Legalize It

Reagge vom besten! Schön wieder mal zu hören

A treat for my ears and my emotions

What a great album, fantastic from start to finish. Great message and still relevant today.

My knowledge of reggae doesnt extend much past Bob Marley's hits, so usually I cant tell bad from good, but I'm pretty sure this is good. Even though my initial impression of the album was mostly "weed, man lol" its a great vibe that explores various subjects, I guess it feels a little darker, but in a good way. Great way to utilize the genre.

The older I get the more Peter Tosh usurps Bob Marley as my favorite reggae artist. This is a delightful collection of songs. I especially enjoyed “Why Must I Cry” this time around

Impeccable timing that my gummy was kicking in as I generated this one.

Кайфовая музыка для летнего настроения даже зимой

Made me think of thr beach. Love this album and always have

I love the calm relaxed vibes from Reggae music. It’s just so easy to listen to and enjoy. I love this album!

Ja man!

Best Peter Tosh album, lots of classic reggae songs, not as good as all the Bob Marly & The Wailers albums in this list, but still: 9/10.

Classic reggae. Really good.

Dope

Astonishingly rich. Praise Jah for this being so “Ketchy Shuby” – and not just tonight but for 40+ years now. Not sure this is positive medical advice (def not good for asthma; for tuberculosis and thrombosis perhaps). Every cut works and offers charm or sharpness or depth or all three. A marvel and immensely enjoyable and happy-making besides.

Äntligen ett reggaealbum. Riktigt bra dessutom. Det var även lite skillnad till annan reggae enligt mig dessutom. Mer soul och blues inflytande definitivt. Unik och passande röst och schyssta instrumentalister. Även om jag håller med om vad han sjunger om så är det inte texten som intresserar mig, utan musiken. Som trummis så har reggae gett stort inflytande på mig och därför tycker jag att det är svårt att göra ett dåligt reggaealbum, om man är bra musiker det vill säga. Samma som med disco så låter nästan allt ganska lika men det gör inget enligt mig. Alla låtar på denna var bra så jag kan inte ge den något annat än en femma.

Vibes

Despite being a big fan of this era of reggae, the wailers, and bob marley, this album still exceeded my expectations this was great. There's a quality to tosh's voice that feels unique amongst the various powerful voices of early reggae and ska and makes a lot of these songs feel closer to the american soul music of the day than a lot of other acts. His vocals are tender and sweet yet he will absolutely command your attention when he needs to in a way that makes this album's blend of politics, love, and heartbreak gel so perfectly with his performance that this album flows effortlessly. Doesn't hurt that the sweet little guitar parts all over the record also sound absolutely heavenly

A classic I've heard hundreds of times. Outstanding reggae.

Yeah mon

Fun

I absolutely love Bob Marley, so it’s great to be introduced to other members of The Wailers. I’m gonna be expanding my repertoire of reggae now. The beach playlist is getting better! And yeah, I think we should legalize it, too. And free every person in prison who has been preyed upon.

Legendary

The debut solo album of Peter Tosh. I do not particularly like the title song Legalize It. A lot of rest of the songs are reggae classics though (Burial, What'cha Gonna Do?, No Sympathy, Why Must I Cry, Till Your Well Runs Dry, Brand New Second Hand). Robbie Shakespeare on bass guitar and the rest of the Wailers backing band. You cannot wish for more.

Jah

Jah-Man! Excellent Album!

A really great find and I did not expect to enjoy this album or be able to differentiate it from other reggae albums I have heard. This is an excellent album and I love hearing Tosh do reggae songs that are not all political. I have always enjoyed Bob Marley's music and I find this album to be on-par with Marley's best work.

Love it

I think Peter liked marijuana

Extremely enjoyable reggae outing

This is Quintessential Reggae, outside of Marley of course. But a fellow Wailer is still a vital part of the music.

🕴

I just love reggae. He’s the man!

Le ga liiiiiiiize iiiiiit yeeaaah. Yeaaaah.

🇯🇲🇯🇲🇯🇲

Pure chill reggae. Him and Robert (Marley) were the GOATs !

You're only acting like You are somebody But I don't no say You know nobody You're only a show off Your painted face, yeah But underneath that face Your just a disgrace Amazing album, I agree that this is one that everyone should hear. 5/5

very cool

Sorry I missed this. Fucking legendary album. Even the goats love it.

LEGALIZE!

9/10 good vibes, love reggae the mixing on some of these songs were a bit weird but idc, still sounds great

Don't be fooled by the simple and clear message (agreeing or not) at the beginning and in the album's title. There's a lot going on and to me this album just gets better the longer it runs. Especially Tosh's feeling for melody and the guitar play makes this a great listen.

I think it's the first reggae album I bought. Love the riddims.

Trying my best not to give everything five stars . Aw well

Muito bom!

5, based album

legalizeeeeeee it

Certified banger

Really enjoyed this record and am grateful to be filling a major gap in my reggae knowledge. This sounds great and is super tight, of course. The songwriting is just a wee bit slight.

If it wasn't 6am, I'd pour myself a rum and coke and listen to this in the garden Cracking stuff

What a discovery. This is one of the best reggae albums I’ve ever heard. It’s such a great summer listen but there’s an edge of emotion and frustration that really elevates it. Excellent.

Groovy

Un gran álbum, está lleno de buena vibra Es un clásico, lo veo trascendental para algunas canciones del dancehall contemporáneo Pero a lo que respecta este álbum, está muy bien ejecutado, tiene letras muy sentidas, tiene letras divertidas y muy conectadas a la cultura jamaiquina Burial mi favorita, luego la de Till Your Well Runs Dry Buenos riffs de guitarra, y muy bien acomodadas las canciones de todo el álbum, gran trabajo el de Peter Gran influencia de Calypso en muchas de las canciones también, lo cual le da un toque muy relajado y te hace sentir en calma

PEAK

This was a really cool album. Just a good album to chill and listen to. Sounded a lot like Marley, probably because Tosh was a member of the Wailers.

I approve this message. I’ve heard the title track a few times, didnt really explore him though. Cool, but not surprising, to find he was with the Wailers. It’s pretty easy for me to fall into reggae. I have much more appreciation than critique. I know a lot of it can be political and prophetic, but I just think it’s rad music and easy listening.

Like the expressiveness of reggae, No Sympathy is a fave

Great mellow tunes to serve any mood.

8/10

Nice Raegae tones I enjoyed a new genre

A perfectly fine Reggae album although the title track is the only one I’ll remember.

lol cover/album title alone is amazing. Makes me wish Jimmy Cliff was on this list

Playful roots hit the spot in the sunshine

mi tink mi gwan listen to more reggae

Rrrrrrrrrrrrreal fucking high on drugs as Bill Hicks would say. Listened to this on a sunny morning and it was a delight.

Legalize what now ? 🤨

No but for real he’s right and he should say it. Some outrageous rhymes straight out of the gate but I’m obsessed. ‘Good for asthma’ is a wild claim pal. Whatcha Gonna Do, No Sympathy (very funny to use this platform to just complain about your friends) and Till Your Well Runs Dry stood out to me. I think this man is having big feelings and I love that. Immediate points gained for using the word ‘workers’, immediate points lost for inevitable misogyny.

Nice album. I love 70s reggae. Some of the songs end up sounding kinda the same, but I really liked it. Although I don't agree with his medical diagnosis of taking weed for tuberculosis, it would maybe help with the pain I guess? Summer vibes. Something you'd put on at a BBQ.

I dig it. The sun is nearly shining here in Manchester and this sounds pretty good to me.

