Reviews (page 3 of 8)
Wow that was great, can’t believe the lack of promotion and dropping of the album considering how good it was. It’s not like it was even not accessible enough or anything, this is catchy stuff with some really unique instrumentation and arrangements for a country folk album. It definitely has some of the Byrds feel especially the early area at their best and I’ve definitely come to respect Gene as a musician given this album and his work the Byrds although short lived. Shame about the cover though I have to say, not the best. Favourites: Silver Raven, Strength of strings, From a silver phial, some misunderstanding, True one and lady of the north. Overall, 8/10.
nära 5 väldigt mycket känsla, fint arrangerat, bra dynamikkänsla, texter, ljuddesign, snygg performance. allt väldigt bra och välavvägt
Började lite för mycket country, men gick snabbt över i nån slags blues/soul blandning med lite Gilmour liknande gitarrspel. Honestly, fett nice!
Never heard OF this before. Absolutely rocked my ass off. Dude is going CRAZY with the cowbell on the title track.
This was not something I'd ever heard that sounded familiar and comforting.
I’ve always been a fan of The Byrds. I love the folk rock / country rock of the 1970s. I think what makes this record so good is that he leans super hard into singer songwriter / folk and country elements. He kind of blends all of those styles with blues and psych guitars. I really love the final r&b track as well. I’ve said it before, the 1970s are maybe my favorite decade for modern music. There’s just so much fusion going on, but they’re still really connected to pre-60s roots music. This record kind of feels like a softer more approachable Neil Young. I had a blast with this one today.
"Life's Greatest Fool" is a fun song. I like his vocals a lot. The bouncy instrumental is nice too. I love a piano. I loved the wide variety of instruments on the album. A lot of piano, some mandolin, some violin? That's all good stuff. Reading about the history of this album was crazy. It was considered so bad, so expensive, and so indulgent, that it effectively ended Gene Clarke's career. The record label didn't market it and then deleted it entirely from their catalog. Then, years later it was re-released and people decided it was incredible. That's bizarre. The album has a great mix of country, jazz, and rock elements. It isn't the greatest album ever made, but it's very very far from a career-ending disaster. They did you wrong Gene. 7/10
Had never heard of this artist. Had some Neil Young vibes I feel and cause of that I enjoyed it a lot. Will definitely check out his other works.
What a record. I'm glad this magical album was not lost to time.
This is solid. It embraces a country rock sound that aged very well. It's not really trying for a radio single, but the album works great as a contemplative mood piece. I'm not going to say it's a great album, but I could come back to this multiple times.
Not really something I expected to connect with me but wow... I really liked this one. Sort of like R.E.M. folky poppy but with more to say and more experimentation. Never had heard of Gene Clark or this album but I am a fan!
Maybe a little redundant in its downbeat tone but kind of blended country and soft rock in a way that worked. Title track was my favorite
really enjoyed this one
Loved this album! I didn't know anything about Gene Clark but his voice is so classic and calming. Saved a few songs and would listen again.
I'm confused why I liked this one as much as I did if I'm being honest. Maybe my heart is softened since I just listened to stardust, but this definitely isn't my normal type of music, but I really enjoyed this album, especially tracks like Some Misunderstanding and No Other
Great to sleep to, good music too
Liked it more than I thought
Feel good music and I say this with nothing but affection. It’s just pleasant! This might have rocked the world back in the world but it’s just neat to me.
Never heard of Gene Clark. Really surprised by the record. Country, soulful, hints of psychedelia, even some groovy disco elements. Not even sure how to describe the record. Love the gospel backing singers who fade in and out throughout parts of the album. Interesting arrangements and vocal melodies. A lot to unpack, I'll listen to this again.
For whatever reason, I find The Byrds boring but really, really like Gene Clark solo. He's a wonderful, timeless, soulful songwriter. I really, really liked this, I can't believe it was a critical and commercial failure. It feels to me like a more ambitious and confident version of White Light, which I also really liked. Both great albums that I would've never given a chance if it wasn't for this list!
Yup!
Man, poor Clark. The record label (and critics) spat all over the album, leading to a commercial failure and ultimate obscurity of the rest of his output. But this is genuinely really good. A warm, relaxed, full sound with a variety of instruments and influences (ranging from soul to country). This feel is particularly present in the songs Life's Greatest Fool, From a Silver Phial, and Lady of the North. Feels a bit like filler material at times, catering to an audience that was obviously pretty significant in size at the time but just doesn't quite scratch that itch in the present day. The country genre was already oversaturated by 1974, so even through a retrospective lens, I frown down at "country music that sounds like all other country music". Some credit to Clark: there's clearly some back-and-forth influence between himself and Neil Young, the Beatles (particularly George Harrison), and perhaps anticipation of some of Fleetwood Mac's 70s material. A mysterious sort of minor-blues choir carries the track Strength of Strings, which breaks into an excellent, full-sounding, All Things Must Pass-esque section around 1:30. It's, like, indescribably good. This is genuinely some of the best music I've heard from 1974, on par with Queen's one-two punch of Queen II and Sheer Heart Attack. The prog rock influence makes itself abundantly known with the various song sections, extended instrumentals, and resemblance to King Crimson's material. As another user wrote: "It is packed with lush vocals, rich harmonies, crisp instrumentation and perfect dynamic. Putting aside the wonderful magical storytelling, it’s just a Great Wall of beauty. Please try it, from start to end." Yeah, agree with pretty much all of the above. I just wish Clark had gone all-in with the semi-progressive approach in Strength of Strings and the brooding country-rock mishmash of No Other. Most of the 5-star reviews laud these two songs in particular, and fair enough – but in my view, if you can't shower the entire album (or most of it) in the same level of praise, you can't really justify a 5-star rating. 4/5 Key tracks: No Other, Strength of Strings
I wouldn’t consider this one of the greatest albums ever, but it’s pretty good considering it was a failure when released. Started as a 3 but the more I listened the more I liked it.
Idk why I hated his other album so much a few years ago I his is pretty good
There's a really great amount of variation of rock, folk, and country on this album. So many foundational portions of what I listen to today. I'm really surprised I hadn't heard this album previously. Ultimately, think it's missing 1 great truly gripping, ear worm.
Pretty solid mellow album. This is Brad’s speed
Enjoyable listen.
Cover 7 Crazy this album was hated when it came out. But tastes change. It got it's due recognition. I was surprised how much I liked it.
Gram Parsons like. Great early Americana influence. Good weekend morning album
I liked the songs on the album. It had lots of variety and the singer had good vocals. Lots of the songs had a slow tempo which I tend to like. I ended up saving two songs
That was a great listen. Glad to have this one pop up.
I liked this one a lot more than the other of his on here. Nothing unique to say about this one, pleasant listen Rating: 3.9
Maybe I’m super late to the party, but the more I read about these guys the more I realize that so many of these artists from the 60s and 70s were all in bands with each other at one time or another and would go between being in a band, going solo, and then forming a new band with another guy who was in a band and then went solo. It’s pretty fascinating. Anyway, the album…I liked it. I really like Gene’s voice. Lyrics were good too. The album is relaxing and easy to listen to. Like many other reviewers said, his song “Strength of Strings” was awesome. I also really liked “Some Misunderstanding” and “Lady of the North” He was a talented guy.
Was surprised by this one, honestly really good sound top to bottom, was sad to read about it's failure in era, unforgettable? no- but absolutely solid.
I love the melodies here, but the songs keep me thinking of country. It's not quite slipping in that groove, though. It's not bad, but it's not slotting in my head.
Surprisingly nice. At first I thought I wouldn't like it, but this kind of folk was pleasant to listen to.
Albums like this are why I do this challenge. This album is beautiful.
