Reviews (page 5 of 8)
1. Songs Of Love 2. Becoming More Like Alfie 3. The Frog Princess
Interesting contrast between show tune type vocals and unusual pop music with eclectic instrument choices like full strings.
Edgy in a derivative way somehow
I absolutely loved this but I can't put my finger on why.
Did somebody lose a bet? Why is this album on this list? I fail to see what I would be missing out on if I didn't listen to this before I died.
Think was a bit of a surprise, I've heard good things about the Divine Comedy, but only ever knew the National Express and Songs of Love (from Father Ted of course). It's not really my preferred style of singing, but it really works well with the orchestral instrumentation. Some very clever, funny and downright weird lyrics as well. Best songs: Something for the Weekend, Alfie, Charge, Songs of Love, The Frog Princess, Sleepless Night.
Na primeira audição me soou confuso, entre o satírico e a performance de crooner. Mas ouvindo com mais atenção, se revela um disco com ótimas canções e uma performance vocal estupenda de Neil Hannon, que antecipa, em alguns momentos, ao que Geordie Greep (Black Midi) faria anos depois. Bom disco!
Very much a part of my youth - "Something for the Weekend" was absolutely everywhere in 1996. I don't want a whole album of it, but that track in particular will always bring a nostalgic smile to my face
Banda irlandesa da década de 90. Lembra de fato um pouco de Pulp. Not my vibe. Não gostei de ouvir, irrelevante para mim...no final das contas, sei la que porra é essa!!! Dois está de bom tamanho...
1.75
♫ Listening to "Something for the Weekend" by The Divine Comedy (Casanova, 1996) ♫
This hasn't been a great recent run of albums for me. In the last week: The Zutons The Only Ones The Auteurs Rocket From The Crypt Add in Curtis Mayfield, Sly & The Family Stone, and Marty Robbins, that's 7 straight days of albums where I have heard a grand total of 1 of these songs before. That can be a good thing, as I like discovering new music, but for those four bands above it really hasn't been good. When this popped up, all I could think is "here we go again". But much to my surprise, I kind of liked this record. Not that it was amazing, and I expect that a lot of people will not like this (my hunch is the average rating is less than 3) since it is a bit of a bizarre listen, but at least it was different. Frankly, it's like listening to a Broadway musical album. What's interesting about it to me is that some of these songs come off as light, but they actually have a good amount of depth to them. I don't think this group takes itself too seriously, but it's not a farce, nor are they just mailing it in. There's a bombast that is reasonably enjoyable to me. Through a Long & Sleepless Night was a highlight for me, lots to this song and well constructed. 3 stars for the effort, even if this isn't normally my type of thing.
This was really fun. he's doing fun things with his voice and i like the instrumental. honorable mention to themes from casanova, beautiful melody. top 5 would be 1. Something for the Weekend 2. Through a Long & Sleepless Night 3. Middle-Class Heroes 4. In & Out of Paris & London 5. A Woman of the World
Not sure this is it
Just not really it
In general I’m not against theatrical pop, but most of this album was just icky. Theme from Casanova was mildly pleasant though.
So not my thing. The dude looks like thom yorke. Too bad he isn't tho
Cleaver and humorous lyrics. Great songs as a whole, but can get a bit much after a while.
Very boring
Vá hvað mér fannst þetta hljóma eins og fyrstu skref Matt Bellamy (úr Muse) í tónlistargeiranum. Allt í lagi til áhlustunar en samt ekki alveg fullmótað og vantar allt úmpf. Svo er þetta er náttúrulega ekki Matt.
I rejected The Divine Comedy as a novelty act, a bit of tongue-in-cheek, loungecore cheese, thanks to this album. A great friend of mine who is a huge DC fan later introduced me to the track Our Mutual Friend on a later album (Absent Friends). It absolutely blew me away and I now have huge respect for the band. Doesn’t change the fact that I can’t stand this album though.
Some cool songs and ideas, but just so over the top cheesy, I struggled to get through it. I was going to rate 2 stars, but then the last track about all the dogs and horses made me cry, so 3 stars.
Yeah idk what this was. One comment called it discount Bowie, that seems appropriate.
Enjoyed the first Divine Comedy album I got on this list. Was a bit of a pleasant surprise. This one is fine enough too, but I don't think the list needs both.
Man, reading the reviews of this album on here reveals there are a lot of people who a) don’t have a sense of humour and b) lack fairly basic comprehension skills to understand what this album is about. This is a wry, filthy, regretful, bombastic and incredibly catchy collection of songs. Mostly sung in character, the songs here are both hilarious and affecting An album that contains the lyrics “Everybody knows that no means yes, just like glasses come free on the NHS” alongside “Sing a happy song, for spring does not last long, a flowers blooms and then it’s gone” is running quite the gamut of pathos The sound of The Divine Comedy is best described as chamber pop, or a hybrid of Pulp and Scott Walker. But it is easy to overlook that, for all the pastiche, there is nobody else out there that is able to pull off Neil Hannon’s alchemy. What Douglas Adams is to sci-fi, or Terry Pratchett is to fantasy, Neil Hannon is to the Orchestral pop song. Something For The Weekend, Alfie, Songs Of Love, Frog Princess, Dogs & The Horses - all terrific songs that can make you laugh and/or cry In truth this is probably a 4⭐️ album as occasionally it does go a little too far over the top (hello Charge, which is a fun joke played a little too long) but so many people have missed the genius of this album that I’m going the full 5 to compensate EDIT - I’ve gone back down to 4. Everyone else is wrong but that doesn’t make it a 5 EDIT OF THE EDIT - Sod that. I listened to it again the other day and I think it’s a 5 again
As corny as it is boring.
