Chocolate Starfish And The Hot Dog Flavored Water

Increíble que el primer álbum que si escuche sea de limp bizkit

Some people will say "today's music is terrible" or "my generation had better music" and an album like this is a great reminder that you can find terrible music from any decade. Sometimes it was even popular at the time of its release. In all seriousness though, I typically hate metal music, but I didn't absolutely hate all of these songs. Just most of them. The One was tolerable and Hold On was actually decent. Rollin' is iconic and I couldn't listen to My Way without thinking about the Neil Cicierega song that samples it.

Fun and very goofy. The outro was unnerving, very 90s.

A master piece of shit

Yes, awesome, this hit in a way the Beastie Boys have not. Good songs, great momentum.

i often think about how my life would have turned out if only we could fly limp bizkit style

Some great songs, brings me back to the hockey dressing room in when I was 11. Some filler too... so I'll say 3.

This is more of a cultural artifact than an artistic statement. These guys are wringing everything out of this lemon right at the peak commercial success of nu metal. How else can we make money off pre 911 of rebellion against nothing? Wes Borland is a highlight with his eerie guitar playing.

Some of their hits really do hit, like My Way and Rollin, but then the others are just meh. I'll hand it to them for innovating hard rock/metal for incorporating rap and hip-hop elements, but I don't think I'd come back to this album.

meh

Hard to believe people bought this

Guilty :(. 5.0

People hate Fred but Wes's guitar is iconic.

A hilariously stupid album that captured the end of millennium zeitgeist of vague undirected being pissed. The singles aren't as good as from Significant Other where they really dialled in their signature style (swirly atmosphere then thudding thick downtuned guitar blasts) but Rollin' and My Way are quintessential dumb guy anthems. Fun riffs, extremely corny accents like the DJ scratching, and idiotic lyrics. People are mad about it, but metal has always been this dumb, this was just dumb music for especially dumb times. CD era bloat and loudness wars production make it sound bad and drag on forever. The songs are all at least a minute or two too long. Incredibly funny to be a band as huge as they were at the time and putnout that album cover that's so bad looking and not actually funny - one for all time moron mt Rushmore. Favorite: Take a look around

This would be an interesting band without Fred Durst.

Good

Me parece una genialidad (así como ellos lo mencionan) la forma en la que meten punk, rock, hiphop en una licuadora y mezclan todo de una manera que compagina sumamente bien Hay canciones que son bien reconocidas, justamente, y dan mucha energía al escucharlas, las menos conocidas del álbum no se quedan atrás, solo que quizás son un poco más suaves Le meten hasta electro en algunas partes, y no un electro chafa, buenos elementos del género Reescuchable 3.8

I went into this with some hope because Intro had a neat beat and Fred Durst doesn't talk much over it. But then the 1-2-3-4 hit of Hot Dog, My Generation, Full Nelson, and My Way ruined that. So much of this album is just those guys in High School that you avoided because they sucked. The best part of these four songs are just taken from other songs (later in the album Take a Look Around would just straight up use the Mission Impossible theme, but at least it has the excuse of appearing in the movies first). To try and stay positive: Rollin' is still pretty great, so great that there are two versions of it on the album (I prefer Urban Assault Vehicle to Air Raid Vehicle), and Boiler was solid. Outro being a four minute sketch of Ben Stiller making fun of Limp Biskit is funny, and then they repeat his stupid laugh for 3 minutes straight before playing some messages other people have left for Limp Biskit. It's a really dumb way to end the album that fits. But, you know, "Ben Stiller makes fun of you for four minutes" isn't really a great selling point for an album.

When listening, digesting, and rating these albums, assholeness should not be a factor. Musically 3 stars, Fred's lyrics and vocals drop it to two. Adding this album to the list and denying all of Tool's catalog drops it another star. And honestly, how fucked up is Ben Stiller? Just because there is space left on the CD doesn't mean every minute needs to filled.

5/10

Wasn't a fan then, and not a fan now

Obviously this is pure garbage musically. But in a hilarious way. Which is what earned the second star

maybe the beginning of maga?

I think people tend to look up to or idolize songwriters because they are able to articulate things that we struggle to find words for. No need to worry about that here. Not a single redeeming thing about this album and the only musical part worth a damn is just the mission impossible theme.

This is rough to get through. The instrumental is actually pretty good on a lot of these songs. Shame how the vocal and writing don't keep up 1.7/5

That was fucked up!

What an album cover... What an intro... Absolute craziness that this is on the list to us. The second version of Rolling - urban assault vehicle - is an utterly bizarre remix that felt incredibly random. Overall, desperately not our vibe.

Was Rollin' a modern American line dance when it came out? This is like if you reduced Cheez Whiz to make a concentrate. 10/10 of what it is but it's dumb as the day is line. It feels like Fred Durst was a hype man and the singer was late so he ran onto stage and kind of kept going. It also explains the album length; it's like if he stops then he knows he'll be done and replaced so while he has your ears he's holding on. No one who would be annoyed that this review isn't a five can't read.

The album cover art is awful. There are a handful of well crafted songs, it makes sense that they were so popular, but it's all wrapped up in dumb. Fred Durst's charisma seemed to have an effect on people back then, but he is not good. A better version of Limp Bizkit, would be Limp Bizkit being a project where instead of Fred Durst they use a different rapper on every track. I think it's disingenuous to give this a 1, but it could have dropped some tracks to be a better album. It does seem odd that it wasn't Significant Other instead, but maybe this being a British list is the issue. I see it got kicked off the list anyway. I'm just going to round down to a 2.

Did not enjoy this at all. Angry boy music is not my thing. I forced myself through 5 songs.

metal

On y est, l’an 2000. La fin d’un millénaire et l’apogée d’un truc que personne n’avait vraiment vu venir sous cette forme aussi boursouflée : le Nu-Metal. Et au sommet de la montagne de testostérone, de casquettes rouges à l’envers et de bermudas trop larges, il y a eux. Limp Bizkit et cet album au titre d’une débilité profonde, presque poétique dans sa vulgarité crasse : Chocolate Starfish And The Hot Dog Flavored Water. Rien que le titre, c’est une déclaration de guerre au bon goût, c'est l’équivalent sonore d’un rot après avoir descendu un litre de soda tiède. Je lui ai donné 3 sur 5 car c'est la note de l’efficacité pure, celle qu’on donne au fast-food quand on sait que c’est de la merde mais que, putain, le burger est bon. Et de l'efficacité, on en a et dès l'intro. C’est boursouflé, c’est arrogant, c’est américain. Fred Durst est le personnage le plus détestable des années 2000, c’est un fait. Ce mec, c'est le symbole même de la vulgarité commerciale. Mais — et c’est là que mon côté snob de l'indie rock en prend un coup — le groupe derrière lui est d'une puissance phénoménale. Wes Borland n’est pas un guitariste de métal, c’est un plasticien sonore égaré dans une foire à la saucisse. Ses riffs sur ce disque sont des modèles de textures, de dissonances contrôlées et de grooves massifs. L’album est une succession de tubes qui ont littéralement saturé l’espace médiatique. "My Generation", "Rollin’", "My Way"... On ne pouvait pas y échapper. Même en travaillant dans un magasin de disques indépendant, entouré de trucs pointus et de post-rock contemplatif, on finissait par avoir ces refrains plantés dans le crâne comme des échardes. "Rollin’" est sans doute le morceau le plus stupide et le plus jouissif de la décennie. C’est l’hymne d’une génération qui ne voulait pas réfléchir, juste sauter partout dans un moshpit géant. Le son de Terry Date à la production est absolument titanesque et tout est compressé pour vous exploser les tympans. C’est un album qui a été conçu pour être écouté à fond dans une bagnole tunée. C’est le testament d’une époque où le rock était encore la force dominante sur MTV, juste avant que Napster et le streaming ne viennent tout fragmenter. Le disque est évidemment trop long. Soixante-quinze minutes, c’est une agression. On finit par saturer devant les simagrées de Durst, ses tentatives de rap maladroites et ses moments de "sensibilité" sur des morceaux comme "It'll Be OK" qui sonnent un peu faux. Mais je ne peux pas descendre en dessous de 3. Parce que Limp Bizkit, sur cet album, a réussi le hold-up parfait. Ils ont pris le métal, le hip-hop, la pop et le mauvais goût le plus crasse pour en faire un objet de consommation de masse qui, techniquement, tient la route. Wes Borland sauve littéralement les meubles à chaque morceau avec ses inventions sonores et ses pédales d’effets qui apportent une touche presque psychédélique à cette boucherie. Aujourd'hui, quand je remets ce disque, j'ai une pensée pour mes années de disquaire. On jugeait les gens qui achetaient ça, on se sentait supérieurs avec nos écoutes plus pointues. Mais avec le recul, ce Chocolate Starfish est un marqueur temporel incroyable. C’est la bande-son d’un monde pré-11 septembre, un monde où l’on pouvait être bruyant, idiot et arrogant sans que ça ne porte trop à conséquence. C'est un album que j'écoute comme on regarde un vieux film de Michael Bay : on sait que c’est trop, on sait que c’est bête, mais l’exécution est tellement pro qu’on se laisse embarquer. C’est la foire, c’est le cirque, c’est le chaos organisé par un mec en casquette rouge qui se prend pour le roi du monde. Et pour un court instant, en l'an 2000, il l'était. Ce disque mérite sa place dans la liste des 1001 albums non pas pour sa qualité intrinsèque de composition, mais pour ce qu’il représente historiquement. C’est l’apothéose et le début de la fin du Nu-Metal. Après ça, la bulle allait éclater et on allait revenir à des choses plus sobres, plus "indie", plus authentiques. Mais Limp Bizkit nous a laissé cette trace de pneu géante sur la route du rock. Alors voilà, 3 sur 5. C’est bien payé pour les paroles, c’est mérité pour les musiciens, et c’est le prix de la nostalgie pour une époque où l’on avait encore l’énergie de s’énerver pour rien.

