Reviews (page 5 of 7)
Elis regina una figura esencial de la música brasileña. Su álbum con Tom Jobim, Elis & Tom, es una de las mejores obras de bossa, y Aguas do Marco como clásico absoluto. Este Vento de Maio, grabado 4 aaños antes de su trágico final, con su tema titular como más recordado, es una obra excelente, llena de estilos variados (bossa, samba, tropicalismo...) pero interpretados con la calidad y estilo inconfudibles de Regina. Para ejemplo Só Deus É quem sabe o la versión de Blue train. Un oasis de elegancia entre la avalancha punk y disco de la época: The Man Machine de Kraftwerk, debuts de Kate Bush, Pere Ubu, Magazine, , Public Image Ltd., Dire Straits, Police, The Only Ones, Devo, The Cars y Siouxsie and the banshees, (también Chris Rea y Midnight Oil), así como discos esenciales: C´est CHic, Plastic letters y Paralell Lines, Some Girls, This year´s model, Darkness on the Edge of Town, Incantations, Équinoxe, Ambient 1: Music for Airports, All mod cons, Some girls, One Nation Under A Groove, Outlandos d´amour los directos de Cheap Trick, Thin Lizzy, Bob Marley, AC-DC y The last waltz, e incluso Grease.
Good music to bath to.
What a vibe! Every time I thought this was less than perfect, I was gripped again. Beautiful!
4 (-)
I don't mind listening to music in another language when the instrumentation is really interesting, but this was a vocal dominated album. She seems like a great singer and it sounded like there were some diverse influences on the music (bossa nova, jazz, rock etc), but this was more inoffensive than enjoyable. Also as other people have pointed out, there may have been a mixup when putting the book together since this is a posthumous compilation album with little to no information about it available online.
This does not appear to be an actual album, but from what I can tell, is a compilation of songs. I thought that was against the rules of this project but I guess the rules change depending on whether the author wanted to include an artist or not. I don't want to get too stuck on "the rules" but it does irritate me a bit a compilation can just be thrown in here. Because I am uncultured I can't understand very much of what is being sung here but I do like the sound of the music and it is pleasant. I can't think of a time when I would go back and listen to this album, though it's better than the noise rock I got yesterday.
Nice and jazzy. Didn't understand a word of it but I know she was spittin
Another entry in the “pretty but not for me” list
Almost something I really like...
5/12/24 It's not something that I understood but I appreciate the music.
very pleasant
I'll admit, I was pleasantly surprised by this one. I expected a more traditional approach to Brazilian pop music. This was anything but. Come for the powerhouse vocal delivery, but stay for the striking arrangements throughout. Really, the chord progressions and and instrumentation, especially on that classical guitar, are the stars of the show.
One of the most sonically diverse samba albums I've ever heard; every track is a new playground for Regina's enchanting voice to explore and run wild within.
Funny
чуть не дожала бразильяночка моя
This album is pretty nice, good grooves Will I listen to again: 30%
I'm not sure if this would fit the best 1001 albums, but for sure I enjoyed it. There's something haunting in the Brazilian music, at least for me. Rating 4 as I'm sure I'll come back to this when driving or relaxing at home.
I came in with no previous knowledge of this artist and I think this record will be in my rotation for the immediate future. It sounds more like 1977 than 1997, but that’s to its benefit. I almost thought I accidentally clicked on a Yes album at the start. I love love love the solo sections in O Medo De Amar E O Medo De Ser Livre.
I didn't give it to close of a listen, but could not get into the slow saxophone. Maybe there is a better album to listen to, but generally a little too slow jazz for my preference.
full stars for just the one track I have already known from this album.
Fun album. A couple songs in you pretty much have vibe. Good music to relax to
2.5
Charming, relaxing, lovely.
Musically, this was solid...just not my thing.
fun bass guitar
Note that this album was not available on Apple Music. Dull, light jazzy kind of filler music for me. The language barrier didn’t help either. Probably a very talented singer but without an emotional connection, I won’t be listening to this again.
ooo the syncopation on saudade eterna. This album has been ripping it! Though it does sort of trail off.
Loved the great samba/flamenco vibes from this album. The more soft rocky songs were alright. Really good album overall, had my foot tapping along for a good chunk of it.
Halfway through the album I realized it's from 1998 and not 1978 or something. I enjoyed the funky songs well enough. The vocals are very front and center I didn't particularly like them. It's hard for me to give a star rating foreign music so I'm just going to go with my gut.
Beautiful voice for sure. Really pulls you in (even though I have no idea what she's saying).
Fine enough. Interesting to hear a posthumous compilation on this list. She has a great voice. As a whole this didn’t stick to me.
6/10 Another total unknown to me. Brazilian samba music with pop edges, funk, r&b, maybe even slightly disco adjacent in places. Flows at a good pace, well sung, nicely arranged. But hardly forward looking - I would have guessed this was a mid-70s album not a 1980 one Overall fine but not for me Best: Vento de Maio
Not bad, but not for me. I did not mind listening to this, but I won't come back to it.
Relaxing feel good album, with very good music
Never heard of her before. I enjoyed this, especially the more upbeat songs.
Enjoyed the beats and vibes
I'd never heard of Elis Regina, but she was truly a great Bossa Nova artist. This album lacked a little consistency though. I'm assuming it's because the album is a post-humous compilation instead of a purposeful art project. Either way, most of these songs are bangers, and I would gladly listen to this album again. Best Songs: Saudade Eterna, O Trem Azul, O Medo De Amar... Worst Songs: Outro Cais
3/5
Old school, jazzy, piano, overall this was a very pleasant listen. Portuguese sounds so beautiful. Stand-out: Calcanhar de Aquiles
Good music for a restaurant.
Not confident I listened to the right music, but tbh I liked what I heard either way. Quite a few jams, and I just love Brazilian vibes. 6/10
Some fantastic songs in this compilation. Funky, proggy Brazilian bossa nova is a lot of fun
some funky Latin American songs, not really for me
Niet mijn ding, maar af en toe echt goed gemaakt.
