Before And After Science

STANDOUTS: not a highlight to be had OVERALL: 1.5/5

Laura liked it

Somewhat interesting.

I enjoyed it alright, parts of it really hit hard

Pretty decent. Liked parts, meh on a some.

Sounds a couple of years newer than it is. This man is very creative. Some parts are really good, some are pretty bad. I don't think he cares what I think. Favorite song: Kurt's rejoinder

Great, this album has been a constant companion since I first bought it in 1990. I love it.

No thanks. Generic basic boring album.

mixed feelings on this one. some of it was quite well-constructed. some of it sounded like a better-funded acoustic version of what i'd make as a teenager in garageband during music lessons instead of actually listening to what i was meant to do. some sections were whatever the musical equivalent of a nonsequitur is. i do enjoy the construction/themes of the lyrics though

I think this is the second time I've listened to an Eno album and both of them have left me wanting more. I honestly like this better than most Talking Heads albums in their entirety. Beautiful music.

Wasn’t bad honestly. Songs were good but nothing overly special. 7/10

No

I already know Eno from his production work which I've loved. This is my first album of his music. The man has impeccable taste. I'm not a huge fan of ambient music but there is not a single note out of place or over played on this project. I don't think this will go into my regular rotation and it didn't change my life, but I liked it and look forward to exploring his other music.

Its fine. Backwater was pretty good. Young boy should have stuck to rock and roll instead of going all ambient. Good to get these, roxy music, Eno, Genesis, Peter Gabriel are huge blind spots of mine, and lots of people seem to think they are important. Not convinced on Eno, but they're pretty fun albums so far.

I accidentally had the first song on loop for half an hour because I had "loop everything" on and thought I turned it off but I clicked it one extra time and it switched to "loop song". The album is not too bad, okay for background music but no real essence to the songs, so slightly meh. The ending of "Energy Fools the Magician" sounds a lot like what older movies had as intense music whenever someone was sneaking into a very well-protected area - either a quay with explosives that can blow up the whole of Florida, or a yacht where the key to the biggest safe is stored but everyone is asleep apart from guards with guns outside. Music just went bam bam and the singing people would just make sounds over there but because this is a British band that wanted to just shout things, you can't really understand anything.

Pensive and thoughtfully constructed, slow and sometimes ponderous. Poetic and arty. Not for me but will be loved by the depressed introspectives out there

I got a Brian Eno album a few weeks back and I absolutely hated it. Seeing this album was horrifying. I thought I would hate. Now I didn't like it either, but it wasn't as god awful as the last one.

wow i did not expect such a switch up from side a to b. ive always heard of brian eno, but never actually took the time to listen to his solo albums. initially, i thought this sounded like talking heads on side a, but the switch to ambient pop on side b was such a refreshing surprise. yea i know it sounds like talking heads cause eno produced that album and this came before them but still. i thoroughly enjoyed both sides, but i still feel like i need a couple more listens to really appreciate it. perhaps its because this isnt the typical genre i listen to. 4 personal favs: no one receiving, by this river

aeiou

The first song’s vocal line reminded me of an LCD Soundsystem song! I guess that’s where LCD they got the inspiration from. I sort of saw the rest of the album through this lens - like a 70s LCD. I wasn’t so keen on the vocals though. It sounded like when a sideman takes over vocal duties from an actual singer and really should stick to their instrument. But then a lot of prog rock singers sound like that to me. Overall, I enjoyed it though. I haven’t listened to a Brian Eno album before despite being aware of his influence. And I look forward to listening to more.

Sounds in places like Dark Side of the Moon I think…. I think Eno’s internal monologue was…. the Floyd are coining it in with the success of that album, I’d like a bit of the action…. then it took him writing a 100 songs, culling those down and 5 years later in 1977 his version appears…. And it’s good!

More science required

2 good songs and a bunch of duds, drugs recommended

There were moments for me but overall no. 2

Very boring overall

8/10 An excellent album with a couple of key reservations Really great showcase of the production talent of Eno. Great mix of tunes from rock, pop, electronic. Can see why he likes of Talking Heads worked with him - very much their sound here Production is at times big, but you can always pick out individual elements. Great use of synth. Unfortunately the vocals and lyrics don’t always reach the highs of the music. Some of them drag songs down a bit Best: Spider and I

More accessible than other albums by Brian Eno that I've known so far, but still experimental. Very good and different. I would probably need a few more listens to get into it more, at my first listen, it's a solid 4 now.

Peaceful. Playful. The back half gets kinda ambient. Nice one!

Ol' sourpuss does it again.

Mildly interesting, not the groundbreaking stuff of later on.

Some good ambient music with some funny lyrics thrown in. Didn't feel too serious and mostly enjoyable. Nothing overly memorable about it, but good music nonetheless.

Very atmospheric, in a different setting this could be a 4 but I really enjoyed it

Kinda dorky

good instrumentals, interesting lyrics, pleasant listen

Sounds like Brian Eno.

This album takes you in different directions, blending upbeat art rock with mellow, experimental ambient tracks. Both styles are impressive, but I find myself drawn more to his ambient side. The art rock tracks, interestingly, have a Talking Heads vibe, but with a more electronic and experimental twist.

It’s fine. There’s nothing too special here.

This was a very listenable Brian Eno album - some of the ones on this list were too abstract for me and they didn’t stick much - but this one was actually on point. Liked it.

Not as bad as I thought it would be. Quite accessible.

Not really sure how I feel about this album. On one hand, it has a quality that makes it hard to describe, very genre-pushing/avant-garde which tracks for Eno. And while I respect that from a musical perspective, I just can't get past the songs almost sounding too pretentious and self-insisting. A lot of it didn't land for me personally. Interesting listen, probably not one I'm coming back to. Top tracks: King's Lead Hat, By This River

1970's experimental schlock. The kind of unlistenable music that's fun to make and that critics love.

I find the second half of the album very beautiful.

My first Eno album and very enjoyable. I loved the vibe from Here He Comes onwards. Look forward to more.

I prefer Eno as a producer personally but I definitely enjoy moments of this one. The earlier rock-ish stuff is pretty good and the ambient stuff later is chill asf. Can't imagine I'll be coming back soon but glad I know a little more about a highly influential donnie in the music world. Fav songs: - Backwater - Here He Comes - By This River - Spider and I

I know what I'm playing to put my kid asleep when I have one

It was good, but maybe a bit forgettable for me

Very nice.

