Reviews (page 3 of 8)
El reggae no es mi estilo
Sounds like they didn't need the legalization. Not bad, good vibe, but it's not always in tune.
Reggae really depends on my mood. I think this is a good album but it didn’t blow me away. No Sympathy is great!
interesante album pero no mi tipo 2.4 estrellas
I don't know if I'm in a weird mood or something, but nothing really hits lately, either in a positive or a negative way, including this album. My sixth three star rating in a row. There are a couple of highlights here, but I doubt I'll revisit this album in its entirety any time soon. I'm not the biggest reggae guy, though, so maybe that plays a part as well. Favourite track: No Sympathy
I liked the overall vibes of the album
Ovo je bilo neophodno da se vrati nada u generator. Jedan od kompletnijih reggae albuma koje sam ikad čula. Zanimljivije od Wailersa i to značajno.
Peter Tosh has one of the best voices in Reggae. Nothing really clever or amazing or bizarre... just solid rhythms, some Jah, some ganja, some ketchy shuby. And anything with Robbie Shakespeare is going to be world class.
Finally something other than rock! Enjoyable 7/10
Pretty good reggae but feels like it falls short of bob marley Good member of the wailers Peter Tosh was
I’m not super into reggae. I guess the conventions of the genre are very strict, so it’s not a unique observation that it all sounds the same. This was fun and pleasant enough. The highlight was Til the Well Runs Dry, because it broke the reggae format during the verses.
Was Reggae. Was good
I may well have listened to this 1000 times in Schmike's bedroom when we lived on Whiteladies Road in Bristol in our 10 bedroom hovel. Am I ever going to listen to any of it again? No. But at its heart, does it have something which grabs on to me, which brings me some kind of joy or notaglic warmth? Honestly, I would also have to say no here. Some of the tunes are alright though; "Why Must I Cry" is ok.
3.5
I know reggae is meant to be laid back, but there still seems to be something a bit lacking on this one. Still, it’s reggae, which is kind of like pizza. In that even not great reggae is still good.
This is a cool album. Reggae is such a fun genre.
Me parece muy bien lo del porro. Me parece bien hasta que uno haga apología. Lo que me cansa es estar todo el día hablando de porro.
Das war mal kult
Legalize it now STARMER
Not complete tosh, but not far off.
Precisely the same criticism that I have of this that I did Snoop Dogg - just because you enjoy something, doesn’t mean you should have your whole personality revolve around it - we get it, you smoke weed. Reggae as a whole is a difficult genre for me to appraise as I’m sure it has meaning if you associate yourself with that culture and whilst I can enjoy snippets of it, on the whole it’s not my bag as it just gets a little too repetitive after a while, craving for anything other than syncopated guitar/horn stabs. I could get some dub influences coming through but wanted that dialled up a lot more to keep the interest.
Unremarkable. He can't sing when not reggae.
Reggae is always a pretty good genre to get here, and this is no exception. I'm not a smoker by any means, but I had a great time with this anyway!
This might be one of the better reggae albums on the list, but it is still just okay. The beginning half of the album was much better; there were more fun elements in the songs and the songs felt slightly different from each other. The bluesy guitar and synths were highlights for me. Everything started blending together towards the end though.
When Me Shuby, You Feel Ketchy 1001 Albums Generator 249 (3/17/2026) Oh joy, another reggae album. Don't tell me, this one is about weed too! Whatever, I've accepted that this music works for other people, but it's not for me. Also, can you imagine if out of all the religions, the one that ends up being correct is the one that's kinda just about smoking pot? I will say that this album led me to read a bit more about Rastafaris, and I had no idea it was an offshoot of Christianity and that cannabis is considered a sacrament. Wow. 1.5/5, rounded down to 1. Favs: Legalize It Whatcha Gonna Do Least Fav: No Sympathy
Nice, warm reggae for a cold snowy morning...4
Perfect timing for reggae.. it's honestly never a bad time for reggae though.
This album reminded me that the original, “classic” reggae is generally boring. Maybe atmospheric and such, but boring. No Sympathy and Igziabeher are quite good though.
I wonder what he wants legalised??? Legalise it: crap Burial: crap Whatcha gonna do: crap No sympathy: crap WHY MUST I CRY: crap Igziabeher (Let Jah be praised): crap Ketchy Shuby: crap Till your well runs dry: crap Brand new second hand: crap
3.5 (39:04, 9 tracks, debut, 1976) Reggae I'm normally not a huge fan of Reggae but I, like most people, love Bob Marley and Peter Tosh is an extension of Bob Marley after his death. Really enjoyed including this album on this list as it was definitely an album I am glad I listened to before I died. Peter Tosh's 1976 debut solo album, Legalize It, is widely considered a cornerstone of roots reggae, cementing his status as a "rebel with no fear" following his departure from The Wailers. While its title track became the ultimate global anthem for cannabis legalization, critics and fans alike highlight the album's deep musicality and its exploration of broader societal issues. Reviewers consistently rank it as one of the best albums in the genre, often praised for its "stellar production" where every instrument is crisp and clear. Compared to his Wailers brethren in 1976—Bob Marley’s serious Rastaman Vibration and Bunny Wailer’s dark Blackheart Man—Tosh’s debut is seen as hitting a middle ground that balances playfulness with political edge. While it shares the "Wailer magic," reviewers note that Tosh successfully established his own distinct, more "ramshackle and live" identity compared to Marley's more polished studio works. Written in response to police victimization in Jamaica, the title track is celebrated for its humor and catchy melody while making a sincere political statement. 1) Peter Tosh's "Legalize It" is a revolutionary anthem that serves as a direct political and social demand for the decriminalization and legalization of cannabis (marijuana). Beyond being a simple "stoner anthem," the song carries several layers of meaning rooted in Tosh’s personal experiences and the political climate of 1970s Jamaica. 1. A Protest Against Police Brutality The song was written in response to Tosh’s ongoing harassment, victimization, and physical "brutalization" by the Jamaican police for cannabis possession. It challenges the "illegal humiliation" and "police interrogation" associated with prohibition, framing it as an issue of personal and cultural liberty. 2. Advocacy for Health and Economy Tosh explicitly lists various purported health benefits in the lyrics, claiming it is "good for the flu," "good for asthma," "glaucoma," and "tuberculosis". "Umara composis" (often spelled as umura composis or humara composis) refers to menstrual pain or period cramps. He argues that legalization "can build up your failing economy," viewing cannabis as one of the "richest natural resources" that could benefit Jamaica’s development. 3. Exposing Social Hypocrisy: A key theme is the song's claim that everyone partakes in the herb, not just "lyrics singers" and "players of instrument." Tosh points out that the very people enforcing and practicing the law—"doctors," "nurses," "judges," and "even the lawyer too"—are among those who smoke it, highlighting the hypocrisy of criminalizing the public for the same behavior. 4. Cultural and Spiritual Identity: For Tosh, cannabis was a sacred herb and holy sacrament within the Rastafari movement, essential for spiritual practice. The song serves as a defiant statement of cultural pride and resistance against colonial-era laws and "Babylonian systems" of oppression. Upon its release in 1976, the song was immediately banned from Jamaican radio. Tosh famously responded by buying newspaper space to publish the lyrics, further cementing the song's legacy as a "revolutionary manifesto" that predated global legalization movements by decades. The iconic title track is a definitive weed anthem, praised for its straightforward, unapologetic delivery and catchy melody. 2) "Burial": A standout track that reflects Rastafarian beliefs regarding death and lambasts corrupt officials. Aa militant rejection of social and religious hypocrisy, rooted in Rastafarian spiritual philosophy. While the song gained notoriety later for being misinterpreted as a snub to Bob Marley, its true meaning is far more foundational to Tosh's worldview. 1. Spiritual Meaning: The core message—"Let the dead bury the dead"—is a direct reference to a Biblical verse (Matthew 8:22). In the context of Rastafari: Orthodox Rastafarians believe in "Ever-living" life rather than death. To them, physical death is merely a transition, and focusing on a corpse or a funeral is a "dead" practice. Tosh sings, "I am a living man, I've got work to do". This emphasizes that his purpose is to serve the living and the cause of justice, rather than wasting time on mourning rituals he viewed as part of "Babylonian" tradition. 