Reviews (page 3 of 7)
Surprisingly enjoyed this one - some nice chill songs
Sweet album, some great tracks, very easy to listen to Marlene... is one of my favourites
Smooth… a nice thing to put on
liked it more than i thought i would
More interesting than expected. Forgot about Marlena on the Wall. Such a good one to sing along with. Forgot how good Vega was. Her stuff was always a different kind of tempo and style from everyone else. Small Blue Thing is good. Don’t love the narrative folky bits, but overall this album is very good.
"Suzanne Vega" by Suzanne Vega is a captivating debut album that showcases Vega's unique songwriting and vocal style. Released in 1985, the album features Vega's intimate storytelling and folk-inspired melodies, creating a compelling and introspective listening experience. Songs like "Marlene on the Wall" and "Small Blue Thing" highlight Vega's ability to craft vivid narratives and evoke complex emotions with simple yet evocative lyrics. Her distinctive voice, often accompanied by just an acoustic guitar, draws the listener in, creating a sense of intimacy and connection. While "Suzanne Vega" may not have achieved mainstream success upon its release, it has since been regarded as a classic album that helped define the singer-songwriter genre of the 1980s. Vega's debut remains a timeless and introspective journey into her world, inviting listeners to join her on a poetic exploration of life and love. 4/5
I'm familiar with a couple of Suzanne Vega songs: "Luka" and "Tom's Diner." Fun fact: some classmates of mine did a kickass lip sync of "Tom's Diner" at speech competitions in middle school. I'm pretty sure they won some trophies at some of these competitions with this performance, and rightfully so, because they crushed it. This was in the late 90's too, so I have no idea where they came up with the idea to do this particular song. By the way, did anyone else go to competitions like this in middle school? We'd compete in lip sync, prose, poetry, reader's theater, improv... maybe this was just a regional thing. I digress. I wasn't quite sure what to expect from this album since I only know a couple of Suzanne Vega songs, but I was really impressed by this album. The lyrics were really great, and Vega did a great job alternating between singing and sing-speaking on these songs. These lyrics cover a wide range of topics, from loss of childhood innocence to suicide, and all of these topics are covered with a poetic beauty. I really liked that there was a theme of winter and coldness throughout the lyrics too, and a lot of the musical elements matched that theme. Musically, this album was beautiful as well. I loved the guitar parts and the synthesizers and how they sounded together; it dates the music in a sense, but in a way that really sounds great. This album sounded like a folk singer from the sixties hopped in a time machine and went to 1984, and I think it's a really unique sound that I've never heard before. I loved the cold sound of the instrumentals as well. The acoustic guitar had an almost metallic quality to it at times, and it coupled well with the high-range synthesizer parts. The bass blends perfectly into the background to allow those higher-range instrumentals to be front and center. A lot of those 'colder' sounds remind me of what I love about Cocteau Twins albums. I thought this album was really good, and I had a good time listening to it. I would have never expected this from Suzanne Vega, but this was incredibly unique, and I hope future reviewers give it a fair shake.
This album genuinely surprised me. Never heard of her before, but the emotional and introspective lyrics and delivery were very touching, loved the guitar picking, well produced.
did not expect how much i'd love this
I love the simple instrumentation, like a conversation between the bass, guitar, and drums. Her writing is all so poetic, and though she doesn’t have an incredibly powerful voice/delivery, it sounds so correct in the context of what she is saying and how the instruments play. An extra voice in the conversation.
Good stuff
This is a real echo of my personal history. I was leaving high school and going to Boston for college. I ended up dating a woman from Wellesley College and my freshman year the winter concert was Suzanne Vega. Everyone on campus was thrilled to have her -- they signed her up to do the concert on the basis of this record, and then she came out with Solitude Standing shortly after that. The concert was great, and folks had been playing the album in the dorms for months at that point. I think she brings a unique female voice to her songwriting, and that was unusual for the time. I'd put Tracy Chapman in the same general category, both amazing singer songwriters that speak of their own experiences -- and represent underrepresented voices. They really were trailblazers in every sense.
I liked this more with each listen. I guess I like department-store-core. A lot of these songs go hard in a really soft way; if Freeze Tag and Small Blue Thing had drum drops, they would unironically pop off. It’s giving Cranberries, it’s giving 90s, it’s giving Tarzan soundtrack, it’s giving Schoolhouse Rock. I apologize for all the Gen Zed slang in this review
Should've listened to this before...nice.
some great vibes throughout
Rating: 8/10 Best songs: Marlene on the wall, Undertow, Knight moves
Reminds me of Julia Holter’s “Have You in My Wilderness”. Really enjoyed the sound of the album and the lyrics were interesting. Favourite song on an initial listen is “The Queen and the Soldier”.
i like it
Suzanne Vega is a real singer/songwriter, not one of those many who claim to be one. She‘s a story teller, not a lyricist. The music fits the themes, so the delivery is nearly perfect. Fun to listen to, not just the music, but also the lyrics.
Describing an artist as a 'singer-songwriter' sometimes feels like being served white bread. It's often comforting and familiar, and made by the right people, it can be amazing. But more often than not, it's sort of plain. Great for background music in a coffee shop, but it can all sort of sound the same after a while. I had heard of Suzanne Vega before but never knew her music. It was a nice surprise and had a bit more character than I imagined it would, with distinct different sounds to each song. The music seems both timeless but with subtle hints of 80s pop music. Really nice album.
