Reviews (page 5 of 7)
3/5
I was excited to hear a nearly recent album! I liked it for the most part, it had elements of genres that I liked. It just didn’t jump out at me and it wasn’t memorable enough for me to rate it high
Pretty solid album.
Quite a fun, funky album with interesting harmonies but repetitive with no standout tracks.
I’ve been waiting here so long but you’re taking off again
Never heard of this band before. Pretty good. Fun sound.
Liked it enough - it was a fun mix of Beach Boys vocal harmonies and Talking Heads rhythms , but the whole was not greater than the sum. It fits in comfortably in that post-Animal Collective, FIFA soundtrack indie genre (shout out Foster The People - haven't thought of you in a while), but doesn't transcend that era. It was interesting revisiting that type of sound - made me feel oddly nostalgic for a simpler, pre-algorithm time. This feels like something I would have found on a Tumblr blog that would have definitely overhyped it. Stand out tracks to me were Firewater (loved the space cowboy vibes), Waveforms, and Life's a Beach. Leaned more towards their acoustic stuff.
I like the vibe - very Panda Bear, also cool rhythms and harmonies. I can see how a remix album of this would be cool The production was pretty incredible Standouts: Waveforms, Wor, Skies Over Cairo Again, it was cool and had some great tracks but didn’t really hit consistently for me
The amount of caffeine ive drunk to waveform in 2019 is insane. I liked that track and a few others especially, but overall kinda meh? Fun. Maybe i’d like it more after a relisten or three. Pratik is right that this is a flaw of the project. O well. Consensus w the group.. THREE!
Part of the 1001 albums online where a new album is generated every day. It's kind of not my jam at all. There's some decently groovy stuff, but overall it's a little to intricate and smart-sounding. Preppy. I don't know.
I wanted to give this album a four, but I just felt that a lot of the songs never quite went where I hoped they would go. They are very good beats and the production is great, I enjoy listening to every song, but I never quite saw the songwriting as compelling or the crescendo I wanted. As a result it was kind of flat. Enjoyable, though, and I will be exploring them more. Great for studying or working.
Quirky in a good way.
C'était djnago chill mais un peu django mid
#743. This sounds like one part Beach Boys, and one part hipster rock. 3/5: acceptable.
I remember hearing this and downloading it when it came out, liking it, then never listening to it again. Just that kind of record. Love the rhythms and almost tribal drumming at times, the close harmonies, and the creative synths. They even throw in some surf rock guitar on "Lifes a Beach." But the songwriting isn't strong and much of it is forgettable.
Wanted to like this more than I did, and another review here nailed it - the band has no songwriter (or compelling vocalist). The instrumentals are cool, something different for sure, but the hooks are often dull, if there are any. Some of these meander too much and it takes me out of the song.
Quite catchy and enjoyable but also quite samey. As is becoming standard, the voice wasn’t as good as the music.
Not sure if it's just surpassing some very low expectations. Art rock sounds like a proper wanky pretentious concept. I actually didn't mind this though. 5/10.
A level of musical repetitiveness that you have to expect from a band who named themselves and their album using the same word 4 times. Didn't actually mind it though
This was interesting…kind of infectious pop, but also unique use of electronics. I liked it more than I thought I would at first, and then it slowly wore on me. Decent enough tunes but I didn’t like the vocals after a while…maybe some wannabe McCartney thing in there he can’t quite pull off? Some songs really sound like The Stone Roses, who I love..Idk, it’s easy enough to listen to while you work. Didn’t love, didn’t hate, didn’t finish
Unique hidden gem!
2012? 2012???? Practically a new release! I’m not saying I disliked it. I didn’t. There were some cold tracks I think would sound great popping up on a road trip set list. I just don’t see how an album like this could ever be someone’s personal favourite. Didn’t have enough wow. Solid mid.
A wide spectrum of exciting sounds, cool and experimental music underlined with relatively boring vocals.
I kinda lost patience to it at the end 3/5
Gets better as it goes on, bonus points for having a track on the transcendent Fifa 13 soundtrack, even if it's not one of the ones that makes it so good
I thought I was going to blow it off but it was weirdly fun. The vocals are such a strange direct quote from the beach boys, but I like them.
Not bad. Will listen again
cool grooves ruined by a lackluster vocal performance. it feels like hes being forced to sing; there is no heart in it.
Fun noises bouncing around. Full of odd percussion layers. The voices are too “plasticky”. It’s like a cool party where the host won’t stop talking over the decent music. Spins: 1 Playlist Additions: - Hail Bop - Default - Life’s a Beach
This was new to me and felt like a more accessible Animal Collective. I liked it and need to remember to revisit!
Best Track - "Default"
Rigtig velproduceret album! Ved ikke helt hvad den laver på listen dog
Weird, modern pyschadelic, not nearly as good as Tame Impala. Default is pretty fun.
This album was way better than I thought it would be.
This is the most contemporary album we've had in some time! I haven't listened to Django Django before. "Default" is a fun song. I was so into music and new bands in this time period, I'm not sure how I missed this song. This album was OK. Kind of boring besides a few bangers. Not sure how this album made it onto this playlist, of all of the albums to choose from in this time period. 6/10
This was alright, Kind of sounds like The Beta Band but bland. The Beta Bland.
Skies over Cairo and Default are the standout tracks. Not bad, but kind of feels like a watered down Animal Collective. It could commit to be being a little weirder and more fun. Very listenable but a lot blends together
Interesting listen
This album was like getting pegged for the first time, I’m not sure if I liked it or not.