Can't believe I'm saying this, but... I enjoyed this album? I was (and mostly still am) convinced that I dislike Limp Bizkit. The whole schtick and appearance that they go for is a huge negative for me. Durst is the true personification of a douchebag. Even so, I thought this was a solid listen. Most of its appeal came from the music. I'd heard that Wes Borland was a good guitarist, but he worked some magic here. I mean, he had to in order to create songs as good as these came out in the collaboration. It rocked, even with the vocals being what they were. Of course, the biggest issue with this album is Durst. No matter how hard he tries to come off, he still sounds whiny. He's like the yappy little dog that lives next door and never shuts up. And, as much as you may like dogs, you can't help but want to punt him off the nearest bridge. Another issue is how long it is. Why did they need 75 minutes for an album named after a butt hole? Somehow, even with all the reasons I should not like this, I have to admit that I kinda did. If you tune out the lyrical content, these could be some really good nu metal songs. As they are, they're still not half bad. Overall: 3/5

Sigue rodando rodando rodando rodando

Well, it wasn't terrible, but being constantly reminded in the lyrics that they decided to name their album with a euphemism for butthole. Seemed like every song reminds you, butthole butthole. Juvenile idiots.

It should be noted that later releases of this record replace the original version of "Getcha Groove On" with the "Dirt Road Mix" version from their New Old Songs remix album, due to sample clearance issues. I'll be honest, I did not have an "angry white boy" phase growing up, and I attribute that to the generational gap. I was four years old when Limp Bizkit saw their mainstream breakthrough with Significant Other, followed by even more publicity for taking the heat with what happened at Woodstock '99, albeit unfairly. By the time I reached an adolescent age and formally got into rock and metal music, the band went on hiatus as the first wave of nu metal had died off. Then, by the time they came back with Gold Cobra, I was already into nu metal acts that had more longevity than them, some of which were also included in the 1001 Albums books and will be addressed later in my journey. Suffice it to say, I didn't have much in the way of nostalgia or expectations for Chocolate Starfish and the Hot Dog Flavored Water, an album in which the band sought to capitalize on their then-recent attention. So after giving this album a listen, I can comfortably say that it's not good. But before I get too deep into why I don't like it, I want to at least mention the elements of this record that keep it from being outright terrible. In particular, the instrumentation on this record was rather decent. There's a solid beat from John Otto on some of these tracks, Wes Borland seems to be an underrated guitarist, and the sampling and record-scratching from DJ Lethal was reasonably good outside of the egregious flip of the Eagles' "Life in the Fast Lane" on "Livin' It Up". Probably the most notable example on here from an instrumental standpoint is "Take a Look Around", which is pretty much a nu-metal rendition of Lalo Schifrin's theme for the Mission: Impossible franchise, but I can also appreciate the few attempts at atmosphere building on "The One" and "Hold On". Couple the instrumentation with solid production from Terry Date, and this makes for a reasonable foundation for a competent rapper or singer to jump on. Of course, if you know this band, you know exactly where I'm going with this... Let's talk about Fred Durst. Now, it's not new for a decent band to be hampered by their frontman; I've seen it happen multiple times on my album journey thus far. But Fred Durst certainly did his best to make an impression. You know exactly what you're getting into from the get-go with "Hot Dog", where he takes some gleeful pride in dropping an f-bomb or two in every line of his verses while taking the cheapest of pot shots at Nine Inch Nails' Trent Reznor, though Trent does get the last laugh by getting a sampling credit. At best, Fred's lyrics and performance are meme-able, as is the case with most of the singles. At worst, they're some of the most egregious whinging and lame duck non-rhyming from a man who seems to want to put up a front to hide his insecurities. Even for what should have been a more serious song with "Boiler", he can't help but take me out of it with such mindless nagging and talking about "crawling up your butt". Similar case with "It'll Be OK", where it's admittedly hard to accept him trying to move on from a toxic relationship. The only reprieves I have from Fred Durst's faux-rapping getting in the way are "The One" and "Hold On", where he takes on a more limited singing role, and "Take a Look Around," which, again, is the Mission: Impossible theme. You'd have to try really hard to make me hate that rendition. Oh, but it doesn't stop here, for Fred Durst also can't help but flaunt the industry connections that he built up. Not only does Scott Weiland from Stone Temple Pilots show up to duet on "Hold On" and prove to be a better singer than Fred, but Xzibit on "Getcha Groove On", and DMX, Redman, and Method Man on "Rollin' (Urban Assault Vehicle)" all proved to be better rappers than Fred, and they weren't even trying that hard. Also, I may have buried the lede here, but there are two versions of "Rollin'" on this album when there didn't need to be. Of course, if you want a more notable example of how needlessly long this album is, check out the nearly ten-minute outro track. It starts with the robot voice from the intro track signing off, followed by comedian/actor Ben Stiller making attempts at humor on Fred Durst in the studio. This is then followed by three goddamn minutes of looping on Ben Stiller laughing, then a phone call between Fred and Third Eye Blind frontman Stephan Jenkins, and we finally wrap it up with two voicemails from skateboarding/TV personality Rob Dyrdek and actor Mark Wahlberg. I don't think I need to elaborate any more than I need to. I did not enjoy Chocolate Starfish and the Hot Dog Flavored Water. I may not have that much vitriol for Limp Bizkit these days, as they've largely mellowed out and firmly established themselves as a nostalgia act for the festival circuits. I also know this is not the worst album in their discography, as that would be the next record, Results May Vary, which doesn't have the luxury of Wes Borland on guitar. But I cannot in good conscience say this album has aged well.

A few decent moments but overwhelmingly hard to listen to in 2026.

Didn't like it then, don't like it now.

Full disclosure, I was a Limp Bizkid so I am 100% biased. However, I didn't like this album at the time (too commercial, they sold out etc.) in hindsight I was wrong and it's actually good, just not as good as Significant Other.

I grudgingly admit i found my head bobbing along with the thrash metal rap on several occasions. However when I really pay attention the lyrics are ridiculous and much of the album sounds like some teenagers just got ahold of some musical instruments and are playing them as loud and as angry as possible. Not one for the ages, but a decent peek into the time capsule of that era.

I used to really love this band, but I’m giving 2 stars because of their political stance. Russian prostitutes

1st one i actually owned

Shouldn't be on the list

I grew up in the 90s and I have never heard this album. I wish I could still say the same. How in the unholy FUCK does this project not have a single Deftones album, but I've been subjected to Kid Rock and now this. I now understand why "nu-metal" has a bad reputation.

Fuck Limp Bizkit

Some may say that at a track length over an hour, this is an excess of overdursting that few can survive. I kneel. I close my eyes. The breeze feels natural and welcome against my skin. There is no passage of time. For these 75 minutes, the hands of the clock freeze on my behalf. With each symphony of edgy skateboard-metal, my heart's yearning is felt for the next to come. I am brought peace and sanctuary. This is the right place. Also the cover is the most atrocious blight a mortal lifeform could ever hope to commit upon a godless world, but in a good way. Why does it look stretched? What's going on with the clouds in the background? Would you really want this album to have a beautiful masterpiece of a cover? Or would you really want this album to have something sort of boring, average, passable and informative? That's not the kind of vision I could personally have for the world. The way things are, right here, right now, this is what feels proper. This is what makes sense. The people thirst for the Durst

That was absolutely awful.

INTRODUCING THE CHOCOLATE STARFISH AND THE HOT DOG FLAVOURED WATER...

I’m sorry, why in the hell is this on here? This is a joke, right? Who in their right minds would think you needed to listen to Limp Bizkit before you died?

There's still some enjoyment to be had no matter how poorly this aged

Nah thanks.

Pete Hegseth's favorite album.

Simply a relic of its era - couldn't help but giggle at times but due to its absurdity not its comedic value. The music was pretty horrible. My Way was the only one that makes this a 2 instead of a 1.

This album gives me this image: It's 2002 and I am in middle school, I listen to this album. I got pumped up, my dad enters my room and tell me to do my homework... I say 'shut the fuck up'.. I got my ass whooped by him Fav songs - My Generation, Rollin' (Air Raid Vehicle), Livin' It Up 3/5

This album influenced nothing positive in music. Never liked anything they did and never respected their music

Insane. This is my first go of this album, I will be honest. First song sucks ass, not even a passable nine inch nails homage. Very funny though, the comedy makes it almost worth it. My generation is like every bad 2000s Christian metal bands blueprint I guess. Let’s do it, this is not an entirely bad album. I do not like it but I see how important it is/how much it influenced in the alt rock radio space. I also think it’s easy to write them off as all the worst parts of their contemporaries, especially the now infamous far right-leaning contemporaries, but Fred and co have to the best of my knowledge kept it pretty left of center despite their main demographic. Admirable. But back to the music, it’s still bad. There are some riffs here but ultimately I agree with one of top reviews: not enough to say politically/socially other than fuck you, not enough musical prowess/vocal ability, not catchy enough songs. At least they are funny and that works well for them. I will not be returning to the bizkit, I will not be rating them favorably, but know that it was sometimes funny. This 10 minute outro was the largest waste of my time ever.

