Porcupine

Got me jerking my shit

One of my favourite bands with Ian McCulloch haunting vocals. Never had this album but discovered a few new songs I’d not heard before. Like the alternative versions too and I’m sure 40 years ago I would have been dancing to Never Stop discotheque version.

Enjoyed this very much. I've listening to their more popular albums more, but think I missed how good this one is.

I like Echo and the Bunnymen, always have, but even I can admit that being served a third (!!) album from them is a bit much. That said, this project has revealed I don't just like them, I love them. I can't help it, five stars.

Heck yeah. Dig these guys. I've listened to this before and it's a grower. The track Porcupine is a masterpiece. Weird psychedelic for the first half and up tempo rock for the second. I don't put this band on a lot but I really enjoy them when I do. Listen to it until you get it.

¡Qué chulo! Parecido a James. The Cutter se parece a canción de LHR, el estribillo.

¡Qué chulo! Parecido a James. The Cutter se parece a canción de LHR, el estribillo.

Great! 2nd Best Bunnymen album!

August 8, 2024 It’s been a long road to get to a THIRD Echo album Gee willikers I did not care about this album until about 10 seconds into “The Cutter”, & now it’s one of my favourite albums in a minute. I didn’t get the gothy fix I was craving with The Sisters of Mercy, but Porcupine, with its strange song structures, “found” percussion & cavernous reverb, gets me there. The austere glacier on the front cover talks a mean talk, but is appropriate for the icy contents within

I am surprised how much I liked this album especially considering how many people are calling this mid or that they don't like the singer (I think he has a great voice). The first half of this album is great, a lot of great songs and melodies. The production overall is really good too; peak 80's sound. They even beat the cure to this sound that they would adopt on Head on the Door. The second half isn't as strong, but it is still very enjoyable. I am definitely going to listen again and can see this growing on me on future listens. 4.5

Delightful blast from the past. Grabbing their discography for a deep dive.

Postpunk without the anger, New Wave without the synthesizers, and now with Indian strings! Not too mainstream to be down, not too obscure to be relegated to cult status, riding the ideal 80s cool balance.

First four E&B albums are 5-star classics. This is number 3 (to my surprise it is often seen as their best album -it certainly is their most consistent one, very strong songwriting: nonstop classic popsongs with those typical postpunk guitars) 10/10

Tied with Ocean Rain for their best release. Similar to early U2, it's a late post-punk release with a tight arena pop production and tons of energy and passion that puts Echo And the Bunnymen leagues above competitors. What stands out from others is there distinguishable dark and psychedelic sound. The atmosphere and vibe are lush and ethereal with a dramatic gothic vocalist that almost rivals Robert Smith's similar style from the period. The songs are loud and catchy, with several memorable hits that each have far more interesting stuff happening than just catchy choruses and riffs. They also feel complete. Each song evolves but yet always resolves to a satisfying conclusion, making each song complete in their own right. The only tracks I'd cut which didn't contribute anything are "Higher Hell" and "Gods Will be Gods", as well as the bonus cut "Fuel" (which is cool on its own but doesn't fit well).

Yes! One of the all time great bands and this LP is fantastic

Excellent.

This was incredible. Loved listening to this album. They've always been another band that I've been meaning to check out more of. So glad this came up. Will definitely be checking out some more.

cool

5/5 I had trouble getting into other Echo albums but this one had more to offer in terms of sound experiments. Not a big fan of the vocals - very uniform style and sound - but the rhythm guitar and varied percussion kept drawing me into the songs. Others have noted the similarity to other bands, but I enjoyed experiencing the songs as "what if this was U2?" or "how would this fit into an MBV record?" Specifically Gods will be Gods as MBV or even the Doors.

Absolutely love this sound!

Their album Crocodiles made me question whether or not I was a real fan of Echo and the Bunnymen. This one made me remember that I was. It benefited from the closer listen that I was able to give today. When I tried listening a second time while driving and cooking (not at the same time), it didn't come through as well. But despite that I will go with my first impressed impression.

It just struck me listening to this that there is a happier The Smiths quality to Echo & The Bunnymen. I really enjoyed this album. Some very interesting lyrics - like My White Devil opening with the delightful "John Webster was one of the best there was". I don't recall hearing any of these songs before, but even the somber, draggier tunes managed to pick themselves up midway and shake off the whininess. It's packed with very likable tunes like The Cutter, The Back of Love, Heads Will Roll, and In Bluer Skies which all could have been hits I enjoyed back in the day. This album is a lot of fun!

A great piece of neo psych post punk. Murky and dirgelike enough for the whole family

John Webster was one of the best there was. He was the author of two major tragedies. The White Devil and the Duchess of Malfi-O. You've either already bailed or you're on board. The lyrics are abstract to the point of absurdity, but the Bunnymen are perhaps one of the ultimate atmosphere bands. And this one is perhaps their densest, least user-friendly vibe. Singles The Cutter and The Back of Love are ridiculously catchy, but its perhaps their gloomiest album. Every time I listen to it it gets better and better, whereas Ocean Rain sounds a bit thinner, a bit more calculated. I will go to my grave convinced that Bono stole the world-conquering crown that was the Bunnymen's by right.

¡Qué chulo! Parecido a James. The Cutter se parece a canción de LHR, el estribillo.

This really is a great album that doesn't really qualify as post-punk anymore since it is not that much punk left anymore - and that is very much a good thing! I thoroughly enjoyed these dreamy (but not too dreamy) landscapes of music.

Loved this

Strings are melodrama. No way around it, something like Porcupine seems to insist. The argument's a little too strong, but we can respect it without agreeing literally. Especially when the album acquires its palette by robbing both places and times. The instruments sit in arrangements that fill the volume approachably. The emotional paths are the tricky ones.

One of my favorites!

Over two days I kept replaying this trying to decide between 3 and 4 stars, but I realized into four listens that number alone made my choice obvious. I spent the '80s between 8th grade and college graduation, with alternative and new wave on nonstop, so this album is just part of the sound that defined those years. The band's clean, atmospheric musicianship and Ian McCulloch's vividly haunting and hypnotic vocals make this an easy and familiar listen for me even today.

Very good

7.5/10

7/10

Det va helt ok, veldig av sin tid og på ingen måte avskrekkanes, men ikke så interessant at æ ikke gleda mæ til å høre mer på Dagny når æ va ferdig med å lytte til det.

I enjoy their melancholy rock.

One of those bands that I’ve loved so many songs but have never listened to an album or explored more. Glad I was forced to!

Got into this band pretty recently and this is probably my second favorite I’ve listened to.

I'm a sucker for new wave stuff so this was a fun listen. Loved the atmosphere on this, will definitely be coming back to this one. The lead singer has a beautiful voice too.

This was always one of my favorites of theirs. The artwork is gorgeous and matches the music perfectly. This is definitely their darkest album but they do a decent job of spreading out the upbeat songs to keep the album moving. The Cutter is an all-time classic for me. The entire band is so talented but Ian’s voice is so special. Anytime someone covers them, the singer can never get near his voice. It’s not Ocean Rain but still a post punk classic. Rating: 4.4

This one really spoke to me. I think “The Cutter” might be one of the best opening tracks I’ve heard on the generator. The rest of the album has been harder to crack by comparison but this could possibly turn into a 5.

so good so underrated

Not their most well-known work but still pretty good.

