Reviews (page 5 of 8)
I like this album slightly more than yesterday's Court and Spark for its heavier jazz composition. I respect Joni Mitchell's songwriting and genius, but for some reason, there's a barrier somewhere in which I just cannot resonate with her music as much as I want to.
Not gonna lie, I was pretty surprised when I thought my phone meeped out and failed to submit my rating yesterday, only to realize that it was in fact another Joni Mitchell album that the 1001 gods prescribed to me. This album has all the same flaws as the last. Admittedly I thought The Jungle Line had an interesting sound, kinda like Q*bert music 7 years before the game would be released. I guess this is a solid 3/5. If I was in a worse mood, i could've justified a 2.5.
I find Joni Mitchell's voice too ethereal to to get into her lyrics. It just sorta sits on top of you like a light dusting. This makes it boring. And very soft instrumentation doesn't help.
Wow. The Jungle Line track does not belong on an otherwise humdrum, boring rainy-day album. The Jungle Line is thought provoking,, has a unique sound and reminds me of TV on the Radio's Wolf Like Me or even the entire Return to Cookie Mountain album. Wonderful track. Subpar album. Go listen to TOTR.
Some of these songs were pretty cool. “Jungle Line” especially stood out as unlike what I traditionally expect from Joni Mitchell. But there were still too many more typical Joni ballads on “The Hissing of Summer Lawns.” What is not cool, is that after our first three Joni albums, I learned about her history of blackface and strange justifications long after we all knew better.
Once again Joni’s voice sails and the music fails…to live up to her voice.
This felt more experimental and jazzy than the other Joni Mitchell albums I’ve gotten so far, so it’s also the one I’ve liked the most. Honestly a very cool album - the first of Joni Mitchell’s that resonated with me. The Jungle Line, Shadows and Light 4.5
This is the first Joni Mitchell album I've listened to that appealed to me--I respect some of her other music, but it's not as appealing to me. I felt like she was just a couple of steps and technological advancements away from full on folktronica (which is possibly my favorite genre). Favorite Track: The Jungle Line
I think I said this on my last Joni Mitchell album but it really sounds like she just sing/talks words and then they add music in afterward. Some of it works fine but some of it comes across jarring in the difference of tempo, theme and general sound. 5/10
If it weren’t for The Jungle Line I’d swear this was just one long song. As an aside, my uncle is a HUGE Joni fan. Joni was also seeing some musician fellow from my hometown in Saskatchewan. We had one nice restaurant then and my mothers friend spotted them eating there. Once she left they grabbed her wineglass and gave it to us to give to my uncle. For weeks we had Joni’s lipstick embossed wineglass around our kitchen. I’m certain that antidote is at least as interesting as this album.
She's singing more like a folk singer on this one than what I remember from Court and Spark, and sometimes that's just too much, but I really enjoy the jazzy elements. I hear a lot of random instrumental similarities with the brilliant Emily's D+Evolution by Esperanza Spalding, which is kind of inspiring me to want to listen to this again but really is mostly just making me want to listen to that album instead.
It's good but I don't find it essential. I am already not all that crazy for Joni Mitchell, and she can't quite break through and make me excited here either.
There's a few really incredible songs here, like "The Jungle Line" or "Harry's House / Centerpiece", but the rest of the album doesn't really live up to it. Seems almost deliberate as moat of the other songs just seemed way quieter than the 2 I mentioned. However this was overall a pretty nice album I think a 3 is in order
Fine
Easy listening
Not for me thank you
This was very pleasant and enjoyable, but it's hard for me to really dislike anything from Joni Mitchell. "In France They Kiss On Main Street" and "Don't Interrupt The Sorrow" were my favorite songs, but there were things I liked about all the tracks on the album. Not perfect, but really, really good, which is not a surprise given it's Joni.
I am mostly only familiar with Blue, so it was nice to hear some of Joni's other stuff. This album was really nice. It's hard to not compare it to Blue. I liked that it felt a little more intense than Blue, with more vocal harmonies and musical explorations.
Pretty chill
Love joni so ahead of her time
In France They Kiss on Main Street - 5/5 The Jungle Line - 5/5 Edith and the Kingpin - 5/5 Don't Interrupt the Sorrow - 5/5 Shades of Scarlett Conquering - 4/5 The Hissing of Summer Lawns - 5/5 The Boho Dance - 4/5 Harry's House / Centerpiece - 5/5 Sweet Bird - 4/5 Shadows and Light - 3/5 Average score: 4.5/5 stars (rounding up to 5) imagine hating Joni Mitchell lol i've only ever listened to Blue in the past but i'm super impressed by this album as a whole. obviously Joni's vocal performance is exquisite, but the jazzy instrumentals were complimentary and pleasant to the ear. Edith and the Kingpin stood out to me most out of all the songs but i don't really hate anything here as always, Joni don't miss!
This doesn't feel like it reaches anywhere near the peaks of Court and Spark, or obviously Blue. It's just a tiny bit same-y and unremarkable. I really enjoyed Edith and the Kingpin as a standalone song though, and of course Joni's average work is still better than most other people's best.
So this list hates jazz, right? Cause every jazz-ish record I've gotten so far is this soft, wallpaper, inoffensive coffee shop jazz and not the cool innovative type. This was boring af. 3/10
I really wanted to like this more but found it pretty lackluster. The jazz and synthesizers were cool but there was a lot of meh moments throughout. It took me days to make it through so really didn't keep my attention well. 2.4/5 -> 2/5
4.5
This is actually my first time hearing this album as a whole and I absolutely adore it. Definitely a great sister album to Court & Spark which I historically have had at 4½. This list seems to have all three of her albums that document her journey from folk artist to her more jazz influenced form on Hirja. I'm looking forward to both of them coming up. (9.6) ★★★★½
My second favourite Joni Mitchell album. Lot of jazz inspiration creeping in. 5 stars
4.5/5
This is one of those albums I kind of feel bad about not liking, because I know it's beloved by a lot of people, but this is pretty much the antithesis of everything I like in music. Don't like the singing, don't like the melodies, and it's too soft and smooth. The only tune that I found mildly interesting was "The Jungle Line", but even that was kind of soured for me when I read Joni's explanation of it. "I thought I was black for about three years. I felt like there was a black poet trapped inside me, and that song was about Harlem—the primitive juxtaposed against the Frankenstein of modern industrialization; the wheels turning and the gears grinding and the beboppers with the junky spit running down their trumpets." 1.5 stars.
Has a couple of corkers such as In France They Kiss On Main Street, a substantial amount of soft, plain folksy balladry that wisps by too easily during the middle portion and also a couple of completely off-the-wall experimental numbers that are as jarring as a million jars left ajar by Jar Jar Binks. The Jungle Line uses Moog synth and sampled tribal percussion to create a feverish swamp of sweltering skewiffy summer sound. Probably the strangest pop composition since Tomorrow Never Knows. Shadows And Light on the other hand is a stark Moog acappella that makes the album sound like it’s been abandoned onto some lonely faraway planet at the very end. This album is a big favourite of Prince and he of course has impeccable judgement so perhaps this is all great stuff. Not long after this album though, Joni started inhabiting a character named Art Nouveau and went about dressing as a blackface pimp on her record sleeves, in her music videos, at parties and in a live album and film called Shadows And Light so I’m thinking these two off-the-wall experimental numbers maybe helped set off an unfortunate chain of creativity and perhaps weren’t totally for the best.
Mostly dull slow British rock. Not much interesting. The Jungle Line had an annoying background noise throughout the song. Her voice is nice, and the guitar work can be fun at times. Harry's House comes in nicely though, with a great bass guitar beat and some killer piano riffs. It was a really fun listen on an otherwise forgettable album. Best song: Harry's House
A very solid Joni album. It's no Blue, but what the hell is?
