I Do Not Want What I Haven't Got

You cause as much sorrow kind of has cranberries energy. I didn’t know that the cranberries r Irish. Anyways this album is great

5/10 - It was not that interesting overall. Lucas and I listened to nothing compares 2 u at schatz and he told me how his dad likes the song. So I liked that song a little more than the rest

I remember eating in Schatz once when this version of nothing compares to you came on. That was funny as fuck

All the feelings at once. Aggressively fine.

Objectively a pretty great album. Great voice, great production, just not really my cuppa 3.5

ibland ganska kul och bra men för det mesta tråkigt och jag gillar inte soundet på instrumenten så mycket.

Man vill ju gilla detta mer än vad man gör...

Aucun interet

4.5

Esta bueno, i lover her soft voice. 7/10

8.5/10 I get the hype

What a powerful and often misunderstood voice. Such a great vocalist. We dumb humans couldn't look beyond her bald head.... RIP

The freaking reverb on this. It's so much that is you try to turn it up enough to hear the quiet parts, you just get earsplitting chirps of high and at every s or t. Too bad because there is some lovely stuff here. Favorite track has to be the last one.

Great voice, great songs ... and *that* single

Not too bad, though unfortunately she ends up sounding pretty whiny after so many songs.

Ni me relajó, solo me aburrió.

Loved the first song. The rest of the album was ok

Meh 🤷‍♂️ though tbh I wasn’t super actively listening

I have a real soft spot of Sinead. Nothing Compares 2 U is a pretty stellar performance. Nothing else on here quite gets to that level, I think, but it all sits pretty nicely beside each other. I don't know. This is really more of a 3.5 than a 3 but it's not quite a 4.

My favourite reggae artist? That would have to be Sinead O'Connor.

Not for me

Oh goddammit! Another one that I wore out back in the day. So many hours singing along. This record is still excellent. Her voice is incredible. The music is beautifully produced. The lyrics are raw and real. This was enormous when it came out. 5/5

Bien

I feel like this one didn't really have a discernable identity, and the slow pace didn't make it easier to digest

This album is amazing. It keeps it somber and heartfelt while also managing to venture into many different genres. While Sinead O’Connor is praised for her rendition of Nothing Compares 2 U, it pales in comparison to the beautiful melodies of Feel So Different, the power of I Am Stretched On Your Grave, or the lyrical wonders of Three Babies, just to give some examples. This album is beautiful and daring from start to finish, but I fear three isn’t much replay ability in some of the longer, slower songs. Definitely worth at least one listen.

Not really my thing. Takes a while tto get going. 2/5

It's far more orchestral than her debut. A little less political, and cultural than it too. And far more lovesick too. Some songs stick, some don't.

I liked the voice in some songs but the lyrics are kinda random at times. The music is all over the place as well. Not something I'd revisit.

Made an impression, mostly very positive. Although genuine, at times it was a bit mawkish, but great singing, heartfelt lyrics, lovely simple instrumentation. A few tracks felt a bit Christmas carol-y, but I like that.

One of my favorites

A solid album from an icon.

Okay album with a good Prince song in the middle of it

Meh. I think if it wasn't for her anti Catholic tirade on SNL nobody would remember this woman's name or give her music a second thought.

powerful, interesting, in trance

Sinead seemed like a cool person, a real artist. Not really my music though.

Shakes itself up too much for me to stay invested.

Shame what happened to her. One of those artists who will only be fully appreciated posthumously. Favorites were "I Am Stretched on Your Grave", "The Emperor's New Clothes", and "Nothing Compares 2 U"

Good record. Great and fascinating voice. Not into every song, but the music had good variability.

It was nice to listen to this again after so many years. She had a lot of force and power to her voice, but balanced it out with lightness. The hit cover doesn’t really fit in with the rest of the songs. It’s very different from her writing and makes me wonder what kind of career she would have had if she hadn’t covered it. 3.4

An interesting blend of pop-type songs and more orchestral or folk oriented numbers. She uses her voice in an interesting way - louder brash sound contrasting with soft breathy vocals. Also didn't realize she played guitars, piano, arranged strings, etc. Not my thing so much, but it's pretty good and holds up quite well. You get a subtle sense of her rebellious spirit, which I like. "These are dangerous days; say what you feel is to make your own grave". 3.5

5 stars - one for each of the stages of grief. A crisp voice that prays, placates, laments and rages, paired with pitch-perfect arrangements that never overpower the lyrics. Such a strong debut album with one of the most incomparable covers of all time. (See what I did there.) Hidden gem: Black Boys on Mopeds. The lyric "Remember what I told you. If they hated me they will hate you" would turn out to be all too prophetic.

I really enjoyed 'Last Day of Our Acquaintance' but I didn't understand the appeal of the whole album

Great album, vocals are in their own stratosphere obviously. I liked “I am stretched on your grave” and the rest was enjoyable. I was not familiar with a lot of this outside of “compares 2 you”. Probably considered sacrilege to S.O. Purists, but there is a great acoustic cover of nothing compares to you on YouTube by Chris Cornell.

While I’m a bigger fan of her debut The Lion and The Cobra, this album really represented her voice well and brought it to the forefront as a true instrument. It’s impossible to hear her voice and not be moved to some sort of emotion. There’s a nice variety of songs here, but I Am Stretched On Your Grave and The Last Day of Our Acquaintance were always my favorite tracks.

Nothing Compares 2 U almost bumps this to a 4 for me on it’s on. Such an iconic song and love this version. Chris Cornell’s acoustic version is also quite great and worth a listen. 3.25

Overall a solid album. Admittedly not sure I've ever heard another of her songs outside of Nothing Compares 2 U. Makes me want to go back and explore more of her catalog. 3.5/5

Long time fan of Sinead. First time digging into this album. That's the whole point I hear you all say. Faves: The Emporer's New Clothes, Nothing Compares 2 U

I really like an album where each song is different genre experiment, and a lot of these tracks were great! I only knew the big single going in to it, so found every track a pleasant little surprise. Fave tracks - "I Am Stretched On Your Grave" for proto-trip-hop, "Three Babies" for new age ethereal, "Black Boys On Mopeds" for politically conscious folk, "The Last Day Of Our Acquaintance" for breakup song, and of course "Nothing Compares 2 U" is still spine-tingling....

Very political and personal, and very sad, yet never silly or pedantic or maudlin (which, for an album with titles like “I Am Stretched on Your Grave,” ya gotta hand it to her). It’s a high form of artistry, and these songs have stayed pleasantly stuck in my head for many a year.

Just bad...

Come on seriously. Not another one. Not what I want to listen to. One album of hers maybe should be on this list There are so many great artist and albums out there This is not one of them. Not sure if I can continue with this I was looking forward to this list now I dread looking to see my next album and hope to be mildly surprised

amazing

Not great but pretty good.

I'd only heard a few Sinead O'Connor songs prior to this, and I have to say, the thing that I was most taken aback by is how similar her manner of singing is to Bjork's, who put out Debut a few years after Sinead put this album out. I had never considered that there might be an influence there - in large part because it's not present on Nothing Compares 2 U - but now it's impossible to ignore.

