You've Come a Long Way Baby by Fatboy Slim

You've Come a Long Way Baby

Fatboy Slim

3.32
Rating
29472
Votes
1
7%
2
16%
3
31%
4
31%
5
15%
Distribution

Reviews (page 5 of 15)

a fun dj album that had me bumping the whole time and feeling like a 2000s main character 8/10

Yep, being 108 years old will do that to ya.

Dance en elektronica echt niet mijn ding. 1x luisteren en nooit meer

Nostalgic album for me but his use of the reverb on most of the tracks came through as annoying listening now. Still some good stuff on this though.

Probably a bit too long for what it is but some great tracks here and it is a good listen

ça va pas vraiment ce que j'ecoute mais ça va, mais ça ne me touche pas plus que ça

Very cool

Well, they do have that one song… but the rest is unremarkable

Fatboy Slim will always remind me of Derry girls Started off strong but every song is just soooo repetitive I had to skip most of them towards the end The hits are great and there's a reason they're popular, but I don't think that should justify this album being classed as one of the best of all time

I think this albums greatest sin is that it's ultimately surpassed by the other Big Beat bands of the time. There's nothing that drives me to Fatboy Slim that I wouldn't be able to find in a prodigy or chemical brothers record. That being said, it has its moment, and Acid 8000 is a phenomenally fun track.

This one really lights me up, love the samples and clean stems. The music videos accompanying songs like Praise You are ones I’ll still pull up from time to time. It gets a little liquidy in the last ten minutes, but I’m dancing throughout

Ihan hyviä sinkut levyltä, mutta ei iske kyllä kokonaisuutena. 2/5.

90s fuuun aber auch low key anstrengend haha

Holy repetitive

Rhythms were fun but it was way too repetitive. I wanted to like it but the number of times it just said "f***" over and over without any real musicality didn't do much for me.

Bloody loved it!!! Just wanted to dance!

Probably not something I'd stick on out of choice and quite repetitive, but can appreciate the influence. Some fun moments.

Spacca, che sound cattivo

Right here, right now - 4 The Rockafeller skank - 4 In heaven - 3 Gangster trippin - 4 Build it up, tear it down - 2 Kalifornia - 2 Soul surfing - 2 You're not from Brighton - 2 Praise you - 3 Love island - 1 Acid 8000 - 1

So fun and danceable, esp love “in heaven”

Meh. This music sounds like DnB candy. I think people get pissed off at Passion Pit for the same reason, but I love Passion Pit. Whenever I want to hear electronic style music, I want to hear something a little more exciting than this. I want techno, i want crazy synths, I want minimalist stuff; the hip-hoppy DJ scratches here feel kinda corny even though they’re well done. I don’t like the sample selection like this is some little big planet ass music

Насолоджуватись цим я не можу, проте це й не найгірше, що я слухала.

Honestly some really cool sampling amongst all of this but there’s just so many tracks that are total duds - over repetitive and not in a positive way. That said there’s some absolutely iconic tracks here.

Learning today that "Funk Soul Brother" is not the name of the song, it's "The Rockafeller Skank". On a good little run

I feel like I lost brain cells listening to this, but it definitely took me back to my high school years.

2/5. I am admittedly not the most familiar with Big Beat as a genre. I basically only previously knew the Prodigy with the crab album (fat of the land.) Fatboy Slim was another one of the large artists in that scene, and he was up there with the prodigy as one of the few big beat artists to make a splash in the U.S.. as for this album it’s some sample-heavy danceable electronic music. A lot of the songs I started off thinking “this is kinda catchy.” But then the biggest flaw of this album for me rears its head, and it’s that every song on here is just a minute or two too long which turns it into a slog to get through.

Now that was cool Balloon approved 🎈

Alright I guess...not in the mood, doesn't land.

I was considering giving this 5* because it caused a monumental shift in how the UK music scene operated, but having listened through and considered it's global appeal I don't think that's right. It's a mega album, and 4* feels fair

"You've Come a Long Way, Baby" by Fatboy Slim - what a BANGER! I remember when it came out, I played it up and down while driving to work in my turquoise colored "Fiat Panda 750 CLX Fire" 😂. This album is just loaded with iconic tracks that still work perfectly today. There are so many absolute classics on here like "Right Here, Right Now", "The Rockafeller Skank" and "Praise You", and hearing them again reminded me why this record was such a big deal. Fun fact I also did not know until now: Norman Cook did produce the album using an Atari ST setup from his home studio.

Insanely repetitive. I thought the other reviews were exaggerating, boy was I wrong.

The genre of this album is called Big Beat and it takes a few seconds into the album to understand why. You've got these massive walls of sounds and synths on the first song, coming together into this amazing beach party banger. The Rockefeller Skank is similarly awesome. The pacing, the progressions, the vocal samples are all insane. I also love the funky hip hop grooves on Gangster Trippin (what a feel good song!) and the massive bass on Build it Up - Tear it Down. I also like the summery and Haze'y Praise You, but unfortunately the rest of the album isn't really as strong. Most other songs kinda feel like remixes of the songs I like, but without that extra bang. It's hard to explain but they just lack a little something, that extra swagger that makes the best songs so exciting. It's a cool album to put on and vibe but not all of it sticks with me.

although very repetitive at times that make you skip a few, it’s kind of undeniable that this album by fat boy slim resembles a true era of the 90s. i’m a big fan of the layering in his music. i’ve heard most popular hits like right here right now etc, but my fav on full listen has to be gangster trippin’

Meh, hi ha un parell de temazos però molta palla pel mig. Millor tema de fatboy és Weapon of Choice que no és d'aquest àlbum

It is what it is - dance club music with tons of beats based on snippets of melodies and alliterative chants. It would be fun w a crowd that wants to get wild, but as an album I need to listen to before I die, it doesn’t cut it.

- Dj music - focuses on sounds and noises - no real lyrics

Repetitive repetitive repetitive repetitive repetitive repetitive repetitive repetitive and so forth and so on

I have no idea how to rate this album. On one hand, I absolutely adore every single song on this album. There isn't a single song (Yes, even "F*#&ing in Heaven") that I don't love... On the other hand, also in every song on this album, Fatboy Slim finds an annoying noise that he insists on repeating until he's absolutely obliterated the vibe of the track. The thing is, it's such a predictable move, that it makes the songs so much less interesting because you just know that no matter how much you might be enjoying it now... Fatboy Slim is going to come in and ruin your good time. "The Rockafeller Skank" is one of my favorite songs of all time, except that stupid freaking alarm sound that goes on for... it may be 10 seconds, but feels like 10 minutes... and then the plodding ping-pong build up that goes on for an eternity... just ruins it. I prefer the radio edits of most of the songs for the simple fact that those breaks get shortened, and therefore don't completely ruin the songs. I love so much of this album, but I also never really want to listen to these versions of these songs again. So... 3 stars? I dunno. Yeah, 3 is fair.