Not like other joni albums
Standouts: • In France They Kiss on Main Street • The Jungle Line • Shades of Scarlett Conquering • The Hissing of Summer Lawns • Harry's House / Centerpiece
Never listened to Joni Mitchell before, so didn't know what to expect, but wasn't necessarily expecting a fantastic jazz-tinged folk record. Incredibly dense for folk music, but still accessible. Definitely gonna spin this a few more times to pick out some playlist stuff, but immediately my favorites are In France They Kiss On the Streets and Edith and the Kingpin. You know an old record is great when you read that reviewers of the time thrashed it for being "too experimental", and then you listen to it and it doesn't really sound particularly experimental because it's influence is heard all over modern music (Bon Iver, Radiohead, Gorillaz). It just sounds like a damn good, classic record. It's funny because the one song they picked out as good, The Jungle Line, is easily the most experimental track on the record, and IMO one of the "weaker" cuts (still good). Weird pull, but this album has Animal Crossing vibes. Would not be surprised to hear Totaka took influence from this album for the soundtrack to those games, haha.
Actually really really liked this!!
New to me. I like a folkie who gets a band working.
Joni Mitchell just didn't make music I enjoy. Heck of a songwriter. Just not my thing. Also: Jungle Line almost made this a 1 star album. What an absolutely terrible song.
IMHO, this is *the* first great JM album. As an aside: the Moog revolutionised bass lines, didn’t it?
8/10. The music is really charming. The lyrics are very poetic. It is a really enjoyable album.
Loved that.
Not a great album. Good lyrics, but uneven in melody and tempo
singer-songwriter mit jazz .. teilweise anstrengend, teilweise easy listening. highlight Harry‘s House/Centerpiece, für die jazzigen elemente.
Kannte ich nicht, aber ist für mich sehr 70er und noch mehr zu jazzig.
Joni Mitchell's "The Hissing Of Summer Lawn" continues the exploration the began with "Court and Spark," venturing further by blending elements of jazz, R&B, and global music rhythms, alongside innovative use of sampling, synthesizers, and reverb. Each track from this sonically diverse album presents a distinct and compelling arrangement, ranging from the resonant horns and psychedelic Moog effects in "The Jungle Line" to the jazzy wandering of "Harry's House / Centerpiece." Other notable tracks include "In France They Kiss On The Street" and "Shades of Scarlett Conquering." The lyrical poetry remains a hallmark of Mitchell's work, this time delving into themes of suburban life, societal expectations and norms, and personal freedom. While "The Hissing Of Summer Lawn" never received the critical acclaim of "Blue" or had the commercial success of "Court and Spark", this album might be her best example of capturing the essence of what makes Joni Mitchell such a compelling and important artist.
Maybe I wasn't on top form when I listened to this, but it didn't sound as good as the other Joni Mitchell albums I've heard so far.
There's a lot to love about this album. Joni Mitchell goes for a little more experimental sound here, delving further into jazz sounds while also exploring new genres and sounds. It really works in some places, and when it does it's great. There are a few moments where it really borders on corny of having aged poorly. Beyond that, some tracks are what I'd classify as "beautiful but boring," a label I try to use for tracks or albums I appreciate for their beauty but that end up being just...boring. They're usually slow, don't change a whole lot, and have long and drawn out vocals. It's a bummer because that kind of stuff never really hits with me. And that's a lot of this album. Really, all you need to know is that I liked the first two tracks of this album and then everything else was just ok. It had such a promising start for me, but really tapered off quickly. Bummer. Mitchell is so talented. I just wish this was more interesting and that more tracks sounded different from each other. Two stars.
Not impressed
Normally I’d need more than a few listens to appreciate the lyrical aspects of this sort of album - but this time Mitchell has simply exceeded my already high expectations by the first minute of the first track. By the record’s own admission, it was born of a cohesive accident - “unfolding like a mystery”. Indeed mysterious is some of the track choices, The Jungle Line especially with its comparatively weird-sounding tribal percussion so early in the album. Mitchell ends the liner notes’ preamble with that “it is not [her] intention to unravel that mystery for anyone”, essentially, just enjoy the music and shut up. “I feel like I’m watching a movie” is a quote I found on the last.fm page for the title track, and it’s something I felt too with this track and one or two others. Mitchell’s storytelling is oftentimes second to none. And that’s just on first listen.
I love Joni Mitchell but this album didn't go much for me. Still a decent listen, but I don't think I'll come back to it.
I love Joni Mitchell and her voice, but this album didn't feel like her strongest to me.
Jaja
Not for me
This was a nice listen, and Joni Mitchell's talents can't be denied. It won't be on high rotation, but I'm glad I know it's there.
This was pretty good, not something that I'd listen to heaps - but I appreciated it in my ears today
I keep trying to like Joni Mitchell, but it’s just not happening
Great
Ok 2/5
Despite growing up with her as a constant in my life, Joni never really stuck out to me until this album. Her beautiful and unique voice truly is highlighted here along with the fitting instruments and musical whims. Big fan.
I do love mid-70s jazzy Joni - even if this one isn't perfect and a little weird for weird's sake at times. I always heard this as a transitional/experimental album by Joni, wedged between 2 of my favourites of hers. e.g. "The Jungle Line" is a real curve although I respect the efforts and completely different feel - was a poor choice making it the 2nd song on the album; that's a classic "bury it on side 2" deep cut, come on. It throws off the flow a bit, as everything after just follows so well with smooth clarity. I know a number of people who have no use for *this* Joni, sticking with the "Blue" era which I get - that's a perfect album - but in that way of thinking why continue down that road when every and anything would inevitably be measured by it? Even if she doesn't perfect this direction until the next album (Hejira) by coalescing the sound into better songs overall, the vibe here is something I can always be in the mood for and I just love this sound - including the ridiculous musicianship and production. 7/10 4 stars.
1. in france they kiss on main street: solid production, great acoustics, loud bass, great vocals and drums, short buzzy lead guitar solo, vocals remind me of rush, chill, cool song 2. the jungle line: distorted drums intro, loud bass, quiet guitar, strange song, lack of melody 3. edith and the kingpin: chill, great vocals, soft keyboard, calming, cool song 4. don’t interrupt the sorrow: bongos, calm boring vocals, weird sound effects, repetitive 5. shades of scarlett conquering: calm piano intro, good vocals, chill, very quiet drums, great piano and strings, cool song 6. the hissing of summer lawns: good bass intro, great bridge, nice horns, cool song 7. the boho dance: nice piano and bass riff, nice break in middle, kinda forgettable 8. harrys house/centerpiece: louder, muted trumpet, nice layering of vocals, nice keyboard solo, loud drums, nice vocal harmonies anti male lyrics, ragtime piano sound 9. sweet bird: fade in acoustic, nice piano, atmospheric guitar, repeating lyric fade outro 10. shadows and light: nice isolated vocal, harmonies with nice synth bass, moody and soulful overall: solid album, good production, good vocals, sometimes boring, anti patriarchy lyrics, might grow one me later rating: 7.5/10
Some high tier Joni right here, can tell she's starting to experiment more around this time. She blends it in well though.
I wanted to like this, but it was really unmoving, flat, boring. Songs like The Jungle Line are just bad experiments that I wouldn't put in an album. 2/10
Relaxing yet still on the experimental side of singer-songwriter music. I do appreciate the jazzy and nonconventional elements on here. Joni is also an inventive songwriter. But I just didn't enjoy it that much. It might be because of her shrill vocals, particularly her ear-piercing falsetto combined with that incessant vibrato. Plus the occasionally experimental arrangements don't seem to serve the songs. Ultimately it doesn't come together for me ¯\_(ツ)_/¯
Enjoyed this.