I've never been a huge Sinéad O'Connor fan, but always respected her as a person. She stood up for her opinions (which were ultimately found to be 100% correct) against the Catholic church to enormous backlash, and then really leaned into them. When she died, I watched the video of her being booed at the Bob Dylan tribute concert. It's hard to believe that THAT crowd, of all crowds, would have done that. Anyway, I think this is the first time I've listened to this album in full. It's a bit dated, and Nothing Compares was really played to death when I was a child, but it is undeniably a brilliant album. Fantastic singing, great production, and very emotional. Three Babies, Emporers New Clothes, and Nothing Compares are all highlights, and there aren't any bad songs on here. Definitely one of the best pop albums of the 90s. 9/10

Im really not a fan of this dated 90s Pop style

Very meh

So good. What a kinetic and committed artist. What dynamic power as a vocalist, too, even if you feel she's holding something back at times, or at least not oversinging. The politics may be a be naive but her heart is everywhere in the right place, from the social protest to the more confessional bits. And while the register can feel a bit too consistent, almost constrained, it all works well and effective and it's tricky diverse. From sexual ecstasy in a cemetery (what would Keats think?) to "Black Boys on Mopeds" (Ross Gay would agree!) to the subtle-strong "Emperor's New Clothes." Substantive and terrific.

**Album Review: "I Do Not Want What I Haven't Got" by Sinéad O'Connor** "I Do Not Want What I Haven't Got," released in 1990, is the second studio album by Irish singer Sinéad O'Connor. The album catapulted her to global fame, largely due to its emotional depth, powerful lyrics, and O'Connor's distinct vocal style. This review delves into the various elements that make this album a landmark in contemporary music, analyzing the lyrics, music, production, themes, and its lasting influence. ### Lyrics The lyrical content of "I Do Not Want What I Haven't Got" is intensely personal and introspective, often touching on themes of love, loss, and self-identity. O'Connor's songwriting is raw and honest, with a poetic quality that conveys deep emotional truths. 1. **"Feel So Different"**: The album opens with a spoken word prayer, setting a contemplative tone. The lyrics reflect themes of transformation and self-realization, with lines like "God grant me the serenity to accept the things I cannot change." 2. **"I Am Stretched on Your Grave"**: This song uses a traditional Irish poem set to a modern beat, exploring themes of love and death. The juxtaposition of ancient text and contemporary music underscores the timeless nature of its themes. 3. **"Three Babies"**: Here, O'Connor delves into the pain of loss and the resilience of the human spirit. The lyrics are deeply poignant, revealing a vulnerability that resonates with many listeners. 4. **"The Emperor's New Clothes"**: This track critiques societal norms and personal authenticity. O'Connor's defiance against conforming to expectations is clear in lines like "I will live by my own policies." 5. **"Black Boys on Mopeds"**: A politically charged song addressing social injustice and the failures of the British government. O'Connor's anger and disillusionment are palpable, making it one of the album's most powerful tracks. 6. **"Nothing Compares 2 U"**: The standout hit written by Prince, this song deals with the deep sorrow of lost love. O'Connor's delivery is heart-wrenching, and the lyrics are straightforward yet profoundly affecting. ### Music Musically, the album is diverse, blending various genres and influences. O'Connor's eclectic tastes and willingness to experiment are evident throughout. 1. **Instrumentation**: The album features a mix of traditional instruments and modern synthesizers, creating a unique soundscape. Strings, flutes, and acoustic guitars are woven together with electronic beats, showcasing O'Connor's innovative approach. 2. **Arrangements**: Each track is meticulously arranged to complement the emotional tone of the lyrics. For instance, the sparse instrumentation on "Nothing Compares 2 U" enhances the song's melancholic atmosphere. 3. **Vocal Performance**: O'Connor's voice is a central element, characterized by its range and emotional intensity. Her ability to convey vulnerability and strength simultaneously is a hallmark of the album. 4. **Genre-Blending**: The album traverses rock, pop, folk, and traditional Irish music, reflecting O'Connor's diverse influences. This blending of styles contributes to its unique and timeless appeal. ### Production The production of "I Do Not Want What I Haven't Got" is a testament to O'Connor's vision and the technical expertise of the team behind it. 1. **Producers**: The album was produced by Sinéad O'Connor and Nellee Hooper, with additional production by Chris Birkett. Their collaborative efforts resulted in a polished yet authentic sound. 2. **Sound Quality**: The production quality is high, with a clear and balanced mix. The use of reverb and echo adds depth to the vocal tracks, while the instrumentation is crisp and well-defined. 3. **Innovative Techniques**: The production includes innovative techniques for the time, such as the use of sampling in "I Am Stretched on Your Grave." This track layers a traditional Irish melody over a modern beat, exemplifying the album's fusion of old and new. ### Themes Thematically, "I Do Not Want What I Haven't Got" explores a wide range of subjects, from personal introspection to political commentary. 1. **Self-Discovery and Empowerment**: Many songs deal with themes of self-discovery and personal empowerment. O'Connor's lyrics often reflect her journey towards self-acceptance and autonomy. 2. **Love and Loss**: The album's exploration of love and loss is both profound and universal. Tracks like "Nothing Compares 2 U" and "Three Babies" delve into the complexities of human relationships and the pain of separation. 3. **Social and Political Commentary**: O'Connor does not shy away from addressing social and political issues. "Black Boys on Mopeds" critiques government policies and societal inequalities, highlighting her activism and social awareness. 4. **Spirituality**: There is a strong undercurrent of spirituality throughout the album. The opening track, "Feel So Different," sets the tone with a prayer, and other songs touch on themes of faith and existential reflection. ### Influence The influence of "I Do Not Want What I Haven't Got" extends beyond its immediate commercial success. 1. **Cultural Impact**: The album has had a lasting impact on popular culture. "Nothing Compares 2 U" became an iconic song of the 1990s, and its music video, featuring O'Connor's tear-streaked face, remains one of the most memorable in music history. 2. **Musical Influence**: The album has influenced a wide range of artists across genres. Its blend of traditional and modern elements can be seen in the work of later musicians who seek to bridge different musical worlds. 3. **Social Influence**: O'Connor's outspoken nature and willingness to address controversial issues have inspired other artists to use their platforms for social and political commentary. Her boldness in tackling issues like child abuse and political corruption has paved the way for more open discourse in music. ### Pros and Cons **Pros:** 1. **Emotional Depth**: The album's emotional intensity and honesty resonate deeply with listeners, making it a timeless piece of art. 2. **Vocal Performance**: O'Connor's voice is a powerful instrument, capable of conveying a wide range of emotions with great precision. 3. **Innovative Production**: The production techniques and genre-blending give the album a unique sound that was ahead of its time. 4. **Lyrical Brilliance**: The lyrics are profound and poetic, addressing universal themes with personal insight. 5. **Cultural Relevance**: The album's themes of self-discovery, love, loss, and social justice remain relevant, ensuring its continued impact. **Cons:** 1. **Inconsistent Pace**: The album's pacing can feel uneven at times, with slower, more introspective tracks juxtaposed against more upbeat songs. 2. **Production Choices**: While innovative, some production choices may feel dated to modern listeners, particularly the use of certain synthesizer sounds and sampling techniques. 3. **Intensity**: The emotional intensity of the album may be overwhelming for some listeners, making it challenging to listen to in one sitting. 4. **Commercial Appeal**: While critically acclaimed, the album's raw and unfiltered nature may limit its commercial appeal compared to more polished pop records. ### Conclusion "I Do Not Want What I Haven't Got" stands as a seminal work in Sinéad O'Connor's discography and a landmark album of the 1990s. Its blend of personal introspection, social commentary, and musical innovation has cemented its place in music history. Despite some minor flaws, the album's emotional depth, lyrical brilliance, and cultural impact make it a timeless and influential piece of art. O'Connor's fearless exploration of complex themes and her distinctive voice ensure that this album will continue to resonate with listeners for years to come.

