No Other

When No Other was reissued in the early 2000s, I bought it on a whim as part of a 3-for-2 CD offer, and was underwhelmed by it. Then around 20 years later, I heard Life's Greatest Fool on a playlist and loved it, listened to the album again, and finally got those 'lost masterpiece' reviews that convinced me to take a punt on it in the first place. So, if you're on the fence about No Other now, just give it a couple of decades, and it might grow on you too.

I was very surprised to not have heard of this before while I was listening to it, so I went to read the description and of course it explains it - this was an absolute flop when it came out and when it resurfaced people realised how good it was. It really emphasized what I was thinking - this sounds too forward for it's time. I thoroughly enjoyed it.

One of my favorite country/folk albums ever! The title track is folk perfection, and then followed up with "Strength of Strings"!! Ugh this album deserves much more love. Favorite track: No Other

Noce

Very surprised by this one, because a) it was a complete failure and b) I grew increasingly underwhelmed and tired of all The Byrds entries on this list. Was a bit worried about the heavy country lilt on the first track, wondering if it'd be a bit one-note, but thankfully I was wrong. What a fantastic album. Very varied, great production and grandiose, and the title track is an absolute banger. Rounding up for the sheer unfairness of its commercial misfortunes.

never heard of Gene Clark before. Really enjoyed the variety of this album

This is fun

A solo album by a guy from The Byrds with this hideous album cover? I wouldn’t have given it a second’s notice before, but my god what a brilliant album. These compositions are so forward thinking for an album from 1974, pulling in influence from the grandiose country rock that was happening at the time, but still keeping the rock solid songwriter stylings that made The Byrds such a popular band. All of the songs here offer something in their own right, but Strength Of Strings is a particularly strong showing of the scale of Clark’s songwriting prowess and ability to bend a vocal line from powerfully ballad-like to devastatingly sombre. A genuinely surprising album for me that I’ve already listened to twice today and will be delving into the bonus discs on the 2019 reissue. It’s criminal that this album was suffocated by its label and basically killed off any success Gene Clark would have as a solo artist. Between how they handled this album and all of Judee Sill’s career, Asylum Records have a lot to answer for.

Never heard this before loved it. Wil listen again.

Quite a surprise. Will have to look more into Gene.

I have this lp

I'd never heard of this guy, and never heard of this record, but this was so good. A beautiful blend of loads of really good Country/Folk/Rock that was a pleasure all the way through. What a great discovery, will listen again for sure.

I have a real soft spot for this album & find it affecting in a very specific way. 5/5

5/5 Masterfully crafted Folk-Rock songs with tastes of Psych-Rock and Baroque Pop. It’s dramatic, it’s mellow and also very fun. An instant favourite! Top 3 Songs: No Other Some Misunderstanding Strength of Strings

I thought this was a gorgeous album. When I first saw "country" and a monosyllable artist name that I hadn't heard of, I admit I went in not expecting much. But I was pleasantly surprised by the existential and psychedelic lyrics and melodies.

I've never listened to Gene Clark before, and again I might be riding the 8 day hiatus high, but I seriously enjoyed this album. Such a diversity of sounds and themes. After listening to Chapel Roan in the car the last few days, I'm just happy to listen to something that has more substance. 5/5

Кантри, соул, фолк-рок. Первая вещь не даёт сразу представления, зато дальше разворачивается атмосфера мистики и таинственности. Слушал ремастер. Альбом очень заинтересовал.

Beautiful

Completely floored by this sublime album from Gene Clark, who has slowly established himself as one of the biggest “discoveries” in this in my eyes. Not a single wrong choice made on this record.

No Other has gone completely under my radar this entire time. It’s a perfect record. Sad to find out that Gene Clark never got to see the much deserved recognition this album would later receive. I already listened to it twice since my initial listen and it will definitely find its way to my collection soon.

I don't know much about country music, but I like this. There is elements of Psychedelic Rock going on at the same time and it is a hell of a good time. To be honest, I like this more than a lot of the other albums I have heard in both genres. There is something about this music that works for me, there is elements of experimentation but also great storytelling. I didn't know who Gene Clark was before (apparently he was a member of The Byrds) but I really liked the album. At the time the record label didn't promote this album, and it wasn't a success. The reason I do the 1001 albums list is to discover albums like this, the genre blending is what makes this album. Standouts: Silver Raven, No Other, Strength of Strings, Some Misunderstanding

Absolutely loved this album. I was hooked from the first song, and it only got better. Great amount of variation between the tracks - each one felt different to any of the others. Perfect folk/country/rock album.

Awesome

Fantastic, heartfelt, and soulful. Was so into it I didn’t even check the tracks to rate them individually, and by the end I had to play it again. 10/10

This album is a great example of chill, psychedelic rock that’s perfect to relax to. They don’t have a huge following but I believe they deserve it and are underrated. I’ve listened to this album twice now and I’ll definitely listen more in the future 5/5.

This was a really beautiful album!! I'd never listened to Gene Clark before and was surprised at how quickly this album hooked me in! Really really enjoyed it 5 ⭐️

Honestly one of the best 60s/70s soft rock albums I've ever heard. Lovely throughout, amazing production quality.

Amazing country album — sweet and melancholy

An absolute master class in the folk/ country genre. It's really cool to see him take this approach after so much time with the Byrds and after some more basic folk solo albums. To see him weave in so much inspiration from so many other genres is just so cool. I loved the mix of folk and some heavier rock on No Other. Glad this album is finally getting its flowers.

Very sadly overlooked album. Definitely has a Neil Young sound in spots. Great listen from front to back and a true gem on this list.

Actually love the mixed media-esque of the album cover. What a really interesting Western-y album. It gave me a lot of memories I don't have, this weird nostalgia like I was riding on a motorbike across the Midwest and it's also really weirdly sad? Like it's got this desperate grip on hope and an in-between of imagination and reality. I've never heard this man before but wow Gene Clark's voice is really... I dunno, he sings to me weirdly. Lyrics and guitar are A++. Only critique was Some Misunderstanding was hella long lmao. FAVES Life's Greatest Fool 💖 Silver Raven (this is the best song on the record for me)💖💖 No Other💖 From a Silver Phial True One Lady of The North 💖

Loved the style, though it was just a tad soft for my tastes. Side A, was great, while Side B was just quite good. Favorite Track: Silver Raven

Favorite Track: Strength of Strings

Easy listening!

YEEEESSSS i’ve been WAITING for an album to absolutely wow me, and Mr. Gene did exactly that. This collection of songs actually gave me chills as I was listening. It made me feel. I wanted to smile and cry. It kinda gave some pink floyd vibes and the guitar was wonderful. The backup vocals were so powerful as well as Gene’s voice was heartbreakingly beautiful. 10/10 will listen again.

Did not expect to but I loved this

This is genre defining to say the least. This is better than any of the CSNY crowd. Also destroys the Beefhearts, Waits, Walkers, and Caves of the world

Loved it

What a surprise. Total masterpiece!

What an album! Gene Clark truly perfected the country rock sound. Tracks like Silver Raven and No Other masterfully balance country and psychedelic rock on a knife's edge—it's absolutely mesmerizing to listen to.

I really like this so far, it sounds gorgeous. I enjoyed this a lot - I can't imagine this being everyone's favourite but it's a sound I really love. 4.5

No Other puts you into a lovely, gently explorative mood, with some tight enjoyable hooks. Every song in here feels like I've already heard it in a good way, and I've enjoyed almost every repeat. Experimental enough, lovely enough, for me to risk a 5/5. Somewhere closer to 8-9/10, really, than a true solid 10/10, but it's very very enjoyable. Feels a bit like combining the best part of country, eagles, soft rock, soulful music, and a bit of psychedelic experimentation.

Great listen, and a huge surprise given my infamous antipathy towards 70s West Coast sound. But the production, especially the handling of the backing vocals is top drawer here, and the psychedelic tinges and even gospel vibes means this one soars for me.

Really happy to see this album feature. Firstly because it’s brilliant, and secondly because I’ve not heard it in years after my ex-wife insisted I get rid of my separate system as it was too big and my visual cues of albums to play went with it. I remember being blown away when introduced to No Other in the late 90s. The album is on another level from anything else that emerged from the west coast country:folk:rock genre and has hints of Clarke’s early Byrds psychedelia along with gospel and whole host of other fused sounds. Beautiful melodies, layered, complex arrangements, deep heartfelt words and those backing vocals are to die for! Simply one of the greatest albums ever made and I’ll fight anyone who says otherwise. I also love the fact that it received no marketing budget and so flopped as Gene Clark had blown so much on the production.

To paraphrase another reviewer, "No Other" sounds like what Graham Parsons set out to do, combining country and rock into a "cosmic" new genre. Only Gene Clark did it a hell of a lot better in my opinion. I find it hard to believe that this album was a commercial and critical failure in its time and Clark's lifetime. It's a great find.

