Graceland

You Can Call Me Al gave me a jump scare of recognition. Overall this was fine, didn't blow me away but also didn't drain me. Favourite track: Graceland.

This album has been under a lot of scrutiny lately, but for the sake of this review I'll try to set all of that aside and focus solely on the music. All in all, I did enjoy this album. It's not something I'd ever listen front to back again—mostly because about half of the songs just aren't my jam—but I do appreciate it for going in some really creative musical directions. Tracks like 'You can call me Al', 'Graceland', 'I know what I know' and 'Under African skies' are definitely worth returning to. At the same time, I absolutely despise the accordion, so every time it came on, I immediately had an urge to skip the song. I also think that certain parts of the album haven't aged well—not only because of the controversial aspect of it all, but also because of the outdated production. Paul Simon has other records that feel way more relevant nowadays than this one.

I remember the Call Me Al video in ‘86 with Chevy Chase? Hard to get past it :)

I like this album, the bass and rhythm is fantastic. Some classic songs

La polémica decisión de saltarse el boicot a Suráfrica supuso para Paul Simon un sinfín de críticas que, con el paso del tiempo y viendo lo ocurrido después, se han demostrado tan injustas como inútiles. La colaboración de Simon con músicos surafricanos inspira la gran parte de un disco rompedor en el que se fusionan el rock y los sonidos nativos de una forma extraordinaria. Además del tema que da título al disco, destaca la colaboración con The Gaza Sisters y General M. D. Shirinda, "I Know What I Know", "Homeless", interpretada junto al grupo Ladysmith Black Mambazo, «Diamonds on the Soles of Her Shoes» compuesta conjuntamente con Joseph Shabalala (uno de los temas que más me gustan) y, por supuesto, el primer sencillo que se extrajo del disco: "You Can Call Me Al".

My favourite album of all time. Absolute game changer.

Bangers, groovy bass line the whole way through

Graceland by Paul Simon is nothing short of a masterpiece, a timeless journey through an eclectic mix of genres, effortlessly blending African rhythms with Simon's trademark songwriting prowess. Each track is a gem in its own right, from the infectious rhythms of You Can Call Me Al to the poignant storytelling of Graceland. Simon's collaboration with South African musicians infuses the album with a vibrant energy and cultural richness that sets it apart. The production is immaculate, with every instrument and vocal intricately woven together to create a tapestry of sound that is both uplifting and emotionally resonant. Lyrically, the album is a masterclass in storytelling, touching on themes of love, loss, and the human experience with sincerity and depth. Decades after its release, Graceland remains as relevant and impactful as ever, cementing its status as one of the greatest albums of all time. NUMBER OF BANGERS - 11 STAND OUT TRACK - Under African Skies

Love the music and the vocals are super nice. Not sure about the colonialism vibe i'll reassess when i'm in my 50s

Seen as Simon's comeback album (though his previous album was still very good - it has no chance against this one) this was pretty much just handed out to parents in the 80s. I mean EVERYONE had this album. Still he steal a couple of melodies? Probably. Did he piss a load of people off by going to work in South Africa? Almost certainly. However, this album's greatness can't be understated. The music is joyous and when it wants to be melachoic. The genres jump all over the place and yet all fit together. The lyrics are genius and as you get older, they will hit even harder. This is one of those albums that fits "you must hear this before you die." Best Tracks: Graceland; Gumboots; You Can Call Me Al

A few good tracks, and wonderful guests, but not really my thing. Enjoyable enough, and clearly the work of someone who knows what he is doing, but lacking a little soul/passion/heart.

I have no idea what you would call Paul Simon’s music but its chill

Interesting inclusion as I thought the consensus was this this is where Simon had started to lose his way. Listening to it suggests the consensus was right. Utterly confused by this - is it meant to be delta blues inspired by Elvis? If so what’s with all the township singing? Baffled.

It’s the late 80s, you’re in the car with your family driving to France on summer holiday and you’re taking turns putting your (very limited selection of) tape albums on the stereo. Dad’s got Dire Straits ‘Brothers in Arms’ and Queen ‘The Works’, you’ve got INXS ‘Kick’, your sister is lethally armed with the Dirty Dancing soundtrack and your Mum’s got this. Happy memories of the times, less so the music selection. The upshot is I know every word and part of this album off by heart, purely by conditioning, it’s definitely not love. I have no idea how to rate it, but I think I actually might like some of it, but my perspective is totally shot . Gonna have to emergency safe ‘3’ it! (Side thought: wonder how many of those other albums are on this list?)

Pauls gone to a bit too far with this. If it was purely the Chevy Chase collaboration " You can call me al " it would be 5 but the rest is worse than Sting.

Liked Song You Can Call Me Al

I appreciate this, but it is not always my thing. Also Paul Simon stole credit for the songwriting on this one from the guest artist, but that’s just him being a dick. Now that I think about it: This would actually be a pretty cool record without Paul Simon.

I was looking forward to listening to this one and left feeling pretty underwhelmed. It’s fine but not as great as it gets described.

Nostalgic. Feel good album.

Al and Graceland were the saviours on this album for me.

Surprisingly good

This is one of those classics I'd never listened to all the way through before. Great stuff

не могу особенно ничего сказать. под данные работы меня качало. было весело, но не более. под конец композиции наскучили

I'm not a fan of Paul Simon. But this definitely was a major album when it was released. In a time before the "World Music" of the 90s it was an encridibly important album for popularize unknown (at least for many) music styles. For this reason a "4". Otherwise it would have been a "3".

It’s definitely got a place here. Not my favorite stylistically but well structured and good songs.

I like the African influences on songs like Homeless. The accordian is oddly pleasant. Overall, I did really like this album.

One of his many solo albums that explored world music.

Top 30

Pretty good most songs v strong.

I don't get it, but then again, I don't get Simon and Garfunkel either. This is the sort of record that makes me want to scream at baby boomers like "THIS is what you think is an alltime record?" while throwing an endless stream of vinyl copies across the room. Chevy Chase was the best part of "You Can Call me Al" and given how he has become known as one of the biggest tools in show business, even that carries very little water.

La única pieza que me gustó fue Homeless, que presenta voces a capella que armonizan en estilo africano, lo cual se explica por el hecho de que buena parte de este álbum fue grabado en Sudáfrica. El resto de los temas son planos, carentes de dinámica, y Simon falla en transmitir emoción alguna en su voz. Supongo que ese es su estilo, pero a mi no me gusta. You Can Call Me Al se rescata simplemente por los recuerdos que evoca de mi infancia.