Obviously nostalgia sways my opinion on this, but an absolute belter of an album. No skips at all, start to finish fantastic, and just great fun. A iconic album of the Noughties, thoroughly enjoyed going back through this one today.

Nu-Metal in the 1001 list! I did prefer Significant Other, but this one is okay

The OG douchebag in a red hat. Gets 2 stars purely for nostalgia's sake and actually nothing to do with the music. Songs from this album were in the background in middle/high school, and those memories happen to be pleasant ones. To be fair, though, they were a joke to us then too. 2/5

Wanted to be contrary and like this but it's really really bad

Very good

'Ain't it a shame that you can't say "fuck" (fuck) / Fuck's just a word & it's all fucked up.' Compare that to Eminem's crusade against censorship, & you'll see who has the cultural & cerebral edge: 'Will Smith don't gotta cus in his raps to sell records / Well I do, so fuck him, & fuck you too.' I don't give a fuck if you don't give a fuck, unless you don't give a fuck freshly & revolutionarily. 'Burn this motherfucker down.' Nothing 'bout Durst & co. is impressively countercultural or subversive. The problem is they also sound bad, i.e., their songs aren't helpful or creative examples of pop metal, rap-metal, or rage styles. I love the word 'fuck' - I think it's English's best & by far most versatile word - but after this record, even I need a break. F this!

110. gross

I will never forgive Fred Durst for killing fun 90’s alternative rock.

What type of lunatic chooses Chocolate Starfish & the Hot Dog Flavored Water for a list of albums to listen to before you die?Especially when Significant Other exists. Take A Look Around is the theme song to one of those Mission Impossible movies. Do you think Fred Durst actually understands Fight Club since he's seen 28 times? Scott Weiland on Hold On! What is the point of sampling Life in the Fast Lane, when you can barely hear it. Almost like an afterthought. The album ends with Ben Stiller laughing for 3 minutes. You want the worst! You got the worst! The one! The only! limpbizkit I Try not to take a band too seriously when they are named after a frat boy game about jizzing on biscuit & eating it. I have seen them live with Papa Roach & Eminem. They put on a helluva show in their heyday. Are they stupid? Yes. Who cares!? Are those weird naked malnourished Fred Durst baby clones floating in Hot Dog water while showing us their chocolate starfish? Now we know why no one likes Fred Durst.

I unironically enjoy Limp Bizkit and all the goofy ass rage-y hit songs they make. This one has a lot of the classic Limp Bizkit tracks on it, such as Rollin, My Generation and My Way. I wish this album ended at the 40 minute mark though. Limp Bizkit is not a great albums band and the album progressively gets shittier and less fun the more you get into it. This didn't to be 75 minutes long, or have a remix of a track already featured earlier in the album, or that dumbass 10 minute outro laughing track.

3/24 Shit

This album really takes me back. I was a big fan of Nu Metal growing up, and I really do enjoy some Bizkit from time to time when the mood strikes. The first half of this album is especially great, and some songs at the end of the album are good as well. Say what you wanna say about Fred Durst, but sometimes you just gotta keep on rollin' baby.

lol. No. -1

3,5

Þetta er glatað, en fyndið.

Hlustaði á hana alla í gegn mér til lítillar gleði. Ekki fyrir mig. En óþroskaðir unglingsstrákar þurfa víst sína tónlist. Álitið jókst nú ekki þegar ég las að Fred elskað Pútin.

Occasionally tolerable but some of it is just so rough

banger after banger, amazing album and so much energy and humour on it

Kao da su djeca od 15 godina pisala. I muzički i posebno tekstovima. Ali mislim stvarno nije najgora stvar. Loše jest ali moglo je gore. A od "umjetnosti" sa albuma ništa ne može gore.

It's fine. The best song is Rollin' because other better artists take over for a while

Esta es la puta vibra, aunque nadie en esta página lo entienda. No digo que los miembros de Limp Bizkit sean los mejores liricistas del nu metal, pero escribían las canciones que la nueva generación necesitaba en la época. La música disruptiva puede ser también divertida y este álbum lo prueba. ↑: My Generation, Full Nelson, My Way, Rollin' (Air Ride Vehicle), Getcha Groove On, Take A Look Around ↓: Boiler

favorite song: getcha groove on vibe: mad rating: 70/100

Whoever kidnapped DJ Premier and made him produce a track for Limp Bizkit, please release him.

ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN ROLLIN

Very genre. Such angry. Fred doesn’t take himself very seriously these days but was full of bad ass attitude back in the day. A fun retro listen. Listening again to this after 20 odd years I am surprised how much I don’t dislike it. Some decent Melodie’s and tunes beyond Durst’s incessant angry shouting “motherfucker”

So the singles are pleasant(minus Boiler, which is dog shit) if you tune out Fred Durst voice. The lyrics are abysmal, and having a cowrite with Trent Reznor because Fred used way too many NIN references is hilariously funny. But as a whole it is not a project I would be willingly coming back to.

No one wants to admit this is actually fun and good, so here I am.

1/10 die

The fact that I got this the day after “Court and Spark” is hilarious and one of the reasons I am loving this experiment. That being said, how the fuck is this album in this list. As a junior high student I was obsessed with Limp Bizkit, I even had the red NY fitted cap. That being said, even 14 year old me knew this album blew when it came out. Ass all around and waaaaayyyyy too long. 0/10

I wanted to hate it, but it took me straight back to middle school in a surprisingly good way.

GET THE FUCK UP!!!!!!!!!!!!!!!!!!!!

7/10

Gay

This was a terrible album when released and the years have not been kind to it.

Limp Bizkit's sound is much more polished sound than I had realized. Maybe too polished.

Not so much for me

Kept me awake while driving. Why so angry tho?

Just didn’t hate, didn’t love, didn’t even like really

Worst representative of the nu metal thing. Childish butt rock. Some bands from the time were pretty good, but somehow theses guys sold more records? Insane. He can't sing, writes immature basic rhymes, and curses every other word, That's not for emphasis or because you're being aggressive/cool. You just don't know enough words to put there, so "fuck". There are some decent chunky guitars and that's cool. But there aren't any changes in tempo, tone or anything. So, every song sounds pretty much the same. The only 2 things that had any worth here are: 1. "The One" sounds like a different band and it's not terrible. 2. "Getcha Groove On" has Xhibit who brings something interesting to the game. Are either of those fantastic? Nah. But at least they're a bit different and not as cringe-worthy as all of the est! This album is a 1 and does not belong on this list or in anyone's collection.

Rollin is a great track, but I didn’t enjoy much else

classic ps2 mx vs atv music. As dumb as the whole thing is, its very unique and actually pretty good. 3.5/5

A timely reminder that the death of nu-metal should be celebrated, not mourned

The music is pretty decent, but the lyrics are just eh

Music school shooters listen to. Best Tracks: My Generation; My Way; Rollin' (Air Raid Vehicle)

There were moments but my overall reaction: please make it stop!

I hate myself for having to come to terms with the fact I enjoyed literally every song on this monstrosity. What a fucking disgrace of an album, and yet I nodded my head along to them all like a complete moron. I even listened to this a few extra times just to confirm I hadn't come down with a temporary bout of psychosis. Lyrics/Songwriting? Braindead at best. Album art? Actually fucked. Instrumentals? Okay yeah fair these go hard. Fred Durst's voice? Dreary. And yet? I loved this thing. Fuck. I need to get my head checked.

It's a fun album. I felt like I came for the main event of Rollin' and wasn't disappointed but the rest of it kind of drags. Many times I asked myself "would this be as good or funny if I had absolutely no cultural context for this album?", I do feel like knowing who and what Limp Bizkit is does a lot of heavy lifting for this. I wasn't feeling juvenile enough listening to this until Mr Durst told me multiple times to get retarded. So that was nice. Highlights: Rollin' (Air Raid Vehicle), It'll Be OK

What complete and utter trash. Mindless hate and ignorance expressed with profanity and repetitive noise.

In every generation a genre emerges with the primary intent of annoying the old people. Sometimes this creates new and interesting music. Sometimes, as with most nu-metal, not so much.Then again, I'm the old fucker they were trying to offend, so mission accomplished? Nu-metal, especially as exhibited here, strips the best part of metal and tries to replace them with hip-hop void of it soul. The result is a vacuum of anything musically interesting. I can appreciate the fact that the intent is to just be fun and annoying. Many punk bands did this too, but they were not doing it while also being overtly commercial. That difference makes this music seem more like a commercial scam than genuine revolt. The personalities reinforce that impression. I've got pretty diverse musical interests, but there was no joy in this music. Maybe if I saw them live I'd feel differently, but I'm not sure I'm willing to take the risk. How in the fuck did they sell so many records?

fuckin weird

Guilty pleasure. It’s fun, dumb and energetic. RIP Sam Rivers Limp Bizkit and Fred Durst are falsely accused of being the main reason everything went nuts at the Woodstock festival. Look at the 2021 documentary Woodstock ‘99: Peace, Love, and Rage which gives a more nuanced view of the situation compared to the Netflix doc “Trainwreck” which almost solely accuses Fred Durst and the band.