6/10 I listened to this album a few times when it came out and have always enjoyed the vibe of it, but it never really had a great amount of staying power with me. Having gone through it again with fresh ears, I’ve got a better understanding of why. Aside from Default, which is a really solid track, there are rarely any really great payoffs for the vibe and structural build of the surrounding work. If they’d have managed to pull off four or five really hooky choruses across the tracks, they could really have delivered something special, because everything else here is great. The production is solid, there’s a really nice blend of instruments, some fantastic non-typical drum grooves mixed in with enough straight four stuff to maintain the momentum. The sound design is also solid and there’s loads of ear candy all over the place. But all too often it builds a great foundation and then doesn’t add anything particularly hooky or memorable on top of it, and that’s a massive shame. I enjoyed the vibe enough that I actually stayed pretty interested throughout, but I was just willing them on to deliver something banging to reward all of the promise. This feels like something of a halfway house between The Bees and Alt-J, in that it creates a similar vibe and has stylistic echoes of Alt-J (who’s debut actually came out a few months after this), but also suffers a little from the fatal flaw that The Bees had, which was that there was nothing memorable about their music at all. Not to say that this is anything like as bereft of engagement as that album was, but there was a touch too much of that, and not enough of the other. That being said, this is pretty good background music, so it may get a few more spins here and there. Introduction - Arpeggiated synth, whistling, vocal pads and atmospheric drums. I think we know where we’re going with this. Nice build to the first track though. Hail Bop - This has got a good vibe to it. Some nice chords in the vocal harmonies and there’s a bit of bounce to things from the synths and beat. There’s quite a lot of variety in the sound design which adds some nice depth too. A pretty solid start. Default - This track has always been the standout one on this album for me. It’s got a great pulse to the rhythm and there’s a really good balance between the synths and other instruments. It’s super hooky, but also just a bit weird too, which just catches me the right way. There’s some pretty cool production tricks and ear candy in play that just give it extra vibe. Firewater - This reminds me of Black Rebel Motorcycle Club’s ‘Spread Your Love’. Not tonally, but the composition. Anyway, this one’s a bit more plodding. It feels like it’s building a lot, but never really hits the payoff. The synths feel fairly extraneous from the rest of the track here too, which is a shame. Waveforms - This has got a nice shuffling rhythm to it. The vocals build nicely too. I really appreciate the depth to the sound design, as there’s a load of variety if you listen deeply and it does build quite a lot from start to finish. It’s a nice little listen, but it unfortunately never really lands on a particularly satisfying hook to pay off the build. Zumm Zumm - Again, a good groove to this, with some cool little bits of production. It feels like it’s working up to something again. Will it pay off? Doesn’t seem like it. It kind of has the slightly frantic feeling of being in a queue for the toilet while you’re absolutely desperate, only to get to the front of the queue to find it’s the door for the smoking area. Where’s the payoff gents? Hand Of Man - This is pretty stripped back. Some really nice interwoven guitar lines in there. It’s kind of a nice wash of sound, and there are some pretty pleasing harmonies. There’s not much variety to it, but the whole vibe of it is great and it’s a pleasant little listen. Love’s Dart - Slightly ruined by the fact that this (and another track on the album) are used as musical beds for a podcast I listen to. This is pretty nice. Some of the vocal harmonies remind me of something that I can’t quite put my finger on. It’s got a nice vibe to it. The drums could be a little more varied, but it’s another nice wash of a listen. Wor - There’s a bit more of a payoff to things here. There’s quality build up, some really nice pace and rhythm to it. When some of the guitar and drum combos get moving, it’s quality stuff. It’s just good fun and there’s plenty of audio interest, as seems pretty standard with this production. Storm - More good build up. More interesting drumming. They often seem to eschew the more obvious beats for something with a bit more variety, which is nice. Unfortunately this one, again, feels a bit like it’s all verse and pre-chorus, but they forgot to write an actual chorus to go with it. Life’s a Beach - There’s an interesting vibe to this. Like surf-rock with a middle-eastern twist. Some nice harmonies, more good grooves, some solid synth work. The breakdown in the middle is pretty lush too. But again, they seem to be allergic to the big chorus that all of the good work is crying out for. Skies Over Cairo - And here’s the other half of that podcast bed I mentioned earlier. Again, great vibe, but it doesn’t really go anywhere that exciting. Silver Rays - More decent sound design and a darker vibe. This synth lines are a tiny bit too piercing in places for me, but when the track drops to the more sparse arrangements the vibe is good. There’s lots of movement across the different parts, so it’s an interesting listen, but again, not too much of a hook anywhere.
Some great tunes. Quite samey through the album though. I was convinced I'd already heard songs. Pleasantly reminiscent of Beck.
A quirky sort of indietronic album, it has variety, it keeps somewhat interesting though something about the overall sound gives me a bland waterishness preventing me from particularly liking it. Maybe there's too much focus in the midtones or something At least it's interesting, and even if it has a bit of a sleeper sound to it, it's not bad
3/5
so....Im not sure if this was intentional or not, but at 2:07 of "hand of man", there's an old-school Cellphone incoming call interference noise on the track. very subtle in the left channel. Given this came out in 2012, I bet this was a real call and wasn't picked up by the producer. Which is hilarious. I enjoyed the album overall, it's interesting. but good god does it DRAG on
2012 was a weird year for British music. It felt dominated by Mumford & Sons and Jake Bugg; a real wave of boring twangy guitar/folk rock had washed over us unknowingly. Django Django fall into the more creative end of that sound, but it’s still a little too twangy for me, just with some quite rudimentary chiptune elements thrown in. There’s some good moments in this, but I feel there’s a reason this band made no impression on me initially; it’s all a little bland and calculated for my tastes.
++: Hail Bop, Default, Firewater, WOR, Life's a Beach, Skies Over Cairo, Silver Rays +: Zumm Zumm, Love's Dart +-: Introduction, Waveforms, Hand of Man, Storm 7,6/10
i enjoyed this, was different, good listen, default was good
second listen to this album and it does grow on you. nice harmonies will need to have a look at the back catalogue
like it!
Sneakily fun. No bangers but something to sneak in when you need a little something different.
There I was a-sittin’ in my sky chair subtly stomping my foot and shookin’ my butt to this, thinking — okay, strong start. But by track 5 I was exhausted. Didn’t really connect with any of the songs and there were a lot of horse at an Arabian laser rodeo sounds? Likeeee ohhh another devil western baseline thing, we’re runnin’ through a valley… but there’s no water, and I want to go home
Great textures (especially in the percussion) and a lot of cool ideas about marrying inorganic and organic musical sounds. The lead vocal performances are a little bloodless, but the rhythms and production choices are engaging. Experimental and sometimes pretty Beatles-y. Some of the songs wear out their welcome (“Zumm Zumm” was difficult for me) and as a whole I think this album would benefit from concision, even if it was just by five minutes.
Good album, feels very spacey
Trippy
This album was pretty solid. It’s got a light and warm psychedelic 60s vibe several solid tracks but a little more average for the rest of the tracks
I liked these guys
This is alright - some decent indie psychedelic.
Якось не слухав цей гурт, а втім, альбом хороший. Місцями неочікувані ходи є. За звук сирени мінус звісно. Послухаю ще.
Liked this album a lot when it came out. I thought this band was destined for big things but they ended up doing nothing else memorable
Solid electronic rock stuff, some really cool synths are here and it's fairly enjoyable
I can’t claim to like Talking Heads and then not say I like this. It’s pretty good, one of the better picks from the 2010s on this list for sure. It’s not brilliant, but it’s fine.
Decent and listenable. My favorite was “Skies Over Cairo”
3.4
Interesting listen, I enjoyed it. Reminds me a bit of Beta Band if they had recently licked a toad.