I’m not usually into post-punk but I really enjoyed this one, maybe because I felt it was more new wave. I’ll probably come back to this one.

pretty good but its also jus standard post-punk. i liked it but i cant name anything in particular that stood out to me. good but ultimately remarkable actually nvm i like this album who am i kidding

that was long

Alright

Very kewl, like the cure basically

Sounds of my youth. I was a little late to the game, but this was a staple. Not my favorite album, but just solid post punk alternative 80s greatness.

Day857 - lets make a cool album about love, drugs and suicide

"The Cutter" is an excellent kickoff to the album, great song with a unique sound. The rest of the album is pretty great, but it blends together a bit much to warrant a 5 for me. Still, I thoroughly enjoyed listening to it. Classic Echo and the Bunnymen with a bit of a twist here and there.

Post-punk, pop.

Good album with a few big hitters. Not quite on the same level as Ocean Rain

I've read some reviews before posting mine and let me tell - there's a lot worst, way worst than this on this list! So, if there's to be lots and lots of britpop, let them be from these guys. A solid 4 from me... but as with other reviews I've made, probably I'm being biased ;-)

A bit monotonous but I generally enjoy this sound.

I always enjoy this band when I hear them. But I’ve never listened to one of their albums all the way through. This was pretty good.

Not nearly as good as their other stuff, but I like it and feel like the goth kids in South Park hypnotized by the plants Best Song: The Cutter Rating: 7.0/10 Stars: 4

Dope

theres this one slng that reminds me of the bridge in potion approaches by AM MD RE GUSTO está bueno, como que las partes del final, que serían como las versiones alternativas de algunas canciones no me gustaron tanto en ealidad no es que no me gustaron es mas que tipo. no sé, era un poco repetitivo PERO ME GUSTÓ MUCHO lo voy a volver a escuchar seguro

Hello bassist, I hear you (take note, Travis). Guitar is crunchy. Vocals are very 80s. Lyrics are interesting. I dig it. I think it's becoming clear: whatever "post-punk" is, I like it

more 80s brit pop.... sigh ok they aren't half bad, they remind me of b-52s but I actually enjoy this so far? My White Devil Heads Will Roll (this actually rips WTF) In Bluer Skies I honestly fucked with this pretty hard, mostly bc it is obviously well made but its unique! I haven't heard anything like this before. Like what do you mean 80s brit pop has ocean waves and a xylophone solo?! GG I would put this at a 3 in terms of personal taste but brownie points for being wholly unique. Exactly what I want from this challenge

A big yes from me - missed out on these in my youth but have developed a growing admiration

Great early 80s music. EaTB underrated.

Good album, don't know too much echo and the bunnymen apart from hits, album was good

Post Punk albums are way too underrated on this site. And I like this one enough. Giving it a 4.

I loved The Cutter and Never Stop- Discotetheque. Overall enjoyable album. I like 80s alternative much more in general than 90s alternative. Goth is much more fun than grunge

Now that is the Echo And The Bunnymen I remember as compared to an earlier album on the list and much more in the vein that appeals to me - post-punk/new wave/goth. Standouts are "Higher Hell" as well as "The Cutter" and "The Back of Love" . I really like the chugging guitar sound on a couple of the tracks.

More of that usual Echo & The Bunnymen sound. 3.5 bumped up to 4.

echo and the bertomen

Quintessential '80s goth. I didn't always appreciate it, but it's something that has really grown on me.

Very Very Good!

Didn't know them, really good album.

Actually kinda liked it

I really enjoy Echo and the Bunnymen but even I must ask: did this need to be here? I guess I don't know its cultural significance or chart status, so maybe. I did find it fun though and that's what counts!

bom p caralho eu gosto muito de echo and the bunnymen, mas o porcupine consegue ter uma atmosfera que me pega mais do que os outros

só tinha escutado o ocean rain deles então tava empolgado e valeu a pena. bão demais. post punkzinho com um leve toque gótico, bonito demais! tem gente que fala que eles roubam o the cure mas acho bobeira. eles tem bastante personalidade própria e são pica tbm. curti bastante!!

Pure Echo. Such a great album, but not as good as some of the followers. If this was their only release, 5 stars. It's not, so 4.

solid post punk album. felt like i was in stranger things

Stands the test of time. Well crafted songs, well played and gets the toes tapping and makes me want to sing along even though I don't know the words.

For some inexplicable reason, I have a soft spot for this kind of 80s music.

Maybe like 4.5, not necessarily what I'd usually listen to but did enjoy it

I think I quite liked it. The songs kind of all sound the same, but I like them so it works. They’re a little whiny, indie vibes. The album had a bunch of alternate versions of the same songs on it, which kind of annoys me, but they’re at the end so that’s ok

Love Echo and the Bunnymen. Don't think this is their best album but it's a jam.

4/5 i like their sound

Musically, this is 100% my jam; I'm a sucker for new wave/post punk type stuff. Singing and lyrics, maybe not so much. Good enough for me to listen to a couple more of their albums for sure.

Wow I didn’t know what to expect from this band for the obvious reason that I’ve never heard of them. They have a really interesting sound, like if I had to simplify it I guess I’d call them like a new wave band, but feels more substantial than that. For instance, you might be able to label them as new wave but then what do you call “the cutter”? Well I guess my closest comparison is it would be like a mildly psychedelic new wave ave band. Which I didn’t realize I needed in my life, cause the second the cutter started I was pretty much won over right away. That song totally rips and it’s so different and original for a new wave song. But I guess that’s their big hit song off that album so I’d also like to highlight songs like “back of love”, “clay”, and “fuel”. All of these songs were NOT afraid of being weird and original. As a whole the only problem this album has is just having a few skips that I don’t really connect with or love, but this album as a whole is total gem.

Konnte man sehr gut als Soundtrack zu sky machen 7/10 Mochte den ersten Song

i’ve always been a bit of an echo and the bunnymen casual since i decided that donnie darko would be my favourite film when i was 15 trying to be edgy. i did really enjoy this, some brilliant songs and a then a bit of easy background music. the bunnymen really know how to write a bridge - i could listen to the bridge section in the cutter all day every day

I obviously had a very warped view of what style of music these guys play. I enjoyed this a lot more than I thought I would. Great bass heavy, almost gothic sound. Favorite track: The Cutter

I’m surprised how much I loved this and was constantly intrigued by what it had to offer. There are so many genuinely unique sounds here used in such entrancing ways that set it apart from the default new wave sound.

"Not just another DROP IN THE OCEAN." Opening track absolutely streets ahead of anything else here, but I absolutely love that track.

A good britishy pop album a good, easy listening

Well worth it

I loved them in high school, and this still hits that same brooding nerve, especially on “The Cutter,” which remains sharp, urgent, and bouncy. A few tracks (the title song especially) lean so heavily into seriousness that they lose a sense of joy or lift for me. At its best, this album is thrilling and cinematic; at its weakest, it feels a little weighed down by its own mood.

Oh right, this record. I love "The Cutter"; hard to resist singing along. Let's see what the rest of it is like - I never did end up getting any of their records at the time, just enjoyed their hits when they came on the radio. So I think this is one of those records that grow on you with repeated listens as you start to process the lyrics. The band are doing some interesting stuff behind the vocals, like on "Heads Will Roll," "Gods Will Be Gods," and the 6-minute title track, and I'm bopping along with the consistent beat. I like this - well, I've always enjoyed the danceable but with miserable-sounding vocals kind of New Wave that came out in those days. So: 4 stars. 4/5

Quite enjoyed this! 4/5

Nice variety of instrumentation, better than I expected it to be

This was exactly the vibe I needed to hear today.

