 3.5/5 if I could :) Top 3 Songs: Crumb by Crumb The One You Love Memphis Skyline

Interesting...exactly two months after the first Rufus Wainwright album ("Want One") comes the other half of his not-exactly-double-album. I didn't enjoy the first half, but that ends up helping with "Want Two" in that my expectations are pretty low. It also helps that the album is a bit darker in tone (at least according to Mr. Wainwright himself), and I thought the opening track "Agnes Dei" was curiously compelling in that regard (and interesting that it was used in the depressing film "Trade" about sex slaves), and the long closing track "Old whore's diet" was also a bit distinctive. His style is still not to my taste, though, and there aren't really any other tracks that grabbed my attention, other than perhaps that "Peach tree" seemed to be a Radiohead-wannabe song, and I'll take it on the "1001 Albums" entry author's authority that both "Gay messiah" and the Jeff Buckley elegy "Memphis skyline" have insightful, provocative and/or powerful lyrics.

I’m honestly not sure what to say about this. Did I like it? I’m still not sure. My opinion shifted several times during just one song. There were elements that felt folky, others that reminded me of French chanson, or something in that vein, and then parts I can’t quite categorize. It was all very confusing.

Hm. I respect the decadence of the dyad. Shits clever and composed, and studiously weird. Nothing on either hits any harder than "what a world" though.

Meh

Yes, this guy sounds like Thom Yorke if he were gay (implying Thom Yorke is straight), I get it. That being said, maybe it's because I'm not a Radiohead fan, I don't really understand how this is worse? For me, it's on the same level of "pretty good but not really my thing" as Radiohead. It's the same well-produced slow, longing, melancholic music with almost no hype moments but a lot of aura, which is not particularly exciting to me but with so much effort and passion put into it that it prevents the music from being boring. I think the vibe here is similar to Radiohead, in good and bad ways. 7/10

Going into this I thought what most people would probably think going into this, sounds like a Thom Yorke clone and even as far as a Radiohead clone for some songs but I wasn’t deterred by that, he also mixes it up a bit with his own style consisting of opera and cabaret which is quite cool. I did think it was quite… boring to be honest and maybe a bit pretentious for the most part, it’s not something I’m keen on listening to as a whole again but 3 songs definitely caught my attention: the one you love was a catchy single, peach trees was basically a Radiohead song and executed well with some good lyrics and crumb by crumb. I thought the lyrical content was unique throughout aswell. Overall, 5.5/10.

i'll be honest, i only know of his cover of Hallelujah from Shrek lol Agnus Dei - 3/5 The One You Love - 4/5 Peach Trees - 4/5 Little Sister - 2/5 The Art Teacher - 4/5 Hometown Waltz - 3/5 This Love Affair - 3/5 Gay Messiah - 5/5 Memphis Skyline - 3/5 Waiting For A Dream - 4/5 Crumb by Crumb - 4/5 Old Whore's Diet - 3/5 Average score: 3.5/5 (rounding down) he wanna be Thom Yorke so baaaaad jokes aside, idk what to really say about this. it was alright. he has a nice voice. Gay Messiah was my personal favorite track here, and a handful of others stood out to me as well. i decided to round down my rating rather than bump up to 4 stars simply because there weren't enough stand-out tracks for me personally. we'll see how i like Want One when it pops up for me

Lovely voice but very mediocre songs Some I hated and had to push through. But there were some really nice songs snuck in too 3 ⭐️

This is a beautiful album. I also realized that I have to be in a perfect sunshiny mood to listen to him, otherwise his melancholic voice just takes me to a place of deep sadness.

Got weirdly experimental at the start. It was an interesting, revealing listen.

I mean, yeah. He can sing like a motherfucker. The music is beautiful. I just wasn’t feeling it today. It’s summer break and this wasn’t what I wanted. Don’t get me wrong, it’s still a good album. The songs are beautifully put together, there is a wide range of song types. But I wasn’t feeling it today. Still scores high.

Catchy lyrics and emotive vocals. Enjoyed the operatic quality of the album. Really helps bring the listener in for a musical voyage.

Breathtakingly pretentious. Want to love it. He can be brilliant, obviously, but more often works my nerves a bit.

Prefer the first one - but ok

Album went from chamber music to borderline reggae in parts of the last song. I appreciate the ambitious effort but it’s simply too spread out to be cohesive. Long, drawn out songs didn’t help the case either

It was pretty good

Freaky ah dude

You can tell it's the album he wanted to make, but it's not doing much for me. 2.5☆

giving Thom Yorke

3/5

Kind of an interesting album. Getting the sequel before the first album in this duology is a curious choice. This is allegedly the darker of the two, and it certainly sounds that way so far. There's a kind of operatic and dreamlike feel to much of the album, which gives it a distinct sound. I don't think I'd seek out this album again but it was quite interesting to hear. I look forward to when Want One is put my way.

This guy kinda sounds like the radio head singer

It’s a grower … I liked it more the longer it was on. Old Whore’s Diet is a highlight.

Why Two and not the two? That aside, I think I prefer One to Two.

Points for anyone who is a singer songwriter. Solid performance

Un poco engolado, alguna buena canción.