"Vento de Maio" is a striking album by Elis Regina, released posthumously in 1984. This album is more than a mere collection of songs; it’s a deep, introspective journey that showcases Regina's artistry and the breadth of Brazilian popular music (MPB). In this review, we'll analyze the album through its lyrics, musical composition, production quality, themes, and influence while offering a balanced look at its pros and cons. ### Overview of the Album "Vento de Maio" translates to "May Wind," capturing the imagery of renewal, change, and resilience, themes often found in Brazilian music from the 1980s. The album carries Elis Regina’s characteristic vocal richness, a distinct style that had already made her a celebrated figure in Brazilian music. The album features an assortment of compositions by legendary Brazilian songwriters, including Milton Nascimento and Belchior, symbolizing a blend of poetic lyricism and rich musical arrangements. ### Lyrics The lyrics in "Vento de Maio" are deeply emotive and poetically potent, reflecting a mix of hope, introspection, and longing. One of the standout tracks, “Vento de Maio,” written by Ronaldo Bastos and Lô Borges, captures the ethereal quality of Regina’s voice as she contemplates themes of fleeting moments and renewal. This piece exemplifies the album’s lyricism, which is built around Brazilian poeticism, rich in metaphor and symbolism. Songs like "O Bêbado e a Equilibrista," penned by João Bosco and Aldir Blanc, delve into socio-political themes, reflecting the struggles of those who navigated the tumultuous political climate in Brazil. Regina’s delivery adds a sense of urgency and sincerity to the lyrics, bridging her audience with the weight of these social narratives. "O Bebado e a Equilibrista" was regarded as a symbol of resistance against dictatorship, and Regina’s rendition is powerful enough to inspire and console listeners even today. Overall, the lyrical content is layered, offering new interpretations on repeated listens. Each song tells a unique story, and Elis’s skillful phrasing brings out the emotion and nuance, creating a connection that resonates deeply with the listener. #### Pros - **Depth of Meaning**: The lyrics are beautifully crafted, and Regina’s interpretations add depth, especially with themes that continue to feel relevant and relatable. - **Poetic Influence**: The imagery and metaphors employed connect deeply with the audience, allowing personal reflection through universal experiences. #### Cons - **Language Barrier**: Non-Portuguese speakers may miss out on the lyrical depth, as translations may not capture the same essence or emotion. ### Musical Composition Musically, "Vento de Maio" stands out due to its sophisticated arrangements that seamlessly blend jazz, bossa nova, samba, and MPB influences. The instrumentation is delicate yet precise, featuring lush strings, soft percussion, and nuanced piano work. The album’s musicality speaks to the genius of Elis Regina, who possessed an uncanny ability to interpret complex compositions and make them accessible. The title track, "Vento de Maio," is a prime example of Regina’s ability to capture the melancholic beauty of the melody, weaving her voice as if it were another instrument. Each song is a unique musical experience, from the upbeat samba grooves to the more subdued, reflective ballads. Tracks like "Redescobrir," written by Gonzaguinha, show her range as a vocalist while reinforcing the musical diversity that makes Brazilian MPB so distinctive. #### Pros - **Varied Musical Styles**: The fusion of jazz, samba, and bossa nova showcases the best of Brazilian music, bringing in diverse audiences. - **Sophisticated Arrangements**: The album features intricate arrangements that suit Elis's vocal style perfectly, creating a rich listening experience. #### Cons - **Complexity for Casual Listeners**: The layered compositions may be overwhelming for those not accustomed to Brazilian music or jazz-influenced styles. ### Production Quality The production on "Vento de Maio" stands as a testament to the skill of the engineers and producers behind it, managing to capture the essence of Elis Regina’s vocal prowess. The album was produced with a keen attention to detail, with each track’s instrumentation carefully balanced to allow Elis’s voice to shine. Her vocal tracks are prominent, but they blend naturally with the orchestration, achieving an impressive clarity and emotional intensity. Recorded in the early 80s, the production does show slight limitations of the era’s technology, with some tracks bearing the characteristic "warmth" of analog production. However, this warmth adds a nostalgic charm that aligns well with the themes of the album. There are moments where the mixing might feel a bit dense, but this is forgivable given the era. #### Pros - **High Production Quality**: The engineering captures Regina’s voice and the instrumental intricacies well, giving a clear and warm listening experience. - **Analog Warmth**: The production’s slightly vintage sound enhances the emotional appeal of the album, fitting its nostalgic themes. #### Cons - **Era-Dependent Sound**: For those used to modern production, the analog sound might feel dated, even though it adds a certain charm. ### Themes "Vento de Maio" dives into universal themes like change, resilience, and identity. The political undertones are subtle but ever-present, especially in tracks like "O Bêbado e a Equilibrista." This is reflective of a Brazil grappling with its political landscape at the time, and Regina's performance transforms these themes into more personal, emotional narratives. Love, loss, and rediscovery are recurring themes throughout the album, and Elis’s interpretations elevate them beyond the typical. In "Redescobrir," for instance, she contemplates self-awareness and personal growth, delivering a powerful performance that resonates with anyone who has experienced similar journeys. The theme of renewal, inherent in “Vento de Maio,” feels particularly meaningful, symbolizing both Elis’s legacy and the resilience of Brazilian music. #### Pros - **Relatable Themes**: The album’s themes are universal, allowing listeners from various backgrounds to connect with its messages. - **Subtle Political Messaging**: The socio-political themes are impactful without feeling overwhelming, providing a glimpse into Brazil’s history. #### Cons - **Subdued Political Messaging**: For listeners expecting overt political commentary, the subtlety might feel like a drawback, especially when compared to more explicitly political works. ### Influence and Legacy Elis Regina’s "Vento de Maio" continues to influence generations of Brazilian musicians. The album’s combination of lyrical depth, musical complexity, and Elis’s hauntingly beautiful vocal performance have secured it a place in Brazilian music history. Regina’s artistry inspired a generation of musicians who sought to blend genres, explore complex themes, and push the boundaries of traditional Brazilian music. Elis Regina’s influence is clear in artists like Maria Rita (her daughter), who has carried on her mother’s legacy by exploring similar themes and musical styles. The album’s impact goes beyond Brazilian borders, as Elis’s vocal talent and emotional storytelling have earned international admiration, bringing greater attention to MPB. #### Pros - **Enduring Influence**: "Vento de Maio" remains a benchmark in Brazilian music, inspiring artists to explore deep themes and complex compositions. - **International Appeal**: Elis’s vocal talent helped bring MPB to a global audience, extending the album’s influence beyond Brazil. #### Cons - **Overshadowed by Other Works**: While influential, "Vento de Maio" is sometimes overshadowed by Regina’s earlier, more commercially successful albums like "Elis e Tom." ### Pros and Cons of the Album Summarized #### Pros: 1. **Rich, Poetic Lyrics**: The lyrics are profound, introspective, and laced with symbolism. 2. **Vocal Excellence**: Elis’s emotive vocal delivery is unparalleled, adding layers of meaning. 3. **Varied Musical Styles**: The fusion of jazz, bossa nova, and samba creates a unique listening experience. 4. **High Production Quality**: Despite analog limitations, the sound quality is warm and clear. 5. **Influential Legacy**: This album has inspired generations of artists within Brazil and internationally. #### Cons: 1. **Language Barrier for Non-Portuguese Speakers**: The lyrical depth may be lost in translation. 2. **Complexity for Casual Listeners**: The musical sophistication may overwhelm newcomers to MPB. 3. **Era-Dependent Sound**: The production’s analog sound may feel dated to some. 4. **Subdued Political Messaging**: Listeners expecting overt political commentary may find the subtlety lacking. 5. **Overshadowed by Other Works**: The album’s influence is sometimes eclipsed by her earlier, more celebrated releases. ### Conclusion "Vento de Maio" by Elis Regina is a masterclass in Brazilian popular music, blending poetry, musical sophistication, and emotional storytelling. The album’s exploration of universal themes like change, identity, and resilience resonates deeply with listeners. Regina’s vocal artistry elevates each song, allowing for a nuanced experience that connects to both personal and collective experiences. While it may not be the most accessible entry point for newcomers to MPB, those who take the time to engage with "Vento de Maio" will find it a rewarding and thought-provoking journey.
Een wat rare entry dit. Een soort compilatie-album, samengesteld ver na haar dood. Gelukkig wel gewoon te vinden op Spotify inmiddels. Ik ben geen fan van dit soort Braziliaanse Joni Mitchells. Ze is overleden aan een combinatie van coke, drank en kalmeringsmiddelen dus ze is wel een legend. Maargoed. Huiswerkopdracht. Bij track 5 ben ik er al meer dan klaar mee en dan moet ik er nog 8. Het Joni Mitchellesque zit recht in m'n allergie. Het heeft niet het écht irritante van een Astrud, dat moet ik haar nageven, maar toch kan ik niet anders dan een 1 uitdelen. Ik wil dit niet.