Honestly, I don't personally "understand" this record. It is not bad. I understand why the songwriting is good and why this would be in a genre some people would love, but it feels like country rock with some crooning that while being very good for that "genre" doesn't feel super essential to me. That being said, I'd give it a 3.5. I feel torn on whether to round up or down, but I will round up just because I can squint and see how I could come back to it and appreciate it more in the future.
Loved the lyrics and the spiritual longing. The dreamy production was beautiful. Sad Gene Clark wasn’t recognized in his lifetime. It’s a moving and quietly powerful album.
Really like this. What a sad story about the release of this album and Gene Clark's life.
I really wasn't sure what to expect on this one. I was blown away. Great album, amazing songs. There was also like a covers version of this album that was cool too.
One of the reasons why I like the 1001 Albums Generator site is that, occasionally, I come across hidden gems like this.
An excellent album. Yes, another singer songwriter from Seventies America, but leaving that prejudice aside, wonderful craftsmanship, musicianship and lyrics. Most Enjoyable.
Hell yes this is what the list is for. Nuttily ambitious psychedelic country rock with weird ass expansive lyrics. I've heard of him and the Byrds of course but had no idea this was out there being awesome. Love the effort.
Pretty good album, production held up really well
I really liked this. Good rock for cruising on a summer night.
Wake up in a wooden panelled bungalow in southern California. Headache, blurry vision, mouth full of sand. Cigarette ashes in the shag carpet. The din of Watergate hearings, Bob Dylan covers, and the bitter end of the summer of love rings in your head. Crisped, brittle, tired of it all. Walk to the porch. Sun is glorious, sky crystalline blue, a cool rush of ocean wind. Stare out there until things are clear, ramshackle, epiphanic.
I found this one fascinating and weird and went down quite a rabbit hole reading all about Gene Clark.
This album is surprisingly good. I have no idea why it wasn't given the credit it deserved when it came out.
Solid album Standout songs No other Strength of strings Some misunderstanding
Not sure why I’ve never heard this album. This is peak mid-seventies psychedelic blues. It’s goes toe-to-toe with the Grateful Dead, and Crosby, Stills and Nash. And there aren’t many misses, any. I particularly like the opening track, “Strength of Strings” and “True One”.
Pretty cool! Not entirely my thing, but still enjoyable.
Really enjoyed this, especially “Strength of Strings”
Went back and forth between a 3 and a but ultimately gave it a 4 because when it was cooking it was really cooking
Overall: 7/10 This was a bit of a surprise as I didn't really have a lot of love for the first Gene Clark album I got. While there are some similarities here, this one is more creative and artistic, with some songs being absolutely gorgeous. There's still some country based songs on here but this is definitely an album that knows how to rock hard. I'm still not a big fan of Gene's voice overall, but it doesn't ruin the experience for me. The harmonies are a big highlight for me. Fav Song: No Other Least Fav Song: True One
Solid, but nothing stood out to me. Good listen among all the other desert rock, but doesn't hit as hard as The Byrds or others do.
3.5 rounded up
Okay, first three on this album are really great. I'll go to bat for them any day. Lyrical simplicity, even elegance, varied instrumentals, an interesting an appealing voice. he's got it. After ragging on the Byrds (which I will keep doing), I was surprised to learn that this musician who had something to say was at some point associated with them. But in the middle Clark seems to run out of steam. We get long, winding ballads that don't really seem to be saying much. "Some Misunderstanding" really costs this album so much of its momentum. It gets back a little of its mojo towards the end, but never really regains it's brilliant start. 3.5 stars, rounding up because of those first three songs.
True One carries. This is a fantastic album full of genre blending and fantastic musicality. As close to a 5 a 4 can be.
I am a huge fan of the sounds created in L.A. studios in the early - mid 70s. IMO the backing tracks on this album are as good as that sound ever got - the performances are amazing and they are captured pristinely with equipment that today computer programmers try desperately to emulate. But I get why it flopped. The tunes are forgettable. The lyrics consistently melt into cheese. And Gene's vocals are exposed by the masterful backing tracks. HIs voice is fine - don't get me wrong. But I'm afraid that these tracks sound SO great that any vocal shy of the quality of, say, Delaney and Bonnie Bramlett, would sound amateurish. That said, he was a notoriously good guy, and it's really sad to reflect on how hard he took the public's indifference to this genuinely interesting album.
Solid and at times pretty epic. Felt like a very complete album all the way through
This is the sort of album I want to hear on this list. Not listened to this artist before but added a few of these into rotation. Great record
Enjoyed this more than I expected
Inoffensive and occasionally beautiful.
A beautiful album. I'd heard Silver Raven before, and now I know where it comes from. Definitely coming back to this
NICE
Very nice
Surprised to really like this. I want someone to go make some absolutely banging covers of each song - felt like each one would be unforgettable with just a little more drama and power. First half was strongest but enjoyed the whole thing. Standouts:Silver Raven, No Other
Makeeta indy rock musaa, ennenkuin sitä sanottiin indy rockiksi. Menee listalle
Besides “Strength of Strings” I was unfamiliar with this album going in. What an underrated, yet influential classic. Really solid songwriting and performance.
Very interesting record! I start rubbing my hands together when I read the studio time and cost was exorbitant. Country and western/weird cosmic vibe/ baroque pop stuff
very nice
Oh god its country. I mean, not my genre. But i am excited to listen. Not gonna lie, this is nice! I like the beat, reminds me of some musicals i have done before with this vibe. The vocals are good and so is the lyrics and melody. I do quite like it so far. I wouldn't listen to it in my spare time or anything but as an album i do see how its one of the tops of all time. Yeah this is a total vibe. Maybe i would actually put this on in the background one day. The mix of genre is such a vibe idk whats going on but i love it
Great music, awful vocals.
That's why I follow this list! Nice discovery! Never heard of Gene Clark, after a bit of internet search...The Byrds, off course...makes sense, but really liked this album!
he sounds like he could’ve been in The Band
Folk, guitar and voice. Sometimes like James Taylor. Always a country influence. Nice.
I liked it a lot. Listened through nothing in particular stood out to me but I’ll be listening some more for sure.
Smooth as silk on vocals and just glides effortlessly from front to back. Lovely storytelling but really cohesive more than anything.
Overlooked, my first thought "yay, another country". Offers so much more, classy, sublime, even a bit psychodelic
Surprisingly very good. I didn't have high expectations going into this, but I really enjoyed it. I also can't see anything about it online, but "From a Silver Phial" reminded me so much of "Fake Plastic Trees" by Radiohead. The cadence and lyrics at times make me think it was a big source of inspiration for Radiohead. Or a coincidence. Just something interesting to listen out for.
Enjoyed this. Reminded me of Neil Young
Pretty cool, a nice mix of psychedelic country music which go together surprisingly well. Not sure how influential it is, but I'm willing to be proven wrong. 10/04/25
Pleasantly surprised by this one. A little Jerry Garcia, a little Neil Young, a lot of fun. Love the choir backing. Probably one of my favorites of albums I hadn’t heard before so far.
Took more than one listen, really have to sit down and give it the time - but it rewards you for it.
