Reviews (page 5 of 8)
למה כל שיר עשר דקות של אינסטרמנטלי
This is, by far, the WORST ALBUM I have ever listened to. This is 41 minutes I will never get back in my life. This is horrible, avant-garde garbage in a music costume. This album and any works by this band belong on the "Never Listen" list, not 1001 albums you must listen to. This album should come with a warning that it has the musical qualities of a pack of cats being run over by a steamroller, accompanied by 1000 toddlers banging on various preschool instruments randomly. If I could rate this a zero, I would. My Rating: 1/5
And you thought Kraftwerk was the only German band to crank out ambient, meditative music.
Rätt skön vibe att ha i bakgrunden, påminner lite om våra jam
It's very avant garde and leans towards prog. So yes it might upset a few people. Not me. I loved it. Absolutely brilliant albeit strange and fascinating. It's a trip but this could be made today and sound modern. This is the type of album that belongs in the book. Not commercially popular but an adventurous ride for those willing to dare take it.
good but nothing outstanding, I enjoy the synth + guitar compination
Reminded me of a futuristic soundtrack for a Cheech & Chong movie. Super chill, with an almost Latin flair. The songs were super long but I really enjoyed this.
Endless music over and over. Sorry just don't get it
Made in the 70's, but this legitimately sounds like ambient/chill wave music released today. If you need some good background music, look no further.
I didn't hate this as much as the other album, but songs should not be over 10 minutes.
As I progress through the list the less tolerant of shit like this I become.
Hardly anything exciting, though it’s decent enough in spots.
honestly just 40 minutes of weird noises and ridiculously long songs
Interesting
Liked it more than I expected to
4 songs in 40 minutes. This is brilliant.
I don't get it. Nothing against it, I just don't quite understand it. 5
1. future - 1 2. zpray - 1 3. moon - 1.5 4. air - 1.5
очень интересное звучание
I imagine Radiohead listened to a lot of Can
Really good early jam band type stuff - or at least it was to me. I dug it.
I understand what they're going for but it's just a little too muted and single threaded.
Overall: 5/10 It feels weird that I didn't like this too much after loving Faust yesterday (it's been a krautrock weekend). I appreciate what Can is doing with their music but it's not pleasant for me to listen to beyond a few really great moments. Maybe I'll come back to it at some point cause I'm not sure why it didn't click with me. Fav Song: Future Days Least Fav Song: Spray
solid. great for watching pool water ripple
This isn't something I'd normally listen to, but I really enjoyed the spacey atmosphere. It felt a bit like being transported to the future. I'm not a music junkie, so I don't quite get the intricacies of this album, but I think I understand why it's on this list. 3.5 stars
Ouuueeeee Das is Mal was süßes
Psychedelically pleasant listening. 3/5
Really love Moonshake
Im starting to think i dont like prog
I expected a futuristic album that sounded hilariously dated, but surprisingly it's not. You could have told me this was released this decade and I would have believed you.
3.4 5x
An ambient, relaxing, chill, rhythmic soundscape. It’s easy to listen to and enjoy. There is a review on here praising the drummer and stating that he is better than other luminary drummers of the era that are world famous. As a drummer myself it took me many years to understand what it was about all the drummers people love and how to play more like them. Once I discovered the secret to all of them, the illusion of mind blowing drummers (and drumming itself) was kinda ruined for me. Here’s the trick that they all do…..They all play syncopated 16th notes nonstop between their whole kit. Take your hands and play along and you will find they are just playing 16th notes the whole song without stopping, sometimes throwing in a quick fill of 32nd notes here and there. 16th notes nonstop doesn’t impress me anymore. I enjoy drummers who let the music breathe and play for the song. This drummer just plays 16th notes constantly and it’s the reason why I can’t give the album 5 stars.
Day407 - i like the experimentation but not something i would return to
Retro-futurist dreamscape tracks, crafted in an abandoned European workshop by art nouveaubots.
I need this on vinyl.
Un mood muy particular. Bueno para trabajar y concentrarse. Quizá lo revisite pero no rescato nada para mis listas. Nota: 2.7 y pongo 3.
Alright this took me on a whole ride Track 1 - music for drinking wine to Track 2 - Trippy music that feels like you're in a colourful trance Track 3 - it's giving "drinking out of a coconut with an umbrella in it" vibes Track 4 - Feels like you're running but not getting anywhere
Not what I was expecting at all. 17 minute song is a bit much.
289/1001 🌕🌕🌕🌑🌑
I rate future days a 5 star because it sounds dark/jungle and the bongos are very good and all the instruments sound good ⭐⭐⭐⭐⭐. I rate moonshake a 5 star because it sounds and the drums are very good and all the instruments sound good ⭐⭐⭐⭐⭐. I rate bel air a 5 star because it sounds and the drums are very good and all the instruments sound good ⭐⭐⭐⭐⭐.
Song: Future days the start was scary and i could barely hear the singer i only heard the beat Song: Moonshake this song i like better a little bit Song: bel air this song isnt really my favorite i do not recommend this album
I like this album because I like the beat and the drums. It has cool lyrics too.
I am not a big fan of this album. I do not like it because it is really repetitive, it is also just not my favorite genre of music. I would not recommend this album.
Do you want to listen to music that has some experimental instruments in it? Well in Can Future Days you can! I rate it ⭐⭐⭐⭐. I recommend this song. Do you want to listen to some music that has fast drums? well in Moonshake you can! I rate it ⭐⭐⭐. I kind of recommend this. Do you want to listen to something that has some calming music? Well in Bel Air you can! I rate it ⭐⭐⭐⭐. I recommend this song!
I don't like it because the song sounds weird and I like to hear people singing you could barely hear them and they sound weird . I do not recommend it .
Have you ever wanted to listen to German experimental rock music? then this is perfect for you. in my opinion this album is really bad. I don't like it because I don't like how the instruments sound. Another reason why I personally don't like it is because I don't like the pattern beat that there is. I would not recommend this album to a friend because I don't like it and feel like it's really bad so I don't think anyone else would actually like it either. I give this a solid 2 stars out of 5 stars.
