Reviews (page 7 of 13)
The fact that “Suspicious Eyes” did not make the album shows that they didn’t know what they were looking for. Most of the songs lack any conviction from Elvis. This might be why “In the Ghetto” is the standout.
It's kind of fun, but I didn't want to listen to more when it was over.
This is not the Elvis album anyone MUSt hear before they die. No matter how good In the Ghetto and Suspicious Minds are.
This is much more Country/Soul/R&B than it is Rock. Elvis can certainly pull this off, though. There is too much country filler here for a 5. Elvis makes the average sound great though. Still, I was getting bored until In The Ghetto and Suspicious Minds. Those 2 songs are incredible.
Most people today don't understand that nearly all the tracks on this album were previously published by other artists. One exception is, of course, in the Ghetto. Suspicious Minds wasn't part of the original recording, so that doesn't count. In the end, we have a compilation of covers that are not bad, but nothing exceptional.
• i dont know how to feel about it • it's a nice background noise album for a cold winter day
Has the "seasoned performer" Elvis with a legit Memphis style blues band - some real bangers on this one. Suspicious Minds is a killer.
Gran disco, gran voz. Me guardo en favoritos:«Only the Strong Survive», «Power of My Love», «Gentle on My Mind», «In the Ghetto» y «Suspicious Minds».
Elvis still is not my favorite artist. Far from it, but there were definitely some good tracks on this album.
I’m a sucker for the king
Varied, classic
Mweh. Not keen on the tearjerkers. Exceptions, In The Ghetto and Suspicious Minds
Very surprised by how much I like this one.
Incredible voice, perfect for this genre. The album flowed really well and every song felt like a hit
Incredible voice with swagger, swing and soul
Elvis' importance to music and his artistic quality is unmatched. That being said, this is NOT very good. It's mostly boring and soulless, with the final bit being what saves this album from being completely forgotten. I hope I listen to a new Elvis' album soon so this isn't the Elvis' album I'll remember. -- A importância de Elvis para a música e a qualidade artística dele é incomparável. Dito isso, este álbum NÃO é muito bom. É basicamente chato e sem alma, com a parte final sendo o que o salva do completo esquecimento. Espero ouvir um novo álbum do Elvis em breve para que este não seja o álbum do Elvis do qual me lembrarei. 4,5/10
Discazo, de mis favoritos de Elvis. Se notan las influencias de distintos géneros.
Okay, I'm starting to get a ton of repeat artists again. I got 6 in a row, then a 4 day break of repeats, and now I'm getting 3 in a row! What's happening? Anyways, let's talk about Elvis again! Obviously, I don't need to introduce Elvis Presley, but I already talked a bit about him and his cultural impact in my review for his self-titled debut. To sum it up, I don't think it's 100% fair to criticize him for not writing his own songs since he helped promote black music styles to a wider, whiter audience out of love and respect for the music and culture. Now, let's talk about the album! From Elvis in Memphis was released in 1969, long after Elvis had reigned as the King of Rock and Roll in the 50s. This was, in some ways, a comeback album for him. It's pretty good! This album takes a much more soulful approach to music, which I kind of like. Elvis's voice puts on some good emotion for these sorts of songs. The songs are good, by the way. Again, he didn't write them, but I commend the man for even deciding to sing this songs at all. You listen to a song like "In the Ghetto" and you're like, "Damn. That's an emotional story." It's stuff like that that really demonstrates the respect the Elvis clearly had for African-American music and culture. Other than songs like that though, the lyrics are a tad repetitive. Speaking of music, the instrumentation is great. This album's overall feel is still that of an older album, but in a way that's more nostalgic than dated. The backing instrumentals are pretty great. Overall, I'd say that this album is a bit better than Elvis's first album. I think that this sort of album was worth making for an artist like him. Good job! Solid 3/5.
Classic Elvis. Gospel influence, powerful vocals, sad songs about lost love.
The King for a reason
Bro was a creep. But cool songs I guess.
elvis sucks
- Surprisingly good for Elvis - Kinda like it - Almost as if Elvis wasnt drunk as fuck while recording ts
we cannot rate albums on this site with suspicious minds!
Cult classic. Suspicious Minds is this album.
Reminded me of music with Mom Turner or Poppi. Definitely heard traces of the blues and can see how his voice was fawned over by a generation.
way better than the other elvis album i was given.
Solid Elvis Album.
Not my favourite Elvis period but this album did give us In The Ghetto, Suspicious Minds, and Don't Cry Daddy, which are classics.
I don't have a lot of use for this. For the most part it is pretty simple and boring. "In the Ghetto" is by far the best song in my mind.
Elvis just doesn’t rise
Starts slow, but side 2 finishes strong, and I listened to the bonus tracks which also add.
Listens: 1.5 Standout tracks: Only The Strong Survive, Long Black Limousine, In The Ghetto Not a fan of country music, generally but I think I can give the King of rock and roll a break. He's a great singer and he's got both excellent backing vocals (very gospel-like) and a great band (The Memphis Boys) providing additional instrumentation. Im sure I've heard at least one Elvis song before, but scrolling through the top tracks on YTM I don't see any that I might be familiar with. I would have expected to see Hound Dog on the top songs, but nope. Anyways, I've definitely never listened to a whole album before.
I prefer late Elvis. Suspicious Minds is one of my favourite songs of his. Seeing some weird reviews about his voice - man Only The Strong Survive show hes still an incredible singer at this point. The other thing I like is the benefit of better production beings this album. Not sure he does Gentle on My Mind as well as Glen Campbell tho ;)
Good album, some iconic songs.
Better than I expected.
Not my thing
Sigue la ola polar en buenos aires pero nunca va a durar tanto como el reinado de Elvis en el rock and roll, larga vida al rey!!!
Eh. I guess it’s nice to hear Elvis update his sound after last week. Some songs are cool but I wouldn’t return to it. I’d like to say that I’ve had enough Elvis lately. (6/10, 3/5 on this scale) (Update: It's going to be a 2. I don't really care for it much months later)
I'm not sure why I don't really think that highly of Elvis. I think it has something to do with my dislike for Bob Dylan. I just kind of lump them together for some reason? Maybe because they both have vocal oddities about them that make me generally dislike their music. That said, this is really solid. I think the soul influence is a really great touch; it adds a ton of depths to the vocals, especially in the early tracks. I don't know that I love this, but I can't even point to something actually negative about the album. Favorite Song(s): I'll Hold You in My Heart, Suspicious Mind
Some good songs, but some were slower and more boring.
Meh. Sounds much too much like instrumental appropriation to me..