This reminds me of talking heads, the various genres were pretty good but it was confusing how the last 15 minutes were basically ballads. rip the drums 🥲

man this shit is ass

Very forgettable imo

Eno Beano

glambient

For me personally, rhe lows in this are extremely annoying, repetition being one and experimental bits being another. But the highs are incredible and beautiful at times. Overall

On the first track, within the first 30 seconds, I thought the music sounded good and well produced. Then, oh Dear, the vocals kicked in and it went downhill from there. Backwater - joke of a song. Listened to the rest of the tracks - nothing of interest. It's not a truly "awful" album. It's one step up... which gives it 2 stars from me.

Shit

Really good! At times, mostly towards the end, it got a little too ethereal for my tastes. I loved "Backwater" and will be keeping it on my phone.

Overall, a very good album. I don't think any of these songs would necessarily go straight on my playlist, however, as a whole the project is very well produced and put together. The songs are a new territory for me as I don't dabble in electronic music all that often, so this album is a first for me. I feel like the theme and feel of the album was consistent throughout as each song had the same mood to it. This album also opened me up to Brian Eno, who I did not know prior to listening to this album. Additionally, I found out he has a documentary coming out so that will be very interesting to watch. I will definitely check out more Eno projects as according to Apple Music he has 6 essential albums.

It's almost like funky music with Talking Heads vocals? Ohhhh the guy was a producer for Talking Heads, that makes sense. And now the second song sounds Beatles-y? Okay Kings Lead Hat (an anagram for Talking Heads) is VERY Talking Heads.

A few good songs and a few bad

Experimental art-rock/pop. Eno's last "rock" release before diving further into the ambient & avant-garde genres (of which he is best known) which is emphasized in the notable differences in feel between side 1 (more rock-based) and side 2 (ambient/piano) "Backwater" - if Interpol was art-pop Nice to see Phil Collins lay down some drum grooves

spider and I was fine, but i don't really see myself coming back to this at all. it was... pretty meh overall.

Started off poorly, No One Receiving and, especially, Backwater were terrible. Tails to a non specific dirge in the middle section but becomes more appeasable to me with Julie With and then finishes strongly. Not his best, not his worst either.

I've been aware of Brian Eno for a long time now but never listened to any of his original music before. The first half of this reminds me of Little Creatures era Talking Heads or something. I enjoyed a couple of songs off the first half, but the second half is so much better. I really enjoyed the slow ambient pieces. I am excited to get more of his albums later down the list.

I was really dreading this because of the last Eno album we had to listen to, but this one had actual songs. It was tolerable, although not particularly enjoyable.

This does nothing for me, some songs are a little annoying actually.

The first couple songs were recognizable and kinda fun, but the rest of the album fizzled a bit. Interesting, but not super fun to listen to.

This album is all over the place, and that isn’t a bad thing. That made for a very interesting listen that held your attention for the very short album. I don’t know if I’d go back to it anytime soon, but it was more enjoyable than a lot of other albums we’ve had.

I enjoyed the music, but I can't get over the vocals. The echo or whatever it is over his voice is just too off putting for me.

This was ok. I can definitely see how this would have been pretty earth shattering and groundbreaking when it came out. There’s at least one track that sounds a lot like the talking heads that really slaps but for the most part I wasn’t really feeling it.

Wow! This album has a ton of blend of experimental sounds and accessible melodies, creating a unique experience. The tracks are diverse, ranging from ambient pieces to more structured songs with clear rhythms and hooks. Some moments feel a bit aimless, but overall, the production is detailed. It's a solid effort that highlights an innovative approach to music.

Not really an Eno’s fan, but this one is a very decent album

This was fucking weird. What a weirdo.

Was one Brian Eno album not enough? Seriously, who decided to stick two of these on here? Goodness. This gets 1 star just for being wildly unnecessary.

Eno will introduce and repeat a musical idea that shouldn't work, and then it does. Highlights: Backwater, King's Lead Hat, Julie With, By This River, Spider And I

Not a fan

Apparently his last non-ambient album. Reminded me of his earlier album, "Here Come the Warm Jets".

It was pretty nice

So cool and pretty, glad he's not just a crossword clue anymore

i added half the songs to my library to put into my 70s playlist. overall liked it but it's not memorable for me, maybe due to it being a little more atmospheric than i usually prefer. not a bad album though, and i know brian eno is a skilled producer and musician. giving a 4 because i still think it deserves one

Puh. Das erste Lied hört sich an als ob es rückwärts abgespielt wird. Auch der Rest ist nicht mein Geschmack.

Great stuff.

Brian Eno is a legend. I can see his influence on the talking heads specifically in this album. The album was a journey for sure but the ambient soft songs were my favorite on this.

There is a reason Brian Eno is the go-to-guy for so many artists when it comes to music production. He´s got a lot of musically talent. But he is lacking at least a remarkable voice for beeing a solo artist. Favourite: "Backwater", "Kurt´s Rejoinder", "King´s Lead Hat" 2,5

I may just associate Brian Eno with more instrumentals/collabs at this point but this album didn't do much for me. Felt more of a mix of the Roxy Music era and, while some tracks (here he comes, through hollow lands, by this river and spirder and I) have beautiful tunes/instrumentation, I found the album overall as a lot of random ideas that didn't gel together too much. Very odd as "Another Green World" is fairly similar but each core song on that record hit better for me. I'd say for the back half it is worth a listen for the fans but otherwise nothing really stands out compared to the other albums from Brian on this list.

Solid listening very chill. 3.5

Did not enjoy this album

I listened twice but nothing on this album stuck with me.

Not much for me on this album.

I was not really about this and then all of a sudden the last 3 tracks nad me hooked ridiculously. That was completely from left field and I wish thatthe rest of the album was like the ambiance of that

strong 3. would be a 4 but like the first half i did not mess with. like i really see the music in the first half but it is not me. i honestly thought this shit was boutta get a 2 but then like i dont even know what the fuck happened like we just switched vibes and the shit got so fire and mellow and beautiful makin me feel like im relaxing close to the rain but like its warm and i watch the end of sundown like cmon man why wasnt the whole album like this bruh cmon bruh. 1. Spider and I 2. Julie With 3. By This River

I’ve always had this idea that I like Brian Eno because he’s had a hand in music that I adore, but I haven’t really taken the time to listen to him. This album does not disappoint. I love (almost) everything thing about it. Also, today is his birthday! Happy birthday Brian Eno!

I wanted to hear more of Brian Eno's music after not enjoying his elevator music album and now I have the opportunity. This is really a great album and I am glad I heard an Eno album that had actual vocals. This was really good, though I did enjoy the first 6 songs more than the last four, which were reminiscent of where his music ended up going. I would give this album five stars if the back half were stronger, but maybe there is something to be said for this Brian Eno guy. Really enjoyed this.