Boo
thought this was an album named “the divine comedy” by the guy on the front who called himself casanova. so i was gonna write, “lol what an asshole.” but it turns out it’s an album named “casanova” by a band named the divine comedy. either way, it stinks.
i just dont like this kind of music 2
Please no more of this garbage
Didn't we have this album already? When I'm listening, I just keep thinking about the movie Anchorman. Is this serious or is he playing the folks listening? This is something I just didn't really enjoy and can't see myself revisiting. I guess the best thing I can say, he sings pretty well. This just wasn't for me, but not outright terrible. 2
2 Oh God, not this dude again. Much earlier on this list, my first impression of this guy was that he’s an overdramatic Sinatra wannabe, and now, 500 albums later, my opinion hasn’t changed at all - this album just feels pompous, pretentious, and theatrical to a point of being borderline insufferable. You can tell there’s some Morrissey and Prince influence buried in here with the sort of delivery and mysterious romantic frontman persona Neil Hannon attempts to give off, but he has none of the charm or personality in comparison - or the lyrical ability. I mentioned this in my last review as well, but holy cow, some of these lyrics are AWFUL. Fortunately, I didn’t clock anything this time around as bad as "If you were a horse/I'd clean the crap out of your stable/And never once complain", but there is a weird recurring horse motif to be found here as well, both with the final track title and the lyric, “You deserve to be horse-whipped/But I've no horse, that joke's so shit” on Through a Long & Sleepless Night. Seriously dude, wtf’s with the horse thing? And that’s not even the worst line on that song - shortly before that, he charms you with, “It's four o'clock and all's not well/In my private circle of hell/I contemplate my navel hair/And slowly slide into despair”. Just… gross. That all said, I’m actually rating this one just a touch higher than A Short Album About Love. It’s been a while, but I seem to remember that one being pretty boring musically. I can’t say that I loved the music or squeaky clean production on this album either, but it at least feels like it’s trying to be interesting at times - with a different lead singer and lyricist, perhaps I’d like this a little bit more. As is, I don’t see myself coming back… to this or probably anything else The Divine Comedy might have.
This album has a really big problem. Which is that he keeps talking and it sucks. It’s like a bad hip hop skit that keeps interrupting an otherwise good album. Except this album is only okay. Which is a bummer since I liked the other album of his I got on this list
This gets an extra star for its connection to Father Ted
Very cheeky, groovy, the kind of album you play while drinking a dirty martini Some of the songs are beautiful breezy pop influenced by 60s baroque pop The rest of the music is stereotypically too british, just something I wouldn't understand as I'm not a fan of crooning and don't really like the theatrics 2.5/5
A band I’ve always thought I could / should like, sadly they never quite get me there. I can’t say this was a bad album but it didn’t quite hit spot either.
I gave up on track 8. Not even the theme from Father Ted could redeem this garbage album.
Big "TEMU Scott Walker" x "We've got Pulp at home* energy here. Lyrically, this belongs on a list, just not this one...
Some solid and interesting BritPop, similar to Pulp or elements of Belle and Sebastian. Baroque-pop? Worth listening to, although not sure I'll listen often. First song was especially solid.
Alright, only went through like once and a half. None of the songs jumped out at me, but could be good background music?
I really enjoy this album. He's so witty. And Songs of Love is of course the theme tune to the greatest TV show ever made.
Better than the other but not by much. 2.5
Weird
More spoken word. Weird lyrics
Enjoyed this. Will look into more of their output. Quite enjoyed the Reissue but can't delve too deep as got to catch up on missed stuff.
OK. Northerm Ireland Pop.
Some of the picks on this list are so weird...
wow!!! this was really good, never heard of it before! like a chamber Pulp
Theatrical and whimsical, this often sounded like a soundtrack to a musical play. It's unlikely that I'd listen to this again but to its credit, at least it was interesting and well executed.
reminds me of joseph and his amazing technicolour dreamcoat type music. solid album, not too keen on lyricism, probably won’t listen again.
The 90s could have been the greatest decade in music ever, and Britpop is indisputably one of the greatest genres in music ever. The Divine Comedy reminds me of Pulp, but more baroque. Neil Hannon has the same range and a very similar wit to Jarvis Cocker, so it was easy for me to enjoy this record.
Speakeasy, theatre, orchestral delight!
Never heard of this band before. I tried placing myself back in 1996 (was 13) and this definitely wouldn't have been on rotation. Listening to it, reminded me of a community television production. You could tell the band is / was tight but the sound and production didn't do them justice. Anyway - not something I'm likely to every play again. No highlights.
These are well-crafted and interesting songs. The production is very good, though sometimes the overly fussy arrangements are off-putting. Vocalist (and songwriter) Neil Hannon is singing in character on this album, which mostly works but is a little too mannered on some of the tracks.
Not heard this for a while - top notch!
This is the corniest shit I have ever heard in my life.
Come on list...I'm in the home stretch here. Can't we finish out strong? Yes, this seems very British and very witty for being very British, but as a dumb American, I can't help but roll my eyes at the delivery here.
I’m equally as confident in noting the charms and virtues of this record as I am in saying I’ll never listen to it again.
Unnecessarily overdramatic
NGL PROBABLY AM SKEEPING ON IT BUT IT WAS A PLEASANT LISTEN
this was British as hell. I saw him open for Ben folds and forgot all about him. I bought one of his albums at half priced books for $2. And forgot all about it. It was too long. It sounded like showtunes and a movie score the whole way. And the R trill on “Charge” took it down a whole point.
I think I missed the reason why this album is on this list. 1 star
Simultaneously weird and boring.
Какая-то пафосная попса или поп-рок.
Found this quite boring, nothing stood out for me. Around the end of the album it started to pick up a bit, but unfortunately it was too late. Background music for me
This guy again?! I listened to his other album about two months ago and didn't like that one either. I don't understand how two(!) of his albums made the list. At least I can rest assured knowing that there are no more inclusions of this artist's albums in the list.
This reminds me of something that William Shatner would produce. Lounge/club/showtune vibes, but with a lot of cheesiness. Can't say I really enjoy this one given how closely it resembles a musical. This Casanova did not sway me.
Not for me.
Never been the biggest fan of actually listening to auld Pete, but some of the singles really are great fun
This album cover pisses me off Not much else to say it’s just alright
Genre: narrative poetry For painting Cool liked that
It wasn't entirely useless because I was laughing at how bad it was
Ah, we have a cultural difference here. This charted well in the UK, but not stateside. It's bombastic, lecherous and honestly pretty silly. Some lovely pop moments, but not enough to overcome the silliness.