2. Political Meaning: A Big Disgrace The song also serves as a sharp critique of the political elite in Jamaica. Lyrics like "What a big disgrace, the way you rob up the place" call out the systemic theft and oppression carried out by those in power. Tosh mocks the "generals" and "judges" who claim high status but preside over a "poor man's hell" while enjoying a "rich man's heaven". 3. The Bob Marley Controversy A common misconception is that the song was written about Bob Marley's funeral in 1981, which Tosh notably did not attend. Fact: Tosh and Bunny Wailer actually composed "Burial" in 1968 while still in The Wailers—over a decade before Marley's passing. While Tosh's absence from the funeral caused a stir, it was a literal application of the philosophy he had been singing about for years: he refused to participate in the "vanity" of a state funeral because he believed Marley's spirit was still alive in the music and the movement. "Burial": A favorite for many listeners, this track is recognized for its heavy, "rootsy" bass and its commentary on systemic issues like poverty and corruption. 3) "What'cha Gonna Do?" (also titled "Whatcha Gonna Do") is a poignant social commentary that highlights the devastating impact of state oppression and police harassment on ordinary Jamaican families. The song poses the recurring question "Whatcha gonna do?" to mothers and neighbors whose loved ones are taken by the "shistem" (system). It explores three specific scenarios of suffering. 1) Police Victimization: The first verse describes a father ("Papa") being arrested and charged for smoking ganja. Tosh reflects his own reality of being harassed by authorities, asking how a family will cope when their provider is taken away for a cultural and spiritual practice. 2) The Injustice of the Courts: The song critiques a legal system that requires the poor to "face a dread judge" or pay for a "doctor man" to fix a face battered by police brutality. 3) Indefinite Detention: Tosh addresses the "indefinite detention" of young men without proper legal representation, describing how they "remain in custody" simply because they "know nobody" and were unaware of arbitrary laws like curfews. While the title track "Legalize It" is a demand for reform, "What'cha Gonna Do?" is the human cost of that struggle. It captures the "outburst of anger and frustration" Tosh felt toward the political elite who governed through "victimization and colonialism". 4) "No Sympathy" is a song about profound isolation, betrayal, and the search for personal peace in a world that offers no support. While it is often grouped with Peter Tosh's militant works, the song is deeply personal and reflects the "self-pity and fear" that Tosh experienced during his early hardships. The song centers on the feeling of being abandoned by those closest to you. Betrayal by Friends: Tosh explicitly calls out "so-called friends" who offer not even "one good word of advice" when he is in trouble. He expresses that he alone must feel the pain of his struggles. Escaping "Hell": He describes his current state of life as "hell," a place he believes was never meant for him. The song serves as a declaration that he will "get out" and search until he is free. The Inability to Love: In the outro, Tosh provides a psychological observation: "They don't love themselves / So they can't love no one else". This suggests that the lack of sympathy he receives is a reflection of the inner void within his detractors. The song was originally written by Tosh and recorded with The Wailers (including Bob Marley and Bunny Wailer) for their 1970 album Soul Rebels. Tosh later re-recorded it for his 1976 solo debut. Despite its personal nature, some critics view it as a radical critique of oppression and injustice. It reflects Tosh’s "rebellious and outspoken personality" developed while growing up in the harsh conditions of Trench Town. The song is noted for its "nasty guitar solo" and a "rough and ready, gritty tenor" that strikes a deep, resonant chord. 5) "Why Must I Cry": Co-written with Bob Marley, this multi-layered song is often cited as an album highlight for its emotional depth regarding personal and societal struggle. "Why Must I Cry" is a soulful, introspective track from Peter Tosh's 1976 debut solo album, Legalize It. Co-written with Bob Marley, the song stands out for its vulnerability compared to Tosh's typical militant persona. The song explores themes of heartbreak, betrayal, and spiritual exhaustion. It can be interpreted on two primary levels. 1) Personal Betrayal: The lyrics depict the pain of a broken relationship where the narrator feels deceived by a partner who feigned love. Tosh sings about the "great sin" of believing in that false love and vows never to fall in love again because "only my heart feels the pain".2) The Struggle of the Down pressed: On a broader level, the "lonely road" and "heavy load" mentioned in the second verse often symbolize the broader Rastafarian struggle and the weariness of a life lived in constant resistance against oppression. It captures the emotional toll of being a "rebel" who carries the weight of a societal mission. The track features smooth, melancholic production with prominent female backing vocals and a "tight guitar solo" that underscores its sad, reflective mood. Though Tosh was known for his "Stepping Razor" toughness, this collaboration with Marley shows the shared "Wailers magic" and their ability to express deep, universal human sorrow. "Why Must I Cry": Co-written with Bob Marley, this song is often highlighted as the emotional center of the album, conveying a deep sense of personal struggle. 6) "Igziabeher (Let Jah Be Praised)": Frequently cited as a masterpiece of spiritual power, this track is noted for its "insane" energy and "beautiful devastating" anthem-like quality. The spiritual heart of the Legalize It album. It is a deep, meditative Rastafarian prayer that shifts the record's tone from political protest to divine worship. The title is taken from Amharic, the liturgical language of the Ethiopian Orthodox Church. "Igziabeher" (pronounced Ig-zee-ah-be-hair) literally translates to "Lord of the Universe" or "God." In the context of the song, it is a direct address to Haile Selassie I, whom Rastafarians worship as the incarnation of God (Jah). The lyrics are a plea for Jah to guide and protect the singer through a world of "wickedness" and "tribulation." Unlike the aggressive "Stepping Razor" persona Tosh often projected, this track shows him in a state of total submission to the Creator. The repetition of the word "Igziabeher" acts as a mantra, intended to induce a meditative or "trance-like" state in the listener. The song is famous for its slow, heavy "one-drop" rhythm and a swirling, psychedelic organ (played by Tosh himself) that creates a "mystical" and "eerie" atmosphere. It serves as a somber, heavy counterweight to the more upbeat, playful tracks like "Ketchy Shuby." By using an Amharic title, Tosh was asserting his African identity and educating his audience on the Ethiopian roots of his faith. It remains one of the most respected "spirituals" in the history of reggae music. Negusa Nagast (often spelled Negusa Negast or Negus Nagast) is a Ge'ez and Amharic title from Ethiopia that translates to "King of Kings." Medanialam (Amharic: መድኃኔዓለም) translates to "Savior of the World". The term is an Amharic title for Jesus Christ and is often used by Rastafarians to describe the divine power of the Almighty. Tosh used it alongside other sacred titles to emphasize his reverence for Jah. 7) "Ketchy Shuby" Praised for its upbeat, playful energy, adding a sense of joy and charm to the record. The meaning of the title and lyrics is often understood in two distinct ways: as a reference to a traditional Jamaican game and as a suggestive double entendre. 1. The Jamaican Folk Game "Ketchy Shuby" (or "Ketchy-Shuby") is a simple cricket-like game played in rural Jamaica. A batsman hits a ball into the air, and the person who catches it gets the next turn to bat. Tosh uses the mechanics of this "catch and shove" game as a metaphor for a rhythmic, back-and-forth interaction. 2. Double Entendre & Sexual Slang. In Green's Dictionary of Slang, "shuby" is noted as a Rasta/West Indian term for sexual intercourse, literally a pronunciation of "shove". The lyrics—"Don't make it drop / 'Cause if it drop / It will pop"—are often interpreted as suggestive. Despite the potentially "raw" meaning, Tosh delivers the song with a lighthearted, almost "novelty" feel, which stands in stark contrast to his more militant political tracks. Beyond the literal or suggestive meanings, the song is celebrated for its "irie" vibration—positivity, community, and love. It highlights Tosh's ability to "nice up the party" with a danceable rhythm while still grounding his work in Jamaican cultural roots. 