Brian Eno is to music what a Bay Leaf is to cooking. You don't exactly know what it is but it makes everything better. Our world is a better place because of Brian Eno. Examples found on this album such as Julie With… and By This River just make me feel… complete. 3.5/5

Liked it better than the Jets album. Eno is a weird one for me, I feel like I should enjoy his stuff more but a good portion never lands

Meh. Some of the tracks were like Talking Heads, which I don't especially love. I liked the second half a little more, especially the songs "Here He Comes" and "By This River". But overall the album was just middling.

This drives home why Eno is known as a producer more that a recording artist. Most of these songs left me thinking "I bet if Byrne or Bowie were to write take one of these songs, write more interesting lyrics, and sing in their more interesting voice, they'd be pretty good."

I was anticipating bleepy bloopy soundscapes and was surprised by the immediate Talking Heads feel of the first song. But most of the rest of the album doesn't come near the opener. 'Backwater' sounds like an upbeat TV theme song about fishermen, the soundscape vibes I expected kick in with 'Energy Fools the Magician', and only 'King's Lead Hat' gives another Talking Heads feel before the bleep bloops kick back in in earnest. So, I guess...uneven?

The second half of the album is where the best tracks reside. Here he Comes has that Iconic Eno sound. Kings’s Lead Hat standout out on side 1. Love his sound and dreamy feeling I feel with many songs.

At first I thought I was in for some old school Eno which I didn't enjoy last time it came up, but this feels like the turning point for Ambient Eno which is my favourite type of Eno

This is my second Brian Eno album to review, after Here Come The Warm Jets (3 stars). I’m not terribly familiar with Eno’s work as a musician, so I wasn’t sure what to expect on this album. This album wound up being a really pleasant surprise. I enjoyed the Avant-pop sound of this album, and I felt like it was really accessible and easy to listen to. The album was musically varied, but still had a very cohesive sound. There was a little bit of everything here: funkier songs with more emphasis on percussion and bass, up-tempo songs with more focus on pop-driven synthesizer melodies, and even some guitar playing that sounded like a preview of what was to come with new wave music. I enjoyed the songs that focused more on synthesizer melodies, like “Backwater,” but “No One Receiving” and “King’s Lead Hat” were fantastic as well. Brian Eno’s talent as a producer and arranger is really evident on this album, but he’s also incredibly proficient at all the instruments that he plays on this album as well. Eno’s vocals are really great too, and I especially loved his style of rhyming on “Backwater.” This album was really great from start to finish, and it’s going to be an album that I’ll revisit several times, and I know that each time I do, I'll discover something new about it.

👍

I do see the art in it, but this doesn't resonate with me.

I enjoyed Another Green World a bit more, but solid Eno tracks

It's good.

I love ego's earlier non ambient albums

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Was going to rate it as 2, but, By this river deserves another star!

Brian Eno is a visionary. "Before and After Science" could be a total 80's album released years before the turn of the decade. Art rock, this album is peculiar, heavily electric and has high production value. While the music itself isn't stellar by any means, the album showcases a broad variety of sounds and rhythms which precede some of the greatest acts of all time, including the Talking Heads, Devo, David Bowie, and U2.

First few songs were promising as heck but then he had to do too many sound-scape/genre songs to follow up and brought down the party he started.

I had only listened to Eno's ambient work. This is not that. Weird for sure. I think I enjoyed reading people go on about this album more than I enjoyed the album. Tracks 7, 8 and 9 are standout. King's lead hat might be the weirdest semi catchy tune.

Before and After Science was a solo effort from Brian Eno in the late 70's. This sounds of the same mixture that made early Talking Heads - guitar and synthesizer driven art pop of the seventies. On some tracks, Eno's affinity for ambient comes through. These songs are not particularly melodic, and not as engaging as Eno's work with Roxy Music,

Up it's own arse, complete load of shite. I made it to track 4. Me and my mates wanted to start a band back in the early 80's as young teens, we had one 'jam session' where we all played an instruemnt we had borrowed or bought - but had no musical skill or experience with. I'd bet good money we still sounded better than this album.

The was a very interesting album to listen to. Initially I did not like it. I can't put my finger on anything specific other than it just didn't seem to resonate. A few songs in though, I was becoming intrigued by the music. Not what I was expecting. I will definitely listen to this again. I didn't care for the denouement. The slow songs towards the end weren't that special to me. Having said that I will listen to it completely again, and perhaps other works of his. Giving it a 4 because it was a challenging album.

I'm not really a fan of the first few tracks. This is all just kind of too weird without much direction, in my opinion. It feels like something frog men would listen to. I don't know what that means exactly, but that's what it sounds like. After a few songs, it mellows out, and the avant guard-iness plays so much better in this low energy/slow tempos. I'm glad I didn't fully give up on it after the first half, because I ended up really enjoying the second half of the album.

I heard the name but not familiar with any of his songs.

This didn't stand out for me at all.

This is an interesting album, maybe even fascinating. Not just another bit of poppy fluff, or whatever was popular when it came out. There’s a weirdness here, a creativity that doesn’t care if you “get it”. Personally, I got it sometimes, but not all times…. The first 2 songs were my favorite, somewhat towards an XTC vibe…. Kinda. “Kings Lead Hat” is a little bit Talking Heads meet the Cars…. Sort of. There’s a good bit of stuff here that’s pretty “ambient”, which I guess it where Eno was trending at the time. That’s not so much to my liking. I may want to revisit some of this, but not all…. 3/5

Surprisingly entertaining

💖 backwater 🗣️ 9️⃣

I understand why the hype, but not my type of music

Yuck

It was ok, felt like a wannabe talking heads early on but found it's way in the back half

Great album. Listened 3 times today. Keeping on the phone for at least a while.

As much as I enjoy ambient Eno, I wish there were more fun art pop records like this one in his catalog. Listening to this, it's very obvious why the Talking Heads chose to work with him.

Sorry, more annoyed than impressed. I know it's Brian Eno... I just can't.

I listened to the first few tracks. I know he gets a lot of respect but it all sounded a bit pretentious to me.

Probably should have stuck with Roxy Music, Brian.

Bra album. Men musiken låter som Brian Eno tror han e kingen.

Like it, or not, this artist is pretty unique in my opinion. It's not always my jam, but I can respect the talent and artistry. Fav tracks: Backwater, Energy Fools The Magician

Kósý og mjög góð.