Fabulously sweet
Released in 1985, Suzanne Vega's self-titled debut album is a captivating introduction to an artist who would become known for her introspective lyrics, evocative storytelling, and unique blend of folk and rock influences. This review delves into the album's core elements, exploring its strengths and weaknesses while examining its lasting impact. Lyricism: Sharp Observations and Poetic Depth Vega's lyrics are the cornerstone of the album. With a keen eye for detail and a talent for vivid imagery, she paints intimate portraits of love, loss, loneliness, and urban living. In "Small Blue Thing," she uses the metaphor of a trinket to represent the fragility of a relationship, singing, "Like a marble/or an eye/made of china/made of glass." "Left of Center" showcases her observational skills as she paints a picture of a bustling city street, capturing the fleeting moments and interactions between strangers. However, her lyrics aren't simply descriptive. They often delve into the complexities of human emotions, like the longing in "Marlene" and the resignation in "Calypso." The poignant ballad "The Queen and I" critiques societal expectations surrounding female beauty, while "Night Vision" explores the anxieties of being a young woman in a big city. While some might find the constant focus on personal narratives introspective to the point of being isolating, Vega's ability to imbue personal experiences with universality is undeniable. Music: A Delicate Balance of Folk and Rock Musically, the album is a subtle blend of folk and rock influences. Vega's distinct, slightly husky voice and her masterful acoustic guitar playing form the core of the sound. The arrangements, primarily sparse and intimate, emphasize the emotional intensity of the lyrics. Tracks like "The Man Who Couldn't Cry" and "Cracking" rely solely on her voice and guitar, creating a raw and vulnerable atmosphere. However, the album isn't entirely devoid of dynamic instrumentation. Songs like "Calypso" and "Left of Center" incorporate subtle percussion and bass, adding a touch of rhythmic texture. The title track even features a brief but impactful saxophone solo, showcasing Vega's willingness to experiment within her established sound. While the minimalist approach might lack the sonic grandeur of some contemporary albums, it perfectly complements the introspective nature of the lyrics. Production: Clean and Uncluttered The production on the album is clean and uncluttered, allowing Vega's voice and songwriting to take center stage. Lenny Kaye, the album's co-producer and guitarist for The Patti Smith Group, ensures a polished yet organic sound, focusing on clarity and sonic fidelity rather than elaborate effects. This approach allows the emotional honesty of the music and lyrics to shine through. However, some critics might argue that the minimalist production lacks the depth and experimentation found in later works. The use of primarily acoustic instruments and relatively static arrangements can, at times, feel one-dimensional, particularly when compared to the more diverse sonic landscapes Vega explored in subsequent albums. Themes: Exploring the Human Condition The album grapples with themes that resonate deeply with the human experience. Loneliness, alienation, and the search for connection are recurring motifs. Songs like "Left of Center" and "Marlene" capture the isolating feeling of navigating a city as an outsider. "The Queen and I" challenges societal beauty standards, while "Small Blue Thing" explores the fragility of love. Additionally, gender dynamics and class struggles are subtly woven into the lyrics, offering glimpses into the social landscape of the 1980s. While these themes are universal and relatable, some listeners might find them overly personal and lacking in broader social commentary. However, Vega's ability to tell compelling stories through personal narratives contributes to the album's enduring appeal. Influence: A Pioneering Voice in Folk Music Suzanne Vega's self-titled debut was a critical and commercial success, establishing her as a distinct voice in the New York folk scene. Her blend of introspective lyrics, acoustic instrumentation, and storytelling resonated with audiences tired of the polished pop sound that dominated the airwaves. The album paved the way for a generation of female singer-songwriters who embraced vulnerability and social commentary in their work, artists like Ani DiFranco and Tori Amos. While its influence can be felt across various genres, its legacy is most prominent in the realm of folk music, where Vega continues to be recognized as a trailblazer. In Conclusion: A Powerful Debut with Enduring Appeal Suzanne Vega's self-titled album is a powerful debut that showcases her unique songwriting talents and captivating storytelling abilities. While its minimalist production and introspective lyrics might not appeal to everyone, its strength lies in its raw honesty and emotional authenticity. The album stands as a testament to the enduring power of personal narratives and its influence continues to be felt across different
February 26, 2024 HL: “Cracking”, “Marlene on the Wall”, “Straight Lines”, “The Queen and the Soldier” It’s a little sophisti-pop (a la Everything But the Girl), and a little coffeehouse folk (a la Norah Jones), but I found this a more engaging listen than albums by those aforementioned artists. The synthy touches on songs like “Cracking” & “Small Blue Thing” don’t overwhelm the core songwriting & nice guitar work. And even though I often neglect lyrical content in these blurbs (perhaps making reviewing folk and hip-hop harder than it has to be), there’s a lot of rich imagery of nature, castles and vintage cinema here. Nice to finally remove my impression of Suzanne Vega from “do do doo do do do doo do”
Interesting songwriting. I found myself actually listening instead of just putting it on in the background.
Lovely voice, great guitar. An overall good time.
Not too folky, not too 80s-cheesy, just right.
Neat and intricate lyrical Pop Folk album. Enjoyable, but I feel like I’d need to listen more to fully appreciate. Added to my library
Good album.
The guitar of the intro gave me hope but then the song was pretty bad, thought the "speaking with rhythm" was gonna be a more prominent feature but thank got it wasn't. The songs from there ranged from ok to great with the latter half of the album being generally better. Funky ending too. 4 stars.
Guitarra y voz. Canciones melancólicas. Un 4.
I really enjoyed this. A lot more than I thought I would. Her lyrics are great.
I enjoyed this - lovely light album. Marlena is a great song. Folky and gentle.
Great lyrics and nice musicality
Har aldrig hørt et Suzanne Vega album før, og det her pladecover er mega min-fars-cd-samling-core, men jeg var vild med det! Fede 80er vibes, gode tekster, flotte sange. Skriver lige bag øret at jeg skal vende tilbage til den her.
"Solitude Standing" is a great singer songwriter album. Really cool story telling. "Tom's Diner" is iconic!
Never heard of her before but i liked the album a lot!
If released in 1995 I would have given just 3 stars. But knowing what mainstream music was like in ‘85 it’s easy to see how trailblazing this was and how incredible for Vega to have earned the following she did. Extra credit for context points!
Nice, laid back again. Definitely can see how this started a bit of a trend. I like it. Marlene on the Wall is good,
There's some great songwriting here for a debut. Only Tracy Chapman pushes her close for the best debut release. This doesn't sound like a mid-80's record. The production serves the songs, not the times. Suzanne has such an understated voice. She makes grown men weep, almost 40 years later.
Played this over and over again when I first got it. Happy memories
me re gustó jejeje 8/10
I don't think I've listened to Suzanna Vega, but I liked this album. The guitar playing and songwriting was pretty unique, definitely something I want to listen to again.
Lepa muzika
Started off slow but grew on me.
really nice 70s folky-pop carole king/joni mitchell kinda vibes
“Marlene on the Wall” was probably the first song I can remember hearing from Suzanne Vega, which made a ripple on college radio shortly after this album came out. Interestingly enough, what made Suzanne Vega stand out in 1985-86 was all the things she wasn’t. ‘85-86 was all noise and bombast and hairspray and frippery and what looked good in a music video. This music stood out starkly because it was quiet - nuanced, thoughtful, minimalist, grown up. The lyrics are gorgeous- intimate, beautiful enough to read on their own, like poetry. This sound felt incredibly fresh, and was an early arrival in a wave of women singer songwriters who would appear in the late 80s into the 90s. For a young woman coming up in a time that didn’t make much space for young women’s voices, music like this was more meaningful than I can express. The worst thing you can say about this album is that its best qualities are kind of also its weakest qualities. If I say it’s thoughtful and minimalist, some might dismiss it as bland or boring. It all boils down to taste, but it’s worth a little patience. I will say that this album has aged really well, better than most of the music that overshadowed it at the time. Minus some of the backing instrumentation that feels a touch dated now, Vega could put these songs out today and they’d still sound incredibly fresh. Fave Songs: Marlene on the Wall, Knight Moves, Small Blue Thing, Undertow, The Queen and the Soldier
Very chill 80s vibes. Not the most exciting but I still liked it.