If i spent more time with this I could see it creeping up to a low 4, some really interesting things going on and generally up my street. After one listen though i find it a bit too disjointed and there are 3-4 tracks that don’t do much for me. ⭐️⭐️⭐️

Musically this is good, and usually something I would like, but omfg his singing is horrible. He whines and drones on. I don't want to hear this guy again.

it's very cool + cancon. i think i will warm up to this more listening to it

It's quite nice, but it didn't really captivate me

The opening track was not it, a straight minute of noise from a violin that leads into some over the top introduction. After that things definitely got better, the soft ambience that casted across most of the songs was nice (albeit repetitive at times). I do enjoy baroque pop every now and then but this album was a bit too classical for my taste. Not to say this was bad in fact I did like a majority of the songs on here. A great album for those who like a mix of classical, pop, and a bit of homosexuality. Best - The One You Love, The Art Teacher, Gay Messiah (fav), Crumb By Crumb (close second) Worst - Agnus Dei 3.50/5

Wainwright seems to be aiming for something grandiose on this album, but a lot of the songs are overcooked and have too many sections or parts, and the net effect is that they meander rather than getting to the point; some judicious editing could have helped tighten them up. The arrangements on this album also pile on instrument after instrument but paradoxically they make the songs more generic-sounding. At its worst, the overly-busy instrumentation is practically in competition with Wainwright's voice. (I'm looking at you, "Little Sister".) However, the two standout tracks on the album, "The Art Teacher" and "Waiting for a Dream", avoid both of those mistakes - the songwriting on these is uncomplicated and direct, and the restrained arrangements give Wainwright's vocals room to breathe.

Eh it was okay. I'm not sure if I was in a mood or it just didn't speak to me.

I take pains not to compare or mention other artists in any of my reviews. But I must in this case say that Rufus Wainwright gives me Radiohead vibes. The reason I bring this up is once I couldn't shake that comparison Then the issues crop up, until I stopped and said "but he is NOT, and this is not the same thing!" Right, he has that vibe but he is is own musician. Yes. Also he is pretty good on his own as it is. His dynamic overall did not entice me too much, although I paid attention here and there. He is one of those musicians that you "almost thought you heard that song" from, but realize it must have been someone else. (That search is always continuing). Maybe that is what it is with Rufus Wainwright? Maybe he is "like" and "almost" but not just quite there among similar artists.

Decent music. Just not really my thing, and not really the mood I'm in atm. 3/5

Un album lyrique dans tous les sens du terme, où les textes sont aussi très porteurs, couplés à des arrangements sensuels et luxuriants. La voix de Wainwright m'agace un peu, mais je reconnais la qualité de l'ensemble

Pretty voice, but for an artist in my usual favorite genre of singer-songwriter folk, didn’t grab me as much as I would hope. I enjoyed “Peach Trees”. Solid record.

Interesting

Quite like the album before this one, and I quite like Rufus' voice but this one was a lot more bland and wishy washy. Highly mid - a 2.5 which I've generously rounded up

Similar to the last album I got of his on this challenge, this music is fine as background music as I am going through daily motions. I don’t understand why we needed more than 1 album of his on this list though. It just makes me think of how many better and more deserving albums are left off because of decisions like this.

Didn't seem like anything too exceptional to me, was an average album with some weird french bits in it.

Strange but endearing. Not sure how to feel about it all to be honest. Some of the songs are looong, and the vocals are quite drawn out and whiny. Would have been cool to have more riffs instead of mostly straight tones. Some fun instrumentals and backing vocals. Some dissonant harmonies which I enjoy. Kinda reminds me of a musical.

This album has some really great stuff but also some crap. I guess I'll give it a 3 even though it would be funnier to give it a 2 (songs are either 2 or 4 songs for me).

Not too bad, solid songwriting, elaborate arrangements, heartfelt singing. Just not my cup of tea.

Enjoyed this much more than I thought I would. Not sure what to expect from each song and it kept me on my toes.

is the dude trying to sound like thom yorke? methinks the answer is “yes”. twas ok.

This didn't do much for me. Not bad, just nothing special.

I love Rufus Wainwright for his candor and wit as much for his voice, but this album has a little too much remove for it to grab me. Poses is the RW for me, particularly "Cigarettes and Chocolate Milk", one of the best songs ever.

To peruse his back catalog, with its interpretations of Shakespearean sonnets and even opera (Prima Donna, 2009), Rufus Wainwright seems like a man born in the wrong era. I had that sense while listening to Want Two, that he should really focus his energies on writing musicals (which is what sent me looking through his discography). Listening to him makes me wish that my mom, a classically trained soprano who was never short of opinions about contemporary vocalists, were still alive, because I find his voice to be my primary sticking point. While he's clearly not shy about belting it out, to me it's not quite up to the primary billing he gives it in his music. That said, Wainwright is clearly capable of creating lush stirring music — check out "April Fool's" from an earlier release, one of my favorite songs from the early aughts, or Prima Donna (he merely composed the music but doesn't sing). These are strong compositions with good arrangements. "Gay Messiah" is a great song.

My first wife was really into Wainwright around the time we broke up, so you can probably imagine that I don't love to hear his voice even 20+ years later. That said, it's an objectively good voice, and he's a clever enough songwriter. Just happens to be something I'll probably never choose to listen to for personal reasons.

3 - I liked it, but I just don't think its one for the list tbh

Too theatrical for me, but there are nice songs here and there.

Enjoyed this one.

Such a pretty album. Hypnotizing vocals and instrumentals. Three stars, at least!