3,5
I tell Fleur that I’ll buy her “something amazing” if she can guess who this record is by. She throws out Crosby, Stills and Nash and Jefferson Airplane and even Bob Dylan … and I’d have probably done something similar. My own ballpark explanation as to why Gene Clark felt so foreign a name was that he “must have been in another band first” – accurate enough, but in practice as helpful (and safe) as saying I suspect he had hair. Anyway, Gene exists. Gene was in The Byrds. And Gene had hair. Gene also wrote some stirring, melancholy songs that walk a line between folk, country and rock in often surprising, sometimes mesmerising ways (for example there’s a section on “Lady of the North”with a violin that’s simply sumptuous musicianship). But it does feel like Gene’s memory is under attack. And that’s a huge shame, because “No Other” is a fantastic record that’s surely within a shout of being one of the most sophisticated pieces of Americana out there. It’s baroque, effete but also knowing – too clever by half, perhaps, to have remained a fixture in many minds for long. It’s not like you can say this record has been forgotten everywhere, though. I’m time and again reminded of Stephen Malkmus’ “Traditional Techniques” – and surely it’s the song craft of the likes of Clark that Malkmus is apeing across that (very good) album. I’ll certainly be returning to it, anyway; be it directly, or in another such hagiography later on.
Very chill instrumentally and I like the range and fusion of styles on here. It sounded very grand yet at the same time very intimate. I did not know Gene Clark before, but the story I read about this album and his life after was very sad. "Now I see that in my visions That my eyes are seeing twice Once for every expectation And once for what I realize" - Some Misunderstanding
Something else.
Ma carinissimooo, me lo sono tenuto in sottofondo per ore e non mi ha mai stancato.
This is the direction country music should have taken. Great songwriting with interesting musical ideas and zero stupid lyrics. 4.0/5.0: Great
With all due respect to Gram Parsons, *this* is the cosmic country I like best. 4/5
I dug this
Okay never heard this album or artist before (I don't think), really nice sound (country rock-ish), enjoyed listening, interesting back story, would seek physical copy, 3.5 so rounding up to ⭐⭐⭐⭐
Wasn't expecting it to go this hard. As someone who enjoys instruments and doesn't care much about vocals, country and its branches are naturally not exactly my thing. But the instrumentation here has this spacey, almost progy vibe, which I love a lot since 70s prog is, like, peak music in my eyes. Although this is not as vocals-forward as country tends to be, it is still singer-songwriter country rock, but it's a lot more palpable for my ADHD brain.
I was very impressed with this. Beautiful songwriting, performances, arrangements, and production. I am such a fan of this lush style and it’s cool hearing one of the earliest examples of it. The ONLY thing I would ding this album on is that it’s relentlessly sad and desperate in its tone. Sounds downright tragic at times. I’d have preferred at least one or two upbeat moments. But still, it’s a must-listen for sure, #86.
Was this under the radar in 1974? Not country, not pop enough to be country rock or Americana, this is sui generis. I'd say it was ahead of its time, but I am not sure its time ever showed up. Title cut alone worth the price of admission. Listen for the brilliance of all the side contributors. I've never heard this before and feel now I was criminally deprived.
Where some '80s albums are unfortunate victims of the ill-fated production values that were prevalent at the time, there's something about '70s production that can often work the other way. Lyrically, this is a bit labored and subject to dark pseudo-mystical poetic leanings, but damned if the compositions, arrangements, and performances don't elevate this record. Stylistically, there's enough country twang to perhaps put this in a Country/Western camp, but there are bits of psychedelia, pop, and rock that make this difficult to pin down to one genre. I'm at a 3.5, but it gets the bump because I think it warrants more than a 3. I'm not convinced I'll seek it out again, but maybe.
I'm surprised I never heard this before, given my predilection for lost classics. I enjoyed the heck out of it, especially the spacey title track. This is a cool album and I can see how influential it was. I'm surprised that it was so hated upon its release.
Wow, what a pleasant surprise. All I knew about Gene Clark prior to listening to this was his word with The Byrds. This album mixes various folk genres with psychedelia, country and Americana and creates an album that feels ever changing, always captivating and an absolute joy to listen to. This is getting added to my regular collection.
This is a nice album right here. It might feel a bit redundant seeing as The Byrds, the band that Gene Clark is best known for being in, have five album on the list to themselves, but I think if you got rid of a few of those albums and the other solo album Gene Clark has, I think No Other would actually make for a solid inclusion. Sure, it was also somewhat of a failure upon release, but plenty of albums flopped only to later receive a critical appraisal, so I don't see that as an issue. I like this album. Gene's singing and writing are both nice. The style has a nice blend of genres like country, folk, and some other ones too. All of the songs are good, with the title track being a particular highlight. No Other isn't the most exciting album out there, but I like it considerably for what it is. Light 4/5.
Enjoyed the voice, enjoyed the melodies. Silver Raven is probably my favourite but the album itself is good
Tracks 2/3 were great, the rest was solid. I’ll probably listen again.
Maybe because I listen ti this on a lazy Dunday but it really hut tve spot. Mellow soulful well produced Americana. A lost classic
I really enjoyed this. It is a very clean sounding classic country album in places, and yet, it has some modern touches and some elements of what would become current pop country music. I'm floored that it was recorded in 1974.
I liked this one. It's more country than I usually listen to but some of what he did with the studio (and I read later that it was considered a little over the top at the time) I liked. And the songwriting connected with me a little. I'd listen to this one again.
probably my favorite country album I've ever heard exclusively because it barely sounds like country to me
Bonito disco de folk. No sabía que fuera parte de los Byrds. Curioso que en algunos temas casi no hay guitarras
Bijzonder plaatje. Na 2 jaar slechte kritieken en verkoopcijfers compleet afgeserveerd. Dat verbaast me toch als je deze plaat luistert en plaatst in het tijdsgewricht van de jaren 70. Of we hebben geen idee hoe het toen was (dat sowieso eigenlijk) of deze plaat is de uitzondering op de regel. Het lukt me net niet om de plaat goed te plaatsen. Het klinkt heel Amerikaans maar past verder niet in één hokje. En dat is leuk. Het bevat veel van het goeie van the Band en CSNY, maar is misschien wel iets complexer en experimenteler. Geen makkelijke plaat, wel eentje die ik na de eerste luisterbeurt nog een paar keer heb aangezet. 8/10 Highlights Life's Greatest Fool From a Silver Phial
The generator has been kind to me the last couple of days. This one was very nice and not something I had ever heard of before. These albums are why and how I forge ahead here.
4/5. The Byrds do country rock very well for a specific period of time and this album is a good example of well written songs in the genre. With a better focus on the instrumentation and guitar-heavy in general, this album from Clark allows for more space in each song. It feels ethereal at times and the ballads don't feel super soft, there is still a driving force in each one, with a darker energy as well. I will say not all of the songs stood out to me, and the second side was a little less impressive than the first side, but it was still a positive listen. Best Song: No Other, Silver Raven, Strength of Strings
I like it a lot. I’ve never heard of this guy and it sounds a lot like something I would enjoy if a modern day bluegrass-influenced musician would release. The first two tracks are really good. May return to this one.
Initially I thought the first 2 songs were quite bland, then I got to No Other and Strength of Strings...it was beautiful from then on. I imagine I will grow to appreciate he first couple of songs after a few more listens. Fab
Surprisingly vibe-ful country
Endlich wieder Musik!
Great listen, good relaxing music. Wish there was more like this today, easy to see where his influence comes to play though.
This was great!
Highly rate this album will come back to this album a lot, Clark’s know what they are doing
One of the great underrated albums of the '70s, No Other is Gene Clark's definitive statement as an artist. Melding together the sounds of country, gospel, rock, blues, and folk music, this is a truly unique and influential record that was ahead of its time. Despite its eclecticism, all the music here sounds cohesive and lends itself to repeated listens. While he had far more commercial success with the Byrds than his solo career, Gene Clark proved with No Other that he was truly an innovator. Highlights: -No Other -Strength of Strings -Some Misunderstanding
This was way better than I expected. Lady of the North is a great final track
This came out of the blue, but really liked it - very atmospheric. Agree with others that it sounds a little like Neil Young & contemporaries of that time, but it also has its own original feel. Also, unlike a previous reviewer, I quite like the decoupage cover!