Cracking - Shape of My Heart by Sting. oh fuck me. please don't be a spoken fucking word. thank god. i really thought i was going to be listening to Taylor Swift x Cake. oh jk it is just Taylor Swift as Cake. (2/5 the instruments are good. i would listen to a audiobook if i didn't want to listen to music) Freeze Tag - okay this is music. this really doesn't sound like '85. this sounds like a pop album that would come out recently. i'm actually surprised. (3/5 this album is on thin ice for the first track so i'm putting this song in the middle) Marlene On The Wall - okay i am going to say something controversial but brave. there is an artist that i have a disdain for. they paid a significant amount of money to sound like this about 5 years ago and i would not be surprised at all if this is what their current album sounds like. (4/5 i like the slow pop/folk almost country twang. this actually sounds really good so far. kind of Cranberries-esque) Small Blue Thing - i am really getting a mix of sounds. this is very Sting but it's also Cranberries. the most interesting thing i think this sounds like is Nitin Sawhney. all three i really enjoy. (5/5 i might have to give this album a 4/5 because of the first track) Straight Lines - i think this reminds me of Tom's Diner? this isn't my favorite (3/5 oh my god i didn’t know she was the one that did Tom’s Diner holy shit.) Undertow - Glad you Came beat. there's so many modern references it's weird. (4/5 this is actually not bad. i like the Phil Collins drums.) Some Journey - i just found out that she is who did Tom’s Diner and that’s all i can hear now. i’m enjoying this but i can hear echos of that song. (4/5 chill easy background bop) The Queen And The Soldier - very european folk pop. this is meant to be played on a lute and harpsichord. (3/5 the story telling could be a bit better but i see what she’s putting down) Knight Moves - okay break out the TOOL. the contrast on the instruments with her vocals is going pretty hard. this is exactly what this song is called. the song picked the title on this one. it’s very psychedelic and progressive pop/rock. the music takes place in a forest at dusk while it’s raining. (5/5 idk this gets the imaginative senses going. i’m also a little high and i totally get why people listen to chill psychedelic music while high.) Neighborhood Girls - it sounds like Cake. 1/5 besides where this trails into a spoken word over a good beat, this album actually fucks. the last song isn't actually a 1/5, she does actually sing later in the song and it sounds good (the bass fucks). but because the spoken word stuff spoils it a little i gotta dip to a 4/5. that and some of the songs were stuff more to keep on in the background and not actualy pay attention to. very good album where it counted though.
I loved her voice and melodies.
J’aime beaucoup la voix, les mélodies. Me rappelle le premier album de Jewel, qui a sûrement été influencée
Never heard of her, but this is really pleasant. Very pretty voice! I've been in a mood for some singer songwriter these past few days, so I'm not even mad that this is the third album in the genre I've had this week. Goes hard as hell. 4/5, very much something I will be returning to a lot.
To the best of my knowledge, the only Suzanne Vega song I know is Tom’s Diner. Although that track won’t be found on this album, it does make me optimistic and eager to listen. Let’s find out if it’s any good! Songs I already knew: none Favourites: Marlene On The Wall, The Queen And The Soldier This was every bit as nice and cosy as I was expecting. It felt like a folly singer-songwriter album, perhaps inspired by the greats such as Joni Mitchell and Carol King, but with a more modern sound (well, slightly more - it was still released in 1985 after all). It was delightful to get comfy with a big jumper and even bigger headphones. I’d recommend this to people who like cosy music.
Some of the songs were a little soft for my liking, but overall really liked the songwriting of this album. My mom played a lot of her growing up so it was nostalgic and cozy listening back to this album this morning. Favorites: Neighborhood Girls and Marlene on the Wall. 4/5
Liked it a lot, good guitar work and really liked the spoken word stuff
Starting with a spoken word coffee shop piece was a bold move. I love her voice when she's singing though. Dated arrangements and too many songs about knights/queens notwithstanding, it's a fun album.
Great sounding album. What a voice. Really reminds of of Jewel singing on Pieces of You. Amazing. Standouts: Marlene on the Wall, Cracking The whole album is special. Really going to keep this one in my rotation!
The first half of the album left me conflicted. I felt a primal urge to build an igloo. I wasn't sure if I liked it. The music, not the notion of igloo construction. Suzanne has a pretty voice, a talent at placing words after another in a way that imparts meaning as well imagery, without feeling hollow underneath the surface. Her songwriting style is quirky for the time, and even now, feels unique to her, although I can hear her influences in songwriters that came after her. I may not have appreciated the first half of the album as much as I had hoped. I did enjoy the second half of the album more. Undertow conveys images of an angry mermaid ensnaring her lover. The placement of the Queen and the Soldier and Knight Moves seems like it was intentionally meant to convey two parts of a greater story. I don't know if she ever continues that story but I would love to hear more of that world. Both songs are very good, and showcase her writing prowess and ability to write a catchy hook, respectively. The stories she tells are fascinating in a weird way, and I am finding myself drawn in by curiosity. I might find myself going deeper into her wordsmithing at a later date.
Definitive coffee shop music.
smooth. little rough at the end.
Beautiful
Dour but really not.
I found this to be very pleasant, maybe the calming vibes were extra effective in the office environment
Getting this immediately after Joan Baez's self-titled debut makes for a good duet. Quickly hearing 30 years of female-led folk evolving right before your ears makes you appreciate it even more. And this album is a worth successor! I liked just about every track, with Marlene on the Wall being a clear favorite. Good stuff.
Surprisingly good. I didn’t know anything about Suzanne Vega other than Tom’s Diner prior to listening to this album. Suzanne’s songwriting and singing ability are evident in this album, and each song flows seamlessly into the next. -Klep
Based on the first 30 seconds of this, I was sure I'd hate it, but it really grew on me. She has a really good voice and the album was musically interesting. I can definitely hear how she may have influenced the Cranberries, Natalie Imbruglia, Alanis, and a few others. That alone will earn Suzanne a one-star bump.
really enjoyed this, had never heard of suzanne vega before but glad i got into it. really relaxing music, the kind you could listen to for hours. feels like a modern take on the kind of paris-in-the-1960s-cafe music
Had this one in heavy rotation back in the late eighties. Solid album!