Got a few bangers on it but I just can’t really get into it as an album

Right Here, Right Now Rockafeller Skank You’re Not From Brighton Praise You

Bouncy, fun to listen to Great use of samples, but sometimess they feel repetitive or overused. I think if somone wanted to listen to a production album, Endtroducing... would be a better option, but this is better for a "good time" These songs are either heat or very annoying, mostly the latter unfortunately. I feel like I'll listen through 15 minutes of trash for 30 minutes of great production

Some absolute classics of my youth

I only know the one Fatboy Slim song and always enjoyed it. When I started the album, I thought it was going to be annoying hearing the same lyrics repeated over and over, but as it went along I started to enjoy it more and more. It was a great listen for my Sunday morning errands.

Interesting and mildly entertaining in the background.

Total bangers. Don't feel the need for rhythm drops in every song. Fred set me right on that.

[Host] WBCN, and who’s this? [Caller] Hey, this is Brad, this is Brad, this is … [Host] Now uh, who's your, who’s your favorite artist, who do you wanna hear? [Caller] Well, uh, my favorite artist right now is Fatboy Slim, that guy kicks ass! [Host] How tremendous is Fatboy Slim? [Caller] The band of the nineties, if you wanna call it a band, because it’s a one man name. [Host] Wow … Fatboy, and you wanna hear that new Fatboy song? [Caller] Absolutely! [Host] Which one? [Caller] The umm … it’s "funk soul brother, check it out!"

Mah non il mio genere noioso

I don't particularly care for DJ/techno music. This seems pretty catchy and fun. Some of the songs seem a bit too long and way too repetitive. Okay, it went from catchy and fun to repetitive and boring. I guess Fatboy Slim is not for me. I can see why people like this music but it is annoying as hell to me in large doses. I could not get through this whole album.

couldnt make it through but heres a few stars for technical prowess and cultural impact

I love this album so much. I would have loved to have been old enough to enjoy and appreciate this back when it released in 1998. When I was young my dad was a Moby fan so 'Play' was my introduction to electronic music. That and the soundtrack to Pi for some reason. Looking back I think this album specifically has something about it that feels so 1998 to me, like I wouldn't be surprised if a Fatboy Slim song is in a Need For Speed game from that era. Or like the Agent Cody Banks soundtrack.

Right here, right now

It is well produced and has varied sounds. It’s just that DJ loops and beats aren’t really my thing. After a song or two it all begins to blend.

This was ok. I knew Rockefeller Skank and Praise You. They make me think of the late 90’s. The songs were too long.

I thought I didn’t know any of these songs but I was just unaware that I actually did - very well aware of the hits!! This was upbeat dancey fun I liked it way more than I thought i would !!

o álbum é muito bem feito, mas eu não gosto de música eletrônica, então não importa o quão bom ele seja eu não consigo gostar, escutar esse álbum por uma hora foi tortura pra mim

I can imagine being a parent in the late 90's and having your kid blaring this 24/7 while you slowly loose your mind and question what's wrong with today's generation. This feels like it pushed the world of electronic music forward with reckless abandon leaving in its wake a mess of repeating samples and weird music slogans... Definitely has its place in pop culture, sporting events and video games, a bit hard to listen to this whole album while winding down after a long work week. I can't pick this apart too heavily though, this music is pretty culturally significant and undeniably catchy but might be a bit lacking in artistic merit. Not a hater but hard to say I love this album.

Another electronica album that I actually enjoyed a lot more than I was expecting. It helps that I actually knew a few songs on here, like Praise You and Right Here, Right Now. Both of which are nostalgic songs that remind me of listening to Big Shiny Tunes CDs growing up. That said, I was getting pretty tired of the repetitiveness of the album about halfway through. So yeah, a few awesome songs on here, but I still don't love electronica

I never thought I'd wander over to a more Rave kind of music to review a project, but You've Come a Long Way, Baby stood out as an exception. This album can only really be broken up with the hit single, and reason anyone even knows about this project, Praise You. Fatboy Slim is a DJ and also one of those Rave party songs that just flow really good kind of artist. That is super specific but if you have ever been to a party with a live DJ you would know it could sound like this in the 90s. The music is very hypnotising if you give into it, but the transitional bits kill any sort of individual replayability in a playlist. You have to listen to it all together or not at all, there really is no in-between. It is cool for what it is, but overall I was pretty underwhelmed with the album as it was good but nothing more than that.

In the late 90s, Norman Cook was everywhere. He was all over the charts, with radio stations playing his music on repeat. And not just songs released under the Fatboy Slim moniker either: if there was a song dominating the charts around that time, chances were that he had something to do with it. He transformed Cornershop's "Brimful of Asha" into a hit, he made Wildchild's "Renegade Master" 1000 times better (and what a tune that is!), and even elevated The Shadows' "Apache" to something that's arguably better than the original. Everything he touched turned to gold, thanks to his frenzied, magical remixing and sampling. And those samples are the key to what made everything so fresh and brilliant. Bringing 60s and 70s soul, funk and gospel samples to big beats was an inspired move, and a big reason why it was such a novel sound. He was one of the firsts to do it, but more importantly he did it so damn well. People were going around chanting "Check it out now, the funk soul brother" as a mantra for a while when this first came out. The "Rockafeller Skank" started all of this for Cook. He gave "Sliced Tomatoes", a 70s surf rock tune by the Just Brothers, the big beat treatment, and played it in sweaty underground clubs, quickly realising that it struck a chord with the ravers. It was a genius move. But what really makes Fatboy so great, is that he doesn't ever just leave it there. He can strike gold, but always brings his songs to weird and interesting places along the way. Things never get boring on this album. The "Rockafeller Skank" slows down before changing gears, "Gangster Trippin" swaps between melodies while keeping the vocals consistent. Breaking songs apart before building them back up again. It's a DJ at the top of his game. "Right Here, Right Now" kicks things off calmly with a building synth. But once that beat kicks in, the album doesn't let up. Every song on the album is top class, but the first four song run is the stuff of legend. After "Right Here, Right Now" and "The Rockafeller Skank", "Fucking in Heaven" takes over. It's as juvenile as it is brilliant. What a tune. And then we go straight into "Gangster Trippin", arguably the best song on the album. I can't decide which of the interchanging melodies is my favourite. It's an inspired soup of samples making something completely unique. "Soul Surfing" deserves a mention too. It's one of the most unhinged yet fantastic songs you'll hear, and it somehow slipped under the mainstream radar. "Shakato, Shabbo" indeed (I don't care what the actual lyrics are). It's crazy and amazing at the same time, like someone having great craic during a mental breakdown. Then there's "Praise You". As great as the song itself is, it'll forever be linked to the amazingly creative Spike Jonze music video. The Torrance Community Dance Group "flash mob" dancing around outside an L.A. cinema, with no permission, has become one of the most iconic music videos of all time, and it reportedly cost only $800 to make. There's just something so great about seeing Jonze and crew dance about like loons to the music, and it fits the song so well. "You've Come a Long Way Baby" is a masterclass in sampling and mixing. Cook was at his peak here. This is big beats done to perfection, and still one of the most fun albums of the decade. 4.5 stars.