It's kind of crazy that this is my fourth album with Paul Simon involved. Honestly though, I'm fine with it for a few reasons. I mean, two of them are Paul Simon and the other two are Simon and Garfunkel, so they're kind of different things entirely. On top of that, the two Paul Simon albums are pretty different. Hearts and Bones is kind of what you'd expect from "Paul Simon solo album." It's not bad, far from it actually. It's a good album. However, Graceland is just way better. It's so much more unique. The sound is fantastic. The multicultural influence adds to this experience to make it something truly special. The impact that this had regarding South African music was so huge that Nelson Mandela himself invited Paul Simon and his band to play in South Africa once apartheid ended. That's just awesome. I love the bass work on some of the songs. Everything here is just so fun and energetic. Paul Simon's singing is solid. The writing is nice. This album is just one of a kind and is very worthy of this list. 5/5.

Blah blah " cultural appropriation " blah blah " sanitized world music for whites" . Quite frankly piss off. Yes its watered down world music but it was how we discovered world music, no million songs at the press of a button. This album was a gateway to different sounds and cultures whilst maintaining an accessibility for western ears. Some will disagree and point out that they were experts on world music before this album but they wear tweed and think broccoli is a main course so who cares.

Actually really good. Great introduction and put together brilliantly. Very well liked.

African music added. Interesting sound.

crazy love

Gear: Focal Clear (ZMFed) Artwork: auf den ersten Blick drängt sich da nicht der fantastische Einfluss afrikanischer Musik auf Mix (25th Anniversary Deluxe Edition): also jetzt nicht umwerfend aber definitiv mit ein paar Leckerchen in Sachen Bass und Rhytmus-Abteilung Musik: \"You Can Call Me Al\", \"Graceland\" und \"Homeless\" bleiben erfrischende Klassiker - und für mich mehr ehrliche Liebeserklärung als bemühter Anlass zur Kultur-Kontroverse 🤷‍♂️ Wertung: 🏇🏇🏇🏇/5 (inkl. +1 für \"You Can Call Me Al\")

4+

Fantastic performers bringing their best together. Most importantly, all the performers got recognition. This isn't just Paul Simon but he brought together the ensemble.

Beautiful. 5

Upbeat and fun

Pretty meh.

Good but not 4 stars. 71/100

Really don’t like this guy

favourite song: call me al great album

Hi, I’m Paul Simon. Two of the artists featured on this record have accused me of “plagiarizing” their work. One of them, Los Lobos, also claims they were “not credited” and “never paid” for their session work by myself or my label. They say that when they confronted me, I told them “sue me, see what happens”. I mean, it’s not like those allegations could possibly throw the veracity of the other work on this album into question, now would it? It’s not like I would ever take credit for a song I didn’t write, would I? What do you mean “what about Silent Night from Parsley, Sage, Rosemary and Thyme?” What, I can’t give myself a writing credit for a public domain song? I’m sorry, I thought this was America. Love and hugs, Paul

Second listen. I think I got his self-titled album on here before. I just don’t care for his style. It’s way too mellow. For some reason I appreciated You Can Call Me Al more this time.

I have a special place in my heart for the music of Paul Simon.

Cool

He has a nice voice i like the sound I LIKE THE SOUND really good 4.7

This album is giving me curious george movie vibes. This is fun plus I know one of the songs on this album! 4/5

Umstritten bei seiner Entstehung - führte aber immerhin auch zu Diskussionen über Apartheid und den "richtigen" Umgang. Für mich gute Hintergrundmusik - Abwechslungsreich ohne dabei aufdringlich zu sein.

3/5 It had its moments. Why did so many groups do an African music thing in the 80s?

I have this on Vinyl, really like it. Good songs, good mix of styles, just a classic.

Paul Simon is a great signer song writer and Graceland is his iconic solo album. Now it's just not for me as I don't enjoy the synth or the backing vocals. 3 stars

Da hat also Paul Simon seine kreative Krise mit Hilfe afrikanischer Musik und Musiker:(innen?) überwunden. Der Erfolg sei ihm gegönnt. Ich kann mich noch gut an die damaligen Lobeshymnen der Kritiker erinnern, dazu kam eine hohe Radiopräsenz. Nur leider kann ich damit so gar nichts anfangen.

Paul Simon is one of those musicians who always seems to come out looking well when I get his albums on this list. This album is certainly no exception, since some folks consider this to be his masterpiece. I won't weigh in on that issue, but this album is incredible. It treats its African influences so lovingly, and it introduced Ladysmith Black Mambazo to the world. Every song on this album is good, and it all fits together so well, despite bringing in a really diverse array of musicians and styles 5/5

More piccolo!

Simply great: music, lyrics, sound. Bringing the world together for western ears, expanding from the singer/songwriter to world music.

I have heard so much about Graceland over the years but had never actually sat down and listened to it properly. I have always loved You Can Call Me Al, although I do sometimes wonder how much of that is down to the brilliant video with Chevy Chase. Listening to the full album, it is easy to see why it is so highly regarded. The blend of world influences with Simon’s songwriting creates something genuinely distinctive. The rhythms are infectious, the musicianship is superb and the melodies are strong throughout. The Boy in the Bubble is a fantastic opener and sets the tone brilliantly. At times though, I felt it almost overplays its hand. There are so many different sounds and textures that the album can feel like it jumps around a little too much. Instead of flowing naturally, it occasionally feels busy, and that slight lack of cohesion made it more tiring than I expected. That said, there is no denying the quality. It is ambitious, intelligent and full of memorable moments. It is definitely one I will return to, even if I am not quite as blown away as some. Favourite song: The Boy in the Bubble and You Can Call Me Al Least favourite song: I Know What I Know. A bit too crowded for me Album artwork: Love the cover. Simple and striking

Heavy in African influence. Big band sounds and brass throughout. Not my style but well produced.

I first listened to this album a few months ago after getting a different Paul Simon album on this website and going through his discography. I'm not sure how I hadn't heard it before because it is right up my street and is absolutely brilliant. Vampire Weekend are one of my favourite bands and the amount of influence they took from this album is insane (the guitar on Crazy Love in particular). Easy 5 stars. Fav songs: Diamonds on the Soles of Her Shoes, Graceland, You Can Call Me Al

Hmmm, considering it has one of my favorite songs on it, I thought it would be a better album...

I feel at certain times there was too much going on and it just got musically messy, but all of the songs were fun to bop along to at work, so I enjoyed it for the most part.

I can see how the songwriting was likely groundbreaking but there aren't a ton of bangers

Heard it before. No need to listen again.

4.8 3-4 classic songs

This album sounds like a man who was lost musically and discovered new sounds abroad like the synopsis says. You can hear the joy of discovery in the production and the lyrics. Close your eyes you can picture Paul Simon jumping around, dancing and having fun in the studio while making this. That, my friends, is the absolute magic of music and I’m glad he was able to capture that in the form of sound. I think this is what an epiphany sounds like!