Good! I enjoyed it a lot, especially the instrumentals.
When poets become musicians it doesn’t always work out this well. Solitude Standing is more of a hitting-her-stride record but this is just lovely.
Classy
Felt like a 15 year old girl goin on the nyc subway for the first time
Actually liked this way more than I thought I would
Right up my alley
Jangly folk rock with spacey synths and a wonderful mysterious voice. Enjoyed nearly song. A bit cheesy on the 80s synths, but great nevertheless. Favorites: Freeze Tag, Marlene on the Wall, Straight Lines, Some Journey, Knight Moves, Neighborhood Girls
A sweet and haunting 80s album
spoko
A very intriguing one. For the first time in the project, listened to this twice back to back as I really couldn't get a handle on it. From the outside it seems like the kind of pop-folk of the MTV era that I generally find pretty naff. But digging into it, there's a real richness to some of the writing here - strange and often quite beautiful poetry wrapped up in bubblegum hooks. I'm glad I listened twice, as I can see this getting better with each go through. Though maybe on another day I'd find it grating and twee, today I was strangely drawn in. Strong three and a half, but I'm gonna sat fuck it four and defend it later. Fave track: Marlene on the Wall
Surprisingly enough, I enjoyed more of this than I expected. I figured it'd be a boring singer/songwriter deal and it almost was that, but it had enough pop flavor to keep me listening. Very 80's with all of the synth and slap-bass lines. Really listenable and something I might put on when I'm in the mood for something a little different. 4
Great storyteller and such a strong first album. The Queen and the Soldier reduces me to tears every time! I never bought any Vega albums, so she was never on my playlist. Nevertheless, whenever I do hear her songs I am always carried along and impressed. .
As I listened to this, vacillating between a 3 and a 4, I kept wondering what it was about this that appealed to me more than Aimee Mann did. Not to dis Aimee Mann, but having just listened to that album, it was hard not to make that connection. And then I thought of Shawn Colvin and how much I love A Few Small Repairs. I think this album is right in between those. Suzanne Vega is a bit limited as a vocalist. She's got a style of her own, for sure, and she is remarkably self-assured and confident — at least she comes across as such, and it's appealing. But it comes down to the songs. There is definite songcraft here, though she's still figuring a few things out. But Vega is good, it's apparent (it took me a little while to realize I was confusing her with Liz Phair). So I think a 4 is a little high for this, but for all the reasons this stood out as quality stuff, I'm going with it.
I own this. Not my favorite Suzanne Vega album. But solid.
Great honest pop album
Back when this came out I was more into prog rock - but hoo boy this is my jam these days.
This is really good. I love the subtle yet effective instrumentation and how well produced it is. They did a great job at adding flavorful effects without going overboard. The guitar parts perfectly compliment the vocals.
Beautiful
Whimsical and soft. Album doesn't go too bold anywhere in the album and the mixing is super quiet. It's hard to latch on to the vocals.
I think I would have found this boring on a usual day but a day of a poor mental state made this a nice thing to sit and listen to. The vocals and instrumentation are wonderful, and the songwriting is amazing. I can hear the Leonard Cohen influences in this album, but I think Songs of Leonard Cohen got my attention more. Even in my apathy of today, I still did blank out a bit on some of the songs here. Still a very good album though. Favourite: Small Blue Thing
I think this album starts off with its worst track. But once Cracking is out of the way I really like this album. Yeah, it’s kind of art school/English major girl-with-a-guitar folksy, but that’s the appeal. Same reason I loved early The Story and Jonatha Brooke.
actually kinda liked it
A lot of great tracks here, Vega is always interesting and her voice is like honey. Marlena on the Wall might be here stand out track and there’s plenty here to stand alongside.
A seriously nice folk pop album with a subtle medieval vibe. Always liked her voice and delivery. The 80s production is also there, but it didn't destroy the vibe and make it age bad. It gives the album a different sound. Very successful, in the end.
Pretty impressive songs for a convincing and tasteful album: this is absolutely a very good record.
This was a nice change. Today was a great day for me and I enjoyed listening to this in a few parts throughout the day. I need to listen to more Suzanne Vega, she has a pretty rad voice.
This work which is pre Tom's Diner and Luka is great considering it is 1985. In subsequent years Natalie Merchant, Tori Amos, Eddie Brickell, etc... would all dominate the airwaves but Vega was just as good.
Beautiful album
Great great start
älskar vega! mycket bra mums
I remember Suzanne Vega for one song, so I was surprised to hear so many great tunes.
Enjoyable style and content mostly
Not the most exciting voice but back in the day I loved Suzanne Vega. Also I know I'm only a few weeks into about a three year exercise, but there haven't been many females featured yet so big up to the ladies. This album doesn't have her best known single "Luka" but it's still worth a listen. One of the artists that made up my 80s soundtrack, saw her live in Sydney.
7/10. I liked it
So singular and strange
Better than I thought it would be, definitely about 10 years ahead of her time.
Loved the vocals here. Favorites: "Cracking", "Marlene On The Wall", "Some Journey"
Fav songs: - Knight Moves - Small Blue Thing
Didn’t expect to like it this much, it bangs tho
I quite liked this. I don’t really know her music beyond the few tunes that made it to MTV, but this was more moody and enjoyably lo-fi, quieter than I anticipated. All in good ways. The opening track, “Marlene on the wall,” “undertow,” etc. I would listen to this again and just think about her thinking about Andy’s tweet about her hair. Amazing.
Pretty cool swing and lyrical delivery. Nice acoustic stylings in a straight ahead, not presumptuous manner.
Nice enough album. Marlene on the wall is the stand out track.
A friend of mine recommended this album back when it was released and at the time I hadn't listened to a lot of female artists I enjoyed, since most of the bands I followed were your typical white male-lead groups/singers. I have to admit, I half gave it a listen because Suzanne looked so cute on the album cover (yes, I do sometimes judge the record by the cover). It was low-key folk and her voice and the music caught my attention immediately. The songs were interesting and this was something that was missing from my musical palate up to this point. I can't say I'm a big Suzanne Vega fan, though her second album was commercially successful with her two best known songs (Tom's Diner and Luka), but I really didn't care for her music as much as her debut. Luka is a great song, though I prefer the Lemonheads cover version, but maybe that's what makes the first album so good, there are no hits, no pretension or expectation. I still spin this record occasionally and I'm glad my buddy, Ben recommended I buy it.