8) "Till Your Well Runs Dry": Noted for its country-influenced lead guitar lines and satisfying slow tempo, a soulful, mid-tempo track that serves as a stern moral warning about humility and the consequences of arrogance. While much of the Legalize It album is political, this song is a philosophical lesson on human nature and the "law of harvest" (reaping what you sow). The song warns those who are currently "riding high" that their luck or power will not last forever if they mistreat others. The title is a variation of the famous folk saying: "You never miss the water until the well runs dry." It suggests that people often fail to appreciate what they have—or the people who help them—until it is gone. Tosh sings to someone who thinks they are "on top of the world" and "don't need nobody." He warns that the "table is gonna turn" and they will eventually find themselves in need of the very people they once looked down upon. From a Rastafarian perspective, it reflects the idea that "Babylonian" pride leads to a spiritual drought. If you don't "keep your heart clean," your source of life and success will eventually dry up. Reviewers often note the unique country-and-western feel of the lead guitar lines, which gives the song a "rootsy," Americana-reggae fusion vibe. Like several other tracks on the album, this was a song Tosh had worked on during his time with The Wailers, showcasing his ability to write timeless, proverbial lyrics that feel like ancient wisdom. 9) "Brand New Second Hand” is the closing track of the Legalize It album and serves as a scathing critique of vanity, materialism, and lack of authenticity. The song's title is a metaphor for a person—specifically a "gal" in the lyrics—who tries to present themselves as "brand new" (high-status, pristine, or sophisticated) while being "second hand" (superficial, morally compromised, or used). Tosh mocks the use of makeup and expensive clothing to hide a lack of substance, singing: "You're only a show off, your painted face... but underneath that face, you're just a disgrace". "Everything that Glitters isn't Gold": Drawing on a common proverb his "mama used to tell" him, Tosh warns that external appearances are often deceiving. Many fans and critics interpret the song as a broader attack on the "Babylonian" system, which encourages people to value material possessions (like the "dress you wear") over spiritual and cultural authenticity. The lyrics suggest the subject is well-known for their true nature by everyone in the neighborhood—"Dick," "Tom," and "Harry"—further emphasizing that their attempt at a "brand new" persona is failing. The song was originally recorded by The Wailing Wailers in the 1960s at Studio One. Tosh re-recorded this grittier, more militant version for his 1976 solo debut. While some listeners have speculated the song was a "diss track" toward Rita Marley, most fans believe it was a more general commentary on individuals who adopted Westernized, "superficial" beauty standards over their original African identity. This song concludes the album by shifting the focus from external political liberation (like cannabis legalization) to internal "mental emancipation" and the importance of being real in an artificial world. Peter Tosh’s Legalize It is widely regarded as a cornerstone of reggae music and a bold declaration of his identity as a solo artist after leaving The Wailers. Critics generally view the album as an essential, high-quality production that balances militant activism with accessible, melodic songwriting. The album is praised for its "crisp" and "clear" sound quality, featuring perfect amplification and instrument placement that remains impressive by modern standards. Tosh blends traditional roots reggae with surprising influences, such as the country-tinged lead guitar on "Till Your Well Runs Dry" and the soulful, gospel-inflected melodies of "Whatcha Gonna Do". While he later became known for more intense political work, reviewers often call Legalize It his most "lightweight" and playful album, noting the humor in the title track and the joy in songs like "Ketchy Shuby". Jamaican singer-songwriter and former Wailer Peter Tosh, released in June 1976. It was recorded at Treasure Isle and Randy's, Kingston. Legalize It is one of the two solo albums released in 1976 by Wailers members, along with Bunny Wailer's album Blackheart Man. Bob Marley and his new Wailers also released Rastaman Vibration. The song was written in response to his ongoing victimization by the Jamaican police and as a political piece pushing for the legalization of cannabis, particularly for medical use. In 1977, Tosh backed this up by saying "We are the victims of Rasclot circumstances. Victimization, colonialism, gonna lead to bloodbath". Tosh also said "Herb will become like cigarettes", in an NME interview in 1978. The title track was banned when released in Jamaica in 1975. Attempts to suppress the song failed, however, catapulting Tosh to international fame. In the United States the Billboard 200 album chart for two weeks, peaking at No. 199. In 1999, the album was certified platinum by the Recording Industry Association of America for over one million copies sold. Robert Christgau wrote: "Unlike most sidemen who go on to pursue their own artistic interests, ex-Wailer Tosh has managed to gather about half an album for his solo debut, which ain't bad. 'Ketchy Shuby' even has the makings of a novelty hit. But oh, how his light heart and romantic spirit are missed among his old mates." Track listing All tracks composed by Peter Tosh; except where indicated 1) "Legalize It" 4:35 2) "Burial" 3:54 3) "What'cha Gonna Do?" 2:25 4) "No Sympathy" 4:35 5) "Why Must I Cry" 3:08 6) "Igziabeher (Let Jah Be Praised)" 4:37 7) "Ketchy Shuby" 4:53 8) "Till Your Well Runs Dry" 6:09 9) "Brand New Second Hand" 4:03 Personnel Peter Tosh – guitar, keyboards, vocals Al Anderson – guitar Aston Barrett, Robbie Shakespeare – bass guitar Carlton "Santa" Davis, Carlton Barrett – drums Tyrone "Organ D" Downie – keyboards Donald Kinsey – guitar Robbie "Ras" Lee – harmonica Rita Marley – background vocals Judy Mowatt – background vocals Bunny Wailer – background vocals
Good album, would be better to listen to in the sunshine. The songs were all very samey though
Listened on headphones, really brought out the bass that drives the sound: good stuff.
I thought this was a pleasant, enjoyable album, but I didn't really find it to be great. A little bland for me, even if there wasn't anything particularly bad there. Overall: 3/5
Never been a massive reggae fan, but stick this on at a BBQ and hand me a Wray & Ting and we can talk.
Starts off with his biggest hit "Legalize It", which is a classic Reggae song. "Ketchy Shuby" is very, very weak. Thankfully "Till Your Well Runs Dry" picks it up, maybe best song on the album. Overall not bad, not great. 3/5
Not quite my tempo
It’s fine! This doesn’t go a long way to convince me that Bob Marley and a select few other tracks aren’t the only reggae i need. Overall inoffensive, wouldn’t try to tune it out if it came on at a record shop.
3.5
Eh no thanks
Peter Tosh, brother of DC Tosh from The Bill and 2nd cousin 4th removed from none other than Len Houmous. 3.7 1/10 Legalize It
Legalize It 4 Burial 3.6 What' cha Gonna Do? 3.4 No Sympathy 3.8 Why Must I Cry 3.5 Igziabeher (Let Jah Be Praised) 3.6 Ketchy Shuby 3.4 Till Your Well Runs Dry 3.4 Brand New Second Hand 3.2 Score: 3.544444444
An enjoyable bit of Reggae. Tosh proving that he had the same level talent as Marley here
An enjoyable album, but not something I felt will have me yearning to return to often, but I wouldn’t be against it if I did. 3.5 / 5
All the tracks slowly blended into one so it was kind of just ok - I guess just not really my thing. Rating: 2.
Eh, few good songs but also so much weed inspired music I can take.
Torn between giving this a 3 for good and a 4 for great. I guess compared to Wailers offerings, it would be a 3. But, should I make that comparison? I'm inclined to since this album has so much Wailers DNA on it. Most of the band, the I Threes, and a song co-written by Bob Marley. Without hearing any Wailers beforehand, I'd call it great. But I guess the reality is that it's good. Well written songs, good vocal performances (especially from I Threes feat. Bunny), and some deep grooves from the band, but nothing that gripped me so bad that I'm rushing to hit it again right away. I guess I can come back and change that if any of the Wailers albums on this list aren't as good as I remember (doubt).
I love when an album transports you to a specific time & place, in this case Jamaica in the 1970s. As someone listening to this at the tail end of a long, Canadian winter, this is the mental roadtrip my brain didn't know it needed. Don't bogart that joint, my friends.
wonderful
I do really like Peter Tosh, and legalise it is a classic track, but the rest of the album was just ok, and I love my reggae
var reggae..
The first time I heard the song Legalize It was a cover from 311 on the Hempilation compilation. A member of The Wailers, Tosh is one of the greats! Tragic death, though. This album is groovy. I'll give this a 4.
This was just ok for me. Peter Tosh is a legend but his voice does not carry much animation or liveliness. Decent singer though but I felt like I was losing interest halfway through
Тел ми Вача гона ду
Letkeetä reggaeta. Bob Marleyn bändikavereita. Pari kappaletta tuntui vähän monipuolisemmalta, mutta muuten ihan perus reggae. Parhaat: Legalize It, Ketchy Shuby,
Ive never listened to a Reggae album before ao dont have anything as a genre-reference This was however, unexpectedly cooperative to the ears....a solid 3.5 stars (surely there is a Bob Marley in the list somewhere so I know how accurate my shot in the dark was)
Not a bad Reggae album. Notable tracks include Whatcha Gonna Do, No Sympathy, Why Must I Cry, Igziabeher, Till Your Well Runs Dry.