Songs Of Love is great, the rest is not so great, despite the sense of Britpop nostalgia it brings with it. Hannon is a much smarter songwriter than you might give him credit for, unfortunately, The Divine Comedy's music has never been as smart or as witty as it thinks it is. Casanova is never truly awful, but it is something of a period piece, and one which was kind of parodying another period first time around at that. Anyway, two stars for an album with one five-star track.
1.5, ugh. I try not to question why things are on this list but this one has me asking.
i dunno what this is and i am not interested in discovering more about it. it was dreadful to experience.
oh, insufferable
If I had a nickel for every album in this project where I thought "this could be really nice but the sweeping orchestral arrangements really overshadow this guy's not so dynamic singing voice" I think I'd have at least three nickels?
Too cheesy to take seriously.
The first 4 songs were absolutely terrible. It improved marginally after that with a Prince feeling and acoustic guitar song. Then sounds back into the first few songs again. Comedically bad
Not sure exactly what I just listened to tbh. The real divine comedy was that i listened to the whole thing.
Some whiny shit.
It's a bit goofy but I enjoyed the operatic pop vibe. Plus the guy can really sing. It kind of feels like a play. Favorites: Something for the Weekend, Songs of Love
What is this
Seems to be forcing it a bit but...
Just felt far too over the top and full of its self and just didn’t sound good, some was at least slightly decent so not 1 star but can only make it to 2
Muy Serge Gainsbourg. Pero con producción 90s Bastante bueno
Pass the cheese please.
Utterly cringe-inducing. I can’t believe this clown gets two whole albums on the list when more significant artists are left off.
Pure comedy gold. It’s supposed to be taken seriously unfortunately. It’s a really well performed pile of crap.
Belanglos!
A fine album, I think I preferred the other album they had on the list better. This kind of reminds me of Greeps The New Sound, but not as chaotic or interesting. Also, I could have sworn this was OK Computer era Thom Yorke on the cover. High 3.
Not quite
I really did not like the opening minute of this album, but as it went on it redeemed itself, and it honestly has some pretty good tunes.
I liked his voice and some of the music, but the two didn't always feel like they went together well. OK overall. 3/5
Too kitschy for me
A meandering pile of ocean trash. Gave me a deeper appreciation for silence.
Weird but not bad?
What a dumpster fire!
The album is smug, pretentious and overblown.
The authors' obsession with britpop strikes again. Adding in an orchestra makes it sound even more pretentious wow.
Ridiculous
hljómar á köflum eins og scott walker/brel. textar um kvenlegan breskan saurlífissegg. mér finnst þetta skemmtilegt þó að hrossið sé en hans besta verk. 3,5.
Something For The Weekend was a pleasant reminder of a song I'd completely forgotten about, but by about track 4 I'd started to find this kinda annoying. I'm just not a fan of the over theatrical, musical-ish style. Also, the Britishness of it gets a bit much (references to GCSEs, the NHS etc), and I'm British!
I'd never heard of them, but way more fun than I was expecting from the description and the photo.
This guy has to be a sexual predator.
Don't know who this is but fuck him and his terrible album
Not my thing, too unexciting, not boring just plain.
Annoying. Vaudeville musical is not my cup of tea.
The frog princess were our nickname for Len’s 2nd wife. Joanna Toad. 4.3
Didn't really rate this one, it was giving musical vibes, but not a good one.
Didn't really ever get better from the start. I can hear the great sound but all the different parts come together to just feel corny and boring. Not sure why this is on the list I could've done without hearing it to be fair.
Sorry but this is godawful. I think it was supposed to be funny and I tried really hard to get into it but I just thought it sounded weird and crap and it couldn’t finish fast enough.
I wasn't fully sure how to feel about this one. I liked the arrangements and he had a good voice. Some of the lyrics had me tilting my head a little bit, and only a couple songs really grabbed me. Songs of Love and Through a Long And Sleepless Night.
Like
I did enjoy most of the album but I don't know if I totally understand what it's going for.
This one wasn't very pleasant. I didn't care for the singer's voice at all, and the instrumentation and melodies felt disjointed the majority of the time. There were a few glimmers of interest, but overall I didn't enjoy this very much.
I do like Divine Comedy - I like his voice and lyrical flair - and really like some of their other songs (Gin Soaked Boy is in my top 100 songs) - however i found this album a bit too OTT / show tuney at times and a bit annoying (I am trying to work) so did not really enjoy as much as I thought I would. Some nice moments and hooks but not something I will come back to.
Casanova I don’t think I particularly liked the Divine Comedy when this came out - they’ve got all the hallmarks of a band I wouldn’t have liked as a teenager - but listening now has triggered a long forgotten memory that I bought the Becoming More Like Aflie single. Something for The Weekend and Becoming More Like Alfie are a great start, both excellent 60s-lounge adjacent pop songs, but it’s definitely a bit of a mixed bag after that. Some of it I really enjoyed and some of it grated. When it’s on the right side of knowing archness it’s a great cabaret-chamber-pop album with some nicely wry lyrics - Down and Out in Paris and London, Songs of Love and Through A Long and Sleepless Night I really liked and The Frog Princess is excellent. But it often stumbles the other way, and you get a sense of slightly smug self satisfaction, the feeling he’s not quite as clever as he thinks he is and the music becomes too cabaret and too musical theatre - Middle Class Heroes, Charge, Theme from Casanova and The Dogs and the Horses are all quite irritating. He has a great ear for a melody and a hook, and he's more often than not a very good lyricist, and I quite like the 60s cinematic lounge style of Something for the Weekend and Becoming More Like Alfie a lot, I just get a bit lost when he leans to heavily into cabaret. It’s probably just about tips into a 3. ❤️🔥❤️🔥❤️🔥 Playlist submission: Becoming More Like Alfie
Totally sidestepping the prevailing guitar-driven Britpop of the day for lounge pop, some of this hits a sweet spot, and some of it is rather cloying. He looks a bounder with cravat, neckerchief and cigarette on the front cover. But I found the English cheeky chappy Terry Thomas character, becomes one-dimensional very quickly ('everybody knows that no means yes'; 'hello what have we here - a young lady!'). A whole album of this schtick is too much to swallow (Neil Hannon: "oh I say!"). There are clear highlights, aside from 'Something for the Weekend', not least 'Songs of Love' and 'The Frog Princess'. It's hammy, it's obsessed with the sexuals. Its 'Carry On'. At it's worst it's like a Space album track. It could have done with a trim of about 10 minutes. But it's comforting to have this sort of schtick being created in the swell of Britpop, to be pushing against that ubiquitous tide. I admire that. There are some very solid melodies, and a tongue in cheek mentality. There's humour, there's wit, there's fun. We need this sort of album. It's an easy three.