Honestly better than I expected

Nothing compares to you is such a great song. I feel like she didn't have a cohesive album though. Some pop some soul, and some that mix the two. The best songs are were she blends the two in my opinion.

Just not my style. Overproduced. Violins make me cringe. I am sorry she suffered in her life. Her eyes are indeed haunting esp. given the traumatic future.

Such a wonderful voice which can give you the gamut of emotions from A-Z and back again. Such a beleaguered life and didn’t have the career she deserved. This was a revelatory album from a tower of talent. Personal resonance too as one of her music videos was filmed on a canal bridge near my house, long since knocked down. She also used to live in the same road as my GP surgery and wrote her name in some wet concrete outside her house so she felt very present to me at the time. RIP Sinead!

Knowing how much Sinead O'Connor means to some of the folks in our group, I listened to this with a little extra care, as my impression of Sinead going into this was simple bemusement. I never understood the depths of emotion she provoked (or evoked) from fans and detractors. I admired Sinead's willingness to be provocative, even if I thought some of it was manufactured. But... the album. I come to this with ever more compassion and a desire to want to enjoy the music, but it fails to make any impression. What makes listeners go so wild? I can barely make out what she's singing about and have a hard time discerning one song from the next. Yes, I can sit and pore over the lyrics, but what's my incentive? Everything gets swallowed in moody swaths of keyboards. Even the signature Prince tune falls under the "I prefer the version by the songwriter" category (though I can understand what she's singing in that tune), so the whole affair goes by and I've forgotten about it before it's over. For such a lightning rod, I never did and still don't understand why she touched a nerve — from her short hair to her music to her being banned from NBC (the fallout to that moment on SNL was ridiculous — I thought she nailed it), the reactions always seemed way out of proportion.

This was my first time listening to this. I dug it, though I do think it's a bit uneven. But the bangers are frigging great. The Last Day of Our Acquaintance always gets stuck in my head for days and I was kind of surprised it wasn't the last track on the album. She def should have swapped the last two songs. Anyway, glad I heard it. Will listen again. And I'm sorry she had should a tough time of it. She deserved way better.

While deeply familiar with this album, I was able to listen with fresh ears and perspective. I still tapped in to the empowerment this album provided me in my youth but I was also deeply moved by the sorrow she tapped in to craft this (she spent 18 months in a Magdalene Laundry at 14 years old--puts that ripped photo of the pope in perspective). The use of strings both in the Irish fiddle manner and more orchestral came through on my back-to-back listens. Every single song is just so goddamn powerful I get why she just blew up when this album came out. So much angst and heartbreak in one album that when I revisit with the lens of history I dare say it hits harder than TTPD Three Babies - her lullaby to heal herself after the loss of three pregnancies Black Boys on Mopeds - powerful protest of racial brutalities in 80s England Nothing Compares 2 U - The best cover of any Prince song Last Day of Our Acquaintance - ouch I Do Not Want What I Haven't Got - what a closer! And the ultimate banger of all time---The Emperor's New Clothes. This album is a 5 but memories of singing this top volume with Jen certainly turn it into an 11.

Great voice, but won’t be returning to this

Thoughts before listening: Huge record that I have never listened to. I obviously know "Nothing Compares 2 U" which is an amazing song, but I believe the rest will be new to me. I'm glad to have a reason to listen to this album for the first time. Review: This is okay. I'm not really sure what I was expecting, but I was surprised by how much it felt like a run-of-the-mill late 80s alt-rock record with some world music influences. "Nothing Compares 2 U" is such an amazing song, and nothing else quite reaches those heights...but really how could they? "The Emperor's New Clothes" is my second favorite song and overall this was an interesting album. 3-stars

Reminded me of T Swift kind of

Pretty decent, sometimes really angsty

Brilliant album by this iconic Irish singer. It's hauntingly beautiful in parts and a little upbeat musically in parts. Her voice is lovely and the last track or nearly the last track where she sings with no music at all , it's just her voice is brilliant. Good listen 👍

Not bad

A solid 3, but Nothing Compares elevates the whole thing to a 4.

Good

"The Emperor's New Clothes is my all time favourite Sinead O'Connor track. Other standouts are the Prince-penned "Nothing Compares 2 U" and "Boys on Black Mopeds." The other songs are worth listening to for their level of wildly intimate confession. Much of this reminded me of early, but very stripped down Björk.

doesn’t deserve as much praise as it gets it’s fine though

It has the hits but also is chock full of amazing songs. Hadn’t heard the entire album and grateful to have it recommended.

Never listened to Sinead O'Connor beyond Nothing Compares 2 U before. Very nice album from someone with an unbelievable voice. Definitely liked some songs much more than others but still a very enjoyable album. Fav tracks: Nothing Compares 2 U, The Emperor's New Clothes, Black Boys on Mopeds

Surprisingly pop-ish. Great vocals.

Beautiful

I went into this fully expecting to hear the title track and ignore pretty much everything else. Turns out I have a few tracks I *really* like off this one. "The Emperor's New Clothes", "Jump in the River", "You Cause As Much Sorrow", "The Last Day of Our Acquaintance"... I mean, I just listed most of the album, didn't I? The media abused her for protesting her abuse. She deserved so much better.

This is really great album, I certainly didn't appreciate the entire album when it was released as I did later in life. Obviously her voice is the highlight but the music on this album is also very good and provides such a rich background on many tracks.

A pretty strong record that I didn’t love at the time because it moved her toward the mainstream after the BRILLIANT record The Lion and the Cobra. But it’s quite good and her vocals still shine.

Surprised me. I only knew her one song. I liked her voice. This was a good listen

Her voice is good and some of the songs are really good, but some seem to drag a little to me. It's fine.

A moving and poignant record to listen to. Sinead was a very talented vocalist and songwriter. Aside from the Prince song, my favourite was The Emperor’s New Clothes, I’m sure I’d heard it before but this is the first time I listened attentively.

Familiar with her but had never listened. It was fine.

Difficult to listen to. If it wasn't for the one prince cover then it would be a 1star.

Listening to "I Am Stretched on Your Grave" when suddenly... funky drummer! This groove really is everywhere "Jump in the River" is a great night driving song Title track is hauntingly beautiful, carried 100% by the emotion in her voice

Pretty good album with one of the best written songs of all time.

90’er folkrock, stille og roligt, lidt trist

I find this kind of music (maybe its just early 90s "alternative") pretty bland. The clear highlight here is the cover of "Nothing Compares 2 U", which is a fine cover of a great Prince track (I kind of prefer the original, but this is a case where I like both versions of the track). Does that make the entire album an essential listen? Debatable, but I don't find anything here particularly objectionable.