Frábær plata sem varð betri og betri eftir því sem ég hlustaði oftar á hana. By this river óskaplega fallegt lag og Kings lead hat (Talking head) ótrúlega gott. Margt þar sem síðan heyrðist í póstpönkinu. Smá Adam Ant meira að segja. :-)

This is pretty perfect for me. Sort of a weird art-pop-experimental record with lots going on in a great way. Its simple and complex at the same time. Brian Eno is the boy like, I’m more familiar with his ambient stuff and the records he’s helped produce, but everything he does is gold (from what Ive heard anyway, his back catalogue is ridiculously big). You can hear his influence on Bowie, Talking Heads, etc., and I’m sure Roxy Music wouldve been a much better band if Bryan Ferry wasnt such a dickhead and let Eno do his thing. Ive already listened to this a few times and itll be on repeat for a while yet. Superb

Only really know Brian Eno as a producer, didn't really know what to expect with this. First half was quite interesting, bit talking heads, some synthy stuff. By the River is brilliant, by far the best track, and together with the last two tracks is the best part of the album, very dark (something something Brian Emo). I'm not sure if I'd listen to the whole album again but I'll definitely come back to that last part.

I enjoyed By This River and Spider and I. Backwater was good, in a "this is cheesy and moronic" way. Liked the gist of the album. Mildly experimental - sounds like he was making the music he wanted to make. Nowhere near a 5.

The first track is a stinker however the album gets progressively better. Overall it's a bit slow for my liking but there was a lot I enjoyed here. Highlights: Backwater King's Lead Hat By This River Spider And I

Obviously know of Brian Eno as a producer, but pretty sure I've never listened to anything by him before. I can hear similarities with talking heads here (king's lead hat), which doesn't fill me with optimism.... However also Peter Gabriel similarities too, which I like. Some of the more slower, atmospheric, melancholy songs I thought were quite brilliant. "By this river" and "spider and I" in particular. 3.5 but 4 because we finished on some great tracks . Interested to hear more of his stuff

I had to sit and contemplate it briefly, but I think this project is really cool. The first half harkens back to Eno's more energetic rock/pop efforts, and the second half bridges into more future synth/ambient territory. I'm not as big a fan of that first half, but the transition into "Julie With..." is absolutely chilling, and followed by the lovely but dark "By This River". Everything Eno touches turns a shade of gold, and this is no exception.

genius

Now this Eno I can vibe with.

Lyrics: The lyrics in "Before and After Science" are often abstract and open to interpretation. Eno's lyrical style tends to evoke vivid imagery and themes of science, technology, nature, and human relationships. Tracks like "No One Receiving" and "King's Lead Hat" feature cryptic lyrics that invite listeners to delve into their meaning, while songs like "By This River" and "Spider and I" offer more introspective and personal narratives. Overall, the lyrics contribute to the album's enigmatic atmosphere and provide ample material for listeners to ponder. Music: Musically, "Before and After Science" is a rich tapestry of styles ranging from ambient and electronic to pop and rock. Eno's use of synthesizers, tape loops, and unconventional instrumentation creates a sonically diverse listening experience. Tracks like "Backwater" and "Julie With..." are driven by infectious rhythms and catchy melodies, while pieces like "Here He Comes" and "By This River" showcase Eno's knack for crafting immersive ambient soundscapes. The album's eclectic mix of genres keeps the listener engaged from start to finish, making it a rewarding listening experience. Production: One of the standout features of "Before and After Science" is its meticulous production. Eno's background as a producer shines through in the album's immaculate sound design and attention to detail. Each track is carefully crafted, with layers of instrumentation and sound effects woven together seamlessly. Eno's use of studio techniques such as tape manipulation and overdubbing adds depth and texture to the music, creating a sense of sonic experimentation that is both innovative and captivating. Themes: Thematically, "Before and After Science" explores a wide range of subjects, from the mysteries of the natural world to the complexities of human emotion. The album's title itself suggests a journey of transformation and evolution, reflected in the music's dynamic shifts and evolving textures. Throughout the album, Eno grapples with themes of identity, memory, and the passage of time, offering listeners a thought-provoking meditation on the human condition. Influence: "Before and After Science" has had a significant influence on the music world since its release. Its groundbreaking blend of electronic and traditional instrumentation helped pave the way for the emergence of genres like ambient, electronic, and experimental music. Artists ranging from David Bowie to Radiohead have cited Eno as a major influence, and his innovative production techniques continue to inspire musicians to this day. The album's lasting impact is a testament to Eno's visionary approach to music-making and his ability to push the boundaries of artistic expression. Pros: Innovative production: "Before and After Science" showcases Eno's mastery of studio techniques and his willingness to experiment with sound. Diverse musical styles: The album's eclectic mix of genres keeps the listener engaged and offers something for everyone. Thought-provoking lyrics: Eno's cryptic and introspective lyrics invite listeners to interpret and engage with the music on a deeper level. Influential legacy: The album's groundbreaking approach to music production and its lasting influence on subsequent generations of musicians make it a landmark work in the history of popular music. Cons: Abstract lyrics: Some listeners may find Eno's lyrical style too cryptic or inaccessible, detracting from their enjoyment of the music. Experimental tendencies: While Eno's willingness to push the boundaries of musical experimentation is a key strength of the album, it may also alienate more mainstream listeners who prefer more conventional song structures. Uneven pacing: The album's eclectic mix of styles can lead to some uneven pacing, with certain tracks standing out more than others. In conclusion, "Before and After Science" stands as a landmark achievement in Brian Eno's illustrious career, showcasing his innovative approach to music production and his ability to create immersive, thought-provoking music. With its eclectic mix of styles, meticulous production, and thought-provoking lyrics, the album continues to captivate listeners and inspire musicians decades after its release. While it may not be without its flaws, its enduring influence and lasting legacy make it a must-listen for any fan of experimental and avant-garde music.

I heard brian eno was for ambient music and tho only parts of this album is ambient it made killing the mealybugs infesting my fav plant much more contemplative 4.5/7

Very interesting. I tend to enjoy eno stuff

Typical ambience

Art rock, art pop, avant-pop, experimental pop. Un 4 por las últimas canciones, son más tranquilas, relajantes y preciosas.

Cool

I appreciate that Brian Eno's music is really good, but I don't love it.

Brian Eno is probably best known for his iconic ambient albums and his work with some of the biggest names in rock music as a producer over the last fifty years. However, his solo albums are not to be missed. He had an amazing set of collaborators for this album including Robert Fripp, Robert Wyatt and even Phil Colllins playing drums on a couple of tracks. Apparently over a hundred songs were recorded and whittled down to ten for the album over a two year period. The music is interesting and varied, with some funky stuff on the first side and more introspective pieces on side two, giving hints of the ambient material he was also working on at the same time, albeit in smaller chunks. I like this a lot, but on balance I still prefer the previous album Another Green World which is one of my all time favourites.