The Divine Comedy is the stage name of Neil Hannon, an Irish singer/songwriter that makes a theatrical version of pop, in the same vein as Scott Walker. Hannon's work sounds like musical theater, with extensive orchestrations and histrionic, first-person narratives. The album includes "Songs of Love," which was the theme song for a British television show, which helped push the commercial success of the album.
Pretty good album which (I think) is quite satirical on love songs. The whole album includes more orchestral instruments than normal which kinda gives the songs a very theatre musical/movie music feel. Definitely some great lyrics hidden in there
Creepy little bastard. Out on this guy.
Probably my first orchestral pop album 😂 Certainly not my preferred genre, but there were glimpses that were cool - the frog princess for example 2 stars. Obviously creative, but a bit over the top for me in non theatrical contexts
The only comedy here is the singing. It's like karaoke.
It’s actually not too bad for me. The lyrics are cringey.. especially the middle class heros.. but I believed he created this album purely to entertain people not just because he thinks it’s cool. And it kinda worked.. people have strong opinions about it. One star is better than 3 stars. -1 star is as good as a four. Music wise, it’s not too bad?? I do like all the theatrical elements. And I love IT crowd, so this is a four for me.
it started off not strong... and then just continued to go downhill for me. turned into a bunch of wailing and ultimately just felt silly to listen to. i think by the 5th track i was wishing the album was over. sorry Divine Comedy... but it ain't for me
The music is alright. Some of the lyrics are sort of cute and funny, but others are a bit cringe. Lots of references to things that are UK-specific (NHS, GCSE, etc.). I liked “Middle-Class Heroes”, “Frog Princess” and a few other random ones. A lot of mixed feelings on this one, but it’s definitely an interesting album for me.
I’m four songs in and I can’t tell if it’s supposed to be ironically cringey or if this is a serious attempt at making music. Alright, apparently it’s just the sub-genre being different but I’ve finished the album and it doesn’t make me look at it differently. He absolutely has a wonderful singing voice, so can’t say much of anything negative in that regard. But overall, I can’t see myself ever listening to chamber-pop again. The writing comes off as way too simple and there are parts that are so European it hurts. I wouldn’t say it was a waste of time, more of a one-hour session of learning I don’t want to explore this branch of popular music.
This was a fun one. The songs are varied enough, and the lyrics are cheesy and funny. "The Frog Princess" got me. I'm going to be singing "there's something in the woodshed" all day.
One or 2 good songs but overall not a great album
Light rock lounge musical
Rather British don't you think?
I like some of the odd stuff, but this just isn’t good. It’s like he was going for Bowie but failed miserably.
Requires two listens to fully enjoy. Broadway musical feel with some great lyrics and orchestration.
not my vibe
Hello! Ooh! Heeheehee, you bloody pervert. Ah, well I love this one. Making up for the strange inclusion of his second worst record (which isn't really even an album) earlier in the list. Something in his genes/jeans told him to pretend... This record is one of my most played, ever since Chris Evans championed them on the breakfast show and I borrowed the CD of a friend, and just completely fell in love. The voice also suited my singing voice and although I haven't listened through to this particular album in years I still know every single word, having spent most of my teens singing along in my bedroom. Effortlessly well painted characters, unloveable rogues, devastating takedowns of the middle-class, an incredibly unsubtle and yet witty war-is-sex metaphor, the Father Ted theme tune, Dickens quotes, endless references to the French Revolution and Breakfast At Tiffany's, a Radio 3 back announcement, before ending, no, CLIMAXING on a wonderfully beautiful piece of musical theatre (presaging Neil and Joby Talbot's future achievements in scoring Wonka by almost 30 years). What the hell more do you want, you ingrates??! 😂 I jest, taste is personal. But this record was a huge part of my cultural education, I only later realised why I went on to love Scott Walker and Jacques Brel "Institutionalised mediocrity.....wit, against shit" "....and I said "wa-hey! Yeah!" "Burn your briefs we leave for France tonight" "Maybe I need her because I want to be her - Baby, can I be your girl?" "The entire lyrics of Through A Long and Sleepless Night" He even went on to top this effort, arguably twice. Hence why I was quite annoyed to get the follow up instead of the two after that in the book which were far more deserving. Slightly upsetting that the good folk of this site either hate this or have never heard of Divine Comedy, Neil deserves better.
"no no no no NO. youe doing it all wrong!!!" -she walked down the stairs from the balcony. her voice had more punch than anything in this album
The word "overblown" was created to describe the sound of The Divine Comedy. It's like if Morrissey got horny and more predatory, then someone offered him a free two-week session with an orchestra. "Everyone knows that 'no' means 'yes,'" is a line that I choose to take as a tongue-in-cheek reference to Alfie and the singer's need to be a lothario. I got strong "The Continental" vibes from the spoken introduction to a few of these songs. There is a lot of potentially questionable talk on this album but I think it's clearly intended as parody. Hopefully. I had never heard this album or any song by the Divine Comedy before. Fully bombastic singing that could be tongue-in-cheek is right down my alley though. The songs I enjoyed were: Something for the Weekend Becoming More Like Alfie Charge Songs of Love The Frog Princess A Woman of the World The Dogs & the Horses Really enjoyed this one, as I can enjoy kitsch.
Self indulgent and shitty.
Unbelieveably boring theater kid music, i'm good thanks.
Really over all of this mid British albums
Jag börja fiila dehär, trodde ja skulle hata det. Tror att ja kan stor gilla det här ifall jag lyssnar mer.
Honestly better than I thought it was gonna be. Pretty fun.