Notable tracks: Graceland, I Know What I Know, Gumboots, You Can Call Me Al

This kind of thing is hard to rate... two songs are absolute bangers, yet... the ones that weren't, were just not too nice to listen to. I'd usually dislike singer-songwriter type music, but I make an exception for Paul Simon.

One of the best albums to come out of the 80s and one of Paul Simon’s greatest works.

My baby loves this. Graceland is incredible. The album loses steam imo.

Caught my attention at times

1/2 solo

Really good, loved it

GOAT-level entry by artist who already helped define the ‘60s. There was more genius to come from Paul Simon, but this was the signal flare of greatness. Goodness start to finish.

A+. One of my favourite all time. Listen whenever I’m my happiest. The sounds of this truly move me. What a wonderful bass & guitar sound

"My dad was a huge fan of this album (especially ""You Can Call Me Al""), and this flooded memories back in. Almost 4 decades later, still a fantastic album"

Known only by name and never listened to the album. I don't know how to feel about this album personally. I thought I'd like it more... maybe if I listened to it I'd grow more sentimental and it would be more memorable. But first listen didn't do it for me.

hands down one of best albums ever recorded.

African inspired Starbucks music for white people. However, it's unique in its own right. 3 stars.

This album is great and almost feel like a one of it’s kind ever from an American artist let alone an artist from classic rock to incorporate African musicians and music into an album.

I loved it and a great concert at Waldbühne/Berlin!

What a fascinating album. I just watched “Under African Skies” - the documentary about the making of this album. It unlocks new levels of understanding. I knew that there was controversy around it, but the movie helps firm up and understanding of all of that. Opens up important questions about appropriation and appreciation. But however you feel about the way this album was made, it’s hard to deny what a truly excellent album it is. A genuine masterpiece.

I feel like I’m *supposed* to enjoy this album more than I actually do, based on its acclaim at the time and its place on so many “best” lists. You can’t deny the catchiness of “Call Me Al,” but the rest just sounded kind of dated. Maybe it was groundbreaking for its time (*gasp* white folk singer uses African inspiration!) but now it just seems more desperate and appropriative. Don’t get me wrong, I’m a big fan of Simon as an artist, particularly in his Simon & Garfunkel days. But this album falls into the mediocre range for me, which is lower than where I thought it’d be going in.

Interesting to have two Simon albums back to back but really shows the difference between good to great. This album is amazing and I really enjoyed every song.

This is our 3rd Paul Simon album and we've already had 3 Simon & Garfunkel albums too. At this point, new reviews could frequently be copy/pastes from previous ones. Simon & Garfunkel = Fantastic duo, consistently and easily 4-5 stars Paul Simon = Nowhere near the S&G collaboration when flying solo. Consistently pleasant but uninspired 3 stars. Anything that is interesting on this record is thanks to the contributions of the African artists. Outside of those elements, the rest of the album was likely already musically outdated when it first came out.

Sounds good, but not really my style. Sometimes it sounds like Christian rock

This could be the most subjective review I've written across 400+ albums.. I'm 6 beers down in a microbrewery. I've saved this album for over a year because my nan told me it was among her favourites and I wanted to give it my full attention (Google: oxymoron) This album is awesome. It's varied. It's ambitious. It's woke, but not obnoxiously so. It appeals to the UK Boomers - Call Me Al is among the most famous songs ever to air on Magic.fm. it appeals to my radical-left ass, sticking a finger to apartheid and celebrating being alive for the sake of sharing that life with others. I think I'll look back at this record fondly. It's so far removed from my usual top-albums but I have a lot of time for this for those reasons. Thank you, Al.

Fakk det albumet her er bra... Topp visesanger med afrikansk inspo = legendarisk album. Blander så mange sjangere og uttrykk men samtidig så er det noe som gjør at det funker dritbra og føles som ett album og en stemme. That was your mother står litt ut men er akkurat bra nok til at albumet fortsatt er fantastisk. De siste to låtene er nok de svakeste, noe som er litt kjipt, men gjør kun at albumet blir en 9/10 og ikke 10/10

I always find it strange when I “discover” a song more than once, in a short period, after so many years of never hearing it. And that’s the case with Paul Simon and this album! I bought a random mixed CD at the thrift store a couple weeks ago, and one song on it was “The Boy in the Bubble” and I was surprised to like it, and the sound of Paul Simon. The following week, this album was the listen of the day, so I played it and the first song was boy in the bubble! I totally love the African sound of this album, mixed with the pop rock. It’s a feel good album I would play at home or in the car! Listen again: yes Purchase for my collection: yes Favourite Song: The Boy in the Bubble, but I really like them all.

I hadn’t been exposed to much of Paul Simon’s solo stuff and I couldn’t help but feel a little disappointed. Musically it was pretty great but I didn’t really enjoy the vocals as they seemed pretty rambling. Listening to this kind of made me feel like I was going a little insane. 2.6

A mesh of music traditions and cultures from South Africa to the southern United States, this album was daring, unique and groundbreaking. Truly great music doesn’t just entertain us; it tells a story and creates awareness. Five “diamonds”.

Even leaving aside the stacked guest list (Ladysmith Black Mambazo, Linda Ronstadt, the Everly Brothers, King Crimson’s Adrian Belew—just to name a few) and stellar production, Graceland represents Paul Simon at the height of his lyrical power post-Garfunkel. He can be playful, wistful, sober…but he is never ever boring.

Honestly, it's fantastic. The meshing of rock with the punchy South African sounds is just so spot on and perfect. I had so much fun listening to this the first two times and I'm sure it will just keep growing on me. 10/10

Always loved this album

wow this was a weird "mainstream" album. it was about as 80s as it could be, minus the cheesy synths. but what it lacks in synths it makes up for with an amount of accordion that would make weird al blush. that was your mother comes off sounding almost like mariachi music with simon's strange instrumentation choices. all around the world also has that footloose drum sound from the beginning. shoutout to ladysmith black mambazo on this album too... like paul what are you even cookin here with that said, you can call me al is an all-time banger (and ties back into the weird al accordion-measuring contest going on) but the rest of this album is somewhere between middling, weird, and fresh. favorites: graceland, diamonds on the soles of her shoes, you can call me al

30 odd years on this album feels like a white guy stole a bunch of African music and tried to pass it off as his own. If you’re a Paul Simon fan it has everything that makes him a unique artist - I just feel like age has not been kind to it.