This was so good. It's the type of album I refuse to believe came out when it did, it just sounds so polished, layered, eclectic, and ahead of its time. It sounds like something a 2000s alt-country group like "Songs: Ohia" would release. It's also very rooted in its blues and gospel influences especially with songs like 'Strength of Strings' (which reminds me of Sufjan Stevens oddly enough) and 'No Other' with those choir backing vocals. The songs here groove so steadily and beautifully, like riding off into the sunset on a galloping horse with the wind in your hair. Gene Clark was a member of The Byrds - a band I listened to as a part of this list, but already forgot (mostly) about. I don't remember if he did vocals on that Byrds album, but his vocals here were great - every note that comes out of his mouth carries so much weight, it's as if he's been troubled and in pain for many years leading up to this recording. Yet he's oddly soothing on the organ-backed 'True One' for example. The best song has to be 'Some Misunderstanding' which boasts this album's best, and most existential piece of poetry. The first half is incredible with those atmospheric explosions in the chorus, but the instrumental break in the second half (that's almost Pink Floydian) is what won me over. I can see this song becoming one of my favorites ever - a powerful 8 minutes. Another album on here that makes me happy, just knowing this exists, and knowing I can listen to it for the rest of my life. I could give a fuck about my inconsistent dumbass rating system for the albums on this list, but I can say for a fact that this deserves a 5.

would take more listens for the material itself to fully set in but (1) the material is still clearly wonderful, tons of lovely melodic and arrangement ideas and (2) whats somehow more instantly unforgettable than anything else is the structure. the A side plays it really straight (tho beautifully) before hitting u with colorful psyched-out surprises, and then the B side plunges u right back to earth with country tunes that range from warm and sparkly to dark and mystical. the diversity would be a fun time no matter what but its the way its all stitched together that helps each style hit as hard as possible, perfect sequencing tbh. ive still got a shitmillion byrds records to roll on this thing lol but this is easily my favorite byrds-related music ive yet heard...rly good split between comforting and adventurous. maybe a total masterpiece tbh, commanded my attention way more than i expected!

After The Byrds disbanded, David Crosby soared with CSN/CSNY, and Chris Hillman thrived as a country rock innovator. Gene Clark, however, struggled with personal demons and commercial neglect. Dubbed the "Shakespearean Hillbilly," his life became a tragedy—passing at 46, unaware that No Other would one day be revered as a cult masterpiece. He would have liked that—and rightly so. Released in 1974 and produced by Thomas Jefferson Kaye, No Other blends folk, country, soul, and orchestral pop into a lush, genre-defying opus. Its experimental spirit carves its own singular path, with influences from the emerging sounds of the '70s and a bold, adventurous approach to production. “Some Misunderstanding” is the emotional core, a poignant plea for connection that swells into a cinematic crescendo. “Silver Raven” shimmers with haunting beauty, its sparse arrangement evoking a timeless sense of longing. The title track, “No Other,” merges ethereal vocals with bold production, embodying the album’s cosmic and spiritual essence. In its ambition and emotional resonance, No Other foreshadows Fleetwood Mac's Tusk and echoes the expansive, layered textures of modern acts like Grizzly Bear, My Morning Jacket, and mid-career R.E.M. Its intricate arrangements and atmospheric soundscapes have a timeless quality, anticipating the dreamlike, genre-blurring indie music that would emerge in later decades. Despite this era being slightly outside my comfort zone, No Other resonated immediately. Its seamless fusion of emotional depth and experimental ambition secures its place as one of the most underappreciated masterpieces of the 1970s—a timeless achievement, especially considering the remarkable competition of that golden era. Do I own this release? No, but it’s one I’m glad I’ve discovered. Does this release belong on the list? Yes. Would this release make my personal list? As mentioned, this isn’t one of my go-to genres, but with a few more listens, it might just convert me. Will I be listening to it again? Definitely.

Amazing Highlights: No Other, Strength of Strings

Just a really nice album to listen to on a day when I wanted to be left alone. Ironic really, when the song “no other” might be about the importance of not being alone.

So good american country rock, perfect for a road trip. I will admit it did not deserve an 8 minute song, but the rest made up for it. Stand-out: No Other, From a Silver Phial

WOW! what a fantastic album! better than anything ive heard by the byrds by a long mile

I had never heard of Gene Clark until this year. Nate Garrett from Spirit Adrift talks this album up on his YT channel. This album kicks ass. A lost masterpiece is right.

I really like Silver Raven. It reminds me in a way of Bob Seger's Turn the Page. No Other is a complete change of pace into a fuzzed out rock song -- once again really solid song writing here. Strength of Strings is an interesting one. Opens up in a sort of opium haze with the skittering percussion and slow build. Getting some David Gilmour (circa Meddle) vibes from the guitar work here. This was an amazingly enjoyable and cohesive album with beautiful production, great songwriting, and instrumentation. I really wish for a 10 point scale here, because I feel like we need granularity on this upper end of the spectrum. This is not a 5 in the sense that Yankee Hotel Foxtrot would be, but it is not fair to put this alongside the other commendable 4s. So for me this is a completely unexpected soft 5.

- This project continues to surprise me. I guess I didn't know music as much as I thought ..... or maybe there's just so much out there it's not possible to grasp as much as we think we can .... thanks for this one. It's a beautiful record that exemplifies, at it's core, what the creative process is really about. We do this because we must. Maybe our efforts will be appreciated, maybe they won't but make it anyway. Don't give up. It's what makes us human.

4.6 - lovely album this, want to listen to more of him

This album exceeds the usual country-rock genre from the early 70s, and always found it hard to imagine why this album was ignored at the time of its release.

I previously had "White Light" by Gene Clark in this project. I gave it a 3 after one day of listening, but then it wound up being one of my top albums last winter. I'd retroactively up that rating for sure. I later talked about it with my brother and he told me that this album was a must listen. I was primed to enjoy it between that recommendation and the Rollercoaster wikipedia page, but this album blew me away on its own merits. It starts with that same warm country inflected balladeering that grew on me from White Light, and then it grows in wild and exciting directions with the heavily Stevie Wonder influenced title track and the sprawling Strength of Strings. The country is more pronounced on True One and Lady of the North is a perfect closer.

Loves: Silver Raven No Other Strength of Strings From a Silver Phial Some Misunderstanding Notes: This is probably going in my regular rotation. Totally my typical genre and it sounds so good, and the lyrics are ethereal. “Fiery rain and rubies cooling in the sun”

idk this man but i need to know him biblically

Imagine, if you will, sharing a spliff with Dennis Hopper, talking about traveling the world, mysticism, American grit. People know you from The Byrds, but you're here to make your own statement about religion and human connection, and it's gonna have a strong country twang. This is Neil Young and George Harrison's joint Americana album. It is lush, soft and smooth, like crushed velvet stained with cigarette ash.

Had no clue what to expect here. Upon spinning up the first track, I pinned it as "old country" genre. But as the album progressed, I got hooked more and more. Kind of a cross between Johnny cash and Neil Young. Will be looking for more of his stuff!

First song begins to play, not bad, going to have some country rock today I’m thinking. I’m sure this album will be a 2 or 3 for me. Second song begins (silver raven) and I’m surprised to find it haunting and absolutely beautiful, this is not what I was expecting. Third song, title song, a masterpiece with some amazing sounds and really amazing lyrics. What is happening! 4th song (strength of strings) slowly builds and in comes the guitar and more wonderful lyrics and building intensity, absolutely wonderful. Why have I not heard this of this album?! Some misunderstanding, builds to allow the guitar absolutely amaze and shine on this song and love how his voice waivers. A few of the other songs go a little to country for my taste, but by no means bad songs and all will powerful lyrics and feeling. How have I not heard this album! How are these songs not on the radio! I research to find out it got no promotion and was practically thrown away….terrible! This is a story that should be told. This album ruined him and it should have been a musical triumph. Will be an album in my regular rotation. Album cover is unique just like the album.

Wow, this really blew my mind! What a great record. Good that someone rediscovered it.

Blew me away

I didn’t know until it finished that it was from the Byrd’s singer!! It was delightful!!

Amazing... Never heard of him before. Now, I'm a fan

I love this album. It’s kind of Laurel Canyon meets prog. Gene Clark is a really good songwriter and an interesting singer. There are all kinds of moods on this album.

very nice

Wonderful album by by Gene Clark, recorded in the wake of a reunion album with the Byrds and ultimately not supported by the label, this is a beautiful assembling of songs with a light folk rock feel reminiscent of CSNY. Great, uncomplicated arrangements, great harmonies, great songwriting. No Other and True One are my favorite tracks. I'm adding this to my regular rotation.

A perfect slice of baroque pop roots rock.