Great album.
surprisingly modern-sounding indie folk pop pop with some synth. simplistic but I don't mind
I recall this album sounding revolutionary on its release, a very different take on the sound of a singer-songwriter. It got heavy airplay on my radio show, with standout tracks like Small Blue Thing, Undertow, Knight Moves, and the single Marlene on the Wall. This debut still stands atop her catalog, in my opinion. That said, I think the emotional distance of the storytelling dims some of its appeal over the years. Solid tracks, but no longer one which stands up to full listens.
I love how stripped down a lot of this is. I've never listened to Suzanne Vega before but I am interested in digging deeper. Favorites: Marlene on the Wall, The Queen and the Soldier, Neighborhood Girls
I think the only Vega I've ever heard before is 'Tom's Diner' so this was a great chance to broaden my horizons a bit. Musically straightforward but remains gripping through a combination of perfectly-pitched vocals and hynotic, poetic lyrics. 'The Queen and The Soldier' was the album highlight for me.
i actually like her strums
A solid, warm album of great songwriting detail. Now, I have only heard the album once, and with such an album, where the subtleties are the point, I believe one listen probably isn't sufficient for a full assessment and appreciation. As such, my current take is tentative and provisional. I may in future consider this a 5-starrer, but I may equally retain it at 4 stars.
Great album. Amazing guitar & voice register from Suzanne
I am not at all familiar with Suzanne Vega, but I could instantly tell how much she paved the way for the singer-songwriters and alt folk of the 90s. I'm amazed that this came out in 1985. Vega won me over with her sometimes slightly off-kilter style paired with interesting guitar picking and arrangements. Lyrically interesting as well. Again, her influence on the entire Lilith generation is very clear. On her self-titled debut, "Cracking," "Small Blue Thing," and "Undertow" stand out. I wanted to know why I didn't know any Suzanne Vega, so I looked deeper and found that "Tom's Diner" was her most famous song. So I listened to that from her second album. I said "I know this song! But not this way??" The remixed version with DNA, which I discovered was the version I knew well, is so much better. The second song from her sophomore effort, "Luka," also sounded super familiar, but I don't know that song? It must really remind me of some similar song? @hell-yeah - No idea how this puts a person to sleep any more than "Five Leaves Left."
First of all, this album does not sound or feel like it was made in 1985. Second of all, the mid-90s success of female singer/songwriters owe a TON to this woman. Shawn Colvin, Natalie Merchant, Indigo Girls, Aimee Mann, Sarah McLachlan, Tori Amos, and even Sinead O'Connor. I hear Suzanne Vega in all of them. I like the songs where the acoustic guitar takes the lead more than some of the other synthesizer sounds. I love cracking, small blue thing, and undertow in particular for the guitar parts and for how intimate the lyrics feel. It might not be in my list of favorite female singer/songwriter albums of all time but it’s certainly responsible for them so 4 stars seems appropriate.
The music sounded great. 0RS
Good album with a bunch of hits!
Aangename luistermuziek, maar ook niet meer dan dat
Somehow it's very 80s, yet still mellow. The first tracks were almost uncomfortable to listen to for this reason. But it's so good! Faves: Marlene On The Wall, Small Blue Thing, Undertow
Ah, así que esto es lo que escuchó Mitski para dedicarse a la música. Agradecido con el de arriba.
It's good, worth a listen
Super easy listening, solid album.
Not bad - reminded me of Paul Simon, lyrically interesting, musically subtle - Nice.
Surprisingly good album with great story telling
Like it - well constructed songs, good voice and band
Weird but good. Twin peaks referent
Hyvää nainen ja kitara meinikiä. Tätä kuuntelee mielellään! Kolme ja puoli pyöristettäköön tällä kertaa neloseksi.
Hyvää settiä. Tiesin vaan joskus englanninkirjassa olleen Tom's Dinerin, ja sen perusteella odotin vähän erilaista kamaa. Positiivinen yllätys!
Yllättävän nykyaikaiselta kuulostavaa kamaa. En olisi arvannut levyn olevan vanhempi kuin minä itse! Olisi mennyt läpi ihan tuoreenakin teoksena.
Guitarra y voz. Canciones melancólicas.
Tres bon, auteure compositrice interprete. Me fait penser a joni mitchell parfois. Je reecoute. 4.5
Tres belle voix, lignes de basses smooth et envoûtantes Coups de coeur Marlene on the Wall et Knight Moves
Well, never thought I'd enjoy such a folk-pop/rock album as I enjoyed this one. It's got repeat value.
Really liking her voice!
The artistry of her poetry is magnificent. It transcends its pretensions, and it perfectly suited to the folk rock backing.
I really enjoyed this, was expecting something like Joni Mitchell, much closer to Cohen and like an acoustic-only Tigermilk, really short but satisfying "Marlene on the Wall" was the best track but a lot of cool storytelling here!
Nice barebones folk album, great mix and sound
Soft voice, with soft lines and accompanying tunes
Pre-Lilith fair vibes
3.5
more of a strong 7
An 80s album with a 90s sound, ahead of its time. This is not the one with Tom’s Diner, though. Okay, just didn’t love it.
I like Suzanne Vega, although I think I'd rather be listening to Solitude Standing instead of this. Also my god this album cover is terrible. Why did they use a completely different font for the second half of the album?
A bit odd but not in a bad way.
Pretty good
It's like Nora Jones, but worse
An impressive debut that actually gets better with age, even if it follows a trail blazed by Bruce Cockburn and countless others.
Meh
óóóóó
Every song sounds about the same. It's not bad, just missing something that would take it to the next level.
Very early 90's lady rock
weak asl ngl. a little too drab, got some pretty moments but its kind of boring
pqp minha mãe adorava suzanne vega tinha um lpzão lá em casa desse, achava muito chato na minha humilde visão é ok (e bem distante do meu humor nesse momento) esse role de singer songwriter me cansa demais pqp
ou, foi bem melhorzinho do que achei que seria definitivamente voz e violão é mei cansado. mas não foi ruim não, foi até agradável. fiquei surpreso.