Malheureusement en 2026, ce n'est toujours pas légalisé ; je ne peux donc pas profiter clairement de cet album. Très répétitif et monotone et aussi répétitif. Note : 2 À réécouter : Non
I will never give a positive rating to an album that promotes DANGEROUS drug use. Other than that its pretty neat. Some songs are kinda chill like Burial , and Why Must I Cry is genuinely really neat and heartfelt. The title track is very not good though, boring and repetitive.
grube lolo
Why not use it as a 20 of April thing-
Really, really good - 5 stars
엄청 긴데? 울 엄마보다 나이많음. 오 좋은데
Good
enjoyed it more than i thought i would
Peter Tosh was killed during a home invasion. just senseless.
Not sure this should be in this list, but I did not totally dislike it. It does all sound the same after about third song.
It blended together as one
I'm convinced.
not sure how you can make a reggae album boring....but this one does. all just sounded the same
7 / 10
Blind album and artist. Cool that this guy was a Wailer and also got this album banned. Kinda crazy. But... I don't think I can personally listen to a lot of this for very long.
This was a quintessential Reggae album, and to me pretty all but 1 song sounded the same. It wasn't bad just you need to be in the mood for this. Also a hot ass day, a Red Stripe and a fat joint would help...
Reggae is always nice to listen to but I feel like it doesn't ever do quite enough to get above a 3
Everything about this album's presentation is ballsy and deserves some acknowledgement for that alone, but the music doesn't really hold me. Very repetitive and not that engaging in most cases ("Burial" really wowed me in particular however). I think I'm more aligned with dub at the moment than pure reggae but we'll see once I dive into the other essentials that are on this list and beyond. I wonder if my opinion would change if I smoked pot. Probably.
Stereotypical Reggae beats and cadence. It feels classic and the song "Legalize It" is still a topic of discussion today. It's a good example of the album but I feel I may just not love reggae in general.
Its reggae. At least it is not ska.
Loved it
listening to this while feeling anxious after a legal pen hit, wondering if i’m getting a little too old to be smoking weed on a regular basis. probably the opposite effect intended by the creation of this album.
Absolute amazing Reggae.
More Reggae? God damn. Three in a row. This record was similar to that of the Bob Marley record I just listened to. It’s fine. Feel good. Lyrics are cliche as heck. I know you want weed to be legalized - I hope you’re happy that it is legal in a lot of places. But lyrics like that come off as cliche and safe. Every pot smoker who is a Bob Marley wannabe is going to love songs about smoking weed or loving weed or weed in general. It’s like rappers rapping about how good they are or how much money they have. It’s cliche tropes like that that bother me.
It’s a nice reggae album, but without the first song, this album wouldn’t have been remembered.
Stunningly uninventive. A great advert for not smoking dope.
If you absolutely love smoking weed, I'm happy for you I guess. Doesn't make listening to songs about it interesting though. Redeemed slightly by some of the other tracks.
I agree, Peter Tosh. I’ve been transported to either a dive in Jamaica, or the local smoke shop down the road. I’ve never heard these songs, but I’ve heard all these songs. I think my favorite part is the bass performance. Less is more! Love it. 3.3/5.0
Ok reggae I get it. Except this must have been the template for little Mermaid because several of the songs today sound Disneyesque. Really not my cup of tea. 2/5
If Marley was the social consciousness of the Wailers, Tosh was the recreational consciousness of the Wailers. They sound very similar, but where Marley was making songs racism, unjust institutions, and colonialism; Tosh was more concerned with the mind altering and expansion of his mind through weed. I'm not throwing shade at Tosh, as the music is great, but commercially it's understandable why he wasn't as big as his former bandmate. All this said, he did lean into the social message later on, but in my opinion he didn't do it as well.
Never been a huge reggae fan and this album didn't really change that view of mine. Still not a bad album and I can definitely see why some people would like it because as a reggae album its got a lot of those elements rooted deep into the tracks and brought out really well. Not for me though. Favorite Song: No Sympathy. 4/10
Such a vibe
208/1089 a nice reggae record. very pleasant to have on in the background and the intention of it is cool. That said, it doesn’t necessarily stand out to me as something that i’m interested in returning to fave: Brand New Second Hand 54/100
Raggae, je suis sceptique sur ce henre musical car assez redondant, on a toujours la meme instrumental. Peter Tosh democratise le raggae dans les annees 70, jamaican music. L’album porte tres bien son nom puisque c’est l idee centrale.
Interesting to hear some country-reggae, but this album is relying on its title for sales.
vibeee
You’ve convinced me
It’s reggae, it’s fine. Not all that memorable
6/10 This is Peter Tosh’s first album after departing the Wailers, although there is plenty of crossovers in personnel from his time with Bob Marley, including Rita Marley and Judy Mowatt’s backing vocal contributions, so it’s not exactly a massive step away from what he was working on prior to going solo. As you’d expect from a man who wrote some great songs with his former band, there’s some good stuff in here. When he’s able to catch a good hook, Tosh knows what to do with it and he builds some really engaging tracks. It’s rhythmically compelling, as reggae often is, with the interwoven layers of so many grooves creating an ever shuffling backdrop that, at the very least, keeps your toes tapping along, and the instrumental work is really well performed, sitting deep in the pocket while remaining laid back and groovy. Unfortunately, the amount of material that Tosh wrote for this record does just feel a little on the thin side, a fact emphasised by the inclusion of a track that he’d released with the Wailers 6 years prior, and a few other tracks that have co-writer credits from other members of his former band. There are tracks that just circle around a single idea too much to really connect, and others that are decent enough, but are a little too middle of the road to fully engage the ear. He does pull off a few gems though, with tracks like Why Must I Cry, Ketchy Shuby and Brand New Second Hand. The biggest problem here for me is that it feels just a little too uneven in quality, and the highs don’t really do enough to counteract the lows. But it wasn’t bad either, and I’d be interested to hear more of his work. Legalize It - Ah, that classic reggae drum roll gets us moving. This is a nice, laid-back swagger of a track. It’s a little one-dimensional to be honest, with the same short chord structure underpinning the full 5 minutes, but it’s a nice enough vibe and there are moments of variety thrown in by the bass player and drummers that add a bit of extra range. I think he might need to check a few facts though. I’m not convinced that smoking weed is really that good for asthmatics. Burial - The strolling bass on this is really nice, as is the reverb-heavy guitar that pops in and out. The layering and blending of all the rhythmic playing creates such a pleasant sound bed. Again, it’s a touch one-dimensional, but the vibe is great. There’s some really nice playing and it’s so groovy and in the pocket, it’s just a shame they don’t really do much more with the underlying structure. Whatcha Gonna Do - There’s more of a nice shuffling lilt to the beat here. The synth part is a bit aimless and high in the mix, which is weird. Other than that, we get a bit more variation between the different sections, which is good. It does sound oddly like some kind of reggae nursery-rhyme. I mean, I’m here for it, but it’s a little strange. No Sympathy - Ah, we’re getting into something with more range that also doesn’t sound like a nursery rhyme, and it’s a Tosh written song that was on an earlier Bob Marley album. There’s a solid vibe to this and that bass line gives it a real weight. I like the chord holds that get used here and there to add a bit of rhythmic depth to proceedings. It feels like there’s a bit of extra freedom for the instrumentalists here and some lovely fluid guitar playing in places. There’s nothing too hooky about this, but it’s got a great feel to it. Why Must I Cry - This is great. It gathers up a lot of the best elements of the earlier tracks and delivers a compelling groove with some solid hooks and a nice, bouncing rhythm. The playing is great and the band are all just hanging out in that pocket. The way the chord structure moves around is expected in some places and unexpected in others, but satisfying whichever way it goes. The guitar solo is so smooth too. Great track. Igziabeher (Let Jah Be Praised) - There’s a shift in tone here. It’s got a darker edge to it and the production makes it feel a little more oppressive, with more reverb and the legato organ tones. The section that used a lot of sound effects reminded me an awful lot of a similar section in Revolution by Bob Marley, at least from a lyrical and rhythmic point of view. There’s some great piano playing in this track that adds a bit of light to the darkness, but it’s not the most musically satisfying of tracks other than that. Ketchy Shuby - We’re back in the vibe now. It’s nothing too complicated, but it’s a catchy little number. The groove is solid, there’s enough variety between the verses and choruses and that chorus is an infectious hook. It does drag itself out for perhaps a touch too long, but just let that vibe swallow you up while Peter Tosh tries to sweet talk a lady into his bed. Till Your Well Runs Dry - A nice, smooth opening here that eases us into the track really nicely with some great guitar playing. And then the beat kicks in and this is another great groove. It’s nice to have a track like this with so much tonal and dynamic range between the verses and choruses. The bouncing rhythm of the chorus gives it a great base and it’s a suitably hooky lead vocal. As with the last track, this does perhaps pull things on for a little too long, but it’s a nice track nonetheless. Brand New Second Hand - This is another good one. The groove and backing vocals are excellent, and the whole thing has a great, shuffling momentum. It’s got a really satisfying and engaging chorus too. The blend of rhythms is great and there’s some more solid lead guitar playing that just dances over the top of everything. There’s not much compositionally complex about this, but as with much of the album, the vibe is solid.