This is #day515 of my #1001albumsyoumusthearbeforeyoudie challenge, and… here we are with my second Echo & The Bunnymen record already. It's not that I dislike this kind of music, quite the opposite, but this is a case in point of a band that could've been better off with one album on the list. Instead, we get three. I've tried approaching Porcupine a couple of times; I even owned an original German vinyl pressing (and eventually sold it), but it never really clicked for me, aside from a couple of songs. I doubt it ever will. Still, it's better than the average record on the list. Let it be a 4 out of 5. Looking forward to #day516.

I only really know these guys from their song "Sugar Kisses." Echo & The Bunnymen was always one of those bands that I thought I should check out more, but never did, well here I am now. They seem to have really powerful songs a la "Sugar Kisses," playing every song like it's their last one. The tone is just excellent, and the instrumentation is insanely colourful. Highlight Song/s: "Clay" and "Heads Will Roll"

Echo and the Bunnymen have always stood out to me as the brightest post-punk group. Yes, their music features a lot of the gothy, moping, but the songwriting is much higher energy than a lot of their contemporaries. Porcupine is the culmination of The Bunnymen's sound. I tend to put this record on a lot in the spring, especially on rainy days, because of the energy it carries. There's more experimentation and addition of instruments (xylophone, various stringed instruments piano), some of which hints at the direction they would take for Ocean Rain. Quick shoutout to the guitar noise solo on "Higher Hell"!! It's been a while since I've listened to Echo; especially Porcupine. It holds up better than I thought, and while the band tends to get sorted in with the post-punk/goth rank and file, I do believe that they are a band with a unique skill set and sound that sets them apart from the pack. While not as successful as some of their peers, they did put out 4 great albums in a row for us to enjoy. Crocodiles is still my favorite, but Porcupine is a close second. Highlights: "The Cutter", "My White Devil", "Clay", "Heads Will Roll", "Ripeness", "Higher Hell", "Gods Will Be Gods" Really most of the album great.

Great album

This was fun and creepy

Fav: Clay Least Fav: My White Devil Should this have been included? Probably not, but I’m not complaining when it’s surprisingly good

The time isn’t always right for the darker side of the Bunnymen but when it is, it hits the spot nicely

Porcupine is the sound of Echo & The Bunnymen stepping fully into their role as one of the defining bands of post-punk Britain, while still keeping one foot in the shadows. Where Heaven Up Here was claustrophobic and stormy, Porcupine feels more expansive and deliberate, as if the band have learned how to shape atmosphere into songs that linger rather than simply brood. Will Sergeant’s guitar work is the album’s quiet hero: chiming, watery, and elastic, it gives tracks like “The Cutter” and “Back of Love” a sense of momentum without sacrificing mystery. Ian McCulloch’s vocals are at their most assured here—aloof, dramatic, and occasionally pretentious, but in a way that suits the band’s grand, Romantic vision. There’s a confidence to his delivery that makes even the more opaque lyrics feel purposeful. The album isn’t flawless. Some of the deeper cuts blur together in mood and tempo, and Porcupine lacks the raw danger of the band’s earlier work. But what it gains instead is cohesion and poise. This is Echo & The Bunnymen refining their aesthetic rather than reinventing it, laying the groundwork for the even more polished Ocean Rain. Not their most iconic album, but arguably their most balanced—Porcupine rewards patient listening and confirms the band’s place in the canon of essential early-’80s alternative music.

This is Fuel to your listening fire.

Echo & The Bunnymen are definitely an interesting band. I used to think they were overrated, and I think what made them hard for me to grasp at first was the expanded atmosphere they layer on top of their dark post punk foundation. It’s like the core of their sound is firmly post punk, but the added psychedelic elements introduce an atmosphere that didn’t always feel like it aligned with those darker undertones. Over time, though, I’ve definitely warmed up to them. I started discovering random tracks here and there that I genuinely enjoyed, and those slowly eased me into their music. This was my first time listening to this album from beginning to end, and while I wasn’t fully on board at first, by the second song it already had me hooked. Eventually, I’m planning to work my way through their entire discography.

Solid album

ok this one was good and I am glad to have listened. fine. music: appreciated. (⌐■_■)

Yeah I'm into this

Never really got into E&TB much before but actually quite liked listening to this one. I think this project has awoken a hidden goth adjacent appreciation in me that I didn’t know was in there before. Going to go and buy myself some eyeliner now.

A great album, really enjoyed that. Only really familiar with The Killing Moon so not sure why I hadn’t explored more. I get quite a few influences on bands I like, in particular The Horrors. A bit too 80s in places but looking forward to discovering more of them.

Another perception burst by the list. Turns out I like ‘em, or at least this album. I was quite fascinated, given my Julian Cope (not so much Teardrops) fanboy status, by the similarities between them. While completely unsurprising given they were in bands together. The bass lines are eerily similar in style, and the vocals while individual also have similar lilts and patterns. The big difference is the guitar style, which give it quite a unique dark style alongside the vocals. Enjoyed the album and interesting the different directions each artist took in time.

Its, dark, gothic, heavy, and unique. It's a must listen, and probably Echo's best album. I am probably biased here, grew up listening to them and have seen them live.

Two great songs to start it off

A very good album by a very good band. It's not quite as good as Ocean Rain, which is basically their Magnum Opus, but it still shows them operating near their creative peak. They sit in the post-punk space along with Joy Division and The Smiths, but The Bunnymen lean more toward atmospheric, spacious soundscapes while still carrying similar feelings of emotional heft. What I like about Porcupine, and about the band in general, is how they build these big, immersive sonic landscapes yet still retain a sense of raw energy and grit, delivered through Ian Mcculloch's vocals.

Today felt as cold as this cover art. I can always use a dose of the 80’s, no matter the weather.

great album from a great band. not sure of the extras to be honest

Lyrics and vocals are punk the backing is goth

It's a pretty decent neo psychedelic pop/rock album with dark overtones. I do love their album covers

Up there with the best of their albums before things got a bit stale, I very much enjoyed revisiting it

I still have the vinyl version of Echo and the Bunnymen's eponymous album from 1987 (feature the Door's Ray Manzerek on keyboard), and I have always been a fan of their music. There are many bands from the 80s with a similar style, but the Bunnymen have consistent high production value, hooks, and tone without any trace of the negative 80's over synth style. Porcupine stands up well over time. And while it is clearly an 80s band, they do come across more as an alternative band than just another 80s band. Great stuff.

Another album in which I wasn't interested when it came out and again, now I can hear that it was pretty good and I should have been interested.

Listened to this passively but looking forward to revisiting!

I’ve always liked this band but I had never listened to a full album. This is good though. It’s moody but compelling. I really like the title track, Heads Will Roll, and Bluer Skies.

A little biased on this one because of what it meant to me as a 13 year old. Getting into the Cure and The Smiths and bands like Exho saved me from the 80s radio schlock.