Absolutely hits

I liked the first song

Hauntingly beautiful. Incredible diversity in tone between songs without losing consistency. Some of the greatest vocals I think I've ever heard. Every song is incredible

First time I really listened to this album, and I like what I hear; with the exception of "I Am Stretched On Your Grave", which was a bit tedious. The rest is a very good mixture of styles ranging from Pop and Folk all the way to Alternative with a Punk twist. The material is very mature and varied, making for a great album. 4/5

I’ve been torn about this one. Is it a 4 or a 5? Nothing Compares 2 U makes my hairs stand up. Her voice is beautiful. Not sure I would ever be listening to this regularly though. So I think it’s got to be a 4

Listen, she’s some serious pipes we all know that…but this just didn’t do anything for me!

I'd loved the predecessor to this album The Lion And The Cobra, and then the Jump In The River single that followed. When this one came out I was a bit taken aback at first at low key much of it appeared. Over time the power of songs such as Black Boys On Mopeds grew on me. As I type this, it's 9 months since Sinéad O'Connor died. I rarely agree with Morrissey these days, but he was spot on when he said "You praise her now only because it is too late. You hadn't the guts to support her when she was alive and she was looking for you.".

Loves: Three Babies :( Black Boys on Mopeds Nothing Compares 2 U The Last Day of our Acquaintance Notes: The intro to the first song definitely sets a mood, and her voice with the strings hits. This album (so far) is so painful, but she makes it so beautiful, pain and acceptance I’m assuming this album is deeply personal, and I’m totally invested in her story. Black Boys on Mopeds tore me apart. What a powerful political song! Her voice and those chords drew me into that song so much. Nothing Compares 2 U, fr. Instantly one of my favorite songs, all time. The name of the album just clicked with the last song. Chef’s kiss.

i have so much respect for sinead. one badass woman. i dont see myself listening to this casually but i can appreciate it for what it is and what she did as an artist and individual.

This album was simultaneously exactly what I expected while also being a bit of a surprise that I did enjoy it. Some of the production sounds a little 80's and probably doesn't hold up as well. The slower songs therefore can drag a bit but are also those that sound timelier. "The Emperor's New Clothes" is a good example of a song that has a bit of an 80's production, but is otherwise a good song. Bookending the album with essentially acapella songs is the sign of a very confident artist and that's probably not a huge surprise given Sinead O'Connor's public image. This is a good album and I don't know why I expected it to be a little weirder and a little less accessible. Obviously, "Nothing Compares 2 U" is the draw but "Feels So Different," "I am Stretched on your Grave," and "Last Day of Our Acquaintance" are really good songs as well.

Great voice

Enjoyable. Definitely a different kind of voice.

It was good but a little boring

Beautiful voice and such a great album. Sinead is sorely missed and he voice is so unique.

A fantastic voice and some excellent tracks make this a solid listen. Really liked Three Babies, Black Boys on Mopeds, and Jump in the River. Got some Kate Bush vibes.

Much better than I expected. I really liked the more upbeat "rockers". She had me up until the last song, which was terrible.

I was not sure what to expect from this album but it certainly exceeded my expectations. There is an interesting fusion of so many genres! Some things I hear: new wave, rock, pop, hip hop drums, classical arrangements and celtic melodies. This is an eclectic album but still pretty cohesive which I always find impressive. I thought the production was great. I loved the drums in "I Am Stretched on Your Grave" (is this one of the first times hip hop drums are used in a white artist's pop record given that it is 1990?). The songs ranged from the personal to the political and she did not hold back in either of these themes which made the songs pretty interesting. For instance, the assault on British racism in "Black Boys on Mopeds" was striking in how direct it was (and how sadly relevant it still is 30 years later). There was no hiding behind metaphors there. I did absolutely hate "I do not Want what I haven't got". That song was just too long to be fully a capella with no vocal harmonies. Her voice was good, but not good enough for that. I was really enjoying the album until that happened and it is a clear contender for worst final track we've heard so far. Overall though a unique and well executed album.

I love O’Connor’s voice and Nothing Compares is done so beautifully. The rest is fine but not anything I’d go out of my way for.

What a talent. Too bad she was so out there.

Really really great stuff. I enjoyed it. Shew as right when she ripped the picture of the pope in have on SNL.

She has a haunting quality about her voice. It’s a shame she got scapegoated for her pushback against pervert priests. Personal preference here though—I wasn’t a fan then and still not. I can never envision her smiling, happy or vibrant. But she had a unique voice and talent. Glad to at least have listened to her album.

A great album. Not quite as good as its predecessor but still. 5 stars. It’s easy to forget just what a great performance she gives. In nothing compares, just listen to the verse about the doctor. And then it builds into the chorus. Magic. And she does this type of thing again and again.

I am a bit stunned and lost for words on the effect her voice has when you sit in a quiet room to listen to it. If you can bear it, and are in the right franme of mind for it: She renders pain beautiful. True art. her broader body of work is crazy varied, I like htis, and even more her jazz torch songs on "Am I not your girl" And on a technical/listenign note: the power fo the album is so strong on bit speakers where it becomes a surpisingly solid orchestral album with a precision that come outs on big speakers. Ominous opening. Top quality, any ratings really ocme to to taste and enjoyment factor. I would not put this on heavy rotation, but for feeling a full emotional range and leaning in, go for it.

It’s still just a bit painful talking about Sinead. At some level she was the conscience of a big chunk of her generation. And it’s hard not to believe that that helped cause her early death. This album was played so often in Scratches Record Shop. It is so familiar to me. It still touches my heart, but especially since her demise. For a while I preferred the first album, but now that I listen to them, I don’t think she was ever better than this. Nothing Compares To You is one of the great cover versions. Jump In The River, which she co-wrote with Marco Pirroni is probably my favourite. He also plays guitar on The Emperor’s New Clothes, also a personal fave. I love the a cappella treatment of the title track. There’s so much variety on this album. Three Babies is Beautiful. And I Am Stretched On Your Grave is terrific, not least for the celtic fiddle as it concludes, courtesy of The Waterboys’ Steve Wickham. Love this record.

I listened to Sinead O'Conner's first two albums a lot when I worked at Scratches Records. I liked those records at the time. She was tough and tuneful and vulnerable and emotional and honest and brave. And she copped a lot of shit for it, and mostly, I suspect, because she was a woman. She was, in my opinion, a true artist with important things to say. She wasn't always right, but she often was, and presciently so. She was willing to use her platform to speak truth to power. And she had her own voice, both literally and figuratively. I always thought I preferred Lion and the Cobra, but listening to this album again, it is a very powerful album. There are some great tunes, and she sings them with a real honesty that is rare in popular music. I find it musically fresh and compelling, and it still sounds great more than 30 years on. She chose great collaborators (including the late Karl Wallinger, RIP), but it sounds distinctly like Sinead. I think she states her thesis herself best in the Emperor's New Clothes: "Whatever it may bring I will live by my own policies I will sleep with a clear conscience I will sleep in peace Maybe it sounds mean But I really don't think so You asked for the truth and I Told you" I listened to this album a bunch of times when Sinead passed away, and watching the documentary about her. She lived an emotionally complex fife, and I feel privileged that she shared some of that complexity with us as an audience, despite what that cost her. I feel like she said things that hadn't been said before and in a fresh way, and in a way that millions of people could relate to. And that is the mark of a true artist.