This is the 149th album I’m rating. Honestly I thought Elvis was older than that I didn't know he was making music in 1969. Adding to my Playlist - Wearin' that Loved on Look, Long Black Limousine, I'm Movin' on, Gentle on my Mind, After Loving You, and True Love Travels on a Gravel Road. Not Adding to my Playlist - Only the Strong Survive, I'll Hold You in my Heart (Till I Can Hold You in my Arms), It Keeps Right on a-Hurtin', Power of my Love, Any Day Now, and In the Ghetto. All in all I liked 6/12 songs. Not as good as I expected it would be based off of Jailhouse Rock and Hound Dog.
Not quite my cup of tea, but amazing for what it is! The hype makes sense.
Boring. 🤷🏻♀️ Sorry. Would I revisit this: nah.
I really like his voice and the backing singers. I enjoyed the music a lot but by the end of the album I had had enough. Very nice to have on in the background while I was working though. Fav song: Suspicious Minds Least fav: Don't Cry Daddy
Honestly think I like this vibe a bit more than the jailhouse rock kind of stuff. Some bangers in there and also a very good album cover in my opinion. Not a big fan of in the ghetto at all though. Don’t know why it’s so popular. Specific rating - 4.3 Fav song - suspicious minds Least fav- in the ghetto
There are a couple songs that are so Elvis-y it feels like he's impersonating himself. Favourite: Long Black Limousine (or Only the Strong Survive) Least: Don't Cry Daddy
Too schmaltzy for me but it's got Suspicious Minds on it, which redeems it.
Cant go wrong with Elvis
Not my favorite of Elvis's Styles.
Apparently Tommy Cogbill was an influence of Jaco Pastorius'. I can certainly believe that, the bass on this album is incredible. Reggie Young on guitar is also showing absolute class. On to Elvis. I never got the hype until I saw the video of him singing at the end of the movie in 2022. What a performer.
Good soulful musicianship from the backing band but many of the songs are bit schlocky. This is later, more commercialized and less energetic Elvis; few of these songs rise to the level of Suspicious Minds.
Suspicious Minds was my favourite, but it was a good album!
I liked this way more than I thought I would
This was fine but... why the hell is Elvis singing about the ghetto lmfao... all I could hear is Eric Cartman singing it anyway. There were a couple others that were fine, but the rest were slow, boring, meh I just never got Elvis... the hair, the drawl, and the dance moves seem to be doing a lot of the heavy lifting w/r/t his aura. His singing & songwriting is nowhere near as good as McCartney/Lennon, or like, dozens of other rockstars. Mick Jagger and Ozzy Osbourne are better in every way and that's just off the dome. I get that he came first so sure, credit to the King. But only by default. If he wasn't first, someone else with good hair and the instincts to shake his hips on TV would have been.
I prefer the rocking Elvis to the crooning version that was on this album. Suspicious Minds one of my favorite Elvis songs.
-1 for cultural appropriation
oddly enough I think I prefer later Elvis when he’s real zonked out on pills, but the blend of country and soul with his voice here is so smooth.
nice, good rock and roll
Not my thing at all, don’t mind earlier Elvis but this isn’t for me. I forgot it was even playing at one point.
Pretty typical late Elvis album.
Elvis is undeniably good, I don't know if I would listen to him in a album form or singles though. Maybe that's a strange opinion but I feel like some songs flow better in albums while others are better as singles. It could come down to diversity in songs, some songs are very different from each track while others are like the same type. More diversity makes a better album. Good album, didn't sound like a live album at all
Its fine....its Elvis. I am not a fan of Elvis and his voice. Now I am sure if I was a teenage girl in the 50's I would have screamed, yelled and fainted at the site of his hips and the crooning of this voice. But today, having all sorts of music in my past his voice actually annoys me. There are some really pretty songs and ones that connect with my rural background (true love on a gravel road) but his voice just drags to me. The songs on this also weren't that different to me, they were more traditional rock country. But maybe they weren't then....maybe I would be throwing my panties on stage for him back in the day because it was new and made my heart (and other parts) be all a flutter. But today I give it a 3...
I like early Elvis and I like late Elvis and what I love about this album is that it's the beginning of late Elvis when he sort of reinvents himself after his contracts with film companies are over. He goes to Memphis and records this album and I really enjoy the mix of vintage country, blues, honky tonk, and old skool rock n roll all done in a way that gives me some sort of 1970's trucker vibe. I love this album for it's excesses and pure Elvisness. So many people impersonate Elvis. This is Elvis impersonating himself. Giving it all he's got and going in a more passionate direction with his music. Note that Suspicious Minds, Kentucky Rain, and Mama Liked the Roses were NOT on the original album or else I would've given this a 5. Still plenty of other good ones to make it a 4 for me. Also with regard to Elvis not writing any of the songs that he sings... there's a lot to discuss about all that, but I found the following to be especially interesting regarding the "art of an album": "the rock genre itself has an authenticity fetish that developed after major acts of the 60s came along like The Beatles, The Beach Boys and Bob Dylan, who all did a mix of both covers & original material. Rock fans who consider themselves gatekeepers of the genre especially got it in their head that if a rock act didn't write their own songs then they were somehow inferior, less noteworthy or insincere. Elvis' own record company showed a clear lack of interest or respect for his recording material and Elvis's passion for performance in the recording studio clashed with his innate passivity when it came to business dealings like putting together an album. While other artists recognized albums as art forms unto themselves, Elvis came into the industry in an era when singles & EPs were more important and LPs were more of a collection of songs. Record albums used to literally be like photo albums of 4-5 78rpm records with one song apiece on each side.'
Meh. Elvis is overrated.
I love how much soul Elvis sings with on this album. Even though these aren't his songs, he really pays homage to them, and the backing vocals and richness of instrumentation just makes this whole thing very beautiful.
ok but old
A couple of classic songs, the rest meh
I just know I won't survive listening through another Presley album. Suspicious Minds is good, of course.
just not a huge elvis fan
The King 4/5
Well, it's Rick and Morty Time!
65/100.
I don't know why but I picture these songs being the introduction for a post apocalyptic movie and I am here for it. not bad
I love Elvis, but I wasn’t crazy for this album.
In the Ghetto is my favorite on this album.
Fav: Gentle On My Mind Least Fav: Power Of My Love I’ll give him this, he came a long way from his debut
This album reminded me of my grandma (RIP)
Could've been fine with 3 stars as well. It's classic, just dated. None of his hits on this one.
Nice
Boring.
Cover: 5 Great album. Not all are great but some great songs I've never heard before. Highlights: Wearing the Loved On Look, Power of My Love, and Suspicious Minds. Also, Only three Strong Survive and In the Ghetto.
Not bad but not really my thing, I can only listen to Elvis in small doses.