Ew. Might have made 2 stars but the album art was gross too.

This album can be cleanly separated into three sections even only after one listen. First, you have absolute garbage. We're talking the first 5 tracks on the album. This is the 2000s nu metal aggressive rap trash that deserves 0 stars bc the bars are so weak it's embarrassing to be paying 0.000001 cents to the artist through my Spotify play. And how much $ did they pay Method Man and DMX to be on the alt version of Rollin'? Bc it wasn't worth it, their version was way worse. Second, you have your uninspired/boring nu metal that could be enjoyed by someone other than me. This is your Boiler and co. where the lyrics aren't overly insulting but also aren't inspired or original. Finally, you have a these unexpected songs that diverge from the nu metal genre that gives this album a lot of variety. Songs like The One, Getcha Groove On, and Take A Look Around are unexpected and aren't bad. Getcha Groove On even has DJ Premier on it. Plus, Rollin' had a pretty catchy intro, and I unashamedly really enjoy the line "I know why you wanna hate me because hate is all the world has seen lately" and the fact that they repeat it so many times isn't even bothering me because it's something that I've read in 1950s newspapers and has been repeated ever since with no change in how society treats itself. Plus the dual strike of a steel drum to drop the beat around 4:14 on the song was genius imo. I was fully expecting to give this 1 stars after the first 90 seconds, esp. when I noticed that album is >75min. But there was enough here to bump it to a 2 star.

And I was really enjoying the nu metal up until the Xzibit feature too.

No

Favorite Track: Rollin’ (Air Raid Vehicle)

Album 125. Chocolate Starfish And The Hot Dog Flavored Water (https://open.spotify.com/album/5mi7FKaWE5CtcOjdyxScA7?si=V41Je5AVSaacKZaVxpNKPQ) — Limp Bizkit (2000) Thank God we have Limp Bizkit. I was genuinely amused when I saw average rating 2.5 aghahhhahahlol. Yeah, it's kinda shit. But it's great dope shit. 5/5 Liked songs: — Hot Dog — My Generation — Full Nelson — Rollin' (Air Raid Vehicle) — Livin' It Up — Take A Look Around — Rollin' (Urban Assault Vehicle)

Imagine a 22-year old white guy wearing an Affliction t-Shirts, baggy black shorts with a chrome chain, a skull belt buckle, dirty hi-top black & white Vans Sk8s, waxed spiky hair, a juvenile scraggly beard, a nose piercing, and two huge black gauges in either ear. That's your stereotypical Limp Bizkit listener and it hasn't changed since Y2K. You either love or hate Limp Bizkit. I fall in the category of ironic love. If you listen to the band just to headbang in your garage while pounding natty lights, this band rocks. If you listen to it expecting genuinely good metal music, you're going to cringe. It's aggressive drums, bass, and guitar, catchy tunes, chantable lyrics, and all round "dude-bro" vibes. They sing about sex, breaking the law, drugs, taboo behavior, and drinking. It's mosh-pit party metal to its core and inspired an entire sub-genre of metal "Nu-Metal" and also "Rap Metal". On this album, notably, is: "My Way", "Rollin' (Air Raid Vehicle)", and "Take A Look Around" which are arguably this bands 3 of their top 5 songs. I make fun of Durst's voice all the time and I think it's hilarious, but this whole album actually jams. I go through my "Divorced Dad" metal phase about once a year (Though I've never been either) and this album is always in the rotation. 8/10 - I understand the hate, but choose to ignore it.

Really don't see the appeal in this one. Monotonous sound, and noticeably poor lyrics - I usually don't even listen to the lyrics but this was terrible.

Hi, I’m *name redacted* and I reluctantly fuck with the Biskit. This was a fun, stupid ride through that odd weird millenial moment of the rap/rock/funk hybrid, of which I guess Limp Bizkit was the most successful. These guys are painfully dorky - the lyrics are so try-hard it’s embarrassing - but the record did induce some head-banging and kitchen dancing at points, and it kept my attention for the full 65 minutes. Points for keeping their friend’s incredulous roast of their name, music and image in the last track. The howling laughter, my friend, is all of us.

If I could give it zero stars I would

1,5

Nope

Stupid, infantile, and way too long, but a lot of fun. 3.5

Who doesn't love a 10 minute long outro track, more than 3 minutes of which is just some douche laughing at his own jokes. This was definitely too long, but I don't really mind Limp Bizkit in general.

So, I fully acknowledge that this is not a good album... but it's so much fun. It's no Significant Other or Three Dollar Bill, Y'all, but it's still got it's fair share of bangers. I think it starts to lose stream after Take A Look Around. It's another album that falls into that 3.5 range... this time I'll go up to a 4, just for how much I was enjoying the majority of the album.

lyrics are soooo bad, but this is my child hood soundtrack so it gets a nostalgic 4 (at least 1 star higher than the actual quality)

This album was so unique and interesting. I believe it was the first rock/hiphop album

Its ok

Yes, this album is crass amd goofy. But I don't think that's a bad thing. For the reputation this album has, there's a surprising amount of depth, artistry, and passion for the music being made. No it's not for everyone. But this is a good album with a lot to enjoy, and a lot of range for a raprock band. Top tracks: My Way, Rollin' (Air Raid Vehicle), Boiler

The first few songs had me wondering how I would ever make it through the album. Then there were a few good songs I recognized from my youth (My Way, Rollin', Take a Look Around). It definitely feels like they think saying the F-word makes them edgy or important. Parts of this album are embarrassing and I am surprised it made this list. Why does it have to be so long?

Enjoyed it more than I thought I would.

sisi ahi escucho nu metal

I didn’t even listen it, the name is nasty I’m just a girl

this is horrific but at least it was entertaining ...until it went on too long and became insufferable listening to this made me turn off recently played artists being visible on my spotify profile

This is the second Limp Bizkit album I've heard, the other being Significant Other. I'd consider both guilty pleasures—lyrically they're not deep or anything, but their sound of rock/rap mixup is undeniably catchy. SO had the problem of many tracks sounding the same, but this album offers a little more variety and quirkyness. It's also got several certifiable hits, so I'll give it a 3.5, rounding to better-than-average.

This might be the worst album cover of all time. The lyrics are juvenile and contain little beyond false bravado. Many other nu-metal/hard rock artists have better vocals, more skilled musicians, and more complex composition. I completely understand why this album was taken *off* the list of 1,001. In short: it's hard for this album to appeal to anyone beyond teenage boys. On a related note: I was a 15 year-old Mountain Dew-chugging white boy when this was released, and this shit still slaps for 40 year-old me. I can't call it good, but I also can't honestly give it lower than a 4 since I'm rating all these albums subjectively. If the second half of the album were better or shorter it would get a 5 (although the track "Boiler" still holds up). Yes, it's simple, but it still fucking rocks. Yes, the lyrics are stupid, but they're kinda fun and (shockingly) you can actually understand them and sing along. OK, you wouldn't "sing" along, but "raise or lower the pitch a bit while you kinda yell" along. I gotta say: I genuinely enjoyed my time with this album. So if you're keeping score, "Sgt. Pepper's" and "OK Computer" are 2-star albums according to me, but Limp fucking Bizkit has a 4-star album. Today is one of those days where I can't believe I was a valedictorian. Gave a speech at graduation and everything. There were nights where I was listening to "My Way" and "Rollin'" and "Livin' it Up" while absolutely *crushing* my trigonometry homework (and probably taking breaks to play Tetris or Galaga on the TI-86). 4.4

What!? Why???

(5/7) good for a rage run, probably my favorite metal so far

This is dreadful. Why is it on this list?

A bit try hard

No nostalgic feelings toward this. Music is solid at times, the lyrics are silly. I could write a lot more about it but I’d rather just take a shower and move on.

You know, I went in with an open mind and didn’t hate it nearly as much as expected. It was actually a great album to listen to while working out. That’s actually the only scenario in which I’d personally listen to this.

A generationally embarrassing album. Bummed it was on this list, even more bummed this is 75 MINUTES LONG. Still, it did tickle some nostalgic areas of my brain as a member of the generation that should be embarrassed by this album.

I’m not sure what this album is doing on this list. It had a brief moment in the 90’s. It’s not good.

begon eigenlijk beter dan verwacht.. geen hoogstaande lyrics, maar dat hoeft niet altijd... eerste helft swingde als de uier van een drachtige koe... maar dan stortte de pudding in elkaar, en werd het nooit meer als voorheen....

A very noisy album. There are elements in there that are done better by other bands eg. Linkin Park. I would have given it 1 star but it does have Take A Look Around on it so I'm giving it 2 stars.