0 i dont like it cause no lyric sencond one i dont the vibes the third one i just not my style
the first song is alr not that good cs it don have no lyrics but wait I js heard some lyrics but ion like it its not good fo me. the second one started off uhm wha da thas wha I have to say abt the start its not good. idk bru
`Why does it sound so strange? "Future Days" started out really weird. I thought the lyrics were okay but I didn't really get the meaning. "Moon shake" was definitely better. The music was more fun and upbeat. The lyrics seem to be about slowing things down, probably in a relationship. "Bel Air" wasn't to great, the instrumentation was interesting but the singing was hard to understand. I wouldn't recommend this album.
on the first song its okay it just has a lot of silence, the sounds are good, the first words sound muffled, after that there's more silence then more words that I cant really understand, more silence, now the words are more understandable the whole time music is playing, I still cant understand the words, after, the words are more understandable, overall I kinda recommend the song "future days". the next song is basically the same except the words come earlier and the sounds are more weird, after the words there is silence, I can kinda understand the words, overall I still kinda recommend the song "moonshake". the last song is kinda the same, muffled words at the start, the beat shifts from slow to faster and gives a kind of happy feeling, the beat kinda goes up and down, fast, slow, quiet and loud, not much words, overall I kinda recommend the song "Bel air". overall I would maybe recommend this album.
I like this song because it reminds me of the jaw when the sharks are going to take a bite out of someone. and I can just hear some noises in the background I can also hear some drums and I can hear the ocean too and some people singing I like this song because it has some beats to it and it reminds me of a secret music I like this music because I can hear a peano in the background and some gutear too
ganz ok zum nebenher dudeln lassen
Not smart enough for can Still enjoyed
Future Days 3.2 Spray 3.3 Moonshake 3.5 Bel Air 3.4 Score: 3.35
This was on loop, underscoring my whole day, and I'm pleased to say I think I enjoyed every minute of it! This is a great example of "background" music that doesn't just disappear. I would find myself noticing different moments here and there, sometimes it was a chaotic moment, but often it was something like "damn those drums RUUULE" 🤩 YES WE CAN!
On first listen it made for some pleasant background music. I can see myself returning to this one.
Okay so this is giving me Pink Floyd infused with Santana I like it
Spray is just an unsettling song. I feel like I’m waiting for something to happen this whole album. Listening to bel-air and the only thing I can think is I just want this to be over and I can’t believe there is another 13 minutes to go
Favorite Track: Moonshake
This has aged very well. It has a great rhythm section. Czukay's bass on Bel Air is mind expanding. Liked Songs Added: Spray Bel Air
Long form, hypnotic, spaced out Krautrock. Considered by many to be a classic, but I slightly prefer Tago Mago.
atleast 4/5
Not my cup of tea, could barely hear the vocals.ok
Nice chill musix
This wasn't bad. I feel like this is what someone the other experimental bands and their noise collages aspire to be. Very listenable.
I enjoyed this - interesting to hear how it foreshadowed Eno and Talking heads for instance.
Euphoric, lots of sfx. Feels like a wind is gently blowing on my face. Gives the music a whole world that it exists within.
Nice but didn't love it. Seemed like it would be a good movie soundtrack.
Bel air does a lot of heavy lifting for this album. It's ambient and therefore a bit different to most albums in this list. I like a bit of ambient and instrumental and so I'm inclined to like this. All tracks other than Bel air we're a bit in one ear out the other. Bel air on the other hand takes you on a journey. Thankfully half the album is just Bel air otherwise it'd have been a measley one star.
I can't tell how I feel. I never wanted to skip any of the songs, but I don't think I'd listen to them like in the car. Maybe if I was trying to work out the answer to some complex mathematical equation. Idk. Kinda sick tho.
Mostly instrumental and fun sound. Made me feel like I was in a movie
I liked this much more than I thought I would have. Somehow worked perfectly with my weird mood. First track was my favorite but the third track was also nice.
there’s a good cohesion here to the weird noise being made and so I enjoy it instead of not enjoying it, but it came close to the line a couple times
absolutely could not tell what any of the lyrics were saying but i was into it. 3.5
kind of groovy
Interesting rhythm heavy jams.
Apparently there’s a lot of history going on here, and it was indeed good enough for me to want to delve into it.
Just such a delightful vibe. Feels a lot of the times like a precursor to Gorillaz oddly enough. Can is such a fascinating band. Cool to hear about their process and then hear a record.
There’s been a few of these mostly instrumental, atmospheric type albums so far and I just don’t get them. This one had a few interesting points but I’d never recommend this sort of thing to anyone. It’s easy to just zone it out as background music. And while I can appreciate the odd instrumental track on an album, and I’m all for experimental and artsy stuff, but at the end of the day a whole album of vibes just doesn’t cut it. Previous albums of similar type I gave a 1 but this was more on the artsy side than those and did grab my attention a few times with some really cool melodies and sounds
Already listened. I'm not insane over can but it's like good y'know
I am bound to the past apparently. I really liked this album. I have never heard of this group.
great rock music. I love the whispering vocals. Songs are long. good rock album.
Never heard of. Nice salsa beat, whispery voice. Good listenable music, cool for dancing. 3/5
No I can definitely have gone my whole life without hearing this. I find this list has some seriously glaring omissions in exchange for inclusions like this.
This was fun, and I enjoyed listening to it!
Well, certainly not something I'll ever listen to again, but solid musicianship. This was better than expected given that I gave the other Can album on here a 1. 2.8
Use high quality headphones and a DAC and this record can warp your mind.
New to me and great long form music
As far as ambient experimental jazz-adjacent rock, this is really nice. I found it great for background while working or reading and very soothing without being boring. I don’t think there’s quite enough to really write home about or trouble the 4/5 ratings but I’d be happy to listen to it again and I can see why it’s something that a lot of people would love.
This is what I'm here for! I never heard of this band, album, or any of their songs before this, and while its not life-changing this is some pretty good shit. 4/5
Background ambience, tense, like in a video game mid-game long level with lots of enemies but occasionally there are safe spots. Stand-out: Future Days
I enjoyed this one a lot and could have happily listened to another 40 minutes of these songs.
I’ll give this 2 stars, which is generous because it was pretty bad. Track 3 is reasonably catchy though.