Strangely, I've never heard of Joni Mitchell. Maybe I live under a rock. This album just sounds like a shit female remake of Bob Dylan. Maybe that's just folk in general but this honestly is ass. I couldn't make out any lyrics, it all just sounded like jumbled up word salad of random shit. Don't Interrupt The Sorrow is a great example of the nonsensical bullshit she rambles on about. I still have no fucking clue what that song is about. Even when she did make sense, I genuinely just did not give a fuck about what she has to say. Every song is just a bunch of random haikus of shit she sees. Joni Mitchell writes songs like a kid in grade 9 trying to meet the word count. I do not care that there was a lot of taxis like "schools of fishes" when he was hailing a cab, why not just fucking say "he got a cab"? What's with all the bullshit circumlocutory writing for a boring ass story? Not only was this nonsensical, it was also boring as fuck. I'm just stoked this record was only 43 minutes. How very thoughtful of her, if Joni Mitchell was a British artist she'd make this record AT LEAST 75 minutes. Genuinely glad to know I'll never have to listen to another song from this record ever again. Not a great introduction to Joni Mitchell lmao. Harry's House went alright, but only because there was (for once) a decent backing track so I could just tune out the retarded word salad.
A lot more chaotic sounding to start with than I was expecting, this really feels like it wants to go in both extreme directions of Folk and Rock. Thankfully this does calm down a bit after the first two tracks. It is pretty smooth sailing from there, all very easy listening. But there is better tracks to come
Joni Mitchell has a lovely voice and the instrumentation is delightful. This is not an album I would listen to even if I were in a good mood, and unfortunately for the impartiality of this review, I listened to this album while dealing with some of the most idiotic subhuman retard cattle ever to be given the right to vote (my colleagues).
A great album where a few of the songs ended up making it to my all time favourite playlist I enjoyed them that much. But the consistency just isn't there to push it all the way unfortunately. 8/10
A few strange production choices on the first two tracks kept me from really engaging with the album (the chorus of the first track and the weird ass moog on the second track that belonged in a Tangerine Dream song). However the production here seems to have been a watershed moment for western musicians, taking inspiration and sampling artists from Africa would become a lot more commonplace so I guess we have Joni Mitchell to thank for that. Once Edith and the Kingpin hits, the rest of the album the lyrics, vocals and instrumentals really worked well together for me. There is a good variety of sound and dabbling of different genres. But the album did lose my interest towards the end. Definitely an album that warrants multiple listens to mull on the lyrics here. This album also receives bonus points for receiving a lukewarm review from Robert Antichristgau (fuck you). Highlights: Edith and the Kingpin, Shades of Scarlett Conquering, The Hissing of Summer Lawns, Sweet Bird
not my favorite of joni’s but a very fun stylistic change from her
Not my favorite effort by Joni Mitchell but I gotta give her credit for making this musically interesting. I really liked the lean into jazz fusion and the themes were cohesive. Probably 3.5 but she’s earned the benefit of the doubt
Pretty typical Joni
appreciate it, but not really my cup of tea.
Not her best album I feel, although I do enjoy a bit of Joni, I find often that it doesn’t captivate me enough. I can imagine plenty of people will adore this, but it just left me cold and uninterested.
Albumi #154, 21.02.2025 Joni Mitchellin seitsemäs albumi vuodelta 1975 jatkaa Court and Sparkin jazzahtavaa linjaa kokeellisemmalla otteella. Albumi ei yllä edeltäjänsä tasolle.
Joni Mitchell is very influential and highly regarded, an inspiration for many women, especially women in music. I just don’t like her music though, no matter how many albums end up in this list. Even if the instrumentation changes, which of all her music seems to be the most varied on this album, once she starts singing she sounds the same. And maybe her lyrics are poignant and brilliant, but I’ll never know because her voice has a Charlie Brown’s teacher effect on me. La La La La na na na La La na La wa wa La da La That’s all I hear. Sorry, Joni fans and fanatics. I’ve tried. Many times. I just can’t hear anything else. But I’m glad she made what she made for all those who love her.
Super weird arrangement choices (loud bass, distorted drum loops, etc.) but it's also really pretty
Nice
Love Joni. 4.
Joni Mitchell's blending of jazz and folk is genius. Personal enjoyment: 4/5 Relevance to this list: 5/5
Beautiful voice, great production for the time but none of the songs grabbed me.
Joni. Is there anything more I can say? Okay. Remember this is 1975. People still remembered folk Joni and adored pop Joni. She made fusion understandable, engageable, slithering into Central Park and hoisted by bandanned acolytes (okay the drummers on track 2). Did it escape from her house? Internet says the skyline is LA, but I saw the bungalows as Laurel Canyon plopped in front of the Empire State building, signifying her changing from pop songstress (LA) into jazz-inflected impresario (NY). Having Larry and cool bass along and that angel-shaming voice helped. I remember people hating this, but I submitted and came to love it. Joni.
I don’t think I’ve listened to enough Joni in my life.
I don't know this album, but Joni is instantly recognizable and I love the mix of folk and jazz. I'll definately revisit this album. Someday it may be a five star album for me.
This is another Joni Mitchell album that means a lot to me — still have my original vinyl. And while I knew this came out in the vicinity of Hejira (my fave!), I thought this followed that (it preceded it). Anyway, fond as I am, I wouldn't have included this on the must-listen list. I just don't think the songs are quite as captivating or the mood quite as consistent as Hejira, and as these both represent her jazzy apex, IMO, this one just comes in second. But, what wonderful moments. The opener is one of her finest, "The Jungle Line" is super cool, and "Shadows and Light" is one I'm also drawn to. Plenty to chew on. She's one of the best, so I guess most everything is worthy of a listen!
Man, I so want to love Joni's jazz period. I love jazz. I love Joni. Seems like a match made in heaven. But there's the muzak-y haze over the proceedings that cloys at me. It started with Court and Spark, but somehow it doesn't bother me as much on that one as it does on this and Hejira. Also, I just don't love the compositions from these two albums as much as her earlier work, even though I admire their freewheeling boldness. It's definitely a me problem not a Joni problem. My loss.
We had few goddesses to worship growing up thus our monotheistic devotion to beautiful, beautiful Joni. Every listen she imparts more meaning and more beauty not only into these songs but also my life. In the mid 80s I spent a summer in Germany and could only take a handful of cassettes. I vividly remember unpacking Court & Spark and Hissing of Summer Lawns. I don't recall the other music I brought but I played these to the point I worried the tape would break. Yet, upon today's listen Don't Interrupt the Sorrow left me in a puddle of gratitude for all the ways Joni’s music has shaped my understanding of artistry, emotion, and storytelling. Hissing of Summer Lawns radiates feminine power—intuitive, unyielding, deeply perceptive. And this listen—after so so many listens—revealed layers I hadn’t noticed before. That summer in Germany, these songs became my companions, their poetry and jazz-infused melodies etched into my memory. And today, hearing Don’t Interrupt the Sorrow, I’m reminded why I’ve carried this album with me for so long. The richness of Joni’s voice, the hypnotic rhythm, the defiant lyrics—it’s as though she’s still teaching me something, still offering new truths wrapped in her singular genius. Few albums age like this, growing more profound with each listen. Few artists possess Joni’s alchemy of intellect and soul. This isn't just an album, it's an eternal conversation—one I’m grateful to return to, again and again. Animus rising. PS...Just notices that Charlie's Brat album is a a feminine wink, an acknowledgement of power to this album.
Very good
kind of a nothing album really
3.8 - I grew into this, but felt like it was just a filler Joni Mitchell album for me. Nothing standing out but still good
Joni being Joni. Not many of the tracks stand out but I think its a good solid album. 3.8/5
pretty music with pretty words
Favourite Song: In France They Kiss On Main Street
Some of these were bangers, but the train whistle really threw me off
I actually really enjoyed this. I never really got into Joni Mitchell but this album was great. A wide range of influences can be heard throughout, the subject matter is engaging and thought provoking, this is just really well done and it makes me want to dive into more of her stuff.