I am certainly no fan of Elvis Presley. I like some of his songs and don't like a lot of his songs. This album I found surprisingly good, although I wouldn't necessary listen to it again.
Love the comeback special and this album features my favourites, 'in the ghetto', gently on my mind and any day now. The King is back!
Long live The King!
So solid. Generational talent. Kentucky rain got me good.
Really enjoyed it
2.5 stars? I don’t have much of a frame of reference to review this album. I’ve never listened to any other full Elvis album. I didn’t feel strongly about this one either way. Blended into the background nicely. At some point when I was listening to it I had the thought, “this sounds like Camera Obscura.” Surely it’s vice versa, but I guess Camera Obscura drew from this general era of pop if not The King himself, so I guess that makes sense.
I like Elvis. When one of his songs hits, it really hits hard. His voice is just so powerful which makes him a great cover artist. But a cover artist is only as good as the songs he's covering... and this album doesn't have many ear-catching tracks for me. The first 3/4 flew by without me noticing. I exited my fugue state when In the Ghetto hit, a song I've always hated. I mean sure, his heart is in the right place... but it's so cringe. I can't take it seriously. But then there's Suspicious Minds which is an amazing Elvis track that i've loved for awhile now (the guitar line is amazing, the rhythm is driving and every vocal line on the track is a hook). It's not my favourite, that might be the live recording of Unchained Melody... so devastating. But Suspicious Minds is a banger and by far the best song on this album. Kentucky Rain and Mama Liked Roses were the only other tracks I enjoyed (well mama was good until the spoken word bridge hit, that never works). There's nothing bad on this album... other than in the Ghetto... but also nothing sticks out to me. It's a shame though, you put this man on the right song and he can really elevate it. His talents are wasted on this material. 2 stars... mainly for Suspicious Minds.
I don’t think this is his best work. It was fine. I can see how influential it was and it’s a decent listen.
Yeah a great Elvis album. A few songs I knew but most I didn’t and it was still lovely.
You can tell this is later end of his career Elvis because the drum break style drumming pattern on the opening song practically hadn’t been invented or adapted by non-black musicians just yet. Then you can hear the late-stage Elvis in the grandiose, sparkly, belty, sweaty delivery of “Only The Strong Survive”. His voice has seen some miles, as evidenced by the breathy, hefty sound of “I’ll Hold You In My Heart”. I could go on and on about how past-his-peak Elvis sounds on each song. I’m just not sure all of it is a bad thing. “Gentle On My Mind” gave me a psychosis of WHO WROTE THIS SONG FIRST - and who did it best? This version is good, not the best, but good. “In the Ghetto” is the obvious highlight here, a serious tone shift with a nice instrumental. If you haven’t heard “Suspicious Minds” by now I don’t know what you’re doing. The highs are high and the lows are pretty dull. 3/5
In the Ghetto & Suspicious Minds: 5 stars Overall: 3 stars Okay, let's make it 4
Pleasant listen but not spectacular.
It is just fine
It’s overly cheesy country music.
It’s a really good album, I’d listen to it casually. Never listened to much Elvis, but it’s hard to dislike him.
4.2
Nice in spurts , lands similar to other folksy albums I’ve got
• 3/5 • slick production and an impressive artistic shift/reinvention for Elvis • I like the country soul sound, but none of the songs really stick; if Suspicious Minds had made the album instead of being released as a separate single, it would be a solid 4+
Alright, but can be bland, repetitive and boring sometimes. 7/10
Really enjoyed: In The Ghetto, Suspicious Minds, Mama Liked the Roses
My favorite Elvis songs but you can hear why he became what he did
Man out of time. But solid outing in terms of what I would expect a post rock and roll Elvis album to sound like
Some tried and true grand slam bangers mixed with a bunch of non-songs.
I like a bit of Elvis - but not slow country Elvis with his nasal vocal vibrations chomping on every syllable. Love Suspicious Minds and In the Ghetto - but everything else borders between meh and annoying.
From Elvis in Memphis That opening track is great, I love the older, more worn tone to his voice and the excellent reverbed backing vocals, twangy guitar, organ, piano, and the fantastic bass. I don’t think I’d heard of Tommy Cogbill, which seems a bit crazy when I read about the songs he’s played on and how people regarded him. And that makes sense as the bass on the whole album is absolutely superb, sitting brilliantly in the space between soul, country and gospel, sometimes busy like on I’m Movin On and Power of My Love, sometimes back in the pocket as on True Love Travels on a Gravel Road, but always with a great tone and melodicism. Despite the bass, and the superb playing in general, in terms of songs and overall tone it is a little inconsistent. Wearin’ That Loved On Look, Only the Strong Survive, Long Black Limousine, I’m Movin’ On and In the Ghetto all work brilliantly, and the version of Gentle on My Mind improves with every listen, and it gives a glimpse of what a fully excellent Elvis country soul album could be. But I’ll Hold You in My Heart, It Keeps Right On A Hurtin’, Power of My Love, After Loving You, Any Day Now seem a bit rote by comparison, never quite taking off or not being the right song choices. The early Elvis albums we had, although also a bit inconsistent, felt consequential. Looking back from 70 odd years their influence and importance is innate, whereas this doesn’t have that same sense. It’s a very good country soul pop album, with great playing and lovely tone to his distinctively great voice, but some of it has the slight feel of being knocked out as part of a recording contract. Even though reading about the album that doesn’t seem to be the case, but I do get the feeling that on a few of the songs, he came in, sang and left and never fully engaged. But maybe that’s unfair, especially in comparison to the approximate 347 soundtrack albums he knocked out in the years previously. But it is still very enjoyable and very listenable. It’s on the cusp of 3 and 4, but I will tip over to 4 for the superb bass and for the timbre of his voice. 👑👑👑👑 Playlist submission: Wearin’ That Loved on Look
This seems like a rebirth for Elvis after several tears in the wilderness, and after slowly losing his edge. He comes bursting back here with a change of tack from his unchallenging movie soundtracks, full of swagger and sex. This has a raw sound, probably not captured since his early rock n roll years - he's evolved into southern soul extraordinaire. The mix here of live feel, gospel backing, fantastic band, Memphis horn overdubs, and song selection make this a winner. It covers some country, soul, rnb, blues, pop absolutely seamlessly. A comeback established, an iconic cover to boot. I like his eponymous album, although deeply rooted in rock n roll. This is a full-on maturation to something else entirely. The era of Suspicious Minds, he is surely at a peak. Knowing Elvis as a singles guy with a place in history this helps me understand what the fuss is about.