It's fine. Some good tunes but I'm not a fan of the rambling lyrics and the instrumentation hasn't aged well. I've always thought it odd that this is often lauded as one of, if not the best album of all time

- Bis auf „You Can Call Me Al“, den ich liebe und „Graceland“, was ich okay gut finde, kannte ich nix. - Ich mag Paul Simons Stimme schon sehr gern und höre ihm gerne zu - Insgesamt waren manche Sachen interessant, einiges aber auch irgendwie anstrengend - Ich mag Paul Simon dann doch lieber als Duo mit Art Garfunkel, als Solo… 3/5

- Hmm - Ich finde diesen weltmusikalischen Einschlag dieses Album eigentlich total cool, aber am Ende gings mir dann doch leider etwas auf die Nerven. Wenns mir nicht auf die Nerven ging, wars mir dann etwas zu langweilig. - Selbst der absolute megahit You Can Call Me Al lässt mich leider kalt - Insgesamt leider eine Enttäuschung, auch dadurch, dass ich irgendwie davon ausgegangen bin, dass ich dieses Album gut finde. 2/5

- ganz entspannt - driftet aber auch in Langeweile ab zwischendurch

Songwriting, man.

"Dated" is a good word for the sound of this LP. Not in its politics - though it sounds as though Simon did act rather callously by some of his fellow musicians and advice-givers - but in its slappy, caged drums, "bwah" bass, prose-like lyrics. Some tracks are stronger than others, like the hymnal sounds of "Homeless" but overall, this is super 80s. Let the South Africans send a message instead of singing crappy poetry over them.

Diamonds on the Soles of Her Shoes bumped this up a full star! A couple of the songs were waaay too 80s for my liking— I don’t like that Phil Collins-y drum, especially when it comes out of nowhere… but I like Paul Simon and I really enjoyed this album.

I can appreciate what he was trying to do given the state of pop music in 1986. But personally I would go straight to Ladysmith Black Mambazo for this style. Make a new plan, Stan...

Aside from the critical acclaim and controversy this album gained because of its cultural significance, I thought it sounded... alright. The collaborative element with South African singers is pretty interesting as a political statement. The overall message gets muddled a bit when Simon uses part of the album to vent about his personal problems (like his divorce with Carrie Fisher) or sing with Linda Ronstadt.

This was such a fun album to listen to. Great vocal and even better instrumentals. Such an easy listen and even has "You Can Call Me Al", which was a nice touch. This album also has a unique element of bringing in historical African music and killing it. 9/10.

first listen. i tried really hard but i didnt like this album at all. it just went from boring to annoying. i prefer Simon and Garfunkel together

I'm not really into world music

As i listen I’m feeling quite under the weather so may be feeling less charitable than usual. I did not enjoy this album at all.

Wonderful stuff. Not only a great introduction to African musical styles, but important in that it helped break down cultural barriers around South Africa that kept the world in the dark about native South African culture as well as helped the apartheid government hide. I remember the controversy of Simon working with African musicians during the boycott of SA culture, and the musicians themselves taking Simon's defense. This is an important cultural touchstone, just one that you can dance to.

Love a song that is just a sung story

first heard this when it was new and thought that Paul Simon was adopting a “World Music” gimmick that was popular at the time. Apartheid was still in force in South Africa and everyone was drawing attention to it. What Paul Simon produced was so much more than a “gimmick”. It’s really a full well-rounded album

4-

i cannot fairly rate this album -- it's a comfort listen to me. so it's getting 5 stars.

This my dads music. I can’t stand the instrumentation for large portions of this album, but I do enjoy all of the vocals

I wasn’t feeling this tonight. Something about his voice was grating to me, which is odd bc I really liked the Simon + Garfunkel album that we listened to before. I liked how South African music was incorporated into his style of music though.

there's good and bad stuff here i guess

Great stuff. There's a variety of song styles here, but they all feel united by the production and sound somehow. I love the title track, I love Diamonds on the Soles of Her Shoes, and of course I love You Can Call Me Al. I've seen Paul Simon live and he starts on time, sounds great, and takes time to credit all of his musicians.

Meh

Cool album, very reminiscent of Bob Dylan and Tom Petty. Can picture dancing and driving to this. Type of music to be on a jukebox. 6.7

a classic!!!

A mixture of various genres, which kept me entertained and happy. Definitely to re-listen again! 4,5/5

01) The Boy in the Bubble - 8,5 02) Graceland - 10,0 03) I Know What I Know - 8,5 04) Gumboots - 8,5 05) Diamonds on the Soles of Her Shoes - 10,0 06) You Can Call Me Al - 10,0 07) Under African Skies - 9,0 08) Homeless - 9,0 09) Crazy Love, Vol. II - 9,0 10) That Was Your Mother - 8,0 11) All Around the World or the Myth of Fingerprints - 8,0 TOTAL: 8,95 (90/100) So, is he an a**hole benefiting from cultural appropriation or a genius who introduced South African music to the world during the hardest period for the country and the majority of its people? I don't know. I mean, Queen played several concerts at Sun City in 1984. during apartheid. Was it wrong? Hell yes! Do I still think Freddie Mercury is God? Hell yes! All said aside, I think this is a great album, with several excellent songs ("Graceland", "You Can Call Me Al" and "Diamonds..."). It also introduced us to Ladysmith Black Mambazo, Youssou N'Dour and many other African musicians.

On paper this shouldn't work. Half of 60's folk duo travels to South Africa to collaborate with black musicians on album of American songs. It reads like a mushroom induced fever dream. But despite the odds the result is a truly fantastic album.

Helt ait

Chicago 5/30/24

Graceland has always been one of my favourite albums

Incredible creative

Marvelous!

20 jaar na Sounds of Silence was Paul Simon, een naam die saai genoeg niet lekker te vertalen is, een veranderd man. Blijkbaar. Redelijk aan het begin zegt ome Paul dat we naar Graceland in Memphis, Tennessee gaan, maar ergens gaat er blijkbaar iets mis met onze vlucht en belanden we in het Afrika van George of the Jungle (een klassieker met de inmiddels gelauwerde Brendan Fraser), waar de enigszins stereotyperend gecaste locals gezellig samen met de witte bezoekers staan te feesten terwijl de gorillas geheel vrijwillig de djembés voor hun rekening nemen. Hier zou je als bakra anno 2024 niet meer mee wegkomen. Denk ik althans. De ongeschreven regels veranderen continu. Het is echt lelijk 80's met absoluut geen gebrek aan galm en mechanische drums, maar het is wel een grappig album. De dikke laag toegeëigende wereldmuziek maakt het zowel verschrikkelijk als fantastisch. Drie sterren zodat niemand aanstoot kan nemen aan m'n rating.

This was neat and the influences are all over, but I think this isn't exactly something I'll reach for again.

Lots of influences and ideas. Cohesive despite the experimental approach. Very interesting but not sure how often I'll revisit

YOU CAN CALL ME AL. BANGER. 10/10

Enjoyable ablum

Sounds like shit dumbass

Wow. I am just so glad I am doing this. I know this is a famous album but I’ve never listened to it. I’m obsessed. I love the gospel collaborations. Every song showcases different skills.

You can call me Al. 'nuff said.

Definitely a resurgence and repackaging of Paul Simon.