Probably one of the best albums of all time. All strong and memorable songs.

Amazing work. Loved it.

Un oeu genre country, calme et top

So here it finally is. Proof that doing this list is worth it. After all the albums that didn't move me, and many that even annoyed me, and most of my 5 star ratings being ones I already knew... here it is. I guess I shouldn't complain as this is only album no 42 for me. But this is my favourite discovery I've made through this list so far. I hadn't even heard of Gene Clark before today. Now I know that my whole entire life, I've been missing out. Could someone please tell me how an album could possibly be so perfect? I honestly can't believe an album as good as this one is even possible. The whole time I was holding my breath, waiting for that one filler track that let this album down, but it didn't come. It was just masterpiece after masterpiece. Impact moment after impact moment for the whole entire track list. The lyrics are out of this world. The music is beautiful, dreamlike and ambitious, all with Gene's beautiful, emotive voice at the forefront. Favourite tracks: I said on my review of Sgt. Pepper that choosing favourite tracks does a disservice to every other track. I already feel the same way about this—and after only first listen, that's quite the accomplishment. I'd be hard pressed to find another album that didn't have a single track that had to grow on me at least a little. Having said that, I think my favourites were probably No Other, Strength of Strings, Some Misunderstanding and True One. I'm aware I just listed half the album, but it still feels inconclusive, as the other half is also sublime! To call it the "lesser" half would be ridiculous.

Phil spectors wet dream, wall of sound done well with slight country feelings

What a beautiful listening experience!! I am usually very hesitant to give out 10/10’s to anything, but I believe this album has earned a 10/10 from me! I found every single track to be incredible, and the lead singer’s voice is one of the best I’ve ever heard in country. This album combines that with an equally interesting set of instrumentals on each track as well, leading to one of the best country albums that I’ve ever heard in my life. 10/10

Well this is relentlessly pleasant

Such a good blend of genres. Blends seamlessly between folk, rock, country, gospel and never feels out of place. The lyrics really hit home too. Need to take some more listens to really absorb it but overall great album

Very good. Just very solid all around. Some taste of the Beatles in there, some Dylan (with a better voice). A nice variety of songs.

A hidden gem in the early development of country rock. Ambitious and sprawling.

A stone-cold masterpiece. Much has been said about how Gene Clark never got the recognition he deserved for this stellar work, how his label thought the money and ressources spent on it were wasted, and how the album was a commercial failure. The thing is, now that Ivo Watts-Russel, Beach House and other important figures from the music business did what they had to do to give this gem the credit it deserved, we can all go to the next step and herald it as the seventies classic that it is. In a somewhat close genre, this record should have been as big as Neil Young's *Harvest*. Well, now we can all consider it *is* actually as big as Neil Young's most famous album. It's the best way to celebrate Clark's memory, after all. Each track shines in this LP, but I am particularly fond of the four that follow. First, there's the title track, whose sounds and overall mood are incredibly ahead of their time, with its slick synth bassline, its sly groove, and its soulful vocals. This song slaps, even decades after it was released. Equally soulful is the more subtle and yet terrific "Strength Of Strings"--gosh, aren't those backing vocals gorgeous. A little while later, "Some Misunderstanding" provides the emotional climax of the album--a country tune that has properly *cosmic* effects on me. The end of the song just feels like flying over the clouds. I'm shuddering just listening to it now. Closer "Lady Of The North" is my last favorite, with another entranced chorus, nicely supported by the lush instrumentation behind it. Its final wah wah guitar riff is an earworm I could play all day, and I don't think I would ever get bored doing so. 5 stars, of course. Good luck for the album that comes next. Number of albums left to review: 575 Number of albums from the list I find relevant enough to be mandatory listens: 205 (including this one) Albums from the list I *might* include in mine later on: 98 Albums from the list I will certainly *not* include in mine (many others are more essential to me): 126

Surprised by this album and it's history.( But first, a Note: previous review text=duplicate, but for me it's still a "1" . Felt like Johnny Mathis hour. Didn't finish... ) Ok. So. I am new to Gene Clarke. Fellas, I Gotta admit, yet another unfamiliar cover and name...I was dreading (yet another) obscure "back shelf" 1970s music that essential" by old music afficionados. That band called Rush ...was not a rush. I knocked off my grumpiness and listened to this on the big speakers instead of headphones (to appreciate it better, and also so I can run away if I need to!) ...so I read that this "Gene Clarke" was in the Byrds. And hung with/collaborated with the influential music and culture types in 60s California and wrote this album after full days meditating and staring out to seea. So it's going to be soothing and contemplative. And maybe a touch floaty... Also, The 'Pedia says he "was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country. He was inducted into the Rock and Roll Hall of Fame in 1991 as a member of the Byrds" And that's what's this sounds like. Sure there's big tape hiss. An interesting discovery album, and pity it didn't get recognised until recently. As "education" for 70s music this works for me... maybe this is just the right album. It's musical, well arranged and recorded, and quite pleasing to the ear with plenty of warm resonances, mood creating, and playful. I needed this as antidote to some of the painful garbage on this list. I can hear the sound and rhythms pre-saging / reminiscent of "the horse with no name". This could be a soundtrack to a movie of the 60's. And by the time "No Other" comes up, you're enveloped in its rich shaggy pile and the guitar does something wonderful, I think this would be in my "mellow/grand chill" music pile to bliss out to. As it starts to soar. I want to read the lyrics. Apparently he wrote sober but very psychedelic/floaty/other dimensions are there. Like burning gens cooling in the sun... This album is especially nice through some big old speakers in a living room. Bookshelf speakers without a sub-woofer won't do it justice, sorry. In conclusion, this is the kind of album that makes it worth persisting with the "flat spots" of this list. A nice discovery. In summary: warm trippy early 70s California freedom in the sunshine soft psychedelic rock... the perfect album to play on a summer road trip in a big station wagon on the west coast, or in a big old holiday house overlooking the sea.

fajne

Outstanding album. You can really hear were Crosby learned his songwriting chops and even where bands like Fleetwood Mac got their inspiration.

returning for a post-mortem review (on this originally unreviewed 5 star rating) to say that this album was the first big surprise for me on the list and out of all of 1089 my favorite of the albums that i probably would not have heard if not for the generator. god bless you Gene Clark, you strange little man, for making the most mesmerizing psychedelic cosmic country rock gospel album to ever exist, and rest in peace!

Surprise of the set for me so far. I really liked this one.

amazing album, its like folk and simple and at the same time innovative like ive not heard much before had to listen to this multiple times over

I enjoyed this a lot. Incredible album! I cannot believe it flopped to begin with. People are strange.

Lovely mix of country Baroque and so much else an unexpected gem

I loved it

Excelente! Grata surpresa, nunca tinha ouvido falar e gostei demais. Ouvi numa fartlek, mas quero sentar e ouvir nas B&W.

J’aime braiment ce genre ces temps ci et mes notes somt bien reflete lucinda williams a eu aussi droit au traitement.

If you don't like this album, you don't like music.

Life's Greatest Fool — очень скучно а потом я забыла оставлять впечатления о песнях... к концу мне альбом стал нравится но как будто бы чего-то не хватает? 4? 5? а может, лучше по лицу? бесит ставить оценки

Surprisingly good album overall. Lots of different styles and good songs.

Never heard this before but was really impressed. There was a beautiful and sweeping fusion of rock, country, and folk. The guitars on "Strength of Strings" was really phenomenal. It really says a lot about the Byrds that Gene Clark the 3rd best-known member. Reminded me of the Stephen Stills album we heard.

Loved that

Really great music and lyrics. Some pretty interesting production as well. While not necessarily the most exciting songs in the world the length isn't really noticeable because the lyricism and musical talent are very engrossing. A really cool and innovative folk/country album.

Another ringer for me, love this album. The absolute classic indulgent '70s coke rock album (meant as a huge compliment). All songs are great, and the 4 song sequence starting with the title track beats anything on Rumours or Tusk and shoves the Eagles into a pit of shit

Really enjoyed this one. Hidden gem for me. Lots of great guitar songs.

First heard this in the early 2000s. Mostly buried since '76. I'd take this over the Eagles any day.

Great

Merci pour ce moment

Really liked this. A good mix of rock, folk and country. To me there even had a bit of a prog rock sound to it occasionally. "No Other" my favourite track.

Haha is it country or rock or folk? A welcome change to the usual anyhow. Really like this.

Simply amazing

Amei esse album! Ouviria sempre, bom pra qualquer mood. Fato que não prestei muita atenção nas letras, mas a melodia, o ritmo e a voz são bem do jeito que eu gosto. <3

wow this album leaves an impact country influence but way more than that

Liked it way more than I expected I would. Kind of a "John Denver meets Pink Floyd" sound. Big fan.