Instant classic on release. Some songs, like In Heaven, have become dated since

Favorite Track: Praise You A fun listen, but not something I’ll come back to regularly. Great collage of sounds, but not an energy I love for an entire record.

It was pretty fun some nice unique sounding tracks I’m glad it wasn’t boring and you can tell the dude loves to DJ

Fun! I love how it is based in a nyc hip hop sound, despite fat bot slim being British. Really enjoyed you are not from Brighton.

I liked this album quite a bit, the hits like the opener and Praise You are classics but the others are also extremely memorable, amazing production all over this. Just a great album.

I'm personally not a fan of the whole big beat/house genre of music. I get that the point of it is to be repetitive and danceable, but for someone like me who is not big into the whole dance club scene, I don't really understand music like this and it becomes more along the lines of background music for me. I did recognize a few of the samples though. Thought it was cool that they sampled a James Gang song on "Right Here, Right Now".

buena producción, sonidos interesantes

Had this CD growing up. Never really thought of it as a top album because of the massive success of Praise You. Nice to go back and listen to the other tracks in full outside of the big singles. Forgot about Right here Right now, Kalifornia, Soul Surfing, and You're Not from Brighton. I used to play with You're Not From Brighton on a DJ mixing website with 2 little turn tables. Realized that Soul Surfing is often stuck in my head whatever that lyric is.

Fun record. Great tunes in it! 3,7

Love, love, LOVE! First album I’ve added to my Spotify library

El disco no es malo en sí, pero escucharlo de corrido cansa. Es hartante que utilice siempre el mismo recurso de repetir palabras o una frase durante 5' y 1/2 con una base de fondo. Creo que casi el 100% de los temas, andarían bien escuchados individualmente.

Very very very very very very very repetitive. "praise you" still slaps tho

smorilo me ovo

J'me rappelle de quand c'était nouveau et innovateur. C'était pas ben bon non plus à cette époque. 2.49 étoiles

More like Fat Boy Shit.

It’s exactly what it is but I would never just put it on and listen to it

This thing is too repetitive for an hour long run time. Bailed after 30 minutes. Should’ve quit sooner 😒

It gets pretty damn monotonous pretty damn quickly....and there's a song absolutely littered with f-bombs. At least we got a couple radio hits on this one. What puts this above/below the OTHER Fatboy Slim album (if there's not more) on this list. 1,001 is a big number - not sure why the author/editor has so many multiple 'meh' albums by so many artists.

Nice music to jam and clean to. Weird that Rockafeller Skank was unavailable on YT music.

She's All That taught me to like Fat Boy Slim. I can't drop the hack-ee-sack!

Favorite Tracks: Rockafeller Skank / Gangster Trippin' / Kalifornia / Rating: 3.25 Crazy that this went 2x Platinum in the US and 4x Platinum in the UK with over 5 mil copies sold. How far EDM has come! There's a solid Pitchfork retrospective by Brad Shoup that I enjoyed reading about how this album, and how the culmination of Norman Cook into Fatboy Slim all came about. For me, it's charming in a nostalgic sort of way. I listened to the whole hour-ish straight through as a background to work emails. In that environment a lot of the songs hit as a bit repetitive and they are all about 2 minutes too long for something where the entire conceit is that you can hear 15 seconds of a track and "get it." But the bangers still bang, and it all sort of fades into a toe tapping, if a bit mind numbing, mélange.

Man, I did not know that this album was going to feel as long as it did. I've spoken before of the problems with a "CD" first outlook when creating music. This is a perfect example of that, it just felt like it was too long too many long repetitive songs. The few I remembered were a welcome respite from the rest of the album.

Defiant not a lyrically strong album. Mostly beats. It felt like a party album. Reminds me of the 90s. Did not save any songs, and probably would not reach for this album again.

Absolutely incredible. I am stunned that I never listened to this in full until now.

Most of these songs could be less repetitive and at most 2/3s in length. Or perhaps SHOULD be. Regardless, the album is filled with bangers that I can't help but like a lot.

Did not expect my first 5 star rating in this to be for Fatboy Slim.

- I’ve always loved this album, so this is nostalgic for me. But, it also deserves a high score because it’s fun, funky, melodic, and made to dance to. Funky breakbeats FTW! - A couple of the songs aren’t as good as the others, but it’s mostly banger after banger.

Yeah not my style lets repeat the same phrase 50 times in a song and have some noise in the back. 2/5

Definently like this one it sounds nice.

I feel like "mind-numbing" is a good word to describe this album, just in that good turn-your-brain-off kind of EDM way. Really interesting sample work from this album, especially in the first half. I'm definitely gonna have more than half of the hooks stuck in my head for a while. I've been singing "California is druggy-druggy-druggy-druggy" over and over again while writing this. I'm sure the fine specimen on the cover would agree with me saying that this is a great album.

This is the album for guys who like bouncing. woo yeh baby just groove woo groovin non-stop all day yeh 24/7 don't stop woo they groovin you groovin yeah dats what I'm talkin bout good shit mmhmm just groove

Too repetitive and juvenile. Out of my wheelhouse for sure.