A peaceful and relaxing listen that grows on you with each repeat. Likes: Marlene on the Wall; Knight Moves
Such a shame I have to say this but she sounded like Enya and the Cranberries got bored and wanted to try out new music styles. To be clear, the Cranberries and Enya are great and Suzanne isn’t
Not bad, but not really memorable either. Solid Meh
Always have a soft spot for female vocalists, and this was pretty pleasant and unoffensive
Marlene On The Wall
Didn't grab me, didn't push me away. She sounded familiar (and looking her up, yeah, I know a couple of her songs) but didn't recognise anything on this album.
Disliked the opener (talky singing not for me) but warmed to the style of it over time.
A good album, I liked Small Blue Thing and The Qeen and the Soldier the most.
I enjoyed this! Not a style I typically gravitate towards, but I liked the gentleness of these songs, and I can definitely hear how Vega has influenced some of the music I listen to today. There are very beautiful moments in here. Favorites: Freeze Tag, Marlene On The Wall, Some Journey, Neighborhood Girls
Perfectly lovely singer-songwriter record. Some nice lyrics and simple, clean accompaniment to go with the intimate vocal performance. Seems like a record that one could get lost in, if I were so inclined. Could see how this was a welcome antidote to the pop trends of the mid 80s. Not floored by any means, but I liked this.
3/5 Fav tracks : Marlene on the wall, Small blue things Her voice makes anything worth listening to.
Niche , but like some more than others
Enjoyable in places, fairly inoffensive stuff, middle of the road.
Generally underwhelming but a great voice and clear talent.
Bof
I didn't find anything on here to really blow me away, but this album is definitely not bad. Maybe some songs are a bit boring and bland but I liked her voice. Favourite songs: Cracking, Neighborhood Girls
Worth a listen
the lyricism is really good, but it has a lot of the pitfalls of 80s singer/songwriter production. very cheap sounding synths, which sticks out to me in an otherwise classy album. deserves to be one of the 1001? mmmmaybe leaning no
Nice voice and catchy lyrics. 3 stars
I appreciate her song writing. I liked it more than I thought. I should have given her more credit.
Very sweet album that is nice to have on. Have had a few nicer albums in this vein on this list for me
Strong singer-song writery pop.
Rather soft for my taste but not bad.
You got glimpses in what was to come on future albums.
Very pleasant 3.5+
6/10
I mean ... it's okay I guess
Not the most exciting or challenging album I’ve ever heard, but it’s okay to listen to. There are some nice melodies and she sings quite alright. The last track is horrible, The Queen and the Soldier is the best track
If all the songs were like Marlene On the Wall, this album would get a 4. 2.5.
Personal enjoyment: 3/5 Relevance to this list: 4/5
Nice. Suzanne Vega doesn’t necessarily have a completely unique style but her mix of music & vocals do set her apart from her contemporaries.
uuh nonie vo ihre es ganzes glost. glaub au susch uh wenig. sie sehr singer songwriter okaay. hmm ihri text sind guet aber ich gapürs nonig so gad. seeehr melancholie. bsunsers small blue thing gad. undertow isch jo huere geil makaber aber herzig haha.
It's very wordy, sometimes to the detriment of the melodies, but Marlene on the Wall is a tune.
There’s something very quiet and understated about this album that I really like. The arrangements are simple, the songwriting is strong, and Suzanne Vega’s voice gives the whole thing its character. It’s very flat and restrained, almost like she’s speaking rather than singing, but somehow that makes the songs feel more personal instead of less expressive. The album never tries too hard to impress you, which is probably why it works. It just settles into its own mood and stays there. Not every track sticks with me, but the overall atmosphere is strong enough that I kept enjoying it anyway.
Nice voice and a couple of good songs; Marlene was my favourite.
Nice album, and easy listening, but apart from Marlene On The Wall, just nice.
Well, Ok, I guess. Some good songs, some boring.
Jeg synes at det var enormt behageligt at lytte til - især Marlene On The Wall og Undertow. Den ligger et sted mellem en 3'er og en 4'er
Kan egentlig godt lide Suzanne Vega, men jeg har ikke hørt dette album før. Det er jo lidt en stil, og hun har lidt en lyd, og jeg kan sagtens forstå, hvis man synes, det er kedeligt. Det synes jeg personligt selv, at dette album er. Fint, men kedeligt. Hvis man har fået det mindste ud af det, og ikke kender hendes andet på forhånd, så vil jeg anbefale Solitude Standing :) Dette får: 2.8
Behageligt men også lidt kedeligt. Sådan ret gennemsnitligt godt. Der mangler nogle hits for at trækker det over en meget lille 3'er.
Det er okay, men ikke meget mere. Vandt dog lidt på mig efter et par ekstra gennemlytninger.
Parempi kuin odotin. 3/5.
Better than expected
her voice reminds me of something
Quite liked some of this, but not enough to give it a 4.
Light and interesting
This was good. Well made and nice songs, just not really my style to return to.
I went into this expecting to be annoyed by the little speak‑y intros she does—you know, that half‑whispered “I’m just going to talk for a second before the song actually starts” thing. Shockingly, it didn’t bother me. Maybe I’ve mellowed. Maybe she’s just that good at it. Once the songs settle in, the album is all about clean melodies, sharp writing, and that calm, steady voice that never tries too hard. There’s a quiet confidence to the whole thing—nothing flashy, nothing overcooked, just a songwriter who knows exactly what she’s doing. The production is warm and simple, which lets the lyrics do the heavy lifting. And honestly, the consistency is impressive; even the deep cuts feel intentional. Bottom line: A beautifully restrained debut, and yes, I’ll admit it—her little spoken lead‑ins didn’t derail me. Growth.
I really don’t feel the need to say anything about this. It’s plain.
Lengi vel var ég í tveimur stjörnum. Svo datt þetta upp í þrjár.
Not at all what I was expecting, but not bad (not great either). Plus one for not being the same old shit this list generates, but it’s not something that will make my playlist.
Female vocalist in a similar style to what I like (folky) but with a slight edge which reminded me a bit of Imani Coppola. Sadly not quite the strong songs that would suggest though so over all... fine.
not bad. pretty standard 80's/90's singer songwrtier stuff
Scrapes a low three with a couple of good songs near the end
Hmmm….quite liked the follow up Solitude Standing (and especially the more upbeat single Luka) but apart from Marlena on the Wall there’s nothing else here that really grabs me.
I’m left feeling like you could take it or leave it for this album. On one hand, I got a bit tired of how samey the energy of all the songs were. On the other hand, a few good stories to go along with a few good hooks. “Small Blue Thing” & “The Queen And The Soldier” were my favorite, especially the latter song. It’s got a very direct, uncomplicated delivery that helps me picture its story very clearly in my mind. Soft 3/5 while we are on the topic, Kaskade’s version, “The Diner”, is a very good cover of “Toms Diner”.