This was unexpectedly great - started off sounding like it was going to be straight forward country, and then gospel and folk and soul and the kitchen sink get thrown in too! Sad backstory to the whole thing, as well. Fave tracks - "No Other" sounded very Zappa to my ear, and "Some Misunderstanding" has some powerful energy going on...

This was actually quite a good listen! I can't believe it was a flop when it was released.

Umm; I apparently love country music

Excelent. Best folk rock ever

Never thought I would like this. Grew on me, will definitely keep listening

I won't wait tomorrow to rate this incredible album. Foolish me thought it would be only country, but Gene Clark voice looks like heaven.

What a hidden gem this album is. Also ahead of its time.

Pretty good, nice sound and good voice.

Silver Raven really good and haunting. Lady of the North has really interesting function sections in otherwise standard country rock ballad. No Other is just good 70s rock. Strong, thoughtful lyrics throughout.

It was fine! I like this melancholy country vibe

In the N.F.L., they often talk about coaching trees like the many top head coaches who sprang from Bill Parcells or Mike Shanahan’s staffs. In music, The Byrds gave birth to a huge number of notable, usually high-quality, acts. The first two-three versions of the Byrds themselves, Crosby, Stills and Nash, Dillard and Clark, The Flying Burrito Brothers, Hillman-Souther Band and the legendary solo career of Gram Parsons. It becomes almost Biblical as those groups begat others, who begat… Somewhat hidden in my Byrds knowledge was Gene Clark. Aware of his vocal presence, I did not realize that he was involved in writing nearly all of the best originals on The Byrds early records. The name recognition of Roger McGuinn, David Crosby and even Chris Hillman, shoved Gene Clark into the background. His utter lack of chart success post-Byrds with the aforementioned Dillard-Clark Band, even more obscure bands and solo did not help matters. Quite a few albums on the 1,001 list have landed here due to revisionist review revivals, No Other is one of the most deserving of this group. Too bad for Clark that he could not find a way to write radio friendly material to cash in on the country-rock scene that he helped pioneer. The lack of instantly memorable songs and a few overproduced qualities are the only small complaints that I have about the record. The members of “The Byrds tree” capture country music’s essence with their ability to touch heart and soul in many songs. Clark’s vocals walk right up the point of high octave drama, but he manages to keep it in check to offer just a quaver to develop poignant moments. The arrangements and musicianship lend power to Clark’s songwriting. The strings and backing vocals, even synths of “No Other”, avoid drenching the songs in a countrypolitan manner. Instead they help build towards the more powerful moments on “Silver Raven” and “Life’s Greatest Fool.” Other tracks like “Silver Phial” and “The True One” keep it simple, and while less sweeping in their sound, they still deliver lumps in the throat and a tear to the eye. Who is the Gene Clark of 2026? Will they have to be dead for three decades to receive their just rewards?

Pretty solid listening!

Surprised that this was a flop. I really liked this. Cool songs, and great bass playing.

I didn't recognize the name before having this album suggested. I was surprised to see that he was the lead singer of The Byrds. I found this interesting as I didn't necessarily feel any particular way to an album of theirs that I was recently suggested. In comparison, I actually really liked this album. Great instrumentals and a great complimentary voice to them, all within a great runtime. I wouldn't say it's perfect, but I think I'd give this a 4.5 if possible.

I dug the little bit of country influence. It was a bit more of a unique sound.

Really enjoyed it! Totally new album and artist

Never head of this guy but enjoyed the album front to back.

Quite good, like Neil Young

Was ehh about it but then I liked it 4/5 I was listening to some Fleetwood Mac this morning and I feel like its in a similar vein.

Veramente bello. Per certi aspetti simile a Can't Buy a Thrill degli Steely Dan.

The bread to my buttery ear wax. This stuff is what the 60s gave way to. What I imagine inspired Danny O’Keefe to make The Road and likewise. Give Dillard & Clark a listen if you can.

I really enjoyed that. A blend of Cat Stevens-esque folk with some experimental rock. Interesting and weird but also holds a sense of melody and direction throughout. Ominous in parts. Really nice record. I will be listening again. High 4/5.

The Gene Clark No Other Band's recreation is also worth a listen, if you liked this one.

This went way harder than I thought country could. I think their was a lot of pink Floyd inspiration on it with all of the syths and guitars and it works perfectly. I love how atmospheric this record was.

Thing this be my first previously undiscovered gem off of this list. Never even heard of this guy and I'd like this album if it came out today, amazed that it was an early 70s release.

This feels genuine. It's worth a listen. Probably hit harder when it came out. The mixing doesn't feel perfect but it works in a unique way. This feels like a really solo project.

Starting out like okay this will be fine but forgettable, but this title track is kind of face melting. What a composition! Strength of Strings is like a bigger more orchestral Neil Young song. I had never heard this, this is something special. There are a couple of tracks that would take more time to grow on me, but I could see given enough time this becoming a 5.

Gene Clark’s No Other is probably the most approachable 1970s country-folk-rock record I’ve encountered on this list so far. I can’t really comment on the album’s production—that’s where my knowledge starts to thin out—but the music itself is mellow and smooth, going down like a two-finger pour of well-aged bourbon on a cold, stormy night.

You know what Gene Clark, you just win me over.

Just into a 4. Only vaguely knew of the Byrds and not of Gene Clark. Nice Neil Young-esque singer/songwriter type.

Surprised with how much I enjoyed this. Very easy listening.

Really surprised me this! What a great album! Was thinking it sounds like the grateful dead and the byrds. Didn't realise he was a key member in the byrds. Ever song is good especially strength of strings. Will go on my list of to play again! 👏

Very nice album. Really liked its Rocky, Choral vibe. Understated voice but dont need much more. Got a starry quality. Could easily put it on in the evening and sit and listen and look at rhe stars

Neil Young vibes for sure. Folky rock. Start to finish a solid album.

Muy bueno, lo disfruté mucho. Al principio pensé que sería un disco de country, pero poco a poco fue metiéndole más generos y haciendo una experimentación genial con lo que le puede dar a la música un artista que conoce, sabe moverse y, sobre todo, hacer que generos a veces disímiles, se escuchen geniales al mesclarze. Muy buen álbum.

I hadn't heard of Gene Clark before listening to this, but he was apparently an original member of the Byrds. This album was an interesting listen, there is a definite Neil Young sound to it. You can also hear how this influenced the Eagles early work and the Americana genre as a whole. Not every song is great, but its a pretty unique mix of genres for the time mixing rock, folk, country, psychedelic, and blues.

Thoughts before listening: I believe this is country of some sort. I thought it was early country, but I just saw a release date showing the 70s. Was Gene Clark more of a singer-songwriter type ala John Prine? Or was he 70s outlaw country? Guess I'll find out. Review: Ah, so Gene was in the Byrds and was more a country-rock guy than I was thinking. This is really good. The story on it seems to be that Gene threw everything he had at this attempt at an over-produced country rock masterpiece, and it was rejected be his label and the fans. It now seems to live as a largely forgotten cult classic that saw a resurgence in the 00s/10s from the indie rock/alt-country contingent. I'll give this 4-stars as a new to me album that checks a lot of the boxes for what I like in music....all done by one of the originators of that sound.

Great album, felt like I was listening to frank Sinatra if he went country. Something like that anyway had fun listening to it

I was ready to be like "ugh more folk-y stuff, after Johnny Cash?" And it is, but damn this is good. Bridges the gap between folk and classic rock in a way that makes total sense for a record from 1974.