2 stars for My Way and Wrestlemania X7. Durst’s vocals are annoying after a while

on Sunday, November 1st, 2025, sometime around 2 in the morning, in a basement club in the heart of the Cardiff City Centre, i slipped and fell on my ass on the dancefloor after jumping to Limp Bizkit. i know this band isn't terribly intelligent or subtle, but there's something really undeniable about their energy. that's what keeps people my age coming back to it, despite it releasing before we were born. songs like Rollin and My Generation were made for moshing, which is honestly a pretty noble goal. Significant Other has better songs and a better flow but this can do in a pinch. it gets a point for being more experimental, if you wanna call it that. deserves to be one of the 1001? eh i would swap for Significant Other but there are worse choices on here for sure

Classic from college

This was a bit of torture for me. In searching for the reason why some of these albums are on the must listen list, I find the purpose may be for me to identify or validate musical genres that I absolutely dislike; this album certainly falls into that category.

Boy howdy, what a slog this was. You tell 'em Fred. You're a tough dude in a red hat who likes to yell about how angry you are. Honestly, though -- if you squint, there's some pretty solid musicianship behind a lot of the Durstian bellowing. Sure, it's sludgy nu-metal, but it's *tight* sludgy nu-metal. Wes Borland and Sam Rivers are actual killers in this genre. But it's all just so *lazy* lyricswise. Probably the worst-written raps outside of a middle school lunchroom. When Xzibit shows up on one track to do a verse, what he throws down is so much more, well, interesting than anything Durst does. Back in the day, there were a couple of Biskit tunes I actually kinda liked. Those days are thankfully past.

Bon, ce matin, j'étais un peu dégoûté de voir que j'allais avoir à écouter Chocolate Starfish And The Hot Dog Flavored Water, de Limp Bizkit, aujourd'hui. Cela dit, à l'écoute, c'est pas aussi mauvais que ce que je m'en souvenais. C'est vrai que c'est très très couillon, mais d'un autre côté, c'est très assumé et je suis persuadé que Fred Durst est moins bête qu'il n'en a l'air et qu'il flirte juste comme il faut entre la stupidité assumée et la provocation de ceux qui le détestent. Musicalement, c'est vrai que c'est pas foufou, les titres tirent trop en longueur et l'espèce d'outro infinie qui consiste à 90 % de gens qui causent, c'est pas très intéressant, mais il faut aussi admettre que le groupe a de la personnalité. Et après m'être farci des tonnes de niaiseries et de groupes de rock des années 70 de seconde zone, passer à du néo metal pas foufou, mais un peu rigolo, ben ça soulage un peu, on va pas se mentir. Même si, encore une fois, j'aimerais bien savoir quels autres albums de metal des années 2000 ont été écartés au profit de celui-là ? Est-ce qu'il a seulement inclus Blackwater Park, tiens ?

I hate this band's sophomoric name, and their even more sophomoric album title. I was all prepared to slap a 1 on this, but the issue with that is it's not actually as bad as I expected! I mean, it's not *good*, and it's way too long, but there's some songs on here I actually thought were kind of fun! Still never listening to it again after this though.

Годнота годная! Супер альбом по звуку, по формату, по смыслам. Прям такой телепорт в 2000!

Just as stinky as its title implies. Nu metal in general usually combines lots of elements into a whole that I don't care for - a muddy, congealed, solo-less mush of guitar, annoyingly bouncy and often slapped bass riffs, and usually nasally and reedy rapped vocals. Combine that with the infantile lyrical talent of Fred Durst, and you have something that is just utterly anathema to me. Fred Durst writes lyrics like a 13-year-old who just learned the word "fuck", and has no greater insight into the world than "fuck the haterz!!!1!1!1!!" Particularly egregious, and easily the feature that cemented my 1-star rating, is a song in which Fred and a guest rapper boast about beating up gay people, using an anti-gay slur common of the time period, and then on the very next song, Fred tries to complain about all the hate in the world (and, pertinently, the hate directed at him). You couldn't write a stereotype of an early 2000s edgelord that's that on the nose. Then the nearly 10-minute "Outro" ends off this hour and a quarter of sewer ooze, with a spoken word diatribe about how great Limp Bizkit is followed by three minutes of an incredibly annoying laugh on loop. Fuck you. The only song that had both musically interesting elements and non-god-awful lyrics was Hold On, but this was far too deep into the album to change my opinion, and if anything pissed me off even more, because they could've just been writing songs like that across the entire rest of the album. That song is the only thing saving this from a 1/10, and it's still a fairly low 2/10. Fuck this album and fuck Fred Durst.

I was genuinely embarrassed listening to this.

I despise everything about their aesthetic. I'd be embarrassed to be caught listening to this. The lyrics objectively suck ass. Outside of the admittedly good riffs, it's all so over the top trash that it's impossible to take seriously; so much so, that it weirdly loops back to being kind of fun. I don't know, I think I kind of limp with the bizkit actually 😭 Standouts: My Way • Rollin (Air Raid Vehicle) • Getcha Groove On - Dirt Road Remix • Take A Look Around • Boiler • Rollin (Urban Assault Vehicle)

Pack it up guys, I found the cause of the "male loneliness crisis". In all reality, this album has some really good bones it and it makes me mad that Fred Durst is on it at all. The drumming is generally great, the bass is interesting. There were even two or three songs on here I might listen to again. BUT I can't stand how much of nu metal is self pitying trash about how no one understands me, mom. They could've gone reflective and after pairing a bunch of songs about fuck the world and wrecking shit with songs asking why am I so alone, tried to bring those two ideas together and you know, say something. People make fun of Linkin Park but I believed that Chester was suffering. I think Fred Durst is the type to kick himself in the ass and cry that his foot hurts.

woof

There are few good things I am capable of saying about this band, or this genre in general. There is some decent musical compositions at points of this. And then, Fred Durst's whiny fuckin voice hits and I'm done

had beter verwacht 2.5

Ya know, I really didn’t hate this as much as I thought I would. I can understand the hate for Fred Durst, but the band had some killer ideas and riffs happening throughout this album.

I had successfully avoided this album for 26 years. This stupid ap ruined that streak.

Would be a fun album but there is much bloat everywhere. Would be a 4 for me if the album was cut to half its length

It MAY have been revolutionary at the time and the and the sound DOES bang but it’s the same idea just repeated 10 times.

Look I tried to approach this one with an open mind. And some of the instrumentation isn't bad. But man, Fred Durst's voice and rapping just is grating and relentless. And the lyrics are insane - Rollin' is basically a nu-metal version of hokey pokey and that's one of the better tracks. Limp Bizkit has mellowed since their heyday and Durst seems like an alright dude now, but unfortunately this album is still too excessive and over-the-top for me.

I kinda hate that I have to rate this 5/5, but fuck it.

You can’t be serious with this one.

Kan vi ikke alle blive enige om, at det er rigtig sjovt, at en af 90'ernes top 5 guitarister var ham fra Limp Bizkit. Bedst tænkelige eksempel på "[dum kunst] didn't have to go this hard". Jeg tænkte i hvert fald den tanke ved hver eneste sang

Det er længe siden Kid Rock men tror måske det her er den værste plade på listen indtil videre! Teksterne er måske endnu mindre cool, vokalerne er utvivlsomt værre

Sick album, Wes Borland is just amazingly good.

Nu-Metal, Rap, 2000 -> 2

Similar at times to System Of A Down but musically quite a bit more interesting. Favourite tracks were probably My Way and The One. 3

Whelp, there's all my 2000's nostalgia. Songs like My Generation and My Way are classics. Hold on is very nice as well. Just be aware that he does not in fact say "Simon Says" in the song Rollin' so you don't actually need to do what he's telling you. Anyway. Still a decent album, but hardly a great one.

I rolled my eyes when I saw this album appear as the album of the day. My gf loves this album - we own it in vinyl. I'm not the fan of it she is. This album was a product of its time. It is a necessary component of any historical discussions about the social zeitgeist of the early 2000's, and maybe, for that reason, it deserves to be on this list, but I also think it was rightly removed from later editions of the book. It's not a great album, but I don't think it deserves all the 1-star hate, either. It's silly fun, I'll give it that. It's obnoxious, and loud, and oversized. It has a terrible title.

Rolling' (Air Raid Vehicle)

Would argue the musicianship here is actually really good, but then Fred Durst opens his month and ruins it 2.5*

A couple of these songs hold up ok, but most of it is REALLY dated (mostly by Fred's baby vocal delivery) My Way Rollin' Take A Look Around ^^ All pass the sniff test to me, mostly because the guitars are so sludgey and cool. Mostly a pass but it was an interesting listen

Nah, fuck this.

Nu-metal was the scourge of the early 2000s, and Limp Bizkit were the scourge of the nu-metal scene. These guys were parcelled up and shoved down our throats in the noughties by MTV, and there was no escape. There's so much to hate here. Fred's double-tracked, high-pitched, whingey voice grates on a part of my brain I didn't even know existed. Wes Morland's stupid attempts at being edgy involved everything from horror masks to creepy contact lenses. The definition of style over substance. The temperament, bravado and aggressive juvenile boastfulness of the lyrical content is loud and in your face. The over-polished, over-produced instrumentation only highlights the lack of substance. The bastardization of The Who, Frank Sinatra and the Mission: Impossible theme song is criminal. Repetitive melodies mix the absolute worst parts of white rap, dance music and rock into something that's lingers like a bad smell. It's music for frat boys to frat to. Let me be fair. As fair as I can be when talking about Limp Bizkit. If I squint my ears, some parts sound alright. There, I said it. Songs like "My Way", "Hold On" or "Full Nelson" for example. But when I listen closer, everything starts to get on my nerves again.