Her vocals are great & lyrics are intriguing. Good listen
its a good album, however the tracks were pretty similar from my perspective
Well worth another listen, a Jonie Mitchell for the 90s.
prima
Review - this album's ok A bit overproduced for my liking, a bit slick. But the songwriting is good and I like her voice. The best songs are definitely worth hearing Rating - 5.5/10 Need to hear? KINDA
Pretty solid for 80s pop
3.5
3.5
Quite nice singer/songwriter record. 3.5 stars
This album is okay, but I think I prefer the one after this. "Marlene on the Wall" was the highlight, but I don't think the rest quite lives up. 3 stars.
I've loved Tom's Diner since I was a kid, but hadn't really heard much else from Ms. Vega. I'm happy to have a reason to listen to one of her albums, as I really enjoyed this one! I would be very interested in checking out more!
3,5 rustgevend en soms een tikje zagerig maar van genoten
Sounds fairly modern for being released in 1985. Could almost fool me for being a mid 2000s folk indie release! Not any particular song that really stuck with me, but I found it relaxing and nice to have on in the background while working. Found Suzanne's voice to be really nice to listen to as well. Looking at her other releases, there seems to be quite a bit more popular releases from her not found on this album, which makes me wonder a bit if we'll see that on the list. And if not, why this particular album was chosen. But this should be judged on what it is, and it's quite nice!
I let out a groan when I saw that Suzanne Vega was behind both “Luka” and “Tom’s Diner”. Luckily, this album was better than those two songs. It made me think of Joni Mitchell, it feels very much in the singer-songwriter tradition. The songs were a bit boring, though. While the lyrics might be the main draw, I didn’t pay that much attention to them, which may be why I missed some of the album’s strengths. It’s pretty samey, but also chill and pleasant. My favourite track was “Knight Moves”. That might not be too surprising since I’m a real sucker for waltzes in a minor key. Weak 3.
Pleasant enough album. The Queen and the Soldier and Knight Moves the two stand out tracks for me here. 3 out of 5 stars..
Fint men lite ett i mängden.
Rätt trevligt. Joni Mitchell-vibes. Ett debutalbum med potential!
3.5
Really nice voice, enjoyable music. Felt like it was missing something that would lift it from a good background album to something that requires more attention mind. Suzanne's voice doesn't have the power of a Janis Joplin say and the pace of the music sticks to the same tempo by and large. Still, it was nice.
It’s very different than what I usually listen to but it is very chill and not a bad listen like I thought. Some of the lyrics are kinda mid at some points though. Kind of reminds me of Kate Bush at some points.
nice acoustic album
Haunting, dreamy, sweet. Is this Amanda Palmer's aunt? 6/10
An angelic voice.
Beautiful voice and playing that really sets the mood. The album feels like it has a clear goal and it achieves it very well. Its music I can see having on in the background while reading or just relaxing more that something I listen to actively. Listening through it from start to finish was a great experience.
80’s alt
Cafe music
A couple of good songs with strong songwriting (Marlene On The Wall, The Queen And The Soldier) whereas the rest tends to blend into the background a bit. Could do with a bit more varied instrumentation (which she did later in her career) to make some of the other songs stand out a bit more. However, I do like her vocals and it's not an unpleasant way to spend 36 minutes.
Good example of okay: nothing wrong with it, but the first really interesting song was the second to last: “Knight Moves.”
Enjoyable, but without Tom’s Diner on it it just doesn’t do it for me
While I was listening to this, it was hard to remember that it was recorded in the middle of the 80s. Didn’t realize coffee shop acoustic was happening that early.
I'm very glad Mr. 1001 List Guy has such an affinity for this kind of folk music, if nothing else because it shows how much of an influence Joni Mitchell had on folk music. She really did inspire a whole generation of women to pick up their guitars and make music of their own. With that comes some artists that inevitably aren't as good as the rest. Not everyone can be Tracy Chapman. Really my big issue with this album is how damn monotone she is. It's all pretty flat and unexpressive. The instrumentals are okay and she does write some pretty good lyrics, but I just wish she would do more with her voice. Honestly I really wish she kept that poetry thing she did in the opener.
Sometimes the style doesn’t work for me. But occasionally, it finds its sweet spot. 3/5
Edgy. I was at a 2 but it's got good guitar solos so 3
There's some good songs in here, but I think the latter portion of the album is strongest than the first. The first one struggled to hold my attention, even if it wasn't bad per se, but the last 4 tracks are very solid.
I was today years old when I found out that Suzanne Vega had an album before Luka. Not to bad, but many of the songs feel unfinished.
This kinda only works because it doesn't really work. If that makes sense. Her voice is closer to talk-singing then actually singing but it is singing & it works. Kinda. The songwriting is what saves it, along with thoughtful music. I kinda like it but I kinda don't at the same time. If that makes sense.
Lo que puede esperarse de un disco de Suzanne Vega: lindo, relajado, buena onda. No algo que me emocione especialmente, pero tampoco un disco con el que me la pasaría mal.
Ok
- Pretty good chill music - Instrumentation and vocals complement each other, neither dominates - Not my type of music - Liked 'The Queen and the Soldier'
I allowed this to wash over me and it was pleasant enough. I'm going to give some credit for this as an early example of a type of female singer songwriter style that has become pretty standard now. It' sets a good standard.
Nice voice. I don't know what to say more.
Nice debut album by Vega which has a good mix of folk and indie tracks as well as the catchy MTV friendly Marlene On The Wall.
Fand ich schön. Gut. Fein. Mehr aber nicht. Ist in so Akustikgitarrensachen aber glaube ich auch ultra schwer mich mehr zu begeistern.
Hat mich positiv überrascht, da ich was ganz anderes erwartet habe, wie so oft bei den 1001 Alben. Aber so richtig herausstechend und im Kopf bleibend war dann doch kein Song. Aber alles in allem sehr rund.