Yeah sounds good
Totally unexpected. Great!
Very good album. Super solid find. 4/5
Utterly charming, one could listen to this man's understated and countrified soulfulness all day (and twice on Saturdays).
A stellar blend of county, folk, and psychedelic rock. Felt very progressive for 1974. Noice.
Really enjoyed this, shades of Neil Young in places
Never heard of him before and loved it. Will for sure revisit
A couple of really strong tracks on this. And even the non standouts are still pretty good. I think I'm a Clark-head.
I’m gonna be honest, I’m a sucker for this genre. Some good ol’ 70s American folk pop. Might even classify this as yacht rock today. That said, I’m only giving it a 4 because the songs on this album are indistinguishable from one another. And the music itself is largely indistinguishable from other 70s music of the same genre.
I thought this would be dreadful for some reason, maybe it's the name Gene and the recent scarring of the Byrds, but it was actually great. Really, really atmospheric stuff and quite evocative of the great expanses of America. I listened while reading a novel about Indigenous Americans and it all fit nicely.
Went back and listened a second time, gonna bump this rating up to a 4
That was unexpectedly rad. I can imagine putting that vinyl on the hi-fi with some over-ear headphones and smokin' a doob.
first listen this is the kind of country i can get behind
Surprisingly good. Nothing stood out, but it’s neat to hear the Byrd’s’ lead singer strike out on his own.
A hidden gem that's 50 years old. It didn't deserve the hate it had back then. "No Other" was ahead of its time with its then unique sound. It could've have everywhere on the radio and beyond. However, to me, the album has lost a bit of its sparkle since 1974. 4 stars for "No Other".
Kinda folky
It’s hard to believe this album was overlooked and a commercial failure when it came out. I think it’s one of the best country rock and folk rock albums out there. It also has a nice layer of psychedelic and baroque pop woven into the sound. The production adds an expansive feel, giving the music more depth. Gene Clark delivers the emotional weight beautifully, adding a personal touch that makes the album more deeply heartfelt.
The perfect harmony between country and rock.
This was much better than expected, it’s a shame this wasn’t well received when it came out. No bad songs
Oeh, a country folk-rock album. I already liked it from the first few notes. As a big Eagles fan this sparks joy. The album has only 8 songs on it but I enjoyed every one of them. Gonna look out for this vinyl version of the album .
I’d never heard of gene Clark but I really liked this. Probably because I really like Neil Young. Silver Raven and no other were standout to me.
Never heard of him and after the first listen I thought it was pretty meh. But I decided to listen again a good few more times throughout the day and it got way better. Something Townes Van Zandt (only more instrumental) about it that really appealed to me.
This one actually had a lot more going for it than I assumed. It's a (mostly) effective blend of psychedelic instrumentation/song structure and folk contemporaries like John Denver. A lot of the guitar work here gave Gilmour vibes. It doesn't overstay its welcome, and there's enough to be mined here for a pleasant second listening.
How many other albums on this list can say they successfully synthesize the trappings of six different genre classifications yet still maintain such a cohesive artistic vision?
Had to laugh that shortly after I said that I really liked this album, I read the Wikipedia where it said the following- ‘it was largely ignored or lambasted by critics and was a commercial failure’.
A suprise. A very nice surprise. I'll dig into this album a lot more in the future. It's got that sense of depth and interest and a world I'd like to know more. A couple of tracks are too country for my liking but there are some great tracks that sounds comfortably a mix of rock/pop/ambient that interests me. High 3 stars, so 4
Apparently it took folks about 30 years to warm up to this album. I am in a bit of a hurry so I decided to save myself the time and like it right away. It’s solid, meaningful, and pleasant. Gene Clark was originally with the Byrds, I’m told.
Sounded good. Some of it sounded kinda like soul mixed with country, but I really found he was trying to be Neil Young and Jackson Browne.
Yeah this is pretty damn good. Some really nice long instrumental sections that give the tracks space to breathe, though this doesn't always work on the album. Lots of great songs but a few very forgettable ones dock a star for me
Favorite Track: From A Silver Phial
-I like this a lot, it kinda feels like a more trippy version of Gerry Rafferty. surprised it didn’t do better commercially when it came out as it seems to fit the early 70s Zeitgeist really well. Some decent variety in sounds -The title track is absolutely amazing and blessed by god -Favorites are Silver Raven, No Other, and Strength of Strings
Couple hidden gems on this album!
Lot of good stuff here. The instrumentation was really well done and the overall vibe was very tuned. There's a lot to like about this album and a lot of the songs hold up for 74. Favorites were Some Misunderstanding and Strength of Strings
I thought this album was really good. It’s like the Eagles if they didn’t suck mixed with some Neil Young. The second half of this thoroughly engrossed me with the folk/country/psychedelic styles it presents. The lyrics and tones of voice he uses on From A Silver Phial are super good. Favorite tracks were Strength Of Strings, From A Silver Phial, Some Misunderstanding, and Lady Of The North.
A low 4.
I really like this. It’s ‘Byrds’-y, but also Fleetwood Mac-y (as noted by the blurb) and also CSN-y, Eagles-y and I hear some Gram Parsons and other west-coast country influence… even some Pink Floyd/David Gilmour sounds... it’s a neat mixing of styles and the songs are interesting to me. No standout tracks really and it's kind of a shame because I feel like he's right on the edge of a really great album.
### **Album Review: *No Other* by Gene Clark** Released in 1974, *No Other* is often hailed as Gene Clark’s magnum opus, a record that defied commercial expectations but has since gained a cult following for its unique blend of rock, folk, country, and psychedelic elements. This review will delve into the album’s lyrical depth, musical complexity, production intricacies, thematic exploration, and enduring influence, while also weighing its strengths and weaknesses. --- #### **Lyrics** Gene Clark's lyrical prowess is at its zenith in *No Other*. Each song is a tapestry woven with existential musings, personal reflections, and abstract imagery. The album opens with "Life’s Greatest Fool," where Clark contemplates the human condition with lines like, “You’ll find that life is just a game / And then it’s time to say goodbye.” The lyrics capture the transient nature of happiness and the futility of certain pursuits, evoking both melancholy and wisdom. "Silver Raven" takes a more mystical turn, using nature and celestial imagery to convey a sense of yearning and searching for meaning. The line “Have you seen the changing rivers, now they wait their turn to burn?” blends naturalistic and surreal imagery, inviting listeners to interpret the symbolism in multiple ways. The title track, "No Other," explores themes of love, disillusionment, and self-discovery. It’s a song that speaks of contradictions and complexities, much like the album itself. The lyrics are both specific and vague, leaving room for personal interpretation while conveying a profound sense of introspection and emotional depth. The album's lyrical themes revolve around searching for truth and understanding in a world that often seems arbitrary and indifferent. Whether discussing personal heartbreak or larger existential concerns, Clark’s words resonate with a timeless, universal quality. #### **Music** Musically, *No Other* is a genre-defying masterpiece. It’s difficult to pigeonhole into any single category, as it seamlessly integrates elements of folk, country, rock, and psychedelia. The arrangements are lush and expansive, characterized by a rich tapestry of instruments including piano, guitar, and strings. "Life’s Greatest Fool" begins with a jaunty, almost country-rock vibe, but soon transitions into a complex arrangement that includes soulful backing vocals and intricate guitar work. The fluidity of the song's structure keeps the listener engaged, mirroring the unpredictability of the lyrics. "Strength of Strings" is one of the most musically ambitious tracks, featuring soaring harmonies and a sweeping orchestral arrangement that gives the song a grandiose, almost symphonic feel. The blend of rock elements with such intricate instrumentation is rare, making this song a standout in terms of musical composition. Even the more straightforward tracks like "From a Silver Phial" and "Some Misunderstanding" are marked by their nuanced arrangements and subtle shifts in tempo and mood. Clark’s vocals, alternately tender and powerful, serve as the emotional