So this is what it would sound like if David Bowie was a sexual predator and released a lounge album. This album was super cheesy and I didn't really enjoy it.
I always listen all the way through. Always. I had to turn this off after like five songs. I wish I knew exactly why I didn't like it so I could avoid all things like that forever.
Mid as it gets. Some high spots, but just not worth another listen.
As pedantic as a blue polka-dot bow tie at a funeral. Spoken verse poetry that someone said “I could make this even worse with some boring music”
4/5
I had never heard of this album, let alone the band. This is a work of parody, camp, and novelty, aptly named. Though novelty or camp doesn’t connect with my musical soul, this is novelty on the grandest scale. In fact in a way this work seduced me much like its namesake, Casanova himself seduced his patrons and lovers. Rather than feeling ripped off or violated, I feel rather satisfied by the experience of listening to this album.
If flight of the conchords wasn't funny
Did not care for this.
Nothing grabbed me. Could of done with never listening to this album.
I only really know national express from divine comedy but the general sound was vaguely familiar so good chance I've heard others. I quite like it, its off kilter pop of the sort I think would usually get on my nerves so it must just be better than the others. 3.5 but have to round up my marks for the father ted theme. Would listen again, it was nice but don't think I'll ever be proper fan.
I vaguely recall National Express, disappointed not to hear it. Overall, found this a slog. A lot of the tracks sound the same, backed by carnival music. Would go down well on the Waltzers. Lyrically silly. Really not for me, somewhere around 1.5. His commitment to almost never singing is remarkable.
Only know if the divine comedy for , the national express" although I did find I recognised "something for the weekend" here. Also the father ted theme tune! Can't say the rest of it did much for me. A bit strange, kinda half meant to be funny or a bit silly..... Guess that's tracks with the national express song. Think around 2.5
Not interested in this type of music.
Sounds like the songs from an off broadway show. Not really for me. 2/5 Won’t listen again
I can’t make my mind up if I liked it or not
Bleh
At first I was like, I like this and then by the end I was like is aight
This feels like the type of music that falls into this category: Q: How do you know someone is a fan of The Devine Comedy? A: they tell you. Over and over and over again as they insist on how great it is. Listen, this is bad. It is clever. It is beautifully arranged and produced. But after a few songs, the joke gets old and repetitive. Fans of this think that SNL had one good season - the first. Liked SCTV more and if you ask about their favorite Monty Python sketch, they say something obscure and look down with disdain at the popular ones.
I didn't like the last Divine Comedy album because I thought it was too cheesy, but this one just worked for me for some reason. SO ridiculous and over-the-top, I had 2 laff. 4 stars innit
the divine comedy combines the pipes of frank sinatra, the self-importance of morrissey, the creepy horniness of jeff buckley's dad, and the theatricality of meatloaf into one uncertain package. actually, wait, it's all those same qualities but just from william shatner. but is the album any good? well, favorites: something for the weekend, becoming more like alfi, songs of love, the frog princess
Het was een hele musical met ongelofelijke kutnummers en heel geinige nummers, geen idee wat ik moet geven
I was not expecting this album to be so fun. It’s a mix of Morrissey and Scott Walker with some dramatic arrangements.
tinha um tempo que eu não sofria tanto p escutar um álbum muito ruim filho puta merda
o cara queria ser o pulp tadinho... bem sem sal. xoxo demais.
Fine, I get it. But not for me.
Ummm. C'mon. This was unpleasant. Dull, irritating at times...many times.
brings back some memories of my 20's. a bit of a crooner. not bad
Another entry in the forgettable 90s British alternative bin. That said, “The Frog Princess” has a fantastic chorus, and this album has some other redeeming moments.
2.5 - I think this guy is creepy asf and the songs are kinda random and also creepy, but he does have some great vocals and every few songs there is one talking about some incredibly relevant or important stuff
FT
Odd lounge music with slight crooning and peppered with 1970s modern influence and less edge than a dusty bag of dull spoons.
I love this album so much. While it's not my #1 favourite DC album (Short Album about Love gets that honour), it's a close second. From the pop ridiculousness (a good thing) of Something for the Weekend, to the fact that The Dogs and The Horses has never not made me cry, it's filled with tune after tune after tune. I just had a dance around my kitchen to 'Becoming More Like Alfie'. It won't be to everyone's taste, but if you buy into Neil Hannon's world, you'll come away happy.
This is lame as shit, these vocals are irritating and the mixing is so jank, absolutely trash
The overly-British spoken word parts surrounding each song took me out quite a bit, especially the opening song. The music itself is quite nice, at times. Bonus fact: this is the guy that wrote the theme song for IT crowd, how strange. 4/10.
1 star. I hate you albums about sex I was gonna say the music was enough to take it to a 2 but man do I fucking hate the overall theme of this album 👎👎👎👎👎
Son originales pero les falta una gran canción.
Really cool vibe, I really got into the album with the first song. Some sounds used in the songs are weird but funny a good 3.5.
Wasn't really focused, but 3 i think
Chamber pop, a genre I had never heard of before this morning, is not a thing I vibe with. Definitely feels like a pastiche on the crooners of yesteryear, but not in a good way. Edit: 9/9/2026 Relistened to this one after A Short Album About Love. Neil Hannon is a bit of a jokester it seems. I still think it’s a pastiche, but this is solid work here.
This was different. It’s as if each song was a different scene in a movie. Definitely background music to make the time go by.
Sounded like a dull musical
I’ve always liked Divine Comedy, the guy steadfastly sticks to his own thing. Always enjoyed when they would pop up on the indie Shine albums
I liked some of it. Some of it was a bit clever for its own good though. Enjoyed the Father Ted theme popping up. Another one for my massive 3 star pile
It’s a no for me, didn’t care for the vocals
I gave it an extra star for the father Ted theme tune, and because my lovely horse was on some expanded edition
Frog Princess, I am a muppet
64/100. Casanova by The Divine Comedy is an alright baroque pop album with a strange yet intriguing sound. It doesn’t feel like it was produced in 1996, giving it a somewhat timeless or out-of-era feel. While the uniqueness is interesting, the album overall is just alright.