3.5
I quite enjoyed this album. But I have no kick against soft jazz... I've been known to dig on some Bob James, Grover Washington Jr., and yes even Chuck Mangione. (8.1) ★★★★
First of all, I have never liked singing in Portuguese that much, and secondly, this is overly smooth and boring. 2 stars
I guess this is actually a compilation and it's pretty obvious since it starts of as fairly standard MBP and turns into this smooth jazz thing by the end. 2 stars
Probably 3.5 stars because there are a couple of shaky songs mainly when some other rough random dude starts singing. Plus also because of doubts about whether this is an actual studio album. Bumped up to 4 for the site because overall it’s such a lush, vibrant listen with good melodies, good playing, good singing and smooth tangs of 80s tropical jazz synth. João Camel-approved.
3.9
Very upbeat and jazzy, it has some nice arrangements. I can't understand a word they're saying, but I enjoyed the way the vocals fit with the music, though I imagine the meaning might hit way different. Good listen, though nothing groundbreaking imo.
Tiedä mistä sitten lauloivat, mutta tarjosi hyvät vibat.
No tää oli tällanen mun korviin peruskauralta kuulostava plätty
Wow! I’m exceptionally surprised by this one. Her voice is splendid and intoxicating, maybe It’s better I can’t understand the lyrics. Then the bossa nova and smooth jazz kicks in! Tasty guitar licks, tight drum fills, and some thoughtful backing vocals. This is so well thought out and produced! The passion adds a beautiful layer on top. All around a memorable listen.
Brazil’s classy pop Funk infused bouncy music Feels warm like sunshin
One of Brazil's greatest singers, Elis Regina, showcases both elegance and power in this late-career MPB album that shows influence from smooth '80s production. It is worth noting, for those confused that Vento De Maio is a 1997 re-release of Regina's 1980 album "Elis" (she had several albums titled "Elis", but this was her last), which includes a few bonus tracks. Not a bad inclusion for the list, but feels a bit hastily included because 1. This album is not the best representation of her body of work, being most prolific in the '60s and '70s, and 2. Neither Vento De Maio nor the original Elis album were released in 1978. I do believe Elis Regina is deserving of a spot on the list, but this kind of production--while pleasant--does not do her justice. Also I see people keep calling this a compilation? I don't think it's quite varied enough to be considered a comp, plus it features every track from one of her standard studio albums, so it stands to reason this is just a re-release with bonus tracks?
A fun introduction to the style!
Some cool stuff and wonderful singing here. Prominent bass in many tracks, almost sometimes jazz fusiony parts while otherwise more MPB and bossa nova. Some really great energy for the more upbeat songs. The slower songs show some emotion but don’t captivate me as well. Decent listen worth further exploration - connected with some but not all of it. This is often how I respond to a variety of Brazilian music - I like it but it doesn’t always resonate, probably because I’m not an educated consumer of it.
Brazilian singer, late 70s. Musical style I’m not at all familiar with. 70s pop with jazz influences. A style of music I just do not enjoy at all. The Brazilian influences make it a bit better.
Again, it was refreshing to listen to something that is not British or American and not rock.
Amazon only had the single of this, not the album by the same name. My rating is for the single only.
She’s so…lively. Really giving it her all, and then some. (ntm.)
Not my favorite style, but a reason that I appreciate this project. I hadn’t heard of the album or artist, but it was thoroughly enjoyable.
A nice album to relax to in the morning, it was pretty cool! Maybe I’ll come back to it.
Insane vocals. Didnt understand a word but i enjoyed it. Was hoping for more music to dance to, but this was fine.
o.k. but not my jam. 🤷♂️
This was difficult to find, as it doesn't seem to exist on streaming (it's apparently some random compilation that came out in 1998, but the book lists it as coming out in 1979?). I eventually found it as a playlist on YouTube and had to listen to it with a bunch of annoying ads in between. I enjoyed it. Parts of it definitely sound dated — there's a lot of disco and 70s-pop piano/synths a la Carole King and Stevie Wonder, and it has its cheesy moments. But the mix of pop, blues, jazz, prog rock, and bossa nova/traditional percussion was a fun ride. She was a talented vocalist with a versatile voice, able to belt out on faster songs and bring it down to a soft croon on ballads. Her improvs and scatting on songs like "Aprendendo a Jogar" were entertaining, though they didn't always land — she definitely wasn't afraid to get wild like Janis Joplin, even if it resulted in a bit rougher of a vocal. She sounds kind of like an edgier Sade that way. I'll give it a 4/5. It's probably a 3.5, as I didn't love every song, but it was a nice change from a lot of the typical stuff on this list.
Not bad, I have no idea what they are singing about but it sounds good. Full sounding music that is satisfying to me. I will probably listen to this again although I can't put my finger on exactly why.
Yeah its ok. 2.33
Nice voice, some good music too.
Ikke lige for mig
BRAZIL MENTIONED!! Elis is arguably the greatest female singer in my country of all time! Hearing her voice is a blessing! This album has great songs and can be considered an excellent introduction to Elis's discography. I was very happy to have received this album today. Elis Regina is a pride of Brazil!
She has a very appealing voice. Interesting and enjoyable, but doesn't strike me as incredible.
Vocal Jazz isn’t my thing but Elis Regina has a fantastic voice. Felt like it should be a vinyl listening album only. Ambiance required.
OK, the story behind this record's inclusion in the 1001 Albums book needs to be spelled out, because without said book in front of your eyes, it's hard to understand what we're supposed to assess here. The Spotify link points to a 1998 compilation whose bulk is drawn from an album named *Elis*, released in 1980 (checked that in Discogs -- the tracklist of that 1980 *Elis* album is differently ordered, and omits a couple of cuts found in that later 1998 compilation -- maybe one-off singles, or songs recorded during the same time period?). Trouble is, Elis Regina released at least *seven* LPs named *Elis* during the course of her career, which is where this app probably got it confused with another album with completely different songs, also titled *Elis*--yet *one out in 1977, NOT 1978*. Unless it's the book that was confused about that release date in the first place. Just like all of us now, I imagine... 🫠🤔🙃 Not that it matters that much when I listen to the Spotify link. The four cuts either partly composed (or sung with) the legendary Lô Borges and Milton Nascimiento go from good to great (even though the cover of "O Trem Azul" pales in comparison with the natural groove of the original, found on the no less legendary *Clube Da Esquina*). Among those four cuts, "O Que Foi Feto Devera (De Vera)", with Nascimiento, is simply insane -- so driven, so intense!!! But most of the the rest has all the earmarks of the worst impulses of mainstream music in those years -- bland instrumentation, half-baked synth layers, hackneyed disco-funk rhythms, predictable electric guitar blues flourishes, you name them! -- to which you need to add a few compositions that go nowhere fast, all of them written by some different guys (except for the Borges and Nascimiento cuts). Latin jazz is still there, of course (see Rhodes piano-enhanced "Rebento" to admire its pure form in the album). And Elis Regina was an extraordinary vocal performer for sure. But too often, those assets are drowned out by the fully performative, tasteless, muzak-sounding surroundings. "Apprendendo A Jogar" works quite well in that kitschy vein, I readily admit it -- but it takes too damn long to get there in that particular tracklist (contrary to the one of the real 1980 album?). Add the confusing nature of the record we're supposed to evaluate here, as I've just pointed out again (an original from the late seventies / early eighties? a later compilation of that time period?), and the whole proposition sounds rather unconvincing to me. So nope, not this one. I suspect the sad fate and untimely death of Ellis played a huge part in this album's inclusion within the list, and I feel a little cruel kind of shrugging it off right now. But, once again -- and here I'm gonna repeat what I've written just yesterday about that Os Mutantes debut -- a list of so-called essential albums that doesn't mention Chico Buarque's *Construçao* is not exactly a steady reference point when it comes to Brazilian music. At least in my own "book". 2.5/5 for the purposes of this list of essential albums, rounded up to 3. 7.5 for more general purposes (5 + 2.5) Number of albums left to review: 63 Number of albums from the list I find relevant enough to be mandatory listens: 405 Albums from the list I *might* include in mine later on: 232 Albums from the list I won't include in mine: 301 (including this one)
Brazilian citypop, what an absolute delight. Fun and nostalgic. Not every song hit, but it was a good package overall.