Nice voice. There are a couple good songs.

Some nice songs, some songs not so easy to listen - but all in all - iconic

Mostly brilliant

Good singer/artist. Got blackballed for her beliefs. Sad.

Stories of 90’s Ireland, Nothing Compares stands out , but enjoyed the last days….

Unbelievable voice, truly haunting at times, fantastic album

Sinead O'Connor has probably been unfairly largely only known by people (musically) for the track 'Nothing Compares 2 U', as she has plenty to say on the other tracks here. Sadly, it doesn't matter how good your message or intentions are if the songs are all a bit boring and uninspiring to listen to.

Beautiful

This remains a great listen. Period. So much intensity in the performance. When Nothing Compares 2 You drives you to tears, don't expect the rest to not affect you. This whole record is about affectation and sadness, sometimes anger. It is versatile in styles, a showcase of O'Connors musical capacities and deeply reflecting on turmoil and trouble. All the introspective - mostly female - singers to come after surely found some of their courage in her(e). Confession of troubled soul and mind. While some artists challenge you with their musical avantgarde and complexity, Sinéad does so with her open wounds. If said song does not affect you - stay away, you might not find anything made for you.

You made a beautiful album. RIP

Lovely voice, but I get the feeling I being lectured, even gently. Not really to my taste.

Good example of alty, enamoured lyrics. Excellent vocals

Did not like.

Brilliant voice. Dark album but excellent. Listened to this back in the 90's and just as good now

A classic album - good to listen to it here

This might be one of my new favorite albums. Every song was great. In all honesty, "Nothing Compares 2 U" is one of the weaker tracks on the album, which says a lot, because it's a great track. What a good album.

“Young mother down at Smithfield 5 am, looking for food for her kids In her arms she holds three cold babies And the first word that they learned was “please” That’s the saddest as shit verse of all time perhaps. NC2U is the visible tune on this one, but there’s much more than this hit to Sinead’s second and breakthrough album. Opening up with the Serenity Prayer on Feel so Different, it’s a tremendous, emotionally heavy record. I Am Stretched On Your Grave previews trip hop. The Emperor’s New Clothes is an oddly upbeat song with very downbeat lyrics. Black Boys on Mopeds opens with daggers thrown at Thatcher, and lyrics that reminds me of a few songs that came out in America following George Floyd. Sinead was perfect for singing Nothing Compares 2 U, and it’s a pretty perfect rendition and a massive hit for good reason. It’s odd though that I always picture Prince rather than Sinead when I hear this song. The album ends strong with Last Day of Our Acquaintance and the brilliant a cappella I Do Not Want What I Haven’t Got, which showcases Sinead’s brilliant vocals. While it’s not an album I come back to a lot, it’s easy to see why it was such a big hit and it’s a high quality album from beginning to end. It must have been a huge influence on the likes of Fiona Apple and (I think in a weird way) Billie Eilish.

Quiet bold ballads Coping with soft haunting rage Simply powerful

It's a beautiful album, but a bit too slow for me.

No doubt she has a good voice but never every song was a winner.

Beautiful voice. Dreadfully sad album. Occassional poppy music beds. Folksy.

I still remember the high expectations and buzz about this album at the time. score in 1990: 9/10 score in 2024: 9/10 (The Lion and The Cobra = 10/10, not generated by the generator so far)

There are some beautiful songs, including of course Nothing Compares 2 U, but as a whole I am not grabbed by this album.

This is a wonderful record. I only knew “Nothing Compares 2 U” and I wish I had given the whole thing more of a chance earlier. Ethereal, moody, and really political. Really relevant even today.

This is an album that's on the border between 3 and 4 stars, like so many other "7 out of 10" albums. I usually round those down -- 4 star albums should not be common -- but there's something about this one. Some of the non-hits ("Black Boys on Mopeds", "Three Babies") are just a little better than what's on some of the other "7 out of 10" albums. And the voice certainly helps. Powerful. 4 stars.

This was aight, but kinda bland to me overall. Killer voice though. Feels like a solid 3.

Pretty good, haven't heard most of the songs. I would listen to this again. Very relaxing, chilled out.

I haven't listened to Sinēad O'Connor besides the Prince cover, and I've always preferred Prince's version so I was absolutely blown away by how much I loved this album. The first album on this list that surprised me and I will absolutely be listening again and again. I wish I had found this as a younger, angstier self. The political anger and tough heartbreak lyrical themes speak to me on an empowered woman level. What a radical person. I loved the more moody and sultry string songs, the 90s super fuzzed guitar songs and the synth songs alike. I wish I had more than 5 stars.

She does have a great voice and I like the politics where it's dotted in there. Doesn't stand out massively for me though

Sinead O’Connor seemed quite annoying based on the media coverage, but an okay album anyway

I really do feel like such a terrible singer when trying to sing along to Nothing Compares 2 U. O’Connor’s voice is both haunting and smooth as glass and this album is more than just the standout. 4 stars

Sorry Eric, solid 4

nice, 4 stars

Onpa vahva tunnelma! Kliseinen sanapari mutta kuvaa tätä albumia erinomaisesti. Suorastaan vangitsee kuuntelemaan. Hieno äänimaailma taustalla, kuulostaa koneista huolimatta orgaaniselta, puhdas rauhallinen laulu viimeistelee sitovasti, on pääosassa mutta tilaa antavasti. Joo, muutenkin on tilaa. Vois mennä ajan kanssa mulla vitoseen asti.

Velloo ja värisee, kiteytyy keskellä lyyrisesti Black Boys on Mopeds:iin ja musiikillisesti Prince-coveriin, ja kaiken kaikkiaan melkein onnistuu. 2+

4+/5

A historic album that provided a voice that would spark a wild controversy. Unfairly dismissed at the time but has proven to be a timeless classic.

”To say what you feel is to dig your own grave” Raw, powerful and beautiful. Still, one of my favorites of all time. Rip Sinéad.

phew damn, sometimes there’s albums that aren’t really my genre, and then there’s albums that aren’t really my genre done by someone so undeniably talented I get swept up in it all the same

Awesome voice. Weird music/vocal mixture on some songs but I enjoyed the album. A few really enjoyable songs. Nothing Compared 2 U, emperors new clothes, jump in the river

Des chansons étonnamment inoffensives interprétées par une chanteuse pourtant assez énervée, comme par exemple “Black Boys on Mopeds” dont les paroles dénoncent et sont très fortes, mais qui pourtant est chiante comme une petite pluie fine sur l’Angleterre de Thatcher. “The Emperor’s New Clothes” n’arrive pas à terminer, “You cause much sorrow” se traine, la chanson titre est a capella avec une mélodie très plate qui se répète toutes les trois phrases et qui dure au total 5min 48 pour finir l'album sur une dernière torture. Tout est sur un rythme trop lent et monotone sauf “Nothing compares 2 U” qui emporte tout, malheureusement la seule qui n’est pas écrite par elle.

She was kind of sucky

A good album with my favorite song being the famous Nothing Compares 2 U. I also liked The Emperor's New Clothes and I Do Not Want What I Haven't Got.

Some good tracks, but it has a slow start and slow ending and the production isn't exactly my cup of tea. However, nothing compares and black boys on mopeds are unreal songs.

Not for me. She has a beautiful voice, but this is too melancholy for my taste in music.