anchor throughout, guiding the listener through the album’s diverse sonic landscape. #### **Production** The production of *No Other*, helmed by Thomas Jefferson Kaye, is both a triumph and, according to some critics, a stumbling block. The album was recorded over a period of eight months and cost a then-exorbitant $100,000—a fact that would later contribute to its commercial failure. Kaye’s production is lush and layered, with an almost cinematic quality that brings out the best in Clark’s compositions. The use of reverb, multi-tracking, and overdubbing creates a sound that is simultaneously expansive and intimate. Each song is carefully constructed, with no detail left to chance. The vocal arrangements, particularly the use of backing singers such as Clydie King and Venetta Fields, add depth and complexity to the songs, making them feel both personal and universal. However, the production has its drawbacks. Some critics argue that the elaborate arrangements and studio effects occasionally overshadow Clark’s voice and lyrics. The dense production can sometimes make the songs feel overblown, detracting from the raw emotional impact of Clark’s performance. For some listeners, the album’s sonic complexity is a barrier rather than an enhancement, making it difficult to fully connect with the material. #### **Themes** Thematically, *No Other* delves into a wide range of subjects, from personal introspection to cosmic existentialism. The album is steeped in a sense of searching and longing, with Clark grappling with questions of identity, purpose, and the human condition. The title track, "No Other," can be seen as a reflection on the duality of human experience—the tension between love and loneliness, freedom and confinement, certainty and doubt. “No other love can make you know / No other love can break your heart,” he sings, encapsulating the paradoxical nature of human relationships. "Strength of Strings" and "Some Misunderstanding" explore the idea of communication and miscommunication, both internal and external. Clark seems to be wrestling with his own demons while simultaneously reaching out to others, seeking a connection that seems perpetually out of reach. Overall, the album’s themes are both deeply personal and universally resonant. Clark’s lyrics often read like poetry, filled with symbolic language and layered meanings that invite multiple interpretations. Whether he’s singing about love, loss, or the search for truth, there’s a palpable sense of yearning in his voice that makes each song feel like a piece of a larger, enigmatic puzzle. #### **Influence** *No Other* was not a commercial success upon its release, largely due to its unconventional sound and the lack of promotion from the record label, Asylum Records. However, its influence has grown significantly over the decades, earning it a reputation as a cult classic and a critical favorite. The album’s blend of genres and ambitious production techniques have influenced a wide range of artists, from indie rock bands like Fleet Foxes and Grizzly Bear to singer-songwriters such as Beck and Kurt Vile. Its thematic depth and lyrical complexity have been cited as inspirations by numerous musicians who value its introspective and experimental approach to songwriting. The album has also played a role in the resurgence of interest in Clark’s solo career, which was often overshadowed by his tenure with The Byrds. *No Other* has been reissued multiple times, and its songs have been covered by various artists, further cementing its legacy as a pioneering work of art. #### **Pros and Cons** **Pros:** 1. **Lyrical Depth:** Gene Clark’s lyrics are rich with meaning, blending personal reflection with universal themes. The songs invite deep listening and offer new insights with each play. 2. **Musical Innovation:** The album’s genre-blending approach and complex arrangements make it a unique listening experience that stands out in Clark’s discography and the broader rock canon. 3. **Production Quality:** Despite some criticisms, the production by Thomas Jefferson Kaye is meticulous and ambitious, creating a lush, immersive soundscape that complements Clark’s compositions. 4. **Emotional Resonance:** Clark’s vocal performance is deeply emotive, conveying a sense of vulnerability and authenticity that adds to the album’s impact. 5. **Influence:** Though not initially successful, the album’s influence on subsequent generations of musicians is undeniable, marking it as a touchstone for those interested in pushing the boundaries of traditional songwriting. **Cons:** 1. **Overproduction:** Some critics and listeners feel that the elaborate production can overshadow Clark’s voice and lyrics, making the songs feel overdone and, at times, inaccessible. 2. **Lack of Cohesion:** The eclectic mix of genres and styles, while innovative, can make the album feel disjointed to some listeners, lacking a clear, unifying sound. 3. **Initial Reception:** The album’s failure to connect with audiences upon its release means that it didn’t receive the recognition it deserved in its time, which can be frustrating given its later acclaim. #### **Conclusion** *No Other* is a challenging but rewarding album that showcases Gene Clark at his artistic peak. Its lyrical and musical complexity, combined with its ambitious production, make it a standout record that has only grown in stature over the years. While the album’s initial reception was lukewarm, its influence on subsequent generations of musicians and its status as a cult classic attest to its enduring appeal. The pros far outweigh the cons, but the album’s intricate sound and sometimes opaque lyrics may not be for everyone. For those willing to engage with its depth and intricacies, however, *No Other* offers a profoundly moving and thought-provoking experience that cements Gene Clark’s legacy as one of the most innovative and introspective songwriters of his time.
lovely
Very much enjoyed this album, particularly Strength of Strings.
Better than I expected, I mean not at all what I expected and pretty good overall
Not bad, listenable. Not as good as his debut album, Echoes.
It took me a couple of tracks to get into this but it’s a really well constructed series of country/folkish songs as well as elements of psychedelic rock (like a lot of The Byrds’ - who Clark was a member of - releases) but also with a big R&B/soul influence. The backing vocals are simple and sparing but add so much to the texture of these songs, elevating them from strong but run-of-the-mill 70s songwriting to these grand and lush ballads that I appreciated more and more as the album went on
Great album, but I feel like I would have liked it better if it had stuck to one style more instead of bouncing between different genres/inspirations. The country-sounding songs were the weakest link (not that I dislike country; they just felt underwhelming compared to some of the greatest tracks on there). 4 stars
Acoustic and nice. 3-4
This felt very familiar even though I don’t think I’ve ever heard it. This style of country rock reminds me of music I listened to with my parents growing up and I really enjoyed the entire album!
7-7.5/10
Really liked the smooth slow guitar one the whole album. Sounded like there was some steel guitar or something thrown in there as well which is always a plus. Read through the wiki on this album and apparently the record label never promoted it at all and it did absolutely terribly, until the rerelease in the 90s. Pretty f'ed up by them. Life's Greatest Fool and No Other were both the standouts on this album. The rest was just some really good songwriter songs which I could listen to all day.
ma che bella sorpresa! piacevolissimo! 4 stelle. non super originale ma gradevolissimo
This was just a super solid classic cosmic country rock album. Really enjoyed this!
It's country. Wait, it's not? Wait, it's really good?
This was a gem. Hadn't listened to any of these songs before.
First listen, thumbs down. On second, Silver Raven Love me a ballad. My neckhairs instinctively raised when I heard the twang. I attribute this to my youth where I was forced to listen to CMT (Country Music Television) as a kid. My story is similar to those of many others--I ran as far away from the tastes of my parents into the arms of whatever new form was rising at the time--hip hop for me. Everyone likes hockey? I'll like basketball. I think this is why I'm considered so charming;) Not quite as curmudgeonly as others on here, haha. When I gave the album a chance and contextualized it--The Byrds--I measured it on its own merits and can appreciate it more. I can dig the kernels of psychedelic and fun guitar riffs. No Other is also a solid jam. First listen was background. Second was while driving. Definitely helped. 43 minutes is a good length. I listened to two 2Pac albums yesterday, each an hour long.
This is a pretty tranquill easy rock/country album that was a pretty nice listen. I appreciated something a little slower compared to what ive listened to in the past couple days. There is a stretch early in the album that I reallh enjoyed from Silver Raven, to No Other, to Strength of Strings (best in show on this album).