I've never been a huge fan of Rufus Wainwright, but I've had a soft spot for him since first hearing his cover of "Across the Universe." There's something about his voice that manages to sound warm and soothing without crossing the line into annoying Kermit impersonation (but just barely). I've never listened to one of his albums though, so I the only other songs I know are "California" and his cover of "Hallelujah." I vaguely remember seeing him perform at my college back in the day for like $10, though I can't really remember anything about the show, other than that his sister Martha was also there and she had a good voice too. All that to say I didn't hate this album, but it didn't do much for me either. His voice is good, and he has an impressive range, both in terms of physical vocal range and genre. I'm usually not a fan of melodramatic baroque music, but I've heard worse than this (though I prefer the more conventional songs on here). I honestly wasn't paying super close attention to a lot of the lyrics. Mostly I just found it kind of boring, which is how I'd sum him up in general. A talented guy with a pleasant voice who makes music I don't really love. He seems like a very niche act, and I'm not really sure how much of an impact his music has on anyone outside of the small group who listen to him, so I'm not really sure why this album is on here. 3/5

Lite skumt, men helt ok

You all heard about my Rufus Wainwright debacle… but here are my serious thoughts: Yo am I crazy or does this sound like Radiohead for normies??🤣

not my cuppa tea but nice nonetheless !

Gooood his voice gets grating after a while

Sing Songwriter, sing!

it's a good album, i've actually studied this album in a lecture before haha. not too outstanding in anyway thoooo fav song: i don't know what it is

a weirdly interesting voice, songs are ok

Musical polenta: In theory, I like it, but in practice, it's somehow too folksy, too hippie, too samey, too bland for me to really enjoy.

This was a little more playful and varied than Want One, but nothing that really wowed me. It was decent for a single listen, but not something I'll be revisiting most likely.

C+

There are some wonderful songs bookending this album (which I list below). But in the middle there is a lot of quite miserable sound-alikes. Top songs: Agnus Dei The One You Love Crumb by Crumb Old Whore's Diet

I really enjoyed this. In another universe this could be a Radiohead album

Liked it

This one was pretty good, I think

Album 644 of 1001 Rufus Wainwright - Want Two (2004) Rating : 3.5/ 5 Good listen. Nice arrangements, blending several styles into a cohesive and compelling album. A "unique blend of baroque pop and alternative rock".

He has a nice voice and I enjoyed the songs but can’t see myself returning to this.

Wainwright is an amazing artist, but this just didn't appeal to me.

Maybe one song here and there would be ok but not all at the same time. Pretty droning and down sound

I think I prefer Rufus Wainwright in smaller doses. I like songs he's featured on and a few of his singles, but a whole album from him was a bit much. A lot of the songs sounded the same and were quite overwrought. Not necessarily bad, and Rufus has a lovely voice, but this was just okay. Not sure this needs to be heard before you die.

Some good and some bad. Not sure how I feel about this guy. Will I listen to again: 15%

It was OK bit radiohead in parts

Not a taste which I have acquired.

radiohead wannabe

it’s a decent listen, though nothing i feel compelled to revisit in full. the art teacher is a beautiful track, easily my favorite.

he has a way with melody and the orchestration is nice

It has a slight touch of Radiohead (well, at least the singer's voice sounds like Thom York). It sounds very good at some points, at others it is very dragging and tiring. However, the whole album has a very touching atmosphere. Not bad! I will leave 3 stars today.

Really enjoyed this. Very laid back and chilled. Possibly a little repetitive because the songs do sound basically the same when listening to the whole album but pretty good overall

no idea why i never bothered to listen this album before , although i did like the first one . it’s good , more of the dramatic ‘ want one ‘ style . 3

My first Rufus album without Chaka Khan - no jk ofc. Witty songcraft and clever arrangements, that I’m sure I would enjoy even more on further listens

I found this album really fascinating, but the middle portion of it was not necessarily a great listen. Regardless, it's unlike anything I've heard before. I'm not sure exactly what genre this would even be called. The symphonic elements straddle the line between pretentious and grandiose, but I think it's effective. Favorites: Agnus Dei, The One You Love, and Old Whore's Diet

bueno pero cansa la voz del chaboncin

I don't get what the big fuss is with this guy. 2.5 stars

Not the kind of melancholia that resonates with me. It's OK to listen to once, but I don't think I'd want two listen any more.

He has an interesting voice but the music is a different pair of shoes.

A little weird but honestly not bad. I have too many 3 star ratings :/

1. Agnus Dei The beginning with the bow sound is very cool. I like this song. Long slow building journey 2. The one you love Nice lush vocal textures. I like this song ok This may be the kind of album that’s hard to digest in one day because it’s more singer songwriter 3. Peach trees “Is true love a trip to Chinatown?” Outstanding first line. Grabs you and syllables sound nice Beautiful strings. Unusual choice for this kind of song 4. The art teacher Very straightforward sentences in the storytelling. Tongue-in-cheek lines. Song feels serious and the lyrics don’t take themselves too seriously 5. Hometown waltz Accordion for the waltz 6. This love affair This is the more low key ballad part of the album I see. A few in a row “I don’t know why I’m watching all these white people dancing” 🤣 7. Gay messiah More not taking itself too seriously lyrically Obviously blasphemous Beautiful progression, melodies, and BGVs Ends even more blasphemous than it began. Beautiful composition minus the content. Even the “better pray for your sins” maybe my favorite hook on the album so far 8. Memphis skyline More poetic lyrically. Beautiful composition again. I could hear this being one of Sufjan’s inspirations 9. Waiting for a dream Cool phasey filtery effect on the vocals The rest of the songs haven’t had bass lines and drums like this song. But it still fits 10. Crumb by crumb 11. Old whore’s diet Beautiful strings The album is bookended by fuller production. More minimal production in the middle I enjoyed the middle parts the most. Lush thoughtful arrangements