Quite liked this but couldn't tell you why. Summery.
Nothing to offend my ears here but just not for me
Not my favorite Joni Mitchell album, but her voice and lyrics spark joy and hope
If this wasn't a Joni Mitchell album it would have worse reviews and probably not even be on this list. While not as groundbreaking as Blue, The Hissing of Summer Lawns wears its dated sound while delivering a firm and creative package of solid folk songs. 3.5/5
Her voice has always been like nails on a chalkboard to me, I can’t stand the rhythms she chooses, this was almost physically painful for me to get through. Also, as much as I was trying not to listen too closely was she singing about being a slave on several tracks? WTF
so jazzy and cute
Liked this 7/10
Ja, nej. Det är väldigt ok. Inte mer. Behaglig röst, men det är inte magiska låtar. Väldigt lagom. En tydlig trea.
Joni har varit lite av en blind fläck för mig så det här ska bli spännande… Efter flera genomlyssningar kan jag konstatera att skivan växer men att jag gillar andra halvan klart mer än den första (kul när det händer, det hör inte till vanligheterna). Om första halvan är en trea så är andra halvan en fyra. Känner mig generös och avrundar uppåt. Ska definitivt lyssna på lite annat av Joni.
A voice softly deep Weaving through folksy rhythms Singing tales in prose
I know a lot about Joni Mitchell but have never really listened to her. Probably not the best introduction as it's way too jazzy for me. Favorites: Shadows and Light Would I listen to it again: No
You know what? After a string of 5 albums that didn't feel fully justified in being on this list, some Joni Mitchell is kind of what I needed right about now. What am I supposed to do? Complain about listening to Joni Mitchell? I would never. Anyways, The Hissing of Summer Lawns is pretty good. It's not as good as Blue, but there aren't a ton of albums that are. Besides, The Hissing of Summer Lawns is a different enough album from Blue for me to think more about the great elements of this album on its own. Of course, Joni Mitchell's songwriting is still excellent on this album. The storytelling on songs like the opener, "In France They Kiss on Main Street" and the title track is absolutely sublime. Where the album diverts from an album like Blue is with the instrumental style. Blue's style is a fairly standard folky singer-songwriter type deal. It's an outstanding folky singer-songwriter album, but that's definitely what it is. The Hissing of Summer Lawns still has that core, but adds in elements of genres like jazz rock to create a more experimental album. Fortunately, these experiments work in the album's favor. It makes certain songs stand out, namely the two I mentioned earlier. Overall, The Hissing of Summer Lawns is a pretty good album that further cements my belief that Joni Mitchell is a great musician. Strong 4/5.
I almost gave this one 4 stars but I felt like the 2nd half of the album drags and doesn't have the same energy as the first half. I don't think I've ever listened to a Joni Mitchell song, much less an album, but I've definitely heard the name before. I can't describe exactly why but I get why people really enjoy Joni's music just from listening to this album. Great voice paired with really easy-listening music.
Wow this album rips. Way jazzier, groovier, and experimental than I expected going in. Some interesting gems in here (looking at you Jungle Line and Harry's House / Centerpiece), and her voice is so calming. Album opener In France They Kiss starts folksy and brews into a hell of a jam. Love the key work and the jazzy bass+guitar. The Jungle Love is a wild change of direction, and I am here for it. Love the synth burble and syncopated percussion. After the relative discomfort of Jungle Line, Edith and the Kingpin is refreshing. Pretty jazzy little one. My God, I love Harry's House / Centerpiece. Such a swanky sounding jazz track -- well delivered. For me this is a very high 4. Not something I'll pull out all the time, but I welcome repeated listens.
Sure. Good for a singer/songwriter album, but isn't anything more than that. Harry's House/Centerpiece was the best on this album.
Such an incredibly strange album in a great way. Did not know that Joni was this trippy, compared to her last album we listened too which seemed like straight up country. Every song was so unique on this album and her voice is so good that I was completely engaged the whole time listening. Pretty strong 4
Damn I am really, really digging Joni Mitchell's vocal delivery. Something so unique and soothing about it. Kinda reminds me of Grace Slick in a way from Jefferson Airplane. This was a high 4.
I started listening to this last night, and found it kind of sleepy/dull. Upon listening to it more closely today, I found a lot to appreciate musically and lyrically, even if this isn’t my favorite of her albums. I’ll probably check it out one more time.
Joni just doesn't do it for me. Its me, not Joni!
-this album was my first Joni Mitchell experience, and I really enjoyed it! her voice is beautiful and i can really see how she influenced a lot of later artists i like -maybe felt a liiiittle overlong / repetitive especially toward the end but honestly her voice and the lyricism were so nice that I didn’t mind. 3.5 - 4 stars -Favorites are In France They Kiss On Main Street and The Hissing of Summer Lawns
Pleasant yet complex soft jazz rock thing. Will revisit!
Gear: Focalman Cleardara Artwork: 🐍🏙️💚 Production: 😐🤔🤷 Music: 🤔💭😩💨🚫 Rating: 🐍/5
This project continues to teach me many things. Today's revelation is that although I like to think I am something of a Joni Mitchell fan, I might be kidding myself. This is the second album of hers that's come up in as many weeks and it's clear now that I admire the idea of her as an artist more than I enjoy a lot of listening to her actual music. My loss.
There's a Joni album for every season and mood. Summer Lawns is my go-to all-rounder: the lyrics create impressionistic vignettes and characterisations that move in perfect tandem with the music. I love the Blanche Dubois figure in Shades of Scarlett and the lingering menace of Edith and the Kingpin. Probably one of my top twenty albums ever, and certainly in my top 3 of Joni's. One of the few artists I love so deeply that I feel irrationally offended when I see some of the reviews she gets on here!
Zeer origineel, niet echt mijn muziek, maar dit is wel goed. Varierende arrangementen houden het interessant.
auðvitað tilgerðin uppmáluð en ég hef nokkuð gaman af þessu. set 3,5 því 'etta á skilið aðra yfirferð.
Probably her best album from my favorite version of Joni. No shade to Blue, which is also perfect, but this is a whole other level of genius. Every song is so structurally astounding without losing any of the personal vulnerability of her earlier folk songs. I never made the connection between jazz Joni era and 70s Steely Dan but it’s literally the same time period with many of the same session musicians.
1.5 Joni Mitchell has never clicked for me. At least this album was in a tolerable octave.
Not my favorite album of hers, but I do like Joni.
a joni mitchell mandava demais essa banda de jazz ao fundo tbm dá outra pegada pro álbum mto foda
ou, esse aqui é uma DELICINHA hein. bão pra ouvir tomano um cafézim de tardinha. mais jazz do que eu esperava, inclusive. the jungle line eh top.
It's Joni Mitchell. The sound, the words. But not as magical as some of her other works.
I tried, I really did. One can recognize the importance and talent of Joni Mitchell and still think that this album was blandly homogeneous. Shadows and Light was a fun song that stood out (slightly).
Ho boy, I am not a fan of Joni Mitchell. I just can't do the rambling run-on stream-ot-consciousness poetry.
Not my favorite Joni album, or even in my top five, but it’s still Joni. And enlisting three of your exes to play on your record is hilarious.
Love Joni, but this album is forgettable for me. I tend to agree with critical reception from the era regarding her amazing lyricism being diluted / overshadowed by the experimental jazz stylings.
This sounds like someone’s freshman English project at swarthmore.