- The Cutter is great - nice melody & gothy vibes… Enjoying Clay, Heads will Roll, Higher Hell, Gods will be Gods, and In Bluer Skies a lot, too. - I’m getting a bit of a U2 feel from this guy’s voice in parts of the second song. So, I guess it’s like moody britpop with a lot of the Cure, the Church, and a taste of U2. I used to love U2 until I realized Bono was a prick, so I’m conflicted about that song, lol. His voice is making me think of someone else, too, but I can’t place it - I wonder if it’s just them because I had never actually listened to a full album, just heard their singles. He’s got a great voice. - love the momentum of the drums, and there is some nice bass in there and cool instrumentation throughout, but the guitar can feel thinner and more twangy than I like in places, but other places it’s nice. - I’ll definitely listen to it again.

Great album a hidden gem. Amazing band from that era that was never huge in the USA although a pillar in the UK. Like this album better than the one containing some of the best hits.

Echo & The Bunnymen will always be an amazing name for a band. Luckily, the music lives up to the cool name because I enjoyed quite a bit of the album m.

“The Cutter” was an outstanding opening track. It set the tone for this album perfectly, with its guitar, bass, and drums; then bring in the strings. “Back of Love” and My White Devil were my other faves. Xylophone in there? The singer gave me maybe a little Bono vibe in a few measures now and then. Listened before? N Saved any tracks? N Favorite tracks? The Cutter, Back of Love, My White Devil ⭐⭐⭐⭐: Liked it. Saved no tracks.

So today, the third album by Echo & The Bunnymen from this list. After listening to the beginning, I thought it would be hard and exhausting and doubted whether I would really listen to it for over an hour. But actually, it wasn't a problem. I liked the album better than the previous ones. At times, the music reminded me of U2. I'd like to listen to it again. 4/5

I'm developing new policies around this list, so today I listened to all three list Echo records. We don't need three Echo records, but I like Echo, and this is the best of the three, by just a bit. Less artful than the Cure, less dark than Joy Div, less pure than Mary Chain; good band.

Geggjuð plata gott band. Drungarokkið geggjaður stemmari.

Frábært drungarokk sem fangar tíðarandann vel. Ekki skemmir kover myndin fyrir.

3.9 Starts off great and just goes a bit meh. faves: the cutter, my white devil

Cracking album from start to finish, with two great singles from it

What a difference a day makes. I listened yesterday to part of the album and it wasn't just clicking. Maybe it was gloomier out but something hit different when I picked up listening to it this morning. I heard it differently, and even the first opening songs that I was on the fence about sounded better. I am going to save the album for future listens.

gseht uhuere noch british new wave uus haha. yep isches au am erste lied ah. strings(?) melodie sehr cool. sehr post punk gitarregrüsch überall au. es isch uhuere simple minds. back of love au uuhuere. so gruefne gsang irgendwie. my white devil isch easy, no cooli chromatischi gitarre line. und s xylophon au nice. aber find etz scho dass sich öpe das zeigt het wo das album wird mache. easy guete post punk. clay cooli soundstruktur. find eh sie mached mega interessanti sache mit de gitarre. sehr afoch grüsch zum teil. sehr metallisch. und denn zeme mit de warme akustische gitarre passts mega. ja langsam chumi dri. nice. porcupine de song hani weniger packend gfunde. heads will roll fangt super ah. cooli sounds wieder seehr geil die tüf gitarre (synthi?). guets zeiche dasi nöd erkenn was füres instrument dass sache macht zum teil. instrumentali bridge isch extreeem geil.

Good 80s album.

The Cutter - 5/5 Back of Love - 5/5 My White Devil - 4/5 Clay - 3/5 Porcupine - 4/5 Heads Will Roll - 5/5 Ripeness - 3/5 Higher Hell - 5/5 Gods Will Be Gods - 3/5 In Bluer Skies - 5/5 Average score: 4.2/5

Great album. Cutter is an exceptional cut. But...I am still partial to the 2 earlier albums, especially Crocodile. Man, Crocodile made me a post-punk fan. Absolutely. But still, Porcupine is exceptional.

I think this struggled in the shadow of being the follow up to Heaven Up Here. And it’s true being good not great.

na

This is fun! 4.5

I only knew them through there radio hits like Lips Like Sugar. This is my first time listening to a full album and I'm quite pleasantly surprised. They certainly have a template for their songs and structures, so there were many times I thought they were starting a song I knew only to find it was some other song with a similar vibe. So let's just say their songs rhyme a bit more than ideal. But enjoyable none the less.

A really good album, I remembered liking it years back but it's even better than I remember. Not a top tier of that era and genre, but pretty up there.

Like a lost early U2 album where they had listened to some Joy Division. I had listened to Ocean Rain before, but never any of these songs. Really enjoyed it!

Here goes another front-loaded forgone conclusion from my self-fulfilled teenage prophecies. This was probably when I first heard about the Echomans from MTV. I mean, don't you also get it? Ian & Will et al were, in my (already post-CD, post-post-vinyl era) rock solid opinion, on a decades long streak of brilliant hook-driviness... from punk, to post-punk, to post-Ian, to post-Noel, to post-pessimist, to post-Echo & The Bunnymen, all adroitly administered by a more or less human rhythm section. Stuffy critic me wants to set 'Heaven Up Here' as the standard for its greatest impact on the population of the universe of N=1 (me)... Porcupines is just about as prickly.

Good stuff, not like some of the later more refined EAB stuff, still quite good.

4.4/5 great for studying

I'm finding more and more that I'm really into this style of rock.

I was ready to leave a comment that I thought porcupine was a great band name but here I see that’s the album name. Echo and the bunnymen isn’t so great. I loved the album though. It introduced me to a playlist called College Rock and this is my jam.

A more commercial album that the other two Echo albums this generator has given me. Somehow straddles the line between poppy new wave 80s grooves and the more dramatic post-punk sounds I associate with the band, and in this case I think it's an improvement.

Same reaction as the other two Echo and the Bunnymen album I've heard - they're like a weirder, darker version of U2, and that's ok (especially The Back of Love - that could absolutely be a U2 song). Not sure they needed three albums on the 1001, but I enjoyed all of them. Definitely liked the addition of Shankar's raga violin on The Cutter and Heads Will Roll (I saw him play with Peter Gabriel, so I like that connection, too). Favorite tracks: The Cutter, My White Devil, Clay, Heads Will Roll, Higher Hell.

I love me some Echo And The Bunnymen. They are one of my fav 80s new wave bands and this was a very enjoyable album listen for me. I’ve had the pleasure of seeing them live and they were great. I would definitely check this album out again!

Full marks for all the musical ideas (and where the f*** did they get their name!) and sheer ambition for this album. Mostly translates into an enjoyable listen but not always. Was generally a best of listener up until now. Will delve deeper

Great instrumentation throughout. Stopped just short of a 5 as maybe liked a bit of variety although I appreciated the consistent mood and atmosphere - could imagine this as the musical accompaniment for a ferry ride with Charon..

Excited for this one. The cutter is a great start. Back of love is also great. Porcupine! Another banger! This is great. I liked. 4/5⭐️

Rousing.

Pretty decent. I'm not the biggest fan of the vocals, but I like the guitar parts, and the overall vibe. Only the lead track (The Cutter) really stood out to me. I'm on the fence between giving this a 3 or a 4, but I definitely preferred it to the previous album, so I'll bump it up to 4

I prefer Heaven Up Here which I think overall has better songs and production. However, you can hear on this one that they are developing towards their masterpiece Ocean Rain. I'm always surprised when O read reviews saying they are melancholic or even whiny. I hear them as much too spaced out for that.