This was very good. Reminded me a lot of Willie Nelson and other great country singers. Something I'll be coming back to listen to for sure.
This hits that rock-country sweet spot perfectly and turns the smooth vibes dial up to 11. There are heavenly slide guitars all over the place, gorgeous close harmonies, barroom piano, and a laid back feel. He wears the country style naturally and without affectation, fitting right into the twangy sound on True One. Life's Greatest Fool and Silver Phial ad a lush gospel sound with a backing choir. Silver Raven is a stunning minor key acoustic driven song with an tender swelling guitar lead woven between the lyrics and CSNY sounding dark harmonies. No Other, Lady of the North and Strength of Strings have a more ecclectic prog/psych feel to them with synths, organs and wah-wah guitars playing vibey riffs in harmony.
Classic
Enjoyed this. Fave Tracks: No Other, From a Silver Phial 4.2/5
Country with a twist - very tasteful.
The beginning of this album made me think I was in for another Country Music album, I was expecting much of the same following the first minute or so of Life's Greatest Fool. But as the album goes on, the style progresses, sticking with its country-feel but taking more of a rock/pop influence. Surprised I ended up loving it as much as I did, Strength of Strings really stands out to me as a bit of a masterpiece from lyrics to composition. 4 stars for me.
-poetry -complex -psychedelic at moments -like the backing vocals touch -like the guitars -good production -favourite songs: Life's Greatest Fool, Silver Raven, title track (<3), Strength Of Strings (<3), Some Misunderstanding (<3) -least favourite song: Lady Of The North
Good ol cuntry
Solid listen, really strong songs. Giving this 4 stars since I plan to revisit. I’m a little torn on the inclusion since the Wikipedia page said it was a flop when released, so much so that the record company deleted it from the catalogue shortly after release. So why was this an important album? Just because some indie folk hipsters rediscovered this in 2009? Understand that this is a confusing review, but I try to factor in the historical or cultural importance to ratings, but my overall enjoyment of the album overrides that.
Koste meg da jeg hørte albumet
Der Song „Silver Raven“ ist das absolute Highlight des Albums, das in sich ein schön abgestimmtes Country Album ist. Weitere Songs stechen nicht hervor, trotzdem ist es zum Wiederhören geeignet. Wer die Geschichte des Albums liest, sieht wie schnell der erste Eindruck täuschen kan.
Seems odd to have (at least?) 2 albums from Gene Clark, including this one that "was largely ignored or lambasted by critics and was a commercial failure; the studio time and cost were seen as excessive and indulgent." Sounds great! But I remember pleasantly enjoying his album "White Light" so let's see.... starts off as rather safe and unspectacular country rock but by the 3rd song "No Other" we're moving somewhere else entirely - now this is really cool / unexpected. Is it groovy? A little proggy?? And the last cut "Lady of the North" is ... great? Needed to give this a 2nd listen and was worth it - I think even on that 2nd listen the opening which I'd previously thought was tepid just gives it a more easing-in aspect. Surprise album - I really like it and will definitely listen again. 7/10 4 stars.
This was a pleasant surprise. Normally I’m not a fan of country (bar the odd song) but the inclusion of gospel singers and the overall melancholy of the songs is something that appealed to me.
Nice find
This was a great listen! A nice blend of folk and light 70s psychedelic. Definitely would give this another spin! Standout Tracks: No Other, Strength of Strings, Some Misunderstanding
Один из самых больших сюрпризов пока в моем 1001 приключении. Я скептически относился к альбому, когда увидел жанры и период, но... Это удивительный альбом, который во всем, начиная от обложки, и заканчивая собственно музыкой, мне кажется, сильно опередил свое время. Лучшая песня - Strength of Strings.
I can't imagine why it wasn't popular at the time. Great harmonies and accompaniment. The production is lush and layered. Reminds me of CSN, Neil Young, Eagles, The Band and other similars of the era, but building on that toward something bigger. I didn't focus on the lyrics, so there's probably more there to enjoy. The music is very solid. I'll definitely return to this one. 4.2 (The production is good, but compared to the 2019 remaster, sounds a little muddy.)
Every Singer-Songwriter album we've gotten has been at the very least good, and this is no exception. The mix is nice, and while there are some long tracks, they flow pretty well, and it makes the 40+ minute length manageable.
Мне пришлось отмотать назад и понять, почему я так захейтил его в прошлый раз. Да, гармошка, понятно. Но тут ведь... вообще всё по-другому! И ничуть не противно, такая очень умиротворённая музыка... спокойная и офигенная.
Seminal but not my style
Nice
Never heard of any of it but it was really good. Kind of a Mott the Hoople, country-rock vibe.
Wow this was really enjoyable i didn’t expect this to be this good to be honest. Really really enjoyed this
I like this. Kinda country. But some of it was a little to CSNY/Seals & Crofts for me. Songs I liked: "Some Misunderstanding", "Life's Greatest Fool",
I know of Gene Clark but had never heard his music until now. "No Other" is a great song and there is a lot to like here. This album is folk-alt country-prog rock or something similar to that. After listening a few times, I'm still not sure what to think about "Strength of Strings" as it feels like an excellent mix of prog-rock and folk music but I'm not sure I should like that. I can't decide if I would ever listen to this album again. It's one of those albums where I believe I would listen to it again, but perhaps not actively seek it out. Still, a really good album and pleasant surprise at how much I enjoyed it. A great sounding record.
Excellent lyrics and singing and a progressive music experience overall blending multiple genres effortlessly. There is a sense in which this album is mostly looking back to earlier styles where there is just an overall solid skill at performing rather than the more modern singles and hooks approach. Strong country feel reminiscent (to me of CSN, Eagles, and the Band) but definitely its own makeup overall.
Het doet me denken aan Lynyrd Skynnyrd meets Neil Young. Country met swamp en folkrock. Maar dan wel uit de golf van singer-songwriters in de early 70s. Het psychedelische van de hoes komt in sommige nummers ook wel aardig tot uiting, met gekke intermezzo's en bridges. Niet alle nummers zijn even goed, maar over het geheel is dit toch wel een fijn album. Er zit genoeg afwisseling in, er wordt goed gespeeld, prima gezongen. En het leuke is, dat ik hier nog nooit van had gehoord. Een positieve verrassing en daarvoor luisteren we deze snoblijst.
Cool little country folk record. The mellow sound and tone / mood was perfect for a morning, honestly. This has some good songs, but to be honest, it’s not the most memorable album. Doesn’t mean it’s bad though.
Artista fundamental en la historia de la música contemporánea, tanto como miembro (y compositor principal) de una las más exitosas etapas en una de las mejores y más influyentes bandas -The Byrds- como su carrera en solitario o acompañado de colaboradores. Es difícil elegir un disco suyo, pero este puede perfectamente ser el mejor (a mí me gustan tanto o más Echoes o White light). La influencia de Gene en la música es perenne y se puede seguir a través de los discos de REM, cualquier banda de Americana o muchas de Dreampop ya sean Beach House o This Mortal Coil. Se trata de un disco que, como casi todos a lo largo de su carrera, fue ignorado o incomprendido. Sin embargo el tiempo le ha sentado de maravilla y luce cada día mejor. Silver Raven es una delicia, Some Misunderstanding es el tema estelar sin duda alguna. Otras canciones excelentes son Life's Greatest Fool y No Other, aunque cualquiera del disco tiene enorme valor. Otros exelentes discos de 1974 año fueron (atención a la variada paleta sonora) los de Gram Parsons, Kraftwerk, Supertramp, Genesis, Brian Eno, Bob Marley, Big Star, Neil Young, Tangerine Dream, o los imprescindibes directos de Van Morrison y Bob Dylan. También otros los hubo algo menores aunque muy recomendables como los segundos de las New York Dolls, Tom Waits y Mike Olfield o los de Stevie Wonder, Lynyrd Skynyrd, Steely Dan, The Rolling Stones, Eric Clapton, Neil Young, ELO y King Crimson. Este de Gene Clark les mira a todos de tú a tú sin ningún complejo.