Great album
3.5/5 high energy first half of classic Elvis ballads before the back half of album has a brilliant stretch from In The Ghetto through to Kentucky Rain that lifts the album
This is okay, nothing special. Most songs sound similar. I think Elvis is a bit overrated. He sounds like a howling dog sometimes. Such a strong vibrato. Good rhythm though, soulful instrumentals.
Not bad actually, I’ve never been much of an Elvis and this is the first album of his that I’ve ever listened to…didn’t hate it! Weirdly I noticed how much Cher sounds like Elvis as one of my initial thoughts, but once I got over that I enjoyed the songs. Pretty inoffensive, mostly just washed over me but “In the Ghetto” and “ Suspicious Minds” were clear standouts…maybe because I’ve heard them before but who knows? Overall, some great arrangements, killer voice but not one I’d go back to regularly but wouldn’t hate it if it was on
He started getting fat after he stopped using the toilet, that being said, one of the best pre-fat albums.
Good album. I’m not really a fan of Elvis, but this was rnjoyable.
I imagine listening to Elvis feels like watching pre-integration baseball, you kind of have to grade it on a curve knowing most of the talent wasn’t really allowed to play. Still, it had its moments
2.3 Thought it was over-produced and under-produced at the same time. Elvis's talents didn't really seem to shine through
I’m generally not very keen on Elvis. This album is ok, and the faster paced songs are more enjoyable. 2.5/5 Won’t listen again
The murder mystery is one of the best songs of all time
This is #day296 of my #1001albumsyoumusthearbeforeyoudie challenge, and... here's to my third and final album by Elvis. As before, I don't care for either his persona or this music in general. I'm just not feeling what I'm hearing. As a background, it's kind of listenable, but... sooner or later, all that voice brings about in me is just a big yawn. This is a 2 out of 5. Looking forward to #day297.
Pretty rad dose of hillbilly rock. “In the Ghetto” and “Suspicious Minds” are stone cold classics. Also a lot more range here than earlier Elvis stuff.
Elvis singing about the ghetto…..hmmm. It’s a very gospel/bluesy album. Other than Suspicious Minds, I’m not enthralled.
4/10
I recognized a couple of tracks off the rip, but most weren't singles I had heard before. It had that expected Elvis sound throughout, which isn't too surprising when it was this 9th studio album. If anything, I was most shocked by the mix balance, where I assumed Elvis would always feel front and center, but he generally was woven into the sound at the same level. For example, while in my car it was a struggle to hear him over the sound of the drums on several tracks or he would blend into the chorus behind him on others, which for a single artist's work, is a little strange.
Niet voor mij. Elvis was goed live, maar op album niet echt
Really great
I like this Album. Don't love it. But I get why it matters. 4*
HOLY SHIT WEARING THAT LOVED ON LOOK IS SO SICK. I love the organ. I have to cover that with my band. Really good album almost gave me doors vibes
Sweete boy, aber definitiv weniger gflashed gsi. Aber schön mal es Elvis Album glost zha. De Elvis isch aber neb em uncle Sam au d verkörperig vode USA. Git bekanntlich biz abzug. Ganz abhole duts mi leider ned. 2 speed hochziite mit elvis animation
Elvis fücking presley Ganz andere sound als ich erwarted han. Vill ruhiger und weniger sex rock and röck n röll. Darum schiki 3 überraschti böötlis de missisippiabe direkt uf memphis.
Suspicious Minds is one of the best songs ever.
3/5. Great voice, but the songs don’t really do it for me. I recognize the phenomena, but I don’t share it.
Classic Elvis 4/5
GOAT. King of rock n roll. Enough said.
Well my first Elvis album and it was pretty good! But I mean it's Elvis come on! And a live album ballsy lol no it was pretty good
The man didn’t have a bad voice and was an influential performer. Not so much a creative force
It's Elvis, just like all the other Elvis. Fave: Gentle on my mind.
Suspicious minds on this album - best song
great shit
Difficile pour moi de connecter avec Elvis. Je trouve son interprétation affectée et surannée. Mais j'aime la chanson Suspicious Minds.
It's not Rock Rebel Elvis, it's like Lounge Country Elvis. The couple of hits are hits for a reason, but the rest of it just falls flat. I don't really need that much schmaltz in 60 minutes.
Not a fan of Elvis' deep register or the rock and roll 50s cheese, none the less, it's interesting how so many musical influences are mashed together in his songs and delivery
I feel like at a certain point all his music blends together. Doesn’t mean it’s bad but he made so many albums it’s hard to be in love with every single one.
Elvis after the soundtracks before the end is my favorite Elvis. He goes back to his roots on this one and showcases who he really is as an artist and person. It didn’t quite make his the modern rock dude he wanted, but it was a hell of a comeback. The openers and Suspicious Minds may be the best Elvis recordings of all time.
A lot of these were a first for me, thankyou very much !!
I'm not listening to this crap
A good go-to for Elvis, displaying a great range, culminating with In the Ghetto and Suspicious Minds.
Not a bad album, but several songs sound the same. The songs are also short in general (less than 3 minutes) and they could benefit for being longer because the instrumental part is really great.
Hell, it's the king so it can't be bad. His voice was still strong too. But with the exception of "In the Ghetto" their weren't any standout tracks for me, and tbh this version of that song wasn't the best I've heard.
Not a fan
Topp artist med ein fantastisk stemme. Melodiene variere i kvalitet, kanskje på grunn av bandet. Men et bra album over snittet
Ikonisk vokalist og kvalitets musikere, men musikken gir meg ikke så mye. In the ghetto skiller seg ut som den klart beste. Melodiøse basslinjer på enkelte sanger trekker opp. At samtlige sanger fades ut, trekker ned.
It’s Elvis! I know maybe half the songs, good album overall.
It's Elvis, so it's exactly what you expect. Not my cup of tea but it's fine, an easy listen with a couple of bangers coming in the shape of Suspicious Minds and In The Ghetto (although Cartman sings it better). Would be a 2-star album if not for those two tracks.
Really enjoyed some of the more upbeat songs. Great band and bass sound. A bit dated overall though.
I know I was a sceptic here - but then my absolute favourite Elvis song popped off, gotta add a star for this
5 stars for song after song of depressing lyrics, daddy was crying, children were crying, cold kentucky rain and permanent heart break but jaysus it finished strong ..won't be listening to the entire album again but some absolute belters
Good classic Elvis, a more soulful toned down later Elvis album.
This album SLAMS. The production is fantastic, Elvis booms out of the center surrounded by a crisp, snappy, powerhouse of a band. The first few tracks are the best, energetic out of the gate, Elvis seducing you with that mountain echo of a voice. But the remainder are no slouch, as he shows off his whole vocal range. Really fun album, man, listen to it again!