Breathy, epic, and saccharine. I hate how this album is mixed/mastered. Some good tunes, but a lot of the impact is blunted because of the mix.

Sounded pretty much as expected, not for me. She's got a good voice I suppose but the music was very middle of the road, one of those albums where they can't have been excited with any of the music they came up with. A bit everything but the girl in that sense I think, where i get the feeling they think their lyrics are really interesting and it never occurred to them it had to sound good. Won't be back, I'm not completely sure it's bad but it isn't what I want to hear.

I'm on the fence about overly-political artists. Part of me thinks, stick to making music, but another part sees the purpose of using a platform to highlight well-informed ideas. Sinead's politics impacted her career and her mental health negatively, but her music positively. Saying that, Nothing Compares 2 U is by far the best track on the album, her best ever (I also like Troy from The Lion and the Cobra). Slightly too much wailing and some dated production.

She's got a great voice but I didn't like much else about the album. I was just not in the mood for such a sad album. Gets an extra star just for "Nothing Compares 2 U" which is sensational. Highlights: The Emperor's New Clothes Nothing Compares 2 U

Pretty sure I haven't heard a Sinead o Connor album before. She has a great voice, and there's some real emotion there. Unapologetically unafraid to stand up for what she believed in too. Probably did her career harm. Feel like she probably had it pretty rough. I think the track "I could've lied" by rhcp was about Sinead.... Although I think she always denied that there was anything between her and kiedis weirdly. What a track nothing compares 2 u is. I know it's not her song, but she completely and utterly made it her own and it forever will be. I remember liking it as child Black boys on mopeds followed by nothing compares 2 u were real tear jerkers and the highlights for me. 3.5, largely for these 2 tracks, it's not quite my thing though, but they will be getting added to the playlist

Absolutely belongs for for Nothing Compares 2 U. One of the best vocal takes ever cut to a record. The rest is... honestly interesting, but not highly repeatable for me.

quite diverse, and well, the obvious song everybody knows... it's nice as well!

I like the variation in feel between tracks, but honestly not a whole lot stood out to me here

One of this century’s greatest voices

I'll say this wasn't quite what I expected going in only having previously been exposed to Nothing Compares 2 U. This was more experimental and exposed sounding with certain songs similar in tone to early Bjork (Feel so Different, Last Day of Our Acquaintance). Also can safely say that I did not expect to encounter the same drum sample that Sublime used on their rendition of Scarlet Begonias on here. I always assumed that was something Sublime made themselves -- TIL its actually a James Brown song. I really enjoy Sinead's moody take here on I Am Stretched on Your Grave. Nothing Compares 2 U is the one I've heard before -- a fine very 90s sounding synth ballad. Otherwise some solid stuff in here. High 3 to low 4. Giving the nudge because I actually would like to give it another play through.

I think sublime stole a drum beat from Sinead O'Connor... "I am Stretched on Your Grave" drum beat is the same as Sublime "What I got". That threw me off for a min. Not a great album for me. Seems decently produced. I'm sure she is just enough damaged for some people to like it but I'm not the audience.

snooooooze. I think it's pretty telling that her most successful single (Nothing Compares 2 U) is a cover. Her next highest praise in the Wikipedia page is that "The single 'Emperor's New Clothes' found moderate success". I usually reserve 1 star for things that are arguably not music. This is a low 2. We are talking 1.5000001 stars.

This is probably a really highly rated album because of how good her singing is and the emotionally charged messages behinds the songs. The beats were pretty cool at times too. But not really my type of music. There is a song that used the beat from the second song and I can't put my finger on it I'm pretty sure it is Slightly Stoopid or Sublime though. Happy to have listened to this once.

RIP Was about to walk down rub a dub square when I heard I Am Stretched On Your Grave! Fun to hear that. Black Boys on Mopeds randomly reminds me of Bo Burnham. I think it’s That Funny Feeling. Must just be similar chords or something. Nothing Compares 2 U is probably her most famous song and a pretty good one at that. Overall I don’t have much love for these songs. Most have a lame 80s sound and are emotionally draining but I can certainly recognize the power behind some of these. High 2.

Nothing compares and Feel so different

It's fine but I wish i liked it more, since her voice is unique and she can get very expressive with it. A lot of the ballads and slower songs don't hold my attention to much, 'Nothing Compares 2 U' being the exception obviously. She nails it on that one, but it's not a bad listen by any stretch.

i just love her, sublime album, haunting vocals, political when it has to be, she's built different. the only thing it's the feeling of her voice outshining the rest of the composition, but it's ok.

Made good by nothing compares 2 U

An ok album, nothing upbeat. High 2.

O hit é enorme e torna o escuta do disco completo pouco relevante.

This has to be one of the most boring albums I've ever heard. Ex. Emperor's New Clothes is the same 2 chords the entire song. Next song, Black Boys on Mopeds, 4 chords on repeat the entire song. Most songs have no vocal interest. Doubled up vocals for style or to hide the lack of singing ability? I went into this one expecting to enjoy it and thought well I'm almost done... oh wait, there's a second disc!? The best song with amazing dynamics, an interesting arrangement, and a cool vocals... was written by someone else.

RIP

I try not to evaluate music, or fllm or any sort of art with too much of a critical eye on the artist. For example, I don't like Tom Cruise, but i respect his acting and commitment to his roles. Thus, I don't judge his movies as any lesser because of his personality outside that realm. I never liked Sinead O'Connor. I feel like she never had any solid agenda or platform of advocacy. Like she just hates on everyone and everything and blamed her life on everyone else. The flip flopping and drama just left me uninterested in her at all, thus I don't typically bother with her music. Now, with that said, she was surrounded by good musicians and has a good strong singing voice. The album is overlong but varied enough to not be boring.

Gefällt mir nicht.

This was good background listening at work

Nice enough background

8 unforgettable, and barely audible dirges. One halfway decent song. One limp cover of a Prince B-side.

Unexpected - enjoyed more than I thought. A good Sunday morning listen.

I didn't care for her style.

I started to listen to her during the pandemic and have been impressed by her whole body of work. She definitely wasn’t treated fairly and should have a had a better career.

I really liked nothing compares Not bad. 3/5

I knew Nothing Compares 2 U, the shaved scalp and the torn picture of the pope, the political controversy, so Ms. O'Connor's was a familiar name, but I had never heard the album. She is a skilled singer with a great voice. There's a nice variety of pace, texture and style in these tracks from the nearly choral to rockier electric arrangements. And there's political edge - Black Boys on Mopeds is a scathing condemnation spoken in motherly simplicity. On par with Springsteen's 49 Shots. It's a good album. It's a good listen.

Amazing album. What is most wonderful- her songs that never made it to the charts are true gems.

90/ poignant listen.

This feels like an important album. So much statement, protest, and force of will by Sinead O’Connor her whole life. I loved the melancholy major/minor interplay with a surprising mixture of musical styles. A lovely album! Three and a half rounded up.

This ones not for me. She is a talented singer but I cant stand her voice. Im not a fan of music that focuses so heavily on the vocals and it feels like it leaves the rest of the instruments behind. This isnt a sound that works for me. 2 stars

Boring AF.