- gay theater kid music nice! It’s not too bad. I had no idea who Rufus Wainwright was but he has a really really good voice so I’m not complaining. That being said the album started to fall victim to the “all tracks sound kind of the same and it’s getting dull” up until the end when ANOHNI came in -Favorites are Agnus Dei, Peach Trees, and Old Whore’s Diet

ah it's fine. not for me.

I do like his voice but this album seems a bit more whiney than Want one. Didn’t enjoy it as much

Grew on me after a couple listens. Great voice, great instruments and orchestral arrangements, interesting lyrics. I expected to not like it and was surprised I did.

3.5

Before listening to "Want Two", my impression of Rufus Wainwright was that he was a maudlin, theatrical singer-songwriter, most notable for covering "Hallelujah" in Shrek. After hearing this album, I can happily say that I wasn't far wrong (though perhaps I didn't imagine him to be quite THIS morose). There were, however, some very welcome surprises. For starters, I was absolutely NOT expecting "Agnus Dei", which is a Latin hymn translated as "Lamb of God." It's no picnic, but it sets a stunning atmosphere, reaches dizzying dramatic heights and casts Wainwright's vocals in a staggering light. When it ends, and the drums come plodding in for "The One You Love", it's hard not to feel just a little disappointed. The music that follows throughout the album remains lush and languid, but the eloquent orchestrations are masking fairly straight-lace compositions. Ballads like "Peach Trees" and "The Art Teacher" don't do a great deal for me, and neither does single "The One You Love". Later in the album, there's a creeping rise of peppier numbers like "Crumb by Crumb" and "Old Whore's Diet", which I actually enjoyed quite a bit. The centrepiece of the album, though, is Wainwright's vocals. It's impossible to get through a "Want Two" review without pointing out that the vocals are a dead-ringer for Thom Yorke, with very similar enunciation, timbre and stylings. But closer to Wainwright's heart is Jeff Buckley, whom he addresses directly on "Memphis Skyline". Just like Buckley, Wainwright's voice is very impressive, but it's clear he looooooovveeeeeees the sooooooooouuuunnnnd of iiii-yii-yiiiii-yiiiiiiit. The man's histrionics are on the same level as Buckley, approaching Mariah Carey… which all adds up to "Want Two" being fairly tricky to digest. Mostly, "Want Two" is a impressive but sluggish album of bloated, decadent indulgence. It's also a noteworthy statement for 21st century singer-songwriters, calling to mind subsequent champions of navel-gazing chamber-pop like John Grant and Father John Misty. Perhaps they, and all men who writhe in torment and theatre hereafter, can be traced in part back to Wainwright: I'll look forward to hearing them appear in Shrek 5.

Reminded of the muse. Definite modern classical

Liked Crumb by Crumb and Old Whore's Diet but the rest was pretty meh.

Very French Canadian, singer songwriter, heartfelt lyric, tuneful background -ish. That's not meant as a criticism, but ... there is so much similar stuff on this 1001 listing. Enjoyable, but ... it sort of merges in with other singer/songwriters' output

Didn't know anything about this artist before listening, only heard a couple of tracks. It's pretty interesting, I enjoy his combination of baroque classical, piano, folk, and pop. His voice is a little whiney and not something I'd typically listen to. Reminds me a bit of Thom Yorke actually. Hard to really classify what genre this is, but enjoyable

I know some songs from Want One but I had never listened to Want Two. Either way, my favorite Rufus Wainwright project is his Judy Garland Live at Carnegie Hall cover album.

crazy stuff, really weird in a good way

The compositions on this album are very nice, and there were some songs that I somewhat liked, but, overall, Rufus Wainwright has never been for me, and this album didn't change my mind. However, it is pleasant enough to have on, and I can definitely understand why some people really like his music.

Notable tracks: The One You Love, Peach Trees, The Art Teacher, Memphis Skyline

Oh, there’s a second one. It feels like he’s trying to do too much. It’s not bad. He is ambitious and that’s respectable. But there’s a lot here. And a good portion sounds like mediocre Thom Yorke impression. It’s like he’s still searching and experimenting. Which is fine. It just doesn’t feel like he’s found himself entirely. I don’t hate it. This might be better than the first. It just doesn’t feel like a complete project. And we really did not need more than one record from this artist, if any.

I liked the orchestration

This was a drag at the start but picked up. The last couple of live tracks were really good, 2.5 rounded up

fairly pretentious and self-indulgent. Although some good tunes and good voice. What a terrible album opener though

Big swing with a little bit of everything.