Honestly, I've just never liked the iconic Elvis voice
Lots of this feels very 'by numbers' to a modern ear, but then there are some odd charmers like 'In the Ghetto'
## In-Depth Review: *From Elvis In Memphis* by Elvis Presley *From Elvis In Memphis*, released in 1969, is widely regarded as one of Elvis Presley’s most significant and artistically revitalizing albums. Recorded at American Sound Studio in Memphis, this record marked Elvis’s return to non-soundtrack material after years of formulaic movie albums, and it stands as a testament to his versatility, emotional depth, and enduring influence in popular music. --- ## Lyrics **Personal and Social Themes** The album’s lyrics traverse a wide emotional and thematic range, making it arguably the most personal record of Elvis’s career. While Presley did not write the songs, his interpretive power imbues them with autobiographical resonance. The tracks explore: - **Fame and Loss:** “Long Black Limousine” is a meditation on the cost of celebrity and the emptiness that can follow success, with lyrics that evoke both public adulation and private sorrow[7]. - **Motherhood and Family:** “Only the Strong Survive” touches on resilience, while “I’ll Hold You in My Heart” and “True Love Travels on a Gravel Road” reflect on faith, love, and familial bonds[7]. - **Poverty and Social Issues:** “In the Ghetto” stands out as a stark narrative about cycles of poverty and violence, with Presley’s delivery lending the story a sense of empathy and urgency[7][9]. - **Romance and Sexuality:** Tracks like “Power of My Love” and “After Loving You” are infused with sensuality and longing, revealing a rawer, more mature Elvis than the sanitized movie star image of the early ’60s[7]. Presley’s ability to inhabit these songs-making them feel as if they were drawn from his own life-elevates the album beyond a mere collection of covers. His vocal ad-libs and subtle lyric changes, such as those in “It Keeps Right On A-Hurtin’,” further personalize the material[9]. --- ## Music **Genre Fusion and Arrangements** *From Elvis In Memphis* is a masterclass in genre blending, fusing elements of soul, country, blues, gospel, and pop into a cohesive whole. The musicians, known as the “Memphis Boys,” were adept at moving fluidly between styles, often within a single track[6]. - **Soul and R&B:** Tracks like “Only the Strong Survive” and “Any Day Now” showcase deep soul grooves, with punchy horns, syncopated basslines, and gospel-inspired backing vocals[6][8]. - **Country and Blues:** “I’m Movin’ On” begins with a country motif but quickly morphs into a funky, horn-driven jam, while “Gentle on My Mind” and “True Love Travels on a Gravel Road” highlight Elvis’s country roots[6][8]. - **Pop and Rock:** The opener “Wearin’ That Loved On Look” signals a departure from Elvis’s earlier crooner style, introducing a grittier, more urgent vocal approach[10]. The arrangements are dynamic, with frequent tempo and key changes that test both Elvis and the band’s technical prowess. Instrumental highlights include Bobby Emmons’s Hammond organ, Bobby Wood’s expressive piano, and Reggie Young’s guitar work, which ranges from twangy country licks to soulful riffs[8][10]. --- ## Production **Chips Moman’s Vision** Producer Chips Moman’s approach was both innovative and organic. He encouraged the musicians to move beyond simply reading charts, fostering an environment where spontaneity and emotional expression were paramount[6]. The production is characterized by: - **Vocal Prominence:** Elvis’s vocals are placed front and center, often with added reverb to enhance their power and intimacy[5]. - **Instrumental Balance:** The mix is rich and full, with the rhythm section (drums and bass) given a strong presence. The organ, piano, and horns are layered to create a “Memphis stew” that is both soulful and immediate[5][8]. - **Stereo Imaging:** The album features creative stereo placement, with instruments and backing vocals shifting across the soundstage, adding depth and movement to the listening experience[8]. Later remasters and audiophile editions have further clarified the mix, sometimes emphasizing different elements (e.g., louder vocals or a “cleaner” overall sound), but the original production remains a benchmark for its warmth and vitality[8]. --- ## Themes **A Return to Roots and Relevance** Thematically, the album is a statement of artistic rebirth. After years of stagnation and irrelevance during the British Invasion and the rise of soul music, Elvis reasserted himself as a vital force in American music[6]. - **Redemption and Renewal:** The album’s narrative arc moves from heartbreak and regret to hope and self-realization, mirroring Elvis’s own journey back to creative prominence[10]. - **Social Commentary:** “In the Ghetto” is a rare foray into explicit social criticism for Elvis, addressing systemic poverty and its consequences with empathy and directness[7][9]. - **Intimacy and Vulnerability:** Many tracks reveal a more vulnerable Elvis, unafraid to expose his insecurities and longing-a marked contrast to the bravado of his early rock ’n’ roll hits[9][10]. --- ## Influence **Legacy and Impact** *From Elvis In Memphis* is frequently cited as one of Elvis’s greatest achievements and a landmark in late-1960s pop and soul music[6][9]. Its influence can be traced in several areas: - **Revitalization of Elvis’s Career:** The album, along with the “’68 Comeback Special,” reestablished Presley as a contemporary artist, not merely a nostalgia act[10]. - **Genre Cross-Pollination:** The seamless blend of soul, country, and pop set a template for future artists seeking to transcend genre boundaries[6]. - **Vocal Performance:** Elvis’s impassioned, nuanced singing on this album has been lauded as some of his finest work, inspiring generations of vocalists across genres[9]. - **Critical Reassessment:** The album’s success prompted critics to reevaluate Elvis’s artistry, recognizing his interpretive genius and emotional depth[6]. --- ## Pros and Cons | Pros | Cons | |---------------------------------------------------------------------|----------------------------------------------------------------| | Elvis’s vocals are at their most powerful and emotionally nuanced | Some tracks have production choices (e.g., heavy reverb, loud bass) that may not appeal to all listeners[8] | | Innovative fusion of soul, country, blues, and pop | The album is a collection of covers, not original compositions by Elvis[9] | | Strong, cohesive backing band and arrangements | A few songs are less memorable or feel like filler compared to the highlights | | Thoughtful, often autobiographical song selection | Later remasters sometimes alter the original mix, which may divide purists[8] | | Standout tracks (“In the Ghetto,” “Long Black Limousine,” “Only the Strong Survive”) | Some listeners may prefer the rawness of Elvis’s earlier Sun recordings | | Socially conscious themes, especially in “In the Ghetto” | The album’s stylistic diversity, while a strength, can also feel uneven to some | --- ## Conclusion *From Elvis In Memphis* is not just a comeback record; it is a bold artistic statement that redefined Elvis Presley’s legacy. Through its compelling lyrics, genre-defying music, inspired production, and deeply personal themes, the album stands as a testament to Presley’s enduring artistry and relevance. Its influence continues to be felt, both in the world of pop and soul music and in the broader landscape of American popular culture. For any serious music fan, it remains essential listening-an album where the King reclaimed his throne with passion, vulnerability, and undeniable talent.