Oh hell yeah, Peter Tosh! Legalize It is reggae, as you would expect from one of Bob Marley’s Wailers. And Tosh creates such playful and chill reggae. The title song’s name is amusing in 2026, but society, and the law, was different forty years earlier when this album was released. I admire Tosh’s commitment. 3.5
This album immediately kicks off with the title song "Legalize It", serving as a reminder of how long people have been fighting for the recreational use of marijuana. I am not an expert on the reggae genre, and as far as singers with actual Jamaican roots, I don't know much beyond Bob Marley. So I really enjoyed getting to hear Peter Tosh as a less mainstream alternative and an additional reggae "voice". True to what I know about reggae, he was able to present meaningful and important topics against a backdrop of catchy cultural music.
There is a guy from my school that I haven't talked to in a long time, but when we last spoke all he could talk about was drugs. Like, what kinds of drugs he's using, how he almost got caught by a patrol while carrying drugs, what type of drug is better for which occasion, etc. It's honestly scary when drugs become your entire personality But this album is a 2 not because of the lyrics (I don't understand shit) but because it's uninspiring
The devil's lettuce
Fav: when the well runs dry 3/5
It’s nice. I’m just not that into reggae. I gave it the old college try but it’s never been my sound.
2/4 Not bad reggae album. Don't see myself listening to it again.
I don't like reggae
Reggae of course. Fairly standard fare. Whatcha Gonna Do has a pleasing basic progression like a lullaby. I normally like reggae but there's not much here to excite me. Bit samey and preachy. Best track - Whatcha Gonna Do 2 or 3 stars? It is listenable and nothing has actively annoyed me, so 3
Kind of funny.
the debut album of a former member of bob marley's wailers, and to the surprise of nobody, it's an album all about the legalization of marijuana, as well as his experiences dealing with the police. if you like bob marley, you'll like peter's music too, it's pretty standard in terms of reggae music. it's a good time. i wish i had anything more to say, but it's... pretty textbook reggae music. i mean come on, with the title alone... imagine how i feel as a stoner. but i can't critique too much. i wasn't born and raised jamaican.
Good sounds good stuff
This was enjoyable listening and obviously legalise it, but did not feeling strongly about any song in particular
I don’t know if this is common knowledge but I loooooove reggae. I don’t know if I’m allowed to say that if I primarily listen to Bob Marley (and the Wailers! Of which Tosh is one!) but I do. This was great listening for the portion of the train ride between Sutherland and Thirroul where there is zero phone reception and I’m expecting that the Ketchy Shuby instrumental will be in high rotation as accompaniment to my reading habits.
To me this wasn’t super remarkable but sitting outside on a lovely Friday evening in summer listening to this was quite a vibe
The first 30 seconds of Reggae songs I’m alway like ‘sick! This is great!’ And then the rest of the song happens and I’m no longer inspired. Sounds good though just not that interesting to me.
Peter Tosh's arguments for the legalization of marijuana: - It's good for tuberculosis - Goats love to play with it - You got to I agree with you man, but we gotta do a little better than that
Spark up
Absolutely fine. I think the album is about weed.
Reggae is not for me
Non mais non
I like this better than Bob Marley’s Catch a Fire album that cameup earlier on my generator. I was concerned on that album that i didnt like reggae, i just liked the idea of liking reggae. I like reggae, or at least this album of it, which is strange because many of the band i suspect are the same as Bob Marley’s backing band. This seems to have more of a soulful sound, a bit of funk to some tracks. Al Anderson is a great guitarist and on the tracks he isnt playing, Donald Kinsey is and he is also a great guitarist.
Liked it more than expected, but an entire album is too much and some songs were a bit too much an ad for weed.
Somehow Legend got injected into my cultural awareness when I was 14 and I have a lot of fond memories of that album and reggae in general. I'll often turn on Reggae Classics on Spotify and play that for a couple of hours as good background music. When that is what you're in the mood for, the 'one note' feeling isn't really a bad thing. I liked this one, some good tracks beyond the obvious ones but I couldn't really find anything to latch on to. I'll probably revisit this one a few times, but (from my perspective, anyway) nothing terribly interesting or eye-opening here, just sort of follows the formula. 3.2
Reggae is very rarely awful to listen to, but I also find that it also often fails to really punch up into the highest heights. This album is fine, good perhaps, but I'm in no rush to listen to it again.
Not bad but not for me
Peter Tosh - Legalize It Heard before? ❎ Revisit? ✅ I must say, I had some misguided preconceptions when I got this today and it was completely different to what I was expecting, as it goes deeper politically than just what the title suggests. I will need more listens to properly appreciate it.
My beautiful country has LEGALIZED IT.
I enjoyed this, great album
Birds eat it Ants love it Fowls eat it Goats love to play with it I’ve never loved weed but the birds, ants, fowls, and goats have me thinking that I should give it another try.
Less repetitive than most reggae I’ve heard. Pretty good.
An important and iconic record within and outside the genre but I'd put it behind "Equal Rights" and "Mama Africa"
It was fine. I don't mind reggae, and this was perfectly bouncy and enjoyable to listen to, but it didn't really move me past the "it's fine" line. "Ketchy Shuby" was a bop, though.
Not interested
Jamaican's don't be a stereotype: Impossible Challenge
6.0/10
A little on the nose...
I was taken by surprise by this one. Really liked it, and one listen was not enough.
Some of the best reggae you will ever hear, and that's saying a lot.
70s reggae, very chill.
This album was such a breezy listen, but I also really respected the messaging the songs had in their writing. The sharper and angrier writing that tosh has while still making the songs have layers back vibes is very impressive. I respect it a lot as it was risk to leave the Wailers and approach a solo career being so outspoken. I appreciate it more than I love it, but still this was great.
iconic and as influential as the day it was released
This one was not for me.
I think I still have this CD kicking around somewhere. And I don't even really love reggae. But this is still a classic.
I'm not interested in smoking weed. The instrumentation was actually pretty interesting but the subject matter / lyrics are just so bleak, so disparaging, so *off*
Great album! Throwback, used to listen in high school from my dad's collection
Not my genre of music but had fun listening nonetheless
Good news, Peter: Pot will be legalized! The bad news? You won't live to see it. "Legalize It" is all I remember from this album, and considering that was 30+ years ago, it's only a vague memory. Surprisingly, it didn't coincide with my deeply mortifying Bob Marley phase, that's for the best. But my middle-aged self found this pretty great from start to finish, particularly the stretch of "Igziabeher" through "Brand New Second Hand." Much like "showroom dummies," I'm going to use "brand new second hand" as a dis going forward.
This is some prime reggae but it does feel like it's missing some hooks which would help out. I wish I hadn't sold this vinyl to Amoeba for probably a dollar 11 years ago. I'll take all the classic reggae this list wants to give me.
Would have beena 4 but that last song.
Not my favorite of his, but I do like it a lot.
Nice and chill to listen to. I feel like it's missing whatever magic Marley (and Tosh) had from time to time when they worked together.