Chill album good for studying or productivity.
sounds like a desert rock Yellow Magic Orchestra for alot of these tracks, especially the first 2. it loses it's momentum after Default and every following track feels hit or miss. eh
Quite nice. Sixties-style harmonies with electronic sounds and mindedness production that sometimes sounds like children’s TV themes. It was a bit bland and samey though and overstayed its welcome. By the end of the album I was relived to turn it off.
Decent alt art rock from that period….
Wasn't terrible, easy enough to listen to. I liked Firewater, life's a beach. some of it is just too weird tho.
A very strange but entertaining album with a highly original sound. I was in the right mood for it.
3/5. The instrumentation is definitely the highlight here. The lyrics feels more like a formality like it was an afterthought. It adds a nice balance to the more fast paced backdrop by slowing it down with more melodic vocals but I have no clue what these songs are about. Viewing it as purely instrumental, including the vocals, I think this album was a pretty chill listen. Not groundbreaking but was fun. Best Song: Default, Life's A Beach, Hail Bop
Actually solid
Good album. I was pleasantly surprised that it was very listenable. I feared the worst when the album summary called this art rock.
Standard 2010s indie album.
189/1089 - It's alright.
British art rock
Interesting. Differen
I felt like they had potential, but nothing really stuck out to me.
7/10 Best song: Storm, Life’s A Beach Least good: Skies Over Cairo
Sort of a sub-par copy of ‘Here Come The Warm Jets’ era Brian Eno. Interesting on occasion but mostly not (unlike Eno).
I've never heard of them before but somehow I like it. Sounds very much like recorded as a soundtrack for several videogames. With some more runs I possibly would get used to it even more. Strong three stars for this one. 3,5
I didn't love it, but it was enjoyable enough and pretty mellow. Not bad.
It was an alright listen, I'd heard a song before (Default) and I'd rate the album overall the same as my thoughts when I first heard that song - listenable and pleasant, but nothing mindblowing.
i didn’t dislike it. There’s talent and it’s very mercury music award. I was working and finding myself gritting my teeth and getting progressively more annoyed and then I realised it was Zumm Zumm.
Was expecting to not like this album after listening to the first song but I was mistaken. It’s not bad. It’s ok. It’s likable.
#DÍA 4: 1001 Discos Que Hay Que Escuchar Antes De Morir (English translation below) Desconocía por completo la existencia de esta banda y de su música, pero bueno para eso me encuentro haciendo este “desafío”, para encontrar cositas nuevas… Aunque sinceramente este álbum no ha despertado demasiado interés en mí. La atmósfera rollo western psicodélico tiene mucho encanto pero siento que es el único atractivo del álbum, puesto que siento que la gran mayoría de canciones aquí son olvidables. La primera mitad es mucho más fuerte sin duda, Hail Bop es un tema que aprovecha genial la atmósfera y la parte final de Waveforms tiene un ritmo genial. Por el resto, Wor tenía potencial de ser una canción de calidad pero para mi el mayor problema del disco es que las vocals no destacan en nada generalmente, de hecho a veces me parece que suenan directamente mal, como en Storm o Zumm Zumm, que acaban siendo desagradables. Divertido en general, pero no estoy deseando volver a escucharlo, sobre todo las pistas de la mitad… Favoritas: Hail Bop, Default, Waveforms Menos favorita: Zumm Zumm #DAY 4: 1001 Albums You Must Hear Before You Die I was completely unaware of the existence of this band and their music, but that’s exactly why I’m doing this “challenge” — to discover new things… Although honestly, this album hasn’t sparked much interest in me. The psychedelic western-style atmosphere is quite charming, but I feel like it’s the only appealing aspect of the album, as most of the songs here seem forgettable to me. The first half is definitely stronger — Hail Bop is a track that makes great use of the atmosphere, and the final part of Waveforms has a great rhythm. Other than that, Wor had the potential to be a quality song, but for me the biggest problem with the album is that the vocals generally don’t stand out at all — in fact, sometimes they even sound outright bad, like in Storm or Zumm Zumm, which end up being obnoxious. Fun overall, but I’m not looking forward to listening to it again, especially the tracks in the middle… Favorites: Hail Bop, Default, Waveforms Least favorite: Zumm Zumm
Svak 3’er. Foretrekker heller Kings of Convience. Synes de har bedre melodier og er bedre på å synge slike harmonier.
Favorite songs: Wor, Default, Firewater Least favorite songs: Hand of Man 3/5
interesting. great!
'Default' - great track.
Enjoyable, different
thought this was a reinhart one at first and got proven very wrong. genuine question guys.. why do these mid rock bands from the 2000s-2010s somehow end up w spots on this list?
it's nice, but i'm not excited about it
Fair enough, this is decent music for 2012. I forgot about the song Default, so it's cool to hear it again
I almost assembled a small cabinet listening to this. It didn't disturb, and I could concentrate. Very good!
"Django Django" is the debut album by British art rock band Django Django. The Wiki-listed genres are art rock, neo-psychedelia, electronic rock and experimental pop. Yeah, I'll buy those. The bandmembers included Vincent Neff (lead vocals, guitar), Jim Nixon (bass, backing vocals, keyboards), Tommy Grace (keyboards, backing vocals, drum programming, samples) and Dave Mclean (drums, percussion, drum programming). The album had solid reviews and was nominated for the 2012 UK Mercury Prize. It also reached #33 on the UK charts. After an introduction song, the album fully kicks in with "Hail Bop." Synth ticking, background beats, handclaps and layered vocals. More in the pop realm here. I believe it's song about a love that shone brightly but is gone and using the 1997 Haley-Bopp comet and Heaven's Gate Cult who committed mass suicide as a poetic metaphor. Kind of clever. "Default" begins with echoing robotic vocals and a bouncy synth and beat. More percussion beats, a tambourine and guitar slashes. It's never a bad idea to sound like Devo. He's a cog in the wheel and keeps repeating himself (In a relationship? At work?). Catchy song and it got decent airplay in the States too. "Lover's Dart" keeps the music interesting with quick, electronic percussion, a rolling bass and rattles. Nice harmonies and a galloping beat develops. He's lost in a dust bowl and his dart is no longer sharp. "Storm" reminded me of early 90's Depeche Mode with a stomping beat and guitar. Layered and echoing vocals. You're my little storm. The album closes with a nice one in "Silver Rays." Hypnotic pounding drums. Various noises such as whistles, rattles and bird noises. The vocals are fast, dreamy and psychedelic. Drugs, love and dance. This music is constant beats whether electronic and/or polyrhythmic mixed with dreamy and psychedelic vocals and guitars. I fully see the Pitchfork description of them as a fusion of the synthetic and the natural. I also do hear the Beta Band, Devo and Depeche Mode in their music as well. I question an inclusion of this album in the 1,001 but, overall, it's a decent album. Not every song worked for me but most did.