Despite her lofty reputation, this one was not my cup of tea. Did not enjoy the flaccid music. Did not enjoy the overly busy lyrics. It felt like she was singing the same melody in every song. Standout: In France They Kiss On Main Street Worst song by a country mile: The Jungle Line (and its farty-sounding Moog)
I want to like Joni, I really do. But I don’t care for beat poetry, and this is just beat poetry with smooth jazz musicians noodling along. She’s got a pretty voice, and most of this would be totally inoffensive piped over the speakers in a grocery store.
frankly boring and repetitive
My mother chilla
Forse il miglior album folk finora Ma resta folk
This album makes me wonder who else from her generation was just as good at lyrically placing you right in the midst of a story or setting. Maybe Billy Joel, Elton John, and…? Surely the list is short. Vintage easy listening that doesn’t tug on the heartstrings as much as it instead functions like a personal favorite fiction novel. Also with a bit of subtle electronic production here and there? I noticed it on “The Jungle Line” song. Loved the horns on “Harry’s House/Centerpiece.” My favorite is probably the closer “Shadows and Light.” Pleasant music to listen to while lounging around
Thank you, Joni, for the fine cloth that is The Hissing of the Summer Lawns! https://open.substack.com/pub/richcain/p/project-1001-the-hissing-of-the-summer?r=4ztyq&selection=0bfef931-94dd-46c8-af56-98f5750bd221&utm_campaign=post-share-selection&utm_medium=web
I thought that I'd completely understood Joni Mitchell's music before, but this one really surprised me. It's poetry, folk, jazz and avant garde all mixed together. This album is like a flower that keeps blooming and unfolding completely new and different layers with each listen. It should be jarring to shift between the different styles so abruptly. But it kind of works, particularly in a song like "Harry's House / Centerpiece" which really is two different songs stuck together but I still love it. I like "Blue" ok. "Court and Spark" was interesting, but not my favorite. "The Hissing of Summer Lawns" really hit a cord with me though. Enough that I probably need to revisit the others sometime.
Always 5 stars. Anything she presents is beautiful and thought-provoking. From her heart. Thank you Joni Mitchell.
Bra, men ikke helt for meg dessverre. Av det jeg har hørt så er Blue mye bedre.
3/10 I didn't know I could not like Joni Mitchell. I don't like that this album made me face that. The rating is unfair because of that 1-07-2024
Ssssssssuper
This album is pleasant background music but also easily forgettable. Nothing grabbed me at all, everything sounded the same and blended into one. Jazz and folk are not my genres and when mixed together give you a 1/5 Favourite song: I couldn’t pick one Least favourite: Harry’s House / Centre piece. Album artwork: Cool cover
I got a lot out of this one. Some Court and Spark vibes with some more experimental moments.
I know I've been a bit critical of "acclaimed album but singer/songwriter with guitar" items on this 1001 listing, but what's not to like about this album? It's a five star classic. It still sounds fresh, vibrant and inspiring after ... good lord ... 49 years. Tip Top stuff.
Hisssssssss
This album is perfection. Beautifully sung and played. Joni rules.
Brilliant. Beautiful, biting social commentary, fantastically innovative production, Joni is so much more than folksy
## Overview of *The Hissing of Summer Lawns* Released in 1975, Joni Mitchell's *The Hissing of Summer Lawns* marks a significant evolution in her musical style and thematic exploration. This album, her seventh, diverges from the confessional songwriting that characterized her earlier works, such as *Blue* and *Court and Spark*, and instead presents a more abstract and complex narrative structure. The album's sound is a rich tapestry of jazz, pop, and experimental elements, showcasing Mitchell's willingness to push boundaries in both music and lyrics. ## Musical Composition ****Instrumentation and Style *The Hissing of Summer Lawns* features a diverse array of instrumentation, including synthesizers, electric pianos, and horns. This eclectic mix creates a lush soundscape that contrasts sharply with Mitchell's earlier acoustic-driven works. The incorporation of jazz elements is particularly notable, with contributions from notable musicians such as the Drummers of Burundi, whose African percussion adds depth and texture to the tracks. The album opens with the title track, which sets the tone for the rest of the record. The song features a mellow groove underpinned by electric piano and Moog bass, creating an atmosphere that is both inviting and unsettling. This juxtaposition reflects the album's overarching themes of suburban ennui and the darker aspects of domestic life. ****Vocal Performance Mitchell's vocal delivery on this album is both haunting and powerful. Her soprano voice glides effortlessly over complex melodies, often employing unconventional phrasing that enhances the lyrical content. In songs like "Harry's House/Centerpiece," her voice transitions between playful and introspective, mirroring the emotional landscape she navigates through her lyrics. ## Lyrical Themes ****Exploration of Identity One of the most striking aspects of *The Hissing of Summer Lawns* is its exploration of feminine identity within the context of suburban life. The lyrics depict various archetypes of women—trophy wives, aging actresses, and housewives—each grappling with their roles in a society that often confines them to superficiality. For instance, in "Shades of Scarlett Conquering," Mitchell reflects on the legacy of *Gone With the Wind*, examining how societal expectations shape women's lives and desires. ****Social Commentary Mitchell's lyrics serve as a poignant critique of upper-middle-class America in the 1970s. She delves into themes of materialism, isolation, and the struggle for personal autonomy. The song "Don't Interrupt the Sorrow" addresses the complexities of female repression, suggesting that traditional gender roles perpetuate a cycle of dissatisfaction. Lines like "Don’t let up the sorrow" encapsulate a sense of resignation to these societal constraints while simultaneously calling for awareness and change. ## Production Techniques ****Innovative Soundscapes Produced by Mitchell herself alongside Henry Lewy, *The Hissing of Summer Lawns* employs innovative production techniques that enhance its experimental nature. The use of synthesizers was particularly groundbreaking for its time, allowing for a sound that was both modern and reflective of jazz influences. This sonic experimentation creates an immersive listening experience that complements the lyrical content. ****Layered Arrangements The arrangements throughout the album are meticulously crafted, with layers of instrumentation that reveal new details upon each listen. For example, "The Boho Dance" features intricate horn arrangements that intertwine with Mitchell's vocals to create a vibrant musical dialogue. This complexity can be both rewarding and challenging for listeners accustomed to more straightforward pop structures. ## Influence and Reception ****Critical Acclaim Upon its release, *The Hissing of Summer Lawns* received mixed reviews from critics who were divided over its departure from Mitchell's earlier style. While some praised its ambition and depth, others found it less accessible than her previous works. Over time, however, it has come to be regarded as one of Mitchell's most significant achievements—an album that captures her artistic growth during a pivotal moment in her career. ****Cultural Impact The album has influenced countless artists across genres, particularly those in folk and jazz circles. Its themes resonate with contemporary discussions surrounding gender roles and societal expectations, making it relevant even decades after its release. Artists like Prince have cited Mitchell’s work as influential in their own creative processes, highlighting her impact on subsequent generations. ## Pros and Cons ### Pros - **Lyrical Depth**: The album showcases some of Mitchell's finest songwriting, presenting complex narratives that explore feminine identity and societal issues. - **Musical Innovation**: The blend of jazz elements with pop sensibilities results in a unique sound that pushes boundaries. - **Production Quality**: The meticulous production enhances the listening experience with rich textures and layered arrangements. ### Cons - **Accessibility**: The departure from traditional song structures may alienate some listeners who prefer her earlier works. - **Complexity**: The abstract nature of some lyrics can be challenging to interpret fully on first listen. - **Niche Appeal**: The experimental sound may not appeal to all fans of Mitchell’s more mainstream hits. ## Conclusion *The Hissing of Summer Lawns* stands as a testament to Joni Mitchell's artistry—a bold exploration into themes often overlooked in popular music at the time. Its intricate musical compositions paired with profound lyrical insights create an album that invites deep reflection on identity and societal norms. While it may not cater to every listener's taste due to its complexity and abstract nature, its influence on music remains undeniable. As an artistic statement, it marks a significant chapter in Mitchell's career—one that continues to resonate with audiences today.
I thought the musically it was not bad but found her lyrics a bit disjointed at times.
A little yacht rock-y in a good way. Lots of jazzy riffs behind Joni’s ethereal voice.