8/10 Going into this, I was kind of expecting it to be a fairly middle of the road 70s rock effort. Gene Clark was a founding member and principal songwriter in the Byrds before going solo, but to be honest, I wasn’t familiar with him or the fact that he even had a solo career. What I wasn’t expecting was a record that was quite so well put together. This is an incredibly well produced album. It has great dynamic range, the instrumental separation is superb, and it manages to present what is a fairly varied and interesting collection of influences into a brilliantly coherent package. There are touches of country, rhythm and blues, psychedelic rock and more, but it’s all blended together beautifully into a tonally consistent but subtly adventurous sound. On my first couple of spins in the background, there wasn’t a vast amount that jumped out to me, but I feel like subtlety is part of the charm of this record. It does some really fantastic stuff, but it doesn’t shout about it, it just gets on with its thing and leaves its quality there for you to discover and explore on your own terms. Across the album there were various moments when my ears would perk up at some subtle piece of songwriting excellence, such as the rhythmic development and control on Silver Raven, or the interwoven counterpoint of the guitar and piano on Some Misunderstanding, and I got a real kick out of discovering those moments. I think this does perhaps suffer a tiny bit due to being a 50 year old record, released during a period when there were a huge number of bands creating music that was somewhat adjacent to what this does. That fact does make some of the moments where things become a bit more straight seem a touch generic, but those moments are typically fleeting and there was usually something going on to maintain interest regardless. It’s kind of sad to know that Gene died before the rediscovery of this record, so he would never know how well regarded it became, but it’s a real testament to his songwriting, the playing ability of the musicians and the production talents of Thomas Jefferson Kaye. Life's Greatest Fool - There’s a nice, easy swagger to this. It’s got a touch of country to it, but it’s more folk-rock really. The bland of lead and backing vocals is really nice and the guitar solo is fairly straightforward but beautifully delivered. His melodies are enjoyable without being too obvious and the general flow and groove of the song is really well constructed. Silver Raven - Ooof, there’s a beautifully subtle switch to a half-time beat just after the minute mark that completely changes the flow of this track while the rest of the instruments continue along on the same path. In fact, there are multiple changes of pace and emphasis from the drums that completely reshape the momentum of the track in such a delicate but effective way. What a masterful use of timing to control the whole feel of a song. The rest of it is really, really lovely too, for what it’s worth, but I can’t get over how well the rhythm drives the track. No Other - This has a really 70s psychedelic rock flavour that almost leans towards funk. It’s a touch repetitive in places through the vocal sections, but the vibe and tone of it is great. When we get to the instrumental section though, it’s really cool, despite the fact that those sections are a touch short. Again, it’s rhythmically impressive, the layering of instruments and vocal stacks are really good. Another solid track. Strength Of Strings - We’re on to something a bit more straight and flat now. It still has its charms and the orchestration and construction of the harmonies are really nice, but it perhaps loses its flow a little during the middle breakdown. There are still some great moments in there and when the beat starts flowing more consistently, it’s very good. There are some lovely bits of piano in there and some great vocal work. A solid, if slightly inconsistent effort. From A Silver Phial - I feel like we’ve settled into a little bit of inertia in the middle of the record now. This is still a good track, particularly the guitar solos, and it still maintains a really good vibe and a really comfortable and easy to listen to tone, but there aren’t as many elements that elevate it beyond that. It does sound fantastic though and I still enjoyed it. Some Misunderstanding - Gene gives us a slow burn of a track now that slowly builds in weight and depth as it progresses. The instrumental section is really excellent, not only the guitar, but the counterpoint of the piano weaving in and out of it are of great quality. It’s a very emotive delivery of the vocal too. For an 8 minute song that doesn’t vary the pacing or emphasis of the rhythm much over its duration, it really doesn’t feel vastly long. There are great melodies and a richness and depth to the instrumental layering and, again, the production is excellent. This is some top notch 70s rock and feels a lot like what The Eagles should be but aren’t. The True One - And now we’re back to something more country inflected. It’s superbly executed and there are some beautifully subtle bits of work from each of the instrument players at various points, with little licks or flourishes popping out from piano, guitar and bass in particular. It’s a super chill and easy to enjoy piece of work while still maintaining a decent pace and dtive to keep it moving. There are some excellent pieces of melody and counterpoint across the different parts too and the way they weave around each other is lovely. Lady Of The North - This feels like we’re going full circle, vibe wise. It’s got more of that easy swagger and a subtle lilt to the vocal and instrumental delivery that makes it feel laid back yet engaging. There are some incredibly tasty chord changes in there and some superb piano work to deliver them. As with much of the album to this point, there is an awful lot going on across the different instruments that aren’t immediately apparent to a casual listener, but as you peel back the layers, things become clearer and far more impressive. And the production, dynamic range, instrumental separation and clarity is first rate.

Rating:★★★★ I liked this album. Nice classic rock.

7.5

Darn good vibes. Good enough for 4 stars? I guess. I can’t hum any of the songs after one listen, but I have a hunch this album would grow on me after repeated listens.

Never heard this before but I thought it was pretty solid. 3.5

Maybe a little long, but as someone not familiar with the birds this a fun first album. Really want to give it a 3.5 as I don't know how often I would relisten to it. But a great first spin through.

Never liked the Byrds but I loved this album. Great songwriting, the production was amazing, and just enough country twang

Probably would call it alternative country today? Folk rock ish. Good album. Has a waver in his voice kind of like Gary Stewart a bit - not exact but still.

Never heard before today, but a must listen!!

Jamais écouté avant. C'est amusant de tomber sur cet album quelques jours seulement après The Gilded Palace of Sin, des Flying Burrito Brothers. Les points communs sont nombreux, en dehors des cinq années d'écart entre les deux : un ancien "Byrd" à la manœuvre, un album qui n'a pas rencontré son public en son temps (à un point tragique pour No Other...) mais qui a depuis bénéficié d'un retour en grâce critique, et surtout une ambition commune, faire se percuter le rock psychédélique de Los Angeles et les racines country de la musique américaine. Avec une différence majeure toutefois : No Other réussit à peu près partout où The Gilded Palace of Sin avait, à mes yeux, échoué. Le talent des musiciens, la production luxuriante, les sublimes compositions, intenses et spirituelles, de Gene Clark... Et si c'était le meilleur album country rock de l'histoire ? Top : Silver Raven Flop : True One

Saw a review that said this is the Sgt. Pepper of Americana music. Never quite sure what Americana music is, but have always thought it's a genre I like - country rock for guys who live in the city and drive RAV4s? That's me. Anyway, this definitely has the bones of Uncle Tupelo, Wilco, etc. Interesting song writer - enjoyed everything, but also never felt like we got a hook.

Interesting sound but lapses into sameness a little at the mid point

No Other is one of those albums that rewards patience. It opens with a distinctly country-leaning feel that can be a bit off-putting if that’s not your lane, but stick with it and Gene Clark starts to blur the edges of that sound into something richer and more atmospheric. There are definite shades of Neil Young in the mix — especially in the slightly ragged, introspective vocal delivery and the way the songs expand beyond straightforward structures. The production is lush, sometimes almost to the point of excess, but it suits the material more than you might expect. When it clicks, it feels expansive and immersive rather than indulgent. A couple of tracks do drift a bit too far back into conventional country territory, breaking the spell slightly, but they’re the exception rather than the rule. Overall, it’s an enjoyable, occasionally surprising listen — one that grows on you as it goes on, revealing more depth than that early twang might suggest.

Surprised by this is a great way

Surprisingly really liked this

surprisingly nice. might revisit rating later

I actually enjoyed this one a lot more than I anticipated. Never heard of Gene Clark before, so I had no idea even what type of music to expect. I didn't care for opener on this album, but after that it got a lot better. It reminded me a bit of the Eagles, even if it didn't have the same harmonies. It just felt like a very similar style. Highlights included Silver Raven, Strength of Strings, and Some Misunderstanding, all of which I thought were excellent songs. Beyond this, I enjoyed Gene's voice and his guitar playing on this. A very good album. 4 stars.

What a nice surprise

Gene Clark – No Other (1974) On Day 129, I explored a record that was once rebuked by critics, which is absolutely nuts because the lyrics and the atmosphere are outstanding. The production is amusing and ahead of its time. It’s an ambitious project that definitely deserves more recognition. I played the fuck tones out of "Lady of the North" the hook on that tune is great and "Strength of Strings" was another levitating highlight. While other tracks like "True One" and "Some Misunderstanding" were slick and decent enough to earn a spot on my playlist, the album as a whole sits at a very strong 4/5.

It had some real beauty in it. This mix of pastoral rural with a rock undertone. The lyrics had some beauty here and there and some of the sounds were unique enough to warrant a second listen. Its interesting this was such a flop when it came out, because its not bad, but i also don't see it as a chart topper.

I was trying to find a good way to describe the reflective and existential nature of this, and then read that a lot of his inspiration came from spending hours a day staring at the Pacific Ocean from his home. That's exactly what this sounds like. Big crashing waves of sounds and thoughts and feelings...of the unknown beyond and of the here and now. Ideas inspired by earth's majesty, and answers only the ocean knows. I really liked it!

It is totally a vibe album, I love the atmosphere created by it. It is so melancholic and chill at the same time Fav songs - No Other, Some Misunderstanding 4/5

Well I was not expecting this to be so nice. Kinda liked almost every song. Mid-low 4

No. 168 Pleasant listen. Blown away by "Strength of Strings" in particular.

This was good!

Overall an enjoyable experience. It's a shame that this album didn't get the recognition it deserves back in the day. Some Misunderstanding... 7/10

Critics say this album was ahead of its time, which may explain why a lot of 70s rock sounds like it, even if it was released in '74. The orchestration and production probably are, but that's what I really like about this album. I can hear its influence in Terry Reid and others, in either the melodies, song structures, orchestration, vocals, take your pick. Surprisingly good, even despite the gospel bits. Pity it was treated so poorly upon release, and not until after Clark's death did it begin being recognized.