Didn't know what to expect. Future Days is relaxing, breezy with snatches of melody filtering through. Tropical vibes. Ambient rock? Spray has a much darker undercurrent at first, but is just as atmospheric. After the short Moonshake, Bel Air is a sprawling soundscape with strings and psychedelic melodies. Mostly unintelligible vocals, at times. Hard to tell how I feel about this, but I'd listen again.
kreisiviikko jatkuu, ylläpitö päätti nakkaa sellaista eeposta peräjälkeen että oksat pois... mitä vittua tapahtui 70-luvun alussa musiikille???? im only 8 years old but love the vibes. Väännyn tuolissani juuri nyt, huudan, voihkien ja huokoen kuin hullu. kukaan ei voi estää minua. olen tulossa hulluksi tuolilla juuri nyt. kukaan ei voi estää minua. Olen täysin hullulla tuulella ja huudan äänekkäästi, äänekkäästi yöhön juuri nyt. Luulen, että he kuulevat minut, he voivat kuulla kuinka hulluna olen tuolissa juuri nyt. väännyn ympäriinsä tuolilla juuri nyt, menossa hulluksi. future days
Entertaining and unusual Can's music on Future Days is not repetitive or boring.
Was Yoko Ono available to take over the lead vocals when Suzuki quit?
Did not care for this one at first, though by the back half it started to grow on me.
It was ok-ish
Weird.
Listening to it, I tried to imagine what time period it sounds like and it's really tough for me to place it. I love albums like that which seem to exist outside of time. I've been waiting to get into Krautrock, I still haven't heard any of Kraftwerk so I really have no reference point for German music. This was not at all what I was expecting. I had a more industrial vibe in my head associated with Kraftwerk so the soft sound of this album was a great surprise. I'm not sure how much I'd seek this to turn it on, but it was fantastic to have on in the background while I was working. Rating: 3.5
I wasn't so sure about this at the start. But I ended up loving this. It's incredible.
At times like this I have to relate with the Grinch. This is just noise, noise, noise. Please make it stop. Don't make me steal Christmas.
This is quite good , but it does kinda just fade in to the background. It's very very listenable Definitely way ahead of its time. You could tell me this is from 2025 and I'd believe you. Doesn't sound even slightly dated. I can see why it's been inspirational for others
Can, the epitome and key player of German Krautrock. What happened in the German music scene at the end of the 60s and beginning of the 70s was extraordinary. Great music was created at that time. It still sounds remarkable to me. Unfortunately, I couldn't really enjoy them at the time. But by the end of the 70s at the latest, I appreciated Tangerine Dream, Klaus Schulze and Kraftwerk. I only got into Can later, after I had become more involved with Krautrock. For me, the future days of the album still lie more than 50 years after its release in the future. 4/5
Unconventional and strange, I think 7.5-8/10
Alright
Not for me.
Hippie psychedelic type music. Not the worst but wouldn't listen to it or recommend it. ANDDDDD 10 minute songs... excuse me that should be illegal... was putting me to sleep.
Arrrgggggggg..... felt like my brain was having its own audio epileptic spasms at times then it would do a 180 and was somewhat enjoyable. Don't get me wrong the whole album sucked and I would never listen to it again - but I can see this playing in a cult commune waiting room or in the ear buds of those picking sunflower seeds under a multi-coloured neon sky.
Shite
Jammy and experimental, in a good way
I zoned out listening to this. 3/5.
I just don't get it...
Cool. Interesting. Ahead of it's time. 3.75
Love Can, and to be honest need to go back and listen to this a few more times.
A lot to unpack here – one hears signposts to both jam band and ambient futures, as well as the prog rock present. The occasional vocals are not strong, but effective accents, as are the sound-effect interludes and big shifts (like halfway thru “Bel Air”). Every song contains multitudes and the old joke about English weather applies – if you don’t like what you hear, just wait a bit and it will change. Influence only goes so far and too much is often asked of these underappreciated cult favorites; that's certainly the case here. There's a limit to just how they can be, really.
Cool, experimental, futuristic sounding but from the 70s. Thanks, I'll never listen to it again.
I know they are very influential but it was a little bit plodding on first listen. Maybe it will grow some more on me. One bonus star added for respect.
I liked this a lot
I liked this more than I expected to as I’d never heard of Can before. I like quite a lot of movie score music so it felt a bit like that. The mumbly singing was a bit annoying but maybe I just didn’t have it turned up enough (earphones broken). The last track had elements that reminded me of Hearing Damage by Thom Yorke (a song I love that I think gets overlooked due to its association with the Twilight films). Now that I’ve read more about them that makes sense!
I don’t know what is going on. I think I am a bit distressed by it. However still sort of fascinated.
I probably prefer Can's more immediate, rhythmic, dancey stuff (Tago Mago and Ege Bamyasi are amazing). But for proggy, indulgent 70s rock (probably my least favourite genre), this is still pretty awesome and interesting. Yes we Can.
Hadn't heard of this band before, but rather liked this album and had to keep reminding myself that it originated from the early 70's. Very experimental with a rock and trippy ambient vibe. The last track Bel Air (which took up the whole of side 2 on the vinyl version I read) is almost 20 minutes long but sounds like 4 tracks all merged into one, even so, it just leaves you wanting more. I'll explore this band further- another gift from the "album a day generator!" This album for me is definitely a keeper.
Drums Drums Drums Drums Drums Drums Drums Drums Drums DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS DRUMS WOW
Out of 1,001 albums, I somehow managed to pull two Can albums in just four days. What are the odds? Krautrock can be interesting in small doses, but this was pushing it. That said, Future Days wasn’t terrible. It had its moments. "Moonshake" was a standout. Short, punchy, and the closest thing to a normal song on the album. But then there’s "Bel Air"—twenty minutes of what felt like the cymbal breakdown from "Whole Lotta Love" with some synths tossed on top. It was a bit much. Still, the album has a decent groove overall. I wouldn’t seek it out again, but I didn’t suffer through it either.
I listened to it twice and nothing stuck. I enjoyed but couldn't get into it.
Very short album, it was ok. Nothing stood out. I do wonder how this made the list. Favourite song: moonshine was a good song Least favourite: track 1 Album artwork: Cool cover
Can was way ahead of their time
Alle sangene var alt for lange, den eneste bra var den korte og noen deler av de lenger
Kult.
Eksperimenterende 70’er rock, få lange numre, forud for sin tid
Interesting album. I think it needs a few listens to get the most out of it.
Acceptable ambient music. Wouldn't go out of my way to listen to it again, even subject to that caveat. But wouldn't change the station, so to speak, if this came on during my workday.
Wow. This is incredible. I love ambient music like Ethel Cain, and this is a totally different style from her but still keeps all the elements I love. The detailed, immersive soundscapes in this album are incredible. The album title is perfect - every song sounds like it's from the future. This is exactly what I wanted from this project, hidden gems in albums I never would have given a thought before. My only complaint is that Bel Air does get a little repetitive. For a 20-minute song, the production isn't quite interesting enough to justify it's length. I could use some more development in the song.