If I was out of my brain at a music festival this would be fine. Did I need to listen to it before I die? No. Layering looping sound effects with mostly shit lyrics. Wor is the standout. This is another more recent release where I can see multiple other albums released in 2012 taking its place. 2.5/5. Raising to 3.
pretty weird. musically all over the place and it only worked some of the time
It was an interesting listen, but probably not worthy of being on this list. 3 stars.
I listened to all of it. Short poppy songs. It didn’t really make an impact on me. Reminded me of Paul Simon?
This was fine, fun, and inoffensive. Not inspiring, but the production was solid and the heart was there. Not much range. Great writing. Not very high highs and not very low lows. 3/5
Weird and wild stuff
A resounding "Meh"
It was good. It just seemed to never end ...
Very pleasant album.
It was fairly enjoyable but a crazy choice for the list. They must’ve just picked whatever was on the radio that day
First listen
Fine, but not good enough on its own merits to be here, and completely unspecial for 2012, so..... why? Oh, UK. Got it.
Lots of potential. Interesting soundscape, good production, good mix of rock and electronic but a few songs got very repetitive and tedious.
5.5/10. Ok album, but not one that I'll remember or think about in the future.
Indie/alternative rock. This started strong but then it got a little less rock for me. I liked it but not loved it.
A good album, I still prefer Glowing in the Dark, but this is still good.
Huh, this was quite fun. Fave tracks: Hail Bop, Waveforms, Love's Dart. Would I revisit: yes probably.
This hit harder than it had any right to. Not even sure how to describe it but mellow and vibey all at the same time, but I may have found a new focus album. Nothing really stood out, so a 3, but may regret later if it does actually help me focus.
These are catchy and easy to listen to, but it does it to a fault where it's forgettable. I enjoyed listening but it was more of a general mood vs enjoyment. There's a 10/10 talent in parts of this that needs to partner up with someone, but I'm not sure who. I enjoyed listening but I don't know if this mandatory. It's doing something good but not in a way I feel I'd miss out on if I didn't listen again. I'm fighting between a strong 3 and weak 4. If it was tighter it would get the 4.
Nice opening, grabbed me. Okay a 2012 take on music of the 1960s. Some Beach Boys and or Simon and Garfunkel with some very 2012 beats. I don't dislike what they are doing but this album is way too long and some of it gets a little formulaic sounding. The song writing is kind of lacking, they found a trick to make catchy songs and milked it.
Not bad
To my shock I actually liked this… I thought it was different again and I was vibing out to it. It was really good.
Charitably (or just very loosely) could call it a weird mix of 1960s folkie melodies with that early 21st century modern reverb-y Fleet Foxes *sound* and sprinkle in a bit of electronica but still keeping it all sparse enough to keep some mystery. Which sounds like it should be awesome. I liked it .... but really wanted to like it a lot more. Everything sounded nice but never truly grabbed me either. I don't know, maybe it's a (very) slow builder but could have used a few more uptempo songs for variety. Honestly in the end it's cool to pick (any) ~3 songs, get a nice chill feel, and move on. Also "Zumm Zumm" is annoying. 5/10 3 stars
This was an interesting album. I think it would be good background music for a dinner party.
This is an odd one. There's nothing wrong with the album – a slightly more commercial Vampire Weekend, perhaps? but making a list of classic albums...I don't think even their mums would sat this. (as an aside, the Mercury Music Prize is quite the graveyard, isn't it?)
I can vibe with it. Some songs are amazing
This was a new one for me - liked the sound! Go Synth Pop! 3/5 #musicsky #albumsky
Very pleasant listen
This was not what I was expecting at all. It is a combination of different styles that mesh together quite nicely. It has some Belle and Sebastian influence for sure. The only negative i would say is that its a bit similar throughout and while it had me tapping my foot, it is not something i will remember and want to discover more about 3.5 stars
Fun and interesting album standout songs: Default Waveforms
Not really interesting to me. A little over the place for me
This is gonna get boring if I don’t get any crazy good albums soon…
Good beats, uninspired songwriting. Not great not terrible.
This is the second album on here that sounds heavily influenced by of Montreal but is inferior to them and came out 10 years later. If they don’t got Sunlandic Twins on this list then it’s a shit list. This isn’t a bad album, but it’s very scattered. And like I said they wear their influences on their sleeves, but don’t do enough to differentiate themselves from them.
Inoffensive but completely bland, so much so I apparently forgot to score it till much later, so I listened to it again
Surprised I enjoyed this. A mix of electronic and some interesting Middle Eastern rhythms. 2.5/5 Might listen again.
They sound like they’re going on an adventure.
Django Django's self-titled debut album is a interesting blend of jangly rhythms and folk-pop riffs, interspersed with some 60s psychedelic melodies, early 70s New Wave synths, and electronic beeps reminiscent of 80s video games. The album showcases a sonic diversity, yet still maintains a coherence. While there are decent tracks ("Hail Bop," "Firewater," "Silver Rays", and "Hand of Man,"), some songs like "Zumm Zumm" may become irritatingly overly repetitive. Additionally, the album suffers from track bloat, and its overall quality could have been improved by omitting some tracks, such as "Wor" and the instrumental piece "Skies Over Cairo." Overall, the album's notable strength lies in the band's willingness to explore different sounds. The album is certainly worth a listen, though its replay value may be questionable for most people. (Better than a 2, not quite a 3, rounding up)
Math rockish
Django Django is spares, full of harmonies, picking guitar and synth beats. It only clicked for me on side B, not that side A wasn’t good. I just didn’t get it til Hand of Man, Love’s Dart and Wor. Requires more listens. 6.9/10
No strong opinions
A good album that really takes me back but not quite as brilliant as I remember
Good listen but forgettable afterwards.
Fun album! Lots of variety in the music, yet it went together. I was dancing along enjoying myself.
There were a lot of interesting things going on with this album. Really enjoyed all the fun sounds they played with. It was upbeat and a good time. I didn’t love the vocals though. Something with how they were treating their voices got a little grating and brought this down a notch for me.