Didn't like it

Although "Nothing Compares 2 U" was absolutely massive at the time, I didn't hear much else from/about her, other than the whole SNL Pope photo-tearing scandal. I barely remember one other song from the album, which is kinda sad- she was a great singer that was blacklisted long before "cancel culture" was even a thing, for standing up & speaking the truth that most wouldn't even acknowledge, much less accept, until decades later. RIP (1966-2023).

Absolutely loved this, what a talent

Classic 90’s but a little more laid back. Good original music, but I didn’t get super into it.

Nice, pleasant, but nothing that really spoke to or moved me.

I remember loving this when it came out... doesn't hold the same feeling for me today with the exception of the hit.

I remember how big a hit Nothing Compares 2 U was and I remember watching the legendary SNL appearance when it aired, but other than that, I only knew Sinéad O’Connor’s reputation as a fearless artist. So, this albums was almost completely new to me and I’m really impressed. The music is spare and haunting. There is nothing to mask the lyrics, which are sometimes brutal and always direct. You can tell that this is an uncompromising artist, but the music is sometimes beautiful and always direct.

Great work on that thing

Found out it was a prince cover but there is a really good track on here. Couple other ok ones, but really not by jam.

RIP. Nothing Compare 2 U is a classic. Surprised to hear some crunching guitars on a couple of tracks. Overall decent.

It's still a beautiful album

Still can't believe we lost Sinéad and Shane in the same year. Ireland says fuck 2023

I listened to it twice. What an amazing album, powerful lyrics with sometimes oxymoronic melodies. Nothing Compares 2 U actually seems a bit out of place on this, but it's good enough on it's own that it doesn't matter. Masterpiece.

RiP

I did not enjoy this.

Sinead must have been fun at parties. Had its moments but was a slog for the most part.

1.0 Not for me... I could not see myself ever turning up the volume on any song and liking it. Maybe Nothin Compares 2 U, but the Prince one is better (and he wrote the song). Starting to think ripping the pope picture was a publicity stunt.

Favourite song(s): "Three Babies", "The Emperor's New Clothes", "Black Boys on Mopeds", "Nothing Compares 2 U". Obviously i heard "Nothing Compares 2 U" and didn't expect everything from this album, after first two songs i want to drop it and give just 1/5, but then 4 absolutly BANGERS, gosh i nearly give a tear listening to all them. Sinead's voice is so beautiful and amazing. If there wasn't first two songs and track 10, i would've give this album an easy 5/5, but gonna lower it to 4/5. First time on this list, that the unknown album is stuck with me.

I never listened to sinead in the 90s. I clearly was wrong about her sound. This is really great.

A real one, RIP Sinead. Never heard this album before - not quite what I expected (in a good way!) only knowing Nothing Compares.

Great album. Nothing Compares 2 U is a standout of course. Some other really great tracks.

Amazing!

One good song. 2/5

There is some interesting stuff here, not just the one hit. Did not care for the real minimalist stuff like the first and last tracks. Otherwise I kind of liked it. I always wondered why the flippant "2 U" in Nothing Compares 2 U. Seems to lessen the impact of a serious and emotional song. High 3/5, and RIP Ms. O'Connor.

4.75

One and a half good songs.

NC2U was pretty much all I knew Sinead O’Connor for until her recent death, so this was an education for me. Interesting mix of styles, and the defiant lyrics reflect the values she clearly lived by, which I respect a lot. It runs out of steam a bit towards the end but the first ~2/3rds is pretty captivating. 3.5

I only knew Nothing compares 2 u from this one. Her vocal ability is undoubtedly great; the tracks where it's just her and minimal instrumentation (I am stretched on your grave) really highlight this. Enjoyed: three babies, black boys on mopeds, nothing compares 2 u, i do not want what i haven't got (her vocals are haunting) Pretty solid, but not in favorite album territory, 3*

Mixed feelings when an artist is only mostly known by a cover version of another artist’s song. But this is a beautiful album, full of strong emotions and it made me a bit gloomy for Sinéad, the shitty life she had and the injustice she suffered.

Very good voice but the music was drab at times. Better than Moby though.

first time ive listened to sinead besides nothing compares 2 u and oh mein gott... cried like twice going thru this black boys on mopeds & you cause as much sorrow... aaaaaaaaaaaa

i liked this so much more than i expected to. and not that i didn't expect to enjoy her but omg it is so excellent... maybe it's not a perfect 5 but i'm doing it anyway

A rare case where I liked the lyrics enough to round up to 4 stars. Nothing Compares 2 U might be one of my less favorites on the album? Really liked I Am Stretched On Your Grave (using a James Brown Funky Drummer sample looped over the words to a 17th century Irish poem… inspired), The Emperor’s New Clothes, Black Boys on Mopeds (!!!!), and Last Day Of Our Acquaintance.

I am very sad.

she is missed

Goddamn, what a great album. Sinead's vocals are truly incredible. Nothing compares 2 U was always a favorite but I am so glad to have finally listened to the rest of this record. RIP Sinead....

Only few really good songs.

Enjoyed this, Sinead gives great vocal performances and insightful lyrics.

Loved "I am Stretched on Your Grave" and will always love "Nothing Compares 2 U." Beautiful voice.

Sinead was such a natural singer with quite haunting tones to her voice, she didn't even need backing music. She was always quite outspoken as an individual on matters that she held dear, and a lot of the public and press hounded her for this, but that is irrelevant when it comes to the music she created. So let's look at this album. Her voice is faultless throughout every track, albeit some of the lyrics are weak at best. The backing music is very.lack lustre... like the last session those guys had was creating a mix tape for a shopping mall. The album was a good example of Sinead as a singer, but most of the tracks were instantly forgettable, other than The Emperors New Clothes and Nothing Compares to You.

I'd never listened to this album before, and only knew her great Prince cover, as it was EVERYWHERE when it came out. While I kinda like her voice, none of the other tracks did anything amazing for me, and were rather same-ish. 2.5 rounded to 3.

There's much more to this album than one overplayed hit single, which is certainly more than can be said of a lot of these albums. Though I wasn't always into what was happening, there was clear vision and good execution across the album.

4.25

Love the voice. Obviously got the epic monolith of "Nothing Compares" Otherwise the songwriting is a bit slight. I think it would have gone under the radar without the big one.

Just a bunch of sad, drawn out ballads, nothing interesting in the arrangement or lyrics. Her voice is fine.

Good! Better than having hair? No.

This is an amazing album. I've got to be honest, I have always loved 'Nothing Compares 2 U' but never really dug that deep into the rest of Sinead O'Connor's catalog. Listening to this album in whole was great and I was surprised that nearly every song stood out to me on first listen. I will definitely be adding this one to my own library and listen to it more going forward. I've got to give it a 5/5. Standout Tracks: I Am Stretched on Your Grave, Three Babies, The Emperor's New Clothes, Black Boys on Mopeds, Nothing Compares 2 U, Jump in the River, You Cause as Much Sorrow, The Last Day of Our Acquaintance

Sensitive and touching… and that beautiful interpretation of a Prince masterpiece, stunning. I do really regret not fully appreciating her greatness while she was here.

its been seven hours and fifteen dayss

Great voice and emotion

Similar to a lot of albums on this list, good singing but too slow and doesn’t grab my attention.

This is a really great album. Such incredible vocals.