Pretty good, but nothing I'd say is great. I suppose it was influential because it looked much older than I would have expected based on the style of the music.
I don't think this is bad, I'm just not sure it's for me
Fun
Interesting record. I'm generally a fan. Certainly groundbreaking and unusual for the era.
I know I'm in the minority, but I really like this band and album. I discovered Can about 7 years ago and have been a fan since.
Not really our thing. Vaguely stressful music.
Wtf was that shit?
In the interest of the album's intended minimalism, I'll just say... It's pretty good.
I actually really like Can, even though the songs are long and repetitive.
This was interesting but not great. This is a listen to it 18 times for it to click. Not overly concerned about it clicking. Considering it’s Thanksgiving it’ll get three stars. You are welcome Can.
Absoluut geen werk muziek, hier werd ik gek van
It's fine
This had a good feel to it, but I wasn’t in a mellow mood and didn’t finish it
I'm more than a little surprised that this is the product of a German prog-rock band. Each track is beautifully textured. If only the singing and the lyrics were more interesting.
First track was promising, seemed unique and a good go at experimental/ambient music. I think it slightly dies off and the last 20min track is a slight disappointment.
Ugh, stop sending me these horrible experimental krautrock albums! I hated this as much as that Holger guy. 1/5
Kind of the perfect soundtrack for a cold, snowy afternoon. Damo Suzuki’s vocals add just the right ghostly touch.
Delightful grooves. Repetitive, but in a way that evolves and is enjoyable.
I feel like this Can gets slept on, because it follows two unimpeachable classics. But it is pretty great as well. The grooves are a little smoother, not as much cacophony this time around.
Fucking Can! I, of course, was comparing this to Tago Mago. Tago Mago had the half that blew me away, and then the half that was very noisy and I did not like. This didn’t have the second half to it, so I just compared it to the first half of Tago Mago. The first half of that album was 5+ stars. This wasn’t as good, but I still enjoyed it as good. As I listened, I was between 4 and 5 stars…but Moonshake and Bel Air got it the 5. I listened to this two times in a row.
Not for me. Not absolute garbage, but not impressive enough to bump up to 3 stars.
Weird, but in a cool way.
Didn’t know what to say about this one.
Never heard of this album or for that matter the band. Saw it was only 4 songs and thought “ uh oh. Here we go” but pleasantly surprised. It’s quite mellow and relaxing. Enjoyed it.
This has gotta be the most resident sleeper CAN album out of all resident sleeper CAN albums (of which there are many). I CAN’t give this any higher than a 3
Most chill and groovy. Strange and alluring in effect, with wanderings that seem mostly worthwhile. In parallel universes, Can woulda/coulda/shoulda been the Dead. "Moonshake” is best while “Bel Air” goes a bit sideways before course-correcting.
It's too much for me, but I should pay some respect to them. I feel that I still need to have some time to understand what I listened to.
Kinda weird. Not enjoyable.
The shaggs male version
Future Days is a solid album by a unique and original band. I’m truly charmed by this group, which seemingly produces wonderfully casual music with effortless ease while remaining averse to convention. Their blend of Krautrock and avant-garde sounds can sometimes seem fragmentary, but Can also has a rhythmic quality that makes it swing. The music often elaborates on various motifs, and in between those, all sorts of soundscapes and bizarre noises emerge. What stands out, possibly due to the excellent remastering, is how timeless the album sounds. The opener and title track, as well as the incredible Bel Air, would not feel out of place in today’s musical landscape. It’s clear that much of this music came from jamming and spontaneity, yet everything sounds very organic and musically exemplary. I thoroughly enjoyed this on a late Wednesday afternoon.
Mostly ambient noise. Didn’t work for me
2.4 I thought the drumming really stood out, excellent timing and interesting playing throughout. Liked this better than the first can album we did.
Fav song: Bel Air SUPER COOL experimental stuff for the time period - really modern sounding and pleasantly surprising. These guys were waaay ahead of their time. Kudos to the drummer for holding down tempo changes so well in the 70s before recording to click became gold standard.
..
fine
not sure why they would pick this CAN album
Can's venture into ambient krautrock. A very airy experience that captures warm winds in the grooves. Elevating.
Not so much a series of great tunes, as a stream of sound containing interesting moments. Some might say it risks becoming background music, but I find it is just this type of music that truly shines in our overstimulated culture — monotonous enough to be played in the background, interesting enough to command attention from time to time, and rich with atmosphere.
Oh no, only four tracks total? Oh wait, this is pretty great. Moonshake in particular has a lot of shake and a whole lot of charm. This must be the least dated sounding 70's album on this list. So glad I heard it.
Iconic
Never heard of this band before... Seems like proggy jazz rock kind of? It's pretty cool actually, the vocals are weird and super buried in the mix though. Yeah after a while the vocals get annoying with how uninteresting they are throughout the album. I like the kinda atmospheric proggy arrangements though.
Why??
Last song had some good parts but I checked like 3 times and it was still not close to finishing.
my friend was playing this and I was like no way you are listening to can rn. Mid.
6/10 - Ok if only the first and last songs were in the album and they were each broken up into more manageable pieces this could be a 7 or 8. But they had to make this 40 min album into 4 songs. I liked the first song a decent bits still.
Better than tago mago I guess, but not much worth noting outside of that. It did actually sound pretty nice at times
p293. 1973. 1 star. 70s ambient jazz-rock with multiple 8+ minute tracks and a 19+ minute monstrosity to end with. Fuck no. Previous collaborations between Germany and Japan did not end well either.
3.5 rounding up
Fine in an elevator I guess
Absurdly brilliant
This was a cool album to hear. The last one I listened to had moments of experimental chaos, but this one leans more into ambient rock. It’s not exactly slow, just laid-back and chill. The music takes you on a dreamy, hypnotic journey. The beats are steady and consistent, with a tribal-like feel that really enhances the album’s trance-like vibe.