To get the gist of Want Two, one would have to listen to Want One. Although tangibly related based on the titles, there is enough at play on both records to consider tackling the whole shebang head on. Rufus Wainwright's often wrought, impeccably sung and finely orchestrated/arrangements push into a higher gear whilst losing none of the material that makes the records crystallize. While Rufus is a wonderful singer, the songs on Want Two can drag on and become tiring towards the end, thus making it feel like a chore. But, overall, Want Two is a good enough album to spend time with. Favorites: The One You Love, Little Sister, The Art Teacher, Hometown Waltz, Gay Messiah, Memphis Skyline, Old Whores Diet, Chelsea Hotel No.2, In With the Ladies.

Pleasant piano-driven pop with nice vocals. 3 or possibly 3.5

Certainly best saved for last. The last song is brilliant. Wish I loved the rest of the album as much.

2.5, quite odd but interesting

Well, yeah. The guy can sing. The band and the arrangements are overblown and pathetic jazzy-poppy stylish artsie people who destroy whatever dark intimacy was intended. Just adding smeary strings to everything doesn't add depth, necessarily. And some songs need that colouring to make them feel bigger than they actually are. Not something I will return to. Too forced for my taste. 2.5 upped to 3 for intention and voice.

Kinda sleepy

Alright. Not my favorite of his, too big and flowery.

A very strange start but got better.

3.5

Solides Album, das durch seine melancholischen und tiefgründigen Arrangements besticht. Die Songs sind oft emotional und manchmal jaulend, was dem Album eine einzigartige Atmosphäre verleiht. Hinzu kommen gelegentlich klassische Element. Besonders hervorzuheben ist der Song “The One You Love”, der als Highlight des Albums gilt. Insgesamt bietet “Want Two” eine interessante Mischung aus Gefühlen und musikalischer Tiefe, auch wenn es nicht immer leicht zugänglich ist.

Interesting album, I just wish it had a bit more cohesion. Really tripped me off in some songs, how similar to Thom Yorke his voice is.

My first time listening to Rufus Wainwright and I think he has an amazing voice coupled with some beautiful and, at times, quite quirky music. I generally liked his vibe but not totally sure it is my cup of tea.

Simultaneously sad and joyful

Not horrible...just not my thing.

Little Sister and Crumb by Crumb are my two favorite tracks on this album

Since I discovered Want One was so wonderful, I have been disappointed that Want Two wasn't anything like of a piece in terms of quality. In fact I used to think this was ass by comparison. I probably still stand by that, but I definitely enjoyed this one more this time around so wouldn't say it's a bad album. These are definitely both Rufus' most Divine Comedy albums however, and that's why I like them and don't really have time for any of his other stuff. I don't come back to this one. This time though I really enjoyed Agnus Dei, sumptuous. And The One You Love an unexpected immediate change of style which crept into my brain as it went along. Then the record's momentum just kind of, meanders off. The Art Teacher and Hometown Waltz pick up in terms of lyrical content, but nothing is standing up to the outstanding tunes of Want One. And the last track just seems slightly off-tune throughout the first half. Anohni is obviously in really good voice.

Musikaalimaista eli aika vokaalipainotteista. Mutta hyvää. Ekasta kappaleesta sai tosi jännät fiilikset. Tulee taas Muse mieleen välillä. Parhaat: Agnus Dei, The Art Teacher, Old Whores Diet

Great voice

meh...

I don't dislike Rufus Wainwright, but his brand of over dramatic, Broadway-esque, non melody isn't really for me.

That has to be the weirdest intro ever. It's a very strange album and really not some easy listening but some of the songs are kinda good.

Interesting sound. Very indie-sounding, almost operatic at times with the heavy use of classical string arrangements, piano, and classical/romantic-style melody and harmony. It isn't as enjoyable as Want One (another Wainwright album on this list), but it's still pretty substantive and engaging. This Love Affair, Memphis Skyline, and Waiting For A Dream (among others) sound a heck of a lot like Radiohead songs from the A Moon Shaped Pool era. Wainwright's vocal has that clear, nearly (but not quite) whiny quality that makes Yorke's voice so distinctly memorable. And yet the mesmerising Radiohead-ness doesn't really make an appearance here, and is instead replaced by... well... it's hard to describe. The music here sometimes feels a bit empty, particularly in the lyrics. 3/5 Key tracks: The One You Love, This Love Affair, Peach Trees

So confusing track one was so interesting and I actually loved it, but I could not get a vibe from the rest of the album. Some really bright spots but also some really boring. He definitely has a great voice.

You have to bee in the mood to wade through this listening experience. The drama, pageantry and length of some of the songs is a lot. Very theater. Overall I enjoyed it. Love the cover art.

Agnus Dei was an incredible opening track. Unexpected and delightfully haunting. The rest of the album was pretty good too but didn't exceed the quality of track 1.

This album has some amazing arrangements in some nice twist on world music. But Wainwright is too much of a wailer to me.

listened to the BBC concert version... lovely voice and relaxed listen

Weird songs made to feel like show tunes. Overall, liked it..Sorta.