Just like the other Joni Mitchell album I rated, the lyrics, and writing are top tier, but this doesn't necessarily translate into good music. I found myself rather bored while listening to this album. Favorite Song: "The Jungle Line".
I don’t think I’ll ever understand Joni. Not my thing, but it wasn’t terrible.
chill album
ok I guess, not my style, too lyrical
Nice vocals, lyrics and arrangements. The lyrics are quite interesting and you could easily get lost just reading them. The songs don't really grab me, this album could've done with a few 'singles' as the tracks all have quite a rambling/free-form structure. It's pleasant to listen to, Mitchell's experimentation with jazzier arrangements, strings etc. create some nice songs. But after 2 listens not a lot really stuck in my memory So a mixed bag means 3*
I like Joni Mitchell overall but couldn’t get into this
as I get older I feel the pull of folk music on my soul. I'm not sure why but it just works for me these days. I'm not even a big Joni Mitchell fan to begin with, but man this put me in a great mood.
Washed over me like a soft wave of folk. Not much stood out but I feel like I will enjoy it more on future listens
One part of me enjoyed this and another part of me hopes to never hear it ever again.
1 Stern
Top. Songwriting.Qualität setzt sich einfach durch.
Joni Mitchell me sigue sorprendiendo gratamente, apareciendo en esta lista nuevamente con un trabajo que se siente como una mezcla perfecta entre jazz y folk. La voz de Mitchell es hipnótica y las canciones lo suficientemente interesantes como para mantenerte atrapado en la propuesta. Mi canción favorita es The Jungle Line, sumamente intrigante. Volveré a escuchar este LP, y ud. debería escucharlo sin falta.
De vierde keer Joni Mitchell. Ik herhaal: De vierde keer dat ik Joni moet doorstaan op deze lijst. Absolute waanzin. Geef minimaal twee, maar liever nog drie van die plekken aan een andere vrouw. Misschien aan die Charlie XCX, die ervoor zorgde dat allerlei jonge vrouwen de hele zomer zonder BH in een wit hemd rondliepen. Hulde. Als je Joni eerder hebt gehad weet je wat ze ook op dit album gaat doen en daarom is het waanzin om haar vier keer in deze lijst te zetten. Het is altijd hetzelfde en het roept altijd een stukje irritatie op. De band heeft er weer gewoon zin in hoor, maar Joni's gonna Joni. Vooruit, op track 2 doen we experimenteel qua geluid. Qua muziek althans, Joni doet gewoon haar irritante Joniding. Ik ga twee sterren geven omdat de band het echt wel prima doet en de productie heeft de boel lekker in de digitale plaat gekerfd, maar verder een hele harde houdoe namens mij.
this album is so green
"The Hissing of Summer Lawns" is the seventh studio album by Canadian-American singer-songwriter Joni Mitchell. The album continues her jazz-influenced sound from her previous album "Court and Spark" with more uncoventional and experimental material. It features sampling, synths (Moog, ARP) and contributions from jazz-rock groups LA Express and the Jazz Crusaders. Other contributors included David Crosby, Graham Nash and James Taylor. The album initially received negative reviews with critics saying the music didn't live up to the lyrics but the album has since been very much considered acclaimed. Commercially, it hit #4 in the US and #14 in the UK. "In France They Kiss on Main Street" opens the album with acoustic guitar, bass and an underlying piano. Very country-rock and jazzy. This sounds like Steely Dan and what do you know, it's Jeff "Skunk" Baxter on the electric guitar. It's about the coming of age in the 1950's during the rock and roll era. "The Jungle Line" samples the Drummers of Burundi and has a Moog synth. A plodding rhythm. She's paying homage to French painter Henri Rosseau and blends his work with the imagery of real life, music industry and drug culture. "Don't Interrupt the Sorrow" is an acoustic-based guitar song. There's congas too. Stream-of-consciousness lyrics stressing women should stand up for themselves as individuals. "The Hissing of Summer Lawns" gives more of a soft jazz vibe. Trumpt, flute and sax accentuated. The Moog again. Subtle vocals as Joni sings about a woman stuck in a marriage where's she's just part of the man's portfolio. I think there's a reason for Joni's anger. "Harry House/Centerpiece" starts acoustically and adds trumpets and echoing vocals. The songs goes even deeper into jazz territory as it frames the jazz standard "Centerpiece" by Harry "Sweets" Edison and Jon Hendricks. Joni's lyrics are delivered in her typical storytelling style. There's a brilliant edge to the lyrics which was probably the result of touring in the male-dominated Dylan's Rolling Thunder Revue tour. The accompanied music is somewhat adventurous covering jazz, orchestral, World music, electronic and experimental. I can see why it may distract some but I found it great matching her vocals. A definite must listen for all.
I completely understand those who complain about Joni Mitchell's albums. They are not easy to relate to and her art can often seem inaccessible. On the other hand, I also understand those who appreciate her work, after all, she is great at telling stories and bringing her audience closer to the universe she creates in her work. This was an excellent follow-up to her album Court and Spark, both of which have jazz as their main influence. "The Hissing the Summer Lawns" is rich both lyrically and instrumentally. The songs here soothe the mind and heart of those who listen to them.
holy shit this is impeccable. i need to listen to more Joni Mitchell cause this is perfect
1.5 boring
Had to play this a couple of times because it confused me. Turns out I like the song The Jungle Line and dislike the rest. Jazzy singer-songwriter music with too many chords and too-convoluted-to-be catchy melodies. The Jungle Line is a strange experimental ditty combining sort of tribal drums (apparently it's the first ever use of a sample on a commercially available song) and burbling electronics sounds. It's wonderfully weird and way ahead of i's time. I can live without the rest of the album.
An interesting experimental album. I'm not too big of a fan, but it's interesting at least.
It's OK I guess. No hits. Some catchy songs, decent background music. Lots of the same? I wonder if it was done by anyone else if it would have even made the list.
Not bad!
She's very good - similar voice to Weyes Blood.
I've always kinda thought she sucked, album is about right
A cool experimental album. Simple yet adventurous
Started of really promising with a kind of progressive song. Than dulled down really quickly and became really plain and boring.
I love the experimental sounds in this album. The electronica in The Jungle Lines is exciting, creating a unique sound. The other tracks are not so distinguishing, but I absolutely recommend this. It's entertaining. Harry's House/Centerpiece is good also. It's somewhere around 3.5/5 for sure. The album cover is pure art. I love it.
Beautiful lyrics. 4/5
Fine but pretty boring
Pas mon préféré d'elle, mais reste respectable. 5/10
Lots of compelling melodies and arrangements. Very pretty singing. Poetic lyrics. Jungle Line, Don’t Interrupt the Sorrow, Shades of Scarlett Conquering, Hissing of Summer Lawns, Shadows and Light - all really lovely.
Eine gute Stimme, die mit Piano Begleitung kraftvolle Balladen singt. Sie wirken irgendwie zeitlos. Es ist schön zu hören, wobei jedoch keine Highlights dabei waren.
Snoozefest
My third Joni album on this list. This one was more experimental than I expected. On first listen some of it didn't gel with me, but I loved the rest of the album. After listening through a few times I just didn't enjoy this one as much as her earlier works.
Relaxing
Oh, jazzy Joni, I don't love this record as much as some of your others (please never say "shuck and jive" again) but I also can't help but enjoy some of the tracks here. This 49 year old record doesn't sound totally staid like a lot of other music that came out in 1975 so I've got to give Mitchell her due praise as well.
It's not her best work, but I liked the jazz-folk fusion. And let's face it, the woman can sing.