**Future Days** by Can, released in 1973, marks a pivotal point in the German experimental rock band's career, showcasing their evolution into a more ethereal and atmospheric sound compared to their earlier work. The album is widely regarded as one of the key albums of the "Krautrock" movement, which encompassed various German bands experimenting with electronic music, psychedelia, and avant-garde influences. **Future Days** is particularly known for its fluid, ambient style and the blending of rock, jazz, and world music elements. ## Music Musically, **Future Days** is a departure from the rawer, more abrasive sounds of Can's earlier albums like **Tago Mago** and **Ege Bamyasi.** The band's shift towards a more ambient and melodic sound on this album can be heard throughout the four tracks, each presenting a distinct mood yet sharing a sense of cohesion. The opening title track, "Future Days," sets a serene and meditative tone with its drifting guitar patterns, subtle synthesizers, and repetitive, almost trance-inducing rhythms. Drummer Jaki Liebezeit's metronomic yet intricate drumming is a driving force, maintaining a rhythmic consistency that serves as a foundation for the rest of the band to explore freely. Michael Karoli's guitar and Holger Czukay's bass create textures that are rich but not overwhelming, often letting silence and space play an active role in shaping the soundscape. The second track, "Spray," leans toward a more chaotic and freeform style, utilizing sudden shifts in dynamics and tone. The instrumentation in "Spray" is layered and complex, featuring shimmering guitar sounds and scattered electronic effects that interweave with the percussion. Although not as melodically immediate as "Future Days," this track showcases the band's ability to create an immersive sonic experience where musical ideas emerge gradually, rewarding attentive listening. "Moonshake," the shortest track, stands out for its rhythmic drive and relatively straightforward structure, compared to the sprawling, exploratory nature of the other tracks. The song features a funk-inspired rhythm, with a catchy bassline and percussion that introduces a more upbeat energy. This track serves as a refreshing contrast, providing a brief yet memorable moment of accessibility. The album closes with the 20-minute "Bel Air," an expansive piece that encapsulates the essence of **Future Days**: organic growth, gradual evolution, and an immersive atmosphere. Throughout "Bel Air," the band transitions fluidly between tranquil sections and more intense, climactic moments. The layered guitars, synthesizers, and flute-like effects add to the sense of an otherworldly environment, with Damo Suzuki's vocals appearing sporadically, adding a human element to the otherwise alien soundscape. ## Lyrics Damo Suzuki's vocals are often considered another instrument in Can's music rather than a traditional lead voice, and this is especially true on **Future Days**. His approach to singing on this album is minimalistic, sporadic, and at times almost subliminal. The lyrics are not always clearly discernible, and when they are, they are cryptic and abstract. For example, in "Future Days," Suzuki’s lyrics convey a dreamlike state, with phrases like “You may find me gone” and “Still me, find me nearer.” Rather than narrating a story or delivering concrete messages, the lyrics contribute to the album's overall atmosphere, enhancing the sense of ambiguity and mystery. Suzuki's voice blends into the music rather than standing out, with his tonal shifts and occasional chanting adding to the album’s meditative quality. In "Moonshake," the vocals are more prominent, and the lyrics appear to be more structured, though still enigmatic. The delivery in "Bel Air" is sporadic, serving more as an emotional guide through the track’s many shifts than as a traditional vocal performance. This lyrical approach is one of the defining characteristics of the album, where words seem less important than the emotional resonance they carry. ## Production Holger Czukay, the band's bassist, took on the role of sound engineer, and his production work on **Future Days** is a significant factor in its distinctive sound. The production is deliberately spacious, emphasizing a balance between clarity and murkiness, giving the music a textured and layered feel. Czukay's use of tape effects, subtle electronic treatments, and sound manipulation techniques added depth to the recording, creating an almost cinematic experience. The mixing style enhances the album's hypnotic quality. Instruments frequently fade in and out, are panned across the stereo field, and interact with various ambient noises and electronic sounds, contributing to a sense of movement. The drums, while maintaining rhythmic consistency, are sometimes pushed back in the mix to allow the other instruments to take the foreground. Conversely, during intense sections, Liebezeit's drumming becomes more prominent, anchoring the music in a way that prevents it from becoming too amorphous. The use of reverb and delay effects is crucial in shaping the album’s ethereal sound. These effects help to stretch out the sonic space, giving the music a sense of depth and immersion. It’s as if each instrument is floating within its own layer, yet still connected to a central core. The result is an album that feels organic despite the use of electronic elements, as if the music is breathing and evolving in real-time. ## Themes **Future Days** explores themes of transcendence, time, and nature, with each track offering a different perspective on these ideas. The album’s title suggests a forward-looking vision, emphasizing the possibility of a utopian future or an alternative reality that diverges from the mundane. "Future Days" sets a tone of peaceful optimism, with its calm and meditative qualities evoking a sense of timelessness. The repetitive nature of the music and the gradual changes in dynamics reflect the passage of time, hinting at both continuity and transformation. "Spray" delves into more turbulent territory, representing perhaps the unpredictability of nature or the chaotic side of human existence. It lacks the serenity of the other tracks, adding a layer of tension to the album's overall narrative. "Moonshake" brings in a sense of playfulness and levity, disrupting the ambient flow with a burst of rhythmic energy. This track can be seen as representing the more mundane, everyday aspects of life, a brief grounding moment amidst the otherwise introspective nature of the album. "Bel Air" ultimately serves as a culmination of the album's thematic exploration, with its ebb and flow capturing the cycles of nature, the human experience, and perhaps the journey toward some form of enlightenment or resolution. The album’s themes are not overtly expressed through the lyrics, but rather conveyed through the overall mood, music, and sonic textures, which evoke a sense of place and time that feels simultaneously distant and familiar. ## Influence and Legacy **Future Days** had a profound impact on the development of ambient music, post-rock, and electronic music. Its emphasis on texture, atmosphere, and long-form composition anticipated the work of artists like Brian Eno, who openly cited Can as a major influence. The album’s structure, with its extended tracks and minimalistic approach to lyrics, foreshadowed the rise of ambient and experimental electronic genres, where the boundaries between rock and electronic music would often blur. Bands like Radiohead, Sonic Youth, and Tortoise have all cited Can’s influence on their work, particularly in their approach to song structure and experimentation. The album’s use of repetitive, trance-inducing rhythms has been echoed in various forms of dance music and techno, while its organic melding of electronic and acoustic sounds has informed countless musicians in genres ranging from progressive rock to IDM. **Future Days** also marked the end of an era for Can, as it was the last album featuring Damo Suzuki as the lead vocalist. His departure would lead the band into new directions, but his contributions on this album left a lasting legacy that continued to resonate through the band's later work and beyond. ## Pros 1. **Cohesive Atmosphere:** The album's ambient qualities create a unique and immersive listening experience. Each track flows seamlessly into the next, maintaining a consistent mood while allowing for a variety of sonic textures. 