This album is a beautiful mix of psychedelic rock and country rock that just flows so naturally. While listening I felt the weight of heavy, meaningful lyrics filled with troubles, heartaches, and real pain — but right alongside that there’s love and hope shining through, which keeps the whole thing from getting too dark. Gene Clark pours so much emotion into these songs. The lyrics dig deep into personal struggles, spirituality, addiction, and the search for meaning, yet they never feel preachy. The music itself is lush and ambitious, with rich arrangements, gospel-tinged backing vocals, pedal steel, and that cosmic, dreamy atmosphere that wraps around you. It’s not a strict concept album with one storyline, but the songs feel connected through Clark’s soul-searching vibe — like he was staring at the ocean and pulling out all these big feelings about life, loss, and redemption. I really enjoyed how it balances the heavy stuff with moments of beauty and optimism. It’s a special record. Not everyone clicked with it back in the day, but damn if it doesn’t hold up as something deep and rewarding. If you’re into thoughtful, emotional country-tinged rock with psychedelic edges, this one hits hard.

Album #74, Gene Clark, No Other, ⭐⭐⭐⭐ Gene Clark is the co author of one of my all time favourite songs, “Polly”, by Dillard & Clark. He’s got one of my favourite voices in music. Just beautifully mournful, but powerful and stern. Not necessarily the most versatile voice in the world, but just a great sounding voice. It kind of reminds me a little bit of Bill Callahan in a way, though it’s also totally different. Despite all that, I’ve never really done a deep dive into his music. I am very familiar with the first half of this album because I’ve tried to listen to it multiple times and for one reason or another never finished it. But it was not because I disliked the music. This is a very weird album. It’s feels like what Gram Parsons was talking about when he described cosmic American music. It’s a mix of all different types of country, roots, Americana, rock and soul. It pulls from so many places, and it feels quite messy and rough around the edges in places, not from a production standpoint, but more from an ideas standpoint. I don’t love it, and I’m really giving it four stars because I’m giving it the benefit of the doubt. I can tell this is the kind of album that will grow on me. Some of the songs are great. Some of the lyrics aren’t. I’m not the biggest fan of the more grand, worldly advice type songs. The weakest track is “Some Misunderstanding”, which is over eight minutes long, so that’s a fairly big dip. But the rest of the album is strong. Favourite track is “From a Silver Phial”. I was really interested to read about how poorly this was received at the time. I’m very surprised. It is a strange album, probably as strange as anything that was being made by the ex-Byrd’s at the time, but I think it’s also one of the better records to come out too. It doesn’t really have any big hits, which probably didn’t help, but I’m glad it’s been reappraised. Good album, very weird for what it is.

I liked it!

super découverte

Good brunch tunes, easy listening, better on the second run

L’histoire de l’album le rend encore plus agréable et le côté progressif permet d’écouter quelque chose de différent sans être dans le trop Malheureusement il n’est pas assez mémorable mais je réécouterai !

Quite nice. Nothing stood out too much, but I quite enjoyed it.

Want to give 3.5 but 4 is also valid. Loved this

3.5 Probably one of the better country/Americana albums on here, but can't help but feel it wasn't very country. The most country-esque (eg True One) were the weaker points, whereas the least (Strength of Strings) were the stronger points. The better parts sounded like late stage Pink Floyd/David Gilmour about 20 years earlier, which impressed me. Probably won't have it on rotation, but I had a good time listening to it.

'The Strength of Strings' is outstanding. The rest is more interesting than I expected. A bit too countrified for me. Overall it seems ahead of its time and a gem from a tragic story.

I don't really know the first thing about Gene Clark or The Byrds so I went into this album pretty much completely blind. My first impression is that it reminds me a lot of Neil Young, only with a warmer voice and more of a spiritual bent. It almost feels a bit like a country rock/gospel fusion record in a way, though that might be overstating it a little. In any case, it's a very grandiose and ambitious record at times with some complex production and orchestration on songs like Strength of Strings and the title track, though a couple of the songs feel a little trite and uninpsired in places. True One in particular I thought was completely forgettable. I think what brings the album together is the rather unique texture of Clark's vocals. I'm not sure quite how to describe his voice; it's a little warbly, but not gratingly so, and it has a soothing quality that compliments the spiritual themes he sings about. Overall, I really liked this album, and if it had just a couple more tracks at the same level of quality as it's highest highs I could have maybe even given it a 5. Favourite tracks: Silver Raven, No Other, Lady Of The North

Sonic

Not really my type of music but this surprised me. Great vibes here. Lovely singing with some good lyrics. The guitar solos that are sprinkled throughout the album are also fantastic. Getting some Pink Floyd vibes on certain songs. No other, Strengh of Strings, From a silver phial and Some misunderstanding are all bangers. Great run of song in the middle of the album

I really dig this. All new to me

Dig it

𝘕𝘰 𝘖𝘵𝘩𝘦𝘳 may come out of the Laurel Canyon scene, but it sounds far more ambitious than the usual singer-songwriter records associated with it. Gene Clark builds a dense, almost mystical atmosphere with rich production, layered vocals, and subtle psychedelic touches. The album was a commercial failure at the time, which is surprising given how fully realized it feels. Over time, its reputation has grown, and for good reason: the songwriting is strong, and the overall sound is immersive and distinctive. It’s one of those albums that clearly deserved more recognition from the start.

8/10 – Very Good

Someone coined the phrase cosmic American music and this is a prime example of that. Country, soul, pyschedelia all rolled into one- but Clark’s sweet but world weary voice and classic songwriting holds these influences together to create a cohesive and enjoyable whole

An unexpected joy, and exactly the reason I'm doing this list. Such a fascinating blend of Americana, covering gospel, country, blues, folk, funk, R&B, soul, among others. All transported by a magnificent voice and incredible session players.

Obviously derivative of Neil Young, but it is solidly delivered and sounds good to my ears.

At first, this album didn’t really grab me, But the more I listened the more I enjoyed it.

Loved, could possibly be a member of my regular rotation. Title track is soul inspired and somewhat psychedelic in an otherwise country rock album.

Pleasantly surprised by this. A comforting country rockish album with great composition. At times it felt like a 'classic' album that everyone forgot about. Really considering giving this a second listen because I'm kind of stumped how this Eaglesesque album that came out prior to them is never discussed

70's pop country hits this weird spot, really introspective lyrics with that familiar folk twang and lap guitar behind it. I got Neil Young vibes from this big time. It kinda struck me as interesting in my own musical taste, if I listened to tgis 10-15 years ago I wouldve passed over pretty quick, time does some interesting things.

Gene Clark does his best CSNY impression and honestly it’s not too bad. Pretty chill country folk with some nice harmonies to boot

Pleasantly surprised, the album has a touch of country, rock, blues... Liked it a lot. Some songs are really great, very good ending.

pretty solid album

Brilliant in spots. What presents as a straightforward country record is a multi-genre masterpiece.

I wasn’t aware of this one and am glad I’ve been introduced. this album has so many great ideas and cool impulses followed in each song. sometimes soft and lilting, other times dark and spacey/groovy. the title track is incredible. so this dude was in The Byrds and then this is the album that ultimately tanked his career? that’s a shame, this album is a treat. 4.5 for me.

Very easy to listen to but by no means uninteresting. Didn't much like the album cover though.

Relajante

Very soulful album. A really pleasant listen (with moments of country I don't care for). All in all, the playing and singin is top notch and the songs themselves are mostly strong. Not a "blow your mind" album, but a good album nontheless. 4/5

Starting very country, I was ready to give it a lower grade. But it really picks up.

Gene Clark is such a fantastic songwriter. This album has its ups and downs, but overall, it is a keeper. I love the variety of music genres, but doesn't ever stray too far from the early singer/songwriter genre. 4/5

If nothing else this list has given me an appreciation for cosmic country. This is intricate, complexly produced, well mixed, delicate, and delightful.

I thought I was going to be hit with some 40s rag time by the looks of that cover. Pleasantly surprised by some funkier, country-er, CNSY-esque tracks. Enjoyed my time with this record. I could imagine giving No Other full marks if I’d grown up listening to it. 4/5

A wonderful surprise! Really enjoyed Gene Clark. I've heard him before but not these tunes.

Gotta say, started out thinking this would be bland, but turned out it was quite enjoyable. Great vibe, loved the sound and texture. One of the pleasant surprises of this journey.

A special collection of songs strange and familiar. Townes van Zant feeling

7.5/10

The ever so famous Tambourine Man from The Byrds was no slouch when it came to his solo projects, arguably putting together a more cohesive and consistent album than the group could in their illustrious career. On the surface, No Other may just seem like a pretty run-of-the-mill Psychedelic Country album in line with what fans of the Byrds had come to expect of him. Dig a little deeper and you'll discover a poignant and emotionally challenging record that experiments much further than the Byrds ever did. The album has a sombreness to it that wasn't quite achievable with the commercial appeal that the band had accrued. No Other feels like an insight into Clark's mind, a little frantic from splitting from a band that had brought him great success, free from the responsibility but burdened by the possibilities. Taking a page out of Neil Young's book, Clark grounds himself just long enough for you to get a good grip before launching into orbit. Maybe I'm just a sucker for Laurel Canyon, but No Other is such a unique and emotional experience that is truly like no other.

hate to say i saved some misunderstanding to my liked songs years ago but ended up being one of those that get skipped everytime, so i wasn’t sure how i was gonna go with this album but i actually really enjoyed it! 4.5

A great listen from a voice that left us far too early.