No clue what was being said, or how to properly evaluate this. It was really fun though and great background music for work.
I’m not feeling it. I don’t understand it, so I kinda have to go by feeling more than anything else.
++: Sai Dessa, Tiro Ao Álvaro, Só Deus É Quem Sabe, O Que Foi Feite Devera (De Vara), Saudade Eterna, Rebento, O Medo De Amar É O Medo De Ser Livre +:Vento De Maio / Música Incidental: Um Girassol Da Cor Do Seu Cabelo, Nova Estação, Outro Cais, O Trem Azul, Se Eu Quiser Falar Com Deus, Aprendendo A Jogar 8,2/10
What a truly magnificent album. Elis' voice rivals any and the backing band is superb. So tight no matter which song. This is one of those albums you wish you knew about sooner
This is such a typcial case of "It must be good, but it's so, so completely not my style of music". 2,5/5
No es mi cantante brasileña favorita. Correcto
Day250 - another enjoyable bossa nova jazz album that im glad i listened to
not really for me
I’ve liked a lot, probably most, of the Brazilian entries on this list. This one, though… starts off with some promise, but quickly deteriorates into Easy Listening garbage. Background music for a geriatric singles cruise.
Carregado de emoção e imposição vocal destemida.
This album rocked. Absolutely beautiful from start to finish.
At first I was apprehensive, but I really like the style. Some songs are very upbeat and feel like dancing music, others are slow and sexy. More than her voice, I really like the “background” music but her voice complements it well and is pretty good as a standalone.
I enjoyed it! Especially not being able to understand the lyrics, I thought it was a good album and I would enjoy having it in the background.
I don’t understand any of the lyrics but the music is so good that I don’t need to. Great composition and plenty of funk. I read she was a Bossa Nova singer and if this is the other end of the Bossa Nova spectrum I need to reevaluate my feelings towards it. Great listen and a strong four.
This has been my least favorite jazz album we've had on the list. I typically like jazz samba, but this one didn't really offer anything. The vocals being in another language doesn't help, but it doesn't really hurt either. The whole album just fell a little flat.
Fine, specially Tiro Ao Alvaro. But I wouldn't really purchase this one.
Rating: 5/10 Meh.
This was a nice, chill album.
this was very very good, obviously the sequencing is very weird because this album is actually not an album! this is one of the very few compilation works on the list and it is super annoying that one of her solid ALBUM works didn't take the place of this one i think the music itself is borderline boring and bland at times but her voice really carries through every track 3.5-4/5
Thanks to Jon’s generous text analysis of two weeks ago, I didn’t just discount this album right away - I considered why, then discounted it. At the risk of sounding xenophobic, I believe that I have different expectations of non-English artists. I press ‘play’ on albums from non-Western climes and of different languages with an excited expectation of discovery of a new-to-me ‘otherness’. I’m looking for expansion, even just a little. This album was 70s soft pop with lyrics, while sonorous in a Romance language, I couldn’t appreciate beyond feeling like Captain & Tennille had learned Spanish in a futile attempt to seem less bland.
Wow. This is why I love doing this with all of you. Never would I have chosen to listen to this on my own. What an amazing earful of Brazilian musical joy! My limits in understanding the words of these songs allow me to listen to the voices as pure instruments... What's weird is that this wasn't a studio album of hers when she was alive...so I'm not sure what to do with a best of collection...as it's likely a curation that depends on receptions rather than artistic intentions... Her story and fire and tragic early death intrigue me and lend an energy to the music that makes me appreciate her drive and accomplishment all the more... One thing this album has reminded me of is how music markets, like the internet, are still so provincial and exclusive. A lot of this has to do with language differences, but is still a poignant reminder that we are not exposed to global sounds and talents as often as we should be. And the persistent perception of East vs West global hemispheres continues to excludes our potential exposure to the global south.... I'm grateful for this listening opportunity.
An album and artist i’ve never heard of before. It took me a while to find on Apple Music until I realized it’s not really a true album but a mixture of two and was then released in the early 80s and 1978. Her voice is great and weirdly reminded me a little bit of feist for some reason. The music was good, but it really didn’t really grab me. I don’t think it would be album that I’ve ever revisit again but nice to have exposure to music I normally would listen to.
Fun first listen. Too bad I don’t speak Portuguese, but it doesn’t matter. What a great voice!
I was a little nervous at first. I have a weird relationship with most live albums. There’s very few that I like, usually presuming studio versions will always be better. Better produced, solid and controlled (recorded) artist performances, etc. Considering I feel live music can be a religious experience at its most sublime, it’s a bit of a kooky personal quirk I admit, but I’ve always had it 🤷🏽. This kinda shattered that bias; it’s well recorded and you can hear the energy of the audience, one of the best traits of live albums when done well. And the music drew me in. I’m not as blown away as when I first heard Jorge Ben, but it’s clear after a few albums now I need to dive deep into traditional Brazilian music.
Very fun album! Not something I would find on my own, but similarly something I will probably not return to. 3/5
A pleasure to hear, inspiring the saudadesque hope that in a future life one's soul is reborn in Brazil, where can be a samba-listener and lover, futebol-watcher and full-time caipirinha drinker.
I think we conclude from this project that Brazilian music is not my thing Though she sounds great, I just can't find my way in
Ihan jees!
New to me. Nice.
Ok song.
Bossa novaa. Hyvä fiilis kappaleissa ja tosi tyylikästä. Parhaat: Vento De Maio, O Medo De Amar... jne, ja vika :D
Wasn't expecting this. I've become a fan of Brazilian Jazz styling in the past while and I'm always seeking out artists I haven't heard before. Nice soothing sounds, she has a top notch voice and the modern take on Samba is a refreshing change. Enjoyed this, will definitely seek out more past works from Regina.
I understand the appeal of Elis, for the time and for Brazil, and I the production and quality of the music is such that I can understand why others outside of Brazil would also like it. However, I found it mostly boring and only one or two songs really stood out to me, in the moment. So, unfortunately, it's just not for me, though I definitely did not hate it or have any active dislike for it.
I loved this. Would love to know more about this album. Kinda feels like a great st hits. She’s great.Really liked the parts that reminded me of 70s fusion!
I really dug this and saved it to listen to again later. Arrangements were super interesting.
I liked this a lot and I ended up listening to her other stuff and liked that as well
I was excited by how eclectic and diverse this was and then found out it's a compilation album. But still, a new artist for me to check out!