Only know a couple songs by these guys, but I largely liked the album a lot. Wasn't able to save the songs, but did like a good number of them. Definitely will be revisiting again.

I don’t know who these Bunnymen are but I sure like their sound. I will listen to this again. Really like the sparse sound.

Another great album by them. This one is a bit more energetic and engaging. Maybe a tiny bit more punk on the bass line? Great album.

Nice old school vibe

I've always said this about the post-punk genre - you're not making good music just because you think you're being subversive and ironic - random dissonant sounds shouldn't be taken seriously as 'innovative' - it's lazy. This is the first post-punk album I've heard on this list that bucks that trend. There are some hallmarks of the genre but you can tell that they actually gave a shit about the music and how this sounds at the end. Still not my absolute favorite genre of music, but this is the best of class in my book.

Hadn’t heard this one before. I think it might be their most consistently great record. Some really excellent tunes here.

Loved this one. Dark, depressed, angsty, existential white boy alt rock. Obviously reminiscent of Joy Division, the crescendos on different tracks hit hard. Interested in hearing more from E&tBM.

# Playlist Track - The Cutter # Notes - Not taking into consideration the extra tracks from the extended album. - Opening is fantastic, but the album loses steam as it goes. It's not a bad album, but nowhere close to Ocean Rain, for example. - Really dug the marimba (?) solo in My White Devil. - I've been getting way too many brits on this list.

Another 80s haunting masterpiece.

I like it! Feels like a precursor to a lot of the 00s indie rock I love. Illegitimate FS: Never Stop - Discotheque remix

Further proof that Simon from misfits was always the mvp. The end of gods will be gods whew! What a concept!

Ok, excellent opener. Brings me back to the 80's. Kinda of sounds like a more complex and diverse "Your love", "I ran" kinda of song. Excellent bass, nice voice. Positively surprised.

Similar sound to one of my favorite albums of all time, U2's War. I need to add this to my playlist to really get proper enjoyment out of it. 4/5

I remember when we first saw Echo & The Bunnymen. Len Houmous said with great vigour that these were the guys to watch, the next big thing. He said the same thing about The Cheeky Girls! 4.3 7/11 Ripeness

Brit rock, pretty deep feeling soundstage. Liked it

Evidently we've had 3, (THREE!) E&tB albums and I've managed to avoid all of them until now. haha For me, E&tB makes me think of the real Bunnyman himself, Donnie Darko. And, of course, its theme song (also by the Bunnymen). From there, my mind goes to the lore of rural Virginia's Bunny Man before wrapping around to the album... Sonically, this sounds like a blend between The Cure, Midnight Oil and The Church. There's some good nuggets in this. I get why it's on the list. Definitely a keeper. https://en.wikipedia.org/wiki/Bunny_Man

Great rock album. The instrumentals are dense, the lyrics are interesting, and the vocals are enjoyable. I do not love every song, but I like this album a pretty good amount. I would probably revisit.

Very fun album, had a great experience listening to this album

Really enjoyed that

Really nice album some great tracks. Always got time for it quality

Good stuff!

Я дуже люблю творчість цього гурт і він для мене є одним із найцікавіших гуртів, що є втіленням експериментального постпанку 80-х. Після доволі сильних попередніх двох альбомів, на Porcupine гурт по максимально спрямував в себе у готичний бік, та представив ледь не найскладніший та найтемніший матеріал, що колись робив. Навіть не дивлячись, що у той час гурт ледь не розвалювався, їм вдалося зібрати до купи багатошарові звукові конструкції з купою дрібних деталей. Особливо, мені в ньому подобається як «готичний дискомфорт», що огортає пісні, які структурно є звичайними поп-треками. Але за рахунок пронизливих гітар, та щільного звуку - вони перетворюються на щось тривожне та трохи моторошне. Якщо ж слухати альбом дуже уважно та намагатися розібратися в усіх наявних звукових особливостях (особливо в Gods Will Be Gods), то може навіть стати трохи погано від запаморочення голови. Чи був це продуманий сонрайтинг, чи навпаки чистий хаотичний експеримент, я не знаю, але головне, що завдяки ньому ми отримали один із найтехнічніших та найвигадливіших класичних постпанк релізів. Про цей альбом важко сказати щось погане, адже він майже не має слабих сторін і якби не моя любов до вишуканих «мрійливих» пасажів на Ocean Rain, саме Porcupine був би моїм найулюбленішим.

First listen to this, nice.

Baffled they have 3 albums. And I really like Ocean Rain. This is more of the same, just a little less bombastic. As far as New Wave goes you can do so, SO much worse.

Solid, focused, fine.

83% Best: The Cutter; Heads Will Roll; Ripeness Must-Hear? Sure

Great album to have a listen to, would jam it again

4/5 can a stranger please ask me what I’m listening to while I’m listening to this so I can tell them and feel cool

Surprisingly good 80s music you never knew existed

Love it and the memories it brings back Plus, what a.great band name

I still hat the 80s... But this wasn't terrible... In fact it was much better than expected...

Right up my alley (shoegazey post-punk)

Nothing really innovative, but still well executed and catchy in the same way as some of The Cure's better stuff

I’m a fan of these guys, but wasn’t familiar with this album. There were no standout songs for me, but I enjoyed it as a whole.

I liked it

Being generous with 4 stars. More like 3.5

oooooooh I'm excited for this one. I wonder if this one has Killing Moon on it. I really liked the sound of this I know they kind of paved the way to goth alternative. Not quite a 5 in my book, but a solid 4

A great slice of gothy post-punk, it's never truly a Masterpiece but it is pretty fun for it's entire runtime. At its best when it leans into the dreamy side of its sound.

I’ve always had a soft spot for the Bunnymen after hearing Ocean Rain and some of their hits, but I haven’t fully dug in to their other work, so this is a fun chance. Just on the strength of the album’s 1-2 opener alone, the band is everything U2 wished it could be, and so much more. Sure, there’s a level of this that plays into Ian McCullough’s ego and persona that feuded with the success of the post-punk that got massive success; but it’s telling that U2 couldn’t match the epic sound that the Bunnymen created until Joshua Tree, and even then can’t match the sheer creative power of the instrumentation. Ocean Rain is a more polished album for sure, and more pop-friendly, but this is also masterful stuff. The arrangements, the production, the ability to throw so much into each song without it all flying off the rails - it’s an incredible mix. All of this with McCullough’s Bowie-meets-Jim Morrison’s delivery demands deeper listening. I’m gonna need a few more times to digest the heights they are pushing here. As with Ocean Rain, Porcupine is bound to be one of those records I come back to again and again.

kinda weird but pretty good

Good.

This was a lot of fun for me. Somehow I missed this group back in the day but I like their sound (for its time).

Good but I know they have better.

Me ha parecido agradable, hasta disfrutable. Tiene toques psicodélicos y experimentales que siempre molan. Sí que es verdad que tiene momentos que es música muy similar a la de su época, pero pese a ello no se me ha hecho largo y hasta quizá algún día lo vuelva a oír. Canción destacada: The Cutter

One of the better sounds from the 80’s.

The porcupine is a stocky rodent with quills that pierce the skin when in contact, enabling protection from predators. The third largest rodent behind the beaver and the capybara, the porcupine occupies both Old (nocturnal, large and terrestrial) and New (smaller, less nocturnal and lives in trees) Worlds and are prone to living quite long lives. I wonder if Ian McCulloch had this in mind when coming up with the title for the third (hehe) album for Echo & the Bunnymen. Probably not and maybe that's the point. While not quite succeeding in best band in the world status, the Bunnymen do come awfully close here as the spiky, occasionally epic opus does more than earn its spikes. These are definitely songs worthy of learning and singing about. Favorites: The Cutter, Back of Love, My White Devil, Porcupine, Heads Will Roll, Ripeness, In Bluer Skies.