This was interesting. I mostly know Eno for his ambient work, and this album is more diverse (exploring more different genres). It's interesting also to hear how much ahead he is of his time: bits of the album sound like post-punk when it was just emerging. What makes its strength (the diversity) is also sometimes a weakness, and even though the album is pretty short, some parts sound not as interesting to me. Actually it could be only side B and I would be very happy (OK, we'd need to swap Energy Fools the Magician and Here He Comes). Side A is a 2.5 for me, side B a good 5.

I think it's the first solo album by Eno I have ever listened to. I knew that he did some ambient music while producing great records with other musicians, but that never really seemed interesting to me. Now I am curious what else is there to be discovered.

Relaxte muziek en heel vreemde zang. **

Unique and well executed. The first half is art rock in the style of Talking Heads, which I read was an homage. The second half is much more atmospheric, reminiscent of some of Bowie’s Berlin work.

Diving into Brian Eno's "Before and After Science" with the ears of a Talking Heads aficionado is like finding the Rosetta Stone of new wave—suddenly, everything makes a bit more sense. This album is a masterclass in balancing the cerebral chill of ambient tracks with just enough pop sensibility to keep you from floating off into the ether. It's as if Eno, in his lab coat, concocted a musical experiment that’s both an antecedent to and an evolution of the Talking Heads' sound. From the get-go, "No One Receiving" pulls you into a world where the future of music is being drafted with every beat and synth line. By the time you flip to the B side, you're fully submerged in Eno's ambient ocean, wondering how you ever managed to listen to anything less sophisticated. It’s this seamless journey from catchy rhythms to contemplative soundscapes that cements Eno as the godfather of the cool, quirky uncle of rock that is Talking Heads. Yet, it's not all smooth sailing. The album's ambition sometimes feels like a double-edged sword, cutting between genius and just a tad too abstract. But for a Talking Heads fan, these are the kinds of musical tangents that resonate deeply, feeling less like departures and more like adventurous explorations. So, with a nod to my bias for all things Byrne and co., "Before and After Science" earns a solid 4 stars. It's not just an album; it's a bridge to a broader understanding of where much of the '80s and beyond took their cues. Listen to it not just for the music, but for the history lesson embedded in its tracks.

Not at all what I expected. More talking heads than the Brian eno I am familiar with. Either way, didn’t do it for me

backwater energy fools the magician king's lead hat through hollow lands

Excellent pop album.

The sound of the first track nearly blew this album for me. What an absolutely dire production, a terribly flaccid and uninspiring sound. The album is musically interesting but the lyrics are a bit naff and the whole thing lacks cohesion. I wonder if there's a better sounding remastered version?

Esse disco não está no livro! Aliás, nem deveria estar aí. Tem três discos desse cara que passaria tranquilamente essa existência sem precisar ouvir. Posso não ter entendido o contexto musical, mas não tem de demais nem para a época em que foi lançado. Desnecessário!

Nope

I enjoy Brian Eno's solo projects quite a bit. I think I prefer his earlier stuff, but this is still an excellent listen and makes you think.

The first half is good, the back half is great. Unlike some other artists who keep popping up, every Brian Eno album is a welcome sight.

The last couple of tracks were better and more Eno than the first ones imo

Never heard of Brian Eno before, but this is pretty wack.

p373. 1977. 4 stars. Sounds like Talking Heads on a good day. Startling good production, let down by a lack of standout tracks. One for the hi-fi purists :)

This started strong but ended slow and repetitive imo.

Some of it I liked, some of it was a little slow. I understand how this guy could be such a prolific producer.

I never listened to a Brian Eno album. I really enjoyed this one. It is time to listen to some of his other albums.

It’s not objectionable but not inspiring in any way. Much better musically than vocally or lyrically …. Meh ….

So about 35 albums in, and I FINALLY get one that I never would have crossed paths with - except for this daily exercise... Had listened to Eno's "Ambient 1 - Music For Airports", but that's been it, so I thought this one would be interesting... I'm also a big Roxy Music fan - a band he co-founded, but I think most of what I enjoy from them came after Eno left... As for "Before & After Science", the opening track "No One Receiving" sounds very much like the Talking Heads - except before there was a Talking Heads (i.e. although I guess both came out around the same time in 1977...). Really liked the percussion in the that song... Didn't really care for "Backwater", and the 3rd track "Kurt's Rejoinder" sounded Talking Headsesque again... Really enjoyed the instrumental interlude of "Energy Fools The Magician" - just wished it was longer - as I keep putting this one on repeat... : ) But I have to say the 3-song run in the later half of the album of "Julie With", "By This River", & "Through Hollow Lands" was absolutely exceptional - and REALLY appealed to me, and is definitely my jam... While not an all-time classic, I really enjoyed this album- and glad that it came my way... This is a solid 4 in my book no doubt!!!

Perhaps "uncelebrated" for a reason, which would be its unevenness across two sides. First is pretty average, if frolicsome and clever, new-edgy pop very much of its time (very Talking Headsy, obvs) and the second all-ambient, a harbinger of what was to come, fruitfully, in the next decade. Just doesn't work as a whole, largely because Eno's neither a singer nor a frontman of much merit, which that genre and era required. "Here He Comes" is excellent and the dreamy bits triangulate between languour (to the point of entropy), loveliness and melancholy.

Excellent

I'm a big Eno fan, but somehow I've never heard this. And it's so good, one of the few albums on here I listened to twice. Just immaculately produced and tuneful and whimsical and somehow not as dark as his other work but still breathtaking.

King's Lead Hat is cool, but Julie With is odd. With this being his last personal "rock" album, you can definetely hear Brian Eno start to want to just float away into ambient music.

interesting, experimental, and a little weird. strong bowie vibes at times.

suprising good, like the music a lot as a side effect

Grew on me as it went

It was an interesting album, never heard of it before

I like the song Backwater! I think Brian Eno is a really good artist!

Surprisingly funky. Way closer to Talking Heads than Music for Airports. It lost a little momentum towards the end and I lost a little interest. He’s not really a singer, is he? But fair play to laying it down and putting it out. Interesting, but not really all that enjoyable for me.

6 / 10 Rock instrumental de los 70, demasiado tirando hacia el Nene Age. Aburrido!

Unsure. Wanted to like it more than I did.

I’ve seen him in liner notes everywhere, but now I get it.