Reggae is a lot of fun. As a fan of second and third wave ska, it's clear where a lot of inspiration lies. Tosh is a surprisingly good vocalist.

kind of nice to see some non-bob marley reggae representation on this list. good shit

Yes we should Super album rien a redire

Was kind of surprised by how much I enjoyed this. Much more varied than I expected and it has a really infectious groove to it

Moving from Canada, where it is currently legalized, back to England where the only party who supports legalization is the Green party, big agree! Of course here the lack of legalization of Marijuana has a lot more cultural importance to it that cannot be understated. That said in terms of music? This is fine. It's certainly not my favorite reggae album but its an enjoyable and relaxing jam, if a bit repetitive in areas. Still a 4. I apologize in advance for Katie's rating.

It's a great reggae record and as such, it can't go above 4/5. A fun listen with some memorable songs, but it's still the same thing for 40 minutes.

Usually not a huge reggae fan, but this album was more enjoyable than expected

This is a much better representation of reggae than Bob Marley’s stuff though as sarcastic elbows rightly pointed out the influence of privileged dreadlocked white boys has probably diluted the message of this album. Ganja or cannabis or marijiana is a sacred substance of Rastafarian culture. Not a good time party drug man. Nonetheless Tosh hits hard musically.

Prefer this to Marley

Don’t tell anyone but I THINK this man likes his devils lettuce

A classic. A few songs I heard back in the day but I never had the chance then to listen to the whole album. RIP Peter Tosh.

Pretty good.

I don't believe that marijuana cures asthma but legalizing it has been a long time coming. Let Jah Be Praised.

Friday is a great day for reggae. Ketchy Shuby might be one of my new favorite reggae songs. The songs were creatively composed and had a lot of heart. Why Must I Cry, Igziabaher, and Ketchy was a fantastic run of three in the middle of the album. I wasn’t a fan of dissin’ on the lady in the last track but really dug the rest of this.

Actually really great

Mostly good stuff. Tosh has a nice vibe. However, despite his claims, marijuana does not help asthma or tuberculosis. Probably will make both worse. It has some medical benefits, most notably nausea and appetite in cancer patients, but definitely not asthma or tuberculosis.

Very enjoyable even with reggae not often being my thing! Must-listen #333

Легалайз ит анд донт критисайз ит, my dudes. Довольно чилловый, забавный регги альбом. Приятно было послушать.

Had to catch up from the weekend on this one and I wound up listening to it on 4/20 which is terrific!

Pete wants the weed. But the album is much, much more than that. It turns out from this list I really like reggae, whereas I never really gave it a shot. Great album 4 Star

raggae music save mi life

I'm not major on any kind of drugs, so I'm definitely not the target audience for an album literally called Legalize It with a picture of Peter Tosh smoking weed in the middle of a bunch of weed plants, but it was a great listen. I always love how much is going on in the bass on Reggae albums. Everyone else is swaying along to the music and the bassist is bouncing off the walls half the time. Anyways, some of these songs are definitely about Bob Marley and it's pretty neat. I wasn't expecting to wake up and hear a Reggae diss track.

Был очень скептично настроен, но вообще оказалось довольно приятная музыка, выше среднего по жанру. Такому можно и легализовать

This is the future that liberals want. Нормальное приятное регги.

I liked the overall vibes of the album

Ovo je bilo neophodno da se vrati nada u generator. Jedan od kompletnijih reggae albuma koje sam ikad čula. Zanimljivije od Wailersa i to značajno.

Peter Tosh has one of the best voices in Reggae. Nothing really clever or amazing or bizarre... just solid rhythms, some Jah, some ganja, some ketchy shuby. And anything with Robbie Shakespeare is going to be world class.

Finally something other than rock! Enjoyable 7/10

Was Reggae. Was good

Das war mal kult

Legalize it now STARMER

Reggae is always a pretty good genre to get here, and this is no exception. I'm not a smoker by any means, but I had a great time with this anyway!

Nice, warm reggae for a cold snowy morning...4

Perfect timing for reggae.. it's honestly never a bad time for reggae though.