It may take several listenings To fully appreciate some of the songs and the album as a whole. Paul has a unique and interesting style of writing It’s no masterpiece by any means and we can’t give half stars so I give it a solid 4 and because of the memories of that time rocking my baby to this album ❤️😎

Pretty good, really liked “The Boy in the Bubble,” “Crazy Love, Vol II,” and “Gumboots.” Overall, a little hard to get into though because Paul spends a lot of the time singing as if he is rambling - the music itself is often more enjoyable than his vocals. That being said, it was an interesting listen. Wouldn’t hate listening to it again, but wouldn’t choose it over Simon & Garfunkel.

I gave this three listens and I really wanted to like it. It was bold and adventurous and had parts that were great! I can hear Vampire Weekend stole from this though they perfected it!

It is clear that Paul Simon retains a lot of the talent we heard in the era of Simon & Garfunkel. Hear we are missing a lot of the sweet and tight harmonies but it partially makes up for it with the impressive integration of African melodies, vocal styles and rhythms and the collaborations, like with Los Lobos. Paul doesn't have strongest voice melodically but he is a poet in his own right. Even though this album was released 20 years later than the 60s it still has a little bit of that counter cultural sound to it, maybe perhaps because his voice is immortalized in that scene. Where this album falls short is that although he is a strong poet, a lot of the themes and descriptive scenes are all things we have heard before, so even though the music is adventurous, the words are not and certainly aren't when compared to what some other artists are doing in that time lyrically (the mid 1980s). My stand out tracks are 'Graceland' and 'Diamonds on the Soles of Her Shoes'

Interesting album, heavy on the world music vibe. Very interesting tone/instrumentation choices. It can come off a little corny if you focus on that too much, but these are great songs that cover a lot of different ground. Not entirely my thing but can still respect it.

An album I've loved forever and continue to love today

Really good album.

10/10. Great vibes. Great mix of tones in the songs. Top notch.

Good

De beste man heeft een imposante solocarrière wel. Ik vind uiteraard Graceland en You Can Call me Al heel nice maar verder pakt het me weinig. Ik merk dat ik niet zo fan ben van hem. Beetje zeurderig

Vet goed, geen 5 want ik vind het soms een beetje zeikerig

lovely

3.5

Literally one of my favorite albums of all time. It was like a religious experience discovering this taste of “world music” as they call it for the first time. The bouncy rhythm section and chants paired with Paul’s quick witty lyrics and delicate guitar make this his best record in my opinion.

just incredible feat of cross-culture music-making, as well as being full of bangers

A musical and cultural renaissance for Simon here, some may call it appropriation of South African street music but I feel like it was shining a light on artists like Ladysmith Black Mambazo who would have never seen the light of day due to apartheid and the cultural boycott on South Africa. It's a good to great album, it passes time effortlessly, I wouldn't argue if you gave it 5 stars, on another day I might have too. I just found most of it semi-forgettable as I went about my day while listening to it, like a half-remembered daydream.

Released in 1986, Paul Simon's "Graceland" stands as a landmark achievement in popular music, both for its groundbreaking exploration of South African musical styles and its enduring cultural impact. This review delves into the album's multifaceted elements, highlighting its strengths and complexities. Lyrics: The album's lyrical landscape is diverse, shifting between introspective observations and evocative depictions of life in South Africa. Simon's introspective voice shines in "The Boy in the Bubble," reflecting on alienation and isolation, while "Diamonds on the Soles of Her Shoes" paints a vibrant portrait of a woman brimming with life. However, criticism arose regarding the album's lack of direct engagement with apartheid, the oppressive regime in South Africa at the time. While some interpreted this as implicit protest, others saw it as a missed opportunity to directly address the socio-political context. Music: The defining characteristic of "Graceland" is its musical tapestry, intricately woven with South African sounds like mbaqanga (characterized by its energetic guitar lines and percussive rhythms) and Zulu harmonies. Tracks like "The Obvious Child" and "Graceland" pulsate with infectious energy, while "Homeless" and "Under African Skies" showcase a more contemplative mood. Simon's skillful blend of pop sensibilities and South African influences created a sound that was both familiar and utterly new. Production: The album's production, overseen by Simon himself, is equally noteworthy. He seamlessly blends the South African sounds with Western instrumentation, creating a cohesive and vibrant sonic experience. The recording process, which involved collaborating with South African musicians like Ladysmith Black Mambazo, was itself a groundbreaking act of cultural exchange. Themes: Exploring themes of alienation, longing, and personal discovery, "Graceland" delves into the complexities of human experience. Tracks like "Graceland" and "The Boy in the Bubble" grapple with feelings of isolation, while "Diamonds on the Soles of Her Shoes" and "You Can Call Me Al" celebrate the vibrancy of life. The album also implicitly touches upon issues of cultural diversity and the beauty found in embracing other cultures. Influence: "Graceland" undoubtedly left a lasting impact on the music scene. It introduced a wider audience to South African music, inspiring numerous artists to explore world music in their own work. Moreover, it challenged mainstream music to embrace cultural exchange and explore the creative possibilities beyond traditional boundaries. Pros: Groundbreaking sound: The innovative fusion of South African and Western musical styles created a unique and captivating listening experience. High-quality production: Simon's meticulous production creates a cohesive and dynamic soundscape, showcasing the full potential of the music. Enduring legacy: "Graceland" continues to be celebrated for its innovation, influencing generations of artists and sparking dialogues around cultural exchange. Cons: Lyrical ambiguity: The album's lack of direct engagement with apartheid sparked criticism, leaving some listeners wanting a more overt statement. Cultural appropriation accusations: Some argued that Simon was exploiting South African music for personal artistic gain, despite his collaborative approach. Commercial controversy: The album's release was met with controversy due to Simon's decision to collaborate with South African musicians during the apartheid era. Conclusion: "Graceland" is a complex and captivating album, defying easy categorization. Its groundbreaking exploration of sound, combined with its introspective lyrics and themes, solidified its place in music history. While its social and political context remain relevant for discussion, its undeniable artistic merit and enduring influence cannot be understated. "Graceland" continues to be a testament to the power of music to transcend boundaries and connect people across cultures.

problematic bop after problematic bop

A great album. All the musicians are excellent, but the bass playing is on another level. An easy 5 stars.

I discovered that folk music is not for me either, much like psychedelic rock. However, I did enjoy the album’s second half a lot, to the point that I was sad it was over. The album makes me feel conflicted, whilst the wishy-washy, goody-two-shoes melodies and vocal delivery are too overwhelming and tiring for me, I can not help but to appreciate the rich influence of African music.