Hmm
Pleasant enough but sort of passed me by
A very Animal Collective sort of sound. Didn’t do much for me but not bad either. 5/10
Yeah it was good - much better than some of the stuff on this list but not overly memorable.
a decent beck album
Ya la portada indica que estamos ante algo especial, diferente, raro... Django Django irrumpieron con este disco y sonidos psicodélicos, pop y ritmos en cierta manera bailables. Beck pudiera ser un referente, pero también DEVO y la New Wave (las percusiones apuntan a Adam Ant). No es un disco o banda que hayan sido muy influyentes, sí contaron con los para bienes de la crítica, pero en mi opinión su escucha puede ser obviable entre las 1000 mejores. Para eso tenemos a Panda Bear / Animal Collective, con mejores resultados. Incluso otros discos suyos como Glowing In The Dark. Aún así es un disco disfrutable, con temas muy interesantes como la imponente Hail Bop, las juguetonas Firewater y Default, Wor, que es una gozada y Life´s a beach, que es excelente también. Skies over Cairo es una odisea con aires egipcios que tiene vida propia. Silver Rays remite como gran parte del disco a los Beach Boys de su mejor época.
Kinda felt like I was in a Mario level for some of these songs
Ироничная, местами дурашливо-танцевальная пластинка.
I don't understand the hype.
Some nice sounds, but the songs are a bit repetitive, and the whole thing feels a bit soulless.
I was only half listening but seemed pretty good.
It was OK
This was an interesting album. A little too repetitive for me. Didn't hate it, didn't love it either. I'm sitting on the fence for this one. I was listening to it during a very busy day, which may have helped or hindered their score, I'm not sure!
Django Django by Django Django. Sounds like it could be a lost experimental album by the Beach Boys. Also similar to Flaming Lips I guess. It was OK to hear once. Favorite track: Wor
- reminds me of Duran Duran somehow - is really cool to listen too - I love Hail bop and Firewater
Loved Hail Bop, Waveforms, and Default. The rest are fairly forgettable. Give it a listen though (and listen to hail bop if you’re only listening to one of them) Sort of like if sci fi and funk had a baby
frekar lofandi. augljós líkindi við beta band, blendingur og skrítin hljóð en minni hiphop-áhrif. gef þessu aðra umferð. 3,5.
3 - I feel like this album is good, but I just don't know if it deserves to be in the list. I think most new music needs to stand the test of time. Will we be talking about them in 20-30years
I love the vibe of this album. It has a very distinct sound despite none of the elements being particularly groundbreaking. There's a mesmerising robotocism in the rhythms juxtaposed with Eastern melodies on tracks like Life's a Beach and Skies over Cairo. The album cover is a very accurate representation of the music I'd say. That said the album kinda runs out of steam after the first few tracks, falling a bit flat. Replace Skies over Cairo with the Bullion remix and you'd have a much stronger album. Fave Tracks: Hail Bop, Default, Waveforms 3.4/5
Django Django - Django Django Album Review There’s something undeniably intriguing about Django Django—it’s playful, rhythmic, and packed with ideas, even if it doesn’t always hit the mark. The band fuses surf rock twang, krautrock repetition, and electronic flourishes into a sound that feels both familiar and futuristic, giving tracks like Default and Hail Bop an offbeat, almost hypnotic energy. The percussion-heavy grooves keep everything moving, while the layered vocals and psychedelic textures create a hazy, dreamlike atmosphere. It’s an album that thrives on its quirks, embracing an almost mechanical sense of rhythm while still feeling organic and loose. That said, the album’s ambition sometimes works against it. While the production is inventive and the melodies catchy, the tracks can blur together, with the band leaning heavily on repetition that occasionally borders on monotony. Some moments feel like experiments that don’t fully evolve, leaving certain songs more interesting in concept than execution. But even with its occasional lulls, Django Django is a fascinating listen—full of charm, creative instrumentation, and enough unexpected turns to keep things engaging. It may not be groundbreaking, but it’s a solid, enjoyable debut that proves the band has a unique voice worth hearing.
This is a well-produced album with a promising sound. In its best moments, there is vocal and acoustic guitar over a rhythmic and groovy electronic layer underneath. But... the promise is never quite fulfilled. I think it's because I don't find the lyrics compelling. That's mainly a statement of content, but perhaps delivery as well. It's not that the lyrics aren't creative; they're not overly simplistic. There's just nothing to lay hold of. Nothing that moves this from style to substance, for me at least. So, I can see why someone might love this, but for me it didn’t quite satisfy.
This album is an interesting mash-up of psychedelic pop sounds with some interesting techno flourishes and call backs to the 60s, but ultimately it lacks what made that time period so vital; a righteous cause. These guys are certainly talented, and the album did get a little better for me as it progressed, but in the end, I just wanted to go back and listen to better music.
Cool electronic stuff and stuff.
A perfectly fine album. Some interesting and fun ideas and throughout the full album but feels a little haphazard and maybe incomplete?
Reminds me of a specific time of my life! not bad in any way, but i've outgrown her <3
Rätt så bra men känns som jag hört det tusengånger
Perfectly fine! It didn’t stick with me as much as I thought it would from the start, and faces the same problems I have with a lot of indie music from around the same time.
-this is an album that sounds exactly like its cover. sort of like Tame Impala meets Beach Boys, but a little weirder -honestly a lot of it didn’t blow me away. some of the individual beats and sound compositions were much more interesting than the songs themselves. but there are some definite highlights in here so it still gets 3 stars -Favorites are Default, Love’s Dart, and WOR
Est-ce le traitement de la voix, le détachement, la frénésie, les influences pseudo musique du monde… je n’ai pas été convaincue du tout
One of Len’s ex wives had a kid called Eric Django Django. 3.2
Like many albums from this era, this one suffers from being both somewhat interesting and somewhat irritating.
There's hints of something really good here, but it doesn't quite make it for me.
Didn't mind it!
This album really reminds me of KNOWER, which is coincidentally also featured on GTA V (F the Makeup, Skip the Shower). Checks out, really. Outside of the above, nothing really stood out to me here. It's a fresh sound at least, and not British indie slop like I'm used to getting served up hot and fresh on this list. I'm sure this is someone's flavour, but to me it's plain vanilla. Still, enjoyed the listen.
Shitty overproduced 2010s indie rock that is very unfortunately good 7/10
As I have mentioned previously, I would think the authors of this book would have a little more consideration as to what they include in this list. It appears to me the only impact this album has had is having a song on the radio station nobody listened to in GTA5, Worldwide FM. This was okay, nothing to say but it's competently performed and enjoyable enough. The Honda Accord of albums. Vinewood Boulevard Radio for life. Highlights: Default, Storm (probably others but it was pretty forgettable I am sorry)
Fajne - tak można to najlepiej określić. Taki zespół, który można puszczać w radiu, ale Rojek nie będzie się wstydził zaprosić ich na offa. Na granicy 6 i 7, ale jednak 6.5/10 równane w dół
Interesting
This was fine, but definitely an album I could have never heard before I die. It felt like the band was having fun, yet their vibe wasn’t infectious to me as the listener. I didn’t hate it, but came away a bit indifferent towards it.