2. **Innovative Production:** The production techniques used on the album, such as the blending of electronic effects and traditional instruments, were groundbreaking at the time and contributed to its lasting influence. 3. **Exceptional Musicianship:** Each member of Can displays a high level of musicianship, with Jaki Liebezeit’s drumming standing out for its precision and subtlety. The band's ability to improvise while maintaining structure is evident throughout the album. 4. **Exploration of New Territories:** **Future Days** is a landmark in the transition from rock-based structures to more expansive, ambient forms. It pushed the boundaries of what a rock album could be. 5. **Enduring Influence:** The album's impact can still be felt today in multiple genres, demonstrating its timelessness and the band’s forward-thinking approach. ## Cons 1. **Accessibility Issues:** The album's ambient and experimental nature may be challenging for listeners who prefer more traditional song structures or lyrical content. It requires patience and active engagement to appreciate fully. 2. **Lack of Lyrical Clarity:** The abstract nature of Damo Suzuki’s lyrics might alienate those who seek more direct or narrative lyrical content. The vocals often serve more as another layer of sound than as a focal point. 3. **Repetitiveness:** Some listeners may find the repetitive rhythms and gradual evolution of the tracks monotonous, especially during the lengthier compositions like "Bel Air." The music's hypnotic quality may not resonate with everyone. 4. **Less Dynamic Variation Compared to Earlier Work:** Compared to albums like **Tago Mago**, which featured a wider range of moods and more intense moments, **Future Days** maintains a relatively subdued tone. This uniformity may be seen as less engaging by those who appreciate the eclectic nature of Can's previous albums. ## Conclusion **Future Days** is an essential album in Can’s discography and a seminal work in the broader landscape of experimental rock and ambient music. It exemplifies the band's ability to create music that defies easy categorization, blending elements of rock, jazz, electronic music, and world influences into a cohesive whole. While its abstract nature and focus on atmosphere may not appeal to all listeners, those who immerse themselves in its textures will find a richly rewarding experience. The album's lasting influence on various music genres speaks to its visionary qualities. Its production techniques, musicianship, and approach to composition have left a mark on artists across generations. Though it may not have the raw energy of Can's earlier albums, **Future Days** stands as a testament to the band's commitment to innovation and their exploration of the possibilities of sound.
Talsvert tilraunakenndara er niðursuðudósa platan sem ég elska. En áhrif Can á tónlistarsöguna eru óumdeild.
This was kind of cool. Sounds ahead of its time for sure.
Didn’t necessarily hate it - but it went in one ear and directly out the other. But wasn’t totally offensive.
It's not for everyone, including me
Great frog rock not my favorite category, but I thought this was actually pretty good.
What a discovery! I had never heard of Can, how is that possible? I truly enjoyed this album. Fantastic soundscapes, never a dull moment, an eclectic mix of styles (there isn't a genre not mentioned on the Wikipedia page) but is fits together coherently. Some nice grooves too. Cleverly made but not in a show-off way. I will definitely listen to this again, buy it, explore the band. Thank you 1001 Albums, this is why I do it.
Gentle sort of ambience, hard to define to be honest. I didn’t mind it at all, but it didn’t blow me away.
At times “Future Days” drops its slight concessions to continuity and song to dissolve into sunny daubs and doodles, with only Liebezeit’s blissful, maddeningly tight percussion driving us on. A friend once described this as his perfect summer album and now I agree with him.
Oh, Can.. I do like the obvious ones but mostly it all drifts by amiably. So it was here. Air have probably heard the title track.
Bien
Pretty, would be good background ambient music. Nothing offensive or painful
This was cooler than I was expecting. Nice chill vibes and interesting sounds. Really liked Moonshake.
weird
I get the feeling quite a few recreational substances were prevalent during the making of this record.
listened to again psychedelic journey
This might very well be the album with the fewest tracks I've seen! The album had some decent parts to it, but there was a bit too much noodling around for me. 'Moonshake' was a decent song, but that was also the part that was most different from the rest of the album. If you like slowly progressing and meandering rock, this is for you. Personally I found it a bit too impactless. Strong 2.
Sounded very modern! Thought it for sure was released a lot later then it was. While nothing stood out I thought it had a nice vibe to it. Weak 3.
Vraiment meilleurs que l'autre album que le générateur nous avait régurgité. C'est groovy, planant et soupoudré d'expérimental
was a vibe
A mish mash of random sounds and music beds. Someone recorded their kids playing with the stock sounds of their electronic keyboard and made an album with it.
I’m sure this was a blast to create, but it’s a chore to listen to. Jam bands should never record.
Too progressive to be experimental Too experimental to be progressive
Unexpectedly brilliant. I had no idea this sort of thing was coming out of Germany in 1973. Surely Bowie must have heard this, before he got into his own ambient thing. The last few minutes of the final track reminded me strongly of Bauhaus. Talking Heads were clearly fans of track 3. The whole album thrums with the weird and the wonderful, combined with African and Latin rhythms; even jazz-like at times. I did feel as if drugs must have been involved. But what a great result! A good surprise.
I was excited to hear this, what with the influence they’ve had on quite a few bands I like. Whilst I did enjoy it in a kind of aural wallpaper way, the vocals really annoyed me as they are barely audible. So ambivalent, really.
Not bad, thought I'd like this better than I did.
Brilliant. I’m new to Can and it doesn’t feel like it because so many of the artists I love have been inspired by them. Great listening
One CAN totally listen to this album and they CAN absolutely play their instruments! I guess this album CAN be your favourite album if you're very much into experimental stuff.
More noise than music. This sounds like a bunch of above-average New York subway buskers found themselves in a recording studio. I would love to meet a dedicated fan of this group and have them explain to me what they love about listening to this album.
Well, I wasn't expecting a 4-track, 40 min long experimental German rock album to sound like that! Almost latin in some of the grooves, this was just super chilled and cool. One of the nicest things about the 1001 albums list is finding wierd and quirky albums like this that I otherwise wouldn't have ever heard
Been a minute since I last listened to Future Days and what a palette cleanser after yesterday's Stones album. Can continued their streak of excellent albums with another improve heavy, psychedelic classic. There's so much texture, life, and intrigue to pull from every listen. And all a cool 40 minutes. *Heard before.
Not for me
Mediocre at best
Yet more late 60s/early 70s pschedelic rock - except this time it's of the 'experimental' type - meaning it's rubbish.