3.5 (39:04, 9 tracks, debut, 1976) Reggae I'm normally not a huge fan of Reggae but I, like most people, love Bob Marley and Peter Tosh is an extension of Bob Marley after his death. Really enjoyed including this album on this list as it was definitely an album I am glad I listened to before I died. Peter Tosh's 1976 debut solo album, Legalize It, is widely considered a cornerstone of roots reggae, cementing his status as a "rebel with no fear" following his departure from The Wailers. While its title track became the ultimate global anthem for cannabis legalization, critics and fans alike highlight the album's deep musicality and its exploration of broader societal issues. Reviewers consistently rank it as one of the best albums in the genre, often praised for its "stellar production" where every instrument is crisp and clear. Compared to his Wailers brethren in 1976—Bob Marley’s serious Rastaman Vibration and Bunny Wailer’s dark Blackheart Man—Tosh’s debut is seen as hitting a middle ground that balances playfulness with political edge. While it shares the "Wailer magic," reviewers note that Tosh successfully established his own distinct, more "ramshackle and live" identity compared to Marley's more polished studio works. Written in response to police victimization in Jamaica, the title track is celebrated for its humor and catchy melody while making a sincere political statement. 1) Peter Tosh's "Legalize It" is a revolutionary anthem that serves as a direct political and social demand for the decriminalization and legalization of cannabis (marijuana). Beyond being a simple "stoner anthem," the song carries several layers of meaning rooted in Tosh’s personal experiences and the political climate of 1970s Jamaica. 1. A Protest Against Police Brutality The song was written in response to Tosh’s ongoing harassment, victimization, and physical "brutalization" by the Jamaican police for cannabis possession. It challenges the "illegal humiliation" and "police interrogation" associated with prohibition, framing it as an issue of personal and cultural liberty. 2. Advocacy for Health and Economy Tosh explicitly lists various purported health benefits in the lyrics, claiming it is "good for the flu," "good for asthma," "glaucoma," and "tuberculosis". "Umara composis" (often spelled as umura composis or humara composis) refers to menstrual pain or period cramps. He argues that legalization "can build up your failing economy," viewing cannabis as one of the "richest natural resources" that could benefit Jamaica’s development. 3. Exposing Social Hypocrisy: A key theme is the song's claim that everyone partakes in the herb, not just "lyrics singers" and "players of instrument." Tosh points out that the very people enforcing and practicing the law—"doctors," "nurses," "judges," and "even the lawyer too"—are among those who smoke it, highlighting the hypocrisy of criminalizing the public for the same behavior. 4. Cultural and Spiritual Identity: For Tosh, cannabis was a sacred herb and holy sacrament within the Rastafari movement, essential for spiritual practice. The song serves as a defiant statement of cultural pride and resistance against colonial-era laws and "Babylonian systems" of oppression. Upon its release in 1976, the song was immediately banned from Jamaican radio. Tosh famously responded by buying newspaper space to publish the lyrics, further cementing the song's legacy as a "revolutionary manifesto" that predated global legalization movements by decades. The iconic title track is a definitive weed anthem, praised for its straightforward, unapologetic delivery and catchy melody. 2) "Burial": A standout track that reflects Rastafarian beliefs regarding death and lambasts corrupt officials. Aa militant rejection of social and religious hypocrisy, rooted in Rastafarian spiritual philosophy. While the song gained notoriety later for being misinterpreted as a snub to Bob Marley, its true meaning is far more foundational to Tosh's worldview. 1. Spiritual Meaning: The core message—"Let the dead bury the dead"—is a direct reference to a Biblical verse (Matthew 8:22). In the context of Rastafari: Orthodox Rastafarians believe in "Ever-living" life rather than death. To them, physical death is merely a transition, and focusing on a corpse or a funeral is a "dead" practice. Tosh sings, "I am a living man, I've got work to do". This emphasizes that his purpose is to serve the living and the cause of justice, rather than wasting time on mourning rituals he viewed as part of "Babylonian" tradition. 2. Political Meaning: A Big Disgrace The song also serves as a sharp critique of the political elite in Jamaica. Lyrics like "What a big disgrace, the way you rob up the place" call out the systemic theft and oppression carried out by those in power. Tosh mocks the "generals" and "judges" who claim high status but preside over a "poor man's hell" while enjoying a "rich man's heaven". 3. The Bob Marley Controversy A common misconception is that the song was written about Bob Marley's funeral in 1981, which Tosh notably did not attend. Fact: Tosh and Bunny Wailer actually composed "Burial" in 1968 while still in The Wailers—over a decade before Marley's passing. While Tosh's absence from the funeral caused a stir, it was a literal application of the philosophy he had been singing about for years: he refused to participate in the "vanity" of a state funeral because he believed Marley's spirit was still alive in the music and the movement. "Burial": A favorite for many listeners, this track is recognized for its heavy, "rootsy" bass and its commentary on systemic issues like poverty and corruption. 3) "What'cha Gonna Do?" (also titled "Whatcha Gonna Do") is a poignant social commentary that highlights the devastating impact of state oppression and police harassment on ordinary Jamaican families. The song poses the recurring question "Whatcha gonna do?" to mothers and neighbors whose loved ones are taken by the "shistem" (system). It explores three specific scenarios of suffering. 1) Police Victimization: The first verse describes a father ("Papa") being arrested and charged for smoking ganja. Tosh reflects his own reality of being harassed by authorities, asking how a family will cope when their provider is taken away for a cultural and spiritual practice. 2) The Injustice of the Courts: The song critiques a legal system that requires the poor to "face a dread judge" or pay for a "doctor man" to fix a face battered by police brutality. 3) Indefinite Detention: Tosh addresses the "indefinite detention" of young men without proper legal representation, describing how they "remain in custody" simply because they "know nobody" and were unaware of arbitrary laws like curfews. While the title track "Legalize It" is a demand for reform, "What'cha Gonna Do?" is the human cost of that struggle. It captures the "outburst of anger and frustration" Tosh felt toward the political elite who governed through "victimization and colonialism". 4) "No Sympathy" is a song about profound isolation, betrayal, and the search for personal peace in a world that offers no support. While it is often grouped with Peter Tosh's militant works, the song is deeply personal and reflects the "self-pity and fear" that Tosh experienced during his early hardships. The song centers on the feeling of being abandoned by those closest to you. Betrayal by Friends: Tosh explicitly calls out "so-called friends" who offer not even "one good word of advice" when he is in trouble. He expresses that he alone must feel the pain of his struggles. Escaping "Hell": He describes his current state of life as "hell," a place he believes was never meant for him. The song serves as a declaration that he will "get out" and search until he is free. The Inability to Love: In the outro, Tosh provides a psychological observation: "They don't love themselves / So they can't love no one else". This suggests that the lack of sympathy he receives is a reflection of the inner void within his detractors. The song was originally written by Tosh and recorded with The Wailers (including Bob Marley and Bunny Wailer) for their 1970 album Soul Rebels. Tosh later re-recorded it for his 1976 solo debut. Despite its personal nature, some critics view it as a radical critique of oppression and injustice. It reflects Tosh’s "rebellious and outspoken personality" developed while growing up in the harsh conditions of Trench Town. The song is noted for its "nasty guitar solo" and a "rough and ready, gritty tenor" that strikes a deep, resonant chord. 5) "Why Must I Cry": Co-written with Bob Marley, this multi-layered song is often cited as an album highlight for its emotional depth regarding personal and societal struggle. "Why Must I Cry" is a soulful, introspective track from Peter Tosh's 1976 debut solo album, Legalize It. Co-written with Bob Marley, the song stands out for its vulnerability compared to Tosh's typical militant persona. The song explores themes of heartbreak, betrayal, and spiritual exhaustion. It can be interpreted on two primary levels. 1) Personal Betrayal: The lyrics depict the pain of a broken relationship where the narrator feels deceived by a partner who feigned love. Tosh sings about the "great sin" of believing in that false love and vows never to fall in love again because "only my heart feels the pain".2) The Struggle of the Down pressed: On a broader level, the "lonely road" and "heavy load" mentioned in the second verse often symbolize the broader Rastafarian struggle and the weariness of a life lived in constant resistance against oppression. It captures the emotional toll of being a "rebel" who carries the weight of a societal mission. The track features smooth, melancholic production with prominent female backing vocals and a "tight guitar solo" that underscores its sad, reflective mood. Though Tosh was known for his "Stepping Razor" toughness, this collaboration with Marley shows the shared "Wailers magic" and their ability to express deep, universal human sorrow. "Why Must I Cry": Co-written with Bob Marley, this song is often highlighted as the emotional center of the album, conveying a deep sense of personal struggle. 6) "Igziabeher (Let Jah Be Praised)": Frequently cited as a masterpiece of spiritual power, this track is noted for its "insane" energy and "beautiful devastating" anthem-like quality. The spiritual heart of the Legalize It album. It is a deep, meditative Rastafarian prayer that shifts the record's tone from political protest to divine worship. The title is taken from Amharic, the liturgical language of the Ethiopian Orthodox Church. "Igziabeher" (pronounced Ig-zee-ah-be-hair) literally translates to "Lord of the Universe" or "God." In the context of the song, it is a direct address to Haile Selassie I, whom Rastafarians worship as the incarnation of God (Jah). The lyrics are a plea for Jah to guide and protect the singer through a world of "wickedness" and "tribulation." Unlike the aggressive "Stepping Razor" persona Tosh often projected, this track shows him in a state of total submission to the Creator. The repetition of the word "Igziabeher" acts as a mantra, intended to induce a meditative or "trance-like" state in the listener. The song is famous for its slow, heavy "one-drop" rhythm and a swirling, psychedelic organ (played by Tosh himself) that creates a "mystical" and "eerie" atmosphere. It serves as a somber, heavy counterweight to the more upbeat, playful tracks like "Ketchy Shuby." By using an Amharic title, Tosh was asserting his African identity and educating his audience on the Ethiopian roots of his faith. It remains one of the most respected "spirituals" in the history of reggae music. Negusa Nagast (often spelled Negusa Negast or Negus Nagast) is a Ge'ez and Amharic title from Ethiopia that translates to "King of Kings." Medanialam (Amharic: መድኃኔዓለም) translates to "Savior of the World". The term is an Amharic title for Jesus Christ and is often used by Rastafarians to describe the divine power of the Almighty. Tosh used it alongside other sacred titles to emphasize his reverence for Jah. 7) "Ketchy Shuby" Praised for its upbeat, playful energy, adding a sense of joy and charm to the record. The meaning of the title and lyrics is often understood in two distinct ways: as a reference to a traditional Jamaican game and as a suggestive double entendre. 1. The Jamaican Folk Game "Ketchy Shuby" (or "Ketchy-Shuby") is a simple cricket-like game played in rural Jamaica. A batsman hits a ball into the air, and the person who catches it gets the next turn to bat. Tosh uses the mechanics of this "catch and shove" game as a metaphor for a rhythmic, back-and-forth interaction. 2. Double Entendre & Sexual Slang. In Green's Dictionary of Slang, "shuby" is noted as a Rasta/West Indian term for sexual intercourse, literally a pronunciation of "shove". The lyrics—"Don't make it drop / 'Cause if it drop / It will pop"—are often interpreted as suggestive. Despite the potentially "raw" meaning, Tosh delivers the song with a lighthearted, almost "novelty" feel, which stands in stark contrast to his more militant political tracks. Beyond the literal or suggestive meanings, the song is celebrated for its "irie" vibration—positivity, community, and love. It highlights Tosh's ability to "nice up the party" with a danceable rhythm while still grounding his work in Jamaican cultural roots. 8) "Till Your Well Runs Dry": Noted for its country-influenced lead guitar lines and satisfying slow tempo, a soulful, mid-tempo track that serves as a stern moral warning about humility and the consequences of arrogance. While much of the Legalize It album is political, this song is a philosophical lesson on human nature and the "law of harvest" (reaping what you sow). The song warns those who are currently "riding high" that their luck or power will not last forever if they mistreat others. The title is a variation of the famous folk saying: "You never miss the water until the well runs dry." It suggests that people often fail to appreciate what they have—or the people who help them—until it is gone. Tosh sings to someone who thinks they are "on top of the world" and "don't need nobody." He warns that the "table is gonna turn" and they will eventually find themselves in need of the very people they once looked down upon. From a Rastafarian perspective, it reflects the idea that "Babylonian" pride leads to a spiritual drought. If you don't "keep your heart clean," your source of life and success will eventually dry up. Reviewers often note the unique country-and-western feel of the lead guitar lines, which gives the song a "rootsy," Americana-reggae fusion vibe. Like several other tracks on the album, this was a song Tosh had worked on during his time with The Wailers, showcasing his ability to write timeless, proverbial lyrics that feel like ancient wisdom. 9) "Brand New Second Hand” is the closing track of the Legalize It album and serves as a scathing critique of vanity, materialism, and lack of authenticity. The song's title is a metaphor for a person—specifically a "gal" in the lyrics—who tries to present themselves as "brand new" (high-status, pristine, or sophisticated) while being "second hand" (superficial, morally compromised, or used). Tosh mocks the use of makeup and expensive clothing to hide a lack of substance, singing: "You're only a show off, your painted face... but underneath that face, you're just a disgrace". "Everything that Glitters isn't Gold": Drawing on a common proverb his "mama used to tell" him, Tosh warns that external appearances are often deceiving. Many fans and critics interpret the song as a broader attack on the "Babylonian" system, which encourages people to value material possessions (like the "dress you wear") over spiritual and cultural authenticity. The lyrics suggest the subject is well-known for their true nature by everyone in the neighborhood—"Dick," "Tom," and "Harry"—further emphasizing that their attempt at a "brand new" persona is failing. The song was originally recorded by The Wailing Wailers in the 1960s at Studio One. Tosh re-recorded this grittier, more militant version for his 1976 solo debut. While some listeners have speculated the song was a "diss track" toward Rita Marley, most fans believe it was a more general commentary on individuals who adopted Westernized, "superficial" beauty standards over their original African identity. This song concludes the album by shifting the focus from external political liberation (like cannabis legalization) to internal "mental emancipation" and the importance of being real in an artificial world. Peter Tosh’s Legalize It is widely regarded as a cornerstone of reggae music and a bold declaration of his identity as a solo artist after leaving The Wailers. Critics generally view the album as an essential, high-quality production that balances militant activism with accessible, melodic songwriting. The album is praised for its "crisp" and "clear" sound quality, featuring perfect amplification and instrument placement that remains impressive by modern standards. Tosh blends traditional roots reggae with surprising influences, such as the country-tinged lead guitar on "Till Your Well Runs Dry" and the soulful, gospel-inflected melodies of "Whatcha Gonna Do". While he later became known for more intense political work, reviewers often call Legalize It his most "lightweight" and playful album, noting the humor in the title track and the joy in songs like "Ketchy Shuby". Jamaican singer-songwriter and former Wailer Peter Tosh, released in June 1976. It was recorded at Treasure Isle and Randy's, Kingston. Legalize It is one of the two solo albums released in 1976 by Wailers members, along with Bunny Wailer's album Blackheart Man. Bob Marley and his new Wailers also released Rastaman Vibration. The song was written in response to his ongoing victimization by the Jamaican police and as a political piece pushing for the legalization of cannabis, particularly for medical use. In 1977, Tosh backed this up by saying "We are the victims of Rasclot circumstances. Victimization, colonialism, gonna lead to bloodbath". Tosh also said "Herb will become like cigarettes", in an NME interview in 1978. The title track was banned when released in Jamaica in 1975. Attempts to suppress the song failed, however, catapulting Tosh to international fame. In the United States the Billboard 200 album chart for two weeks, peaking at No. 199. In 1999, the album was certified platinum by the Recording Industry Association of America for over one million copies sold. Robert Christgau wrote: "Unlike most sidemen who go on to pursue their own artistic interests, ex-Wailer Tosh has managed to gather about half an album for his solo debut, which ain't bad. 'Ketchy Shuby' even has the makings of a novelty hit. But oh, how his light heart and romantic spirit are missed among his old mates." Track listing All tracks composed by Peter Tosh; except where indicated 1) "Legalize It" 4:35 2) "Burial" 3:54 3) "What'cha Gonna Do?" 2:25 4) "No Sympathy" 4:35 5) "Why Must I Cry" 3:08 6) "Igziabeher (Let Jah Be Praised)" 4:37 7) "Ketchy Shuby" 4:53 8) "Till Your Well Runs Dry" 6:09 9) "Brand New Second Hand" 4:03 Personnel Peter Tosh – guitar, keyboards, vocals Al Anderson – guitar Aston Barrett, Robbie Shakespeare – bass guitar Carlton "Santa" Davis, Carlton Barrett – drums Tyrone "Organ D" Downie – keyboards Donald Kinsey – guitar Robbie "Ras" Lee – harmonica Rita Marley – background vocals Judy Mowatt – background vocals Bunny Wailer – background vocals