J’avoue ne pas trop avoir suivi ni avoir trop d’avis sur la partie collaboration à l’apartheid ou appropriation culturelle du projet, donc je vais me contenter du résultat final. Ça sonne extrêmement année 80 : ce son de batterie, de basse, ça donne de (mauvais) frissons le long du dos. Reste que les chansons sont très efficaces et joliment écrites. Dès l’ouverture avec “The boy in the bubble”, “Graceland” et le très daté mais sympa “You can call me Al”, petite préférence pour “I know what I know”, qui regroupe pas mal des éléments de l’albums avec ses choeurs zoulous et sa guitare au rythme africain assez nouveau dans sur un tel disque. Et il aura donc fallu quelque chose comme presque 40 ans pour comprendre une vanne des Nuls avec le reprise de “Homeless”... Ensemble daté, souvent très bon avec quelques creux, un incroyable assemblage de rythmes africains, chœurs zoulous, accordéons, synthés et orchestrations 80’s, au final très agréable même si je laisse un peu de marge dans la notation pour d’autres projets de Paul Simon.

An ok album

Some hits and a jazzy vibe. Lot of fun.

Veel verschillende invloeden. En juicy bass.

Not something I would listen to normally but interesting.

World music-y, chill, fun, with some absolute slammers.

Fantastic album. Definitely Simons best work. Love the influence and feature of African musicians. 5/5 Will no doubt listen often

Overall decent but I’m not a fan of the bass sounds throughout the album.

My favorite album of all time! 1,000,000 stars!

There is a reason this won a Grammy for Album of the Year. Groundbreaking at the time -- controversial at the time, too -- but Paul Simon had a vision and executed it brilliantly.

One of my all time favorites, maybe Simon’s best work. The song writing for this album is second to none in my opinion.

There's something charming about Paul Simon's very straightforward vocals and lyrics. Some dated bass and general corny instrumentals but it's hard to hate. First instinct was to wonder if this is appropriation but reading into the creation of the album, the fact that so many African artists contributed, and that an artist like Paul Simon would allow this style of music to reach an audience that otherwise would never seek it out overcame that initial reaction. Fun album with an interesting controversy, I can see why it's here.

Pleasant, very 80s. Like every song was in an 80s film I've seen. 7.5

не моё

I think the songwriting on this album is too smart for me. I had no clue what was going on...at any point. It was fun to listen to though, musically anyway. 3/5

Such a nice listen. Maybe my favorite album on this list (that I hadn’t heard before so far)

Always enjoyed the catchy rhythms and international sounds of Paul Simon

game recognize game, thanks paul

Paul Simon has a way with words and rhythms that soothe the soul and brings joy. I thoroughly enjoyed listening to this whole album.

It's not bad, but I feel like I have to live in the south and be married to my cousin to truly understand the essence of Paul Simon. 2/5

Didnt know rock could be gentrified but yeah, here it is. I try really hard to not be a music snob but I draw the line at Paul Simon. This guy saw 80s folk rock and decided to strip it of all its meaning and essence to market it to a bigger audience with a horrible "world music" vibe. Usually when that happens I try to focus less on the message and more on just the music itself but even them idk what happens but it sounds like shit. The recording sucks, the instruments sucks, his voice sucks, the whole thing mashed together sucks. fuck off

I tried to listen to it twice, but both times when I realized it had finished a while ago I couldn't remember anything about it. TLDR kinda forgettable

One of my favorite paul Simon albums

Listened to this while playing Agricola solo. I built a pretty awesome farm, so I won! I enjoyed this album a bit more than I would have expected. The whole time, I kept thinking "This album is like Vampire Weekend with a different lead singer, but in the 80s." I could not believe just how much they were influenced by the same style of African music that influenced Paul Simon all those years earlier. All the guest spots were wonderful...and it was the collaborative songs that stood out to me most. Also, at one point there was a monster bass solo riff that totally gave me bass-face.

Great listen

Not a bad sound.

Really enjoyed, it was fun and nice

Toto x vampire weekend, fun and happy

Nothing to say that hasn't already been said: This is a brilliant album.

Fantastic album. What a great time it is to listen to. One of those albums where I could happily add all of the songs to a playlist.

god the amount of culture in this album *chefs kiss*

Perhaps for better or worse, this is the album that started the trend of worldwide music influences with major western artists. I think the world is better for it. I can understand the historical context of violating a UN cultural boycott and him getting criticism for it, but he collaborated with wonderful artists like Ladysmith Black Mombazo, Youssou N'Dour, Ray Phiri, and Bakithi Kumalo and pollinated the world with this. What I don't get with reviews is calling this cultural appropriation. I will nitpick on the production, with some of the sound being of it's time in the mid-80s - gated reverb can get annoying. But it has such an eclectic breadth of sounds, from the Zydeco sound of Boy In the Bubble's intro and That Was Your Mother to the happy South African sounds of You Can Call Me Al and Crazy Love, Vol II. The title track Graceland remains a favorite, but Under African Skies with Linda Rondstadt is great too, along with Homeless with Ladysmith Black Mombazo centered on that one.

revisited at 15-02-2024

A fantastic album with a very complicated legacy

Из песни The Boy In the Bubble якобы родилась группа War On Drugs. Итс окэй альбом с порой интересным звуком. Лучшая песня - The Boy In the Bubble.

Classic. My dad listened to this on the radio a lot, and I can listen to this all day. Reminds me a lot of earlier Sting work, which I've listened to a lot already.

This album just makes me miss Simon and Garfunkel. This genre/style isn't doing Paul Simon's voice any favors. You Can Call Me Al definitely exists and Graceland is good, but this album is mostly a miss for me.

When Rach and I started dating 12 years ago, I remember asking her what her favourite album was. She recommended Graceland. I went away to listen to it and realised I hadn’t heard anything like this before. I remember singing Diamonds On The Soles Of Her Shoes for weeks after. Songs I already knew: none Favourites: Diamonds On The Souls Of Her Shoes, You Can Call Me Al, Homeless I still don’t think I’ve heard anything quite like this album. It’s a blend of folk pop with Mbube brought in by Ladysmith Black Mambazo. On paper, it seems like it should be too weird but it’s just so very nice. Homeless is a definite hidden gem here. If you like You Can Call Me Al (and let’s be honest, everyone has heard that one) but aren’t sure if you’ve heard much else here, definitely give this a listen.

Lovely

Aside from “You Can Call Me Al” being about five minutes longer than mostly anyone remembers (except me, since C and her dad danced to that at our wedding), I’m afraid I don’t see the hype. Nor do I hear it. Maybe I’m just a little too young? I feel bad. I just don’t like it.

I really struggled with this one. On the one hand, I think Paul Simon absolutely has a time and place (and deserves a spot on this list of course), but at the same time this feels like so much a product of the time and absent Garfunkel, Simon's penchant for frankly weird lyrics isn't tempered. It's very good on tracks like You Can Call Me Al, but it just doesn't hit for me most of the time.

Great album. Lively and fun.