Bloody good.
I thoroughly enjoyed this.
Some of these tunes are quite sweet, and if it were a different genre I’d probably listen quite regularly. Unfortunately, country isn’t my thing as I can’t quite get onboard with that country twang. If I was a country gal, however, I’d be eating this album up so 4 stars seems fair.
Some Nice songs
This amis a good album. Worth listening to
[Paul Rudd as John Lennon voice] Greeeeat record
The best songs here were the more country-sounding ones. The title track was genuinely annoying with its repeated riff.
Solid, classic rock album - a blend of Grateful Dead and Neil Young. Iconic for the time!
Never heard of him, but really liked this album. Had hints of the Byrds and the Eagles, and I liked the country-rock style. Good singing, good harmonies, good music.
I have not heard of this album or artist before. Its history was very interesting and surprising to me. My favorite songs were: Silver Raven and No other. I think I will listen again as the combinations of genres seemed to speak to me.
Based on the album cover, I expected something very different. This is Americana, not Art Deco. Just about perfect. I can’t believe I’ve never heard this before.
Lots of similar sounds to Pink Floyd just in a different vibe.
I haven't heard any solo albums by Gene Clark, who was the main songwriter of The Byrds in the mid-1960s. This was a very pleasant listen, with lots of different styles mixed on this album. I'll definitely come back to this because I feel I need more relistens, but at first listen it impressed me quite a lot. Sad how he was treated by his record label after this was released, even if critics loved the album. p.s. the album cover is surprisingly chaotic, but in a positive way. I love it.
It started out a little bit country but ended up being much broader than that. I enjoyed it enough to listen several times.
It was ok
Great!
Never heard of Gene Clark, mostly put the record on because of the cover. I'm surprised how much I enjoyed it; it's unassuming and very accessible, like oldies you might hear on the radio, but it pulls you in. I like that each song is completely different yet the album as a whole is cohesive and well thought out. I'm definitely going to go back for the gently bittersweet mood.
¡Qué bonito! Folk rock,country, rocksoul,R&B,gospel.
Really like this one
I had never heard of Gene Clark. He is now my favorite smooth rock artist with a just a hint of southern twang mixed in. Great driving music.
3.5
Pretty good album. Found one or two songs that were quite good. I may listen to those tracks again.
It's just damn good songwriting all over. Super well produced for the 70s, the instruments all sit on top of each other nicely and you can hear finer details throughout the songs, backing vocals are just right too. 'Strength of Strings' was especially fantastic.
Pretty decent bangers.
Hei tää oli yllättävän kova! Alkuun kelasin että tää on jotain perus countrya, mutta tää olikin tosi Niilo-henkistä folkkitykittelyy. Jeah! 4/5
Solid, really interesting blend of styles here. I definitely want to come back to this at some point, going to call it a 4 with room to grow for now.
How have I never heard this? Loved it
Sounds like Crosby, Stills, Nash, and Young at times and Jethro Tull (minus the flute) at others. Pretty good album.
My kinda country
Noch nie davor gehört, gefällt mir aber richtig gut! 7.4/10
Very enjoyable
I was only recently given a byrds album, so it's very interesting to see where Gene Clark went on his solo work. But besides that... This album does not let up. Every song feels like it was hand crafted by the Gods themselves. The weeping guitars, the weight of that bass, the way each song of structured so beautifully, and of course Gene Clark's wonderful vocals. Besides the very basic route this album takes on its country-esque songs, I'd listen to this non stop. Maybe I'm very easy to pander to, but I'd be happily pandered to as long as I can listen to music like this.
I was actually a little sad when I got to the end of this, as I was really quite enjoying it. I was expecting country/ folk, but what I heard was more gospel/ psychedelia. Horrible album cover, but the contents were 4 stars.
Very unique
Hadn't heard of this before and I didn't know what to expect, but really enjoyed it. A lot of interesting sounds and ideas
I had never heard this and had to Google who Gene Clark was. I'm not a big fan of The Byrds, so I was very surprised by how good this album was. Sad that it was never vindicated during his lifetime. It's really good.
the rest of the tracks are boring, but four out of eight isn't bad life's greatest fool no other strength of strings some misunderstanding
This is a surprisingly good album. A Country album from 1974? It has to be whiney and your typical "crying in your beer" song. Nope, there are songs with a Pink Floyd and/or Eagle feel. Some with a Roy Orbison feel. I really liked it.
Typique des 70's. Je connaissais pas du tout, j'ai bien aimé.
70s af, I dig it. It’s giving -Sunday with the windows open and the record player on-
Woah. This is fantastic. Heard the name before (courtesy of tfc) but need to explore his catalogue. Near Neil Young level songwriting, without the somewhat divisive singing voice. Superb
Surprisingly listenable for something so old sounding and not really up my alley.
I surprisingly enjoyed this.
Solid album. It definitely has variety even if some songs are stronger than others.
Lyrics are deep
vibes
Have seen this described as country-soul and that sounds like a fair description. The lyrics are existential , the vibe is laid-back and the music is stoner like and very listenable. I'm not entirely convinced by Clarks' vocals but they don't jar. I did like the title track, which was a bit more adventurous, featuring a treated vocal and a wash of synths and occasional Latin percussion.
Some timeless songs and sounds with an emotional appeal . Was less keen on the pure country tracks.
An interesting dichotomy of an album. The first two tracks are very nice country singer songwriter fare, but the album then becomes much more diverse, experimental and punchy for the middle four tracks, before returning to gentler country for the final two. The 'bookending' approach to the album really works well, and holds it together as a piece much more than having a 'country' Side A and a 'rock' Side B would have done. Aside from the sequencing, this is characterised by lush vocals which are reminiscent of Neil Young in places (Strength Of Strings in particular could be Young), psychadelic elements, lovely harmonies and intriguing lyrics. I really liked this. Rating: 4.5/5 Playlist track: Strength Of Strings Date listened: 26/10/23
Wasn't bad. Pleasant.
I really enjoyed this one. I’m going to add a couple of these songs to my Chill Running playlist.
It’s hard to believe this album didn’t get any love when it was first released. A little rock and a little folk with some country mixed in. Not at all like The Byrds. Well written songs and vocals. Very good!
Ooh. Well as the first track started I thought, mmm, more country, not in the mood. Then it got it's hooks in. First listen. Wow. Got a Dennis Wilson River Song vibe. Title track and Strength of Strings are moody bangers also. Obviously the production has a lot to do with it, I can understand where all the money went. Some Misunderstanding loses me a bit, for an album this generally blown up and huge sounding, it doesn't quite go on the journey I want an 8 minutes long song to go on. It's still good though. I should have known the guy who wrote Eight Miles High did decent stuff after The Byrds. One of the things I'm looking for in this whole project.
3rd Listen: 3, 2 Gene Clark Genre: Folk rock, country rock, soul, R&B, gospel 1974 Gene was a member of the Byrds. Standouts: Silver Raven, No Other, Life's Greatest Fool, Some Misunderstanding The track No Other is a great Rock song, Silver Raven is somewhere between rock and Country and Life's Greatest Fool is a good Country song. Very diverse. After listening to this album a few times and being kind of confused about what kind of album it is...I started really liking it. 4/5
Really good. There’s something about Gene that I really like. Really enjoy his vibe.