So I’ve heard of the name Fatboy Slim probably in passing or in media but I never knew what he was actually about or what kind of music he made. In listening I found out that it is electronic dance music and the song “Rockefeller Skank” is actually recognizable probably to anyone, as it is a very popular EDM anthem. The rest of his music is very catchy and I could see myself jamming to it. I could almost imagine him in the studio absolutely just jamming saying “oh yeah this cooks” LOL. Why did I almost get a feeling of MJ influence from the baseline in Soul Surfing? And I thought Gangster Trippin went absolutely crazy. Overall I really enjoyed this album and can see how it must’ve heavily influenced the EDM game.

Not my style but quite entertaining

Songs are all so long, but bangers none the less

I had disregarded fatboy slim as an artist due to simply his name. I thoroughly enjoyed this album and found it consisted of many songs I knew but was unsure who sang them. Fantastic album that I can’t believe I hadn’t listened to before!

really liked it 5 stars

I liked it but I will not listen to it again.

Absolutely mind numbing. Just as bad as when it was originally released. Unforgivable that this is an hour long.

Without the drugs this doesn’t hold up as well.

Way harder than I expected given I only know his groovy tracks

I guess we needed the whole album to get Praise You...That said, I'd probably enjoy it more when high.

Proprio non cosa mia, beat fighi ma la maggior parte delle canzoni era praticamente sempre la stessa frase ripetuta e non c'era neanche un accenno di melodia o simili. Pass

la imagen lo describe bien. creo que hay una con melodía, que no estaría mal si no se repitiera 1000 veces

no. y encima son todas larguísimas me muero siete minutos de esto son infumables

better than the other one

Listened on a bus to Boston, so the bit from WBCN (it's real) warmed my heart. Good bus music, some great grooves, but I probably wouldn't have listened to an hour of it in any other circumstance. But since the Housemartins aren't on the list I did London 0 Hull 4 for the rest of the ride and that was great, so the stars are for Norman Cook's oeuvre generally. 3.5

its fine. its a dance album. i get it. 2.5

I LOVE BIG BEAT, I LOVE JET SET, GIMME 3.9

Certainly inventive and some of the songs are infectious. Praise You obviously a classic. Not really my thing, but respect for this one and I kinda liked listening to it.

Youreallt can hear the influence on jamie and fred. FO!

Couldnt remember what this sounded like, but I like the style better now then when I first heard it years ago. Still, it's more being impressed than pure enjoyment as it becomes a bit too much for me with some grating parts.

have to praise you like I should

decent workout album but not much going on

Oh no. I had to live through this balls at the time, and everyone loving it. You could not go anywhere or do anything in the late 90s without a song from this album invading your personal space without consent. If it wasn't ol' saggy britches boning Zoe Ball and her gushing all about it, it was on the radio, and if it wasn't on the radio it was in your face at school, in the shop, blasting from the cars of steeks. And it was terrible. The summit and nadir of everything dance music had been steaming towards. So yes, it's wall to wall hits. The only good one is if course Right Here Right Now. By the very nature of the genre, each track only has about 1 minute of material, so you can get through the whole album in about twelve minutes and get the same effect as if you had listened to the whole thing.

Almost halfway there...

Would rate it 2.5 if I could. Liked the way he used the samples, fun album, good listen, just not my genre.

Yeah this is a huuuuuuuge album, so fun and super evocative of the time it’s from. What’s this? Fun music? Optimism? Where’s it all gone ????? 5.0/5.0 Best Song: Praise You

So many memories. It’s so fun, I wouldn’t say it’s class the whole way through, but it makes you want to dance. Best song: right here right now

Maybe it was years of sitting through shitty corporate presentations which (seemingly contractually) used "right here right now" as an introduction to unsuccessfully try & get people excited.....maybe it was the appalling vocal repetition in some songs (especially during 'farking in heaven'), but this was pure punishment in parts. Feels like Fatboy is a "small dose" artist +1 star awarded for the nerd cred - album produced on an oldskool Atari ST

The first half of the album are all bangers but there is some filler on the second half

I forgot how good this album was. I think I forgot Fatboy Slim existed at all, tbh. Most of this one wound up getting added to my Liked songs.

one of the best to ever do it

It's alright, on the wrong side of repetetive sample dance stuff. Rockafeller skank brings up bad memories

This was a favourite when I was but a babe, and it still holds up pretty well even if it's not quite a favourite anymore. I used to think the guy in the cover was Fatboy Slim as well. Solid dance music with some classics, important 90's stuff.

This album is like eating junk food. You know you're going to feel bad if you eat the whole bag. But you eat the whole bag because it tastes so good. I ate the whole bag and I'd do it again ⭐⭐⭐⭐

Beautiful voice. This will be getting a few more plays when there’s a long drive to be done

Some very cool licks but also some very cool licks over and over and over again.

I still have a soft spot the "Right Here, Right Now", and a couple other tracks still hit, but the rest of this album sounds like a bunch of meh 25 years later. I mean, it's not Clapton levels of "meh" but I'm not sad that big beat has been relegated to the dust heap as a genre. Right Here, Right Now - this still hits, if not quite as hard as I remember it in highschool. The Rockafeller Skank - I feel like this may be the only track on this album that is more than just a big beat experiment. Put differently, it also still sounds good 25+ years later. Fucking in Heaven - in retrospect, it doesn't feel like this should have made the album cut. Besides the sophomoric lyrics, the song itself is pretty forgettable. Gangster Tripping - the more of this album I hear, the less I like. Build It Up – Tear It Down Kalifornia - maybe it's just the big beat hasn't aged that well imo, or more likely that I was never a huge fan, but I can't find anything to appreciate about this track 25+ years later. It feels like another b-side that shouldn't have made an album. Soul Surfing - again, feels like we're repeating the same schtick. You're Not from Brighton - its just shy of 5 min runtime was 3 mins too long. Praise You - somehow this song feels like it never quite gets going, like a perennially repeating bridge Love Island - have already forgotten what this sounded like. Acid 8000 - this may actually be the most interesting track on the album.

Lots of nostalgia, but waning respect. This era of popular breakbeat feels formulaic. Introduce a sample for 4-8 bars, drop in another sample or switch the break for another 4-8, then remove the first sample. And the samples have this overall kitsch feel; a post-Odelay irony. “Isn’t this funny/cool?” Rinse and repeat. They generally lack musicality and feel. Rockefeller Skank is the best example; it’s just so annoying by the end. IMO probably the most enduring song is the closer, Acid 8000, precisely because it has the fewest samples. Down with Friuty Loops sampling in the 90s; up with 303s.