Never been a massive reggae fan, but stick this on at a BBQ and hand me a Wray & Ting and we can talk.

Peter Tosh, brother of DC Tosh from The Bill and 2nd cousin 4th removed from none other than Len Houmous. 3.7 1/10 Legalize It

Legalize It 4 Burial 3.6 What' cha Gonna Do? 3.4 No Sympathy 3.8 Why Must I Cry 3.5 Igziabeher (Let Jah Be Praised) 3.6 Ketchy Shuby 3.4 Till Your Well Runs Dry 3.4 Brand New Second Hand 3.2 Score: 3.544444444

An enjoyable bit of Reggae. Tosh proving that he had the same level talent as Marley here

An enjoyable album, but not something I felt will have me yearning to return to often, but I wouldn’t be against it if I did. 3.5 / 5

I love when an album transports you to a specific time & place, in this case Jamaica in the 1970s. As someone listening to this at the tail end of a long, Canadian winter, this is the mental roadtrip my brain didn't know it needed. Don't bogart that joint, my friends.

wonderful

The first time I heard the song Legalize It was a cover from 311 on the Hempilation compilation. A member of The Wailers, Tosh is one of the greats! Tragic death, though. This album is groovy. I'll give this a 4.

Тел ми Вача гона ду

Good

I'm convinced.

Loved it

Such a vibe

the debut album of a former member of bob marley's wailers, and to the surprise of nobody, it's an album all about the legalization of marijuana, as well as his experiences dealing with the police. if you like bob marley, you'll like peter's music too, it's pretty standard in terms of reggae music. it's a good time. i wish i had anything more to say, but it's... pretty textbook reggae music. i mean come on, with the title alone... imagine how i feel as a stoner. but i can't critique too much. i wasn't born and raised jamaican.

I don’t know if this is common knowledge but I loooooove reggae. I don’t know if I’m allowed to say that if I primarily listen to Bob Marley (and the Wailers! Of which Tosh is one!) but I do. This was great listening for the portion of the train ride between Sutherland and Thirroul where there is zero phone reception and I’m expecting that the Ketchy Shuby instrumental will be in high rotation as accompaniment to my reading habits.

I like this better than Bob Marley’s Catch a Fire album that cameup earlier on my generator. I was concerned on that album that i didnt like reggae, i just liked the idea of liking reggae. I like reggae, or at least this album of it, which is strange because many of the band i suspect are the same as Bob Marley’s backing band. This seems to have more of a soulful sound, a bit of funk to some tracks. Al Anderson is a great guitarist and on the tracks he isnt playing, Donald Kinsey is and he is also a great guitarist.