Wish I liked it more, tbh. Some cool storytelling in the lyrics of some songs. I think I would enjoy it more if I were in a different mood.
good album overall, good vocals
I thought this album was pretty decent, definitely mellow. 3.5
Lovely voice, some nice songs, won't put it on again
Lät lite som Taylor Swift, vilket jag inte har något emot. Gillar hennes vibe, även fast den är ganska enkel.
wanted to like this more but wasn’t super into the more spoken word parts of the songs - I liked Marlene on the wall and knight moves
Only a little familiar with her work before. It's good, not really grabbing onto me right now. Songs blend together. Feels like I could use a change of pace in the middle of the album. Hard to say after just one listen, but the lyrics are interesting and moving. I think there are other times in my life when I could have been more into this. 3.5 stars, good album Favs - Undertow, The Queen and the Soldier + Knight Moves (nice together)
I gave Adele a 3, so I can't give Suzanne less than that :-( So it's a 3 (I'm more of a Solitude Standing kind of guy :-D )
it was ok. felt like i was at Lillith Fair.
This album was exactly what I was expecting. Nice listen but nothing spectacular. I’d be willing to bet all her albums sound like this.
It’s fine. Gives me an unpleasant edge, but that’s a me problem.
Nice album.
Very songwrity lyrics. Cracking is a banger but the rest doesn’t quite match it
fav songs: cracking small blue thing undertow acoustic, lounge, deshoras 60/100
Competent if not so appealing
I respect this record because it was pretty ahead of its time.. a 1992 sound 7 years early. And I really like Small Blue Thing. Can't go higher than 3 though.
Like it 3/5
Inoffensive 80s music. Didn't wow me, didn't hate it.
I came right from a Captain Beefheart album to this, and the difference is sending me right now. This album is mostly quiet and contemplative, focusing on Vega's vocals and guitar. It's a pleasant listen with bright, clean guitars and nice vocals, but it gets pretty samey by the end. This would be a nice album to spin on a bright snowy winter morning, but it's not one I'd listen to normally. Very much coffee-house soundtrack vibes. Standout tracks for me on this listen are "Marlene on the Wall" and "Undertow." For a debut album, pretty good, but definitely has room to grow. I love "Tom's Diner" and that sounds much more evolved that what's presented here, so it would have been more interesting for me to get a later Vega album I think. Solid though, a 3/5 for me.
I liked it. Enough to check out another album.
She has the intensity that a lot of the 70's singer songwriters lack, but I felt myself getting really bored as the album progressed. Needs a bit more kate bush whimsy for me.
FreshingI had never listened to her work apart from the big hit and I was impressed enjoyed it thoroughly
This isn't something I would choose on my own but it was calming and pleasant enough to listen to.
Don't really see why something like this would need to be on here. Not really a landmark album in any sense - although I guess parts of it do sound pretty close to the 90s/early 2000s singer songwriter stuff that would eventually be pretty popular. Still mostly just unremarkable 80s stuff though
Not a fan of the style but decent album
I liked it, boring and nice background music. Would have probably made an impact on me 20 years ago... Not sure why I didn't want to give it my full attention.
The vibe of the album is like, it's 1999 and you're 16 and you're going to your girlfriend's house to meet her parents for the first time. At some point her turtleneck-wearing dad corners you in the living room and you make the mistake of casting a glance in the direction of his CD tower. Then he spends the next 20 minutes explaining why this album is so great and he's thinking he is coming across as cool and hip and you just want to get the hell out of there. Oh no, he's about to go off on a tangent about Van Morrison's "His Band and the Street Choir" when you are saved by the distraction of your girlfriend's whiny little brother shooting Nerf guns from behind the couch. Also, Natasha, if you're out there, I'm sorry your dad died of brain cancer.
It's fine. Some nice finger picking, some nice synths, some nice vocals... it's nice. Damned with faint praise but I'm not sure why it's here. Best Tracks: Marlene on the Wall
3.5, not bad
1. on dirait une ado pas sur d'elle qui chante mais ok 2.sympa 3.la même, pas incroyable mais ca s'écoute parfaitement 4.C'est un jour pluvieux, gris : parfait 5.très cool, groovy 6. mid 7. pareil que le 6. t'as l'impression que ca décolle pas, sans être nul 8.cool 9. très bien 10. Dernier morceau, bien groovy, mais le delivery est vrm bof Sur l'ensemble c'est un solide album. Surprise totale, artiste inconnue. Guitare très cool, variété de son qui rend l'écoute agréable. On peut ressentir l'influence de ce genre d'album sur les autrices des années 90-2000, clairement. C'est sorti en 85 quand même. Cependant, aucun morceau ne stand out non plus. 3/5
This was a pleasant surprise. I went in expecting something closer to spoken word over bare-bones accompaniment, but the record is consistently musical and thoughtfully arranged. The production is restrained and a bit raw, especially compared to later, more polished tracks like “Luka” or “Tom’s Diner,” but you can clearly hear the spark already there. Nothing here jumps out as a definitive centerpiece, yet the album works well as a complete statement. Strong songwriting, careful pacing, and a clear point of view carry it front to back. It doesn’t demand attention, but it rewards it. Solid throughout, and an impressive foundation for what came next. Rating vibe: solid, respectable, quietly confident. Not flashy, not disposable.
Sweet voice and tunes. Sounds very NYC folk, as some would say. Just not my cup of tea
zapravo sam veoma uživala, pogotovo pri kraju albuma! pevanje, melodije, produkcija, sve je mnogo lepo, uglavnom smirena indi-folk atmosfera puna akustičnih instrumenta, ali ono što zapravo čini ovaj album, po meni barem, jesu tekstovi pesama. svaka pesma je kao novi svet u koji ulazim i koji mi od početka do kraja drži pažnju jer se osećam kao da sam tu i da posledice i na mene utiču, i love it!!!!! the queen and the soldier se najviše istakla na prvo slušanje, tako koncizna priča koja u sebi krije toliko narativa i pouka I svega i wow
I liked this okay, but it didn't really stand out
It's good. Really like the vibe of the songs without percussion. A folk album that doesn't sound too folky.
Oh this. This was fine. Not great, not bad at all. Just floated through.
Suzanne Vega almost registers more as spoken word poet rather than musician. There are some interesting and through provoking tracks, and I can easily see why she stood out in the 80s. Don't get me wrong, her music holds up pretty well (despite some obvious 80's production vibes), but there are just more interesting options these days.
I always like pretty folk music.
Ik vond het een beetje saai. Je hoort wel dat ze echt veel invloed heeft gehad op 90s indiebands, dus dat is leuk!
Suzanne Vega's first album... she's already really good at making songs that take you into gray moods and liminal spaces. Her acoustic guitar work is sharp. The downside is that her vocals are mixed kind of low, and her voice fades into the background enough that it's hard to make out her words sometimes... and we should hear her words! The Queen and the Soldier is an early classic. 3.5 stars.
Interesting album. I like some songs, but do not like others.