Lekker amerikaans

An album like this not making it to the UK isn't surprising (we tend to balk at the more egregious elements of country music, such that only the canonical works make it into our experience), but when the album is this good, it's definitely a shame!

Gene Clark’s records of the early 1970’s were a treasure, mostly discovered after the fact, and his career never crystallized post Byrds. No Other was his most ambitious and most rock-oriented effort, well worth a listen, and its commercial failure crushed him. I enjoy the record but find it a bit boasted versus the extraordinary one two punch of Roadmaster or White Light.

good tunes

For how good this is I’m surprised I’ve never heard of it? Was Gene Clark just lost amongst his peers at the time? I really enjoyed this.

Kinda strangely into this, country Neil Young/ jam band Neil Young? Would normally find this kind bland but it's speaking to me, 3.5 but going 4 on the record.

Very chill, reminds me of the music the boys and I would smoke reefer to while we discussed how groovy the Vietnam War is.

I really enjoyed this album, very folky but a nice chill album to listen to overall. Great drivin music.

Surprised about how much I loved this album

Very chill

Perfecto para coger el coche y hacer ruta. La línea de bajo del tema que da nombre al disco está adelantado a si tiempo 🤩

Like a better Neil Young

Really pleasant listen, didn’t expect that

*HIDDEN GEM ALERT* The amount of substance and heart this record holds feels like rain after a drought. I’ve been on such a relative bad streak of albums lately - before today. Excellent blend of country and rock (which rarely feels unique like this song does) in the opening “Life’s Greatest Fool”. Insane groove pocket the drummer and bassist create, all for Gene Clark to earnestly croon over. The following “Silver Raven” sounds like an Eagles song they just didn’t bother to sing harmonies on - which is to say it’s a great little country outlaw ballad. These first two songs were just getting things started. The title track offers a little funky yacht rock flare. The moments of near silence on “Strength Of Strings” was well-placed. The melancholy chord progression on “From A Silver Phial”, while a little prototypical for its time, added a nice dynamic to the track sequencing. I’ll admit that “Some Misunderstanding” was a bit needless, and just a more dull version of its preceding song. Speaking earlier of songs that sound like Eagles tunes without the vocal harmonies, “True One” is VERY similar to “Lying Eyes”. Not that either are even that different from a lot of popular country rock songs of their time, but still. Soooo similar. “Lady Of The North” closes out a second half of the album that isn’t as impactful as the first. But that from half is so good that it carries this thing right up to a 4/5. I heard a lot of this stuff on the radio stations my parents would listen to when I was young, I think I have a decent ear for what makes this a solid record.

Despite my lack of enthusiasm about yet another Byrds or Byrds-adjace album, especially after the boredom Clark's own White Light album brought me earlier in this list, but this is actually a stunning, lush tapestry that blends folk, gospel, and psychedelic rock (always a favourite for me). Tracks like "Silver Raven" and "Strength Of Strings" are absolute standouts, offering a haunting, spiritual experience, but with a unique, baroque depth that is entirely Clark's own. It is genuinely tragic to learn that this record was a commercial failure that effectively ended Clark's career, as the production is impeccable and the songwriting is top-tier. The album feels like a journey, moving from the bouncy, country-inflected opener "Life's Greatest Fool" into deep, raga-like trances and epic, eight-minute explorations like "Some Misunderstanding." It’s the kind of record that demands your full attention. It’s soulful, melancholy, and incredibly beautiful.

This was good. What I like this list for.

gorgeous vibes. loved it

horrible birthday album tho

This "lost masterpiece" is a true treat to the ears. Gene's voice shines brightly on this offering of folky/psychedelic/gospel songs, as do the voices of his backing choir.

p332. 1974. 4 stars. Quality 70s US West Coast country/folk rock. Point docked for a lack of standout tunes, but otherwise this is excellent.

3/7, 43%

So, I recognized Gene's name from the Byrds. I'm not sure if I'd forgotten he'd gone out on a solo career, or maybe I didn't know. This was an enjoyable listen for me.

Never heard of Gene Clark but I liked it!

This is pretty great all around. Nothing stood out as a top hit, but it was easy to listen to.

Thought it was great.

Little hidden gem, in my opinion. Reminds me a lot of Neil Young too. If you're into that kind of music, highly recommend you check this out. 8 / 10

****a good, easy listening album

enjoyed strength of strings a lot

Wasn’t sure what to expect from this at first glance, but No Other (the track) really sold me. Strength of Strings is such a jam. I wanna go driving and listen to this.

strong 4

Interesting. Was not familiar with Gene Clark or this album. Album opener made me wince a little, but even then the lyrics made me intrigued. As the album played on the whole thing grew on me. It won't go into my regular rotation, but I could certainly see listening again. And it has a fascinating back-story on its initial reception and later resurgence. Glad to be introduced to it.

70s twangy/mellow rock - very enjoyable to listen to!

Pretty good album. He’s playing in the same sandbox as Neil Young but not doing it quite as well. Silver Raven and Some Misunderstanding were standouts though

Makes me feel like I’m in a western

'Mom can we get Neil Young?' 'We have Neil Young at home' The Neil Young at home: Except the 'at home' version is actually better on this occasion.

Tidligere sangskriver fra the byrds, det er cosmic American Music som blander rock, psykedelisk, folk, country og gospel. Virkelig sjov kombination af genre må man sige, som jeg aldrig har hørt før. Det kan man også sagtens høre på albummet. Ved ikke om det er en sang som har det hele, men der er meget country og folk inspireret og noget som er meget psykedelisk som nærmest lyder helt Floyd agtig. Det er åbenbart en genre han har taget fra en anden kunstner og “perfektioneret”. Har angiveligt inspireret spiritualized også, som jeg synes er meget passende. Der er også noter af spiritualitet og gospel. Jeg synes albummet er super godt, har lyttet rimelig meget til det i dag. Jeg tror jeg giver det 4 bare så det ikke går under radaren

Didn't have me at the start but had some really nice moments Will I listen to again: 50%

Very good. It was country but without the twang. A slice of western Americana.

Really good. Creative blending of slide guitar country, R&B, and Gospel. I don’t love this guy’s voice but it’s not *that* bad. The music is great! I can’t believe stupid critics ruined this guy’s career and got this album removed from his label’s catalog. It’s interesting & I can hear that it had an influence on other artists. A 4.

3.5

This album is why I am doing this project, would likely never have stumbeled upon this otherwise.

Liked this a good deal, more than I was expecting even.

Bienvenido miércoles con un artista que desconocía por completo. Álbum folk, levemente rockero, viene muy bien para una mañana de trabajo o para relajar a la noche después de un día convulso. Gracias por el azar de hoy y nos vemos mañana.

Silver Raven, Strength of String, Some Misunderstanding, True One are my too songs. In the bottom are From a Silver Phial and Lady of the North. The first doesn’t particularly have an “it” factor for me. nice western/country/rock/ body of work. Great songwriting with hope and full of soul. Even the songs I didn’t care for were still great songs.

It's almost criminal that it took 28 years for No Other to get to my years. Banger of a song, so groovy.

Life's Greatest Fool - 4/5 Silver Raven - 4/5 No Other - 5/5 Strength of Strings - 4/5 From a Silver Phial - 5/5 Some Misunderstanding - 5/5 The True One - 3/5 Lady of the North - 3/5 Average score: 4.1/5 ⭐️⭐️⭐️⭐️

Not what I expected. I guess I’d call it a country album, but it dips into rock and roll and even some psych rock. Clark has a classic warble in his voice that imparts vulnerability and earnestness. I like this solo record as a whole more than the Byrds albums I’ve gotten. Production is of-its-time but not outright dated; it’s pretty forward-thinking and creative. Clark had the sauce, apparently. I’m surprised to read that this album was met with outright hostility and rejection by the music buying public when it first came out.

#787. I don't know why i liked this so much. On the face of it, it's fairly generic, but there's something about it that made it stand out to me while listening to it. 4/5: great

low 4

Not heard of Gene Clark before and never actually listened to much of the Byrds but maybe I will now

This was an unexpected charm for me. I was assuming a hardcore county folk type of album, and in a way it is, but it is more folk and more contemporary than hardcore country, and it has a very good drum-line often absent in country. I liked the lyrical qualities and was quite happy listening to this album. A few songs are not in my favorites pile and yes, ultimately I was pleasantly surprised and happy with this recommendation. Cool!