4 liedjes kende ik al! Ik vind het best een leuk album, maar bijna alle nummers duren te lang en zijn herhalend. Dan ben ik er na een half nummer wel klaar mee

One of the greatest to ever use technology so joyfully and creatively.

I was enjoying it at first but it started to get a bit boring. I’m sure this is great if played at the right event though. Although Praise You has been ruined for me. I immediately thought I had gotten an advert before realising it was the actual song.

фетбой навалил годноты

Wow, this was fun! So many bangers. “Right Here, Right Now” replaces “Mr. Brightside” for Bills 4th quarter amp up song.

Will now be featured during every Bills game

The shirt on the album cover might be the hardest thing about this entire project. The music is very repetitive. I get that this is intentional and part of the style, but I can’t actively listen to it on its own. It works well as background music while working or staying busy. I understand why it appeals to people, but it’s not really for me. There are some fun highlights, like “Gangster Trippin,” but even that starts to wear thin after about four minutes. 7.5/10

This was a really fun listen and definitely a classic. The use of samples is really innovative and still holds up to this day, and the songs themselves are really infectious and entertaining. It's not quite a five star album for me, but I can totally see why it would be for someone else. 4/5

The opening one-two of Right Here, Right Now and The Rockafeller Skank is like a one-two punch to the nostalgia gut, and at the beginning, I had a feeling it would feel as if the rest of the album would drag on and be a chore, but it's quite the opposite: a fun album, full of playful rhythms and passages that reveal more than meets the eye. Other than the first two songs, Build It Up - Tear It Down rocks, and Praise You is a beautiful song that almost feels like it belongs in Madchester.

Banger. Good vibes. Dance. Macht einfach Spaß zu hören. Wiederhörfaktor Hoch

3.5* first 3 songs very good on here not too keen on the rest.

The Wikipedia article called his style "sloganistic" vocals which I thought was pretty interesting. Feels pretty modern in a lot of ways. I liked you're not from Brighton, Kalifornia, and Praise you.

4.5/5 + I've listened to The Rockafella Skank what feels like a thousand times in my lifetime, it still slaps + I always wanted to listen to this album and never took the time, so thank you 1001G + Love the artwork + so much energy + the highs are so high (and Praise You is basically just a collection of highs) + I had a great time - it's very repetitive, when it works, it's hypnotic and very kinetic, when it doesn't work it gets extremely annoying - some songs are a lot longer than they need to be Fav: Praise You, The Rockafella Skank, Gangster Trippin, Soul Surfing Least Fav: Fucking in Heaven

Every song is way too long. Iconic album and definitely is good, just not something I would sit down and re-listen to - I would re-listen to certain songs off the album.

For some reason I never listened to this album, even though we played "Praise you" and "Right here right now" up and down in our youth. The mix of mischief (The Rockafeller Skank), great beats and insanely original video (Praise you) is exceptional. Norman was totally in his element here.

Not for me

Very repetetive, helped me study though

#32 Banger singles but repetitive as hell

Another one that I have to assume the author wants everyone to listen to only to make sure we all know this album is complete trash. Somehow this is over an hour long. Each song has one idea that is then somehow stretched to 4 minutes each.

The 2nd album I ever bought with my own money. Rockafella Skank was on Fifa 99 and I thought it was the coolest thing ever. It’s still a banger. Right Here Right Now and Praise You also great The rest is hot garbage. I’m giving a generous 2 just because I like those three songs.

One of the better 90s dance records. Some catchy stuff. The videos spike jonze directed are classics. This is the best of this genre I’ve heard.

Very 90s I like it

I enjoy his work whenever I come across it and this wasn’t any different. Each track is so fun and only a couple times did I want the track trimmed down a bit. It accomplishes providing an hour of good danceable music. Should I expect anything else out of it? Rating: 4.7

fun album with lots of notable hits

As usual for Fatboy, cool cover & title, repetitive music.

Klarte å høyre gjennom, men siste låtane var jo heilt sjukt vonde å høyre på. 2 fordi det var ganske fett i starten.

Catchy første låt, mindre rap enn jeg ville tenkt. Mye trivelig musikk, noe litt slitsomt. Noe fester seg lett. Er en stemning. 3 til 2.

Wish I was hearing this for the first time in the 90s again. Just a bit overplayed to the point where it’s hard for me to judge fairly now.

This would hit so hard on a roadtrip. Not really the same effect when doing the dishes but it's ok

When an album contains not one but *two* entries from my "Most Hated Songs Of All Time" list, it's already going to start out behind the eight ball. The rest of this record is the same shtick, with tracks that repeat a vocal sample ad nauseum (while Fatboy Slim congratulates himself along the way). This copy-and-paste stuff might have seemed revolutionary at the time but it has since been eclipsed by others who took sampling to new heights, leaving kindergarten stuff like this in the dust. (Hell, Double Dee and Steinski did more with razor blades and tape than Fatty Boy could ever do with a computer.)

right here right now the rockafeller skank electronica 1998

Some good songs, bit dated.

Some bangers. Many would-be skips.

Good, although slightly repetitive

fatboy slim, el disco de rockafeller skank, un poco pesado pero bien para tener de fondo cuando apetece

Listened to this so much in college (00s) that I didn't even need to listen to it this time. Excellent big beat, uh, beats, and memorable vocals (one that comes to mind I probably shouldn't type here ;P).

The sound track to every ski town in the 90s. Some of the songs are good, some are bad. I wouldn’t want to listen to this often but it was fun for a little while

This is, quite simply, too much Fatboy Slim

I was working out while I listened to this which was probably the correct environment to enjoy it. Catchy beats, very repetitive

Love me some fatboyslim

Oh no, another ‘90s DJ album that doesn’t need to be on this list. It’s ok and good for dancing but it’s musically lacking. There’s no way that this should be essential listening.

Not what I was expecting at first. Interesting dj beats. A tad repetitive at times. Dumb lyrics are funny at first but lose their appeal quickly

It's just noice to me.

Some really fun tracks, but totally different level than Shadow.

I don't think I've ever sat down and listened to this whole album, but I feel like I knew the whole thing. This was really everywhere for a while. Still a lot of fun.

Great album, excellent sampling.

Some great beats, used to listen to this a lot back in the day. It hasn’t aged as well I would have hoped for me but still some really good stuff.