I really wanted to like this one as I’m a big fan of Wainwright’s voice and Van Dyke Parks’ orchestration, but just thought it was ok. The opening and closing tracks didn’t do much for me at all (even with the guest vocals from Anohni - Wainwright’s feature on Anohni’s song What Can I Do? the following year is significantly better) and, while there was some lovely stuff in between, it was weighed down by some meandering vocal lines and lazy lyrics. Still beautiful in places though

I feel really conflicted on this one. This album had some beautiful and interesting moments - Gay Messiah and Old Whore's Diet are standouts for me - but god, I just can't handle his voice. The way he drags every single word out 2-3x longer than he needs to just grates on me. This was an interesting trip down memory lane to the seemingly long gone world of baroque pop, and I did enjoy some songs, but others put me into a stupor. Probably closer to a 3.5. Rufus, I wanted to like you, I promise!!

i didn't really "want two" listen to this album after thinking the first one was a snoozefest, but I think I enjoyed this one a bit more. don't get me wrong, it's still a lot more of the same, but it just seemed a bit higher quality overall. maybe I just knew what to expect, I dunno. rufus really needs to get to the point already - he spent 54 minutes saying what a regular artist could convey in a few songs. favorites: agnus dei, the one you love, the art teacher

Want Two is the fourth album by Rufus Wainwright, originally released in 2004. This record is apparently the second in a series of two records under the "Want" name. Apparently the first is on this list, but I got this one first. One of the downsides to the random algorithm. This album largely follows a baroque sound, with lush orchestration accompanying Wainwrights light vocals. He reminds me of Thom Yorke in a lot of the songs, as many other users already pointed out. The overall vibe of the album is very dark and kinda medieval (?) at times. Beautiful album art as well, I think it really accompanies the sound of the record. His voice can get a bit excessive and borderline grating at times, though. Looking forward to hearing Want One at some point in this list.

Not exactly what I was wanting this Thursday morning, but it's what I got. Rufus Wainwright seemed like he was desperately trying to sound like Thom Yorke while also not trying to sound like Radiohead at the same time. This was... okay.

This was extremely OK. It kind of felt like I was listening to a musical. The crescendo of the album (the final two songs) we're way better than anything that had come before.

Just for how out there it is I respect it. It was a very interesting first listen I just don’t think this has a lot of replayability. This is really not my kind of music but I’m impressed with how engaged I was, so for that a 3.

Almost a 2 Rufus

That's ok

Aspects of this that I liked (the stringed orchestral elements and the backing vocals and some of the melodic tunes) but the droning, depressed lead singing capped my enjoyment overall. Standouts were “Gay Messiah” and “Waiting For A Dream”.

Music and production are very good. I don't really gel with Rufus's vocals but he's a very skilled singer. Not for me.

At one point while listening to this album I took my dog out and walked around the block. When I came back in Rufus was still singing the same word as when I left. Good album musically. Not something I'll revisit though.

I see the talent. It's just not the type of music I enjoy.

Saw Rufus back in college when he was touring this album. Fantastic performer - really enjoy his singing and songwriting. This is not his best album (Imo), but definitely him in his peak era, and maybe at his most vulnerable, lyrically.

Tror aldrig jeg har hørt noget Rufus Wainwright før! Han kommer vidt omkring her, ku godt lide hans stemme og ku egentlig ret godt lide stilen

Little wild for me - at times thought I was listening to Thom Yorke

A little too whiny and lush for me. Couple of decent songs, but nothing I would ever come back to.

Meh

It's so interesting to see how Rufus Wainwright evolved his style after his childhood hit "I'm a Running ". Lots of depth and complexity of sound here. The vibe change from song one to two is a bit extreme, and two has a Radiohead feel in some ways. The longer it went the more I missed the vibe of the first song. This is good but I almost want something more bombastic after where we started. If he has any albums that are the vibe of the first song the whole time, point me towards it.

Having listened to both Want albums and only the two Want albums, I can safely say that the best thing Rufus Wainwright ever did throughout his entire 20+ year career was his duet with Carly Rae Jepsen on "The Loneliest Time," aka one of the greatest songs ever made.

It’s sort of a bummer how hard it is to keep things in order when tackling this list. It’s random for me, so that rarely ever happens. Pretty cool when it does though. But for now, we are hearing the second of these two albums before the first one. Don’t know how much of a difference it really makes. Listen, at first, the name Rufus Wainwright meant nothing to me. Was not familiar at all. And then I’m here listening to this music. And initially nothing stuck out to me. But I put this back on a few hours later, and something hit me. Where had I heard this voice before? It felt strangely familiar all of a sudden. Then I did a quick search and it all clicked. “Holy shit, this is the guy who made that song from Meet the Robinsons!” It’s the same feeling I had learning Ben Folds wrote Rockin' the Suburbs from Over the Hedge. But besides all of that extra stuff, this album feels lost in an identity crisis. I’m not sure what it’s trying to be, and I don’t know if the artist knew what he wanted it to be either. Maybe it’s just me learning that chamber pop is much more of an umbrella term than I once knew. This album is at its best at the beginning and the end. It starts with a sort of consistent sound, and then completely trails off. And for a stretch of four or five songs, this becomes something entirely different, and far more strange and regal. And while I can appreciate the artist’s dedication to trying a lot of ideas, some of them don’t really make for the most enjoyable listening experiences. His voice manages to fit this really well, and feels totally out of place at the same time. Nothing everything can be a total home run. Even if you did write music for Meet the Robinsons. Now I’m mostly interested in seeing whether the first album has the same issues. Rating: 5/10

fine, just slow and long, didnt love it.

Fängt eigentlich sehr gut an, aber irgendwann beginnt die Stimme ziemlich zu nerven. Ist hart das Album in einem Stück durchzuhören. Dennoch ist das generell natürlich gut gemachte Musik.