This album doesn’t belong anywhere near this project. Most of the album is near-unlistenable: jangly, un-musical, repetitive. And it’s far too long. A decent editor might’ve removed 30 minutes or so? Is “My Way” the only thing keeping this from a one-star rating?

Has some great tracks, almost a 5 but there are 3 or 4 tracks which just bring it back to a 4, especially outro, really should have left it off.

Absolutely the worst genre.

Too violent for me

Fortunately I'm anonymous here so I can say a slur. Fred Durst/Limp Bizkit in this era is the ultimate wigger. A combination of backwards sideways fitted caps, baggy pants, skate shoes, graffiti and skate culture infused with a nu metal sound. Fortunately he's mellowed in recent years and he's just kind of a shrewd business man cashing in on some nostalgia concert runs. But we're here to discuss Chocolate Starfish and the Hotdog Flavored water. Its udder shite dude. Spats on the face of nu metal, the art form and hip hop the art form. But it sure does excite the whites. I refuse to accept that this is a credible album to consider before you die. The Wes Borlan riffs are okay but the end product stinks. The only true saving grace is the Songs "The One" and "Hold On" both sound much like Alice in Chains songs. If they stuck to this sound and let it develop it might have been a superb album.

fun but not very listenable unless im in a weird mood

Music for kids that think Mountain Dew is hydration. At least “My Way” and “Rollin’” remind me of mid-to-late WWF Attitude Era with the Undertaker and Stone Cold vs The Rock

I know, I know... But I don't give a f*, y'all

you have to listen to this album before you die so that you understand how truly abhorrent the human mind can be

The pussies are gonna hate this one

How do you even begin to evaluate this? Is it good? Is it really really bad? Is it responsible for some of the worst music ever? Are little bits of it good and its marred by what it is? If we are talking actual "good music" I would say My Way is definitely the best song. The One is okay, the ballad towards the end is fine. Boiler is fine. Mission Impossible is okay. I was gonna go for a 3 to be kind, but the remix of rollin and then awful unfunny skit that lasts 9 mins, I'll go 2

Fred Durst knows the f word. One of the most disturbing titles and pieces of album artwork. I was expecting to hate this, but it was a modicum more interesting than I expected. Extremely juvenile with little to say, but the nu metal riffs were heavy. Like a trailer park rage against the machine. 1.5/5 -> 2/5

Thank you for the nostalgia. I hid away in shame that I loved this album in middle school. Looking back now, it’s not as problematic as some of the other stuff at that time.

The end of the album drags a bit. But the hits kick ass!

Actually didn't hate it. Although, the number of times Fred Durst says "Fuck" in this album would be a great tie break question at Think Tank. I'd guess at least 200+

I enjoy a lot of nu metal music but not Limp Bizkit. I'm not sure who the intended audience is, but this band is so big. Is it the name and accompanying implied game? It's not a particular musicianship or clever lyrics or a charismatic lead singer. It's perplexed me since this album came out. The one song I can tolerate is the James Bond theme remix. That and it's cultural impact are the only things keeping this from being only 1 star. The best thing you can say about this album is that if you meet someone who names Limp Bizkit as their favorite band or this album as their favorite album, you can immediately treat that as a red flag for that person.

I know I've listened to this before and didn't hate it so much, but this go-round I'm just finding the lyrics annoying, to the point that its distracting.

Way more hits than expected. Strong motherfuckin' start and then they calm down a bit. Very enjoyable, even better while doing something active!

Captured a moment in time. Some bangers. Some shit.

Hell yeah

Way too long and not what I’d call good, but it can be silly fun at times. And shoutout to ben stiller

I mean... it has Rollin' and that song is forever a banger. I'll give it a 3, cannot deny the talents of Wes Borland.

Fun songs, the Mission Impossible theme was always a cool song I thought, this was a good time in music when NuMetal was starting out.

Not a fan of this style.

Didn't expect to see this one on here. It takes me back to when I was like 12. This album is completely insane though.

If it weren't for this website, I'd never be listening to a full Limp Bizkit album all the way til the end. I would be lying if I said I didn't get any enjoyment out of it: it's definitely fun and makes me think of the '99 Woodstock performance the year before this came out. Lyrics are awful but I think that's part of the charm. I won't be listening to it again though! Difficult to pick favourites because most of the tracks all sound the same to me - but I would highlight Boiler as somewhat of a standout track.

I went in knowing exactly what it was going to be, and that is pretty much what I got. I do not love it, but I do not hate it either. Some of it is daft and over the top, and some tracks have a bit of punch. A lot of it might feel dated now, but I loved many of the singles at the time. I enjoyed a few moments, then had enough.

What a gross album The cover manages to catch the albums spirit very well. Disgusting and unnessecary. The frontman’s voice is extremely bad and the beats never dissapoint, if you’re looking for something even a baby could cook up. It might just be me not liking the fusion of Metal and Hiphop, but I don’t understand a single aspect of this. How many times does the vocalist mention something about how cool Limp Bizkit is during this? It wasn’t cool at any time, but it only gets worse when he chooses to do it like 30 times. I don’t recommend this to anybody. Maybe if you’re absolutely nuts, but if else please stay miles away at all times. This is also literally the worst album name and cover I have EVER seen before. I mean it. Why the actual Fuck would anyone name their album after hotdog flavoured water? This is also probably the worst outro EVER. Shut Up!!!!!! So anoying. Of course credit shall be given where credit is due, so I have to say that I did think that “Getcha Groove On” actually was fine.

Love this band. Their vibe and sound are so singular- sure it’s not anything high-brow, but it just makes you wanna crank the volume. Songs like “Rollin’,” “Take a Look Around,” and “My Way” are in total bangers of meathead attitude and 2000s nu metal nonsense. The problem here is its length. There’s a solid stretch of weaker tracks in the middle and the DMX and Xzibit remixes were very unnecessary. Despite the amazing work by the musicians and my overall loving the project, it gets a 3

1/15, 6%

It's a classic Nu album 22/1/26

Surprisingly had to much fun listening to it while working my corporate job

Aggressive, overstuffed grooves built from chugging nu-metal riffs, rubbery bass slaps, hyperactive drum loops, DJ scratches, and relentlessly shouted vocals move this nu-metal album like being trapped at a bad frat party that won’t end—loud, juvenile, and exhausting, mistaking constant noise and swagger for actual substance.

Better than Coldplay

I am a brave boy who is open minded enough about music for this and not linkin park specifically. That is my mantra before I listen to this album. A friend of mine suggested "don't think too deep and let your white boy fly". I will do that, maybe snort some glue while we're at it. I don't want to comment on album covers but it's definitely not the best look. Given the name of the album, I don't think I should have expected some minimalist bullshit or something half decent. I do respect that limp bizkit/suprisingly not a horrible person Fred Durst will do things their way and not give a fuck about what other people think. I'll also say this list has too much nu metal to actual metal on the list. They could've at least included Deftones' White Pony if they wanted a strong album in that field. We have Kid Rock, KoRn, and Limp Bizkit. I think I'd rather keep that one KoRn album over either of those three, but White Pony is a better album than those bands. Anyways to the actual music Even giving this album a chance, it hasn't really impressed me. It's clear to hear the music that influenced Fred Durst and Limp Bizkit, but it feels like conflicting styles and not really fully blended together, a staple of many a nu metal sound. There's some CD era-itis with having hidden songs on a few tracks and songs that feel a bit too much longer than they need to be. These problems would continue to many other albums over the span of the next few years, and this is merely a sympton of the problem rather than case zero. Rolling is good. Hot Dog is probably the one song I can't tell if I hate or like, but very much resembles that "conflicting of styles without being sure which lane to stay in works best" problem I mentioned earlier. Uniqueness isn't inherently good, because you can still produce unique shitty ideas. Look at Silicon Valley and their start-up company cults that get propped around there hundreds of times a day. Limp Bizkit were certainly, for their time, a unique band that blended rap and metal/rock differently from earlier attempts with a more pop focus that would inspire a bunch of mainly shitty bands in the 2000s. Some of this was "nu metal" and the tamer for non-edgelord people was "postgrunge". Neither of which helped rock and roll's popularity to continue past the 2000s with the further rise of Hip Hop overshadowing the genre and the groove of Electronic music would later blend to pop music and still be pushing on forward with EDM/dubstep and influence hip hop with drill/100 gecs shit. And so on, and so forth. I'd rather not get into high and low culture (let some shitty silicon valley startup company using mechanical turk-ass AI to get someone from southeast asia to answer your question about that instead of using wikipedia), but Limp Bizkit and Chocolate Starfish and the Hot Dog Flavored Water were certainly kings of low culture along with Insane Clown Posse. I mean no offense to this, but that is a legacy to have and behold. You gotta remember that this sold very well. It's not necessarily like TV where you appeal directly to the lowest common denominator for ratings, but it appealed to enough lower/middle class white people who could relate to Fred Durst's problems of being a working class Floridian. There's a lot of people in that market. Honestly many of the songs are fairly similar: the guitar riffs/tone, Fred's shockingly honest lyrics about being a melancholic white boy with some mild form of being bipolar, the bass somehow being out of the recording because it's not the lead guitar, and the drums are okay, if lackluster. Some songs stick out: The One is a bit more Incubus sounding on the guitar and mid-song tempo shift, and isn't really that typical 'limp bizkit' stereotype. Getcha Groove On (Xzibit version, which seems to be the new main version of that song) is palatable. Boiler has different riffs and more annoying screams. Hold On doesn't screech my ears and I actually appreciate or enjoy it similar to The One. Maybe Fred Durst could have tried doing post-rock, would have been much more interesting than this album. I can say now that I don't completely hate limp bizkit, but it's hard to find a reason to like this band as someone that really does not like to test the waters of a genre that sturgeon's law couldn't even defend. It's not even formally in the list anymore. It has a purpose and some legacy, not necessarily the most positive but not all negative either. It's like the famous metaphor of the Grateful Dead and black licorice. A lot of people really don't like black licorice, but the people that love black licorice really love black licorice. If you really like this sort of sound in music (record sales don't like unlike the music charts these days with streaming), it's a great record. But who am I to say, I've been to over two dozen Phish shows. People hate on them and their sound, and like Limp Bizkit haters, probably don't really know what the band actually sounds like other than memes and outbursts (Phish has significantly fewer mainstream memes than limp Bizkit/Fred Durst have). Now I can say that I have listened to Limp Bizkit, and still don't really care for them. I won't say I'm a hater, but I'll keep rolling rolling rolling rolling rolling my eyes whenever I hear the name.