Really struggle to like Elvis, I know he’s a product of his time but I found the lyrics quite repetitive and they didn’t entertain or grab me emotionally. Excellent performances from everyone, and lush production, but didn’t move me.
на любителя.
Theres a couple of BANGERS in this album but the rest are pretty average. Overall I would buy this album so no complaints
I like some songs that I heard from this era of Elvis like Suspicious Minds and Polk Salad Anne. This album was pretty good. I like the use of organ and choirs. The guitars are really twangy the drums are stopping. It's pretty swampy when it's rocking. Like the first song and "I'm Movin' On"
I didn’t think this was too bad, and As I have already mentioned, I am not much of an Elvis fan. Although I found some of these arrangements a little cheesy, I generally enjoyed this album. In the Ghetto is one of his better songs. This one is 3 stars for me, but I won’t need to hear it again.
Country crooning legend Fave song: Gentle on my Mind
Elvis' vocal prowess is in full force on this record but, aside from a few exceptional songs ("Gentle on My Mind", "Any Day Now", "In The Ghetto"), his titanic voice overmatches the largely run-of-the-mill material. Perhaps in an attempt to keep up with The King's vocals, the production on this record is often over the top (such as on "I'm Movin' On" and "Long Black Limousine", the latter of which has multiple (!) ascending key changes), with the results being more Vegas than Memphis.
Really enjoyable, if a bit repetitive in tone.
I didn’t have many feelings about this. Suspicious Minds is good.
Bon album même si je me suis pas pris de claque, j'ai apprécié quelque son par ci par la mais l'album en entier est mid
Liked this more than I ever would have imagined. Much better than "Elvis is Back!" which this generator previously gave me. Songwriting is much stronger and the country influences work great. Still not fully on board, but certainly an enjoyable listen.
When Elvis belts on this it’s awesome. His voice really sounds great on here. When he’s mad and miserable sounding it’s fantastic. The problem is all the other bland typical crooner stuff
I've never really listened to Elvis before despite doing a Jailhouse Rock skit in preschool. (It mustn't have left much of an impression.) This just isn't my thing. Rated on quality this is a 2 or 3, but I can't do it. Favorite track: ??? (nothing stood out)
Eric Cartman had the best version of "In the Ghetto." 3/5
Pretty interesting, didn’t know this one. Great backing band and even better backing singers! Some real gems: wearing that loved on look (hooray for the Sadie’s introducing me to it), suspicious minds and in the ghetto.
Classic, older rock. Nice to listen to. My lack of experience with Elvis made it feel like I was listening to Johnny Bravo the whole time, which only amplified the experience.
Never listened to much Elvis but I really enjoyed this album.
Highlights: Long Black Limousine, In the Ghetto, Suspicious Minds Elvis' return to music. Historically, a very important album for both Rock N' Roll, and Elvis himself. There are some good tracks on here, but they are unfortunately drowning in bloat. The gospel fusion is pretty strong and sometimes works. But often, it just sounds like easy listening background music.
I'm in shock - didn't know a single song from this album. But I do love me some Presley so listening to it was a breeze. Such quality live music.
Great production with the well known hit "In The Ghetto". (Rated the original release without the other hit "Suspicious Minds".)
People listen to Elvis for Elvis, not the band. The music was a little I inspired. The album as a whole was a little homogenous, but a couple stars.
A classic
How could you not like the king. He started it all.
There’s a reason why he’s called the King.
Good
7/10
h: suspicious minds c: long black limousine
Some of Elvis’ best work.
Elvis had that charisma and presence. his 1st album is much more surprising but this one feels good
All the negative buzz about Elvis aside, which could become its own LONG tangent and that it did affect my thought on his music up until recently. Its interesting to finally listen to one of his albums and realize that there really is a genuinely solid album with great singing, backing vocals and playing instead of purely singles mashed together. It's not reinventing the wheel but I can see why he was so beloved by so many.
I'd give this 4.5 stars, as it is my favorite Elvis release, though 2 of my favorite songs from this era are only on the reissue from 2000 (Kentucky Rain and Suspicious Minds). Overall, I just think it sounds amazing, the music is both epic and just a top-notch country-tinged rock album.
thick schtick... very ok. am i the only one who thinks he's a bit overrated.... or are the later years just not that good???
ITs ok, but not my jam
There are a few gems on this record, but it has more to do with the songwriting and the band more than the singer. The schtick is thick with this guy.
4 stars by virtue of "In the Ghetto" and "Suspicious Minds" 4/5
Not very good
Uma muito agradável surpresa. Não conhecia estas canções e interpretações do Elvis. Para já, um álbum fantástico.
amazing
Nice soulful album. A good album for a chill, upbeat mood.
Mid
Classic music good for background music
I only know the famous classics of Elvis (and love them) but have never ventured deep into his back catalogue of tunes. This is a lot less rock 'n' roll and a lot more of a warbling, soulful, country sound which I didn't expect. 'Only The Strong Survive' and 'In The Ghetto' are the best tracks. I can't fault Elvis' vocals whatsoever. They're like smooth liquid gold and you can practically hear the famous curled lip of his as he sings. Overall, it's not massively interesting, a little boring in places, but Elvis himself is definitely the highlight.
Only rating this high because it’s Elvis, but not much feeling going on here, like he’s phoning it in
Heart says more but, sorry Elvis, head says 3. Apart from the 2 obvious great tracks, the rest is big production average country.
Not a bad Elvis Album
I don’t think I’ve ever actually sat down and listened to an Elvis album start to finish before, but I do know a fair number of his songs pretty well. I’ve always found it very interesting that he was the original artist that the looney-tunes Baptist Christians considered to be satanic and evil, which is impressive considering how devout in his faith he was. As far as this album goes, there’s a ton of classic country standards performed in a very soulful style. Honestly that’s not what I expected at all coming into this record. Everything musically is well done here, instrumentally it’s nothing groundbreaking or exciting, but it’s well done. My main gripe with this album is just how cheesy the vocals are, especially on songs that I really love when they’re performed by other artists. Songs like “I’m Movin’ On” and “Gentle On My Mind”. I understand why people enjoy these covers, but they just don’t work for me. I think Elvis’s cocky timbre is far better suited for his earlier rock n roll style, and I will continue to prefer that. 2.5 stars rounded up, I suppose.