Big fan

82/100. A really chill and great country rock record. Love the calmness that runs through the whole thing.

I've known that there was another Gene Clark album waiting for me to review, and here it is, with one of the stupidest and ugliest album covers I've ever seen. Woof. I reviewed White Light a little over a year ago, and as you can probably guess, I didn't care for it at all. I don't have high hopes for No Other, but I'm ready to get this one over with and send Gene Clark packing. Thankfully, No Other was a far cry from White Light, and I enjoyed listening to it. The arrangements on this album were really great, and I thought the lyrics were emotionally raw and vulnerable. On top of that, the Gene Clark’s vocals were really good, and there were also some excellent backing vocals as well. Each song really brought something different to the table in terms of sound, but despite the variation, this album felt very cohesive. Not every song was a winner to me, but even the two songs that were my least favorites were still fine. However, it’s unfortunate that the longest song on the album was my least favorite. While No Other wasn’t a five-star album for me, I thought it was really good. Some notes on the individual songs: I really liked the rhythms of the chorus on "Life's Greatest Fool," and the backing vocals were excellent too. I liked the upbeat sound, and the guitar playing and vocals were really good. "Silver Raven" was nice, and I liked the atmosphere of it. It was a really rich sound for a song that pretty much only features guitars and drums. The lyrics were interesting too; I'm not sure what they meant, but I liked the mysterious air of them. The title track was my favorite song on the album. The guitar effects were insane, and I absolutely loved them. The percussion was excellent too, and I loved the vocals and lyrics. “No Other” had an excellent groove that I loved. I was delighted that this song was five minutes long, because I didn't want it to end. Like “Silver Raven,” I liked that the lyrics were open to interpretation. The tempo shift on the chorus was excellent, and added another really great layer to the song. I really loved the guitar solo as well, especially for the percussion that was used. “Strength of Strings” was great too. I loved the twangy sound, and the keyboard was excellent too. The backing vocals really kicked the song up a notch, and gave it a really great and haunting sound. This was another song on this album with a great atmosphere. "From a Silver Phial" was nice. I thought the piano playing was beautiful, which suited the gentle tempo really well. On top of that, the lyrics were well really well written. "Some Misunderstanding" was one of my least favorite songs on the album, but it was still pleasant to listen to. I enjoyed the emotional journey that these songs went on. I really liked the pedal steel guitar on "True One." I liked how this album has a couple of brushes with country music, but never really jumped fully into that sound. The lyric 'The longer you're in one place, the harder it is to leave' was probably my favorite line on the entire album. I’ve essentially lived in the same city my entire life, so that line really resonated with me. The piano playing on "Lady of the North" was really nice, but along with "Some Misunderstanding," this was one of the weakest songs on the album. I really enjoyed listening to No Other, and I’m glad that it was so different from White Light.

This one sounds really good. I dig the vibe, even without that radio single element, or maybe because of that.

A really rich discovery A bit country, a bit west coast Sounds like 70’s Elton John made a west coast country album with the Eagles

LOVED! lead singer of the Byrds

Never heard of this but was pleasantly surprised. Lovely sound

Stellar, lovely album! I actually just downloaded it after learning about Cosmic Country from that David Ackles album on here, and it’s such a great description for this sound. Loved it!

the conspiracy book i read about the laurel canyon has made me so suspect of all the members of the byrds but honestly so far ive really liked all of gene clark's solo albums and he seems like honestly just a chiller and ambassador of vibes

Lovely meld of country and rock with a little psyche touch thrown in for good measure. Favorite track: Strength of Strings

Awful artwork, but I liked this. I don’t go into anything that is described as ‘country’ music thinking I’ll like it, but I did like this. Easy listening. Not too ‘country’.

This one caught my attention for several reasons, even though I’d never heard it before. 1) The album cover. A welcoming collage with lettering both quaint and unusual. 2) The release date. Spotify put it at Sept 1,1974. Whether that is accurate or not I do not know, but on Sept 1, 1974 I was only hours old. 3) The Byrdhouse. When we had the Byrds assigned a while back, it was Sweetheart at the Rodeo, an album that absolutely did not work for me. The Gram Parsons influence was too much, and it had no relevance to what I thought the Byrds were all about. Now, reading about Gene Clark, I’m starting to connect the dots around that whole Byrds thing, and No Other tells me all I need to know about why Sweetheart at the Rodeo was wholly unlike the earlier Byrds I am more familiar with. 4) The legacy. Any time an album faceplants miserably out of the gate and the artist “never recovers”, only for that album to reappraised a masterpiece years later, well, always worth giving that album a bit of time. 5) The songs. They seemed so familiar. I guarantee I’ve never heard any of them before, but they just were connecting with me hard. I founded I wanted to sing along real bad, but unfortunately didn’t know any of the words or any of the melodies. Like that nightmare about being in a play but different. 6) The production. Sounds like the team spent some dough to make this album, but I found the mix incredibly crisp and clear. Every instrument was transparent, and balanced in a way where nothing was overpowered. It enables the ear to really wander around the instrumentation. So to cut to the chase, today was a wonderful 1001 listen.

Muy buen disco para alguien mayor que aprecia las canciones agradables de country-folk. Quizás está sobreproducido pero tiene buenas canciones.

Nice tunes thx!.

Comfy listening and interesting guitar play.

it was a really good listen!! never been much of a byrds fan (although that’s only cause i’ve never really listened to them) but i really loved this record.

4 great sleep album

Nice, unsurprisingly from 4AD

First listen through I though the album was pleasant, but found myself wanting to return to it a few days later when there was a dull album. A solid 4

Gar nicht mein Genre, aber geiles Album. Facettenreich, spannend, unterhaltsam. Fast der bessere Django-Soundtrack.

Superfin album. Fikk sansen for dette, og kommer til å fortsette å høre på dette albumet

Pleasantly surprised by how much I enjoyed this album. I didn't know a whole lot about Gene Clark other than being an original member of the Byrds. And man, can you hear it right out the shoot in the opening track 'Life's Greatest Fool'. It sounds like it's straight off of Sweetheart of the Rodeo which is pretty odd given Clark had left the Byrds years before Sweetheart was released (listen to You Ain't Goin Nowhere from that album - a Dylan original). But I digress. You can tell Gene had some really strong writing and arrangement chops (his Byrds bandmates' jealousy over this and the benefits he reaped from it actually contributed to his departure from the band). I found myself enjoying this more and more as it went on, and it's an album I'd absolutely snag at the record store if I came across it. Suffice to say, this is what this challenge is all about, boys. Top tracks: Life's Greatest Fool, Silver Raven, No Other, True One Skips: In my opinion, none. There wasn't a bad track.

Windows down, 70 degrees, “True One” booming

I remember the title track for this album popping into my Spotify sometime during Covid and almost immediately becoming obsessed with it. I should've taken the time to listen to this album back then, because not only is it catchy as hell, but it's a near-perfect blend of most of my favorite genres of music. There's something for everybody on here! From country to rock to gospel and even a little psychedelic and funk. I think the first half of the album is a little stronger than the second, but it all comes together nicely. Silver Raven sounds like a Townes Van Zandt song and is probably my favorite track besides No Other. Lady of the North was another beauty. It's a shame to think about what Gene Clark probably thought of this album. After reading up on it, you find out that it was basically a critical and commercial flop and it essentially discarded Clark to the trash bin of has-been's. He died in 1991 from complications of his addictions to alcohol and heroine and one wonders if the failure of No Other contributed to his downward spiral. At the time of his passing, the album was slowly on its way to being rehabilitated, but he never got to see it get the true praise it deserved. Unfortunately, I'm sure we're going to come across several albums with similar stories.

Really gorgeous and intricate laurel canyon stuff. Takes the baseline stuff that the Byrds were working on throughout the 60s and tinkers with it. Really good addition to the scene, takes the roaming goalpost of "cosmic country" that Parsons was always rushing for and makes it happen. Strength of Strings into From a Silver Phial is when it moves from reliable Canyon Rock to something distinctive. Kind of unbelievable I had not listened to this whole thing before. Need to give Some Misunderstanding a listen on a better set of 'phones, begins to blur together on my tinny work speakers. Favorite tracks: Life's Greatest Fool, No Other, Strength of Strings.

I listened to this last week. 90% sure I really liked it tbf. Simpsons: No

I was surprised how much I liked this.

I'm not sure it knew what it wanted to be at all times, but it was good.

I quite enjoyed this album. It was very chill but still felt soulful. It might be years before I listen again but I’m giving it a 4 so that when I look back this list I can experience it for the first time again and be pleasantly surprised a second time.

This guy is a very good songwriter and there are a few good ones on here. A pioneer in the rock/ country genre.