- Erster Gedanke: "Och nöö, bitte nichts portugiesisches..." - Zweiter Gedanke: "Ok, das ist ganz nice und moody af" - Beim zweiten Gedanken blieb es auch. In der richtigen SItuation ist das Album bestimmt super stimmungsvoll. Mir hats so bei der Arbeit auch schon sehr gut gefallen. Vor allem ging es über "fremdsprachige Hintergrundmusik" hinaus. 3,5/5
This was great
Some great, some too full on for me today. But maybe ok on another day. ¯\_(ツ)_/¯
This was a nice surprise, although it sounds like the author of the book fucked up and put the wrong year and included a compilation album. 3.9 stars
This one was a nice surprise!
5/10 Ok. Thanks. 7-30-2024
Makes me feel all summery!
I like samba. I like bossanova. I like chill music. that album has everything. 4.5/5/
I would never put this on by myself, but if someone else did I'd not complain at all. Had no idea of this person or their sound
Cool to hear a Portuguese album that isn't strictly bossa Nova. Don't get me wrong i love some bossa Nova, but this was a lot of fun to hear the different styles and rythms.
Some vibes transcend language. Loved the production on this, and Elis has a beautiful voice.
Wow what a beautiful album. The instruments captured my attention immediately, and they're pretty consistently great throughout. Her vocals are so beautiful too, they work really well together.
Love that brasileira tenderly
Not baf but not for me
Kind of interesting and chill, but also very late 70s.
A little hard to engage with since this is primarily just singing and I didn’t know what she was singing about. It was pleasant, though.
3.5. Interesting to hear something different, in another language, nothing too spectacular though
imagine listening to yacht rock with a charismatic female vocalist who sings in portuguese. well, that’s exactly what you get with this one. and i am here for it. the songs are intoxicating and she is a very gifted singer. great album.
This album seems to be really obscure. There's more notable albums by Elis Regina. I'm not complaining, "Vento de Maio" is a really good record. Another classic gem uncovered today. This is my first album on this list recorded entirely in a foreign language. I'll give it "Vento de Maio" 4 stars.
I find irgendwie me merkt dases nöd es album isch. Würi wohrschinli nöd sege wenni nöd wüsst dases e compilation isch aber jo. Alli songs easy guet
vento de geilo. huuuuuere geil. sai dessa sooo funky mega city pop. tiro ao alvaro macht mi seeeeehr happy. so deus e quem sabe sehr spooti 70er brazilie type beat meeega geil. afoch chrizzo aber isch au brazil. booooah cha sie singe o qur foi feto goht jo huuuuere looooos. nova estacao. huuuuere schöni gitarre sache. saudade eterna huuuere funky ich gspür lincoln olivetti. ah er isch gar nöd debi? outro cais huere schööööön. rebento isch au zum brüele schön. bruuuudi klavier bruuuudi sie beltet. blaue zug goht au duuuuuumm aprendendo a jogar macheds DIGIDIGIDIGIDIGI DIGI DA huuuere geil.
das wo de luca seit
Can see how it's good but not for me. 51/100
For those wondering, it is now on Spotify so it is easier to find and listen to. Was expecting something more upbeat and carnival style but it kind of morphed into cheesy smooth jazz which isn't my thing. Was kind of disappointed with this one.
Wow, what a dynamic voice. Even on songs where she was singing the background in certain parts, like in "O Que Foi Feito Devera (De Vera)" it stood out more than the person singing the lead. At first I thought the songs were a little dated, but then I kind of got more into it, realizing that that was the feel, being bossa nova. I dug it more and more. I liked the songs that were more out of the box, like "Saudade Eterna," that were very funky. The vulnerability of "Rebento" and "O Trem Azul" was very stark. I really enjoyed that. Such a robust, amazing voice. Definitely an album I would have not come across on my own, and will come back to again. Top tracks: "Saudade Eterna", "O Trem Azul," "O Medo De Amar E O Medo De Ser Livre", "Aprendeo A Jogar"
Seems like this isn't exactly the right album for Elis Regina that is in the 1,001 book. It's close and has all the right tracks (plus one extra) but in the wrong order. I guess Vento de Maio (officially a compilation) is easier to find on Apple Music or Spotify. I'm not sure the order matters that much given the constant style changes on this album and that it's not a concept album from what I can tell. I listened to both song orders and either way it was just okay. I found the most up-tempo songs like Sai Dessa or Saudade Eterna (aka Calcanhar de Aquiles) sounded a little corny, like the musicians were trying too hard. Except for maybe Aprendendo a Jogar - uptempo but cool beat/sound. Generally, I liked the songs that started softer and built up to a climax, particularly Rebento - used a Celine Dion kind of trick but with a Billy Joel sound to the piano. O Trem Azul was another. Honestly, I was reminded a bit of Steely Dan and Donald Fagen's stuff with the embellished jazzy sounds. Not quite as good. But decent.
Cool music from someone I had never heard of. Sad that she died so young
Really enjoyed this. Was not expecting this out of 1972.
Music was nice but man did the book mess up this entry.
Nice voice, didn't hit me much... foreign language, old style format.
It's okay.
An enjoyable album that I probably won't listen to again since I don't like listening to music on YouTube, which is the only place I could find that had it, and even that wasn't easy. The singer has a nice voice and the music is energetic. I don't understand the lyrics, but that's OK.
Hmm, it worked not for me
This was decent, situational music. Not something I would ever reach for but in the right situation it’s above average for its style.
I can bossa my nova with the best of them and this one was an enjoyable listen. On the front end the sound seemed more traditional and immediately transported me to a dark sweaty club in 1960s Rio. But the second half of the album seemed to jump straight into smooth jazz sounds of the 70s and made me feel like I was listening to the Brazilian version of Soul Train. Not a bad thing when you have a voice such as hers…
I didn’t spend a ton of time with this one. A few tracks I dug, but overall not sure why this is a must listen
Perhaps it’s my ignorance or laziness to not learn more about this…but yeah, it was fine. Interesting listen. Nice voice but to be honest I didn’t understand a word of it 😂
This was enjoyable listen. Prob better while chilling in Rio drinking a Caipirinha but hey we can’t always get what we want. Very hard album to actual find. Best I can tell what I got was a compilation that had most of the tracks. Always, good times. 2.75/5
Unfortunately, as a sheltered American I have only knowledge of the English language, so I couldn't understand the lyrics, but I could *feel* them. In all seriousness, a good exposure to someone and a genre I would never listen to. Overall enjoyable.
Being a fan, I must give it a 5, but it's a pretty strange choice for a list like that to choose this album instead of almost any other from Elis' late years. This album misses some of her more outstanding qualities.
This was a nice find
Beautiful and surprising album, a gem that is not even on spotify!
easy listening. beautiful voice. not really my type of music but i could listen and be content.
Not my cup of tea but a very well made record in the Brazilian tradition
Not for me
sounded good but i don’t gravitate towards it much, really good voice and great energy though
Glad to have heard this. Not my thing but I enjoyed it enough.
Really good to listen to something outside of my usual places to go to. Her voice was incredible, both gravelly and soft. The music was obviously good but it didn’t do much for me.
This was super fun
Very fun. Madi described this as Brazilian Abba
Like a summer breeze. Some of it is light and airy, some of it is jazzy and funky, some of it is smooth and sexy. She’s a great performer with nice range. Wow, this last track “Aprendendo a Jogar” is fantastic! I was on the fence about rating this a 3 or a 4 but this song is pushing it to a 4 for me. Love ending on a high note!