Pop barroco. Ni fu ni fa.

Really interesting….

3.7ish

3.5

Trippy

Big Thom Yorke energy. Nice.

It was alright. I prefer Want One for sure.

So beautiful i could Cry. I love this heartfelt emotional album. Beautiful voice, beautiful arrangements... Love!

The quality of this album was not bad, but it did really seem to drag on without going anywhere. Vocals were highly reminiscent of Radiohead, but the songwriting style and composition were often boring. It's clear that Wainwright is a talented musician, but this may not be his finest work.

His voice really sounds like RATM to me. Same music tone/vibe to me. 3.5

I can'tt decide whether this is interesting or pretentious. I also cannot decide whether I think his voice is unique or whiney. Thiugh I've felt that ever since he did Cohen's 'Hallelujah' for Shrek.

At first listen, when I wasn’t really paying attention, I really didn’t like this album. Thought it was a bit screechy. But later in the day, when I was able to give it my full attention I thought it wasn’t as terrible as previously thought.

Thought this was going to be such an interesting album based off the first song, had some fun haunting but beautiful sounds etc, then turned lame and boring so was quite disappointed

Music was alright, some weird song titles and lyrics 2/3***

Started off so strong but then waned towards the end

Prefer Want One

Silmäsi näkivät minut jo silloin kun olin alkio.....kirjaasi oli kirjoitettu kaikki sen osat ja päivät, jolloin ne muodostettaisiin, ennen kuin yhtäkään niistä oli.... Syntymävuosi... arvaapppas laittaako kaveri syntymävuodelle hyvää julkasua... yllätys...Häpäisee syntymäni... Joo Joo aluksi esitetään että 5 star masterpiece... Jooh... Jokainen syntymävuoden albumi pilkkaa minua.. Sentään ei low starata.. ymmärretään artmanship... whiner.... whining away

Definitely talented artist not my piece of cake though would not listen to that again

Rufus Wainwright's hyper theatrical style has been off-putting for me in the past and kept me at arms length from enjoying his obvious talents. Want Two, while I won't say is a revelation, it is an album where his theatricality is not as much a barrier to my enjoyment. Whether that's as a result of a change in me or in his music I can't say. The first two songs are great starts to the album. Agnus Dei a beautiful straight choral piece sounds incredible and The One You Love the closest thing to indie rock on the album strike all the right chords for me. The other songs are more hit and miss but with more hits than misses. My mind did wander from time to time however I would have to consider this a generally enjoyable album. 3.5 stars

This meets my usual criteria - overwrought and emotional. Perhaps it’s because I’ve been too busy to sit down and take this in but it’s felt like a bit Too Much. I’ve listened to Rufus in small doses and watched him on TV before, but never had a full album on. I reiterate, it felt a bit Too Much. That could entirely be my mood of course on the surface it’s lovely and clever and seemingly everything I want. I just don’t want it today.

A friend had tix to his concert at the TLA a bunch of years ago and when he got to the venue there was a sign on the door explaining that the concert was cancelled due to illness. I remember my friend saying it was probably because Rufus was in a K hole.

I suspect no one loves listening to Rufus Wainwright more than he does. That used to be too much for me to even give his music a chance. On this listen, I appreciated his talent, even heard lots of things that reminded me of other artists I really like — who is the influencer and influencee (?) ... does it matter? But, long before the album was over, I had had more than enough of Mr. Wainwright's wavering moan. A 3 because the dude obviously has talent, but my enjoyment level is squarely at a 2.

I continue to want to like Rufus Wainwright more than I actually do. Maybe if he enunciated just a bit more? (And people complain about Dylan…yesh) I watched him perform at an obscure concert for Beirut and he absolutely captivated me so I keep trying with him. Even 3 stars feels forced just like my appreciation of his artistry.

That's not my taste in musik. But ok

Great

I liked this a bit more than Want One, had a couple standout tracks at least. Still not an album I would see myself going back to listen to in full though.

Rufus Wainwright's "Want Two" is an album that showcases a remarkable depth of musicianship, intricate arrangements, and a daring blend of genres that defies easy categorization. It stands out in composition, engaging structures, and the cohesive quality that binds the work together, despite the eclectic mix of musical styles it presents. It ultimately falters on lyrical content that is intended to shock, and does so gratuitously, falling short by merely offending. "Peach Trees" stands out for its beautiful arrangement, serving as a prime example of Wainwright's ability to craft songs that are both complex and deeply moving. The track is a testament to his skill as a composer, weaving together elements that resonate with listeners on multiple levels. "The One You Love," on the other hand, presents a more contemporary pop vibe that is catchy, embodying the dual nature of pop music's appeal—both its immediate accessibility and its sometimes formulaic tendencies.. Across the album, Wainwright's sheer musicianship shines through, from the structure of the songs to the cohesion that underlies the project's variety. The lyrics and themes are often challenging and insightful, addressing issues that provoke thought and sometimes disagreement, particularly in their portrayals of faith and politics. While not all listeners may align with Wainwright's perspectives, the ambitious nature of the work and its well-crafted execution are undeniable. It’s too bad he tries to offend in the process, as this could’ve been so much more.

I really liked the instrumental arrangement but the lyrics not so much.

Not an fan of Rufus W. Music is not bad but just a bit boring and not catchy enough, so album a clear is 2 star but the 5 star 9-minute album closer compensates the other songs.