Went through this record three times in a row, really special album with plenty of surprises and original sounds and words
Took a couple songs to get on the wavelength here but I ended up enjoying it alright. He never really gets to Morrissey like he’s compared to. I just heard a really dramatic Neil Diamond.
There is nothing I can compare this to. Sometimes its comical, sometimes its dramatic, sometimes its ridiculous, but I'll come back to it if only to figure out what the hell they are trying to do here!
Cute!
Do I like Divine Comedy? 2 days, 2 albums by them. I know I don’t hate them
was alright, it's so so so so so british i've never heard anything more british in my life lmaooo
As the last album on my list was Scott Walker, this album is remarkably similar. However, this is not a compliment. His voice is so mediocre and when the music did something, he did nothing. The ending of Becoming More Like Alfie was neat, but that was the only cool part. Not horrible, just mediocre.
Sounds like a bunch of parody songs for an Austin Powers movie but none of it is catchy enough to make the cut.
Day 91 - March 4th, 2025 This shit actually made me uncomfortable. 0/5
Welcome to the Stomach Room! Oh, look it's Scott Walker & Burt Bacharach. Hello, Burt, hello Scott! What's playing? Sounds like chamber pop mixed in (or is it up?) with a bit of Brit pop & Frank Sinatra, old blue eyes himself! Sounds so strange, yet so very familiar. Did Noel Coward show? Of course! Go say hi!
Not my style
If this album is supposed to appeal through comedic value, it fails, because it is just so unfunny. If not, it still fails, because I just can't take it seriously. Indeed, it is a conundrum, but one that lacks any stimulus to unravel, so I won't even try. Possibly the most perfect example of a one-star album that I have come across so far.
viel meer mee dan eerst gedacht...
OK, when the spotify bio says this guy has "aspirations of becoming a chamber pop fusion of Scott Walker, Morrissey and ELO" I knew it was going to be bad. 2 is generous here.
Is this suppose to be comedy?? I honestly can't tell!
This is an album I hadn't heard before. I enjoyed it. I thought it was mixed great, and over all it was an album that I think I'd listen to again.
I'd never heard of the band or the album before. I didn't miss much either. The music on the album was pretty boring. The only good thing about it was that it wasn't particularly annoying. I can only speculate as to why such an album should be one of the 1000 best. Perhaps a new album simply needs to be added to the list at regular intervals. 3/2
Musically this was decent, even though it's not my scene. Lyrically, well, it comes across as creepy, sung by someone who sounds like a poser. I certainly won't be revisiting this one.
Interesting, don't think I'll listen to it again, but was not boring
Is this fool trying to be a 90's version of Scott Walker? Keep dreamin' buddy!! I'm giving this a four because it's so weird and out of the box for something recorded in 1996. And I didn't hate it. 4.
Love Divine Comedy since National Express. Great vocals
Pretty cool idea but did feel a little long.
No. Just no. It's over-the-top brit pop, it's silly, and there are references that just aren't relatable outside the isles. And they're not even proper british, they're irish. I just can't any more.
I went into this somewhat expecting to hate it from the first couple of seconds, but as it went on I found myself enjoying it more and more. I understand the humor in this and appreciated the effort behind it. I also just think the second half is much better than the first. Highlights were Charge, The Frog Princess, and Through A Long & Sleepless Night.
Music was fine. A little too rapey for my tastes. Sounded like the soundtrack of a musical written about the devil.
01) Something for the Weekend - 7,5 02) Becoming More Like Alfie - 7,0 03) Middle-Class Heroes - 6,5 04) In & Out of Paris & London - 6,5 05) Charge - 5,5 06) Songs of Love - 6,5 07) The Frog Princess - 6,5 08) A Woman of the World - 6,5 09) Through a Long & Sleepless Night - 6,5 10) Theme from Casanova - 7,0 11) The Dogs & the Horses - 6,5 TOTAL: 6,59 (66/100) Current ranking: 332/464
I don’t get it
Half of it was great, the other half just okay so 4 stars.
Tongue-in-cheekily wierdly horny. Then Father Ted.
Had some good moments and would listen again. A bit too unserious for higher score though.
Enjoyable
Never heard of him. Music just ok.
Unsure how they went from this album to A Short Album About Love. Casanova is a dynamic album experience, full of passion, fire, heart, and personality. The follow up is bland and empty by comparison. Listening to that album, I didn't get why it'd be included among the 1001. This one deserves it's spot. The songs are memorable, lots of great lyrics, and I liked it as much on a second spin.
not bad i guess easy listen
Geordie Greep had to have been inspired by this.
I quite like the frog princess, other than that not huge on this.
8.5/10 - The bio said he was influence by scott walker and I can very much hear that. But also idk why but this album was actually amazing to me. I loved becoming more like alfie, frog princess, woman of the world and theme from cassanova. The scott walker influence is most heard in dogs and the horses.
Geordie Greep actually stole this dude's whole flow
The real comedy here is that someone with their unbearable Brit bias thought this album was something you had to hear before you die. This was straight trash. 3 songs and done.
Meh its ok but never a top 1,000 album. Last 2 songs really killed this album although the slowing of the rythym I liked towards the end but songs were bad
Oh jeez... these guys again? Was one album not enough for the Divine Comedy? If you ask me, I think one album is too much! Oh well, I'd at least say that this album is probably better than A Short Album about Love, maybe. The positives of this album I'd say are stronger than the positives on that one. The sound is mostly solid. There are some moments I didn't love, but the album's sound didn't make me want to tear my ears off, so I'd call that a pro of the album. The singing is a part of that. I'd say it's good for most of the album, but there are points that it got kind of annoying. There are, of course, plenty of complaints I have. For one, I'd say the one thing that made A Short Album About Love bearable to me is in that album's name. It's short, which is something I can't say about Casanova, which sits at 52 minutes. I didn't love listening to this album. And of course, my biggest complaint here is the same as it was for the other album. I do not like the writing of these songs. Most of them are about sex, which makes me cringe. Writing about sex is a tough task because you want to be able to capture the sensuality of it for people looking for that while also not being offputting to people like me who just want to listen to some music. Casanova does not succeed at that. The writing here is weirdly vague and kind of uncomfortable at various points in the album. Fortunately, I wouldn't say any of the songs here are as bad as "If..." from the other album. The closest one of them gets is on "In & Out of Paris & London" which has one line in particular that seems super rapey. But hey, at least horses aren't mentioned until the last song! I still think this guy wants to have sex with a horse though. Overall, while I will admit that there are good things here and Neil Hannon is clearly a man with some sense of musical talent, The Divine Comedy is simply not a musical act that I respect enough to give any sort of attention to on a list like this. High 2/5.