Interesting sound.
great album. came unexpected good and calm. Liked it. but personally didnt had too much to offer. (3.5/5.0)
Interesting Moonshake was cool
Ahead of its time, and it was nice it felt like one big movement of sound, but I will not be revisiting.
Didn’t care for the first track much, but the second was really cool, at least the first several minutes of it. Sounded kind of like music from an underground Super Mario level. I don’t remember much else except I didn’t like the buried unintelligible vocals. Still not sure it was English. One of many albums on this list that were ahead of their time sound-wise, but listening nowadays are just OK.
It gave me a bit of a headache. Not unpleasant in theory but I felt it getting to me just through the repetitiveness and choice of sounds. But maybe I'm just overcaffeinated. 2.5
I appreciate experimental and ambient music, but this just wasn't that interesting. There was nothing to hold onto so it just sorta of drifted from start to finish and left me constantly checking how long was left on it.
That was so good that I have already downloaded their entire discography to work my way through this weekend.
Sounding like some weird procedurally generated soundtrack from a video game, it rises and falls in time with whatever you're doing.... Working from home? Folding laundry? Cooking dinner? Walking the dog? Having another existential crisis? Everything matches, everything vibes. Its amazing. 51 years old and it scored my mundane life perfectly.
This might be the worst album I’ve ever listened to cover to cover. The last song was a disaster and waste of 20 minutes of my lifd
just noise to me no favorites sadly
3/5
Music for people who wear patchouli. Dreadful
Kind of not what I’m into, but still very good.
I mean I guess it's cool? But it's prog rock so like a 20 minute song is expected. It's just tiring.
Definitely felt like I was in the future
A good album I liked Spray the most but the whole album was nice to listen to.
Não estava na vibe de ouvir
I disliked this at first but it grew on me a lot.
40 minutes of weirdness. Not bad, but not necessarily something I'd listen to again. 2.5/5
I’d never heard of Can until after I started this project, which is a shame, because I studied German for three years in high school, and two years in college, but I know so very little about popular German music. However, I’ve already reviewed Faust IV and Kraftwerk’s Trans Europe Express, both of which I enjoyed, so I have high expectations for this album. Overall, I thought this album was very good, and I enjoyed listening to it. The first thing I noticed on this album, was how surprised I was by the relaxed sound. There were so many things for the ear to take in, but at the same time, the arrangements felt really simple. The drumming was fantastic throughout the album, and I really liked how those rhythms were so prominent in the overall sound. Those rhythms were really precise, and I think that’s what might have contributed to the arrangements sounding simple, despite their complexity. The electronic elements on “Spray” were really great, and I loved how this song was soft yet frantic in its pacing. The bass playing on “Moonshake” was fantastic, and it really helped add a deeper layer to a sound that was already very proficient rhythmically. “Bel Air” was really good too; it felt like I was being taken on a cosmic journey during this last part of the album, and even with a twenty-minute runtime, I never got bored or felt that the song was dull. This album was really enjoyable to listen to, and I think Can were incredibly competent at how to be experimental while still creating a sound that’s pretty accessible and very pleasant to take in. This isn’t the type of album I’d normally listen to, but I appreciate the opportunity I had to branch out and listen to it.
It sounds a lot more modern than I expected.
This. Bad. Trip. Does. Not. End. Best track is Moonshake because it is short.
Pretty experimental for the 70s I guess but judging it by today's standards there's nothing here that stands out. Apart from maybe the length, that last song felt like an eternity. Low 2.
Boring
I was on a 4 for the most part through this album. But the last song dragged on way too long
Had some okay moments.
Interesting music, some ELP vibes but more background music-y
just can’t give it more than one star
Great background music, with lots of lovely wee details if you listen more closely. Not really my thing, but perhaps it could be.
Cool percussion work, but overall very experimental and hard to listen to.
Trippy fun.
this is a chore. No thank you.
no thanks
Part 3 in the insane trilogy of albums that Can released in just 3 years, they were just on a completely different level in that time. This might be my favourite of the three, this one just feels so cohesive as an album. It has a dreamy atmosphere surrounding it with a little less of the wild experiments you got on 'Tago Mago', but still all the incredible performances of the other albums. And so the first 3 tracks on here are amazing, don't get me wrong, but it's the monstrous 20 minute 'Bel-Air' that steals the show. Possibly the quickest song of that length i've ever heard, it goes by in an instant, it's that good.
Enjoyable, if you're in the mood for spacey ambient stuff.
I like Can but not this can
On the one side interesting, creative band from the 70s. On the other side the music flows by and I can't find anything interesting in it.
It's been a rough streak, with 6 albums in a row scoring 3 or less, so as soon as i saw this come up, I was relieved. To be clear, I'd give this a five rough streak or not. Amazing drumming/percussion.
I enjoyed the first three songs, but that last song... Critics called the track "expansive," but it just felt like it was... meandering. And since that's half of the album, that's a problem. Top tracks: "Spray," "Moonshake"
It's definitely better than Tago Mago, their other album on this list. That one felt like a 2.5 and I rounded up for novelty. This one feels like a solid 3 but I probably wouldn't give it more than a 3.5, and I'm not rounding up. It doesn't feel as novel as Tago Mago but still it's probably early days of space rock. It's easy listening but it didn't excite me. Moonshake was the funkiest of the 4 tracks but also the shortest. I'm not trying to say it was better, but it was a point of departure that caught my attention. Bel Air has a few twists and turns itself, as you might expect for a 20min song, though I didn't really connect all the prog dots they were stringing together. Maybe I still don't have the ear for this kind of thing.
Future Days is Can's final album during their "classic" period, before their vocalist decided to leave the band to pursue a life of religious fulfillment. The title track (and album opener) is a spacey trip that basically defines what the genre Krautrock was all about. It, along with most of the album as a whole, relies more on rhythm and texture rather than melody to create the music. Even the vocals are more of a fifth instrument rather than something to lead the melody. Compared to many of the other releases of 1973, they held their own in the way that they pushed boundaries in a different direction than the others. 'Moonshake' sounds like it could be the only single off of here, with the appropriate clock-in time of under 4 minutes. The highlight for me is Bel Air. Taking up the whole of side two, it perfectly balances the great rhythm section Czukay / Liebezeit (whose druming on this track makes him one of my favorite drummers) with the textures created by the other three. The track is also broken up into multiple sections with a return to the first section at around the middle and the end. This album is a perfect bridge between the experimental and the accessible. That makes it my favorite can album and an easy 5 for me.