I enjoyed this, great album

An important and iconic record within and outside the genre but I'd put it behind "Equal Rights" and "Mama Africa"

I think I still have this CD kicking around somewhere. And I don't even really love reggae. But this is still a classic.

Great album! Throwback, used to listen in high school from my dad's collection

Not my genre of music but had fun listening nonetheless

Good news, Peter: Pot will be legalized! The bad news? You won't live to see it. "Legalize It" is all I remember from this album, and considering that was 30+ years ago, it's only a vague memory. Surprisingly, it didn't coincide with my deeply mortifying Bob Marley phase, that's for the best. But my middle-aged self found this pretty great from start to finish, particularly the stretch of "Igziabeher" through "Brand New Second Hand." Much like "showroom dummies," I'm going to use "brand new second hand" as a dis going forward.

This is some prime reggae but it does feel like it's missing some hooks which would help out. I wish I hadn't sold this vinyl to Amoeba for probably a dollar 11 years ago. I'll take all the classic reggae this list wants to give me.

I liked this more than I thought I would. The driving bass lines and the syncopation of reggae is what I loved about this. Strong album, decent lyrics, stellar musicianship.

Don’t normally listen to reggae but I really enjoyed this album

I LOVED this one. This guy was on the right side of history and is a great example of an artist using their platform for change. Not to mention the instrumental performances are FLAWLESS. Melodies are so catchy and addictive, background vocals add such a beautiful tone, rhythm section could not be tighter. Definitely one of my favorite reggae albums thus far.

Some truly great tracks here a well done covers of classics. The backing band is really high quality.

Wow I loved this album! Was not familiar with Peter Tosh or much reggae at all, but I could already see myself listening again and exploring more of his solo music/with The Wailers. Such a great sound and easy listening, but there is a message behind the music too which adds even more. Great one! Top Songs: Legalize It, Burial, Ketchy Shuby, Brand New Second Hand

4.2

The album is quite enjoyable, even as a non-smoker.

Hell yeah, never gonna complain about some reggae music, especially when I agree with the message of the album. Would definitely listen to again.

Here's the question. Does only the best Reggae music make it to us, or is all Reggae music just baseline good? I haven't strayed too far into reggae artists outside of the Marley's, but this was just as good. I'm a sucker for this genre. Super chill and easy to listen too. No complaints from me.

Great reggae record. Mixed beautifully and I like the variety of guitar tones. I don’t know if I’ll revisit in full again soon, but I enjoyed my listen and got stoned accordingly.

What a festive pick for Christmas Eve! Just look at all those trees!

Inte min genre typiskt men det här gick hem!

I didn't know he was part of the Wailers! This is my first proper reggae album and despite repeating similar rhythms across songs, the grooves and vocals carried.

3.9 Solid Effort. My favorite Pete Tosh song is downpressor man.

In 2017-18 I went through a Reggae obsession and picked up a lot of these gems on vinyl. Although this one eluded me (I found Equal Rights & Bush Doctor but this one was more pricey) I streamed this in those days and loved it. It's a relief to get this after the dreadful Icarus Line and have an album I can put on repeat and immerse within. Great tunes, not all about legalising weed, and so uplifting. He was always the coolest in the Wailers.

Good music just not my style

Chill with important messaging

I think I used to own this on vinyl and dumb of me to let it go. Perfectly great reggae although not so singular that I did not realize the album had ended until I heard 4 other songs from other reggae artists once Spotify went into its algorithm.

A dream achieved in a lifetime.

Who knew there were so many uses for marijuana?

I really liked some of the demo tracks nearer the end - there was one with amazing harmonies- not sure if they were on the original release but they really capture the energy and vibes of the jam energy.

Hell yeah brother

Nie jestem fanem reagge ale nawet mnie słuchało się tego dobrze. Fajnie wiedzieć skąd wziął się ten slogal "Legalize it". Nic więcej nie mogę napisać, bo się nie znam na tym gatunku.

Pretty good

Great stuff!!

It's a snowy November day in New England and I'm stone cold sober. Listening to this, I wish none of this was true.

Beautiful reggae album. Some tracks with a bit of country/folk influences. Nice change in genres compared to the last albums

how could I complain?

A poor man’s Bob Marley. Same sound but lazier slower vocals Like he’s stoned the whole time. And that could be true. The songs feel longer than they are. I guess that’s a product of the lazier sounding vocals? What do I know….. Do you like reggae? Do you like a slower jam? Then sure this is for you. It has a purpose here. I’ll give it that.

First, I'm a big reggae fan so I know the relevance of this album. The record is well listened to with most songs over 2M listens and the title track at 88M. Reggae isn't for everyone, I get that, so I'll be interested to see the ratings on this album tomorrow. This is a high quality reggae album from start to finish. What a great debut! Top notch production, well written songs, high end musicians (Rita Marley sings backup, the Sly & Robbie rhythm section is legendary) and an upbeat infectious vibe from a guy who stepped away from the Wailers to make his dreams come true and use his voice to instigate political change. The title track is an anthem, try and find a college kid today who hasn't heard this one a few times. "Whatcha Gonna Do" is just a catchy track that earworms the listener to sing along. "Ketchy Shuby" is cut from the same cloth, it has a chorus you can't avoid~! "Igziabeher" is one of his moody classics and offers a much different musical landscape than most reggae songs from the 70's. "Till Your Well Runs Dry" is another unique track that feels like it has a Clapton influence, not only with the guitar but with the song construction. "Brand New Second Hand" is one of his signature tracks. On the extended Legacy Edition, "No Sympathy" Demo sounds a lot like Wailers "400 Years", classic Tosh sound. The album has longevity and influence, check that box. One big hit/anthem, check, but some classic reggae favorites too. Changed the way reggae was perceived & accepted from that point forward, check. Solid release, great debut, 4 stars.

Weed.

This was a fun one. I once failed a drug test for a job because of an edible gummy I took several months before (was a hair test), so I endorse the overall message of this album.

Yes

Went into this album not expecting much, came out pleasantly surprised. The first three tracks are your typical reggae sound. No Sympathy and Why Must I Cry are phenomenal tracks and really showcases what Peter Tosh is a lyricist. Igziabeher is alright, that piano is fun. Surprised someone hasn't sampled it and looped it into a beat Ketchy Shuby is the best track, shit is so damn catchy Till the Well Runs Dry is the second best track. 4/5 stars

Very good reggae record. I've always preferred more soulful singers from this era like Dennis Brown and Freddie Mcgregor, but Tosh brings his own unique style to this. I'm impressed that he found a sound more rootsy than Marley while maintaining groove and rhythm.

Interesting mix of reggae and other influences

The guitar playing and percussion is amazing throughout the record. It's a solid example of reggae from a former Wailer. I don't really find much fault in anything on this record. It's a good record.

4- Stars (10/15)

найс, вайбово, сохранил на всякий случай)

Förutom att han nämndes i Nilecity back in the days har jag mycket liten koll på Peter Tosh. Det ångrar jag för det här var riktigt bra reggae från start till mål och märks tydligt att han och Bobban jobbat ihop. Riktigt härlig lyssning!

Great reggae album, loved it

Look at the cannabis…

I enjoy reggae in small doses , so wasn’t really looking forward to this album , I know of Peter Tosh but not to listen to . I thoroughly enjoyed it as it was more mellow than most in this genre with the softer bass lines and his very silky voice

4 stars, just for the nostalgia sake of those hazy days I can't quite remember.

Excellent vibe

Loved this album, had a nice feel to it, favourite watcha gonna do

Isn't it legal yet?

Very nice album of reggae pop. Ketchy Shuby a highlight. Also learnt all the medicinal properties of the herb!