This was not my jam because it’s dumb.
This was the first time i heard this album. Some cringe moments but a lot of really great stuff. 3.5
Never heard of this one! Cool yeah I didnt love it. There were definitely some cool things about it. But it was kinda like that Geordie Greep album if it was boring. Or maybe not boring, just less inspired by the music I love. I was excited when their bio mentioned ELO , but this seems to lack a lot of the life and groove that I love from ELO. This feels a lot more showtune-y, which I don't hate but I am not really interested. I love musicals and have played in several pit orchestras, but I guess I dont really like when regular music tries to sound like broadway music lol. There were interesting moments for sure, mainly in the chords and melodies that I liked, but overall I really dont feel like listening to it again.
A lovely journey into the sickly sweet world of the divine comedy - but don’t stay too long
Boring and pretentious, hard to see anything redeemable about this, makes me wonder why Neil Hannon is as well known in the UK and Ireland as is he 1.5*
Ugh. I did not like this all, for reasons I can’t fully articulate. 1 - 2
Orchestral Pop sounding like the sound track of a whiny musical.
Witty and charming. I can see from some other reviewers reviews that they don't get it. Neil Hannon is a fantastic songwriter. It's not rock and roll, but something altogether more clever and thoughtful.
Cool vibes. I kept waiting for it to be just a little bit more something.
55% Best: Becoming More Like Alfie Must-Hear? No
So cheesy but so fun
What the fuck is this shit. 1.46
Helt sikkert i det her albums fordel at jeg så Cabaret i går. Synes egentlig det var meget underholdende, sjove arrangementer.
Synes sgu det var en meget underholdende plade, ikke den der generiske britpop-stil som mange lignende bands havde på det tidspunkt.
Way too rapey vibes for me.. The concept/compositions were pretty original though.
Not for me.
Yet another boring basic British album that is forgettable and belongs no where near any list of albums you need to listen to before you die
I was not familiar with this. It was up and down, and the last 3 songs were decidedly down, resulting in my dropping the score from a 4 to a 3.
Louche and likable, though the joke does get a bit more tiresome the longer it goes on (which is a decent bit too long). "In & Out" is representative – pretty clever but maybe one too many punch lines than 100%-necessary. Still, it's certainly better than Scott Walker. And quality of music and lyrics holds up for the most part, leading to a pretty strong ending.
an evil and ultimately bad combination of david bowie and kiss of the spider-woman, somehow. i think more rock musicians should be honest with themselves about their desire to write stage musicals because they always end up sounding like this. embrace the show tunes…don’t make us listen to this under the guise of real music.
There were some good songs on here but some of them were just a little ridiculous sounding to me and idk how else to describe it. "Charge" became unlistenable and tedious halfway through in particular. I was charmed by the speaking section at the end of the album though and overall enjoyed this but it's definitely not something I could listen to for more than a brief period...
The Tom Jones-y vibe wears a little thin after a couple songs, and I'm a little confused by the allusions--they don't seem to have any relation to the songs. Does In and Out of Paris and London have anything to do with Orwell? Is Charge anything more than euphemistic sex play, inviting Tennyson to come into it somehow? I am a little put off by the intentionally (?) juvenile sexual politics. The retro musical stylings come up a little short too. Couldn't get behind this one.
Erudite, witty, quirky. Essentially eccentric English. Loved the original of the Father Ted theme tune. I feel you either roll with the eccentricity and satire or it’s just alien to you. I will admit it’s not an emotional album - it’s slightly cold but very funny. And the in n out of Paris is strongly referencing Dickens Tale of Two Cities. Middle class heroes could be a monty python sketch. It all feels a bit Neill Innes but that’s a plus point. It’s a giant in-joke but I got it!! Loses a point for lack of passion.
This started out with promise. A bit of kitsch, maybe some biting commentary, all delivered with tongue in cheek and maybe an exposed nipple. But this album, for me anyway, shows how difficult it is to deliver on such a promise. Things quickly fell into indulgence and the songs failed to deliver anything more than a sometimes amusing, but ultimately thin confection of vaudevillian pop. It's fine, and sometimes fun, but I guess I needed more satirical barbs — or something with a bit more depth — to win my heart. This clings to a 3-star by its shiny painted nails.
i had a hard time sorting out my feelings on this one. At times I found it too smug and I often thought they were punching down. But other songs seemed to hit just right. It's hard to do satire well. The Kinks mastered it, Zappa did, too (sometimes), and Blur did as well (but they also sometimes punched down, or at least across). I enjoyed the theatricality of this one. This is yet another album from a band i'd never heard of before. i feel like i've entered an alternate dimension. I like it over here.
Quite fun
This was pretty nice!
This felt like a parody album or a bit of a joke. It has some good moments but is so random in parts. The album switches from French to instrumental with no rhyme nor reason. That said it has some good tracks on it, I really like "songs of love". I have heard it somewhere before but I can’t picture where (Father Ted). I also enjoyed 'love is lighter than air". You can see why the reviews are so polarising. The good moments on the album lifted the score to 2/5. I liked the miracle is mine from the extended version. Maybe this is just because I am a fan of father ted. Favourite song: Songs of love Least favourite: The theme from Casanova is a very boring instrumental. Album artwork: Cool cover
Neil Hannon wrote My Lovely Horse and genuinely seems like a sound guy but I simply do not like his other musical projects. I find them grating and annoying, I'm not nostalgic for them, I never liked them and I don't think I ever will
Dogshit
Chamber pop. Nah, I'm good
Day379 - corny and campy but pretty good
Did not enjoy. Thematically had lots of potential. But execution is poor, and not enjoyable sonically.