Their 1971 double album Tago Mago was so disappointing to me - the first album had some excellent spacey krautrock, but the second album was abysmal, so much so that I gave the whole thing a 2. At the time, a friend told me I was much more likely to enjoy Future Days. He was definitely right. Spacey, improvisatory, but very compelling. Can't go with a 5 due to a bit too much weirdness - in particular, Damo Suzuki's vocals seem almost completely unnecessary - buried in the mix and a little rambling. But definitely a 4 - I can see coming back to this again (great both for focused listening and background music). Each track is great for different reasons - Future days is both spacey and chill. Spray has a groovy opening instrumental and has a good vibe throughout. Moonshake has a great funky vibe. Bel Air is a tour de force - love the bass, lots of great moments, never gets boring, even though it's 20 minutes long. Good stuff.
Han envejecido muy bien. En su día me pasaron inadvertidos.
Fav: Spray Least Fav: Bel Air I totally get why this album was on the list, and I definitely agree that it’s worthy of being on the list, but it’s just not for me at all
Musica instrumental/experimental. Até que interessante.
Let's go! First time listening to CAN and I can't believe how much I enjoyed this. Have not done a re-listen or read the wiki etc. so maybe I'll find some faults but damn... I have a feeling I'll be listening to this one for a while. One thing that stood out was "Spray" sounded like Bitches Brew to me.
Ok 3/5
Good to drown your colleagues out
Just because you can doesn’t mean you should.
Not being on meds, I could not appreciate the noises they created. Except for when they “sang” or involved animal sounds, I was tolerant enough to round this up.
It was interesting. Not irritating.
Jouuuuu Mitä helvettiä aivan saatanan hyvä albumi ja mukavaa rattoisaa musiikkia en pysty käsittämään mitä tuli kuunneltua kun tässä koodaushommia samalla mutta ymmärrys CAN bändin taidoista piirtyy päähän.. viimenen albuimen yhtä uskomatonta ihanaa päähän sakkaavaa kakkaavaa musiikkia lutka -putka LÄÄH PUUH
I really, really like Ege Bamyasi by CAN which came out a year earlier. I feel like it has superior balance when it comes to catchy hooks and Krautrock instrumental passages. This album has a bit too much of the latter, making the album more of a jam session. Unfortunately, I can only give this a 3.3/5 -> 3/5.
Did not enjoy.
Like, alright?
Me senti um genZ que não consegue ver filmes por serem "longos demais", que vergonha. Quanto ao álbum, é bom.
Experimental and fun
A great album for ambience, sadly not for much else. Favourite track: Spray.
Initially I was very excited about the fact that it was the third day in a row that an album from the 70s came to me. This decade is actually my favorite. So I googled the album and discovered it was Experimental Rock. Not only that. It's one of the precursors of Krautrock, which I had never come into contact with before. I figured it would be good to start exploring the genre by drinking straight from the CAN. Jokes. But anyway. It was an excellent discovery. The album follows a psychedelic line, almost kissing progressive rock, but leaving experimentalism in evidence. I've had experiences with experimental albums before and I have to say, they weren't very good. But here it is not the case. Experimental sounds have to be strange and dissonant in themselves, but on this record, despite following this rule, everything sounds very cohesive! Nice surprise, I'll leave 4 stars.
Very interesting
Absolutely excellent, groundbreaking tunes and an addictive listen.
9/10. Very unique & interesting. Topped the solo Holgar Czukay stuff I listened to previously fairly easily. Much more consistently good. This style of music is tougher for me to rate but overall I was a big fan.
Música experimental monótona. La versión remasterizada suena muy bien, para ser una grabación tan antigua. Aburrido en general.
Can is considered “German Rock”, rock is used very loosely. It’s very rhythm heavy. It’s not bad. I don’t think driving down the highway listening to it does it justice. Headphones mandatory for Future Days. 5.0/10
I loved side 1. The percussion sets the vibe of the album; its super groovy. Loved the low volume vocals (im sure that inspired some groups - gorillaz maybe?) I just didnt get into bel air. It had some cool parts with chromatic walk downs that were very radiohead like. I wanted to like it, but it felt like filler sometimes on the back half
The first very unexpected find. Might not be an enjoyable listen all of the time, but it was tonight. Sounds of Radiohead for sure, and surprisingly modern given the release date. Excited to hear more of this band someday.
Pink Floyd’s disciples. Was Syd Barrett involved? But really, this did remind me an awful lot of late 60’s/early 70’s Floyd. “A Saucerful of Secrets” and “Set the Controls for the Heart of the Sun” both come to mind. Long, experimental, often chaotic instrumentals that sometimes build but sometimes meander until they find their purpose and sound. Floyd had more structure to these pieces than Can seemed to. The way I always imagined pieces like this being recorded was that the band had a destination in mind with certain points to hit but would take a different path each time. That’s kind of how I felt here. The longer pieces feel too long and too varied in their sections to be fully transcribed, written out, and performed and recorded. The result is interesting, experimental, and should be applauded for the sounds it created. But ultimately it’s hard to talk about an album like this. The tracks are so long that it makes for a dense listening experience, one that buries all its quirks and great moments among the rest of the sometimes meandering noise. I liked this album. But it’s one that is likely experienced once, maybe a few times but never fully grasped and understood. It gets three stars from me. I’d love to see what these guys could do with a little more structure. For what it is, it’s remarkable. But as for something I enjoy, three stars. Standout Tracks: Future Days, Moonshake
I know European electronic music owes a lot to the Germans with Kraftwerk and all, but this album aged a bit poorly I think. 2.5/5.
I thought I was going to hate this but it was a bit more of the accessible side of Can.
Better than the other one on here but still nothing amazing. At least it was shorter
Sounded like a 70s band just jamming out. Kinda cool
Is Khruangbin just Can with a Xanax problem?
nice long weird jams. cool.
damn
Если Tago Mago породил собой пост-панк, то Future Days - эмбиент. Невероятный альбом с бесконечным потенциалом. Выпущенный 50+ лет назад, он всё еще звучит ново (в отношении Can это звучит как повторяющееся клише, но все мы люди). Лучшая песня - Spray.
Groundbreaking grooves
Definitivamente hay que estar en el ánimo para escuchar apenas 41 minutos de psicodelia.
7/10, :0
Pretty cool album. Really atmospheric and ambient.