Versatile. Goth to pop to punk. At times satirical then sentimental. Great work

Great surprise! 👏🏼👏🏼👏🏼

I listened to this up to "Julie" and after a day I couldn't remember a single song, the name of the album or even the artist. The music up to this point is so incredibly unremarkable, that I was seriously considering rating the album 1 star. Then I listened to "By This River". Oh boy. Still not the biggest fan of Brian Eno's voice, but this song is beautiful. Remarkable enough to make it worth listening to the whole album. The last songs blend into irrelevance again.

Fourth and last of the 70s Eno pop albums and maybe the best. Side two gets let’s pop but so atmospheric and great. He’s simply the best.

I enjoyed this one more than the last, but ultimately Brian Eno may just not be for me.

# Playlist track - Backwater # Notes - Weird, in a nice way. - Didn't like "Julie With"

4.5/10

I thought it was alright! Nothing that particularly stood out to me and I've heard great things about him but I think they were lost on me

I loved this I can't believe I haven't listened to Brian Eno before

Meh

If you look at Brian on Spotify the top track is this lovely ambient minimalist piece. If you pop this album on the contrast is quite stark. The first half of the album wouldn’t have surprised me if he started singing about Magical Trevor or Badgers. The we get to Julie With (which is brilliant) and from then on it all makes sense.

What the fuck is happening?

Het kon niet lang uitblijven tot dé muziekprofessor van de jaren 70 en 80 van zich liet horen. Zoals je weet ben ik groots fan van ongeveer alles waar hij zich mee bemoeit. Alhoewel, zijn latere ambient werk daargelaten, dat kan me geen konjo interesseren. 'Before and After Science' bouwt de spreekwoordelijk brug tussen zijn art/glam rock periode en dit ambient tijdperk waar hij helaas in is blijven hangen tot de dag van vandaag. Echter worden de dromerige synths - waar hij later in zijn discografie volledig op leunt - op dit album nog vrij subtiel toegepast. Het resultaat is een album die knap balanceert tussen rock, new-wave en ambient. De opener 'No One Receiving' geeft een hint naar de samenwerking met Talking Heads die in het verschiet ligt, en de funky new-wave die daar uit opbloeide. 'Backwater' en vooral 'King's Lead Hat' zijn catchy as fuck en laten zien dat Eno muziek begrijpt, en humor heeft. Het is de soort muziek die XTC een jaar of 5 later zou uitbrengen, om maar weer eens aan te geven dat de middelnaam van Brian Eno 'ahead of the curve' is. 'King's Lead Hat' is natuurlijk de meest 'obvious' hint dat Eno zijn pijlen had gericht op de Talking Heads.. luisterde het nummer al jaren tot ik achter de anagram kwam. Ben nog steeds niet bijgekomen van dat moment. De tweede helft van de plaat laat het laatste beetje rock uit de vingers van Eno glippen, en laat zich kenmerken door een dromerige soundscape. Het schuifje staat soms iets te ver naar 'space music' ('Energy Fools the Magician' & 'Through Hollow Lands'), nummers die het beter doen op de achtergrond van een natuurdocumentaire dan op een muziekalbum. Maar verrassend genoeg zijn het de songs waarin deze elementen worden gecombineerd met de prachtige teksten van Eno die mij het meeste doen. Het is bijna een soort proto-Dream Pop, een welkome kalmte na de bouncy new-wave van kantje 1. 'Julie With', 'Spider And I', en als absolute piek van het album 'By This River', zijn stuk voor stuk perfecte voorbeelden van een expressieve kunstenaar als Eno die steeds vaker introverter werk afleverde. Van mij had hij nog wel even langer mogen balanceren op dit kantelpunt in zijn carrière, voor dat hij head first het ambient-zwembad indook. 8/10 Highlights: King's Lead Hat By This River Spider And I

Bijzondere ervaring en voor mij een echte ontdekking, deze plaat van Brian Eno. De plaat heeft de transitie van Eno van rockartiest naar ambient-producer in zich, maar is op zichzelf ook een album van hele hoge kwaliteit. Heb de plaat 2x geluisterd, want is een fijne lengte en bracht me in een heerlijke vibe om hard te kunnen werken. Het album start met een typische Talking Heads riff. In combinatie met het gerammel met potten en pannetjes en de funky bass-riff is er nog in de verste verte niet te bedenken dat het album zal eindigen met meer ambient nummers. Backwater krijg ik ELO-vibes bij (Mr. Blue Sky ook uit 1977...) en is duidelijk geïnspireerd door the Beatles, maar doet in kwaliteit daar niet voor onder. Kurt's Rejoinder en Energy Fools the Magician vind ik beiden niet zo bijzonder. King's Lead Hat (anagram van Talking Heads?) vind ik wel echt heel vet! Je hoort hier al zo veel new wave, terwijl de punk nog in haar kinderschoenen stond. Here He Comes is voor mij het hoogtepunt. Samen met Julie with een prachtige back-to-back. Het album schakelt dan naar meer geluid en minder melodie. Het blijft prachtig, maar is minder mijn cup-of-tea. Al met al, een hoogstandje. Highlights: King's Lead Hat Here He Comes By This River

Enjoyed this

Yeah I get it. He's made a weird experimental album and we're meant to ignore the vocals because it's music made in the name of art. I just can't sorry. All the processing in the world can't hide poor 'singing'

Not a sausage to do?? Wtaf is he talking about? Eno was one of those dudes held in mystic awe. Knew him more for production and remixs and shiz. What a disapointment to listen to his bunch of arse.

Liked side 2 more, more like the ambient Eno that I was hoping this would be, but when it looped round again I liked side 1 more the second time round.

Worth a listen, so long as you don't mind falling into a pit of depression the likes of which you have never felt before where you can only pray for the numbness of public transport and bestsellers from charity shop book shelves.

I have ambivalent feelings on this album (and Brian Eno in general). I want to like it, but nothing really grabbed me.

Easily the most accessible and enjoyable Eno record to have appeared on the list so far. The album encapsulates the influence he had on modern music - you can hear his importance to the work of Roxy Music, Bowie and Talking Heads. Indeed, Remain in Light was three years away but this feels very much its prototype. Before and After Science suggests Eno could have made mainstream, popular and accessible albums like this one year on year. Fair play to the man, then, for remaining restless and continuing to experiment and push the envelope, rather than stay in a rut.

Gave me a somewhat ethereal feeling. Very soothing while sitting in city traffic. I found a hidden gem.

Somehow this one was off my radar. It's great.

Average album, but a nice atmosphere, slightly bleak and ominous at times. Otherwise, forgettable.

I can see these songs perfectly fitting a soundtrack for the right movie but not putting on the stereo for a home jam.

3-4

It was ok.