Music Flavored Truck Nutz "Hey I'm throwing a party and thinking of inviting Jimmy Shits." "Why is he called Jimmy Shits?" "He shows up and shits his pants." "That sounds awful." "It is. He absolutely reeks, of course. And don't let him sit on ANYTHING." "Explain to me why he is invited?" "Enough people think it's hilarious. They'll pay to see him! He's such a good businessman. Also, even if you don't like the shitting thing, Jimmy's a really good guy." Following the audience violence that ensued from their Woodstock 2001 performance, the defensible excuse from the Durst was "all we did is what we do. I would turn the finger and point it back to the people that hired us." That is absolutely true, but it doesn't excuse the band for an entire career built on milking money from puerile antics. Certainly, Woodstock 2001's booking made an indefensible move in booking an indefensible band, but the band remains the source of the trouble. The nice things I have to say about this album are that Wes Borland crafts guitar textures that are catchy, inventive, and inviting. The drums have heft and groove, even when locked in middling tempo (for the whole album). The band plays in tight sync with a dynamic range of cool lows that pounce to unleash crashing, scorching catharsis. The lead "Intro" snippet, without significant vocals from Fred Durst, even at around one minute long, promises so much more from pulsing plucky arpeggiation than will never actually be deliverable in this album beyond a tool to force feed you Fred Durst's frat boy act. Emotionally stunted lyrics orbit around a cycle of defensiveness, bragging, self-pity, and violent retribution. "Hot Dog's" dogging on NIN is well into the territory of insecure preoccupation. "Livin' it Up" teaches us that Fred Durst proudly drives a truck and has spray paint in his backpack for doing graffiti. "My Way" shows us that no one understands him and it's tough to be so disliked. (There clearly is no reason why people would dislike you, Fred?), and in "Full Nelson," Fred tells us about the violence he's gonna do to you if you hold him accountable for something he's done. I also have to point out that it's a weird flex dissing on Nine Inch Nails via such heavy recycling of their own musical ideas. Especially in the lead off song of the album, and especially when the reference tends to go on and on. Just when you think eight bars of the joke is enough ("Haha he's doing 'Closer' but making it fukkin' LiMP!"). Durst doubles down on another insecure eight, just to make sure you got the joke. Clocking the amount of time Durst repetitively spends on the Nine Inch Nails inspired material in the choruses to 'Hot Dog' could certainly reveal a shameful and disturbing percentage, but that would involve listening to the 'Hot Dog' again. --- - Do/Did I own this prior? No, not even in my younger years of more questionable musical tastes did I care for this. - If so, how has this day in the project changed my view of the album? - Otherwise, do I look forward to listening to this again? I wither to think I would have to listen to this album ever again. - Is this album's inclusion on the list justified? GTFO. Honestly, "1001 Albums..." compiler Robert Dimery, who I am otherwise grateful to for giving me this project to work on, can fuck right the fuck off for validating any single moment of Limp Bizkit's venal bad-joke-turned-business-venture career.

Better than expected honestly

unexpectedly loved this

Love this

It is awful, but there is a certain baggy, cargo-shorted charm about Fred and the gang not seen in their sterner contemporaries (looking at you Messrs Manson and Davis). So, one star, but without prejudice or hate.

first song is bad i don’t like it. after that it kind of feels like if hazbin hotel was a band why are you saying fuck so much 😭 hate his voice as well track 8 is alright actually i don’t mind it too much! i think it gets a lot better after track 8, i might listen again knowing that it gets better later on because each time a new song came on i was waiting to see how shit it was

So bad it made me rethink my other 1 star ratings to ensure I wasnt being too harsh on them.

I knew I couldn't fairly assess this album because I despise the genre, the juvenility and Fred Durst himself, so I casually put on the album with my unwitting son in the car. His immediate review was "Eugh, what IS this?" So, one star.

just one of those days, where I wake up, and this is today’s album, and everything fucking rocks

bangers

I'm pretty sure I bought this album at the time. Most of it doesn't hold up. It's no wonder it was removed from the list. Favorite song: "Take a Look Around"

Album with Rollin in it. Has bangers but FAILSS in the second half.

awful

Lumpy biscuits are back in vogue at the moment, and I need to say that my high school self would’ve joined the ‘Nu Metal’ club on campus…but time makes us wiser and more discerning so now I just have to smile knowingly and shake my head when my kids join the Not Nu Metal club on campus

I was dragged to a free outdoor limp bizkit concert 20 years ago. It was still not worth it.

That was horrible.

the good songs just about make up for the tripe

So bad it's good? Always liked this album

Dogshit.

Nope.

This is just pretty stupid

I could write at length about what a broken human Fred Durst is. But no, I am here to tell you what I think of this album. Puerile name. Shallow content. The first half is ragey with cliche lyrics. The second half is less ragey. The target demographic for this work appears to be 12-year-old boys. I am not that, so I was unimpressed. I'm not sure why a 30-year-old adult would feel the need to make such content, but hey, I am not here to tell you what a broken human Fred Durst is.

Long live Limp Bizkit - shall they concern parents evermore.

Nope

Legendary. One of my favourite albums ever - even non-singles and interludes here are brilliant

Trying so hard but ultimately boring. Unsuccessful troll is unsuccessful

Will admit I listened to this a bunch back in the day. Nostalgia has it at an immediate 5, still slaps, don’t care. But, minus 1 star for the ridiculous and juvenile “chocolate starfish” concept and cover art.

If I could give this negative stars I would

There is a genius to this album: stupid band name, disgusting album title, hideous artwork, all working together to create incredibly low expectations. And for a moment, it almost worked on me. That is, I went in thinking this would be an easy and obvious 1 star. But then there were some interesting bass lines, decent guitar riffs, and a few memorable hooks. I was almost lulled into giving this an undeserving 2 stars before I remembered that it’s an irritating, grating, and offensively long album, and that I’ve given the other albums 1 star for less. So fuck this shit, it gets 1 star.

Musically there are a lot of moments on your album that are fine, which is why I'm giving it a 2. But the vocals are just really a problem. His voice is annoying and his lyrics are dumb. And why did I listen to that whole 10 minute final track with the guy making fun of the band and laughing?

ehhh really not for me. The vocals were grating and the topics were immature in a way I couldn't identify with. What I mean is that if I had been an angry angsty teenage boy this album would slap hard, but I never was and never plan to be so... That being said, some of the instrumentation and beats were catchy and I get why people like this band, which saved this album from being a 1/5

I’m so conflicted on this one. On the one hand, Limp Bizkit is a crime against music. I never listened to them when I was 13; I was not nearly angry enough, I guess. About a decade ago, I started listening to Limp Bizkit ironically, usually pretending my cat was singing the songs (I think cats have the impotent rage that Limp Bizkit is known for). This developed into an unintentional appreciation for this nonsense and Numetal on the whole. Then I moved to Jacksonville FL and Fred Durst’s mom was a regular at the restaurant I worked at during COVID and she is a lovely woman. LB is not good music, but I appreciate them for what they are.

How dare this be included

I feel dirty after listening to this. Aspects of this album though hit a soft spot for me from my nu-metal tastes of the late 90s to early 00s while in my 20s. I dig Wes Boreland's style, the production of Terry Date, that nu-metal groove. I dig the guest vocalists who REALLY carried the tracks they were on. And there are some tracks that definitely deserved to hit the airwaves of rock radio of the time. But man... the whiney ass Fred Durst vocal style and gudawful lyrics just grind at my senses anymore. On top of that, much of the album sounds like rehashing of previous material just to capitalize on their successes. Almost a "let's make a track that sounds kinda like this one." Basically non existent growth in their sound. And those fucking vocals... ugh. Yet, I found myself enjoying it more than I think I should.

If it were half the length, I’d like it better. Still, it’s a good picture of where this style of music was at that time. It sold a lot of copies cause people liked it. I like some of it a lot... the rest, I could do without.