I genuiely enjoyed this early 80s post-punk album by Echo and the Bunnymen, with some Eastern influences and hints of what was coming by later in the decade (shoegaze, noise pop).

Full disclosure I am a huge fan of Echo & The Bunnymen. Seen them live about 5 times, though unfortunately only once in their heyday of the early 80s. Crocodiles, Heaven Up Here and Ocean Rain are among my favorite albums ever. With that caveat, Porcupines, is among their weaker albums in my opinion, its a bridge between their raw some might say derivitave sounding first 2 albums where there was hit after hit of their hard hitting psychedelic / punk and thier more nuanced and sophisticated soumd that flowered on Ocean Rain. There are still good songs here, and The Cutter is an important track that introduced Bunnymen to the MTV crowd, but there's a lot of filler here where the band relied too much on Ian McCulloch's vocal histrionics instead of solid songwriting. For me the strongest track is the closer In Bluer Skies, which oints the way towards Ocean Rain. So if you are new to Bunnymen and you liked this album, please check out their first and second albums to have a better understanding of their progression as a band that needs to be heard.. Side note, Will Sargeant is one of the most underrated guitarists of all time. 4 stars

Weirdly enjoyed this. sounds like everyone from that era smushed together

A pretty interesting bit of psychedelic pop. Less polished and melodramatic than it’s more popular successor, Ocean Rain, but more firmly rooted in the new wave/art pop sounds of the era.

Opens really strongly. The Cutter followed by Back of Love sets things up beautifully. Closing song Fuel is the only let down. Unique sounding, jarring guitar and jittering bass. Loved it.

Excellent.

Solid. 3.8/5

I like their sound a lot, very moody and atmospheric.

Interesting. Like early u2 with more street cred and fewer bangers.

Back from a six month hiatus. At this rate, I will be finishing this on my deathbed. This album is kinda frontloaded, but it stops just short of getting boring. Most lyrics are really good, and the songs are dynamic and exotic. Even though this is not a particularly catchy record, it's what I imagine Prefab Sprout's Steve McQueen wanted (and ultimately failed) to achieve.

I liked this more than I expected. I've always been turned off by the dumb name and the fact that my brother made fun of my sisters for being fans of them in the 80s. Digging into their catalog now. From their bio I expect there will be one or 2 albums I love and the rest I could do without, but it's worth looking at. Having spent some more time with this band, I'm leaving the album at a 4, though maybe it's a 3.5, but I didn't find better albums in their catalog. Their sound hints at something I would really like, but there's a little too much pop and polish in it to be interesting to me in that category.

Great album. Wish I had known more about these guys in the '80s. Perhaps a little too much "Heaven and Hell" as a recurring lyrical motif, but great texture overall.

Felt like a more upbeat version of The Cure with hints of U2 at times. I’m surprised these guys weren’t more commercially successful back then.

Another one of those albums where I had heard song from it at some point just never knew who or additional songs by the artist. Very much a talking heads type band. Enjoyed the album.

This feels like an important album somehow. There’s a certain cool-eighties-ness to it - like being transported into a John Hughes film. II can imagine, if you were a teenager at the time, how seminal this would be. As for me, who was a teenager a bit later, I liked it! Will revisit.

Plenty of musical talent on display. Not my cup of tea, but worth four stars nonetheless.

Wonderful album. Early Echo & The Bunnymen really deliver the post-punk energy. Nervy, a bit dark, but full of life. My only issue with this one is that the songs lack variety.

Loving all the new wave/post punk recently.

I wonder, if I was a teen in the 80’s, would I have been a goth? Goth doesn’t seem to have a timeframe exactly, as they’re still around today, but modern goth music just doesn’t hit like these oldies. I enjoyed this album quite a lot. It did remind me of The Cure a little, so I can see how these became just big names in the goth scene at the time. Black clothes aside, this is nice sounding post punk music with moody undertones, and makes for a rather enjoyable listen.

Pretty cool. I like these guys. But The Cutter is clearly the best track. 3.5/5

I really enjoyed this not upper tier but a sold gothic post punk entry (8.5) ★★★★

Pretty good classic new wave.

4/5

Echo and The Bunnymen is a band that I criminally haven't paid enough attention to yet. Until today I only knew The Killing Moon and Porcupine has a wonderful sound! Today I'm going to leave 4 stars, because I need to digest the album better. But I hope to hear more of their albums in the future!

I was fully expecting not to like this one, but it was surprisingly good. Really great and melodic, and a good amount of diversity. All things that the other albums lacked that I have heard by these guys.

Echo And The Bunnymen continue to be one of the bands that my appreciation for has increased with this exercise. This is a great album with a lot of catchy songs. Really enjoyed it.

pop punk, seems like something I'd love

I'm generally a fan of the band, and this is an interesting record, worth a listen, brilliant in spots. I'd probably give it a 3.8 if I could...

I was not as familiar with this album as I was with Ocean Rain. Classic cutting edge 80’s new wave sound. I enjoyed this and saved several tracks. Some great drumming and hooks throughout, although I’ll stop short of calling it a solid play through. 3.75/5

This was pretty good This was pretty good pretty good pretty good good good good

Really liked this one. Sounds just like 1983

Also liked it. I only really knew Ocean Rain album, and this is as good. Good album cover too

I wasn't super-fussed about this on the first listen, but I found myself humming, whistling or otherwise sounding out a good few of these tracks for many days after listening. Went back to it and appreciated it a lot more on a second and third listen.

An excellent album, but not my favourite Echo and the Bunnymen record (which would be Ocean Rain). But it still has some great songs - notably the opening slavo of The Cutter and Back Of Love.

What a surprise. I love this album, probably because of the memories attached mostly. But hearing it again now I believe that it's a solid proper album that deserves to be recognized.

With both Crocodiles and Ocean Rain in the 1001, E&TB are already well represented - no need for this one too.

First song is great kick to start this album. And the rest of ‘em are pretty good also. One of the greatest band names out there.

Thought I was going to hate but rlly liked this!!! Favs: the cutter, back of love, my white devil, heads will roll, gods will be gods

Much better than Crocodiles.

Listened Before? N I love these guys! I have spent a lot of time listening to a few of their other albums but this one has slipped past me until now. Great 80s stuff. Great sound and good production. Awesome! Added to Library? N Songs added to playlist: The Cutter

Really liked this

Very cool and atmospheric record. It’s not their best bit among their three best.

The songs on this album range from decent to great according to my taste. I think the album is good, but maybe not distinct enough from its context. Favorite track: "Gods Will Be Gods," probably.

Classic ‘80s jams, great background music. Sets a good atmosphere, kind of eerie and angsty.

Third Echo And The Bunnymen album on the list. Third 4/5 review. Really nothing new here, but the sound that these four guys found just perfectly encapsulates the experience that is living in dreadful, dreary Britain (or so I'm told).

No Echo And the Bunnymen records are uplifting per se - but there’s something about Porcupine that still feels more joyous than a lot of their other efforts. It’s a band that rarely misses. This is their third album on this list for me - and they still manage to hit the mark.