I really enjoyed this album. It had been awhile since I heard this. My favs on this one are That was your Mother and All around the world. Not as high on my list as the S&G albums, but very good.

Perfect

Most of it was kinda boring. Homeless was good though

Wow some of that was truly terrible.

Classic and can’t go wrong.

Favorite Tracks: You Can Call Me Al Graceland Under African Skies

Didn't actually listen to this one when it popped up...no need. This was one of those albums I listened to over and over as a kid...and into adulthood. Love it. Front to back. All rippers no skippers.

It’s really almost a perfect album.

Great album.

Favourite song: Graceland

If this was a piece of tragic performance art illustrating the mundane and tedious reflections of a middle aged white man’s descent into mediocrity and irrelevance it would be a masterpiece. However, this meandering pap seems to be a serious effort and it seems to have been well received at the time by other, presumably, quite boring people. As I listened to Graceland disjointedly jangling along I longed for yesterday’s funner offering (Sister Sledge). Soon Graceland faded meaninglessly into the background as it is simply too dull to cut above other noises and I started thinking about today’s polarised world that seems fuelled by perpetually outraged old people. A thought then occurred to me; Boomers were young once - they listened to Sister Sledge and Sunday’s far more progressive musical offering from the Rolling Stones. Then they listened to Graceland and I wonder if it was then that they began their own descent into middle aged dissatisfaction, vindictive entitlement and a comfort zone of victimhood. I think what I’m trying to say is that Graceland is to music what Boris Johnson is to politics; an offensive but inexplicably popular mediocrity.

Huge fan of Paul Simon, and a deservedly classic album.

This is a good one that I own

This was really nice. Didn't click at first, but then I got the hype. If you were like "I liked Moondance, but I wish it had way more African influences," this is the album for you. The run from You Can Call Me Al to Crazy Love Vol. II is an all-timer and I will be staying away from roooooly-poly little bat-faced girls from now on.

I can call you Dutch, and Dutch when you call me you can call me Ace

Pretty good background music while working. Some good songs sprinkled throughout that sparked my attention. Specifically crazy love volume 2

Influential, groundbreaking, and some phenomenal songs. Still, it is a little of its origin decade, but still a very strong and enjoyable album.

👍

Best Paul Simon album.

Great album. I’ll probably grow fonder of one or two songs, but it’s an emotional rollercoaster all throughout. This is my first album by Paul Simon (as a solo artist) on this list, and it’s honestly one of the best albums I’ve heard in my life. 4.2/5 Fav: “The Boy in the Bubble” Least Fav: “Diamonds On the Soles of Her Shoes”

Top five if all time

Having been introduced to Paul Simon by my parents in the 70s, and seeing him later in life, this album really opened my appreciation of his talents, and his soothing voice and melodies. The inclusion and his use of ladysmith black mambazo also exposed many to the world sounds that were becoming popular at the time.

happy, upbeat, melodic and fun

5 star for nostalgia alone as I'd call this a "Dad would always play this so I learned to love it" album. Some may call this a exploitation or a....thinking of the word...cultural appropriation of these African styles and sounds. However, to me, these are just beautiful pop songs from one of America's greatest songwriter's exploring the fullest sounds with amazing collaborations of south african musicans like Ladysmith Black Mumbazo to american contemporary's like linda ronstandht. "Diamonds on the Soles of Her Shoes", "Homeless", "Call me Al" "Gumboots" "I Know What I Know" are all stand outs with 80's style production on the drums but beautiful African influenced style guitars. Such a weird combination with Simon's mousey/serene vocals but an instant classic.

My first concert! I really like this album, but I'm not adding any to my favs. So I guess that's a 3? But I let the album play twice and sang along. So maybe that's a 4?

Not for me.

I wonder what I'd think of this if I was hearing it for the first time. But I'm hearing it for the 253rd time and know each song by heart as it was one of the only pop albums that my mom would listen to when I was growing up.

songs ranging from charming folk music to irritating folk music and acapella.

having a suprisingly nice time with it, its just weird enough

A controversial album for some but oh to be South African and enjoy this in the summertime.

I never liked his music without Garfunkel's voice.

Even better than I remember!

One of my favorite albums of all time.

Merging of cultures is cool but only liked a few songs.

Know this one well. Some great songs. Some good songs. Some I’d skip. Struggled to rank between 3 and 4 stars but ultimately feel like there are albums in between this one and The Wall so went with 3.

Great singer / songwriter. “You can call me Al” video gives it an extra star.

Very fun first record. Had a little folk hint with some fun trumpet in gumboots. Can see the South African influence and importance of demonstrating the culture of Africa even in the 70s.

Ok honestly better than I expected him to be as a solo act. It does sound a little like a guitar playing singer in some church retreat camp though. Graceland was my favorite track

Rating: 9.5/10 Classic album, probably Paul Simon's best work. This album is absolutely infectious, it puts me in a fantastic mood every time I listen to it. The instrumentation and rhythms on this album are remarkable, very influenced by African and world music. The mix of styles from pop, African, world, and rock are masterfully done, it makes each song a pleasure to listen to. Paul Simon also sounds great vocally and lyrically, everything about this album is done extremely well. Favorite songs: The Boy In the Bubble, Graceland, I Know What I Know, Diamonds on the Soles of Her Shoes, You Can Call Me Al, Homeless, All Around the World or the Myth of Fingerprints. Least favorite song: Crazy Love Vol. II.

Good world-genre production. I've never been a fan of Paul Simon's singing though.

Simon and Garfunkel were a staple soundtrack to car journeys when I was a kid. So their voices have a special place in my head. This album? It’s quite apt that it accompanied me on a long train journey. It’s nice enough. Quite sweet, really. But I don’t think it will be on a regular rotation.

Still very sublimely great.

Not for me. A bit too ‘country’ but I tried

A good fusion of genres!

I didn't mind it

Very good album.

Cooles Album, kannte ich auch schon.

The song "Homeless" is a masterfully made piece of shit

Mint

This album was really special. The compositions were catchy and satisfying to listen to. The inclusion of African musical motifs and rhythms while writing about the American South is a great touch. I really loved how the record sounded. Bonus points for the cheesy 80's gated reverb drums.

i unequivocally loved this album and once i get my headphones back, will listen to it again and in order as it should be. I don’t care for the controversies surrounding it, i will look into it out of interest, but i thought this was fun, whimsical, soulful. filled me with joy, and ‘You can call me Al’ has been a favourite song of mine since I was like 17 but never put two and two together, I’m glad because maybe I wouldn’t have appreciated this gem back then, who knows?

I was already very familiar with this album and knew that to try and judge it objectively, I would have to set what I know about the production aside. I’m doing so, my first thought was that production wise, this album has not aged super well to me. It sounds very of its era, which means overproduced and shiny. Musically, there are a few terrific songs and a couple of throwaways. I’m not going to weigh in on where fusion ends and where appropriation begins, but once you start delving into the source material that inspires Paul Simon, it makes some of this seem less novel or interesting. Still, there is enough inspired songwriting to lift this album. It’s not bad by any means.