Not Great.
oof. a bit too theatrical for my taste. track one was good but they lost me at the spoken word bit in intro to the middle class one. theatricality in itself is not a bad word, someone like fiona apple i find quite theatrical - but it feels authentic, like a natural extension of a theatrical personality. This unfortunately just sounds pretentious.
Maso
Theatrical and campy as all hell. I was going to give it a 1. But they did twist a few good lyrics and musically while not my style - at all- was well done.
I get a Zappa vibe going on here, filtered through Britpop, replacing California freakdom with London smirk.
Its like The Magnetic Fields, but not as good...somehow straight, but also more gay.
E-Z-Listening: mostly soft and edgeless with a few exceptions. And sort of smarmy somehow, if music can be smarmy.
I wasn’t expecting this to be so cool! I really liked most of the songs. « Through a long and sleepless night » it’s the Highlight for me. 4 stars
This was an interesting mix of The Beatles and Pulp.
Pretty good.
This was a surprise. every now and then I enjoy a lushly produced chamber-pop album. The cover through me off I admit, but the music was good.
Peculiar. It's like the album is part of some joke that I'm not in on - but then again, I don't want to be in on it.
3/5
Um. This is pretty bad. It escapes one star because it's sincere...
Tries so hard to be David Bowie. Fails spectacularly. Godawful. Ugh!
The Divine Comedy always perked my interest every time I heard them (him?) on the radio. So I always left a mental marker that I must someday research their music but never got around to it. So this album appearing on my list was a welcome reminder to give some time to perhaps catch up on what I had missed. The album is full of good melodic pop tunes coupled with a certain comedic innuendos with a nod towards the actor Terry Thomas. The suggestive nature of some of these might not suit the modern woke brigade but anything which upsets them is OK with me. Not an album which I would keep returning to but glad to have discovered. 3/5 4/1/25
raiskariesque konsepti.. klassinen pohjois-irlantilainen käsite. feikki ääni feikki aksentti. et rollaa ärriä suomalaisittain enää kiitos. lyhyt ja ruma -> homomusiikki pipeline on aika raju olen huomannut.. pikku nyökkäykset tsaikovskiin paras asia albumissa sillä tuo tunteita esille.. vihaa, vihaa tälle saatanan pellelle joka kehtaa poppivittuiluunsa tuoda jotain tuonkaltaista.. kukaan ei ajattele että olet kasanova neil, olet vain vittu outo ja puistattava, ja olet tämän lisäksi paska artisti, paska laulaja ja saatana alipainoinen nulikka. opetteleppas tavoille, ehkä saisit narttuja pippelillesi. trumpetille yksi piste something for the weekend
I thought I would hate this when it started, but like the creeps at the center of all these songs, it gradually wore me down. I think "This is not a sin, it's not even original" is when I started to get on the same page.
As other listeners noted this HAS to be a parody. Like making a mockery of 1970's theatrical soundtrack type albums. But that being said some of the instrumentation was pretty good, and the lyrics were at times enlightening and at times cringey. Overall 2 or 3 star album, Frog Princess was an iconic and ironic banger.
Not bad, imposing and deep voice throughout the album. Lyrics not that serious which contrasts a bit. I saved the first two tracks though they’re probably least representative.
Reveal thoughts: No idea. You know the movie Love, Actually? This sounds like if the “rock star” guy made a full album.
Full of itself and trying too hard to be funny
Could've been a nice Scott Walker tribute, but it lacks the emotional delivery.
I can't say I would listen to this another time, but it was a cool artsy baroque/cabaret album with creative arrangements.
After previously hearing A Short Album About Love, I found myself to enjoy The Divine Comedy really quite a lot. It goes without saying then, that I went into this album with some optimism. This paid off, as it is quite unlike anything I’ve heard before. It feels a little musical theatre/cabaret at times, but somehow without the cheesy side of it. The vocals are fantastic, the arrangement if very interesting, and the lyrics have a definite tongue in cheek element that I like. Overall, a bloody great album!
This is one of those albums that people either love or completely tear apart. I think more listeners would enjoy it if they gave it a few more chances—maybe two or three listens, especially if they’re unfamiliar with The Divine Comedy. The lyrics are clever, with a tongue-in-cheek humor, but they’re also balanced with moments of genuine emotional depth. Musically, it’s pure baroque pop and chamber pop, with a sophisticated and elegant approach that matches the playful humor of the album. It has a grandiose and theatrical feel, which fits perfectly within the baroque pop style. Like I said, if you’re new to The Divine Comedy, this album might take some time to sink in, but it’s definitely worth the effort.
Better then the other album by this same group from 2 days ago wtf. Still not great so I overrated the previous one I guess oh well
I enjoyed his baritone and the obscure musicality. It was good for a single listen although it doesn’t rank highly in the repeatable factor.
Nordirisches Britpop Experiment mit eher ruhigen Songs. Ein bisschen der Sound „Last Christmas“, mal eine Tangoeinlage, mal ein Trompetensolo, mal ein Comedy Stück. Es ist abwechslungsreich aber insgesamt zu unrund. Trotzdem hat es mit „Becoming More Like Alfie“ & „A Woman Of The World“ zwei schöne Stücke.
This is so much fun. The warmth, the wit, the big sweeping tunes. This is both a pastiche of Britishness and an addition to the canon of loveliness!
I’m still trying to figure this album out! It sounds very unique to his credit and reminding me a little bit of Jim Morrison back by the Monkees with their production team. Also hear elements of Kevin Rowland Scott Walker mixed in with perhaps a little more of the Bowie archness that I would like. Having said that clearly the guy is trying to do something different, which is extremely valuable these days because no one else is bottom line still listening and investigating, but I’d recommend you listen to it too! 👍🏾
Not a fan of his voice
This did not work for me.
Album does a good job at being a play. Listened to it at work. Not everything hit for me, but sometimes it turned itself up. Liked it. Standouts: Something for the Weekend, The Frog Princess, A Woman of the World, and The Dogs & The Horses.
I did like it more than I thought I would, but I don't see listening to it again. Upbeat and kept things moving, but the songwriting was crazy.