I liked this more than I thought I would. The driving bass lines and the syncopation of reggae is what I loved about this. Strong album, decent lyrics, stellar musicianship.
60
Look, this is a personal response and I can't really get around reggae like this.
Don’t normally listen to reggae but I really enjoyed this album
I LOVED this one. This guy was on the right side of history and is a great example of an artist using their platform for change. Not to mention the instrumental performances are FLAWLESS. Melodies are so catchy and addictive, background vocals add such a beautiful tone, rhythm section could not be tighter. Definitely one of my favorite reggae albums thus far.
I think that there is an album that defines the genre that well that it is enjoyable for everyone. For me this is the one for the reggae (or some sort of it). Still first half was unbearable but then I started to accept it and gave it another listen. Still don't like reggae though.
muito ganzado mds
3.2 2x
Some truly great tracks here a well done covers of classics. The backing band is really high quality.
'Legalise It' basically carries the whole album - a fantastic song lurically which stands up with the best of the genre. The rest of the album is pleasant enough reggae music, if nothing particularly eye-catching. Overall, it's nice to have some reggae on the list amongst the classic rock and British overrepresentation.
Wow I loved this album! Was not familiar with Peter Tosh or much reggae at all, but I could already see myself listening again and exploring more of his solo music/with The Wailers. Such a great sound and easy listening, but there is a message behind the music too which adds even more. Great one! Top Songs: Legalize It, Burial, Ketchy Shuby, Brand New Second Hand
A very easy listening album. I enjoyed it as much as a person who doesn't fancy reggae can.
Me gustó la vibra simpática que dejan algunas canciones.
Da weed junkie… Da Ganja Addict… Far from the best of Reggae’s succulent offerings
4.2
The album is quite enjoyable, even as a non-smoker.
ah bouncy reggae. i wanna play whack-a-mole. Music wise it’s not bad. I guess it’s a very decent reggae album. I would need to re-rate Bob Marley.
This was a nice reggae album! Super fun to have on in the background. I wouldn’t say reggae is a top genre for me, but I liked it.
Hell yeah, never gonna complain about some reggae music, especially when I agree with the message of the album. Would definitely listen to again.
Here's the question. Does only the best Reggae music make it to us, or is all Reggae music just baseline good? I haven't strayed too far into reggae artists outside of the Marley's, but this was just as good. I'm a sucker for this genre. Super chill and easy to listen too. No complaints from me.
Nou dit genre is niet meer toepasselijk voor mij. Sinds ik clean ben luister ik hier niet meer naar. Fijn ook zo'n albumcover met alleen maar wiet. NOT. Het begon ook gelijk veel te verheerlijkend met 'legalize it'. Direct overgeslagen. De rest klinkt allemaal hetzelfde. Dit soort oude reggae begrijp ik gewoon niet zo goed want het is gewoon echt allemaal hetzelfde. Ik heb de helft van het album geluisterd maar uit principe ga ik het niet afluisteren. T gaat allemaal over wiet roken
Best Track - "Legalize It"
Great reggae record. Mixed beautifully and I like the variety of guitar tones. I don’t know if I’ll revisit in full again soon, but I enjoyed my listen and got stoned accordingly.
What a festive pick for Christmas Eve! Just look at all those trees!
Inte min genre typiskt men det här gick hem!
Skön stil. Legalize it!
Legalize it already vad fan
Pleasant listen but on the bland side for the most part. A few standout out songs but a lot just blends together.
Classic reggae songs. Ça passe partout.
Peter Tosh was one of the founder members of the Wailers, and it’s no surprise that this solo album also features appearances from Bunny Livingstone and Al Anderson - reggae bands were more like informal get togethers in those days. The title track doesn’t skirt around where he stands on the subject of ganja - I was surprised to find out that it wasn’t legalised for personal use in Jamaica until fairly recently. I’m not entirely sure if claiming that it’s good for asthma and tuberculosis is 100% medically accurate advice, but I think we can let that one slide given the quality of the music backing this statement up. The rest of the album is similarly good ticking all of the familiar subjects for a 70s reggae album - perfect music for chilling out too!
Proof positive that reggae just isn’t my thing. 2/5
Not quite yet legal in Jamaica, Peter. Sorry man. The former Wailer goes solo here in this reggae effort. As per the album title, pushing for the legalization of cannabis was a big driving factor here, but also in a boarder sense, the political landscape of Jamaica was another inspiration. I didn't find this album too memorable unfortunately, as I felt that it didn't really push any boundaries and sort of plays it safe. Hard to operate in the shadow of Bob Marley I guess.
I didn't know he was part of the Wailers! This is my first proper reggae album and despite repeating similar rhythms across songs, the grooves and vocals carried.
I’ve never really seen the appeal of reggae and this album did not change my mind
3.9 Solid Effort. My favorite Pete Tosh song is downpressor man.
i dont think i like reggae
I was vaguely aware of him before this so nice to get a deeper dive.
Quite repetitive Reggae
There's a certain type of Jamaican music that I find boring and not very good and this is it. For me, the island's music starts to get bad around Bob Marley- sue me!
In 2017-18 I went through a Reggae obsession and picked up a lot of these gems on vinyl. Although this one eluded me (I found Equal Rights & Bush Doctor but this one was more pricey) I streamed this in those days and loved it. It's a relief to get this after the dreadful Icarus Line and have an album I can put on repeat and immerse within. Great tunes, not all about legalising weed, and so uplifting. He was always the coolest in the Wailers.
Good music just not my style
Reagan didn’t hear this one
Chill with important messaging
I think I used to own this on vinyl and dumb of me to let it go. Perfectly great reggae although not so singular that I did not realize the album had ended until I heard 4 other songs from other reggae artists once Spotify went into its algorithm.
I mean it’s about as good as budget bob marley reggae can get
A dream achieved in a lifetime.
Who knew there were so many uses for marijuana?
I really liked some of the demo tracks nearer the end - there was one with amazing harmonies- not sure if they were on the original release but they really capture the energy and vibes of the jam energy.
Yeah yeah v nice hounds
I agree with the sentiment. As I’ve listened to more reggae I realize it really is the most okay genre for me. I’ve never loved it but I also have never hated it. Which probably means it’s great when you’re stoned
I'm really not feeling this. It isn't doing anything objectionable, but then it isn't making much of an impression at all.
This is my first proper reggae album of the project *not* by Bob Marley. And while I don't know a ton about Peter Tosh, I do know that Legalize It is considered a classic reggae album, and the sound reflects that. This really feels like archetypal reggae, and I consider that a good thing. This has smooth vocal melodies, fluid grooves, and percussive guitar-work. And the lyrics about romance, politics and weed activism make perfect sense here. This album, for its focus on injustice manages to maintain a laid back, sunny vibe. And the experience of listening to this is just very positive. My favorite songs here are Legalize it, Burial, No Sympathy, and Igziabeher, but this is pretty consistent overall. I think I'm feeling a pretty strong 3 here.
Hell yeah brother
I've listened to this album a bunch in the past, but I forgot how gorgeous it is after the opening title track. The song “Legalize It” is a classic, and I love singing along to the lyrics. The verses have some funny lines too ("Doctors smoke it"). The rest of the album though is a great collection of bluesy and soulful reggae songs with lots of memorable hooks and melodies. It's got a light and breezy energy, but Peter Tosh's songwriting often features these lower chords that deepen the impact of the music. I love his vocals too. He's very soulful. And he sings with a familiar ease, like he's your friend.
The title track "Legalize It" is probably one of the better non-Bob-Marley reggae songs ever, but there are a few more on here that really sound great. I think by first impression / judging the book by it's cover, one could easily skip this album as another "the world needs more weed" reggae album, but it's definitely got more than that going on. I like how it takes some pop influence and steer ever slightly away from reggae tropes, like on "Why Must I Cry" which sounds like a beautiful mid tempo pop ballad that just happens to have reggae drumbeat and guitar parts and the rest is more pop-centric. Nice album.
Unlike most reggae albums, I didn't get bored listening to this, and I quite enjoyed the second half of that album. High 3
This reggae album leans on relaxed, repetitive grooves and roomy bass lines that settle into a comfortable sway much like smoking a joint, which makes everything feel profound and revelatory to the one inhaling while everyone else just sees the same slow, looping drift with nowhere new to go.