Definitely worthy of a repeat listen, but not amazing enough for 5 stars.

Never heard this one but I definitely do have a soft spot for post punk. Post punk made music survive the 80's.

Pretty good new wave/ almost post rockish at times record. I initially went "these guys are ripping off U2, and the killing moon is the only great record" but this came out as one of U2's earliest records so I suppose it's the otherway around. Lots of grand instrumentation. Even feels a little shoe gazey. Fav tracks: the cutter, porcupine, heads will roll, my white devil, gods will be gods, fuel.

I just really like this band. One of my favorite discoveries from this exercise.

Lanzado en 1983, Porcupine es el tercer disco y el de mayor éxito de Echo & The Bunnymen. Su tema de apertura, "The Cutter", que alcanzó el Top Ten de la época, resume el estilo de la banda: fusión de post-punk con psicodelia inspirada en los clásicos Doors. Le sigue la tan grandiosa como "espinosa", "The Back of Love", una reflexión sobre las contradicciones del amor y su cara más oscura (la manipulación y el egoísmo en las relaciones), así como la necesidad encontrar un significado más profundo a los sentimientos. Me gusta el estilo ochentero, adornado con los aires orientales que aportan las cuerdas de Shankar, de la existencialista "Heads Will Roll" y su estribillo repitiendo "What if no one's calling / God then must be falling" ("Y si nadie llama / Dios entonces debe estar cayendo").

The Cutter is an incredible track, the rest of the album doesn't overly grab me but I can say I'm a fan.

My third and final Echo & the Bunnymen album from the list, and I've definitely acquired a taste for them. Goth adjacent post-punk is very much where it's at! Fave track - "The Cutter" - possibly my fave track of theirs from any album!

Great but not their finest

This might be a good album maybe. Definitely the first album labelled post punk I enjoyed. The back half of the album is where it's at. Once it hits Porcupine for me I am sucked in. I still am not totally in love with this kind of sound but I think this album could make it grow on me. The music backing is the part that pulls me in. Feels very like a soundscape. I think that makes a nice contrast with the more sparse vocals. I feel like it's a high 3 on the how much I enjoy it scale, and a 4 on the how good I feel like this sound can be. I am in the end, inclined to give it a 4.

yyyyeeeeeeesssssssss. YYYYYYEEEEESSSSSSS.

The Back of Love is a great song, and the use of echo is really effective. Made me move in my chair. I never listened to this band before, but I am impressed. Great chord changes, interesting melodies, the mix is a little drum heavy, but in a good way. I like the singer, he's emotive but not over the top. Great examples of tension and release, and fun seques between the song sections. Modern music could learn something from these guys. I always thought there was a lot of romance in the music of the 1980s, and this album is a great example of that. 4 stars

I'm actually a little impressed that only a couple of reviewers refered to this as "brit-pop"

This is a fitting lead up to the more refined Ocean Rain, if you prefer a rawer sound you may find is superior. I still like the focus of the next album a little better but this is damn nearly as good. First time listening to it and love it.

Liked this a lot, just solid post punk with that 80s sound. Will be listening again.

4.0

Pretty good.

I really am enjoying this one. It’s kind of sparse but solid. 3.6

Contains their haunting single "The Cutter". Interesting album.

Good album, will need more listens, but it's a solid Echo album. 4/5!

I had no clue they were *this* old of a band - I'd only ever heard their stuff from 2000 onward. Album wise, a familiar sound with some periods of brooding somberness. Enjoyed it.

Thought this was a great listen.

"Porcupine" by Echo & The Bunnymen, released in 1983, stands as a pivotal album in the post-punk era. This third studio album by the Liverpool band saw the group exploring deeper and darker themes, both lyrically and musically, which ultimately contributed to its critical acclaim and enduring influence. ### Lyrics Ian McCulloch's lyrics on "Porcupine" are laden with existential angst, introspection, and cryptic imagery. The opening track "The Cutter" sets the tone with its enigmatic verses that touch on themes of self-doubt and searching for meaning: "Spare us the cutter, spare us the cutter. Couldn't cut the mustard." This sense of searching and discontent continues throughout the album. In "Heads Will Roll," McCulloch delves into themes of revolution and upheaval, painting a vivid picture of turmoil and change. His lyrics often merge personal introspection with broader societal critiques, which can be seen in tracks like "The Back of Love," where he juxtaposes the intensity of romantic relationships with a sense of impending doom: "In the back of love, we’re in the back of love." The title track "Porcupine" is perhaps the most introspective, with McCulloch using the porcupine as a metaphor for his own guarded and prickly nature. The lyrics "There is no comparison, too near or too far" reflect a sense of isolation and self-protection. ### Music Musically, "Porcupine" is characterized by its atmospheric soundscapes, intricate guitar work, and driving rhythms. Will Sergeant's guitar work is particularly noteworthy, providing a range of textures that are both haunting and mesmerizing. From the jangly riffs of "The Cutter" to the more psychedelic undertones in "Porcupine," Sergeant's contributions are central to the album's sound. The rhythm section, comprised of bassist Les Pattinson and drummer Pete de Freitas, lays down a solid foundation that complements the atmospheric guitars. Tracks like "The Back of Love" and "Higher Hell" showcase their ability to drive the songs forward with a sense of urgency and intensity. One of the standout tracks, "The Cutter," features a dynamic interplay between the driving rhythm and the sweeping, almost orchestral guitar lines. The use of strings in this track adds an additional layer of drama and depth, which is a recurring motif throughout the album. ### Production Produced by Hugh Jones and the band themselves, "Porcupine" benefits from a lush yet raw production style. Jones, who had previously worked with the band on their second album "Heaven Up Here," brings a sense of continuity while also pushing the band's sound into more expansive territory. The production on "Porcupine" captures the band's live energy and translates it into the studio setting. There is a certain rawness and immediacy to the recordings that adds to the album's emotional impact. The mix allows each instrument to shine, with the guitars often taking the lead role, enveloping McCulloch's vocals in a rich, sonic tapestry. The use of reverb and delay effects enhances the album's atmospheric quality, creating a sense of space and depth. This is particularly evident on tracks like "Gods Will Be Gods" and "Porcupine," where the production techniques contribute to the overall mood of introspection and melancholy. ### Themes "Porcupine" delves into themes of existentialism, introspection, and human frailty. The lyrics often reflect a sense of searching and yearning, whether it be for personal identity, love, or a deeper understanding of the world. McCulloch's introspective lyrics are complemented by the music, which often evokes a sense of melancholy and contemplation. The recurring theme of nature, as suggested by the album's title and songs like "Porcupine" and "Higher Hell," serves as a metaphor for the human condition. The porcupine itself symbolizes self-protection and isolation, themes that resonate throughout the album. Another significant theme is conflict, both internal and external. Songs like "Heads Will Roll" and "In Bluer Skies" touch on themes of revolution and change, reflecting the turbulent political climate of the early 1980s. These themes of conflict are mirrored in the music, which often juxtaposes moments of quiet introspection with bursts of intense energy. ### Influence "Porcupine" has had a lasting influence on the post-punk and alternative rock genres. Its atmospheric soundscapes, intricate guitar work, and introspective lyrics have inspired countless bands in the years since its release. The album's blend of raw energy and lush production set a standard for future artists looking to explore similar musical and thematic territory. The album's influence can be seen in the work of bands like The Cure, who also combined dark, introspective lyrics with atmospheric music, and U2, who incorporated some of the same expansive production techniques on their early albums. More recent bands, such as Interpol and Editors, have also cited Echo & The Bunnymen as an influence, particularly in their use of brooding atmospheres and intricate guitar work. ### Pros 1. **Lyrical Depth**: Ian McCulloch's lyrics are rich with imagery and introspection, providing listeners with a profound and thought-provoking experience. 2. **Musical Complexity**: The band's musicianship shines through with intricate guitar work, dynamic rhythms, and atmospheric soundscapes. 3. **Production Quality**: The lush yet raw production captures the band's live energy while enhancing the emotional depth of the songs. 4. **Thematic Cohesion**: The album's exploration of existential themes and human frailty is both compelling and relatable. 5. **Influence**: "Porcupine" has had a significant impact on the post-punk and alternative rock genres, inspiring a wide range of artists. ### Cons 1. **Accessibility**: The album's introspective lyrics and complex musical arrangements may not be immediately accessible to all listeners, potentially alienating some. 2. **Pacing**: Some tracks, particularly in the second half of the album, can feel slower and less dynamic, which might affect the overall flow for some listeners. 3. **Production Choices**: While the production quality is generally a strength, the heavy use of reverb and delay effects can sometimes overshadow the clarity of the vocals and instruments. 4. **Commercial Appeal**: Compared to their more commercially successful albums, "Porcupine" may come across as less radio-friendly, which could limit its appeal to a broader audience. ### Conclusion "Porcupine" by Echo & The Bunnymen is a landmark album in the post-punk era, offering a rich tapestry of introspective lyrics, intricate musical arrangements, and lush production. Its exploration of themes like existential angst, self-protection, and human frailty resonates deeply, providing listeners with a profound and thought-provoking experience. While its complexity and introspective nature might not appeal to everyone, the album's influence on the post-punk and alternative rock genres is undeniable. For those willing to delve into its depths, "Porcupine" offers a rewarding and immersive musical journey.