I'm having a great time with this one. Beautiful blend of impressive performances, tones, instrumentation, production, and composition. I do find it to be difficult at times to have that immediate connection with music that is in another language; I know I'm not unique in this, but I tend to listen to this list while I'm doing something else and I don't often go to seek out a lyric unless I don't understand it. For this I would definitely have to be following a lyric sheet to pickup. That's totally OK though, I just recognize that the voice here is more like an instrument that is scatting through a song. This was super enjoyable and worthy of being in some of my rotations.
Something funky and energetic in the music, and this woman's singing is amazing.
I read about her a bit, and she sounds...a lot more interesting than the music she makes. This was perfectly acceptable Saturday morning fare, but just a bit on the dull and repetitive side to warrant further listening.
4.5
No idea what she was sing about but she did it well and her band wasn’t half bad either
Really enjoyed the music and the listening. The singing being in Portuguese makes this an album I might not come back to often, but it gave me Brazilian Anita Baker vibes. 3/5!
A genuine joy. Had never heard this before. Amazingly enjoyable, but what a tragic story.
Type of music you hear in like a waiting room or something, Chill
Another “this was fine but not my favorite”
This is similar to Bebel Gilberto (not in the 1,001), who I like better than this, but this was quite good overall. Never heard of the artist, would listen to again.
I listened to the whole album, but it was a near thing.
Yes this is a surprisingly enjoyable listen in a genre I don't listen to and in a foreign language (to me). Beautiful singing and surprisingly contempory-feeling arrangements. Solid 3.5 really.
Przyjemne. Chuj wie o czym śpiewa, ale jest dobrze się tego słucha. Jest w tym pewna lekkość i dobry nastrój. 4/5
This album made me feel like I was in someone's grandma's house while I worked out, in the best way. There was that Mario Kart ass moment in O Trem Azul but so much cool stuff going on. Just great music
Felt like I might enjoy if I understood the lyrics.
Pretty fun
Not sure what she’s saying but it sounds fun
Meh.
My reception of this record may have been marred by the day it dropped. It was good, but too long and I was distracted. Since I don't speak Brazilian Portuguese it was doubly difficult to be drawn into its world. That all said, Elis Regina has a wonderful voice and I'm generally into late 70s popular music. The record probably deserves more than 3 stars, but I rate based on how it was received.
Wow, what a powerful voice. I don't need to understand what she's saying to appreciate the emotion behind it. She has some insane precision with her vocals too. The sparse instrumentation really lets her voice shine.
Lively with a wide net of genres. Has some bluesy, ballad elements, and some energetic vocal performances. Overall solid. Favorite tracks: "Vento De Maio", "Aprendendo Jugar"
Vento de Maio Despite the furore, tumult and uproar about the nature of this being a compilation I listened to it as is - it’s on the list, it’s getting listened to and getting ticked off. She has a nice voice. The music is fine, but quite cheesy on occasion. Not keen on the bass. I liked So Deus E Quem Sabe, but I didn’t notice anything else, it all just went by quite forgettably. It’s not unlistenably bad, but it’s so middle of the road and lightweight it’s almost as if it doesn’t really exist. Without her voice it might disappear entirely. I really can’t think of anything else to say. Still better than Christina Aguilera ⭐️⭐️
The overall vibes of this whole album was just artsy people who are also hipsters and use special homemade soap. It was overall alright having this in the background but a bit meh. The one song that was decent was O Trem Azul but the whole thing was also in Portuguese, so it's just meh.
Bossa Nova ? Not my style
I started this yesterday, got halfway through, picked it back up today thinking "hm I don't even remember what this sounded like, but I don't remember it being bad so it's probably going to be a three star affair?" but immediately got into the groove! Fun! +Ky! Listening back it was the ballady business that lost me a bit but excited to get to know this more.
This was pretty cool
Nope
There are better Elis Regina albums out there but it was OK
Idk what she saying but she’s right
Don’t speak the language, but enjoyed it tremendously, would go back and listen again with better headphones.
Could not listen. Not on Spotify.
Hard to find, just as hard to judge.
Great energy. Great voice. Now I just wish I knew what she was saying.
Loses a star from me due to Portuguese being quite hearing to listen to
extreeeem gut. Vor allem für Abendstimmung. Bin richtig begeistert
SHORT version A wonderful voice and exemplar of a style and basically 3 decades of Brazilian music but this album from a very popular master is merely “good” and it lacks power, passion and commitment - its relaxing easy listening but I was left craving more and went to listen to her more popular works instead, as I wanted to experience her warm and sweet voice when she is ***really going for it *** (this album sounded somehow lazy or flat to me). If it got your curious , then check out her beautifully painful Suadade for some music tourism I was however amused by her album titling methods. That Magical south american disconnection from linear reality - ah chaos ;-) The end it is good - like a Brazilian Carol Carpenter - but I sense so much headroom in potential. It might be what happens when anticipation is just too great before hearing something first time?. Mea Culpa? LONG version It's Friday ! What awaits? Hopeful and expectant I read up on the musical adventure of the day. Ah!! Finally some more World music, a Brazilian artist who defined a style (BMP) and has more than 30 albums. Elis Regina 1945-1982, the singer, the legend, the film, the tragedy and legacy. I knew none of this before today. How so? This is her final studio “album” released a year after her appearance at the 1979 Montreux Jazz Festival (tantalisingly available as a live album) , and after her album of Saudade (a very special portuguese song from of longing and pleasurable heart ache), and she would have been at the height of her popularity and powers. The Brazilian went nuts for her - thats plain to see. But elsewhere? Technically the title used for the 1001 list is not actually an “album” she released - but this minor crime is forgivable, as you will see. The chronology and album title aetiology, as best I could tell from internet sleuthing is: (1980) “Elis” with 9 tracks which was reissued as (1983) “Elis-Vento De Maio” with 10 tracks which went on to become (1997) “Vento De Maio” - is the next reissue - a 1997 CD with 9 tracks in different track order + 4 bonus tracks. (2002) “Elis” - back to the original title now, the 1980 version was re released as CD with 9+4 additional tracks Confusing. Why such chaos? Oddly, Elis called many of her albums simply “Elis”; fully seven of her studio albums have this name: her 3rd (1963) , 6th ('66), 10th ('72), 11th ('73), 13th'(74) 15th ('77) and 18th ('80). Which makes me wonder how Brazilian record shops and libraries work - or was she a fan of the magical realist Jorge Luis Borges? To The music: finally? Let’s do this. I spin this disc and its okay. She seems to sing-speak making it all sound so effortless and gliding. The vibe is lazy yet relaxing and works fine... but is it the key changes that sound like false notes from time to time? Still, its breezy bossa nova and all that - I am searching still for a track that I “adore”. Some dancing music, then some longing Saudade vibes, some playful duets Well produced, tight, clean, good pace and very consistent but EVERY song is good- and nothing blew me away on this album. There are teasing moments of playful instrumentation on the opening of tracks- but then nothing happens... frustratingly it goes nowhere each time. Its session musicians doing accompaniment for her voice. I wanted more. Her voice is lovely on some songs but she doesn't highlight its warmth and richness quite enough - it lacks intimacy and passion , but you sense it was in there some there - which is even more frustrating ! It turns out, looking deeper, from a streaming popularity standpoint we are in the doldrums here mostly - these tracks are not her most listened to tracks. And there are albums that sold a million copies back in the day. So what is it about his album?. I enjoyed her voice most on “so deus e quem sabe” and the playfulness. Also a torch song and something tending to Saudade in style, and plenty of easy lobby style bossa nova “easy listening” - I definitely really like but I don't love this - and I am trying hard, looking for a track to favourite.... Still, I want to solve this album mystery. Why is it here? Legacy? Or the strength of the album? Did someone go to Rio? I will go looking for the following: Her best live performances. And her most popular tracks (those will 1 Millions+ streams) . I will report back. As this is pissing me off. Ok Im back., there is more power in her top tracks and more of the Saudade (beautiful tragic pleasurable devoted lovesick elongong) going on ... Call me a tough marker, but I can only give it a 4 and I am not swooning as I expected. And here for sure, I feel she “is not working to her true potential!