Pretty good voice; I remember him featuring on Antony & The Johnsons' album I am a Bird Now. Not sure what to make of the songs on this album, however. A bit too theater/musical-like for me, I guess.

Distinctive, but not exciting. Interesting themes, but his vocals get repetitive.

Uneven in its likeliness but has great moments. I struggled with some tracks but there are some others that are good

Beautiful, different, so in it's own world! I loved the different styles and genre scattered through out the album! Rufus really brought it!

Me ha sorprendido gratamente.

Agnus Dei: 4/5 The One You Love: 4/5 Peach Trees: 4/5 Little Sister: 3/5 The Art Teacher: 4/5 Hometown Waltz: 3/5 This Love Affair: 3/5 Gay Messiah: 3/5 Memphis Skyline: 4/5 Waiting For A Dream: 3/5 Crumb by Crumb: 3/5 Old Whore's Diet: 3/5 Coeur De Parisienne - Reprise - Live: 4/5

Fav tracks: The One You Love what an incredible voice.

This is close to a 4 from me but I think not quite. There are a few tracks that are actually pretty great (Gay Messiah, Crumb By Crumb) and Rufus is obviously a talented songwriter. I don't love his voice though.... some in my listening group compared him to Thom Yorke - and I'm not a huge fan of his singing either A good listen though!

Unique & interesting.

Yeah, I remember listening to "Want One", and this one is nearly as good.

I understand how one could say that it's an amazing album with great lyrics and instrumentals. It's just not my type of music.

His sister is better...

Liked it more than I thought I might. Needs another spin

Surprised that I never heard about him before. He is very talented, even if I find his music a bit too "over".

Rufus’s voice always reminds me of a slightly more melodic Thom Yorke. Ok chamber pop.

Pop barroco. Ni fu ni fa.

Kind of haunting at times but not really my jam. 2.5/5

Rufus is known for his silky voice. This album makes excellent use of it. Coupled with fantastic writing and you get a great piece of singer songwriter rock! In moments both quiet and acoustic as well as wholly operatic it works out so well.

It was fine.

ça part un peu dans tous les sens avec beaucoup de trucs chouettes et d’autres un peu moins, mais il a le sens de la narration et une chouette façon de chanter

Originellt iallafall det är skönt. För långt och fär mycket som Thom Yhorke fär att få mer än 3

3. It's giving Radiohead vibes. Not bad, but I'd rather just listen to Radiohead..

3,5

Typical dreamy sounding Rufus Wainwright

Yeah it was alright

I appreciated how the tone moves from hectic to somber between songs. Can't really accuse this album of having samey feeling tracks. On the more upbeat tracks, Rufus has this almost impish sense of humor about him.

The second installment of Rufus Wainwrights baroque pop efforts. With such a lush red color in the cover (as opposed to the first one's deep blue color), I expected it to be more passionate, more baroque, and perhaps more pompous. Instead it's a less constrained effort, exploring in the territories of rock and folk. The increased emphasis in his vocals are also notable, I have a mixed feeling about it. Overall, it's less enjoyable than the first one. It's a baroque pop album with lots of Radiohead vibes in it. Without the interesting instrumentals of Radiohead though, it can get quite boring. The standouts, "The One You Love" and "Old Whore's Diet" are my personal favorites among the songs from both two albums though.

It will either get better out worse on re-listen

Feels very samey as everything else he's done. Maybe its the age of his sound being so 2000s, but this feels pretty meh

Interesting intro, I enjoyed a lot of the female choirs.

Haunting opener, and hot off Want One just a few weeks ago. I'd put this one right there with the other one. I can see where this shines and why it's on this list, but for me? I Want None.

Meh, it's fine. Gets old after a few tracks.

What a talented artist. My first time ever listening to Rufus Wainwright. I went in completely blind. The first track Agnus Dei is nothing short of an epic track. It sounds like part of a score to a film. It really set the bar high for me on this album. Unfortunately, the songs that came after weren't nearly as close to a high that the opening track gave. This album is very theatrical, tongue in cheek, dark, and whimsical at times. Rufus Wainwright's vocals are incredible. He has such great control. But every note sung on this album was held far too long. Most songs could've been shorter and would have made more of an impact on me. I often felt like these songs were too long, and I was waiting to see when they were over. I can't deny the talent that was put into this album, and I'm sure those who are fans of RW, think this album is incredible. The orchestration was phenomenal and epic. Again, this sounds like a score, rather than an album. It did get nominated for some awards as well. This just wasn't my cup of tea. It's not bad. But I can't see myself returning to this album. Perhaps I can venture off into his other material, but it's not on the forecast anytime soon.

I was aware of Rufus Wainwright's music by just having listened to the radio in the early 2000's. I was never all that impressed. I mean, it was fine but nothing I'd go out and buy or listen to intentionally. Listening to it now, my opinion has not changed.

The dude is very talented

Great but not my fav

Heeeeeh ......

queria gostar de verdade

Peach Trees is a cool song. The Art Teacher is immediately grabbing. but the rest is missable.

some boring, almost bad songs. but some interesting ideas too

Den blir bättre och bättre

not in 1001, imho

- A little boring but honestly don't hate this - Sounds Radiohead-esque in a couple songs - This Love Affair and The One You Love are good