Really great. She backs up her intelligent yet raw emotion with intricate, well-crafted music. I need to revisit her other great albums. I think I wasn’t ready for them back when I first heard them
Another Joni Mitchell album, and once again I feel I should enjoy it more than I actually do. Good jazzy arrangements, good vocals, good lyrics, but no melody jumps out at me. Maybe one day it will click Key tracks: In France They Kiss on Main Street The Jungle Line The Boho Dance
Only my second Joni album ever. I listened to Blue a long time ago and disliked it. I should revisit that album because this is really great.
I've never been a great fan of Joni Mitchell's music. It's just that it doesn't really meet my general taste in music. I had never even heard of this album before, or indeed any of the songs. I found the album interesting for some of the musical approaches, but I felt that Mitchell's voice seemed to be somewhat separate from the music.
Meaning whiny bullshit. Not a song in sight.
An unusual recording. I think I need to give it another listen and that it is worth another try. "In France They Kiss on Main Street" was the only song I immediately recognized. Jazzy and adventurous with Joni Mitchell's usual poetic, sometimes obscure lyrics.
Great voice and storytelling. But it’s just not something I really enjoy.
I appreciate Joni's contribution to the genre, but for Canadian folk my preference lies with Ian & Silvia.
In a vulnerable moment I confided in a friend that I didn't quite like Joni Mitchell. He said I was a bad Canadian. I think he might be right, but I still don't really get it.
I like the lyrical inventiveness, but a lot of this has a weird, classic-rock kind of energy, sometimes a bit country, not sure it really works with Joni.
Joni Mitchell isn’t someone I will put on typically but oh man, that voice and her ability to crate such great imagery with the lyrics, it’s so cool. Joni is such a great songwriter and I really respect what she does, this is close to Blue as far as her work goes. Title track is great and Jungle Line was really interesting, with the interpretation of the African drums to add another wrinkle to the music. Really cool to hear a shoutout to Highway 115 as well having driven that a ton. I’m a Joni fan, Canadian icon. 4 stars
Fantastic album! Joni seamlessly blends jazz and folk with such harmonious finesse—it’s amazing how well it all works together. And Larry Carlton on guitar? That’s an automatic extra star from me!
Joni Mitchell is amazing and about 30% of this record is excellent. Her vocals and phrasing are beautiful and the harmonies are unique to her. But some of it’s just… kinda weird.
Maybe not as good as Blue. Still pretty great.
I liked this okay, but I think this has been my least favorite of the Joni Mitchell albums so far. Which isn't to say it isn't good, it is. But there has to be one least favorite, right? And since it's my least favorite so far, I'll knock it down a star it probably doesn't deserve to be knocked down.
Joni is great This one is decent, maybe not to the standard of the others I've heard from her, but its good. Bit different, very jazzy at times, great production, enjoyable High 3
Love this Joni
1.5 not a fan at all. Nothing felt like a song. There were no parts that grabbed me
I just don't get the hype surrounding her. She's just a wannabe hippie who, in my opinion, didn't do enough drugs. Have you ever eaten a plain, untoasted English muffin? That's Joni Mitchell's music. La de da de doo....
Many interesting and pleasant sounds here but Mitchell's vocals isn't one of them. Edith and the Kingpin is a great track.
Very pretty. Like quite enjoyed it. I will add it to the Sunday afternoon at the cottage with my girlfriend playlist
01) In France They Kiss on Main Street - 7,0 02) The Jungle Line - 7,0 03) Edith and the Kingpin - 6,0 04) Don't Interrupt the Sorrow - 6,0 05) Shades of Scarlett Conquering - 6,0 06) The Hissing of Summer Lawns - 5,5 07) The Boho Dance - 5,5 08) Harry's House/Centerpiece - 5,5 09) Sweet Bird - 5,5 10) Shadows and Light - 5,0 TOTAL: 5,90 (59/100) Current ranking: 298/362
Meh. Inoffensive, but I'll never listen to it again. 2.8
I couldn't make it through, probably my own fault.
Lyrically? brilliant Musically? Borderline elevator music Write up says this is jazzy and experimental but it's Muzak with good lyrics
This seemed like a much more diverse record than the last Joni Mitchell listen. I liked this a lot more. So much so that I think I will give this one 4 stars. Her voice was much more pleasing to me on this record as well. Perhaps I was in a shit mood last time lol.
This had more depth to it than I think I was originally going to appreciate, it's good I expected just country and western fluff but yeah a suprise to me, just scrapes a 4 as not sure how often I would listen to this
I enjoyed it more than I expected. Easy to listen to, one last taste like early summer when it's November here
Maybe the lawns are hissing because she sucks
Kinda boring
This was a nice relaxing album. I could totally listen to it again, but I doubt I would seek it out of its own accord.
Good
On thing this list has given me an appreciation for is how varied Joni Mitchell's sound was throughout her career. This album has much more of a jazz/experimental feel. It fits her voice really well, and I found this more interesting that some of the later Joni Mitchell albums that I've listened to 4/5
Average album
Joni Mitchell gets a little jazzy with it, a little weird with it, a little interesting! It's cool to see artists exploring, evolving, experimenting in ways that you wouldn't expect. Still, these songs are rooted in her unmatched songwriting that are just as much stories as they are songs. The Hissing Of Summer Lawns is a testament to Mitchell's range as an artist, conceptualizing incredible setpieces for her music that evoke imagery so vivid that it puts honest-to-goodness paintings to shame.
I found this album very bland and boring. Sorry, Joni, not a fan. This is the second album I’ve had from Joni Mitchell and I have not enjoyed a single song. 1
Fun listen. Not a fan of the genre but this was solid. 3/5.
Meh
Dece
Nice jazzy folk, some really nice and unusual chord progressions. However, it is a bit too easy-listening at times and just breezes by.
I absolutely love Joni Mitchell and her work. I was raised hearing her early work and fell in love with it. I basically made it up to "Court and Spark" and was introduced to this album just recently. This album continues where 1974's masterpiece, "Court and Spark" left off and gives us the jazz-rock sound that was such a departure from her earlier work. Overall, I love this album and can't understand how it was panned when it was first released, but it makes sense because Court and Spark was a masterpiece and a sequel to a masterpiece always falls short. This one has it's highlights too and can be considered an equal. Highlights: "In France They Kiss on Main Street": The only single from this album that gained any popularity, and for good reason. It features Jeff "Skunk" Baxter on guitar who did a lot of work with Steely Dan, The Doobie Brothers and lots of other L.A.-based musicians. Victor Feldman on electric piano (read Rhodes), who also contributed a lot to the Yacht Rock scene of Los Angeles later in the decade. James Taylor, Graham Nash, and David Crosby all provide backing vocals to this song which is catchy and gets you right into the mood. It reminds me a lot of "A Free Man in Paris" and could be considered a sequel to that song although the lyrics have nothing to do with Paris or France. Heh. "Don't Interrupt The Sorrow" - Kinda funky, groovy and I love the guitar work on this one. Lyrics refer to a woman standing up to male dominance, which is just awesome. "Shades of Scarlett Conquering" - I wonder if Taylor Swift has heard this. It's very woman empowering and standing up for women's rights. Great tune. "Harry's House ⁄ Centerpiece" - Really good song, probably the best on this album. Love the bridge to classic jazz moving into the Centerpiece part of this song.
If the whole album was like the first track, it would've been perfect
Fav: Harry’s House / Centerpiece Least Fav: Don’t Interrupt The Sorrow Damn Joni, I was not familiar with your game
Nice safe album nothing stands out
YES. A masterclass in how to write interesting and surprising songs. There are elements of everything in here, but she obviously just did what she wanted and it naturally came out this way. It feels effortless and spontaneous. It's not even my fave Joni album, but still loving every second of it. "Coy and bitchy, wild and fine" indeed.
seria perfeito se o álbum inteiro fosse igual à primeira música
Jazzy Joni jams
Very good but nothing I will really remember
this was okay, songs dragged a bit but i enjoyed some tracks
I've listened to a lot of Joni Mitchell's, so it's quite strange to hear an album full of mediocrities
Mitchell's vocals are beautifully on-brand and the melodies are sweet and sentimental, exactly as 70's folk music should be. I bit of a snoozer, though.