This one has such fun energy and good energy. While some of it gets a bit repetitive it tends to stop before it overstays it's welcome and slip into "I need drugs for this" territory Standouts Right Here, Right Now! Rockafeller Stank 5/5

Appreciate the significance, but sounds a bit basic to 2025 ears. 2.44 stars rounded back down to a flat deuce

Nice beats. But it is not for me

Man WTF was wrong with us in 1998. I didn’t own this but it was around and I thought I liked it? But man it’s unlistenable to my brain now. WTF was wrong with us? The drugs must have been so good.

every song is really good for like the first minute and a half, then the same beat just loops about 200 more times making you completely sick of it

An iconic entry in the genre and excellent music for background noise.

You've Come a Long Way, Baby is one of those albums that captures a very specific moment in late 90s dance music, and it still feels ridiculously fun. The beats hit hard, the samples are clever without being precious about it, and there is this big, messy enthusiasm running through the whole record that keeps everything moving. It is music built for motion, full of swagger and cheek, but with enough craft behind it to hold up long after the big beat era faded. The big tracks like “Right Here, Right Now” and “Praise You” are still irresistible, partly because of their hooks and partly because they walk that perfect line between sincerity and playfulness. Even the deeper cuts, the ones that lean heavier into breakbeats and looped vocals, have a scruffy charm to them. The production is chunky and loud but never overly glossy, which gives the album a personality a lot of modern electronic records end up missing. If the album has a flaw, it is simply that the formula becomes a bit predictable by the end. The same tricks repeat, the same structures appear, and the energy dips slightly in the final stretch. But even then, it is hard not to enjoy it. You've Come a Long Way, Baby is a celebration of excess, rhythm, and sheer confidence. It may not reinvent anything now, but it still knows exactly how to make a room move.

Das Album wurde im House of Love in Brighton aufgenommen. Fatboy Slim, britischer Produzent, verbindet auf diesem Werk tanzbare Breakbeats mit markanten Samplecollagen und Einflüssen aus Funk, Soul und Rock. Besonders bekannte Stücke wie „The Rockafeller Skank“, „Praise You“, „Right Here, Right Now“ und „Gangster Trippin“ zeigen die klare rhythmische Linie und die durchdachte Struktur der Songs. Die Produktion ist präzise, die Stücke behalten trotz vielfältiger Einflüsse ihre Erkennbarkeit. Das Album vermittelt den typischen Big‑Beat‑Charakter und wirkt konsequent stilistisch ausgerichtet. Hörenswert für Fans elektronischer Tanzmusik.

Maybe it’s just too overplayed but this felt very repetitive

Some good beats and good songs--"Right Here, Right Now," "Praise You"-- but, boy, do some of these get tedious. Lots of empty calories on this one. Still, as beat-heavy electronica goes, you could do a lot worse (see Basement Jax).

My experience listening to this was like whiplash. Every song felt like it started with a cool sample or a funky beat, but the more it went on, the more i started to resent the repetition, especially the fucking annoying vocal bits. Wouldnt revist the whole thing but some good songs for sure, Praise You is a banger

Actually enjoyable British techno

dolbit normal'no

Algunes cançons memorables però no crec que sigui un àlbum per escoltar d'una tirada perquè a la mínima es fa molt repetitiu. El tornare a escoltar d'aquí un temps a veure que tal. Seria un 2'5

Haven't listened to much of this genre before, and I found it to be a very fun listen. Will definitely revisit.

30 words across the entire album. It's pretty good despite the ridiculous repetitiveness.

A lot of these songs were so ubiquitous around the millennium that I can't really judge them, they are too familiar as background noise. However, the middle tracks I had not heard and I enjoyed them, so I'll extrapolate from that that I would probably enjoy the more familiar tracks more if they were new to me also.

Álbum bem legal de música eletrônica. Possui passagens bem variadas. QKZxHBB Khan.

Alright, very dated now though

Knew "Right Here, Right Now" "Rockefeller Skank" and "Praise You" already, but also enjoyed "In Heaven" "Gangster Trippin" and "Soul Surfing"

It’s OK, not bad, not as good as I remembered. Definitely the kinda thing that’s better live.

That was a lot of fun, very nostalgic, and really close to a 5. But, ultimately, I was kind of glad it was over and will almost certainly never listen to it again, so I think a 4 is appropriate.

Heard it said that a man's favourite word is his own name. That's certainly true of Fatboy Slim.

Effulgent

Repetitive in a way I can only describe as relentless... oppressive even. I was on the cusp of losing my shit from the amount of times I had to hear the phrase "Fatboy Slim is fucking in heaven." Even the big hit songs from the album have been so overplayed that they offered very little reprieve from the agony.

A weird album to have kindergarten field day memories attached to.

Why do I suddenly feel inclined to wear frosted tips, a puka necklace, and pose aggressively above a fish eye lens?

Generally not my preferred style of electronic music. Rockafeller Skank is fun, and I've had Praise You in my head for a few days. 2.5

love that he's been trying to find the guy on the album cover and hasn't as of 2025, apparently. this is an all timer, it never gets boring, only slightly grating at times

idk man, i like fatboy slim, but this is not his finest work. 1.5 today

I think "The Rockafeller Skank" is really stand-out compared to the rest, but the rest isn't bad either.

It’s fun. But not one I’m inclined to go back to anytime soon.

Seminal big beat; you've heard a lot of these song somewhere, probably in 15 seconds chunks. Too repetitive for my tastes though.

I dodnt expect to hate this so much. The samples are utterly grating

A while ago I wrote that this project can have The Chemical Brothers, Moby, The Prodigy, and Fatboy Slim as the techno representation, so I'm happy to see this album. The songs on this album were placed in movies, tv shows, and commercials, so there is a lot of familiarity and general ear worminess to it. But the songs were chosen for those purposes for a reason. Electronica that rocks a little. Influence 3. Quality 4. Intangibles 4. Hits 4. Right here, right now 5.

Starker Anfang, konnte das Level aber auch aufgrund der Eintönigkeit leider nicht halten.

Das Album lief damals zum Erbrechen rauf und runter. In meiner Single von Right here, right now habe ich eine kleine Kugelschreiber-Liebesbotschaft meiner damaligen Freundin gefunden :) made my day! Beim Rockafeller skank direkt fifa-98-Flashbacks … Matthias Sammer in der Halle… „er ist sein Gewicht in Gold wert!“ Bittersweet nostalgia ..

Gutes Album. Mich persönlich stört der ständige, repetitive Einsatz von Sprach-Sampeln. Beats sind toll, lockere Stimmung ebenfalls.