Some goooood jams here

Album 37/1001 Feels wrong listening to this on a cold and wet day in October...and without any gummies either, because they're not allowed in this country with its' archaic legal system. In the words of the great PT: "Judges smoke it, even the lawyer too So you've got to legalize it And don't criticize it" 🇯🇲 🇯🇲 🇯🇲 Favourite song: No Sympathy 🤷‍♂️🤷‍♀️ Honourable mention: Legalise It 🚭🚫 🌿 Brand New Second Hand 🆕️🖐🖐👈 WHY MUST I CRY?😭 Burial ⚰️

I think it’s one of the best reggae albums and i’ve actually listened to quite a bit. It’s super consistent the whole way through and he’s super transparent in his social commentary. The war on drugs was and is failing #legalizeit Top 3: Why must I cry Burial Till your well runs dry

The roots of reggae. Wonderful.

Production is great, sounds and feels really good. Anything aston barrett plays on is gonna be sick. There are some other really similar albums i think are a little more interesting but great vibes

Real classic reggae. The concept here is that you feel a little sad, feel a little happy, and find a melancholic groove. Ultimately, you remember to chill and be hopeful. Fun rhythms and beats support clean vocals, giving us experiences to think about whether we want to relax, to move a little, or get out for a stroll/drive. Peter Tosh was a fine musician. 4.5/5

A great Reggae album from a master and one of the founders of the Wailers (of Bob Marley and the Wailers fame).

This is an album I listen to somewhat frequently. I love sly and Robbie

So few artists get to define a certain subset of an entire culture

An album that requires some sunshine to enjoy. I’m always gonna love an album that has an agenda so 8/10

Classic reggae. Not sure what it is that keeps Peter Tosh from being as well loved as Bob Marley, but even listening to this I can hear that it’s not quite as masterful. Still, a fun listen.

Fun listen, I don't usually listen to Reggae but this made me wanna listen to more of it. Always nice to see an album where someone is fighting for something. Reggae always manages to sound fun and positive, even when it's surrounding serious topics. The album cover is a true classic as well.

I love reggae so it was no surprise to me that I enjoyed this album. I also did research and found that Peter Tosh was once in the same reggae band as Bob Marley which was called The Wailers. Reggae for me is a one of a kind music genre and its always had good rhythms and never bored me. It is interesting to see how this album was mostly an appeal for the legalization of weed during the 70s which would have been seen as controversial back then. But now its mostly acceptable in Western culture and legalization of weed is now an increasingly popular position in politics and social norms. Anyways this album was great and it allowed me to enjoy its vibe and study at the same time.

Peter Tosh's former bandmate Bunny Wailer's "Blackheart Man" is the real standout reggae album from 1976. And by most accounts, Tosh's follow up to this is the better record so I'll try to give that a listen soon. "Burial" is the standout track here written with the aforementioned Bunny. With a banger on either side of it in "Legalize It" and "Whatcha Gonna Do". Curious to hear if the earlier Wailers version of "No Sympathy" is the better one. The rest of the record is mediocre save "Ketchy Shuby" which is such a vibey track. I would have liked to have said more about the musicianship but I was a little too lazy.

For some reason I have this a 2 the first time. Probably because my dislike for reggae bias was strong that day. Glad I got to revisit this because this was much more enjoyable this time around. Maybe someday marajuana will be as legal as Peter Tosh had hoped.

Love Peter Tosh. Some really banging standards on this album. I do love how he leans more into the dub side of reggae and really sets his sound apart from the Wailers music he did. So sad he died so young.

dude weed lmao I was pleasantly surprised by the songs other than the title track which I'd heard before. They're pretty good, I especially liked Till Your Well Runs Dry.

It is overall a good reggae album. Not necessarily his best, but still great. “Brand New Second Hand” is awesome. 3.5/5 Will listen again

I’m new to Peter Tosh, a member of Bob Marley’s Wailers… it was one of the albums I’d earmarked to buy on vinyl but have never seen in the wild. And after hearing it for the first time, I’d definitely do that! It’s a lovely slice of reggae that’s currently working very nicely as a sit in a French campsite sipping my rum. I’m underselling it though, this is not your throwaway 90s chart reggae, the title track was banned in Jamaica on release and like Marley, Tosh deals in a number of serious and emotional subjects. It’s well worth a listen and remains on my purchase list

Reggae at its best.

I'm so glad this challenge exists because it introduces me to albums like this that I wouldn't have listened to on my own but absolutely loved. I really don't like reggae that much, and I expected to struggle with it, but this was brilliant. A little predictable at times, but I found the second half to be so incredibly good. The last 3 songs were definitely my favorite, but honestly I grooved to this entire album. While this isn't something I'll likely revisit, I'm so glad I heard it, and it's definitely something I'm glad I listened to before I die.

Maybe I’m just a smooth brain, but I had no idea that Peter Tosh made music as far back as the 70’s. For some reason, I thought he was from the 90’s. Perhaps it helps that this style of reggae can still be found these days, evidencing just how timeless it is. It’s hard to not feel happy when listening to music like this. It’s on parr with a lot of Bob Marley music, yet Tosh doesn’t seem to be talked about as much.

Reggae is not a common genre that I find myself diving into, but this album did not disappoint. From the opening track “Legalize”, I was quickly hooked. I found myself enjoying the catchy choruses and the sweet layed back instrumentals you’d typically find from this genre. I feel in some tracks such as “Why Must I Cry” or “Till Your Well Runs Dry” uninterested me mainly because they were a little to slow for me to get into. I feel the album really picks up a lot towards the end, I didn’t expect this album to be reasonably short. My favorite tracks were “Legalize It” (self titled), “Ketchy Shuby”, and “Brand Bew Second Hand”. Overall it’s a solid album and a great introduction into Reggae, would definitely listen too again!

chilll

Not a big reggae fan, but this was funny and relaxing. Nice listening

Favorite Track: Legalize It

3.5 - Good

Good Reggae with a great message!

It's sad that Peter Tosh didn't live long enough to see that we indeed did "Legalize It". This is one of my favorite reggae albums. The title track is a classic, but each song is different and has it's own hook. Minor grievance that some of the songs are bit too long, and repetitive but it is what is. 3.56/5 stars Other than the title track, check out: Ketchy Shuby Till Your Well Runs Dry Brand New Second Hand

OG reggae, that puts you in that laid back mood for the rest of the day!

****A good raggae tropical sound/beat. Easy listening.

Great reggae

Still worthwhile.

There’s a variety to Tosh’s playing and songwriting that pushes beyond reggae and makes this super appealing. Even if I’m not typically a fan of psychedelia, the stoned-out weirdness is not super overpowering, like it’s the kind of thing you’d find interesting after hitting a one-hitter, not ripping the whole bong, and that’s fun! I also think I just like Tosh’s songwriting in general. While I think the strongest tracks here have co-writer credits (“Why Must I Cry” and “Till Your Well Runs Dry”), there’s still plenty of great tracks here, from “No Sympathy” to “Brand New Second” to the title track. Also, Tosh is funny! I think a lyricist who can tell a funny story is way more entertaining than a self-serious one, and even on songs like “Legalize It” where there is a political purpose, he can do both, but it even works self-contained on “Burial” and “Ketchy Shuby.” Honestly, the weakest moment here is the most serious, with “Igziabeher”; maybe my apathy for religious songs is cross-cultural, but it just feels like it goes on forever, with no fun momentum. Beyond that, I do think there are moments where this record is a bit sonically flat– ironically mostly the silly story-songs– but I think when the music is a bit more traditional reggae is when Tosh’s lyrics or experimentation shines through most, so it’s a balance. Honestly, I’m shocked I liked this as much as I did. Reggae doesn’t seem to generally be the genre for me, but Tosh does something really right here that makes me lean in. It’s not like, absolutely mind-blowing, and I don’t think I’m going to start wearing a hemp hoodie any time soon, but I am definitely standing by this record as a potential turning point for me and reggae.