Hard to get into it. A couple great songs, but the intermediates, not quite as good.
25 isn’t the stone-cold classic 21 is
It’s refreshing! This album has elements of music I’ve heard before but sounds unique to them. Nice bop to their sound & wor is such a jam. I don’t imagine I’ll return much to it and certainly won’t be saving it as an album, but I appreciated the listen
Kinda beach boys , kinda noise machine
I kinda liked it, i dont have much to say. Probably wont be returning to the album but its not bad
This was really interesting to listen to, and I had just listened to the Spirtualized album "Ladies and gentlemen we are floating in space" which I think was similar to this in a lot of ways. I'm going to go with an overall 3 and maybe not quite as good as the Spirtualized album but a fun listen
Django Django hat mit diesem Album einen modernen Klassiker geschaffen, der gleichermaßen tanzbar wie visionär ist. Perfekt für alle, die sich auf etwas Neues einlassen wollen – und dabei ein bisschen Nostalgie für die goldenen Zeiten des Psychedelic Rock mitbringen. Ein Album, das immer wieder überrascht, auch beim zehnten Durchlauf.
Nothing exciting here, but nothing to dislike either. Its whatever, its fine. Why on the list though?
Mostly covers, but good. More complex and interesting than I would have guessed.
You could have knocked me over with a feather that this album wasn't from the seventies! In retrospect, Django Django was very art rock, which had a big presence in the 1970s. What I liked most was that each song was different and unexpected. The music never went where you anticipated. I needed something unusual and different today, and Django Django delivered.
Intriguing, maybe even good, but I don't really know that it is a "must hear". There is some very interesting production on this album that makes it sound fairly unique among music of this type. For lack of better words, this is kind of like "new psychedelic music for the 2010s and beyond". But all in all, this was very mid, and not very groundbreaking. A weak 3 from me.
This was cerebral and not a bad listen. However, the first half of the album meandered a bit to much for my liking. The second half of the album, beginning with "Wor" was more cohesive and I really enjoyed those tracks. An extra star for those tracks.
There was a point about halfway through that I really started to lose interest. I think it was probably "Zumm Zumm", which seemed very repetitive to me. Somewhere around the end it picked up for me. I liked the goofiness of "Silver Rays," and "Skies Over Cairo" was good. Cut out some of the middle and I think I would have liked this more. Top tracks: "Hail Bop," "Default," "Skies Over Cairo," "Silver Rays"
Wow, Dimery and company really do a poor job selecting albums from more recent years. It's not bad. In fact, it's definitely ok. But it's not an album I needed to hear before I die. Liked the first few tracks most (the intro, Hail Bop, and Default). But it never really grabbed me. In particular, I didn't like Skies Over Cairo - the percussion has almost a "wet" liquidy sound that really annoys me. They recovered a bit with Silver Rays, a decent ending track, but by then I was definitely ready to move on.
Sound English as heck, but it's really a bit of nothing and everything. Some beats, some guitars. Not unpleasant to listen to, but doesn't really do something.
3.5
Not bad, but not amazing. I think the vibes of this album carry it in my mind. While Default certainly isn't the best song I've ever heard, it's so damn catchy I can't help how much I like it. I really enjoy the slight slowdown in the middle, of the album with Love's Dart. It feels unique, and it doesn't suffer anywhere, but it isn't really for me. Favorites were Hail Bop, Love's Dart, Life's a Beach, and Skies over Cairo
This sort of wonky indie rock is fun to me but not much more than that. I think I have maybe heard of this band before but had never given them a listen. The drums consistently sound really good. Favorite songs were Hail Bop, Firewater, Wor, and Life’s A Beach.
It has bop, but does it have muscle? It may, since the drummer is indeed the MVP (Rolling Stone magazine). It may not, since vocalist Vincent Neff does not have enuff oomff. Production and percussion wise tho, very cool. Check out ‘Firewater,’ Hand of Man,’ ‘WOR’ and ‘Storm.’ The Cairo one, too. Yep.
Bounces along. Self-serious 80's vibe
Never heard of this band before. I can't decide if I like them or not. If they can keep themselves from using dumb sound effects they kind of sound like Black Rebel Motorcycle Club (which is a compliment). But I feel like they can't help but throw in dumb sounds to justify being an "art" band. There are some sections of this I would give a 4 and some a 1. Going to give it a 3 I guess.
Quirky - better than I expected based off the album cover. Didn’t analyze the lyrics, but I was interested enough to go back for a second listen at some point.
не поняла какую песню и с кем мне спотифай всё время ставил, но в целом альбом как будто знаком. нормальный но я быстро перешла на декабрьское…
Sounds like British pop mixed with the Donkey Kong Country soundtrack. Another oddity.
6/10 I remember when this first came out that I wrote DD off as a throwaway electronic indie band. I was basically right, this is fine but really nothing special. The more electronic tunes work nicely, the ones with surf or western guitar less so. Not sure I needed to know they can knock out a Lawrence of Arabia style song. If I was going to be brutal - I guess I am - then i would say they sound like the Beta Band with all the weird edges smoothed off and overproduced to be more appealing Best: Waveforms
jaha ja suoraan vuosi on 2012 ja otetaan rummut donkey kong countrystä gg. ja se olikin ehkä paras kohta koko albuissa hohhoijjakaa.. tosiaan vähän sanoisin että indie+.. eli kuin indiemainen mutta vähän parempi. kuulostaa vähän paremmalta vieläkin yhä ei oikein django django, django django vokaalit oikeean voisi vähän paremmat olla kun kerran tuon nimine django django django django on kuitenkin se luis bacalov vähän laulatti djangossa kunnolla niin django django django djangon voisi vähän siitä ottaa mallia jos kerran semmonen nimi albumi+bändi että django django django django voisi olla vähän enemmän kuin django wor
Fun album, pretty interesting
3.75
This was alright, but I didn’t like the style of the vocals; something about it was quite grating. I liked a lot of the backing music, but that was in spite of the singing for the most part.
I enjoyed Skies over Cairo, and Hail Bop was a nice FIFA tune. The rest was fine.
I wasn't entirely sure what to expect from this. I thought it was ok, but not something I will probably listen to again.
This was fine.
Merely ok.
I like the vibe they're going for and there's some fun songs on here, just a little aimless.
It's definitely not something I would have found on my own without this 'challenge'. I did, however, enjoy my time with it. Some very cool soundscapes, and great ambiance. It's not my thing, but I'm glad I tried it.