Loved this album when it came out, got a bit bored of it and came to expect too much of it. Listened to it for the first time today on a car journey and remembered how good it was

The hits are amazing - "Right Here, Right Now," "Rockafeller Skank," Gangster Tripping," and "Praise You" are all great. "In Heaven" is fun. Some of the tracks just feel like pure filler. "Build It Up, Tear It Down" is barely worth the 5 minutes it takes to listen to it. "Kalifornia" is better. "Soul Surfing" is also a lot more fun. "You're Not From Brighton" is a fun title since Fatboy Slim is from there, but the song itself is forgettable. "Love Island" is pretty good as the penultimate track, if a little tired, and the closer "Acid8000" is most likely the least interesting track on the whole album. Overall, a solid effort and definitely part of the zeitgeist of the late 90s club culture in Britain and elsewhere.

fatboy slim is fucking in heaven/5

Starts of great, familiar bangers, but just is so drawn and slow. Still, great fun and praise you comes in clutch at the end

Undeniably good stuff, not my favorite genre but a classic

Rockafeller skank is legendary

It's interesting, but that’s about it. Songs are repetative and the beat drops aren’t all that amusing. Felt that they were always going on longer than they should.

Thought I was going to enjoy this as I had fond memories from my yoof. Listening to it now though, the rose tinted spectacles of memories past quickly fell away. Some things are better left in the past...

Some really classic hip-hop songs on here. Pitchfork: 8.5 Rolling Stone: n/a Best Songs Right Here Right Now The Rockefeller Skank Praise You

I've heard so much about Fatboy Slim and how essential groundbreaking he was in his era in various documentaries, but I feel like no one really talks about him anymore. I've heard "Rockafeller Skank" and "Praise You" a lot, but I feel like it's always in the context of nostalgia. There's some cool sounds here, but so much of it is too redundant. Maybe that's the point? I dunno. I typically enjoy dance music and turntablism, but I can't grasp the appeal of Fatboy Slim. Just kinda boring and repetitive. J-j-j-ust kinda kinda kinda kinda boring and repetitive Just kinda boring and repetitive-tive-tive-tive just kinda boring and repetitive

Banger after banger had a lot of fun in really liked it

Pretty good but got bored

Quite enjoyed but dragged on towards the end

voto com os relatores desconhecidos desse site dolorosamente repetitivo, mas não é ruim

de fato, ruim não eh mas é repetitivo demais. mas é repetiti- mas é repetitivo demais. mas é repetitivo demais. mas é repetitititititi- mas é repetitivo demais. *breakbeat noventista intensifica*

It's obviously good music, but I found it irritating to listen to as an album. The songs by themselves can be fun, and dancing to them is great. It is just incredibly boring as an album.

Not a fan. Not bad by any means, but not for me. The hits are classics for obvious reason with praise you being my standout

Feels like a parody of everything late 90s. Not meant to be taken seriously. I feel like it could be a bit shorter, but the whole thing is still really fun. Kinda reminds me of Moby's album Play, but with humor

Pretty average

I think this one just about scrapes a 5. It’s phenomenal.

I like this album a lot

THE FUNK SOUL BROTHA'

- eu gosto muito do estilo do fatboy slim, é menos energético que seus conterrâneos do big beat, mas ainda vibrante - acho que ele refinou a forma de recortar beat e sample do que já havia sido feito com prodigy e a galera do jungle - além disso, trouxe as raizes da música eletrônica de volta com a reaproximação do funk e rap

Right Here, Right Now - 5/5 The Rockafeller Skank - 5/5 In Heaven - 3/5 Gangster Tripping - 4/5 Build It Up - Tear It Down - 3/5 Kalifornia - 3/5 Soul Surfing - 4/5 You're Not From Brighton - 4/5 Praise You - 5/5 Love Island - 4/5 Acid 8000 - 4/5 Average score: 4/5 ⭐️⭐️⭐️⭐️

Banger. Fik mig ind i BigBeat/breakbeat synes det er så sejt og sjovt at lytte til. Det er sådan en feel good vibe som ikke er ignorant men bare sådan hey det hele skal nok gå fyldt med selvtillid og tiltro til sig selv. Det er svært for mig ikke at give det 5/5 fordi jeg har lyttet så meget til det og bare elsker det.

Praise You and Rockefeller Skank are all I really cared about. I did a lot of skipping because of how boring and obnoxious some songs got, lik In Heaven and Kalifornia.

I've at least heard something from this album before. Right Here, Right Now - 4/10. Meh. Repetitive and not appealing to me. Rockafeller Skank - 5/10. I actually recognize this one, too. It's OK, but the middle part (where it went super slow and distorted) was unpleasantly weird. In Heaven - 0/10. Deeply unpleasant. Gangster Trippin - 4/10. Meh. Build it Up, Tear it Down - 4/10. Meh. Kalifornia - 1/10. Unpleasant. Soul Surfing - 1/10. Not to my taste. Not fun in any way. You're Not From Brighton - 3/10. Better than many of the tracks on this album, not that that takes much. Praise You - 5/10. Decent. Still things that just grate on me (long holds that feel like a CD skipping), though. Are We Having Fun Yet? - 2/10. Much like the rest of this album. Acid 8000 - 2/10. Again, unpleasant and repetitive. Overall Rating - 1.41/5 (2.81/10). Unpleasant and repetitive. Unpleasant and Repetitive. Unpleasant and Repetitive.

nicht meines ...

Ugh, couldn't stand it then can't stand it now...

Kaksi kovaa klassikkoa heti kärkeen ja yksi vielä myöhemmin. Muuten ehkä hiukan toistavaa ja tylsänpuoleista. Sopisi paremmin taas taustamusiikiksi jonkun asian taustalle. Muuten kyllä ihan hyvän henkistä kamaa. Tulee semmoinen positiivinen olo ja hyvä viba. Parhaat: Right Here Right Now, The Rockafeller Skank, Praise You

I don't knooooow

Fun album but depends on my mood. Have conflicting feelings about it much like the album cover itself.

quirky and interesting, which is rare for albums on this list! some song were pretty annoying though

Tämä genre ei vaan uppoa...

Fukin in Heaven....hieno kielikuva Itse levy jäi junnaamaan m8nessa kohtaa

Levy vei omaan nuoruuteeni ja hyvinhän se potkii edelleen. Silloin nuorena levy ei tuntunut toistavan itseään mutta nyt toistoa oli havaittavissa. ⭐️⭐️⭐️⭐️

Oli kyllä kova. Hyvää sämpläystä!