Kinda vibes in a slightly folky way, not something I usually listen to but enjoyed once again

A bit boring other than Nothing Compares 2 You

Shitty Whitney Houston. Nothing Compares 2 U was a good song but nothing else to my liking. 80s/90s vibe. 2/3 star

Enjoyed the emotion in the singing and lyrics a lot.

She had such a great voice :'(

To the best of my knowledge, I only know one Sinead song, and it’s exactly the one you’d expect. It is a banger though, to be fair. I’ve never looked into any more of her music, so today is a good opportunity! Songs I already knew: Nothing Compares 2 U Favourites: Nothing Compares 2 U, The Emperor’s New Clothes In a way, it seems a bit of a shame that Nothing Compares 2 U got so big, as it outshines the other songs here which are still very nice in their own right. Some is as you’d expect from the one song we know, but she also occasionally dips her toes into rock too. Her voice is lovely, complimenting every track here with ease. This isn’t my kind of album, but I can definitely appreciate it.

Spacey post-new wave sounds, the music is pretty slow mellow minor key stuff with a mix of piano, acoustic guitars strumming, electrics chugging and some synth/keyboard accents. It's all bedding for the wide-ranging and impassioned vocals/lyrics which are the real driving force of the album. Nothing Compares 2 U is an incredible performance but none of the rest reaches those heights - it's not bad, but a bit slow and samey.

Hat mir gut gefallen 4.0

2 Nur nothing compares 2 u is gute, rest depri

It‘s been 7 hours and 15 dayys: She made many songs in different genres. I‘m eager to listen more to her songs. personal top3 in no order: Nothing Compares 2 U Feel so Different Jump in the River

Ikonischer Song "Nothing Compares 2 U". Das gesamte Album würde ich mir aber so nicht anhören. 4.3/10

The style isn't for me, but there's a bravery to this absent from most other pop music on the list, a willingness to be clear, specific & uncomfortable. music: acknowledged. (⌐■_■)

Have come to appreciate Sinead. Real heavy stuff on this one, nice record.

I get why she’s an icon but I just don’t vibe with her, unfortunately.

Interesting? I didn't really like it very much I think I just need to be better

This is definitely not my type of music, but her voice and singing along with interesting melancholic chord progressions manages to carry the whole album, so I think it comes down to whether you like that or not. The rest of the musical parts are not particularly interesting, and furthermore that part hasn't aged very well with the quite boring drum parts, for example. This has quite a few years on it's back now, but there is definitely a loudness issue with this album. It is probably intentional, but many of the songs are so quiet it's hard to hear what she's singing (and whether she actually is singing).

I just couldn't get into this. Felt like the last of that 80s sound where music already had moved on to other places. Sure Nothing Compares 2 U is great but the rest was not something I enjoyed.

One of best albums of the 90s.

Better than i expected. Nice voice and a lot of variations between songs. Not exactly my style but it was pleasant to listen to.

Starke Stimme, aber das Album hebt mich nicht an.

Timeless

Great album, emotional and catchy songs and a strong voice

My first time actually listening to anything by Sinead, and my opinion is it’s ok music. Generally not my thing

Понравились ирландские мотивы в некоторых песнях, и вообще оказалось разнообразнее, чем ожидала

Ok this is not as fearsome as much of her work, still at this point making major label music. Not sure I would listen again, but got to the end. is it three stars? Not quite. 2.5.

Love her. RIP Standouts: Nothing Compares 2 U, Feel So Different, Tree Babies, The Emperor's New Clothes, Black Boys on Mopeds, The Last Day of Our Acquaintance, I Do Not Want What I Haven't Got Others: I Am Stretched on Your Grave, Jump in the River, You Cause as Much Sorrow, 4.5

First listen Saved 5/10 Top track: Nothing Compares 2 U

Excellent vocals with a warm feeling throughout.Obviously her cover of nothing compares to u is the stand out track but the rest of the album is solid.

Justice for Sinéad! Amazing voice and timeless artist... one of the best ever. RIP

I really love Sinead O'Connor, and I recently went through her entire discography, even purchasing a few CD's for albums that aren't streaming. I find "I Do Not Want What I Haven't Got" to be one of her most dated-sounding albums and one that I don't feel holds up like others in her discography. There are great songs, but I don't feel she had really found what she actually did want to make, yet (wink wink). To me, it's not until "Faith and Courage" that I really find her music incredibly powerful. "Sean-Nos Nua" is my favorite, and I also really love "Throw Down Your Arms" and "Theology." I also think I've almost listened to Prince's version of "Nothing Compares 2 U" more, at this point, and prefer that version (yes, I know he wrote it).

The slow singing is probably meant to be spherical and emotional. Sadly it is mostly boring and monotonous. Surely there are good parts but not enough to actually entertain.

du gros folk rien de désagréable

Classic songs on the album

I don't know what the hype is. The best song on this album isn't even hers and a lot of the other songs are atrocious. I haven't heard this music before and I hope I won't anytime soon. RIP but please save yourself 50 minutes and go listen to The Cranberries or Fleetwood Mac instead. Cheers.

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Essential Tracks: Nothing Compares 2 U Feels So Different I Am Stretchered On Your Grave

2.7/5 Never been a huge fan, but it's alright. Best track: I Do Not Want What I Haven't Got

Solid, and of course great hit Nothing compares 2 U

Meh

HL: “Compares”, “I Am Stretched On Your Grave”, “Three Babies”, title track Glad this is on the list, it’s a jamboree of different genres and influences, but it’s also quite emotional and bleak (especially now). I won’t say that we should be hearing The Lion and the Cobra instead of this one here, but I personally got more enjoyment out of that (even more) uneven debut. Maybe it’s because of its rougher edges that get somewhat sanded over here, musically if not lyrically. “Three Babies” is incredibly sad Also, nothing quite like some Irish trad on a hip-hop beat 3.5

4.2

This album was a pleasant surprise for me, as I only knew O'Connor from her hit cover of Prince's "Nothing Compares 2 U", which is one of those rare cases where the cover surpasses the original. But this album is much more than that. It is a haunting and atmospheric example of alternative rock, with some hard-hitting songs that touch on personal and social issues. O'Connor sings about her miscarriages in "Three Babies", and about racism and police brutality in Britain in "Black Boys on Mopeds". O'Connor's voice is powerful and emotional, and the music is often sparse and simple, creating a contrast between the intensity of her vocals and the simplicity of the arrangements. The album shows O'Connor's courage and honesty as a singer-songwriter, and her ability to create beautiful and memorable melodies. This album is not an easy listen, but it is a rewarding one. It is one of the best alternative rock albums of the 90s, and I would give it 4 stars out of 5.

Ó svo fallegt

Excellent. RIP ❤️

Sinead is great. I like her first album a little better but I remember this getting played a lot back then.

Oh, it’s like a boring Madonna or a slightly lame Cranberries. I like that cover version she did.

I do not want I haven’t heard. Haha. I get her cultural significance, but her music really isn’t for me, even after a full listen.

The Emperor's New Clothes is kinda dope

Sinead had a wonderfully beautiful voice and this album is really well produced but a little slow in parts for me. Overall I wanted to like it more than I actually did, but the songs I did like, I REALLY enjoyed. Stand out tracks: I Am Stretch on Your Grave, Black Boys on Mopeds, Nothing Compares 2 U