If I owned this, I would not know where to file it. It’s not jazz, despite it’s nods to bossa nova. It’s just a bit too mainstream for me, but it’s not offensive. I didn’t mind it but I’d never listen to it again.
This feels like Dimery wanted to include some more music from Brazil, so he looked up a list of "famous Brazilian singers", and picked one, and chose their only album on a major label. But the links on the website seem to go to a 90s compilation, and it was hard to track down the right record because she released six different albums under the title 'Elis'. But I did not find this album particularly compelling or even enjoyable. She has a great voice, full of character, but the backing tracks were over-produced and charmless. In searching for the correct album, I stumbled through some of her earlier material, which was more simply and warmly recorded, which gave a much more sympathetic staging for her vocals, and was more enjoyable to my ears. But it was pretty generic 60s/70s Brazilian pop, and I'm still not why this is on a "Must Hear" list. I didn't feel like I gained much from listening to this record.
I AM SO GLAD THAT I DIDN'T SLEEP ON THIS FOR IT NOT LOOKING LIKE IT WAS ON SPOTIFY THIS GOES SO HARD
Enjoyable listen, great voice. I found myself vining with the more upbeat tracks. Favourite track, O Mendo de Amar was my favourite track, seemed to have the most as far as musically going on. 3.5 stars
This is the great thing about this album project - finding great music that you wouldn’t necessarily know about! Great singing and hip groove, 3.5/5
4
Not in English. 1/5 Seriously, though, this was an enjoyable album. There are nice melodies, and every song is at least good.
Couldn't locate this album. Seems like it's a combination of multiple albums. Skipping this.
some songs have a bossa-nova vibe to them, others sound a bit more funky, but the guitars are nice overall. I'm not crazy about this though, since I don't understand the language and all, I value lyrics in music personally, the delivery is nice i guess though. I'd rather listen to Getz/Gilberto, I know it's not the same type of music, but i feel it's kinda similar, to me at least (I might be ignorant).
1. vento de maio - 1 2. dezza - 0 3. alvaro - 1 4. quem zabe - 1 5. de vera - 1.5 6. nova eztacao - 1.5 7. eterna - 1.5 8. caiz - 1 9. rebento - 1.5 10. trem azul - 0 11. o medo - 1 12. falar com deuz - 0 13. jogar - 0
Not as soulful as her early works, the bossa nova genre was dying at this point and this project did little to save it. Nothing new said, little new gained. I enjoyed it, though. 4/5
Great songs to play in the background.
Jazzy Latin feel
I hope some of her other albums are on the list because I like them more, especially Falso Brilhante
3.5 за латиноамериканские гармонии и за португальский язык
I enjoyed this. Wasn't familiar with this artist beforehand but I loved the funky and jazzy instrumentation in the background. Neat!
Nice, chill relaxing, she has a great voice
Mjög næs, fíla þessa rödd.
Didn’t listen to it all but it was nice enough
This was pretty nice. Feel like Brazil is quite well represented on this list
Onneksi vähän menevämpää kuin bossanova muttei liian viekkaan jammaavaa jazzia. Elis Reginalla on miellyttävä ääni. Portugalin kielestä aina tähti, laulettuna viihdyttävää. Biisit (melodiat) itsessään aika lailla mattoa.
Tiedätkö, loppua kohti tämä menee kohtalaisen siedettäväksi. Mutta esim. Saudade Eterna:ssa on inhokkipotentiaalia.
Ĉi tio estas bela.
Rather likeable. Great voice and some Dyerly Dan feels in the music. Shame it's a compilation but will explore a bit more.
definitely not my cup of tea... but i can't say anything bad about it... there's slow pieces, uptempo songs.. bossa nova, pop, psychedelic ... indecisive
Despite the language barrier, I found myself really enjoying a lot of this music.
Very nice to listen to, though it’s not what I would usually listen to. Makes me want to learn Spanish!
This album really straddled the line between Bossa Nova and modal jazz very well. There were moments that sounded like jazz fusion and utilized electric guitar driven melodies and interesting rhythms. This gives the album a forward thinking feel while still being rooted in traditional music. The musicianship was fantastic and the singing was great. Overall, a really fun album to listen to.
Reviewed 1980 Album Ellis, which as best as I can tell is what this album is referring to.
Lovely
A very enjoyable funky listen, but the songs really differ in quality too much to call.this a good album
It’s flavourful, but not of a flavour profile that I crave.
Two Brazilian artists in a row. I like this one better. Solid pop music that sounds good in any language.
This album is actually called "Elis" (1980 because all of her albums are called Elis), the last studio release before her death. The cover shows her face laughing and opens with "Sai Dessa". This album on this list is a re-release from 2 decades later that reshuffled the track order and included the track "O Que Foi Feito Devera."* Labelled as the umbrella Brazilian genre of MPB, her style is a form jazz fusion that combines pop, soft rock, funk, samba, and smooth jazz to provide a form of easy listening lushful music that emphasizes her expressive vocals and long, lush funky and jazzy instrumentals. It's the kind of easy listening to could put on the background while cruising through the city, similar to Japanese city pop. It's a fine piece that experiments quite a bit. It's a product of its time and doesn't do anything game-changing, with several forgettable tracks, but I was surprised at several points in the record. With a lot of jazz fusion albums, the instruments try to follow too closely to the vocalist like accompaniment, which limits its scope and causes it to re-use tricks. Favorites: O Medo, Aprendendo a Jogar, O Trem Azul, Vento De Maio * "O Que Foi Feito Devera" was originally released on Milton Nascimento's Clube Da Esquina 2 (1978) which is the sequel to the MPB landmark from 1972 that's also on this list (one of my favorite Brazilian albums of all time). And as you'd expect, it's so stupidly out-of-place. I'd identify it as tropicalia. And with how dreamy and psychedelic it is, it has no place with all these upbeat jazz songs. It's crazy and messy but very fun to listen to, and her voice works well.
Enjoyed the craftsmanship of all the musicians. Pretty traditional sounding stuff.
Easy chill
Not my bag
Not for me, I usually like world music, but wasn't feeling this one.
Awesome music. Could groove to this all day.
Music moves effortlessly as samba should, but has a bit extra
First song was fun What followed...not so much
This was pretty good. For some reason this was a little tougher than other world music to get fully immersed in because of the language difference but musically and from a singing standpoint this was good.
Pleasant surprise
Vento de maio 2 Sai Dessa 3 Tiro ao Álvaro 3 Só deus É Quem Sabe 4 O que foi feito devera (de vera) 2 Nova estaçāo 3 Saudade Eterna 3 Outro cais 2 Rebento 3 O trem azul 2 O medo de amar É o medo de ser livre 4 Se eu quiser falar com deus 3 Aprendendo a jogar 4
Awesome. Thanks.
yeah go cinco de mayo
Alfa
Bossa-nova brasileña. Me ha gustado. Un 4.