I never was really impressed with this when it was released or now. Fine performance.

I like Paul Simon's folk stuff. The 80's pop aspects really weaken this one for me, and while I think the varied influences being brought in are interesting I'm not sure all of it is really executed in a way that adds to the music for me. In the end, for all the different things it is doing it had a big time generic 80's pop feel. Cultural Appropriation and other issues aside, this is musically inoffensive to me but also doesn't stand out really. It just..is.

A really nice classic with some huge hits on it.

Classic for a reason. Not an instant-favorite, but I’m glad to have listened.

Solid album, nice to listen to with fun and upbeat tunes

One of the worst. Not sure how anyone likes this or thinks it is influential. Painful.

I love this album dearly. Diamonds is still my fave, but they're all fantastic. If someone had never heard this I think it's a perfect fit for albums to hear before you die. First time I heard it, it opened a whole new musical world for me. Last track is underrated!

This is one of those light 5s. It’s not something that’s got me obsessed but I also can’t fault it for a sigg by le thing and it is excellent. Great blend of styles with a cohesive sound. Wish he clicked for me just a bit more.

This is nice pleasant stuff but I’m honestly not sure there’s anything in it that would bring me back

I think Paul Simon has probably written better individual songs but nothing hangs together completely as well as this album. Sonically interesting given the Afro influence and well crafted pop songs make this a great album.

I don’t think I have anything new to say about this album. It’s great. The fusion of sounds can only be achieved by a master musician like Paul Simon. The South African band is incredible and he really lets them shine throughout. Had no idea Los Lobos were featured on a track too.

after a long stop he did this good world music album

Classic

A pretty cool record. It’s perfect for a sunny day to brighten your mood.

Used to know this well. Pleased to find it was like revisiting an old friend. (Side note. Another New Yorker who can stray into talking instead of singing, but barely often enough to be annoying.) (Another side note. The modern lens means questioning a wealthy white man increasing his own success by working with African musicians. But it sounds like it was a joyful collaboration, and I'll have to trust that all parties were respected and remuneration was handled appropriately.) I like it, although truthfully by the last two songs I'd had enough. Good to hear it again and I was singing along. 7 out of 10.

Few albums can make laugh, tear up, dance and think and this is one of them. It also brings back great memories of my first year at uni and forging a really important friendship.

Enjoyed listening to this again. There are other Paul Simon albums I like more though.

Didn't know this one, I think?, besides "You Can Call Me Al" of course, and I thoroughly enjoyed it. Read some reviews linking it to childhood memories and I can totally see how, a nice thing to have. I was actually inclined to give it 5*****, as I was dancing in my chair, smiling, stomping and those basslines!, but started to question how that would fit with my other ratings, hm, and then the last two songs happened, so, cool, that was taken care of. Still, a strong 4 - made me happy.

Me hizo bailar. Un disco muy alegre.

So I do know and have myself listened to better and more effective examples of "world music" imports than this... but also I do think that running with that influence was to the benefit of paul simon's music, and actually like this album quite a bit.

okayyyy

Glorious. Full stop.

This album was controversial when it came out bc of apartheid in South Africa. What many do Not understand is that apartheid prevented South African black society from earning money from All jobs that’s the downside of sanctions of any kind. Paul Simon actually did a very Brave thing… he sought out South African musicians and he gave them work. He paid them and gave them credits on the album…it is a wonderful reminder of how music crosses All boundaries and divisions and ignites the souls of All it touches!!

One of the best all time albums. Paul Simon is a musician’s musician. He’s not afraid to play with sounds and rhythms and incorporate them into his unique lyrics. Yeah. It’s a good album.

One of My All-Time-Favourites!

Really good. One of the few times using music from another culture doesn’t feel fake, probably because he doesn’t try to act like it’s his culture. Plus, the songs are really good. 5 stars, and a massive step up compared to Hearts And Bones.

This was a favorite album of my mom's when I was a kid, so I've heard it countless times. I don't love everything on it, but there are some absolute classics. I'm not usually struck by lyrics, but Graceland and Diamonds on the Soles of Her Shoes are masterpieces in the way the poetry and music play together. Call Me Al is a certified banger even after playing it hundreds of times in basketball pep band. Easy 5 stars.

The bass is so fretless, it’s distracting. I like how he moves between talking and singing. Overall, feels like a combo of Bob Dylan and Bruce Springsteen with a dash of Bela Fleck. Not crazy about it, but it’s not bad.

Good listening and some great different beats! Love the exploration and had never really listened to this whole album

Oh my! Two bangers in a row. This album makes me wish I hadn’t given The Cars a 5! One of my favorite albums of all time here. I hope everyone enjoys it! Definitely an album to listen to with good headphones to enjoy all of the elements going into these tracks. Also, if you haven’t read about the recording of this album and the controversy surrounding it, the Wiki does a good job of covering it. Obviously, the music bouncing around among different genres and sounds is amazing, but when I think about this album it’s the imagery that Simon evokes with phrases dropped throughout that stands out to me. The title track is a great example of this. Also, the bass absolutely slaps in every track!

Great album

An odd and eccentric project from Simon inspired by African percussion. The songs are fun though I can see how it is not for everyone. Perhaps not a classic, but definitely a memorable album

“The United Nations General Assembly request all states to prevent all cultural, academic, sporting and other exchanges with South Africa. Appeals to writers, artists, musicians and other personalities to boycott South Africa. Urges all academic and cultural institutions to terminate all links with South Africa.” Simon can justify it in his mind but breaking the cultural boycott of apartheid South Africa was absolutely shameless on his part and renders this album unlistenable. His good intentions were self-serving, and this album belongs in the dustbin of history. The royalties should go to those he ripped off making it.

Een van de beste albums ooit. Ik houd van de Afrikaans invloed en. Soepele strelende zang. Practige teksten

Good songs, very controversial album and weird delusional behavior on Paul Simon’s part. Also started the whole “world music” thing instead of actually treating individual genres in other countries as their own, which sucks.

Don't give cocaine to bards. Honk!

I want to like it, but it's difficult

This album was a landmark at that time. Collaborating with South African musicians was a first, especially because of apartheid. I liked the album then and I do still.

Legal, ótimas trilhas, mas falta um tchan. 7.5/10

not too bad, not too good

La percusio africana m'h aagradat. L'escoltaria de nou 7.9/10

2/5. Not a bad album from Paul Simon. I liked the title track, but the rest failed to connect with me.

Ok

A perfect ode to Elvis 5.0

Great over all feel with some amazing songs and sounds.

Graceland is good, a known song but the others did pop much for me.