Never really listened to Reggae aside from Bob Marley playing in stores. This one grew on me by the end. Funnily enough, the opener and title track didn’t do anything for me but as the album opened up to more guitar-centric melodies, it started to hit.
Stone cold classic
Nice! Great tunes - want to toke up now. Too bad he is not here to enjoy the legality
Musically, not a bad reggae album. I'm definitely one of those people who thinks of Bob Marley immediately when thinking about the genre. Marley's great but I've never really managed to see past him. Peter Tosh's album is probably one of the best I've heard. There's some good variety and sounds on there and it's fun to listen to. It makes sense that he was a member of the Wailers (and maybe I haven't actually expanded my horizons that far yet!). Lyrically, my first thought was that this album was going to be another obsessive (and frankly a bit immature) collection about smoking all of the time, like a reggae Snoop Dogg or something. And it was probably heard that way in a lot of American dorm rooms. But the message undoubtedly hits different in Jamaica where marijuana has a cultural significance and it's connection with political struggles. An interesting album, not as good as anything by the Wailers, but definitely worth a listen.
6/10
Much reggae
Nie jestem fanem reagge ale nawet mnie słuchało się tego dobrze. Fajnie wiedzieć skąd wziął się ten slogal "Legalize it". Nic więcej nie mogę napisać, bo się nie znam na tym gatunku.
I was going to say 2.5, round down. Till your well runs dry is a pretty solid song though - round up for that.
Ketchy shuby is a live changing song that has shaken the very foundations of what music is for me.
This is fairly enjoyable - didn't expect non-Bob Marley Wailers members on this!
Reggae for a whole album is SO tiresome. Side note, I wonder what he wants to legalize
Today’s album is fine, but nothing extraordinary and a bit repetitive. I’m not a connoisseur of Reggae in any way shape or form, but it always feels like a way to measure its greatest, *there’s Bob Marley, and then there’s everyone else.*
Adequate reggae album. Nothing really good or really bad.
Pretty good
Great stuff!!
Typical reggae album not much different than any other
It's a snowy November day in New England and I'm stone cold sober. Listening to this, I wish none of this was true.
Beautiful reggae album. Some tracks with a bit of country/folk influences. Nice change in genres compared to the last albums
how could I complain?
Don't mind a bit of reggae but it's not a genre I am very familiar with. This sounds pretty nice and it's enjoyable to have it on in the background but the songs also sound quite same-y. The title/opening track jumps out but after that it's pretty much a case of diminishing marginal returns for me. I am not a big Bob Marley fan but his songs by and large seem to have a bigger and more immediate appeal.
A poor man’s Bob Marley. Same sound but lazier slower vocals Like he’s stoned the whole time. And that could be true. The songs feel longer than they are. I guess that’s a product of the lazier sounding vocals? What do I know….. Do you like reggae? Do you like a slower jam? Then sure this is for you. It has a purpose here. I’ll give it that.
ok
The album was very chill with laid back, slow paced reggae rhythm and grooves. Definitely not as strong as Bob Marley and the Wailers. I found it a little forgettable to be honest, so much so that I forgot to write my review this morning. But it’s all good, man.
Musically, it sounds like a Bob Marley album (which makes perfect sense based on Tosh’s involvement with the Wailers) but the lyrics and delivery are a far cry from the passion Bob Marley exuded. The groove of this album is very strong and is a great example of what Reggae music should sound like. Overall a really good product and a great listen.
Nice soulful reggae that lulls you with its rhythms and chills you out, while still holding lyrics with strong messages. Fun listen, especially the second half of the album. Brand New Second Hand is 🔥🔥🔥…. oooooo-oooooo-oooooo-oo!
A reggae album and getting high.
Decent reggae, but not as good as Bob Marley.
Not for me
Legalize it- Peter tosh Music has a soul Over all 9/10 WEED ok then Political opinions spread through music Bro was high when making this fs Released in 1976 June Debut album of Jamaican singer Genre is Reggae Opening song is good Really really long album
listening when: in the morning thoughts: hated it. it’s all reggae rating:
Sorry reggae... it's not you, it's me.
But I never inhaled. 🤪
Boring.
First, I'm a big reggae fan so I know the relevance of this album. The record is well listened to with most songs over 2M listens and the title track at 88M. Reggae isn't for everyone, I get that, so I'll be interested to see the ratings on this album tomorrow. This is a high quality reggae album from start to finish. What a great debut! Top notch production, well written songs, high end musicians (Rita Marley sings backup, the Sly & Robbie rhythm section is legendary) and an upbeat infectious vibe from a guy who stepped away from the Wailers to make his dreams come true and use his voice to instigate political change. The title track is an anthem, try and find a college kid today who hasn't heard this one a few times. "Whatcha Gonna Do" is just a catchy track that earworms the listener to sing along. "Ketchy Shuby" is cut from the same cloth, it has a chorus you can't avoid~! "Igziabeher" is one of his moody classics and offers a much different musical landscape than most reggae songs from the 70's. "Till Your Well Runs Dry" is another unique track that feels like it has a Clapton influence, not only with the guitar but with the song construction. "Brand New Second Hand" is one of his signature tracks. On the extended Legacy Edition, "No Sympathy" Demo sounds a lot like Wailers "400 Years", classic Tosh sound. The album has longevity and influence, check that box. One big hit/anthem, check, but some classic reggae favorites too. Changed the way reggae was perceived & accepted from that point forward, check. Solid release, great debut, 4 stars.
reggae is not something I can listen to for the whole album
2.5 stars. Former Wailer with his debut solo album. Not the biggest reggae fan. Standouts are catchy "Ketchy Shuby" and "Till Your Well Runs Dry" as well as the activist title track that launched him to fame.
Weed.
This was a fun one. I once failed a drug test for a job because of an edible gummy I took several months before (was a hair test), so I endorse the overall message of this album.
Really repetitive and simple reggae. Bob Marley this is not.
Yes
Went into this album not expecting much, came out pleasantly surprised. The first three tracks are your typical reggae sound. No Sympathy and Why Must I Cry are phenomenal tracks and really showcases what Peter Tosh is a lyricist. Igziabeher is alright, that piano is fun. Surprised someone hasn't sampled it and looped it into a beat Ketchy Shuby is the best track, shit is so damn catchy Till the Well Runs Dry is the second best track. 4/5 stars
I bought this album for $1 at a swap meet in the late 80's. As a fan of Reggae music it was everything I hoped it would be.
Very good reggae record. I've always preferred more soulful singers from this era like Dennis Brown and Freddie Mcgregor, but Tosh brings his own unique style to this. I'm impressed that he found a sound more rootsy than Marley while maintaining groove and rhythm.
There’s good reggae, and then there’s this.
nice vibe
A classic. Bought in Paris 2000.
Interesting mix of reggae and other influences
jah bless
The guitar playing and percussion is amazing throughout the record. It's a solid example of reggae from a former Wailer. I don't really find much fault in anything on this record. It's a good record.
4- Stars (10/15)
Maybe it’s my attention span but I got bored.
Big throwback to playing a burned CD of this in high school. Burial is such a great track. I like the whimsy Tosh tracks less.
найс, вайбово, сохранил на всякий случай)
chill
Helt ok decent reggae. Ikke favoritten, var feil dag for reggae, orka ikke fullføre albumet.
Medlem i the Wailers tillsammans med Bobban. Det hörs. För hade nån spelat detta så hade jag gissat på Bob Marley. Aldrig hört om talas om Peter Tosh innan. Han blev tydligen skjuten i huvudet i en home invasion 1987. Trist. Musiken i sig är habil reagge. Svårt att göra det svinbra. Känns som man slår i tak tidigt och det ligger sällan på en "fyra/femma" i verkshöjd.
Förutom att han nämndes i Nilecity back in the days har jag mycket liten koll på Peter Tosh. Det ångrar jag för det här var riktigt bra reggae från start till mål och märks tydligt att han och Bobban jobbat ihop. Riktigt härlig lyssning!
Great reggae album, loved it
A classic reggae. Not meant for everyone. The later songs in the album were better than the first ones imo.