Although I always found "the funk soul brother" repetitiveness of "The Rockafeller Skank" annoying, I was surprised by how much I liked this, particularly the closing three songs, "Praise You" (another big hit), "Love Island," and "Acid 8000." They aren't necessarily songs I'd put on just to listen to music, but they're excellent additions to my running playlist. (Currently 193 songs, 11:45.)

I am living proof that being in your very early 20s at the same time Fatboy Slim was hitting big whilst totally totally ignoring Fatboy Slim will not seriously impair your future. Praise You is good though.

This is technically my first real electronic album, and it’s coming from a very familiar name Fatboy Slim. I’ve always known the name, but never actually listened to his music so this felt like the perfect chance to do so. This album is pure late 90s electronic chaos. Apparently the style is called Big Beat / Acid House? Interesting. Norman Cook basically took big beat and blew it up into something massive with breakbeats, basslines, goofy vocal samples, and huge festival sized hooks. The whole thing reminded me of an influence on Daft Punk and The Prodigy, that’s the closest artists I’ve heard that matches this style. It is repetitive, but it builds on that repetition in a catchy way, and it stays fun all the way through while still having plenty of standout songs. The sampling work is insanely creative: drum n bass touches, chopped up pieces of funk, soul, hip-hop, rock riffs, random spoken word bits and a lot of things that shouldn’t work together but somehow do here. The music is very drum focused and has a goofy, vibrant energy overall. The sound choices are quirky and playful, and I can imagine how much fun this would be live. Every track feels created to hype you up. I actually knew “Praise You” beforehand, but had no idea it was from this album, thats a banger. I don’t think I’d listen to the whole album daily, but I know I’ll enjoy it whenever I’m in the right mood. The album cover is crazy too honestly represents the artist name pretty well. Favourite tracks: Right Here Right Now, The Rockafeller Skank, Fucking in Heaven, Gangster Trippin, Kalifornia, Soul Surfing, Praise You.

actually enjoyed this more than i thought i did. chorus is repeated a bit excessively but fun. very interesting and captivating listen. some of the sounds on here are dirtyyyy but in a good way

strong in some areas but it's hard for me to listen to something so repetitive and lengthy

Old-school electronic music, kinda Partiboi vibes

I find it really hard to comprehend that this is/was rave music

una parola: swag

not my cup of tea non ho apprezzato nulla capisco per gli amanti del genere che sia qualcosa ma veramente ero disturbato dalla continua ripetizione

Fat boy slim is fucking in heaven.

I probably should’ve enjoyed this more, but idk I was just annoyed mostly. Not for me

A big beat classic, enjoyable.

The sound of my childhood

Very repetitive but I could listen to again

Hated it in the 90s, hate it even more today as I thought it would never again cross my ears.

Just ok. I was hoping for more...

Head nodding turns to stomach turning on the fifteenth loop in all of these songs.

We've all come a long way since this album was released, but it still sounds just as good to me today as it did back then. In fact, I can appreciate it far more these days.

An instant classic electronic album. The sampling and transitions were really fun, lots of catchy tracks. I wasn't too familiar with Fatboy Silm, but turns out I already knew like 3 songs on the album.

Absolute nightmare! It was like a terrible mashup of Primus and Moby. I couldn’t listen to a single song all the way through.

Solid dance moves with half of an all time 90’s playlist right at the top. No it’s not anything amazing but it will make you wanna shake your ass and that is worth it alone.

I listened to this album twice. At first I was impressed by the high-quality production, and even on a second listen I still appreciate how clean and polished it sounds. However, what didn’t stick with me was the songwriting itself. Tracks like "Right Here, Right Now", "The Rockafeller Skank", and "Gangster Trippin" are undeniable classics; they showcase how well Fatboy Slim can take repetitive samples and make them feel exciting, which is genuinely impressive. But those (and "Praise You", which doesn't do it for me) are also the tracks I already knew going in. Beyond them, the rest of the album didn’t really compel me to explore more of Fatboy Slim’s catalog. The remaining songs sound good from a production standpoint, but they felt repetitive and ultimately not memorable, which kept them from making a lasting impression. Ultimately, great production couldn’t save songs that simply didn’t stay with me, and while I can still understand why it's on the 1001 Albums list, I find myself listening to The Avalanches now.

dj trash

The first two minutes of every song were really delightful. But every song was much longer. I wanted to give this a higher score but I found myself excited for every song to end.

I understand I might be off on my own here but this album is great fun. One of music's primary functions to make your body move and that's here in spades. It drags a little towards the end but that's a criticism of electronic dance music in general, my endorphins and dopamine have a time limit. Hilarious album cover too. Someone do a where is he now with the little fella wearing the t-shirt.

Fatboy has an excellent sense of when to throw a hook in before a sample becomes too repetitive. Beats so big, you gonna be banging your head on the ceiling.

First two songs are good the rest are shit

Not my cup of tea.

Clearly some great roots to dance

Crazy album tbh, loved the sounds

Perhaps it's just not the genre for me, but I found this repetitive to the point of insanity. I can see the appeal from a clubbing standpoint, but otherwise it just grated on me. Rockefeller Skank and Praise You I was familiar with, but felt a lot of the songs were just too long with not enough to keep it interesting.

Few undeniable classics on here but gets boring after a while.

Two absolute bangers and a whole lot of shit Best Song: Right Here, Right Now Rating: 3.5/10 Stars: 2

There’s a certain sense that I should like Fatboy Slim because he’s Brighton’s musical mascot, or something, and despite what track 8 asserts, yes I am from Brighton. Here is an instance of where the most streamed tracks are also the most enjoyable, but that’s mainly because the rest of the album’s ‘filler’ are just more repetitive, less creative versions of the sound that works quite well on the big singles. Over an hour is also far too much for this sort of sound. There’s a reason why Mr Cook himself is a DJ, and that DJs were invited to use these sorts of tracks to sample, or to segue into another thing. Not to sit around festering in your headphones for over six minutes each. I truly don’t think the ‘album experience’ is what’s intended here, and for that it must be marked down in my inconsequential estimations. Still, he seems a nice guy.

I've just been violently flung into my memories of high school. Ouch.

Enjoyed the music, the “lyrics” were a little droney/repetitive but id listen to it again!

some tracks great, some meh