Favourites- kings lead hat, blackwater. 3 stars

👍🏻

Not sure why this is one of my favourite albums but it is. It's so quirky and low key without fanfare or technical brilliance. It's lowkey pop really. Not even that groundbreaking but it seem it's the way Brian does things- this album means a lot to me and always hits the spot when I play it so will alwys be a solid 5*****

Not much to say about this one.

felt weird but not in a good way. not my thing

Straight to sleep.

Cool album I will probably never listen to again

This album is a look into Brian Eno's world. It's equal parts psychedelic and dreamy that allows you to float in and out of consciousness. I can definitely see why Eno would have described this album as ocean music. Best: No One Receiving Worst: Energy Fools the Magician

Sounded like a bad ska band trying to make a talking heads album. I didn’t really “get” it but know that Eno is super influential to others

70’er art rock, ambient, lidt op og ned

Sounds quite dated.

Bored after 2 tracks.

I had a love hate relationship with this album. The tracks were all so different, I didn't know which way to turn.

Interessante Platte aus den 70er. Ein bisschen Wave, ein bisschen Rock und der Retrosound der 70er. Leider ist die Platte aber auch phasenweise sehr düster und lässt ein herausragenden Song vermissen.

Better than expected

Liked Backwater quite a bit. Really drew me in. Pretty high energy first havlf, which made it feel more enjoyable overall.

Jævlig bra, hørte masse på da mens eg gikk permisjonsstien i sommer

Very interesting. Exceptional composition. Can totally hear the Talking Heads influence (not sure which way it goes). Even hear some kinda Floyd vibes mixed in.

No One Receiving - Is this ambient music? I might be learning something. I've never been able to get into Eno despite having a huge love for the talking heads. Lets see where this goes. Julie With, more what I think of when I think ambient. I definitely enjoy some of these songs. I'm not sure Ill be actively listening to Eno anytime, but its nice stuff to have on in the background. This album is a little too inconsistent in sound tho. As soon as it lulls me into a mood, it changes too abruptly.

I’ve been a fan of his producing but never listened to his individual albums now nice work

Ei tää ollutkaan ambienttia. Ambient olis ollut parempaa, mutta tää kyllä parani loppua kohti. Alkupää aika elektronista poppia, mutta lopussa enemmän ambient. Parhaat: Loppupuoli

I am well aware of who Brian Eno is being a bid Talking Heads fan, but I honestly have never sat down and listened to one of his records. I really like it. Very cool to hear people trying new and interesting things especially in the 70s, it's the kind of stuff that I like. Well it's not the greatest musically it does have a lot of heart and feeling that resonates with me.

Ambient Electronica in its infancy... no lyrics to speak of, but they weren't the point, it was all atmosphere. Can't say I "enjoyed" listening, it was more like background music you hear in a movie. Definitely set Eno up for his ability to create an interesting sound, hence his success as a producer. For me, it was more historical than musical value.

I’ve heard his name mentioned many times but I couldn’t tell you anything he has specifically been involved with before listening to this. The first half certainly had some interesting sounds and lyrics. Not the greatest voice though. Second half is slow and a bit on the boring side. I think I’d listen to it again, at least the first half.

This project favors a specific genre and I have no complaints

“Outer space dance music for earthbound freaks” eh? We’ll see. Makes me think of Oingo Boingo but I like them more. I could see myself listening to this album again, for sure. Especially if I was really really high. But I don’t want to listen to any one particular song again by itself or even shuffled in with other stuff on my Spotify playlist. Songs added to Spotify: 0

I always enjoy Brian Eno more than I expect, and this was really nice. Quite spaced out.

Loved this album - this will be in my permanent rotation.

2/10

Afang mit No One Receiving isch irgendwie chli weird gsi aber denn Backwater isch defür scho recht groovy! Kurts Rejoinder isch defür wieder recht schräg. Ich ha s gfühl s Album isch würklich chli es up and down vo guete und schlechte songs (sind au zum teil recht unterschiedlich ih mine Auge). Uf de Songtext hani jetzt nid so gachtet drum kei ahnig ob das no e tüüferi meaning dehinter het aber ja. All in all 3.4/5 in my opinion.

Hey has voll oke gfunde! Hett mich jetz ned wow‘d aber ha immer wieder moment gha woni gfunde ha mol eig cute oder oh das isch cool, aber halt ned gnueg zum mich begeistere i guess?

no one receiving. sehr speziell aber finds recht geil. aso speziell = nöd pop well grüsch und verspielt. phil collins ade drums cool. Backwater. Bass mega präsent und die verstimmte synths sind geil. drums isch de glich guy wie bim holger czukay, und er macht au gnau s glich. find de song easy geil. Kurt's Rejoinder. fuuunny geräuscher-Bass. Energy Fools the Magician. guete titel. oke meh en instrumentale interlude aber bass sehr cool. king's lead hat. talking heads anagramm time. geil. es isch au sehr talking heads. schrägs klavier. uuuuh yes mega chorus gitarre! fuck ich bin echt musigkritiker finds huere geil. here he comes. do chunt ihm. oh bitz köntry?? aber mit sochli tango rhythmus wie beschribi da? finds hypnotisch zücht eim irgendwie ine. julie with. ok etz wirds spaciger. aber huere schöö mitem rhodes und so. uuuh schöns lick. by this river. seehr mellow hübschi melodie. synth sehr analog und so. through hollow lands. ok passiert nöd viel etz ischer de ambient brian eno. Spider and I. espiderman. sehr pretty aber s fühlt sich sochli ah dass de uptempo afang vom album de mellow stuff rechtfertigt. findi aber en faire move.

BRIAN EMO also ich hans am ahfang gar nöd usghalte, hans RICHTIG langwilig gfunde (flughafe musig lässt grüssen) aaaber ungefähr ab de hälfti sind entweder d lieder besser worde oder ich han mich draa gwöhnt, uf jede fall hanis nöd easy schöni und beruhigendi musig gfunde. here he comes isch für mich sochli ussegstoche, au wenns sochli es lied isch wo sochli silly würkt? aber hans sehr gnosse eig

Seems like Brian Eno has done a ton, which is super cool

Probably very innovative for the time but not quite for me.

I don't know how popular of an opinion this is, but I think this is Brian Eno's masterpiece. So much more coherent and pleasing to the ears than "Another Green World". A fantastic blend of pop and ambient. Gotta be a 5/5.

This sounds like a mishmash of all the bands that Eno produced from the 70s-early 80s. Not bad - but would prefer to listen to the original bands.

I liked it, I am not overly familiar with Eno’s catalogue but I had heard enough about him that I was looking forward to the listen. Started strong with good energy and the second half slowed the pace quite a bit, not bad but I guess I expected a bit more punch. 3 stars

done 2/10

trippy

That bald head is full of ideas.