Bra album!!!! Massa genrer och bra låtar, mycket trevligt Favoriter: No other, Strength of Strings
Jättebra album Bästa låtar: No other, Some misunderstanding
A very satisfying, atmospheric, sincere folksey rock album. Very Neil Young in places, extremely 70s, cool, right on, southern sounding. All my faves. John Fogerty, Lynnrd, Nash Still and Young. Yeah, good.
Niet slecht, maar het een 'verloren meesterwerk' te noemen is wat overdreven
Really nice mix of classic country and folk with what feels like a hint of Pink Floyd. Both intricate and easy listening
What starts as a standard country song has some more depth as the time goes on. I really enjoyed this one!
It certainly has a singer/songwriter timelessness about it. It is very easy to listen to... a simpler Eagles vibe (with a lot less harmonies). Every song here is enjoyable, though blends a bit together by the time we've reached the end. A cool discovery for me.
Enjoyable country rock but not quite as good as the band or burritos
I first heard this album when Beach House was touring it with some other indie stars. I thought their version was really good and I like the original too. If you like this, you should check out that version.
Silver Raven is a beautiful song
Vraiment intéressant, beaucoup d'influence et beaucoup de variation d'une pièce à l'autre sans non plus être trop éparpillé. Le mélange de country rock et folk est super bien fait. Très bon album. 8/10
mahtavaa volkkia, kantria, poppia, rokkia, psykerokkia, laulaja viuhattaja.... tarviiko muutaman muutaman genren lisää heh reilu kauppa, reilu kauppa laittaa yhtä tonne ja kuutta tälle...... PRKL.... PRKL YLLÄPITÖ HERÄTYSTÄ HERÄTYYS!!! fight for the equals,.... hyvä albumi strength of strings
Never heard of this before, but this just grabbed me from the start somehow, which happens very rarely. Often I feel like I need to listen to something for a few times before appreciating it, so that is a really good credit to the album. Most tracks were just great or really good honestly, hard to point out exactly what it is. But the tracks were quite different from each other, I really liked that. Some with heavy Pink Floyd-esque guitar solos like 'Stength of Strings' or 'Some Misunderstanding', a bit more folk or country with the first two tracks and 'True One'. 'No Other' was just a really cool track overall, comes as a complete surprise but really slaps with some distorted bass or synth or something.
I wasn't expecting much when starting to listening to this, just another standard country album. I kind of felt that way until "Strength of Strings" started playing. "Hold on this is way more than a country album". It feels like Rainbows slower songs e.g "Temple of the King". I really liked the piano, riffs and choir with their harmonics and started to listen more attentively. Moving on many of the continuing tracks were great such as the closer "Lady of the North". Listening to it again i found a great psychedelic album, I'm glad i noticed and didn't let my first impression by my final one.
Looks like jazz, sounds like boring country, then goes in a very cool and experimental direction, which reminded me of Alan Parsons, and then goes back to boring country. A rollercoaster!
Solid
cool vibe!!
Rock, twang, folk...pretty good
Country... But seems like more rock than country Definitely not a fan of modern country, but I am a fan of old country and country rock. Good stuff. Good album. Thinking 4.5. Not sure yet. No Other is a good one. Also, Strength of Strings. Big fan of this one. True One had too much country twang for me.
Is it possible for me to go a week without finding an artist that has no baggage attached to them? Upon listening to this, I find it ludicrous that No Other was critically panned. Is it perfect? In my opinion, no. It does menader a bit in places, and Clark's voice isn't exactly my thing. But the lyricism is strong, the passion there and the production crisp. I have certainly heard much worse on albums with many accolades to their name.
Reading the Wikipedia page about this article, it's crazy to imagine that this album was such a failure that Gene Clark's career never recovered. It sounds great to me. I love Gene Clark's voice and his particular brand of country-rock. 4 stars.
3.5/5
I dont normally like this kind of music too much, this was a really great surprise. Very enjoyable album
So this is what I came to this 1001 albums project for; an album I did not previously know, and needed to hear. I don't think I had ever heard of or even seen a copy of this album in my 35-odd years of trawling record stores. I did, of course, know who Gene Clark was. I have only relatively recently come around to country rock, 'which explains why I had generally avoided his oeuvre for a long time, but reading the way that David Geffen buried this album probably explains why I had never come across it. And, in all fairness, if I had heard it before I turned 40, it probably wouldn't have registered with me. But now, I am old enough to get it. Now, this does hit the white boy rock critic sweet spot; magnum opus by ex-Byrd, buried by record company and essentially lost for 40 years. recorded in a reported cocaine storm at great expense by the top LA session musicians of the time, the risk was that this would actually be another Steven Stills album (shudder!). But, wondrously, it avoids that path. The songs are really strong (personal faves: Silver Raven, title track, Some Misunderstanding and Lady of the North), and the production, castigated at the time as pretentious and over-blown, is rich and lush. I don't feel; it overpowers the material. It unites the country, RnB, funk and gospel feels into an unhurried cinematic panorama. Gram Parsons talked about a Cosmic American Music, but I think Gene Clark may have actually recorded it here. A revelation.
Pink Floyd maal John Frusciante gedeeld door Townes van Zandt. Weinig mis mee, luisterde erg fijn weg. 3.5
I enjoyed this - interesting album and shame it didn’t get more love when it was released.
Folk. Rock. Muy bueno!
I wasn't aware that he had solo stuff. I liked it!
On some songs, his voice has a bit too much of country twang for my liking, but that is my only complaint. Very enjoyable to listen to, would do so again.
Good album! Feels like a classic that I had never heard of before. Favourite tracks are probably Silver Raven and From A Silver Phial but they're all pretty consistently good. Will go back to this one for sure.
On my first listen to this album, the slight country twang of the first couple tracks got in my head and I caught myself looking for reasons to dislike the album. I forced myself to get over it and wound up listening through the album three or four times. It's pretty damn good. While his voice is just ok, in general the musicians on this album are good stuff, especially the bassist who definitely stands out. The songs are generally of good quality with nothing I would consider a significantly weaker track than the others. As I continued to dive into this one, I found that my initial pet peeves about his voice and sound became the pieces that I found fondly memorable. His sound actually reminds me of another band, The Band, which I have very similar feelings for. Despite it probably being too long, I think my favourite track so far is Some Misunderstanding. The guitar solo of that song has almost a Pink Floyd feel. It's not easy to break your way into my core rotation of music. This is the first album from this 1001 album challenge that I am adding to my triage playlist for further listening, and I think a couple of these tracks might find there way onto my playlists.
I heard this once before on another list I listened through. I didn’t even remember listening to it before. This time it left a solid impression. I enjoyed this record.
Unexpected! Loved the instrumental string parts and piano, as well as the background vocals. Would listen again especially Strength of Strings. I hear Gene Clark's performance from Lady of the Lake in Father John Misty's style.
I liked this a lot more than I was expecting. Definitely one to revisit - good quality americana throughout.
Very strong album, you can feel Gene put his all into this and it evokes a lot of feeling and emotion. A bit too melancholy to put on my rotation but I enjoyed it, and the tragic release and decisions made by the label add a layer to that.
Really enjoyed, nice blend of country/rock/pop throughout
Never heard of this album before, but I did know Gene Clark was with the Byrds. Ended up enjoying this more than I thought I was going to. Standout tracks: Life's Greatest Fool, Strength of Strings, Lady of the North.
This was surprisingly okay
Absolutely incredible album. Horrible how poorly this was received when it was first released. I hope Gene Clark knew how good it was before his death.
Mellow tunes, a nice voice with good instrumentals. Varied sounds so it's not boring. Great! 8.5/10
Never heard of this before, really liked it, exactly the kind of thing I signed up for with this.
¡Qué bonito! Folk rock,country, rocksoul,R&B,gospel.