I liked the diversity of the record. A lot of different sounds and genres were incorporated which I enjoyed. What I enjoyed about it most is how "listenable" they made each song while also being very different. I find that can be a very trick combination but I think they executed it well. I think "Art Rock" is a very suitable genre for this band/album. It's artistic, it's different, but it works! I've never really been a fan of the "low effort" singing with any band, and this is no different. I think overall, it was interesting to listen to and easy to listen to. It might be an album that needs to digest and listen to multiple times in order to appreciate it more. 3/5
There were some really cool tracks on this record. Some of them were a bit out there and repetitive, but I enjoyed this way more than I thought I would.
This record is good, but it's also a symbol of how difficult it is to declare classic records before 20 years are up. Because while good, I don't know if it quite rises to the criteria of being an album I need to hear before I die. The second listen—a lot louder—was better than the first. I could feel the momentum through the first 4 songs but things did wane. A few tracks in the back half I might've cut entirely but they did a good job sequencing some strong songs (Wor, Storm, Life's a Beach) in there to keep the listener going.
This made for decent background music but I was hoping for a little more foreground.
Not bad.
Pretty good album, but after the first few songs it kinda bleeds together and eventually runs out of steam. The opening track, Default, and Hail Bob are great though.
Very Beta Band-y, but enjoyable for sure.
Strange but good
Liked it, unusual sound with beach boys and beck vibes.
I like this musically; lyrically, I could largely take it or leave it.
- I legitimately thought I would love this after the intro and the first track "Hail Bop." But then it all...did the exact same thing? - These tracks are definitely different from a sonic point of view. But the structures are all identical to the point of feeling like they were designed by AI. 1) Bizarre percussion / synth beats, preferably with random sound effects that Beck would give a side-eye to. 2) Unaltering rhythm. Not fast. Slow, but not tooooo slow. 3) Monotonous vocals layered into harmonies. - Not shocked that much of this albums Wiki page is focused on the commercials these songs have been in. I hate none of it. But, for being "art rock," it feels weirdly safe?
Surprised how I liked this one!
Venga, uno que conozco y me gustan algunas de sus canciones. Vamos a oírlo del tirón. No ha estado mal, pero quitando "Default" y "Firewater" no me guardo ninguna más.
Hm this first track sounds cool! Not sure what kind of music this will be. Let's have a peek at the wiki info. British art rock band? okay....Meh, it was alright 3 stars
A bit boring, but offensive upbeat daft punk inspired indie.
Psychedelia meets Electronica… and it is quite exciting..
Prima maar niet bijzonder zoals andere mensen hier denken
Hadn’t heard the whole album but have had the song “Default” on a playlist of mine and liked it. The album is uneven but has a few I’d listen to again.
Erre valamiért indokolatlanul járt a lábam, pedig nem is tetszik. Egyezzünk ki közepesben.
This is an album that I feel that I should like, but I just can't get into it. In a way it reminds me of Field Music, who make similar indie music that's slightly more interesting and intelligent than the norm, but unlike say, Alt-J, none of their music, nor Django Django's really capture my imagination. Three stars feels harsh, but I can't think of a reason why I'd want to listen to this again - I gave it three full playthroughs and still couldn't pick out a song other than Default, which I already knew.
After glancing over the reviews I was expecting a masterpiece, not so a reality. 3/5
Begint best wel nice met Introduction die meteen doorloopt naar Hail Bop. Beetje surf vibes krijg ik er van? Veelbelovend begin in elk geval! En daarna valt het weer echt van een klif af. Het is niet slecht, het is gewoon niet zo spannend. Beetje alsof het na een paar grote golven aan het begin daarna volkomen windstil word en rustig doorkabbelt... Heel jammer, begin vond ik echt interessant, daarna vind ik het gewoon 13 in een dozijn indiesurfrock. Wor is wel echt een heel vet nummer, hele dikke bassline die er in zit. Pakken ze toch weer mn aandacht! Daarmee kom ik toch tot een prima rating, dan weet je al hoelaat het is: 3 sterren Django Django -Django Django FAVO: Default, Firewater, Wor
Strange sequel for such an excellent movie, but nice vibes all around.
Better than average alternative pop for the 2010s. I was aware of Default and Hand of Man (both pretty catchy songs). I find a lot of alternative pop of this vintage overworked, so the lofi production style I found fresh and enjoyable. Catchy tunes, decent harmonies, and a fun rhythm-led style. Moments of krautrock minimalism, which I dig. If I came across a vinyl copy for $20, I would buy it.
This sounds a lot like the beta band, but I must admit some of the songs are quite good. It does make sense though to ask why this album is on the list (just like the albums from ash, the vines, the thrills, the doves, the coral etc etc) whereas some truly great bands (beat happening, the clean, the chills, mission of burma, wipers, tall dwarfs etc) have been ignored completely.
This was reasonably entertaining, not more than that.
This is actually exactly what 2012 sounded like.
Albums I'm supposed to hear before I die and random flash in the pan 21st century indie bands, name a more iconic duo
If Vampire Weekend and The Shins had a baby and that baby had another baby with Gonzo the Great and that baby decided to do acid.
Very very average. It was so mundane and middle-of-the-road it sounded like it could have been created any time between 1965 and the present day - by a single person with a semi-decent casio keyboard bought from argos. Not one track stood out as excellent, equally none were dog-shit awful. I'll give 3 stars as I made it all the way through without considering turning it off (but that's maybe due to being in a coma from the blandness of it!)
Django Django. Other than that, it's a funny album with some lively music, that just becomes tiring after few songs. For some reason I've listened to it twice, once in a background, but it didn't inspire me to anything.
Is the D silent ? Always ?
A strange little beast, elements of 60s folk, psychedelia, surf rock, acid jazz... definitely a wild ride.
Good, but hardly essential. I remember Default was a hit here. I didn't know the other songs. They're not as annoying. Favorite song: Silver Rays.
I was prepared to be disappointed but within a few seconds of “Hail Bop” I realized that it was on the FIFA 13 soundtrack and FIFA soundtracks are always full of bangers. “Waveforms” is a good one in the same style. I wouldn’t quite classify this as landfill indie but it’s close. The production is too good for that and the songs are too interesting. Speaking of the production, I love the guitar on this album when it’s not just piped from acoustic. It’s super compressed and distorted to the point that it sounds like an electric twelve string. It’s been done before but I really like it. The vocal harmonies are also executed well, though I’m not sure if the singer is double/triple tracked or if it’s all of them. Either way it’s good. The second half of the album kind of lost me. Starting with “Wor” everything got a little derivative and simplistic. “Skies over Cairo” is literally just 12 bar blues but harmonic minor. Lazy! I think this is one of the better modernish albums we’ve heard but it is let down by a bunch of filler tracks that don’t distinguish themselves from anything else.