Samba, bossa nova tranquila. No me gusta este tipo de música, lo siento.
Ehhh
This album is alright. Music is pretty good as well as her voice. I could see this being nice in the background in certain scenarios. Is a a must listen? No. But pretty good. 3/5.
Actually surprising. Cant understand most but this is an amazing album with a LOT of influences and variety. Samba, flamenco, funk, bossa nova, bolero, indie and other types of music. Very diverse, the producer killed it also mixing is great and sounds amazing. Very refreshing and relaxing
This is extremely listenable. I didn't know how easy it would be to listen to if I don't speak the language. The band ensemble also flows really well; they are laying down some great sounds. I will definitely listen again. 4/5
Gosh no.
Today's album is a posthumous compilation album. Elis died of a drug and alcohol overdose in 1982. She was only 36. She was apparently hugely popular in her home country of Brazil. 15,000 people attended her funeral. The album is super experimental. Not your typical samba/jazz record at all. There are aspects of everything from psychadelica to yacht rock to funk throughout, all while maintaining that heavy Spanish influence. It's very interesting. Elis had a beautiful voice. Favourite songs: Aprendendo A Jogar, O Medo De Amar E O Medo De Ser Livre, Sai Dessa, Saudade Eterna, O Trem Azul, Nova Estacao, Tiro Ao Alvaro Least favourite songs: Rebento, Outro Cais 4/5
Interesting sound. Would like to listen more
Sort of easy listening, lounge type songs. Not bad, but not my preferred flavor of Brazilian music. 2.9
I’ve never heard to much non English language music before but this was not bad, it had a somewhat modernish pop or maybe slightly progressive feel to it for an album that was released in 1978.
I’ll admit it, I have absolutely no clue what’s being said here. But this album makes me feel happy and that’s all I care about. Beautiful vocals, and Instrumentals. Just good vibes man.
The world works in mysterious ways. I just started reading a Brazilian book about a man who has died and has full prospective on his life and begins to speak on life and the delusion of dying and wanting more time. How fitting for this compilation jazz album from a jazz artist who died far too soon. To extend the book story I started reading it and will now have this record in the background as it fits perfect, and I loved every second of this compilation with the beats and the vocals. Music is truly transcending all barriers. I love it. I am getting a bit emotional during this review not but I must give this a 5
Rating: 8/10 Best songs: Vento de maio, Sai dessa, Tiro ao alvaro, O que foi feito devera, O medo de amar e o medo de ser livre, Se eu quiser falar com deus, Aprendendo a jogar
Lovely music
Pretty nice overall.
Wasn’t familiar with Elis Regina before. While not crazy about much of this album, appreciate the opportunity to learn about her life and career. Digger the funkier stuff here, like the last track. From what I’ve read, this is a curious choice for the book. It seems to be a hastily thrown together compilation. Another questionable choice by the editor here. I mean, it’s fine but doesn’t seem like the best choice for this artist.
I wanted to like this, but it felt too commercial and calculated for my taste.
Wspaniała Brazylka
Better than I expected. "Se eu quiser falar com Deus" is my favorite :-)
An album that I don't even know is the right one. this supposed must listen of an album is hard to find on the streaming sites. I'm not even sure I listened to the right album, but I've heard enough to get the gist. I never would've guessed that pairing samba and funk would be an interesting sound but this is okay. 3/5.
Straight vibes - 8/10
Pretty solid. I was kind of stuck on whether or not I liked this album after the first 3 songs but I feel like the point of this is to explore new music, and I shouldn't be overthinking these ratings so much. Overall good vibes plus learning about Bossa Nova
This was a solid album imo. Nothing crazy ab it but it sounded good. Prolly wouldn’t turn it off but also idk if I’d choose to put it on bc I think there’s other albums that appeal to me more 7/10 ca->pa rating #5
Pretty good! Very smooth. Nothing crazy. 7.5/10
7/10 - It was quite enjoyable. It completely caught me off guard by how vibey it was. I do not know how much I will revisit this but it was a fun listen.
Didn’t expect to like this one but it was pretty enjoyable, nice and upbeat, 7/10
Not at all what I expected, but pretty good 7/10
3.7
Far out. Vibe and style are crazy.
Elis Regina has a beautiful voice, and will be my go to when I need to hear some Brazilian Bossa Nova. But I’m not sure when I’ll ever get that feeling to hear it again.
Really enjoyed this and could have listened for longer! I enjoyed the hybrid of afro cuban jazz, funk and bossa nova. Had never heard of her.
Dug this, wish I could understand it but there was a lot to like regardless. O Trem Azul stood out to me.
Funky bass lines had me from song one. Strong lyrics and good grooves. Liked this one a lot.
Nice Brazilian Jazz but not an essential album by any means
Had no idea what to expect with this but was impressed! The disco-y tracks worked just as well for me as the more traditional tracks.
Transported me to warmer climes (or on some occasions, a lift).
Me gustó aunque es una compilación, pero considerando que en la lista hay demasiados discos de country, éste se queda.
Twas good, but honestly didn't really wow me. Looking at her list of albums, it seems like she just pumps out huge amounts of content. At that volume, I imagine it's hard to really keep the quality up.
It was ok. I saved two songs to my playlist but for the most part wouldn’t relisten to the album.
A random compilation from 1998, so not sure how it's listed as a 1979 studio album. Despite this, the upbeat tunes are infectious and joyful, and Elis Regina's voice is great. I originally misread the title as My Wind, which would have been a bold choice. Rating: 3.5/5 Playlist track: Sai Dessa Date listened: 17/02/24
It's in a foreign language?
I would have liked to drink bourbon in a smoky bar & listen to Elis Regina!
Love this, reminds me of Carly Simon. Jazzy, but with cool rhythms.
Samba, bossa nova tranquila. No me gusta este tipo de música, lo siento.
Some incredible bass playing, and there are some very exciting points on the record. Nice to listen to!
Not for me
Ever played persona 5? This is persona 5 music but in Portuguese. I had fun listening.
Voice and music too dated, singing a bit too cabaret for me.
I enjoyed this album as "nice background music". Without being able to understand the lyrics, I could only follow the music itself. Title track was really nice and made me want to be on the beach. Nothing stood out or seemed particularly memorable. In six months, I expect I won't remember even having listened to it.
Overall, I can see the appeal but I don't think it appeals to me. It is a light, airy, live sounding (is underproduced a word?) vibe that I could see having as quiet background music but I'll probably never choose it. Worth noting the 2nd half of the album was better. Track by track: 1 - Feels like an intro. The vocals and light accompaniment gives me a musical vibe. 2 - That was OK. 3 - Another track that has a live sounding, light sound. It's fine but so far it isn't grabbing me. 4 - Maybe I'm just not in the mood. This is putting me to sleep. 5 - I didn't really like it. 6 - More of the same 7 - Picked up the tempo but I still am not intrigued. 8 - More of the same 9 - This is a little different. Some nice "lounge piano" to kick us off. Has this been lounge music the whole time? 10 - Don't get me wrong, the vocals are impressive. This may be my favorite track so far. 11 - We are a little funky here. I've liked the last couple tracks more than the first nine. 12 - The vocals continue to be fantastic but the music as a whole just isn't in a super listenable for me. 13 - An OK track. Not really my thing.