I went into this thinking: great, another Brian Eno album, but against what I though were all of the odds, I really enjoyed it. This album is creative, diverse, features tons of great guest musicians, and almost acts as a revue of some of the more notable acts at the time (Bowie, Talking Heads, etc.). A blend of Roxy Music and Ambient work.

“By This River” is one of the best things I’ve ever heard.

I was expecting some type of ambient/avant-garde bullshit, but this was really good! Definitely some artsy-fartsiness to it, but still very accessible and enjoyable to listen to. Lots of similarities to Bowie and Talking Heads, and the song Backwater reminds me a lot of XTC. Nice work Eno! 4 stars.

Yeah. Brian Eno, man. He really needs to stick to producing and stay away from trying to write pop music. This was just bad. The lyrics were dumb, the music disjointed, and the whole vibe was clunky. When Eno stuck to what he was good at - intricate, layered electronic soundscapes - it approached listenable. But it always descended back into "I wanna be a singer songwriter" territory which is a bad scene for Eno.

I just don’t get this at all.

Absolute nonsense

Didn’t like this

3.5/5. Good, very ambient. This is not something I would put on for myself, but I did not mind listening to it.

Art rock/pop that was hard for me to get into. Can appreciate Eno's contributions to advancing music, but this in particular was a bit of a snoozer.

"Before and After Science" by Brian Eno, released in 1977, is a sonic journey through experimental landscapes that blur the lines between ambient, rock, and electronic music. Eno, a pioneer in ambient soundscapes, showcases his diverse musical influences and avant-garde sensibilities. The album seamlessly weaves together ethereal instrumentals like "By This River" with more rhythmic and structured tracks such as "King's Lead Hat." Eno's use of electronic textures and unconventional song structures creates an immersive and innovative listening experience. "Before and After Science" is a testament to Eno's ability to push the boundaries of conventional music. While it may not be immediately accessible to mainstream audiences, its influence on the ambient and experimental genres is undeniable. I give this album a 3/5 for the intriguing background music

this is not my music!

Not bad but it’s not my thing. Spider and I was the only track I found compelling. Eno is good to have on in the background but the sound gets old to me after a bit.

Sounded like David Byrne was on here and then I wasn’t surprised to see Eno collaborated with talking heads and a ton of others. The album took a few turns and I enjoyed the breadth of styles covered.

I clearly hear both Talking Heads and David Bowie in this. Must have been mutually reinforcing given the influence Eno had on both of those artists. The record itself is fine. Nothing jumps out as really special.

Not something I would return to but pretty interesting stuff here. The first song sounds like it was inspired by "Tomorrow Never Knows".

Somber and melodic, each song has something unique to appreciate. Really enjoy the piano on any the River. 3.8

Started okay, and weird, ended just sad.

Disque pas facile d'accès, coupé en deux entre un début rythmé, expérimental et une fin mélancolique, ponctuée de nappes de synthétiseur. C'est pas forcément confortable au premier abord, mais on sent le gros talent derrière une telle écriture, une telle production. "King's Lead Hat" et "Spider and I" sont assez représentatifs des deux aspects, étranges, parfois dissonnants, complexes, mais au final imparables.

This was hit or miss for me, though I appreciate the variety. Funky, psychedelic and just plain out there. Stand out tracks: King's Lead Hat, Here He Comes, By This River

This was a pretty cool album. I like the experimental style.

Pretty good. Let’s come back to this and listen some more.

Amazing sound, huge variety of musical flavor in one album. Kings Lead Hat sounds exactly like a Talking Heads track

Blech

I love so much of Brian Eno's work. But I don't love this. At all. I know this is considered one of his most important works, but I just can't get into it. It's jagged and anxiety inducing.

I like Eno's instrumentals that's for sure. The slower, the calmer his music is the better.

I felt like this was an incredibly talented and artistic man trying to fit into a box. Good but not exceptional.

5/5. A very weird album but so very catchy. There is a sense of New Wave and Glam Rock here but also Ambient thrown in. None of the songs make any sense and there isn't a pre-established concept, just songs with no concept. They somehow still create a world inside Eno's mind that feels so real, I want to have whatever he's having. The first half are some pretty upbeat pop/rock songs. The second half is starting to become my favorite with its slow and brooding ballads, quiet and dark. Overall, there is a lot to like from this one, high 4 but I'll give it the 5.

Started very 70s then went wafty. No specific impact

Psychedelic and ambient while still having some of the vocal sounds of the 70s. This album flows very smoothly from front to back. The guitar on "Julie With" is beautiful and haunting as it flows into the piano of the next track. The second half of this album is so calm and different than the first half but still tied in so well. This is great music and wonderful art.

Brian Eno is another one of those names that I have heard of lots before, but never listened to any of his music, I quite enjoyed this one.

Enjoyable, but not amazing.

When Brian Eno is producing an album, it tends to be a fantastic album. When Brian Eno makes his own music it just sounds pretty boring.

Didn't know this artist before and was easantly surprised. Also, thanks for finally giving an album that is special enough to deserve its place on this list

Peak Eno where he balances ambient with his subversion of pop .

Prefer his ambient stuff tbh

Pop experimental. Ni fu ni fa.

King's Lead Hat By This River Spider And I

Not a record I would rush to listen to again.

Top tracks No one receiving Kurt rejoinder Energy fuels the magician Through hollow lands

Really enjoyed this album. Wide variety of musical style. Mostly fun and relaxing, not too serious but not obnoxious. Favorite track: King's Lead Hat, Backwater

There are a few tracks i enjoyed. My favorite is an instrumental one called Through Hollow Lands. It doesn't sound like 1977. The version I listened to on YouTube music was a 2004 remaster. Sounds more like 2004.

Album 232 of 1001 Brian Eno - Before and After Science Rating : 4 / 5 Great album. Have gotten to listen several Brian Eno albums since starting this project and have enjoyed each one. Some entertainers earn the title of "artist". He is one of those. This is his last "rock" album before going into a more experimental period of his career. Good stuff.

This was an easy listening album to me 😊 I enjoyed the instrumentals, they had dirty of s pink Floyd and ethereal feel to them. Vocals reminded me of 70s era.

This was all over the place, but kept me interested for the most part (dragged at the end). Rating 3.

It's fine.

Really good album, I loved the minecraft songs near the end

5* because Brian Eno.

3.5

Didn't vibe with it that much

It's a lot of Brian Eno. But it is good background music.

Some interesting combinations of sounds but his song writing and singing leaves something to be desired. Feels experimental