I wouldn't change the station if WBER started playing this.
It's a good listen, with a nagging rhythm that's quite distinct. What I would term an 'emusic classic' - when I had a sweet sweet account that would let me download 75 mp3s a month for not very much money from indie labels. But is it one of the 1000 best albums ever made? probs no. Emusic staggers on like a zombie, I left 5 years ago and some of the albums they had then are still on their homepage. Anyone still using it?
The cadence of every song was very similar. Not bad, but after two listens didn’t connect. Weirdly did enjoy it, so 3/5.
Very middle-of-the-road album. Nothing too interesting
Not my most careful listen, by any means. This felt like a sort of love child between Animal Collective, Tame Impala, and Glass Animals. Synth-heavy with overtones of psychedelia and a sort of "theatrical" tone to the vocals that I can't really quantify. As a whole, I enjoy this fine, but despite all of the relation to the influences referenced above, there is something about this that doesn't quite connect for me. It feels at times, overstuffed or over-processed and I didn't really find too many points were I was fully engaged. A few parts did stand out though: Skies Over Cairo, Default, Waveform.
Some really cool parts and some really strange parts in that whole album. A lot of the instrumentals I could get down with. But sometimes the singing was a little weird. This is a mid to high 3
Messy but enjoyable. As all over a clouds on an overcast day. Favourite track: Wor.
very cool but sounds like ad music
Each song is good but getting through the album was rough as they sounded the same after a while. Great Beach Boys melody, heavily soaked in the synthetizer silliness of the Beta Band and coated in campy tv commercial hopefulness.
Interesting, experimental music. Maybe in a different setting it would work better for me than it did now (I listened at the train station)
Pop-rock electrónico experimental. Ni fu ni fa.
I member buying this on the the strength of "Default". Didn't play it much. It's a bit unnemorable but still engaging The vocals very much remind me of the Beta Band. Decent.
60s psychpop harmonies and bright open sound and a touch of surf rock guitar tones + 70s krautrock driving rhythms + 00s indie synth maximalist instrumentation & production = an upbeat high energy immersive and engaging bit of fun.
5.5/10
It's an ok Art rock album. Some songs are good, but as a whole it's not very special.
Rando hipster indie junk that epitomizes 2012 sonically.
My first contact with Art-Rock. It's really distinctive. I don't particularly like it. Some tracks are borderline enjoyable, most just tolerable for me, but I'll give the album credit for being memorable.
3-
This sounded like a modern-day Beach Boys except for the weird song that sounded like it went with an establishing shot from Aladdin.
No pensaba que habia oido tantas canciones de este disco. Buen nivel
Now here's finally something I never even heard about. Vocals were subpar but instrumentation was nice and inventive enough. Went to rym to rate it 3.5. 3 here because it's closer to a 3 than to a 4.
I like the instrumentation and the way the songs flow, but something about the singing just sounds amateurish to me and really holds me back from enjoying this. If I wanted something in this sound I am just going to stick to King Gizzard. 3.5
Definitely a weird one, lots of soundscapes, lots of different vibes and instrumentation, lotta synth/electronic sounds. I doubt I’ll listen to it again, but I enjoyed it.
folk, pop, and psychedelia all mixed together. pretty cool little album.
djangoooooo its the album that i write about here djangoooooo its the album that impales me with spears so dear fear fuck this album
Very weird. Like a schizophrenic Beirut. Not altogether unpleasant.
Meh
Psicodelia na medida de um pop agradável.
Very conceptual.
Hail Bop // Waveforms // Love’s Dart // Storm // 3.5/5
Album 394 of 1001 Django Django - Django Django Rating : 3 / 5 Not a bad album, though likely forgettable. Listed as 'rock' but I would put it more in the pop category. Released in 2012 but has a sound of decades earlier.
Somewhat groovy and tuneful, bouncing along pleasantly enough, if to mostly anodyne effect. It's a bit overstuffed even as it seems mostly well controlled and thought-out. Perhaps they knew too well what they wanted to accomplish. The modest vocals fall flat after a time (because there's little to no modulation within or across songs) The melange effect does wear on the nerves after a time and suspects an intentional aiming for earworms, which leans to annoying. A bit too long, too. One has no real sense of why this record would or should command anyone's deathbed attention or even consume musical consumption time in the future. More meh than marvelous, this is ultimately forgettable.
techno with soft vocals.
Dig the album cover! 🏜️ It’s fun while it lasts, has some common ground with latter-day MGMT. 3.5 HL: “Hail Bop”, “Waveforms”, “Storm”, “Skies Over Cairo”
Definitely one of those I wouldn't have picked by myself. It's very reminiscent of late-60s/early-70s hippie music. The first band they sound like that comes to mind is Jefferson Airplane. Not bad music even though it's not my taste. There's some really solid orchestration and use of synth throughout
pretty good album, it felt like it sometimes blended together at points but overall good and was unique from other albums we’ve had
Yea, it's alright
Pretty weird but like I won’t listen to it on my own for funsies
Started off fairly interesting but pretty quickly lost my interest after that.
This was a very groovy album. I hate these ones where I enjoy listening but can't really pick out any songs I liked. I just enjoyed it. Also, too many Djangos. Even Beetlejuice knew three was almost too many.
This one was interesting, not entirely sure what genre we are in. Some really exciting drum sequences, there's a groove to this album that's unmistakeable. I know nothing about this group, but I'm enjoying their style. Django Django Django Django Django? What does it all mean? Favorite tracks: Firewater, Waveforms, Wor, Silver Rays. Album art: What am I looking at here? This image is about as indecipherable as the genre of the music. Some whirling, twirling thing in a sand dune, at first glance I thought it was supposed to be some kind of creature but it's...I don't know, energy? Very cool cover, I like not knowing what I'm looking at. 3.5/5
I'm not a fan...
The repetitive loop bits tend to go from charming to really annoying really quickly.
Britisk art pop, tilpas skørt og tilpas chill
Ok 3/5
I enjoyed this more than I thought. Has a fun vibe
It was alright, makes for nice back ground music, i ended up listening to it twice, because i couldn't remember it the first time around.
Could see the Waveforms of these songs in the Skies Over Cairo. Felt the Hand of Man manipulating these forms as a Storm sends Firewater down.
Interesting and fun but often I wasn't sure what exactly I was listening to. That may have been the point? Default has moments of 60's flower-power vibes mixed with movie background music ambiguity. Firewater is total dissonance between vocals and percussion. Hard to describe. Not awful, not great, just kind of there.
I listened to this multiple times to try and get a feel for it but I just kept getting tired of it. It seems like something I should be into but just never got there. Good background music but not so great in the foreground.