I have always thought “In the Ghetto” and especially “Suspicious Minds” to be among Elvis’s best and most interesting hits, so i was intrigued to see the context of the album that they both came from. I have to say, i was pretty blown away by this album. The accusation is often made—I’d argue it is trendy to do so—that Elvis simply stole what black musicians were already doing and repackaged it for white audiences. He certainly was a major catalyst for bridging the two in popular culture, but i think this album makes it abundantly clear that his feeling for soul and blues music is as genuine as anyone’s. (I also think his actions throughout his life showed a lot of respect and acknowledgment towards the black musicians he worked alongside and drew inspiration from but this is not material to discussing this album.) It’s really fitting that Memphis was the place to record this album that is both so country and so bluesy and so soulful throughout. And the effect is a much more mature, interesting, captivating Elvis than at any other point in his career, in my opinion. Something that struck me as interesting is that the earliest stages of Elvis’s career were extremely provocative and boundary-pushing. On this album, he instead turns back the clock, with several arrangements sounding closer to 1964 or even 1959 than 1969. Artistically, though, it is not a step backwards at all. I’m not sure how to pick out favorite tracks on this record as there isn’t a single one I didn’t thoroughly enjoy. Some clear picks are “Long Black Limousine”, “Power of My Love”, “True Love Travels on a Gravel Road”, “Suspicious Minds”, “Don’t Cry Daddy” and “Kentucky Rain”. His renditions of “Gentle On My Mind” and “Any Day Now”, while not my favorite versions, are very good and I’m happy to know they exist. This is a fantastic album that elicits more feeling from me than I expected. 5 ⭐️
ok? didnt really care for it, much like background noise for me
Pleasant, but not that interesting.
Long Live The King (I hope he's happy on the alien toilet)
Enjoyable. Not something I'd likely return to but you can see the story telling and the showmanship. I enjoy that.
One that is already in my collection.... a good re-listen today (a couple of the songs seem a bit dated. #Musicsky #Albumsky 3/5 Day 30
This album doesn't exude as much "king of rock and roll" as other albums, but I found this okay.
I've never not known Elvis as a meme, so it was nice to take this in. He obviously has talent, and there were some jams, but it didn't really do much for me beyond that.
Hmmm
I don't think I've ever really liked Elvis, never understood why he's considered so great.
Sounds like Elvis in Memphis. I guess good enough, but not too interesting?
Elvis!!!!
Long Black Limousine is a pretty good song. Lots going on here from soul to blues to jazzy to more crooner stuff. Harmonica, trumpet, a bit of everything. Pretty good album musically aside from Elvis vocals which I'm not a fan of. 3 leaning towards a 2.
Not really my cup of tea.
Elvis had the voice, the looks and the charisma so it would probably feel unfair if he’d also been blessed with a great sense of quality control. This album veers all the way from the sublime to borderline self-parody.
Extremely dated but that's obvious. Other than that it's fine
I thought I knew a lot of Elvis‘s catalog. Seeing an album of songs, I didn’t recognize seemed interesting at first. But man, this album just feels so uninspired. Suspicious Minds is obviously the highlight of the album and probably the only song worth listening to more than once, I will definitely give other Elvis albums a chance, but I think once was enough for this album
3/5 I like this more than his debut and early work in general. I prefer the more upbeat songs on here the most - the country songs are not my jam
I was upset when I listened to earlier Elvis when he just stole black music. This isn't that, but it also sounds quaint in a way that doesn't do much for me. When it rocks and rolls, it works better, but a lot of this is just too slow. Also, we all know Elvis knew absolutely nothing about living in the ghetto.
te odio elvis
At the start I was really enjoying it and the more it went on the more I felt like it was a parody of elvis like an impersonator did an elvis album
lol this is fire, wild
Tight
It do be swinging.
The king himself, waren schon ein paar Klassiker dabei
This is ok, not really my thing but has some moments. The hits Suspicious Minds and In The Ghetto are good, I also liked I'm Moving On and Power Of My Love. 5/10
I was expecting an album of mature soulfulness a la Suspicious Minds but got hit with a wave of hokeyness instead.
Elvis was never that talented, but at least early Elvis was interesting to listen to. This is just boring grandma music. 3/10
This doesn’t sound live, like at all. Well, this is Elvis. You know what you’re going to get. Can you dig it? There are haters but I don’t know why. The only knocks against Elvis are his hankering for younger girls and the fact that he didn’t write a single song. Like ever. EVER. It blows my mind that someone so musically talented did not ever pick up a pen and write a complete song. Even just words. Mind blown. Anyways. Ya You know what you’re getting with this album. You don’t need me to talk about it. Choice cut: After Loving You
hard to knock an album with suspicious minds on it
Class, even if In The Ghetto has been entirely ruined for me by Eric Cartman
78% Best: Wearin’ That Loved On Look; I’m Movin’ On; Power of My Love; Gentle On My Mind Must-Hear? I don’t like Elvis usually, but this album is probably his best. If there’s one Elvis album you must hear, it’s this one. That being said, in the grand scheme of things, it is not a must-hear.
Being recorded in '69, but laking the Kings extraordinary appearance.
Not a huge Elvis fan, but appreciate him
Cerramos la semana de regreso al reto con Elvis, figura histórica si las habrá, más allá si es querida u odiada. El disco arranca con un Presley potente, seguro de sí mismo, y se mantiene, con su voz siempre emotiva y poderosa. Gran trabajo de Elvis. Hasta el lunes.
Honestly don't get it. Why Elvis if it's motown or blues? Saved by a couple of classics.
This was Gentle On My Mind.
Elvis in Memphis is like watching your rock ‘n’ roll hero try to break free from a straightjacket—equal parts surprising brilliance and playful defiance. While the King still wears that trademark swagger, this album shows him trading his leather jacket for a soulful, grown-up vibe. It’s as if he took a detour from the predictable and said, “Hey, let’s shake things up a bit,” delivering tracks that are both swaggering and subtly self-aware. Sure, he might still be the King, but here he’s not afraid to laugh at himself while belting out some truly irresistible tunes. A delightfully cheeky detour from his usual antics that proves even royalty can reinvent themselves with a wink and a nod.
Classic
Elvis has never been my thing. Aside from Suspicious Minds and the bluesy Power of my Love, this album is a repetitive dirge.
Decent
Liked this more than I thought I would
EXCELLENT album, Elvis' voice is at its peak, the songs have interesting vocal melodies and the backing vocals add a lot to this gospel/folk/rock aesthetic, I loved it.