I had no idea what to think coming in, but this was a cool mix of David Bowie, REM, Billy Idol, Depeche Mode, The Smiths/Cure and most the things I like about the New Wave sound but still keeping a punk style in there. I will listen to some of their other albums now!

I think 6 Music play The Cutter at least 4 times daily in 2024. This record starts like it's going to be mega commercial mid-80s Bunnymen then retreats from it at full speed. This just might be my favourite one. Bangers ahoy. One of the successes of this list is it's taken me by the hand and lead me through the catalogue of this legendary band which I kinda skipped over in the 80s. Will be giving repeat listens.

I first learned about Echo and The Bunnymen through Nouvelle Vague's rendition of "Killingmoon". But I like the old new wave style.

Worth 4* just for The Cutter, but the rest of the record is also great.

Echo and the Bunnymen had such an interesting trajectory on their first few albums. Always post-punk at heart but taken from different angles from album to album. This one's more experimental in a way, with arrangements that goes all over the place and with Ian's vocals that are kind of weird. I love it.

I freaking love this band and this album is really great too, but still, I must insist on the fact that the only album essential to this list is Ocean Rain.

Can't understand why there's 3 albums from them on this challenge, probably because they are british. Anyway, that's a very fine post-punk/gothic rock and I love it. Wild arrangements and dark twisted sounds out there.

When I was in high school in 1985 one Wednesday morning math class started really slow and sluggish. Our math teacher asked why everyone was so sleepy. “Echo and the Bunnymen played an all ages show last night” was the answer. Mr. Hammond just started at everyone. “Oh Mr. H.,” said my friend Nick with his eyeliner smudged from the night before. “Everyone loves Echo and the Bunnymen.”

I liked this quite a lot - lots of good, unusual ideas. It can veer towards the epic, but retains an edge, especially in the guitars and bass sounds. The singer sounds reasonably possessed. It's got some punk-inspired energy to it, and it also packs a lot of little things in the songs that make them very intriguing and ingenious. This is the second Echo and the Bunnymen record I get through this list, and they have not disappointed. So far, one of the good discoveries from here.

Very good

Really enjoyed this.

Like it

Interesting album. Like if you crossed The Doors and The Cure. 3.5/5.0: Very Good

Started good, got boring in the middle, finished strong! 3.5 stars.

Thoughts before listening: I don't really know too much about these guys outside of "Killing Moon" which isn't on this album. I believe they're similar in vein to the Smiths or the Cure...new wave era bands that had a few hits, but also huge cult followings making them big influences on the post-punk and indie rock world. Should be good. Review: Yeah I like this quite a bit. Apparently "The Cutter" and "Back of Love" were the hits on this album, and that makes sense because they are very catchy songs. In general, this is indicative of the 80s alternative sound, and I am enjoying most songs. 4-stars

I just love this kind of whiny white boy music. Especially from the 80s. Will be listening to this over and over. 4.5/5

Echo And The Bunnymen fit squarely into the post-punk genre, alongside Joy Division and early Talking Heads. I like post-punk for its grittiness, or maybe it's just because post-punk bands feature real drummers (thank God!) and eschewed the corny sound of drum machines popular with new wave bands of the same era. Post-punk, like punk rock, has a dark urgency about it. I found that urgency in Porcupine.

I need to listen to it more, I generally like this band

better than the last echo and the bunnymen album i got on here, which is frankly a vague memory (just the kind of impression you'd expect an "album you have to listen to before you die" to make!) a little more squirmy and sonically interesting than a lot of its ilk. it almost thrums and dare i say crackles at points! however, the obvious and embarrassing bias towards British music (especially all the post-punk and new wave) is getting more than a little tiresome. it's really too bad that hardly anybody outside of the US and UK has made any music in the last 70 years. ah well

A little samey in places, but the highs are high. 'Clay' and 'Porcupine' sit next to each other as the soundtrack to a nightmare acid-trip Western. It's really fun listening to a band using the tools of their day to twist sound into new and unusual shapes. All without sacrificing song craft - there are some big choruses here.

Great record! Wish I’d given it a listen before.

This album had me nearly instantly hooked with its odd combination of high energy guitars, pulsing, danceable bass, and a neat inclusion of acoustic guitar to give it a more natural sound compared to its synth-y contemporaries, striking against a dreary atmosphere and that odd vocal delivery you can't help but tune in to. Its as if you're being forced to dance to something you'd never think to fance to, yet you can't help but have a good time. This feeling permeates throughout the A-side, into the B-side, but unfortunately does not stick the landing, with the energy and tempo slowing going down, but not shockingly enough to keep your attention, rather just kind of ween you off the record before its over, that way you aren't really dying for more, but you had a good time while it lasted. Really strong showing from a band I've had mixed feelings on, and while this album doesn't really have its own "Killing Moon," it tries damn hard, never settling for just one or two good tracks, and to that I applaud and appreciate it.

I liked this. Echo ATBM are a band that’s always been on my list to get more familiar with. I would definitely come back to listen to this again.

I enjoyed this one quite a bit. I could see it growing on me. It was a *little* long, but still, I had a good time with it. 3.75/5

What you're hearing here is the totally rad, yet dulcet tones that emanate from the underbelly of 80's pop music. It is criminally underrated and unappreciated by the collective global recall of the 80's. Drowned out by too much neon, spandex, leather, and hairspray. And yet, still sitting at the cool kids table. Just the cool kids table at a school you've never heard of or knew anyone from.