One of the classic Reggea albums

♫ Listening to "Whatcha Gonna Do" by Peter Tosh (Legalize It, 1976) ♫

Most reggae songs about weed make me laugh like a lil teen, and this happens to be one of them. Very chill ^o^

Great album, its a shame theres not much reggae on the list but this was a good selection

Favorite song: Watcha Gonna Do and No Sympathy "it's good for asthma... It's good for tuberculosis" -Legalize it I like this album quite a bit after the first track, it's laid back, as would be expected, but still has smooth and catchy guitars, vocals, and drum beats.

this should be good. it was

Just some really solid classic sounding reggae which had everything that i wanted. Ketchy, ketchy – shuby, shuby tonight

I'd put this on a smoke a joint to it. Pretty easy listening reggae that has some cool instrumental parts. Nothing flashy but I could throw this on at multiple points during the summer and be happy.

Good

What a load of old Tosh. Which is a good thing, apparently? Fun, classic reggae vibes, and I learned some nifty new phrases too. 3.5, plus a half-star ‘lovely weather for it today’ bonus.

Let's go Bob

Listened in the truck via YouTube music. Always been a Bob Marley listener like the rest of the world. I think Peter Tosh’s music may be more interesting. The guitar and keys/organ work is really fun, and has more gospel and blues influence. Other than legalize it I was not familiar with the rest. Most could be sped up and be fun punk/Sublime style songs. Definitely will end up purchasing in the near future.

Wouldn't have sought out an album named "Legalize It," but this was actually pretty enjoyable? Better than last week's white reggae album by The Police. Please see a doctor if you have tuberculosis.

Great album. Peter Tosh is a legend.

Good vibes, really liked "Why Must I Cry"

Fav: Till Your Well Runs Dry Least Fav: Legalize It With this challenge, the reggae picks are yet to let me down. Long may this continue

Kind of silly but I kind of liked it

Starts as simple reggae, ends up as something more...

Surprisingly great reggae album, a lot of solid ideas and great guitar work on multiple songs. Great stuff

Listens: 3 Standout Tracks: Legalize It, Brand New Second Hand Added To Library: TRUE What's not to love about this album?

I’ve never heard of Peter Tosh before, which isn’t surprising, because I’m not a huge reggae fan. However, it’s a damn shame that I’m getting to review this album four weeks after 4/20. I don’t have particularly high hopes for this album, but I’ll try my best to approach it with a high… er… open mind. Legalize it was a very pleasant surprise. This album had a good mix of sounds and lyrical themes, the vocals were good, and there was an overall atmosphere to the album that I enjoyed. There were several songs on this album that I liked, and only a handful that I would skip over if I listened to this again. The lyrics for the opening title track read like a Wikipedia article for marijuana, and I couldn’t help but laugh. It was a touch on the cheesy side, but I didn’t find it bad, and I enjoyed its unintentional silliness. The guitar on “Burial” was really good, and I enjoyed the guitar playing and the keyboards that sounded like horns during the opening. “Whatcha Gonna Do” was really good too; the harmonica playing caught be a bit off guard, but it was really unique to hear something a bit bluesy on this album. The blues sound fit really well with the overall atmosphere of the album, and it went really well with the guitar playing too. The backing vocals on “Why Must I Cry” were outstanding. I tend to enjoy backing vocals in reggae music, but these were just on a different level. However, my favorite song on the album was easily “Till Your Well Runs Dry.” The verses sounded like reggae honkytonk, and I absolutely loved it. Peter Tosh’s singing was great, and the guitar sounded like it was crying along to the lyrics. The harmonica was fantastic too, and I loved how the song oscillated back to a more traditional reggae sound during the chorus. My only complaint with this album is that some of the songs were a big miss with me, like “No Sympathy,” “Igziabeher,” but Legalize It was a great album, and something I’d consider listening to again.

This album was great. A good deal of soul influence throughout, and a steady beat with an excellent band. What’s not to like?

Det e veldig reggae, og ikke egentlig så interessant for min del? Høres ut som det skal høres ut, så på ingen måte overraskanes om det har vært sjangerdefineranes i sin tid.

Sure the title track is a "classic" of the genre and Peter Tosh is a legend but to be objective, the title track is sadly typical of a lot of reggae is that the repetitive aspect of it is just too much. Or...not enough? A bit boring and not a particularly great song. Hey but proof you (I) should always be patient - the rest was/is a pleasant surprise - FAR more diverse than the first song; different rhythms, chord progressions, tempos, moods. I was ready to pan this after that first cut but as someone who isn't much of a fan of the genre this is one of the better reggae offerings we've had. 7/10 4 stars.

This record reminds me that I should listen to reggae more often. I was put in such a good mood after listening to this. Even heard elements of blues in parts of this album. Very easy to listen to and has an enjoyable vibe throughout. Time to light one up.

I love seeing some Reggae songs on this. Always fun and jammin'.

Going in to this I thought oh great a whole album about weed, it'll be awful It actually was a super catchy and chill album though. Quite enjoyable! 4 ⭐️

Maybe a bit of nostalgia reflected in the rating.. but I love this record. I had this on tape in college and I used to go to Jamaica with my buddy and his family back in the 80’s so Tosh was on a lot. The words aren’t world changing so play for the music and vibe and you’ll agree it’s a high (!) scorer.

Don’t listen to reggae but a great vibe and enjoyable listen. Hate me but the title track wasn’t good but the rest of the tracks were. Best tracks were in the middle and slowly tapered back to good by the end. Strong 7/10 Top tracks: Ketchy Shuby>>>>igziabeher>why must I cry

Main thing that stood out was the prominent guitar riffs in the first half of the album which was a nice separation from the Wailers normal instrumentals. An overall great album. 7/10

Very chill and laid back. Quite enjoyed this one. Reggae with a message mahn.

Banger. A classic reggae album with an amazing cover. Favourite song: igziabeher (let Jah be praised)

Nice and relaxing

Title track must have been so transgressive in its day.

I'd probably give this a 3.5 star rating, as it is good, but it's not incredible, I don't feel, even for its time. The back third of the album gets pretty dull and doesn't have the excitement or engaging reggae of the first part of the album. I feel there are better Peter Tosh albums to put on this list, but I have honestly not listened to his music in a while. However, I do at least now want to listen to some of his other albums.

Nice 4/5

Maybe I'm coming around to Reggae or maybe it's just because the sun is finally starting to come out. This one has some interesting twists and changes of pace that I can definitely get onboard with.

not that this is a fair comparison but this well-loved wailers member never quite manages the frontman gravity or lyrical power of bob marley, but tbf he's kind of going for a different thing! on the whole id say his approach reads a bit more impish, ironic, and provocative, even extending beyond the title track theres some interesting uses of tonal dissonance i wouldnt necessarily associate w/ reggae. on the whole im more given to marley's warmer, more pressingly earnest approach, but its cool that tosh isnt just a weaker copy. rly solid, semi lo-fi roots reggae besides all that...idk if its particularly Lush in timbre but its still v Rich in sound generally, which is what i always like to hear!! a nice and more playful supplement to the more fervently political music of the time and place

Solid reggae with a few exceptional tracks.

Really nice, chilled out reggae. And I can get behind the decriminalisation message

“It’s good for asthma… goats love to play with it.” You can’t argue with that. You also can’t argue with the tunes.