This cover concerns me, Joni. Update: I was right.
You really start to hear Joni stepping out in this one such as with the percussion & is that synth..? on The Jungle Line, bordering an allusion to some electronic music heard today. The instrumentation really fills up with groovy, breezy spots of jazzy, yachty flourishes. Along with her individualistic approach to instrumental arrangements come her trademark songwriting depth. Each song an impressionistic narrative vignette into her perspective on characters navigating the world, fleeting love, and inevitable loss. Again I love the yachty feel to a lot of this. So many warm Rhodes keys, sudden saxophone solos, and crisp plucky bass tones. Joni forever!
its giving nick drake and also carole king. and yet despite this, its boring highlights: don’t interrupt the sorrow, shades of scarlett conquering, harry’s house/centerpiece (oct 8 2024)
First listen. Ok.
The first song was my least favorite; otherwise loved it
All time favourite Joni Mitchell album made in a period of an incredible string of albums.
Quite bland this. Never really seemed to go anywhere, had high hopes for it too. Clearly got a class voice, and if every song was as good as The Jungle Line then this would be an easy 5. But they arent.
That's probably enough Joni Mitchell now. This was better than the last one we had but not as good as the one before that. She still has a great voice and at least these ones were actual songs but I don't think there were as many stand outs.
Blue was a really good album - this is more in line with some of the other albums. I switched off for the most part, but the title track was pretty.
Did not know any of this. She has a great voice, but it did not grab me like blue did. Had some ok bits though. Bit more jazzy and out there than blue too Probably won't be back. 2.5
This is the first Joni Mitchell record I actually kind of enjoyed listening to. I could stand it and not be annoyed or angry while it was playing. That is a huge achievement for me!
Not a fan of this one at all. Didn't jive with Joni's singing style or her lyrics. Felt at times the band behind the lyrics was ok as well.
Beautiful voice, but the music sounds really dated. It hasn't aged as gracefully as other albums I've listed to in this project. I think this is a one and done kind of album. I know her other album "Blue" (I think it's called) is highly rated, so I'm looking forward to that one. I did like the jazzyness of "Harry's House" I really didn't like the church hymn style of Shadows and Light, I guess if art is to make you "feel" something, this song is art, just not the type I like
Second Album de JM que je découvre. Le précédent, plus ancien (Blue) ne m'avais pas plus du tout (j'avais rapidement arrêté l'écoute). Cet album est moins minimaliste que le précédent, avec un accompagnement plus intéressant (jazzy, quelques chorus), voire "expérimental" (The Jungle Line). Cette fois je suis allé jusqu'au bout, mais je trouve que le chant ne se marie pas toujours bien avec l’accompagnement. Je ne l'écouterais pas une seconde fois. =>2/5
🎧Interesting, ambitious Joni record, but not my favorite.
Good songs, but Joni Mitchell has better work out there
lovely
oh joni, never ever change with your pleasant jazzy tunes and intriguing, poetic songwriting... this is another standard joni mitchell fair, however this one doesn't get afraid to dive into the earthy and experimental side, some songs having an african influence. i really do enjoy how joni writes, it's the kind of lyrical content that someone would write on a whim. on a walk, in a café. this album feels... human. does that make sense? human music. i like it!
Sounds like she makes up tunes as she goes along. Cat melodion
Like her voice
Ok
I heard Joni Mitchell's Blue album when I was younger but never really dived into her catalogue other than maybe the greatest hits. Wow have I been missing out this is every bit as good as Blue if not better, it's more musically expansive packed full of great songs.
Joni Mitchell pissed on my face when I tried to comfort her during a break up. Due to this, I have to score this record as 5 stars.
joni does jazz is so good
Loved the start but hated the end!
Not my cup of tea, annoying voice and jangly music...get some soul girl!
A new (to me) Joni and what a treat as ever. I enjoyed the music a little less than her other records by my god her words are always unimpeachable. Will DEFINITELY relisten.
Not something that i would listen to again.
Joni is a legend no doubt, but it feels like every two weeks is another one of her albums. We don't need to listen to her whole discog. Plus this one is pretty boring.
Joni Mitchell and Carole King might be the same person. Folk music is way more popular with music critics than with anyone else. This sounds like adult Sesame Street music, I might rather hear the Pinball song counting to 12. She might be the lyrical equivalent of Bob Dylan, but this just doesn't resonate with me the same way. Maybe it's a male/female thing? There's something about her delivery or songwriting that reminds me of Jill Scott, not on every song, but some. This is not good. Maybe I haven't been paying enough attention to the lyrics and am missing the meaning because this is not great music or great singing.
It’s hideous lounge singer shit.
I like folk, jazz and Joni Mitchell. Never heard any of the songs on this album but will revisit it.
Avante jazz Too many words.
I don't really have an issue with the music. It's depressing, but some of it sounded like it would've fit right in with early 2000s electronica. I just have an issue with her singing. Every song sounds exactly the same.
I didn't like this as much as Blue. The Jungle Line is fairly irritating. Harry's House is my favorite track on here.
No major complaints here - Joni has a great voice and I thought this was a pleasant listen. I sense she might have better albums?
The forth Joni Mitchell album I've gotten so far. Did we need 4? Probably not, but she must be growing on me because I got in the groove and really enjoyed this one. Bongos and a plucky bass, the most singer songwriter you can get
Not a Joni fan at all...still
Good album! Had not listened to it before but liked it
Joni Mitchell's body of work illustrates a talent not just in music, but in other media. However, I just didn't care much for this album. Maybe it is the synthesizers, which just haven't aged well in some places. It's still a fine album, just not her best work.
I'm sorry, but I don't get Joni. Lovely voice, clearly very important to her generation but it's all pretty underwhelming for me. Pretty enough songs, without really getting the aural juices flowing
Not really into it
Not really my type. Sounds a bit dreary
The first song was good but the rest was pretty mediocre. The Jungle Line was exceptionally bad though and is hard to listen to. Everything else is really boring with garbage lyrics (although the bad lyrics go for the first song too). I was optimistic going in, but it's definitely not worthy to be on this list.
A very interesting album. This is not a pop driven album with sing along tracks. I can tell this one is very personal. I jived with about half the tracks while some are more poetry set to music almost. I think this is one that needs multiple listens to really appreciate, but probably not on my rotation.
I, at the very least, understand where her idea for her album, Mingus, came from, as this album is far jazzier than expected, although once you actually hear Mitchell perform this way, it makes total sense. She has always used her voice as an odd, "do whatever the Hell it wants," sort of instrument, and that allows a lot of the tracks to not only exemplify the poetic lyrics a lot stronger, but also be catchy in a way no other musical artist can be. It can be repetitive, but every song here is at least good, and some unique ideas allow this album to feel like a new experience to those familiar with her work while still feeling like you're right at home. A solidly great album, with very little notes.
This album had some nice songs but most of them were quite boring to me. Not my thing. 2/5
Avant-pop. Venga, un ni fu ni fa por la voz. Pero he estado por ponerle un 2.
Cantautora de 70's. Voz preciosa, agelical.
nice singer songwriter album
That was quite a nice listen. Spent some days thinking quite what I’d rate it. Overall I think it doesn’t justify a 4 but it really feels this record gets better with every song.
Eh, I’m not much of a Joni Mitchell fan.
Aneinanderreihung von Tönen, die für mich keine hörenswerten Melodien ergeben. Langweilig!
Its joni mitchell alright
Not my fav. It’s fine. Probably won’t revisit this album.
Oh Joni. You are just fine.
Like beat poetry with jazz instrumentation in the background as much as anything else. A very cool departure from her earlier work. Suck it haters and losers.
Technically excellent but somehow unbearable.