2.5
Classic
back to back Elvis P. less enjoyable than Elvis is Back!, which I found to be really fun. more drawn-out and melancholy. soul moments not for me. in the ghetto is the most unhinged track i've heard from this project so far. wtf? Best tunes: wearin’ that loved on look, i’m movin’ on, power of my love, gentle on my mind, after loving you, any day now
They worked Elvis like an old John Deere diesel lawnmower. 30+ movies by this time, why? So many people making money off Elvis. Big Elvis posse leaching and taking advantage of his work ethic which was Sisyphus like...keep pushing that rock! Of course he was drugged up. His voice quality was all over the place. Also E wrapping with the spoken word was a hoot. Elvis get a 4 because of the weight of the barnacles he carried.
Not a fan
Everytime Elvis pops up in here I think I'm going to love it and everytime, I am disappointed.
Background music.
Ganz gut. 2S.
My favorite songs are not on this album, still a good listen
Nice to hear the oldies
For me it's interesting to read the reviews on this site because – in my opinion – in the UK we get a very culturally different musical exposure compared with our US cousins. Some reviews of this album talk about how generic it sounds: it's described as "standard Elvis country music filler", "the kind of music that an audience at a bar would half-listen to". But in the UK we don't hear this music a lot, I don't think. Right now I'm in central London, surrounded by thousands of pubs and bars, but I don't know a single one I could walk into right now to be sure to hear music in this genre. So to me this music isn't cliched. It's exciting and other-worldly. It talks of a different place, of 70s America, of red vinyl seats and long bars and moustaches, Levis and Cadillacs. This is a dream album of a dream land I will never truly understand but can see a window into via beautiful songs like "Gentle on my Mind", "Only the Strong Survive", "Any Day Now", "Wearin' that Loved on Look" and of course "Suspicious Minds". So yes: Elvis is still king. Maybe his earlier stuff was fresher and more exciting. But my goodness this is incredible.
So boring, still listenable though. Suspicious Minds is great though obviously
No matter how hard I try, a lot of Elvis just doesn’t click. Except the comeback album.
Elvis is not my thing
It was good. Nothing ground breaking. Suspicious Minds is an earworm tho.
i can't believe he was really in memphis
Great album. No bad songs. This is the best Elvis sound
Only listened to individual tracks/compilations/playlists. But really enjoying this album, fantastic.
Not my fave Elvis album, but easy listening. I'll hold you in my heart was my fave
Don't think I've listened to Elvis outside of his greatest hits album and a few of the soundtrack ones from the movie. This was a lote more groovy than I expected. I guess he just liked making snazzy songs. Faves: Wearin That Loved On Look I'm Movin' On Power of My Love After Loving You Any Day Now Suspicious Minds
Some of the lyrics are funny true love travels on a gravel road It keeps right on a-hurtin: The pillow where you lay your head Now holds my empty dreams instead Don't Cry Daddy lyric: voice inside my coffee cup Big hits on here: Suspicious Minds, Gentle on my Mind In the Ghetto (did not age well)
This just felt right as we drove across Tennessee. Not all of these songs sounded live, which I thought they were going to be. Never the less, it’s a solid listen.
Most of the songs were listenable with the exception of 2-3 songa that werw really good. Not really much to say other than it was ok. The bonus track version of suspicious minds here is amazing. About a 6/10.
What a comeback album from Elvis.
I nearly gave this one a 5. It had a few of his main hits and that classic Elvis sound throughout.
I'm not a big Elvis fan, but I did enjoy this album. Very country throughout on this one, for sure.
Three stars mostly because of "Suspicious Minds".
A bunch of decent songs, then In the Ghetto and Suspicious Minds!
Once again, I have really underestimated Elvis. This album is not as sexy as the one I reviewed earlier, and for that I'm knocking it down one star, but damn this man really can sing!
This is the first 'proper' Elvis album I've listened to and it's the closest I feel like I've come to getting it. If I'm right in my understanding this represented a change of approach for him, and it definitely works - having his vocals (excellent) atop these cool soulful instrumentals is a really refreshing take on what I view as the classic Elvis sound and it was a great listen!
A classic, though I hadn't heard a few as far as I can remember. Great sound and range. Don't Cry Daddy pulled at my heartstrings a bit! So did Mama Liked the Roses.
not a huge Elvis fan but has some really nice songs on there
A few good numbers but it didn't age well.
There were undertones of Neil Diamondesque cheesiness, but I really had fun listening to this album. Wearin' that Loved On Look, Suspicious Minds, In the Ghetto, I'm Movin On... Great songs. Too bad he didn't write them, but his performance and voice rock.
Classic Elvis.
Wearin’That Loved On Look: 3/5 - not bad, but also not memorable Only the Strong Survive: 2.5/5 - a bit boring I’ll Hold You In My Heart (Till I Can Hold You In My Arms): 2/5 - lack of strong moments, monotonne Long Black Limousine: 3.25/5 - intro sounds like a christmas carol, but I like it It Keeps Right On A-Hurtin’: 3/5 - simple and nice to listen I’m Movin’ On: 3.25/5 - I like the guitar riffs Power of My Love: 3.5/5 - strong vocals and saxophone make this song Gentle On My Mind: 3.5/5 - I like how the story in lyrics evolves along with the song After Loving You: 2.5/5 - well written lyrics but the melody is boring True Love Travels On a Gravel Road: 3/5 - great storytelling job Any Day Now: 3.5/5 - a lot happens, perfect for ‚feeling good’ playlist In the Ghetto: 3/5 - classic, but the melody is a bit repetitive for me Suspisious Minds: 4/5 - absolute favourite Don’t Cry Daddy: 3/5 - terribly sad Kentucky Rain: 3.75/5 - my 2nd place, elvis is so good in storytelling Mama Liked the Roses: 2.75/5 - beautiful ballad, but I will not remember it Overall rating: 3.09/5
Amazing sound quality and super energetic.
2 out of 5. First time listening to a full album of his. Elvis was never my thing.
Derivative garbage. I wish I could unlisten to this.
I have been hoping for an Elvis album, just because I haven't really spent any time with his music outside of what you just generally absorb. This didn't really do anything for me.
I think Suspicious Minds is my favorite Elvis song, and In the Ghetto is quite good. Others kind of bland.
It's an OK album, it's just feels a bit tired
A fine performance from the King, as well as the backing band. But other than the bassline and overall energy on "I'm Movin' On" I found the album as a whole fairly vanilla in terms of songwriting
..
Альбом не тронул. Совсем не тот Элвис, к которому я привык.
I'm not an Elvis fan in the least but this one sounds better than most of what I hear. Bluesy, lots of crooning, but it works pretty well. Seems on top of his game here. I don't really listen to Elvis, but if I ever feel the urge, I guess I'll go back to this album.
“He’s white?”