This is a legendary album. Tosh was a pioneer of the genre. Chill and controversial at the same time. 3.5/5

You'd have to be a fool not to see that this album is about far more than the legalization of marijuana. Tho Tosh is dead serious in that regard - he does indeed advertise the benefits of the plant, the specifics of which we can for sure doubt - 'good for tuberculosis, even umara composis' - this record is at bottom a profound meditation on colonialism and the mess that sort of domination engenders: 'Mama, mama, dem hold papa / Seh dem charge him fi smoke ganja.' It's about the absurdity of a system based on nominal distinctions of power: 'Them claim say, them claim say / Them are the general.' And it happens to be incredibly enjoyable to listen to - especially when Tosh goofs and frolics, i.e., check out 'Ketchy Shuby.'

You know what, I actually enjoyed this way more than I was expecting to. Does it help that it’s like the first warm sunny day after a long winter? Probably: it’s not music for a rainy day. But it’s chill and mellow and the groove is pretty irresistible. I’d revisit it as an album on a hot day with not much to do other than sit in the back garden and drink beer.

Probably better than any Bob Marley record. This was just what I needed today.

It's not the best music for a rainy afternoon here in Eastern Europe, but I enjoyed it nevertheless even if I'm not really into smoking marijuana either. But it's chill, calm music which I would definitely enjoy very much if I were lying in a beach somewhere in Jamaica now. Usually I find reggae a bit samey and one-toned but I sometimes enjoy it quite a bit, like today.

Lungt sväng, inga konstigheter. Fyra.

Cool

A classic reggae album.

Some of the guitar playing in here is stellar. The production holds up, but the whole package isn’t totally my thing. No strong minuses though.

Sehr kurzweiliges Reggae Album mit typischen Jamaikanischen Songs und dem Wunsch „Legalize It“. Richtig gut ist „Igziabeher“. Gut für die nächste Jam-Session.

Awesome reggae tones. Surprised a few songs I thought were Marley songs all these years

soothing and relaxing reggae that pairs well with a sunny day! Definitely going to add this whole album to my reggae playlist.

Jah

Fun stuff, really enjoyed it

I hadn’t encountered this before but I loved it! Really chill and lovely, given how charged it all is, as well! And it’s apparently self-produced - so so cool. Will be revisiting this - this is one Tosh I can get behind!

I always thought that Peter Tosh was sooo cool and I wonder if it is due to the fact that he is a Wailer but just not as like ... earnest as bob marley ? like his music is just way more cool i find... anyways the album is really mellow and chill and just reminds me of the summertime, it was really nice to listen to in this dreadful winter... did you guys read about his murder ?? crazy shit

Quality album

OG reggae, nice grooves

Was super fun to listen to this at work.

Aside from a couple of weed propaganda tracks which I could take or leave, this is excellent.

I don't smoke pot. This album made me want to smoke pot. Decent variety of songs, even if it's all based on the same reggae beat. At least each song has its own character and every song oozes cool. Good stuff. [lights one up]. Favorite tracks: What'cha Gonna Do, Igziabeher.

Storming album with a great message. Can’t go wrong with Peter Tosh!

4.5

Maybe my favourite reggae album ever. More varied and more interesting instrumentation than what I am used to. Enjoyed this one. 4.5 stars

Never hear this album before. I have heard the title track, which honestly never did a lot for me, but I'm glad I checked this out because it's a really solid rootsy reggae album. Not as great as my favorite Bob Marley albums, but still plenty enjoyable. 4 stars.

Pete Tosh comes out from the shadow of the Wailer's with a great reggae and rocksteady album which, while masterfully produced is let down by fairly generic vocals. The album starts with the title track, the questionable medical advice in the lyrics play a back seat to dub mixing and psychedelic phaser effects on the backing vocals. I never realised the links between dub, Burial and General Levy revealed in the second track. Watcha Gonna Do feels a bit lame with the corny organ drowning out some good guitar skank. Wailer's classic No Sympathy gets back on track with a heavy hook and lyrics. Why Must I Cry opens with a soul break and heartbreak, again the synths feel a bit out of place but at least sit in the back of the mix this time. The proselytising on Igziabeher falls flat but there are some great piano vamps at the end. Ketchy Shuby is a nice little rocksteady number but isn't going to blow minds. Till Your Well Runs Dry constantly shifts between a ballad about an on again off again relationship and a reggae skank chorus. Brand New Second Hand closes out the album with more dub mixing. The return of the synths in this song doesn't grate as much as the others. Beautifully arranged with a complex roster of studio musicians, the album demonstrates Tosh's natural musicality. The mixing is bass forward as it should be. Sets the scene for Tosh's brilliant solo career.

enjoyed it

Raggae is either dogshit or really really good and there's no in-between. This album is od the latter. It's definitely an album you have to be in the mood for, and the touches on weed culture and smoking do get jading, but there's just so much quality on this album it's fantastic. My highlights are definitely: Brand New Second Hand Till Your Well Runs Dry WHY MUSTI CRY No Sympathy It's just shy of a 5 for me, as there's a few songs I don't gel with that well (Legalize it being the most apparent), and it doesn't necessarily /stand out/ on top of already existing raggae music. Solid album and one I'll definitely be coming back to in the future.

No absolute stand out tracks but no filler either. Heavy beat but relaxed too, this is high quality reggae

Oh man, I forgot how much I like Peter Tosh, and I don't even get high any more. I'm going to knock off work early and have a beer and listen to reggae all afternoon. Irie. Four stars.

Feel good

Had a blast honestly

I remember buying this in the Vancouver HMV in high school because of the weed. Legalize it turned out to be one of the worst songs on the whole thing. Then Burial hits you and it becomes so layered and interesting. Love this album.

perfect at 4:20 afternoon

This is more than „just a reggae album“ imo. While it starts with the title track which is a typical and also pretty famous reggae track, it offers more than that with the other songs and creates a great atmosphere. I also like the chilled guitar parts.

Well he got his wish! The rest of the album was pleasant and I had no issues with it, maybe it would grow on me with time but it was somewhat forgettable.

Although this is not my favourite Peter Tosh album, it is my favourite period of reggae - No Sympathy is a great song

hell ye

I thought this would be a bit of a fun and a bit of a reggae cliché, but no! It felt really highly political and very interesting indeed. He's not got the absolute strongest voice (certainly compared to his former bandmate) but lyrically it was super, and I think the messaging is spot on. Also, I read that Tosh claimed that weed would be 'as popular' as tobacco in the future. So I guess he was pretty much right, but just not in the way he imagined.

It’s fucking Tosh, man. He was so far ahead of his time. This is better on headphones. Quality reggae, sensitive lyrics, gentle vocals. It’s like sharing a spliff with an old friend. Let Jah be praised. 4/5

Enjoyed listening to this, something very different for me, while sewing up a jacket :) interesting to hear some of the darker notes of reggae!

4/5. Great production to start out with, heavy on the bass and has a dark tone throughout while still having positive lyrics in some songs. Plus the musical tones and vocal flows are definitely reggae but has influence from classical music as well some rock. Just a series of great songs, maybe one or two I can skip but overall, an amazing album. Peter was clearly the musician, even if Marley was more well-known. And the directness in his message is a nice change of pace for reggae music which has always been political, even if it shouldn't have to be. Best Song: Legalize It, No Sympathy, Igziabeher

4.0

Chill

Sunny chilled reggae goodness - to put a smile on your face and a song in your heart

As others have said, with a cooler of beer on a beach in the Caribbean, easily a 5. Overall though, it’s a 3. Averaging those out, it’s a 4

🥬

Classic

i honestly wasn’t expecting to like this as much as i did! i don’t love reggae but there was just something a little extra musically that made it better to listen to. i didn’t like any songs on spotify but i would listen to this again

This is just about a chill as it gets. Tosh is one of the OG godfathers of the genre; he's one of the key factors in it becoming mainstream outside of Jamaica, right alongside Bob and Bunny, so you have to give him his props for that. I don't know that I'd take any medical advice from him though, there's no way smoking weed could ever be good for asthma lol.

Great album if you're in the mood for some reggae vibes.