Yuck

Incredibly apt album name which maybe earned it an extra star on its own

When I was 10 I thought this was great, it's catchy and heavy in parts but it's very immature, lyrically not good, and far too long. Cut out half the songs and it might be better.

Hard pass

Title and album artwork are offensive to music as art but there’s some high points here. I see why they were so popular for a brief period despite some pretty questionable lyrics.

Yea no

🍫⭐️🐟

I still like the sound, the mix, the voice, incl. the rap. But yeah, the lyrics suck.

It was fine, just not my style.

…what am I even listening to? These lyrics are painful.

Not as bad as I remember. Crazy it made this list though.

> the Beatles People who hate this album/band, often attacking the lyrics, yet rate bullshit like Yellow Submarine 5 stars have zero taste in music and boil their unseasoned chicken breasts. Now, I can admit this does not deserve 5 stars but... Fuck the haters, it's what it's getting to counter balance all the people who find plain yogurt too bold a flavor. PS: Take A Look Around is an all time banger

This band did nothing musically for me way back when. Knew nothing about this record until this listen…and I still know nothing.

Why is this so long?? We needed the 20 mins of the annoying laugh at the end. This is so ugly in every way and very little redeeming about it

It was better than expected but went on a bit too long for me. More an album for pubescent teenage boys than grown men I think!

I did actually listen to this, and I'm sad that it will mess up my algorithm. It's utter shit. I don't find much of anything redeeming here. If anything, I'd say Wes Borland is a talented guitarist. But the songwriting and Durst's singing are just intolerably bad. He's insufferable, and the lyrics are filled with the same toxic masculine persecution complex that persists into 2025. The Woodstock 99 documentary does a great job capturing the gross culture that this album embodies, and I wish it would just die off. Why is this on the list? Because it sold a lot of copies? It's a bad inclusion.

Although this is actually awful in many ways, it's also quite a mixed bag of styles and sounds. I feel that if half an hour was removed this could easily be a four, but in its actual form, it's a slightly bloated three.

In what world is this an album that everyone needs to hear? This is like a nine year old boy who just found out about porn and also realized that he can curse without repercussions. This is quite possibly the worst album I've ever heard. To think that this album took up space on the list that could have been taken by so many others who are vastly more deserving. It’s not right. It's just disappointing. 1/5 and dear god please take this one out.

I don’ty likey

Heard Rollin' before and I'm sorry but I love this song. In general when it comes to the music itself it's not that bad. But the lyrics... they really can help you assess Fred Durst's IQ score 2/5

I didn’t think I was going to like this when it started. But, the music is “really” good. The guitar playing and drumming are particularly exciting and driving. This is exceedingly thoughtful stuff. What a treat!

Excellent

Wow fred durst sucks.

2,5 - Die wenigen guten Lieder können nicht über den Durchschnitt hinwegtäuschen. Und dann gibt es immer wieder schreckliche Abschnitte, die den Eindruck final schmälern. Highlights: My Generation, My Way

This was big for me during my formative years. Giving a 4 although I’m sure this album receives a lot of hate now.

It's not some kind of a masterpiece, but it's definitely a fun album.

everything besides the fucking outro and the fuckass rollin' remix is no skip. idk what method man and dmx were on when they decided that was a good idea

It was poor when it came out and hasn't aged well

This is on the 1001 list and not Voodoo from D'Angelo. 1

I kinda like the multiple references to other artists lyrics. And that's about it. It's marginally better than the awful cover and title suggest it's going to be, but it's mostly cringeworthy. I get why it appealed to angry teenagers, but hopefully they've grown up enough for this to be relegated to a guilty pleasure for them.

Ah Limp Bizkit. Peak 2000 right here. When the rap rock genre took off with Limp Bizkit, Kid Rock, Tech 9. His singles were absolutely HUGE when they came out with Rollin, Break Stuff, My Way, Take a Look Around. Limp Bizkit was popular due to counter culture and a result of everyone who hated the Mickey Mouse Club bubble pop that was also dominating music, N'Sync, Backstreet Boys, Brittany Spears, Christina Aguilera were absolutely hard countered by Limp Bizkit, Eminem, Kid Rock etc. Guys like Durst, Eminem, Kid Rock at the time represented a young, working class group and they really stood alone, and there was more of an overlap with hip hop than metal. You see that with the Xzibit, Method Man, Redman, DMX features on this album. Metal bands did not share this demographic and metal fans did not like Limp Bizkit. It was a different type of aggression that appealed to the struggling middle class, blue collar workers. The whole "IDGAF, everything sucks" type of lyrics appealed to this audience. It's an angry album, immature, not deep at all, Durst's voice can be annoying, but it is a great album to represent 2000's counter culture (along with Eminem's first two albums). It is a fun album and great to rock out to in your car. It's funny that this album has always been so polarizing. It's not horrible and definitely has some appeal, it's just not something to listen to to feel inspired. It's just an angry aggressive album which has it's place. I like that it's included in this list because it really does define an era and a group of people, and the overlap and hip hop collaborations were awesome. Eminem shouted out Fred Durst in The Real Slim Shady and they kind of represented the same group of people. The only difference is Eminem went on to establish himself as one of the GOATs in hip hop and Limp Bizkit just kinda faded out along with the Hummer humvee's of the early 2000's.

Löjligt, kasst, men också ganska kul

Sjukt störigt att mycket med detta är så bra samtidigt som sången o texterna är så jävla stopp o belägg. Samtidigt som det hade kunnat vara så mycket bättre hade det också kunnat vara så mycket sämre… frustrerande

Pendlar mellan lite tufft och bara wannabe-tufft. Vissa segment är jättebra, men också mycket oljud. Uselt outro.

Förlåt men det går inte.

Vilken jävla resa. You wanna mess with Limp Bizkit? You can’t mess with Limp Bizkit

Great reminder that this list is NOT called "The 1001 best albums of all time". If nothing else I hope that people will appreciate the work of Wes Borland.

Not that bad, tbh, but it's also too juvenile (or I too old) to really hit home.

True, it's awfully long, music and lyrics are shite, and the voice of what-the-fuck-is-his-name is outrageous... but look at the cover art!

Surprisingly fun.

Liked it!

Huh. I didn't mind this and liked a fair bit too.

What!? Did NOT expect Limp Bizkit. I have never heard a full album by this band but I feel like I know them well. Let's do this. This is an album I've always known existed and I had a friend who had it in middle school but I had never heard it. It was so much better than I expected. This is the kind of music that can only work when delivered with absolute conviction and a braggadocio that Fred Durst embodies with his entire being. From unexpected explicit Nine Inch Nails references to big single Rollin and its unknown rap-centric cousin to the outro skit to the brilliant zeitgeist-capturing Mission Impossible interpolation that accompanied the most self-indulgent of those films, Chocolate Starfish and the Hot Dog Flavored Water is the most unique hit album from the year 2000 and could truly only have become a hit album in the year 2000. It is a fascinating study of the times. I will listen to it again.

A very solid album, but the tone drags it down completely. I don't care about some random person mocking the band that they put in their own album.

Not as bad as I thought but still sophomoric spew.

lol

I usually don't care about lyrics because music should be about the music, but the lyrics on this album really drag it down in Kid Rock-esque fashion. The music is actually pretty innovative. There's a lot of really cool things going on with the guitars, but those cringey, cringey, lyrics (and the half-baked vocal delivery) crush any chance this had of being good. Also, the album is about twice as long as it should be. 2.0/5.0: Disappointing

man fred really doesnt know when to quit does he? this couldve been a decent album; not a good album but a listenable one at least. the musics ok but the lyrics and vocal delivery bring the quality down significantly. then there is the issue of the length. that couldve been partially fixed by removing the last two tracks, the first of which was just a remix of another song from the same album and second of which was mostly just ben stiller laughing for nine minutes.

Here we go, over 70s albums in and it's finally time. I've been dreading this since day one of starting this project and today is the day. I actually feel relief more than anything, I don't have to wake up every day dreading this album anymore. But enough about that, let's talk about the awful music on this thing. Man this is a mess, it's frustrating because there are just a handful of moments that do have a genuinely killer guitar riff, but they are so few and far between that it's barely worth acknowledging. 99% of this is just cringe lyrics and musical clichés that were even predictable at the time.

I got a Sonic Youth album yesterday, and sorry hipsters, I prefer this. It's not exactly groundbreaking stuff, but it's fun and it's okay to have some fun every so often. Probably don't need the endless Ben Stiller outro, though.

The year is 2001, I’m overweight, angry and horny. I’m a student at a house party that isn’t going anywhere. About 12 beers in, I’m talking to a girl without really being able to hear her. The snatches of conversation I can hear between the music refer to her ex-boyfriend, her dad and a fungal infection that hasn’t cleared up. The next thing I know we are making out and I’m not sure who started it. Things get out of hand and the next day I am filled with flashbacks of stink, shame and disappointment, with occasional flashes of disgusting pleasure and hedonistic debauchery. The later STD discovery just bookends the experience nicely. Having this album pop up here and listening to it again, is like finding an old photo of her down the back of a drawer. Initial revulsion followed by a need to go wash. An inspection reveals moments that appeal to the most base instincts of a man, but regardless of their pleasure, their cost on my soul are too great to bear.

just seems so immature and weird but some of the production was pretty interesting

2 out of 5. Good golly this is an album all right.