Look at the cannabis…
I enjoy reggae in small doses , so wasn’t really looking forward to this album , I know of Peter Tosh but not to listen to . I thoroughly enjoyed it as it was more mellow than most in this genre with the softer bass lines and his very silky voice
great if somewhat dated album. one of the true reggae artists of his yimec
2 is fantastic 4 incredible aswell. 5 beautiful indeed. 8 another highlight. The closer great also. What a lovely reggae record! Some great highlights but the entire listen is solid and fun. I think it's a 3 But a high 3, like 3.8
Kilka utworów, bardzo melodyjnych i chwytliwych (Ketchy Shuby) np. Ale ogólnie jest to kolejne generyczne reggae o legalizacji zioła. Nie wiem, czasem mam jakieś rozkminy, czemu wokół jednej używki narosła aż taka kulturowa obudowa. 6/10
Haha... weed album. If only I could've gotten this on April 20th. Or perhaps as album 420. Oh well. This album's good. Reggae isn't a genre that I go to very frequently, but I don't think I've ever hated a reggae album that I've gotten from this project. Legalize It (great album name btw) is no different. I don't see myself listening to this or its songs a ton in the future, but I did enjoy the time that I had with this album today. The reggae sound is here in full force. You can definitely tell that this guy was a former Wailer. I've seen some people say that this album is repetitive, but I didn't really get that. There's enough variety here. The writing is quite interesting. You'd think the weed thing would be more prominent on the album, but it's really only focused on in the first song. I do like that first song quite a bit, and I do agree with what he's saying. They really should legalize it at this point. It's literally less dangerous than alcohol. Anyways, the writing is mostly good. Legalize It is a good album. Not the best reggae album on the list, but still a solid experience nonetheless. High 3/5.
It probably sounds amazing if you are in the right "mood". It is good, great even, but also a bit samey.
Petes classic album spitting truth after truth
Sounds a bit tired now
4 stars, just for the nostalgia sake of those hazy days I can't quite remember.
Very samey, enjoyable though.
Yeah, maaan!
It's reggae, a fad genre that never attracted me - there are a couple Marley songs, and, for me a couple is plenty.
I'll put my own bias against Reggae out in the open here. I don't mind this at all, but it just doesn't elevate for me. 2.5/5
not what I expected to be honest. surprising in a good way
Yep, that sure was an album’s worth of reggae
Classic
This is ok. The back half of the album is more interesting than the first.
Excellent vibe
Loved this album, had a nice feel to it, favourite watcha gonna do
Isn't it legal yet?
Very nice album of reggae pop. Ketchy Shuby a highlight. Also learnt all the medicinal properties of the herb!
Smooth reggae album
Some goooood jams here
Album 37/1001 Feels wrong listening to this on a cold and wet day in October...and without any gummies either, because they're not allowed in this country with its' archaic legal system. In the words of the great PT: "Judges smoke it, even the lawyer too So you've got to legalize it And don't criticize it" 🇯🇲 🇯🇲 🇯🇲 Favourite song: No Sympathy 🤷♂️🤷♀️ Honourable mention: Legalise It 🚭🚫 🌿 Brand New Second Hand 🆕️🖐🖐👈 WHY MUST I CRY?😭 Burial ⚰️
### **In-Depth Review of *Legalize It* by Peter Tosh** Released in 1976, *Legalize It* is the debut solo album by Peter Tosh, a founding member of The Wailers and one of reggae’s most militant voices. The album is both a political manifesto and a musical triumph, blending roots reggae with themes of resistance, spirituality, and social justice. It remains one of the most iconic reggae albums of all time, not just for its music, but for its cultural and political impact. --- ### **🎶 Music & Production** Musically, *Legalize It* is rooted in classic 1970s reggae, but it stands out for its rich instrumentation and genre-blending. Tosh, a self-taught multi-instrumentalist, played guitar and co-produced the album with the help of legendary session musicians like Robbie Shakespeare (bass), Aston Barrett (bass), and Al Anderson (guitar). - **Instrumentation**: The album features tight rhythm sections, melodic basslines, and tasteful guitar solos. Tracks like *No Sympathy* and *Till Your Well Runs Dry* showcase Tosh’s bluesy guitar work and vocal range. - **Variety**: While reggae is the foundation, songs like *Till Your Well Runs Dry* incorporate blues and soul influences, and *Ketchy Shuby* adds a playful, almost calypso-like rhythm. - **Production Quality**: Recorded at Treasure Isle studios, the production is warm and organic, capturing the analog richness of the era. The mix balances vocals and instruments well, allowing Tosh’s voice and message to shine. --- ### **📝 Lyrics & Themes** The lyrical content of *Legalize It* is its most defining feature. Tosh uses his platform to address a wide range of issues, from cannabis legalization to systemic injustice, Rastafarian spirituality, and personal heartbreak. - **Title Track – “Legalize It”**: A bold anthem advocating for the legalization of marijuana. Tosh frames cannabis not just as a recreational substance, but as a medicinal and spiritual herb used by doctors, nurses, and Rastafarians alike. The song was banned in Jamaica, ironically boosting its international profile . - **Political & Social Commentary**: Songs like *No Sympathy* and *Brand New Second Hand* critique hypocrisy, materialism, and social betrayal. Tosh’s lyrics are direct, unapologetic, and often laced with dry humor or biting sarcasm. - **Spirituality**: *Igziabeher (Let Jah Be Praised)* is a deeply spiritual track rooted in Rastafarian beliefs, praising Jah (God) and rejecting Babylon (oppressive systems). - **Emotional Depth**: Tracks like *Why Must I Cry* and *Till Your Well Runs Dry* explore heartbreak and emotional vulnerability, showing a more personal side of Tosh. --- ### **🔥 Influence & Legacy** *Legalize It* became a rallying cry for cannabis legalization and a symbol of resistance against oppressive systems. Its influence is both musical and political: - **Cannabis Movement**: The title track became an anthem for legalization campaigns worldwide and was used by activists in Jamaica and beyond to push for policy reform . - **Reggae Evolution**: Tosh’s solo work helped define the “roots reggae” subgenre, emphasizing consciousness, resistance, and African identity. - **Cultural Icon**: Tosh’s unapologetic stance earned him a reputation as the “rebel” of reggae, in contrast to Bob Marley’s more unifying image. He inspired generations of artists across reggae, punk, and hip-hop . --- ### **✅ Pros** - **Lyrical Power**: Bold, unfiltered political and spiritual messaging. - **Musical Diversity**: Reggae with blues, soul, and gospel influences. - **Cultural Impact**: A cornerstone of the cannabis legalization movement. - **Vocal Performance**: Tosh’s deep, expressive voice adds emotional weight. - **Instrumentation**: Strong musicianship with standout guitar and bass work. --- ### **❌ Cons** - **Repetitiveness**: Some tracks follow similar reggae rhythms, which may feel monotonous to listeners not deeply into the genre. - **Dated Production**: While charming, the analog production may lack the polish modern listeners expect. - **Polarizing Themes**: Tosh’s militant tone and cannabis advocacy may not resonate with all audiences. --- ### **Final Verdict** *Legalize It* is more than an album—it’s a statement. Peter Tosh crafted a work that is musically rich, lyrically fearless, and culturally significant. While it may not be as universally accessible as Bob Marley’s *Legend*, it is arguably more daring and authentic. For fans of reggae, protest music, or cannabis culture, this album is essential listening. **Rating: 9/10** --- **Standout Tracks**: - *Legalize It* - *No Sympathy* - *Till Your Well Runs Dry* - *Igziabeher (Let Jah Be Praised)* - *Burial*
I quit smoking zaza during this project, don’t tempt me man
I think it’s one of the best reggae albums and i’ve actually listened to quite a bit. It’s super consistent the whole way through and he’s super transparent in his social commentary. The war on drugs was and is failing #legalizeit Top 3: Why must I cry Burial Till your well runs dry
Holy shit I hate reggae. It all sounds the same, prove me wrong. Carribean Polka music.
Lame reggae
Weak Rasta
The roots of reggae. Wonderful.
Reggae not really my thing. Opening track was very meh. In fact, overall it was meh.
very african music genre. and a slow one. the same melody feels off after a few songs.
Love it!
Músicas que o Gonça ouve fumando um. Arranjos maneiros e divertido num geral. Fav: No Sympathy e Igzibeher
Peter tosh: When your well runs dry- l love the contrast between verses and chorus Other Favs: Why must I cry Ketchu shuby